0:00:05 > 0:00:06- JOHN:- 'Sherlock!'
0:00:14 > 0:00:16'It's a trick.'
0:00:16 > 0:00:18Just a magic trick.
0:00:18 > 0:00:22No. All right, stop it now.
0:00:22 > 0:00:24'Now, stay exactly where you are.
0:00:25 > 0:00:27- 'Don't move.'- All right.
0:00:29 > 0:00:30Keep your eyes fixed on me.
0:00:33 > 0:00:34'Please, would you do this for me?'
0:00:34 > 0:00:36Do what?
0:00:36 > 0:00:38'This phone call, it's er...'
0:00:39 > 0:00:40..it's my note.
0:00:44 > 0:00:47It's what people do, don't they?
0:00:47 > 0:00:49'Leave a note.'
0:00:50 > 0:00:53Leave a note when?
0:00:53 > 0:00:54'Goodbye, John.'
0:00:54 > 0:00:55No. Don't...
0:01:12 > 0:01:13Sherlock!
0:01:25 > 0:01:26JOHN MOANS
0:02:19 > 0:02:20John.
0:02:20 > 0:02:22John, look at me. Look at me.
0:02:22 > 0:02:23And sleep.
0:02:24 > 0:02:29Right the way down, right the way deep, right the way, sound asleep.
0:02:30 > 0:02:32That's real.
0:02:32 > 0:02:35That's good, with my voice just there in the centre of your head
0:02:35 > 0:02:37and floating all the way around you.
0:02:37 > 0:02:41And you will awaken in three, two, one...
0:02:42 > 0:02:43..zero.
0:02:53 > 0:02:56Let me come through please! He's my friend.
0:03:16 > 0:03:18- LESTRADE:- 'Bollocks!'
0:03:18 > 0:03:19No, no, no, no, it's obvious.
0:03:19 > 0:03:22That's how he did it. It's obvious.
0:03:22 > 0:03:26Derren Brown?! Let it go, Sherlock's dead.
0:03:26 > 0:03:27But is he?
0:03:27 > 0:03:29There was a body, it was him.
0:03:29 > 0:03:31It was definitely him, Molly Hooper laid him out.
0:03:31 > 0:03:33No, she's lying.
0:03:33 > 0:03:35It was Jim Moriarty's body with a mask on.
0:03:35 > 0:03:37A mask?
0:03:37 > 0:03:40A bungee rope, a mask, Derren Brown.
0:03:40 > 0:03:42Two years and the theories keep getting more stupid.
0:03:42 > 0:03:44How many more have you got for me today?
0:03:44 > 0:03:47Well, you know the paving slabs in that whole area,
0:03:47 > 0:03:48even the exact ones that he landed on,
0:03:48 > 0:03:51- you know they were all...- Guilt!
0:03:51 > 0:03:53That's all this is.
0:03:53 > 0:03:54You pushed us all into thinking
0:03:54 > 0:03:57that Sherlock that was a fraud, you and Donovan.
0:03:57 > 0:04:01You did this and it killed him and he's staying dead.
0:04:01 > 0:04:04Do you honestly believe that if you have enough stupid theories,
0:04:04 > 0:04:06it's going to change what really happened?
0:04:08 > 0:04:09I believe in Sherlock Holmes.
0:04:09 > 0:04:12Yeah, well, that won't bring him back.
0:04:12 > 0:04:15And that after extensive police investigations...
0:04:15 > 0:04:18Richard Brook did indeed prove to be the creation of James Moriarty...
0:04:18 > 0:04:21- MALE REPORTER:- 'Amidst unprecedented scenes, there was uproar in court
0:04:21 > 0:04:25'as Sherlock Holmes was vindicated and cleared of all suspicion.'
0:04:25 > 0:04:28- FEMALE REPORTER:- 'Sadly, all this comes too late for the detective,
0:04:28 > 0:04:30'who became something of a celebrity two years ago.'
0:04:30 > 0:04:34Questions are now being asked as to why police let matters get so far.
0:04:34 > 0:04:36Sherlock Holmes fell to his death
0:04:36 > 0:04:39from the top of London's Bart's Hospital. Although he left no note,
0:04:39 > 0:04:41friends say it's unlikely he was able to cope with the...
0:04:41 > 0:04:44Well then. Absent friends.
0:04:46 > 0:04:47Sherlock.
0:04:47 > 0:04:48Sherlock.
0:04:48 > 0:04:50And may God rest his soul.
0:05:29 > 0:05:30HELICOPTER FLIES OVER
0:05:30 > 0:05:32HEAVY BREATHING
0:05:34 > 0:05:37MAN SPEAKS IN SERBIAN
0:05:44 > 0:05:46MEN SHOUT IN SERBIAN
0:05:54 > 0:05:56DOGS BARK
0:06:02 > 0:06:03BARKING GETS CLOSER
0:06:10 > 0:06:11GUNSHOTS
0:06:27 > 0:06:30LOUD MUSIC THROUGH HEADPHONES
0:06:30 > 0:06:31THUMP
0:06:31 > 0:06:34MAN GROANS
0:06:34 > 0:06:36THUMPS CONTINUE
0:06:36 > 0:06:38MAN SPEAKS IN SERBIAN
0:06:46 > 0:06:49THUMPS AND SHOUTING CONTINUE
0:06:51 > 0:06:54MAN GROANS
0:06:55 > 0:06:57TRANSLATED FROM SERBIAN:
0:07:07 > 0:07:09PRISONER WHISPERS
0:07:23 > 0:07:24What?
0:07:25 > 0:07:28PRISONER WHISPERS
0:07:39 > 0:07:41PRISONER WHISPERS
0:07:55 > 0:07:57DOOR CLOSES
0:08:14 > 0:08:15Now listen to me.
0:08:15 > 0:08:18There's an underground terrorist network active in London
0:08:18 > 0:08:21and a massive attack is imminent.
0:08:21 > 0:08:24Sorry, but the holiday is over...
0:08:25 > 0:08:27..Brother dear.
0:08:27 > 0:08:28Back to Baker Street...
0:08:30 > 0:08:31..Sherlock Holmes.
0:10:03 > 0:10:05- CHILD:- Penny for the guy?
0:10:06 > 0:10:08Oi, mate, penny for the guy?
0:10:08 > 0:10:10- Penny for the guy, mate? - Penny for the guy?
0:10:13 > 0:10:16Penny for the guy? Penny for the guy? >
0:10:27 > 0:10:31- JOHN:- 'That was the most ridiculous thing I've ever done.'
0:10:31 > 0:10:33SHERLOCK: 'You invaded Afghanistan.'
0:10:33 > 0:10:35DOOR OPENS
0:10:38 > 0:10:40HE CLEARS HIS THROAT
0:10:46 > 0:10:49You have been busy, haven't you?
0:10:49 > 0:10:53Quite the busy little bee. Hmm.
0:10:53 > 0:10:57Moriarty's network. Took me two years to dismantle it.
0:10:57 > 0:10:59And you're confident you have?
0:10:59 > 0:11:01The Serbian side was the last piece of the puzzle.
0:11:01 > 0:11:07Yes. You got yourself in deep there with Baron Maupertuis.
0:11:07 > 0:11:10- Quite a scheme.- Colossal.
0:11:10 > 0:11:13Anyway. You're safe now.
0:11:13 > 0:11:15Mmm.
0:11:16 > 0:11:19A small "thank you" wouldn't go amiss.
0:11:19 > 0:11:20What for?
0:11:20 > 0:11:21For wading in.
0:11:21 > 0:11:25In case you've forgotten, field work is not my natural milieu.
0:11:27 > 0:11:29"Wading in?"
0:11:29 > 0:11:31You sat there and watched me being beaten a pulp.
0:11:31 > 0:11:34- I got you out.- No, I got me out.
0:11:34 > 0:11:35Why didn't you intervene sooner?
0:11:35 > 0:11:37I couldn't risk giving myself away, could I?
0:11:37 > 0:11:40- It would have ruined everything. - You were enjoying it.- Nonsense.
0:11:40 > 0:11:42Definitely enjoying it.
0:11:42 > 0:11:44Listen, do you have any idea what it was like, Sherlock,
0:11:44 > 0:11:47going undercover?
0:11:47 > 0:11:49Smuggling my way into their ranks like that?
0:11:49 > 0:11:52The noise, the people!
0:11:53 > 0:11:55I didn't know you spoke Serbian.
0:11:55 > 0:11:59I didn't. But the language has a Slavic root.
0:11:59 > 0:12:03Frequent Turkish and German loan words.
0:12:03 > 0:12:04Took me a couple of hours.
0:12:04 > 0:12:07Hmm, you're slipping.
0:12:07 > 0:12:09Middle-age, brother mine.
0:12:09 > 0:12:11Comes to us all.
0:12:11 > 0:12:12DOOR OPENS
0:12:23 > 0:12:25Oh, no, you don't take it, do you?
0:12:27 > 0:12:30- No.- You forget a little thing like that.
0:12:30 > 0:12:32Yes.
0:12:32 > 0:12:36You forget lots of little things, it seems.
0:12:37 > 0:12:39Uh-huh.
0:12:39 > 0:12:40Not sure about that.
0:12:40 > 0:12:42- Hmm?- Ages you.
0:12:42 > 0:12:43Just trying it out.
0:12:43 > 0:12:45Well, it ages you.
0:12:49 > 0:12:52- Look...- I'm not your mother, I've no right to expect it...
0:12:52 > 0:12:55- No...- But just one phone call, John!
0:12:55 > 0:12:57Just one phone call would have done.
0:12:57 > 0:12:59I know.
0:12:59 > 0:13:01- After all we went through! - Yes.
0:13:04 > 0:13:05I am sorry.
0:13:07 > 0:13:11Look, I understand how difficult it was for you after...
0:13:12 > 0:13:14..after...
0:13:14 > 0:13:17I just let it slide, Mrs Hudson, I let it all slide.
0:13:20 > 0:13:23And it just got harder and harder to pick up the phone, somehow.
0:13:29 > 0:13:30Do you know what I mean?
0:13:32 > 0:13:34SHE SIGHS
0:13:34 > 0:13:37I need you to give this matter your full attention, Sherlock,
0:13:37 > 0:13:40- is that quite clear?- What do you think of this shirt?- Sherlock!
0:13:40 > 0:13:43I will find your underground terror cell, Mycroft.
0:13:44 > 0:13:45Just put me back in London.
0:13:45 > 0:13:48I need to get to know the place again, breathe it in.
0:13:48 > 0:13:51Feel every quiver of its beating heart.
0:13:51 > 0:13:54One of our men died getting this information.
0:13:54 > 0:13:56All the chatter, all the traffic concurs,
0:13:56 > 0:13:59there's going to be a terrorist strike on London, a big one.
0:13:59 > 0:14:01And what about John Watson?
0:14:01 > 0:14:04- John?- Mm. Have you seen him? - Oh, yes,
0:14:04 > 0:14:06we meet up every Friday for fish and chips(!)
0:14:09 > 0:14:11I've kept a weather eye on him, of course.
0:14:11 > 0:14:15We haven't been in touch at all to...prepare him.
0:14:15 > 0:14:17No.
0:14:17 > 0:14:19Well, we'll have to get rid of that.
0:14:19 > 0:14:20- "We?"- He looks ancient.
0:14:20 > 0:14:23I can't be seen to be wandering around with an old man.
0:14:39 > 0:14:40I couldn't face letting it out.
0:14:44 > 0:14:47SHE COUGHS
0:14:47 > 0:14:48He never liked me dusting.
0:14:48 > 0:14:51No, I know.
0:14:51 > 0:14:53So why now? What changed your mind?
0:14:56 > 0:14:58Well, I've got some news.
0:14:58 > 0:15:01Oh, God, is it serious?
0:15:01 > 0:15:03What? No, no, I'm not ill.
0:15:03 > 0:15:05I've, well, I'm...
0:15:06 > 0:15:08..moving on.
0:15:08 > 0:15:09You're emigrating?
0:15:10 > 0:15:13Nope. Er, no, I've er...
0:15:14 > 0:15:15..I have met someone.
0:15:15 > 0:15:18Oh! Ah, lovely.
0:15:18 > 0:15:21Yeah. We're getting married. Well, I'm going to ask, anyway.
0:15:21 > 0:15:22So soon after Sherlock?
0:15:24 > 0:15:25Hmm, well, yes.
0:15:26 > 0:15:28What's his name?
0:15:28 > 0:15:29It's a woman.
0:15:29 > 0:15:31- A woman?!- Yes, of course it's a woman.
0:15:33 > 0:15:36- You really have moved on, haven't you?- Mrs Hudson, how many times?
0:15:36 > 0:15:38Sherlock was not my boyfriend!
0:15:38 > 0:15:41Live and let live, that's my motto.
0:15:41 > 0:15:44Listen to me - I am not gay!
0:15:44 > 0:15:45HE SIGHS
0:15:45 > 0:15:49I think I'll surprise John. He'll be delighted.
0:15:49 > 0:15:50You think so?
0:15:50 > 0:15:52Mm, pop into Baker Street, who knows, jump out of a cake.
0:15:52 > 0:15:55Baker Street? He isn't there any more.
0:15:56 > 0:15:58Why would he be? It's been two years.
0:15:58 > 0:16:00He's got on with his life.
0:16:01 > 0:16:03What life? I've been away.
0:16:04 > 0:16:08- Where's he going to be tonight? - How would I know?- You always know.
0:16:08 > 0:16:11He has a dinner reservation in the Marylebone Road.
0:16:11 > 0:16:13Nice little spot.
0:16:13 > 0:16:16They have a few bottles of the 2000 Saint-Emilion,
0:16:16 > 0:16:19though I prefer the 2001.
0:16:19 > 0:16:22I think maybe I'll just drop by.
0:16:22 > 0:16:25You know, it is just possible that you won't be welcome.
0:16:25 > 0:16:26No, it isn't.
0:16:26 > 0:16:29- Now, where is it? - Where's what?- You know what.
0:16:29 > 0:16:30FOOTSTEPS APPROACH
0:16:36 > 0:16:38Welcome back, Mr Holmes.
0:16:38 > 0:16:39Thank you.
0:16:40 > 0:16:42Blud.
0:17:11 > 0:17:13Sir, can I help you?
0:17:13 > 0:17:14MUFFLED SCREAMS
0:17:14 > 0:17:16PHONE BEEPS
0:17:16 > 0:17:20Your wife just texted you, possibly her contractions have started.
0:17:28 > 0:17:29Excuse me, sir.
0:17:40 > 0:17:43Oh, sir, I am so, so sorry.
0:17:43 > 0:17:46Er, please, let me just go to the kitchen and dry that off for you.
0:17:55 > 0:17:58Finished with that, sir? Allow me to take it for you.
0:18:06 > 0:18:09Madam, can I suggest you look at this menu, it's completely identical.
0:18:16 > 0:18:19IN A FRENCH ACCENT: Can I help you with anything, sir?
0:18:19 > 0:18:21Hi, yeah, I'm looking for a bottle of champagne. A good one.
0:18:21 > 0:18:22Hmm, well, these are all
0:18:22 > 0:18:24excellent vintages, sir.
0:18:24 > 0:18:25Oh, it's not really my area,
0:18:25 > 0:18:26what do you suggest?
0:18:26 > 0:18:27Well, you cannot possibly go wrong,
0:18:27 > 0:18:29but if you'd like my personal
0:18:29 > 0:18:31- recommendation...- Hmm?
0:18:31 > 0:18:34This last one on the list is a favourite of mine.
0:18:35 > 0:18:39It is, you might in fact say, like a face from the past.
0:18:39 > 0:18:41Great. I'll have that one please.
0:18:41 > 0:18:46It is familiar, but with the quality of surprise!
0:18:46 > 0:18:49Well, surprise me.
0:18:49 > 0:18:50I'm certainly endeavouring to, sir.
0:19:18 > 0:19:20Sorry that took so long.
0:19:25 > 0:19:26You OK?
0:19:26 > 0:19:29Yeah, yeah. Me? Fine. I am fine.
0:19:30 > 0:19:31HE CHUCKLES
0:19:33 > 0:19:35Now then, what did you want to ask me?
0:19:36 > 0:19:39- More wine?- No, I'm good with water, thanks.- Right.
0:19:41 > 0:19:43- So? - Er, so...
0:19:44 > 0:19:46Mary...
0:19:46 > 0:19:47Listen, um...
0:19:49 > 0:19:51I know it hasn't been long,
0:19:51 > 0:19:54and I know we haven't known each other for a long time...
0:19:56 > 0:19:58- Go on.- Yes, I will.
0:19:59 > 0:20:03As you know, these last couple of years haven't been easy for me.
0:20:03 > 0:20:05And meeting you...
0:20:08 > 0:20:09Yeah, meeting you has been the best thing
0:20:09 > 0:20:12- that could have possibly happened.- I agree.- What?
0:20:12 > 0:20:15I agree, I'm the best thing that could have happened to you.
0:20:15 > 0:20:18- Sorry. - Well, no, it's, um...
0:20:20 > 0:20:21So...
0:20:23 > 0:20:28..if you'll have me, Mary, could you see your way, um...
0:20:28 > 0:20:30HE CLEARS HIS THROAT
0:20:30 > 0:20:31SHE GIGGLES
0:20:31 > 0:20:34If you could see your way to...
0:20:35 > 0:20:37Sir, you'll find this vintage exceptionally to your liking.
0:20:37 > 0:20:40It has all the qualities of the old, with the colour of the new.
0:20:40 > 0:20:42- No, sorry, not now, please.- Like a gaze from a crowd of strangers,
0:20:42 > 0:20:45suddenly one is aware of staring into the face of an old friend.
0:20:45 > 0:20:47No, look, seriously, could you just...?
0:20:50 > 0:20:52Interesting thing, a tuxedo.
0:20:52 > 0:20:55Lends distinction to friends and anonymity to waiters.
0:20:56 > 0:20:58John?
0:21:01 > 0:21:03John, what is it? What?
0:21:05 > 0:21:07Well, the short version...
0:21:08 > 0:21:10..not dead.
0:21:16 > 0:21:18Bit mean springing it on you like that, I know.
0:21:18 > 0:21:20Could have given you a heart attack, probably still will.
0:21:20 > 0:21:23But in my defence, it was very funny.
0:21:23 > 0:21:25OK, it's not a great defence.
0:21:25 > 0:21:27- Oh, no, you're...- Oh, yes. - Oh, my God!
0:21:27 > 0:21:29- Not quite.- You died, you jumped off a roof.
0:21:29 > 0:21:30- No.- You're dead.
0:21:30 > 0:21:32No, I'm quite sure, I checked. Excuse me.
0:21:36 > 0:21:39Does...does yours rub off too?
0:21:39 > 0:21:41Oh, my God! Oh, my God!
0:21:41 > 0:21:42Do you have any idea what you've done?!
0:21:42 > 0:21:45OK, John, I'm suddenly realising I probably owe you
0:21:45 > 0:21:46some sort of an apology...
0:21:48 > 0:21:49All right, just, John, just keep...
0:21:49 > 0:21:50JOHN GASPS
0:21:50 > 0:21:52Two years.
0:21:57 > 0:21:58Two years! Hmm?
0:22:03 > 0:22:04I thought...
0:22:07 > 0:22:08I thought...
0:22:09 > 0:22:11..you were dead.
0:22:12 > 0:22:13Hmm?
0:22:13 > 0:22:15JOHN GASPS
0:22:15 > 0:22:18Now, you let me grieve. Hmm.
0:22:20 > 0:22:22How could you do that?
0:22:23 > 0:22:24How?!
0:22:24 > 0:22:27Wait, before you do anything that you might regret, um,
0:22:27 > 0:22:29one question, just let me ask one question.
0:22:31 > 0:22:33Are you really going to keep that?
0:22:36 > 0:22:40MUSIC: "Donde Estas, Yolanda?" by Pink Martini
0:22:49 > 0:22:52I calculated that there were 13 possibilities
0:22:52 > 0:22:54once I'd invited Moriarty onto the roof.
0:22:54 > 0:22:56'I wanted to avoid dying, if at all possible.
0:22:56 > 0:23:00'The first scenario involved hurling myself into a parked van filled with washing bags.
0:23:00 > 0:23:04'Impossible, the angle was too steep. Secondly, a system of Japanese wrestling...
0:23:04 > 0:23:06'You know, for a genius, you can be remarkably thick.'
0:23:06 > 0:23:10- What?- I don't care how you faked it, Sherlock.
0:23:10 > 0:23:12I want to know why.
0:23:12 > 0:23:14Why? Because Moriarty had to be stopped.
0:23:15 > 0:23:17Oh.
0:23:17 > 0:23:19Why, as in...?
0:23:20 > 0:23:23I see. Yes. Why?
0:23:23 > 0:23:24That's a little more difficult to explain.
0:23:24 > 0:23:26I've got all night.
0:23:26 > 0:23:27HE CLEARS HIS THROAT
0:23:27 > 0:23:30Actually, um, that was mostly Mycroft's idea.
0:23:30 > 0:23:32Oh, so it was your brother's plan?
0:23:32 > 0:23:33Oh, but he would have needed a confidante.
0:23:33 > 0:23:35Mm-hm.
0:23:35 > 0:23:37Sorry.
0:23:37 > 0:23:39But he was the only one? The only one who knew?
0:23:41 > 0:23:44A couple of others. It was a very elaborate plan, it had to be.
0:23:44 > 0:23:47- The next of the 13 possibilities was...- Who else?
0:23:47 > 0:23:48Who else knew?
0:23:50 > 0:23:52- Who?!- Molly.
0:23:52 > 0:23:53- Molly?!- John...- Molly Hooper
0:23:53 > 0:23:55- and some of my homeless network and that's all.- OK.
0:23:57 > 0:23:59OK.
0:23:59 > 0:24:02So just your brother, Molly Hooper and 100 tramps.
0:24:02 > 0:24:04Ha, no! 25 at most.
0:24:04 > 0:24:06GLASS SHATTERS
0:24:17 > 0:24:20Seriously, it's not a joke? You're really keeping this?
0:24:22 > 0:24:23Er, yeah.
0:24:24 > 0:24:25Sure?
0:24:26 > 0:24:27Mary likes it.
0:24:27 > 0:24:29Hmm, no, she doesn't.
0:24:29 > 0:24:31- She does.- She doesn't.
0:24:33 > 0:24:35Oh, don't.
0:24:35 > 0:24:37- Oh, brilliant(!) - Look, I'm sorry, I'm sorry,
0:24:37 > 0:24:38I didn't know how to tell you...
0:24:38 > 0:24:40Right, no, no, this is charming. I've really missed this(!)
0:24:44 > 0:24:47One word, Sherlock, that is all I would have needed!
0:24:47 > 0:24:49One word to let me know that you were alive!
0:24:51 > 0:24:55I've nearly been in contact so many times, but... JOHN SCOFFS
0:24:55 > 0:24:58- I worried that, you know, you might say something indiscreet.- What?
0:24:58 > 0:25:00- You know, let the cat out of the bag. - So this is my fault!
0:25:00 > 0:25:02- Oh, God!- Why am I the only one who thinks that this is wrong?!
0:25:02 > 0:25:05The only one reacting like a human being!
0:25:05 > 0:25:06- Over-reacting.- Over-reacting!
0:25:06 > 0:25:10- John!- Over-reacting! So you fake your own death and you waltz in here
0:25:10 > 0:25:13- large as bloody life!- Shh.- But I'm not meant to have a problem with it,
0:25:13 > 0:25:15cos Sherlock Holmes thinks it's a perfectly OK thing to do!
0:25:15 > 0:25:18Shut up! I don't want everyone knowing I'm still alive!
0:25:18 > 0:25:20- Oh, so it's still a secret, is it?! - Yes, it's still a secret!
0:25:20 > 0:25:23- Promise you won't tell anyone? - Swear to God!
0:25:28 > 0:25:32London is in danger, John. There's an imminent terrorist attack and I need your help.
0:25:35 > 0:25:36My help?
0:25:37 > 0:25:41You have missed this, admit it.
0:25:41 > 0:25:44The thrill of the chase, the blood pumping through your veins,
0:25:44 > 0:25:46just the two of us against the rest of the world.
0:25:48 > 0:25:50I don't understand, I said I'm sorry,
0:25:50 > 0:25:52isn't that what you're supposed to do?
0:25:52 > 0:25:56Gosh, you don't know anything about human nature, do you?
0:25:56 > 0:25:58Hmm, nature? No.
0:25:58 > 0:26:01Human? No.
0:26:02 > 0:26:03I'll talk him round.
0:26:05 > 0:26:08- You will? - Oh, yeah.
0:26:19 > 0:26:20Mary.
0:26:38 > 0:26:39Can you believe his nerve?
0:26:40 > 0:26:42I like him.
0:26:43 > 0:26:44What?
0:26:44 > 0:26:46I like him.
0:27:33 > 0:27:34METALLIC SOUND
0:27:50 > 0:27:52Those things will kill you.
0:27:58 > 0:27:59Oh, you bastard!
0:27:59 > 0:28:01It's time to come back.
0:28:02 > 0:28:04You've been letting things slide, Graham.
0:28:04 > 0:28:07- Greg. - Greg.
0:28:25 > 0:28:27- RADIO:- 'Very common belief, with an anti terrorism bill...'
0:28:27 > 0:28:29THUDDING
0:28:29 > 0:28:30'..the Government feels duty-bound
0:28:30 > 0:28:33'to push through the legislation with all due exped...'
0:28:33 > 0:28:35THUDDING CONTINUES
0:28:51 > 0:28:52SHE YELLS
0:29:01 > 0:29:03'Now, stay exactly where you are.'
0:29:03 > 0:29:04Where are you?
0:29:04 > 0:29:05'Don't move.
0:29:07 > 0:29:10'Keep your eyes fixed on me.
0:29:10 > 0:29:13'What? What's happening? What's going on?'
0:29:13 > 0:29:16Please, will you do this for me? Please.
0:29:16 > 0:29:17Do what?
0:29:17 > 0:29:18'This phone call...'
0:29:18 > 0:29:20it's my note.
0:29:20 > 0:29:23'That's what people do, don't they?'
0:29:23 > 0:29:26Leave a note. MORIARTY GIGGLES
0:29:26 > 0:29:28'Leave a note when?'
0:29:28 > 0:29:30- Goodbye, John.- 'No.'
0:29:30 > 0:29:31MORIARTY LAUGHS
0:29:31 > 0:29:32Sherlock!
0:29:32 > 0:29:34Oh, ho!
0:29:49 > 0:29:52What?! Are you out of your mind?!
0:29:52 > 0:29:53I don't see why not.
0:29:53 > 0:29:55It's just as plausible as some of your theories.
0:29:55 > 0:29:58Look, if you're not going to take it seriously, Laura...
0:29:58 > 0:30:00I do take it seriously.
0:30:00 > 0:30:01I don't think we should wear hats.
0:30:01 > 0:30:05I founded 'The Empty Hearse' so like-minded people could meet,
0:30:05 > 0:30:07discuss theories!
0:30:09 > 0:30:10Sherlock's still out there.
0:30:10 > 0:30:12I'm convinced of it.
0:30:16 > 0:30:17Oh, my God!
0:30:17 > 0:30:20MOBILE PHONES RING
0:30:23 > 0:30:26Oh...my...God!
0:30:31 > 0:30:33"His movements were so silent,
0:30:33 > 0:30:35"so furtive he reminded me
0:30:35 > 0:30:37"of a trained bloodhound picking out a scent."
0:30:37 > 0:30:40- You what?- "I couldn't help thinking what an amazing criminal he'd make
0:30:40 > 0:30:44- "if he turned his talents against the law."- Don't read that.
0:30:44 > 0:30:46- Famous blog, finally. - Come on, that's...
0:30:46 > 0:30:50Ancient history, yes, I know, but it's not though, is it, because he's...
0:30:50 > 0:30:51What are you doing?
0:30:52 > 0:30:53Having a wash.
0:30:53 > 0:30:55You're shaving it off.
0:30:55 > 0:30:58- Well, you hate it. - Sherlock hates it.
0:30:58 > 0:31:00- Apparently everyone hates it.- Oh!
0:31:01 > 0:31:04- Are you going to see him again? - No, I'm going to work.
0:31:04 > 0:31:06- Oh, and after work, are you going to see him again?- No.
0:31:06 > 0:31:08God, I had six months of bristly kisses for me
0:31:08 > 0:31:10and then his nibs turns up...
0:31:10 > 0:31:13I don't shave for Sherlock Holmes.
0:31:13 > 0:31:15You should put that on a T-shirt.
0:31:15 > 0:31:17- Shut up.- Or what?
0:31:17 > 0:31:19Or I'll marry you.
0:31:26 > 0:31:29London, it's like a great cesspool into which all kinds
0:31:29 > 0:31:34of criminals, agents and drifters are irresistibly drained.
0:31:34 > 0:31:40Sometimes it's not a question of who, it's a question of who knows?
0:31:40 > 0:31:44If this man cancels his papers, I need to know.
0:31:48 > 0:31:51If this woman leaves London without putting her dog into kennels,
0:31:51 > 0:31:53I need to know.
0:31:53 > 0:31:56I have certain people, they are markers.
0:31:57 > 0:32:00If they start to move, I'll know something's up.
0:32:00 > 0:32:03Like rats deserting a sinking ship.
0:32:17 > 0:32:19All very interesting, Sherlock,
0:32:19 > 0:32:21but the terror alert has been raised to critical.
0:32:21 > 0:32:24Boring. Your move.
0:32:24 > 0:32:28We have solid information, an attack IS coming.
0:32:28 > 0:32:31Solid information, a secret terrorist organisation is planning an attack...
0:32:31 > 0:32:35That's what secret terrorist organisations do, isn't it? It's their version of golf.
0:32:35 > 0:32:37- An agent gave his life to tell us that.- Oh, well,
0:32:37 > 0:32:41perhaps he shouldn't have done. He was obviously just trying to show off.
0:32:43 > 0:32:47None of these 'markers' of yours is behaving in any way suspiciously?
0:32:47 > 0:32:48Your move.
0:32:48 > 0:32:51No, Mycroft, but you have to trust me. I'll find the answer.
0:32:51 > 0:32:53But it'll be in an odd phrase in an on-line blog,
0:32:53 > 0:32:55or an unexpected trip to the countryside,
0:32:55 > 0:32:58or a misplaced lonely hearts ad.
0:32:58 > 0:32:59Your move!
0:32:59 > 0:33:03I've given the Prime Minister my personal assurance you're on the case.
0:33:03 > 0:33:05I am on the case, we both are, look at us right now.
0:33:05 > 0:33:06BUZZER SOUNDS
0:33:06 > 0:33:08- Oh, bugger!- Whoopsy!
0:33:08 > 0:33:11Can't handle a broken heart. How very telling.
0:33:11 > 0:33:12Don't be smart.
0:33:12 > 0:33:14That takes me back.
0:33:14 > 0:33:16"Don't be smart, Sherlock, I'm the smart one."
0:33:16 > 0:33:17I am the smart one.
0:33:17 > 0:33:19I used to think I was an idiot.
0:33:19 > 0:33:21Both of us thought you were an idiot, Sherlock.
0:33:21 > 0:33:24We had nothing else to go on, until we met other children.
0:33:24 > 0:33:27- Oh, yes, that was a mistake. - Ghastly. What were they thinking of?
0:33:27 > 0:33:29Probably something about trying to make friends.
0:33:29 > 0:33:32Oh, yes. Friends.
0:33:32 > 0:33:34Of course, you go in for that sort of thing now.
0:33:34 > 0:33:37And you don't? Ever?
0:33:37 > 0:33:39If you seem slow to me, Sherlock,
0:33:39 > 0:33:41can you imagine what real people are like?
0:33:41 > 0:33:43I'm living in a world of goldfish.
0:33:43 > 0:33:46Yes, but I've been away for two years.
0:33:46 > 0:33:48- So?- Oh, I don't know,
0:33:48 > 0:33:51I thought perhaps you might have found yourself a...
0:33:51 > 0:33:54- goldfish.- Change the subject, now.
0:33:54 > 0:33:55Rest assured, Mycroft,
0:33:55 > 0:33:57whatever this underground network of yours is up to,
0:33:57 > 0:34:01the secret will reside in something seemingly insignificant or bizarre.
0:34:01 > 0:34:02- Ooh-ooh.- Speaking of which...
0:34:02 > 0:34:06I can't believe it. I just can't believe it!
0:34:06 > 0:34:09Him sitting in his chair again.
0:34:09 > 0:34:11Oh, isn't it wonderful, Mr Holmes?
0:34:11 > 0:34:14- I can barely contain myself(!) - Oh, he really can, you know.
0:34:14 > 0:34:17He's secretly pleased to see you, underneath all that.
0:34:18 > 0:34:20Sorry, which of us?
0:34:20 > 0:34:22Both of you.
0:34:22 > 0:34:24Let's play something different.
0:34:24 > 0:34:26Why are we playing games?!
0:34:26 > 0:34:28London's terror alert has been raised to critical,
0:34:28 > 0:34:30I'm just passing the time.
0:34:30 > 0:34:32Let's do deductions.
0:34:32 > 0:34:34Client left this while I was out, what do you reckon?
0:34:37 > 0:34:38I'm busy.
0:34:38 > 0:34:40Oh, go on, it's been an age.
0:34:40 > 0:34:41HE SNIFFS
0:34:41 > 0:34:43- I always win. - Which is why you can't resist.
0:34:43 > 0:34:46I find nothing irresistible in the hat of a well-travelled anxious,
0:34:46 > 0:34:49sentimental, unfit creature of habit with appalling halitosis.
0:34:50 > 0:34:53- Damn. - Isolated too, don't you think?
0:34:53 > 0:34:54Why would he be isolated?
0:34:54 > 0:34:56- "He?"- Obviously. - Why? Size of the hat?
0:34:56 > 0:34:59Don't be silly. Some women have large heads too.
0:34:59 > 0:35:01No, he's recently had his hair cut,
0:35:01 > 0:35:05you can see the little hairs adhering to the perspiration stains on the inside.
0:35:05 > 0:35:08Some women have short hair too.
0:35:08 > 0:35:12- Balance of probability.- Not that you've ever spoken to a woman with short hair, or, you know, a woman.
0:35:12 > 0:35:15Stains show he's out of condition. He's sentimental cos the hat
0:35:15 > 0:35:17- has been repaired, three, four... - Five times. Very neatly.
0:35:17 > 0:35:21The cost of the repairs exceeds that of the hat, he's mawkishly attached to it. More than that.
0:35:21 > 0:35:26One or two patches would indicate sentimentality. Five's obsessive behaviour. Obsessive compulsive.
0:35:26 > 0:35:27Hardly. Your client left it behind.
0:35:27 > 0:35:29What sort of an obsessive compulsive would do that?
0:35:29 > 0:35:32The earlier patches are extensively sun bleached,
0:35:32 > 0:35:33so he's worn it abroad, in Peru.
0:35:33 > 0:35:35- Peru?- This is a chullo.
0:35:35 > 0:35:37The classic headgear of Andes, it's made of alpaca.
0:35:37 > 0:35:40- No.- No?- Icelandic sheep wool. Similar, but very distinctive,
0:35:40 > 0:35:42if you know what you're looking for. I've written a blog on the varying
0:35:42 > 0:35:44tensile strengths of different natural fibres.
0:35:44 > 0:35:46I'm sure there's a crying need for that(!)
0:35:46 > 0:35:50- You said he was anxious? - The bobble on the left side has been badly chewed,
0:35:50 > 0:35:52which shows he's a man of a nervous disposition, but...
0:35:52 > 0:35:53But also a creature of habit,
0:35:53 > 0:35:56- cos he hasn't chewed the bobble on the right.- Precisely.
0:35:56 > 0:36:00A sniff of the offending bobble tells us all we need to know about the state of his breath.
0:36:00 > 0:36:01- Brilliant!- Elementary.
0:36:01 > 0:36:03But you've missed his isolation.
0:36:03 > 0:36:05I don't see it.
0:36:05 > 0:36:06- Plain as day.- Where?
0:36:06 > 0:36:08- There for all to see.- Tell me.
0:36:08 > 0:36:10- Plain as the nose on your...- Tell me!
0:36:10 > 0:36:12Well, anybody who wears a hat as stupid as this
0:36:12 > 0:36:15isn't in the habit of hanging around other people, is he?
0:36:15 > 0:36:17Not at all. Maybe he just doesn't mind being different.
0:36:17 > 0:36:19He doesn't necessarily have to be isolated.
0:36:21 > 0:36:22Exactly.
0:36:24 > 0:36:25I'm sorry?
0:36:26 > 0:36:28He's different, so what? Why would he mind?
0:36:28 > 0:36:29You're quite right.
0:36:32 > 0:36:34Why would anyone mind?
0:36:38 > 0:36:41I am not lonely, Sherlock.
0:36:46 > 0:36:47How would you know?
0:36:50 > 0:36:54Yes. Back to work, if you don't mind. Good morning.
0:36:56 > 0:36:58SHE CHUCKLES
0:36:58 > 0:36:59Right, back to work.
0:37:04 > 0:37:05KNOCKING ON THE DOOR
0:37:05 > 0:37:07Mr Summerson.
0:37:07 > 0:37:08- Right.- Undescended testicle.
0:37:08 > 0:37:10Right.
0:37:12 > 0:37:13PHONE BEEPS
0:37:19 > 0:37:21- Sherlock? - Hmm?
0:37:21 > 0:37:23Talk to John.
0:37:23 > 0:37:25I've tried talking to him. He made his position quite clear.
0:37:27 > 0:37:30Just relax, Mr Summerson.
0:37:30 > 0:37:32What did he say?
0:37:32 > 0:37:34- F... - Cough.
0:37:34 > 0:37:36Oh, dear.
0:37:37 > 0:37:39INTERCOM BUZZES
0:37:39 > 0:37:40Hi?
0:37:40 > 0:37:42'Mrs Reeves. Thrush.'
0:37:44 > 0:37:45Right.
0:37:52 > 0:37:53You wanted to see me?
0:37:55 > 0:37:57Yes. Molly...
0:37:57 > 0:37:58- Yes?- Would you...?
0:38:02 > 0:38:04- Would you like to... - Have dinner?- ..solve crimes?
0:38:04 > 0:38:06Um...
0:38:06 > 0:38:08Absolutely nothing to be ashamed of, Mrs Reeves.
0:38:08 > 0:38:12It's very common, but I'm recommending a course of...
0:38:12 > 0:38:14Monkey glands, but enough about Professor Presbury.
0:38:14 > 0:38:18- Tell us more about your case, Mr Harcourt.- You sure about this? - Absolutely.
0:38:18 > 0:38:21- Should I be making notes? - If it makes you feel better. - That's what John says he does.
0:38:21 > 0:38:24- So if I'm being John...- You're not being John, you're being yourself.
0:38:24 > 0:38:26Well, absolutely no one should have been able to empty
0:38:26 > 0:38:29that bank account other than myself and Helen.
0:38:31 > 0:38:35- Why didn't you assume it was your wife?- Because I've always had total faith in her.
0:38:35 > 0:38:38No, it's because YOU emptied it. Weight-loss, hair dye, Botox, affair.
0:38:38 > 0:38:39Lawyer. Next!
0:38:41 > 0:38:43This is Mr Blake. Piles.
0:38:47 > 0:38:48Mr Blake, hi.
0:38:49 > 0:38:53And your pen-pal's emails just stopped, did they?
0:38:53 > 0:38:55SHE WHINES
0:38:55 > 0:38:58And you really thought he was the one, didn't you?
0:38:58 > 0:38:59The love of your life?
0:39:02 > 0:39:04SHE CRIES
0:39:04 > 0:39:06Stepfather posing as on-line boyfriend.
0:39:06 > 0:39:07What?
0:39:07 > 0:39:08Breaks it off, breaks her heart.
0:39:08 > 0:39:11She swears off relationships, stays at home.
0:39:11 > 0:39:12He still has her wage coming in.
0:39:12 > 0:39:15Mr Windibank, you have been a complete and utter...
0:39:15 > 0:39:17Piss pot.
0:39:17 > 0:39:21It's nothing to worry about, just a small infection, by the sound of it.
0:39:21 > 0:39:23Dr Verner is your usual GP, yes?
0:39:23 > 0:39:28- IN A FOREIGN ACCENT:- Yeah, yeah, yeah. He looked after me man and boy.
0:39:28 > 0:39:33I run a little shop just on the corner of Church Street.
0:39:33 > 0:39:35- Oh.- Magazines and DVDs.
0:39:35 > 0:39:39I've brought along a few little beauties that might interest you...
0:39:39 > 0:39:44Tree Worshippers. Oh, that's a corker. It's very saucy.
0:39:44 > 0:39:47And British Birds. Same sort of thing.
0:39:47 > 0:39:48I'm fine, thanks.
0:39:48 > 0:39:51The Holy War.
0:39:51 > 0:39:53Sounds a bit dry, I know,
0:39:53 > 0:39:58but there's a nun with all these holes in her habit...
0:39:58 > 0:40:00Jesus! Sherlock.
0:40:00 > 0:40:02- What?- What do you want?
0:40:02 > 0:40:03Uh?
0:40:03 > 0:40:07- Have you come to torment me? - What are you talking about? - "What are you talking...?"
0:40:07 > 0:40:09What, do you think I'm going to be fooled by this bloody beard?!
0:40:09 > 0:40:11- You're crazy!- No, no, no, no, no.
0:40:11 > 0:40:14It's not as good as your French! Not as good as your French.
0:40:14 > 0:40:16It's not even a good disguise, Sherlock!
0:40:16 > 0:40:19Where did you get it from, a bloody joke shop...?!
0:40:22 > 0:40:23Oh, my God!
0:40:23 > 0:40:26I, I am so sorry.
0:40:26 > 0:40:27Oh, my God!
0:40:27 > 0:40:29Please...
0:40:29 > 0:40:30It's fine.
0:40:30 > 0:40:31HE CLEARS HIS THROAT
0:40:33 > 0:40:35This one's got us all baffled.
0:40:35 > 0:40:37Hmm, I don't doubt it.
0:41:20 > 0:41:21HE SNIFFS
0:41:22 > 0:41:24HE SNIFFS
0:41:31 > 0:41:32What is it?
0:41:34 > 0:41:36You're onto something, aren't you?
0:41:36 > 0:41:37Maybe.
0:41:37 > 0:41:39- JOHN'S VOICE:- 'Show off!'
0:41:39 > 0:41:41- Shut up, John. - What?- Hmm?
0:41:41 > 0:41:43Nothing.
0:41:45 > 0:41:48- Hello.- Hmm.
0:41:48 > 0:41:51- Are you sure?- I'm sure.- OK.
0:41:51 > 0:41:53I'm late for Cath. I'll see you later.
0:41:54 > 0:41:57- Bye.- Bye.
0:42:03 > 0:42:06This going to be your new arrangement, is it?
0:42:06 > 0:42:08Just giving it a go.
0:42:08 > 0:42:10Right.
0:42:10 > 0:42:11So, John?
0:42:13 > 0:42:14Not really in the picture any more.
0:42:15 > 0:42:17RUMBLING NOISE
0:42:19 > 0:42:20Trains?
0:42:20 > 0:42:22Trains.
0:42:33 > 0:42:36Male, 40 to 50. Oh, sorry, did you want to be...?
0:42:36 > 0:42:38Er, no, please, be my guest.
0:42:38 > 0:42:40'You jealous?'
0:42:40 > 0:42:41Shut up!
0:42:47 > 0:42:48It doesn't make sense.
0:42:48 > 0:42:50What doesn't?
0:42:50 > 0:42:52This skeleton, it can't be any more than...
0:42:52 > 0:42:54MOLLY AND SHERLOCK: Six months old.
0:43:07 > 0:43:09Wow!
0:43:10 > 0:43:13"How I Did It, by Jack the Ripper."
0:43:13 > 0:43:15- Uh-huh.- That's impossible. - Welcome to my world.
0:43:17 > 0:43:19'Smart arse!'
0:43:19 > 0:43:22I won't insult your intelligence by explaining it to you.
0:43:22 > 0:43:24No, please, insult away.
0:43:24 > 0:43:25'You forgot to put your collar up.'
0:43:25 > 0:43:27The corpse is, is six months old.
0:43:27 > 0:43:30It's dressed in a shoddy Victorian outfit from a museum.
0:43:30 > 0:43:33It's been displayed on a dummy for many years,
0:43:33 > 0:43:36in a case facing south-east, judging from the fading of the fabric.
0:43:36 > 0:43:40It was sold off in a fire damage sale a week ago.
0:43:40 > 0:43:42So the whole thing was a fake?
0:43:42 > 0:43:44Yes.
0:43:44 > 0:43:45Looked so promising.
0:43:45 > 0:43:46Facile.
0:43:46 > 0:43:48Why would someone go to all that trouble?
0:43:48 > 0:43:50Why indeed, John?
0:43:58 > 0:44:02DOORBELL: 'Mind the gap. Mind the gap.'
0:44:04 > 0:44:06Oh. Thanks for hanging onto it.
0:44:06 > 0:44:07No problem.
0:44:09 > 0:44:12So, what's this all about, Mr Shilcott?
0:44:14 > 0:44:16My girlfriend's a big fan of yours.
0:44:16 > 0:44:17Girlfriend?!
0:44:19 > 0:44:21Sorry. Do go on.
0:44:21 > 0:44:22I like trains.
0:44:22 > 0:44:26- Yes...- I work on the Tube, on the District Line, and part of my job
0:44:26 > 0:44:29is to wipe the security footage after it's been cleared.
0:44:29 > 0:44:34I was just whizzing through and I found something a bit bizarre.
0:44:37 > 0:44:40Now, this was a week ago.
0:44:40 > 0:44:43The last train on the Friday night, Westminster Station.
0:44:43 > 0:44:45Now, this man gets into the last car.
0:44:45 > 0:44:47- Car?- They're cars, not carriages.
0:44:47 > 0:44:50It's a legacy of the early American involvement in the Tube system.
0:44:50 > 0:44:51He said he liked trains.
0:44:51 > 0:44:55And the next stop, St James' Park Station.
0:44:55 > 0:44:56And...
0:45:02 > 0:45:03I thought you'd like it.
0:45:03 > 0:45:06He gets into the last car at Westminster. The only passenger.
0:45:11 > 0:45:14And the car is empty at St James's Park Station.
0:45:17 > 0:45:20Explain that, Mr Holmes.
0:45:20 > 0:45:24- Couldn't he have just jumped off? - There's a safety mechanism that prevents the doors
0:45:24 > 0:45:26from opening in transit. But there's something else,
0:45:26 > 0:45:28the driver of that train hasn't been to work since.
0:45:28 > 0:45:32According to his flatmate, he's on holiday. Came into some money.
0:45:32 > 0:45:34Bought off?
0:45:35 > 0:45:36Hmm?
0:45:36 > 0:45:38So if the driver of the train was in on it,
0:45:38 > 0:45:40then the passenger did get off.
0:45:40 > 0:45:44There's nowhere he could go. It's a straight run on the District Line between the two stations.
0:45:44 > 0:45:47There's no side tunnels, no maintenance tunnels.
0:45:47 > 0:45:48Nothing on any map. Nothing.
0:45:49 > 0:45:52Train never stops and a man vanishes.
0:45:52 > 0:45:54Good, innit?
0:45:59 > 0:46:01I know that face.
0:46:45 > 0:46:46JOHN CLEARS HIS THROAT
0:46:52 > 0:46:53Excuse you(!)
0:47:23 > 0:47:26The journey between those stations usually takes five minutes
0:47:26 > 0:47:29and that one took ten. Ten minutes to get from Westminster to St James's Park.
0:47:29 > 0:47:33- I'll need maps, lots of maps. Older maps, all the maps.- Right.
0:47:33 > 0:47:34- Fancy some chips?- What?
0:47:34 > 0:47:37I know a fantastic fish shop just off the Marylebone Road,
0:47:37 > 0:47:39the owner always gives me extra portions.
0:47:39 > 0:47:41Did you get him off a murder charge?
0:47:41 > 0:47:42No, I helped him put up some shelves.
0:47:43 > 0:47:45- Sherlock?- Hmm?
0:47:46 > 0:47:49- What was today about? - Saying thank you.
0:47:50 > 0:47:52For what?
0:47:52 > 0:47:56- For everything you did for me. - It's OK. It's my pleasure.
0:47:56 > 0:47:58No. I mean it.
0:47:58 > 0:48:01I don't mean pleasure, I mean I didn't mind.
0:48:01 > 0:48:05- I wanted to...- Moriarty slipped up, he made a mistake.
0:48:05 > 0:48:09Because the one person he thought didn't matter at all to me
0:48:09 > 0:48:12was the one person that mattered the most.
0:48:12 > 0:48:14You made it all possible.
0:48:16 > 0:48:19But you can't do this again, can you?
0:48:19 > 0:48:23I've had a lovely day. I'd love to, I just, um...
0:48:23 > 0:48:25Hmm, congratulations, by the way.
0:48:27 > 0:48:30He's not from work.
0:48:30 > 0:48:32We met through friends, old-fashioned way.
0:48:32 > 0:48:36He's nice, we've got a dog, we, we go to the pub on weekends
0:48:36 > 0:48:40and I've met his mum and dad and his friends and all his family.
0:48:40 > 0:48:42I've no idea why I'm telling you any of this...
0:48:42 > 0:48:46I hope you'll be very happy, Molly Hooper.
0:48:46 > 0:48:47You deserve it.
0:48:49 > 0:48:53After all, not all the men you fall for can turn out to be sociopaths.
0:48:53 > 0:48:54- No?- No.
0:49:11 > 0:49:13Maybe it's just my type.
0:49:45 > 0:49:47HE COUGHS
0:50:05 > 0:50:07PHONE BEEPS
0:50:22 > 0:50:26Oh, Mrs Hudson, sorry, I think someone's got John. John Watson?
0:50:26 > 0:50:28Hang on, who are you?!
0:50:28 > 0:50:30Oh, I'm his fiancee.
0:50:30 > 0:50:32- Oh.- Mary?
0:50:33 > 0:50:34What's wrong?
0:50:34 > 0:50:36Someone sent me this.
0:50:36 > 0:50:38At first I thought it was just a Bible thing,
0:50:38 > 0:50:39you know, spam, but it's not.
0:50:39 > 0:50:41It's a skip code.
0:50:43 > 0:50:44First word, then every third.
0:50:44 > 0:50:46"Save John Watson."
0:50:50 > 0:50:52Now!
0:50:52 > 0:50:53Where are we going?
0:50:53 > 0:50:57St James The Less, it's a church. 20 minutes by car.
0:50:57 > 0:50:59- Did you drive here?- Er, yes.
0:50:59 > 0:51:01It's too slow, it's too slow.
0:51:01 > 0:51:02CAR HORN HONKS
0:51:02 > 0:51:05Watch out! What are we waiting for?!
0:51:05 > 0:51:06This.
0:51:06 > 0:51:08BRAKES SQUEAL
0:51:20 > 0:51:21What does it mean?
0:51:21 > 0:51:23What are they going to do to him?
0:51:23 > 0:51:24I don't know!
0:51:25 > 0:51:28VOICES IN THE BACKGROUND
0:51:34 > 0:51:36HE GASPS
0:51:47 > 0:51:48Damn!
0:51:58 > 0:52:00- POLICEMAN:- Oi! Oi! You can't go down there!
0:52:32 > 0:52:34MUFFLED SCREAM
0:52:41 > 0:52:43HE GASPS
0:52:55 > 0:52:58HE GAGS
0:53:12 > 0:53:13HORN HONKS
0:53:15 > 0:53:19No, it's not going to work, with that.
0:53:19 > 0:53:23I'll get something to help it along. Yeah.
0:53:23 > 0:53:25Help! Argh!
0:53:28 > 0:53:30MUFFLED SCREAMS
0:53:48 > 0:53:50- He doesn't like it, Daddy.- Huh?
0:53:50 > 0:53:52Guy Fawkes, he doesn't like it.
0:53:52 > 0:53:55Stay back, Zoe. Back!
0:53:55 > 0:53:56Now.
0:54:00 > 0:54:01HE SCREAMS
0:54:18 > 0:54:20What does it mean?
0:54:22 > 0:54:23Oh, my God!
0:54:23 > 0:54:26CHEERING
0:54:37 > 0:54:39Help!
0:54:39 > 0:54:41SHE SCREAMS
0:54:45 > 0:54:46Stand back!
0:54:49 > 0:54:51JOHN GROANS
0:54:53 > 0:54:55Move! Move! Move!
0:54:55 > 0:54:57Move! Move!
0:54:57 > 0:54:59- John!- John!
0:54:59 > 0:55:01John! John!
0:55:01 > 0:55:02Get up, John!
0:55:02 > 0:55:04- John!- John?!
0:55:04 > 0:55:05Help!
0:55:05 > 0:55:07John!
0:55:25 > 0:55:27- John!- John!
0:55:27 > 0:55:29- John!- John!
0:55:29 > 0:55:31Hey, John.
0:55:45 > 0:55:48- ELDERLY LADY:- 'Which wasn't the way I'd put it at all. Silly woman.'
0:55:48 > 0:55:52Anyway, it was then that I first noticed it was missing.
0:55:52 > 0:55:54I said, "Have you checked down the back of the sofa?"
0:55:54 > 0:55:58He's always losing things down the back of the sofa, aren't you, dear?
0:55:58 > 0:55:59Afraid so.
0:55:59 > 0:56:02Oh, keys, small change, sweeties.
0:56:02 > 0:56:05- Especially his glasses.- Glasses.
0:56:05 > 0:56:07Blooming things. I said, "Why don't you get a chain,
0:56:07 > 0:56:08"wear them round your neck?"
0:56:08 > 0:56:11- And he says, "What, like Larry Grayson!"- Larry Grayson.
0:56:11 > 0:56:14So did you find it eventually, your lottery ticket?
0:56:14 > 0:56:17Well, yes, thank goodness.
0:56:17 > 0:56:19We caught the coach on time after all.
0:56:19 > 0:56:22We managed to see St Paul's, the Tower,
0:56:22 > 0:56:24but they weren't letting anyone into Parliament.
0:56:24 > 0:56:26Some big debate going on.
0:56:26 > 0:56:28DOOR OPENS
0:56:28 > 0:56:31- John?- Sorry, you're busy. - No, no, no, they were just leaving.
0:56:31 > 0:56:33- No, oh, were we?- Yes. - No, no, if you've got a case...
0:56:33 > 0:56:37- No, not a case. Yeah, go.- We're here till Saturday, remember.- Yes, wonderful. Just get out!
0:56:37 > 0:56:40- Yes, well, give us a ring. - Very nice, yes, good. Get out!
0:56:40 > 0:56:42I can't tell you how glad we are, Sherlock.
0:56:42 > 0:56:44All that time people thinking the worst.
0:56:44 > 0:56:46We're just so pleased it's all over.
0:56:46 > 0:56:48Ring up more often, won't you?
0:56:48 > 0:56:50- Mm-hm.- She worries.
0:56:50 > 0:56:51Promise?
0:56:52 > 0:56:53Promise.
0:56:53 > 0:56:55Oh, for God...
0:56:55 > 0:56:56HE SIGHS
0:56:57 > 0:56:59- Sorry about that.- No, it's fine.
0:56:59 > 0:57:01Clients?
0:57:01 > 0:57:03Just my parents.
0:57:03 > 0:57:05- Your parents? - In town for a few days.
0:57:05 > 0:57:07- Your parents?- Mycroft promised to take them to a matinee of Les Mis.
0:57:07 > 0:57:09Tried to talk me into doing it.
0:57:09 > 0:57:12- Those were your parents?- Yes.
0:57:12 > 0:57:13Well...
0:57:15 > 0:57:17..that is not what I...
0:57:17 > 0:57:19What?
0:57:19 > 0:57:22I mean, they're just so...
0:57:24 > 0:57:26..ordinary.
0:57:26 > 0:57:28It's a cross I have to bear.
0:57:36 > 0:57:37Did they know too?
0:57:38 > 0:57:41- Hmm?- That you spent the last two years playing hide and seek?
0:57:42 > 0:57:45- Maybe.- Ah, so that's why they weren't at the funeral!
0:57:45 > 0:57:47- Sorry, sorry again.- Hmm.
0:57:51 > 0:57:52Sorry.
0:57:55 > 0:57:57So you've shaved it off then?
0:57:57 > 0:57:59Yeah. Wasn't working for me.
0:57:59 > 0:58:01- Yeah, I'm glad.- You didn't like it?
0:58:01 > 0:58:03No, I prefer my doctors clean-shaven.
0:58:05 > 0:58:07That's not a sentence you hear every day.
0:58:11 > 0:58:12How are you feeling?
0:58:12 > 0:58:15Yeah, not bad. Bit smoked.
0:58:15 > 0:58:16Right.
0:58:19 > 0:58:22Last night, who did that?
0:58:23 > 0:58:25And why did they target me?
0:58:25 > 0:58:26I don't know.
0:58:26 > 0:58:28Is it someone trying to get to you through me?
0:58:28 > 0:58:31Is it something to do with this terrorist thing you talked about?
0:58:31 > 0:58:34I don't know, I can't see the pattern. It's too nebulous.
0:58:34 > 0:58:38Why would an agent give his life to tell us something incredibly insignificant? That's what's strange.
0:58:38 > 0:58:40- Give his life? - According to Mycroft.
0:58:40 > 0:58:43There's an underground network planning an attack on London, that's all we know.
0:58:43 > 0:58:45HE SNIFFS
0:58:46 > 0:58:48- These are my rats, John.- Rats?
0:58:48 > 0:58:51My markers, agents, lowlifes. People who might find themselves
0:58:51 > 0:58:54arrested or their diplomatic immunity suddenly rescinded.
0:58:55 > 0:58:58If one of them starts acting suspiciously, we know something's up.
0:58:58 > 0:59:00Five of them are behaving perfectly normally, but the sixth...
0:59:00 > 0:59:01I know him, don't I?
0:59:01 > 0:59:05Lord Moran, Peer of the Realm. Minister for Overseas Development.
0:59:05 > 0:59:07- Pillar of the Establishment.- Yes.
0:59:07 > 0:59:09He's been working for North Korea since 1996.
0:59:09 > 0:59:12- What?- He's the big rat, rat number one.
0:59:12 > 0:59:15He's just done something very suspicious indeed.
0:59:20 > 0:59:22Yeah, that's odd.
0:59:22 > 0:59:24There's nowhere he could have got off?
0:59:24 > 0:59:26Not according to the maps.
0:59:26 > 0:59:29There's something, something, something I'm missing.
0:59:29 > 0:59:31Something staring me in the face.
0:59:31 > 0:59:32PHONE BEEPS
0:59:32 > 0:59:35Any idea who they are, this underground network?
0:59:37 > 0:59:40Intelligence must have a list of the most obvious ones.
0:59:40 > 0:59:42Our rat's just come out of his den.
0:59:42 > 0:59:44Al-Qaeda? The IRA have been getting restless again,
0:59:44 > 0:59:47- maybe they're going to make an appearance...- Yes, yes, yes, yes!
0:59:47 > 0:59:49I've been an idiot, a blind idiot!
0:59:49 > 0:59:51- What?- Oh, that's good. That could be brilliant!
0:59:51 > 0:59:54- What are you on about?- Mycroft's intelligence is not nebulous at all,
0:59:54 > 0:59:56it's specific, incredibly specific.
0:59:56 > 0:59:57What do you mean?
0:59:57 > 1:00:00It's not an underground network, John, it's an Underground network!
1:00:00 > 1:00:02Right.
1:00:02 > 1:00:04- What?- Sometimes a deception is so audacious, so outrageous
1:00:04 > 1:00:08that you can't see it even when it's staring you in the face. Look,
1:00:08 > 1:00:11- seven carriages leave Westminster.- Mm.
1:00:11 > 1:00:14And only six carriages arrive at St James's Park.
1:00:17 > 1:00:19Ah, but that's, I mean, it's impossible.
1:00:19 > 1:00:22Moran didn't disappear. The entire tube compartment did.
1:00:22 > 1:00:25The driver must have diverted the train and then detached the last carriage.
1:00:25 > 1:00:28Detached it where? You said there was nothing between those stations.
1:00:28 > 1:00:30Not on the maps, but once you eliminate the other factors,
1:00:30 > 1:00:34the remaining thing must be the truth. That carriage vanished, so it must be somewhere.
1:00:34 > 1:00:35But why, though?
1:00:35 > 1:00:37Why detach it in the first place?
1:00:37 > 1:00:40It vanishes between St James's Park and Westminster.
1:00:40 > 1:00:42Lord Moran vanishes.
1:00:42 > 1:00:46You're kidnapped and nearly burnt to death at a fireworks party.
1:00:47 > 1:00:49What's the date, John, today's date?
1:00:49 > 1:00:51Hmm? November the...
1:00:51 > 1:00:52Oh, God!
1:00:55 > 1:00:57Lord Moran, he's a Peer of the Realm.
1:00:57 > 1:00:58Normally he'd sit in the House.
1:00:58 > 1:01:02Tonight, there's an all-night sitting to vote on the new anti-terrorism bill.
1:01:04 > 1:01:06But he won't be there, not tonight.
1:01:06 > 1:01:08Not the 5th November.
1:01:08 > 1:01:09"Remember, remember..."
1:01:09 > 1:01:11"Gunpowder, treason and plot!"
1:01:13 > 1:01:15'There's nothing down there, Mr Holmes, I told you.
1:01:15 > 1:01:17'No sidings, no ghost stations.'
1:01:17 > 1:01:18There has to be, check again.
1:01:18 > 1:01:21This whole area is a big mess of old and new stuff.
1:01:21 > 1:01:24Charing Cross is made up of bits of older stations,
1:01:24 > 1:01:25like Trafalgar Square, Strand.
1:01:25 > 1:01:27No, it's none of those, we've accounted for those.
1:01:27 > 1:01:30St Margaret Street, Bridge Street, Sumatra Road, Parliament Street...
1:01:30 > 1:01:32'Hang on, hang on, Sumatra Road?
1:01:32 > 1:01:36'You mentioned Sumatra Road, Mr Holmes? There is something,
1:01:36 > 1:01:37'I knew it rang a bell! Yes.
1:01:37 > 1:01:39'There was a station down there.'
1:01:39 > 1:01:41Well, why isn't it on the maps?
1:01:41 > 1:01:43- 'Because it was closed before it ever opened.'- What?
1:01:43 > 1:01:47'They built the platforms, even the staircases, but it all got tied up
1:01:47 > 1:01:50'in legal disputes and so they never built the station on the surface.'
1:01:52 > 1:01:54It's right underneath the Palace of Westminster.
1:01:54 > 1:01:57So what's down there, a bomb?
1:01:57 > 1:01:58Oh.
1:02:00 > 1:02:02'With many commentators saying
1:02:02 > 1:02:04'the vote on the Terrorism Bill will be too close to call,
1:02:04 > 1:02:07'MPs are now making their way into the Chamber for what
1:02:07 > 1:02:12'the Government is calling "the most important vote of this Parliament."
1:02:12 > 1:02:13'Over now to our...'
1:02:13 > 1:02:15'What freedoms exactly are we protecting
1:02:15 > 1:02:17'if we start spying on our own people?
1:02:17 > 1:02:20'This is a Orwellian measure on a scale unprecedented...'
1:02:38 > 1:02:41There's a bomb, then? The tube carriage is carrying a bomb.
1:02:41 > 1:02:44- Must be.- Right.
1:02:44 > 1:02:47- What are you doing? - I'm calling the police.- What? No!
1:02:47 > 1:02:49Sherlock, this isn't a game, they need to evacuate Parliament.
1:02:49 > 1:02:54They'll get in the way, they always do. This is cleaner, more efficient.
1:02:54 > 1:02:56- And illegal? - A bit.
1:03:11 > 1:03:13What are you doing?
1:03:13 > 1:03:14Coming.
1:04:05 > 1:04:07- I don't understand. - Well, that's a first.
1:04:07 > 1:04:09There's nowhere else it could be.
1:04:27 > 1:04:29SCREAMING
1:04:45 > 1:04:46Oh!
1:04:47 > 1:04:48What?!
1:04:51 > 1:04:54- Hang on, Sherlock...? - What?- That's, isn't it live?
1:04:54 > 1:04:57Perfectly safe as long as we avoid touching the rails.
1:04:57 > 1:05:00Of course, yeah, avoid the rails. Great!
1:05:00 > 1:05:01This way.
1:05:01 > 1:05:03- Are you sure?- Sure.
1:05:14 > 1:05:16Ha!
1:05:16 > 1:05:18Look at that.
1:05:20 > 1:05:22- John...- Hmm?
1:05:27 > 1:05:29Demolition charges.
1:06:41 > 1:06:43It's empty. There's nothing.
1:06:46 > 1:06:47Isn't there?
1:06:59 > 1:07:00This is the bomb.
1:07:00 > 1:07:01What?
1:07:05 > 1:07:09It's not carrying explosives, the whole compartment is the bomb.
1:07:49 > 1:07:51HE GASPS
1:07:59 > 1:08:01We need bomb disposal.
1:08:01 > 1:08:03There may not be time for that now.
1:08:04 > 1:08:05So what do we do?
1:08:07 > 1:08:10I have no idea.
1:08:10 > 1:08:13- Well, think of something. - Why do you think I know what to do?
1:08:13 > 1:08:15Cos you're Sherlock Holmes, you're as clever as it gets.
1:08:15 > 1:08:18It doesn't mean I know how to diffuse a giant bomb!
1:08:18 > 1:08:21- What about you?!- I wasn't in bomb disposal, I'm a bloody doctor!
1:08:21 > 1:08:23And a soldier, as you keep reminding us all!
1:08:23 > 1:08:26Can't... Can't we rip the timer off, or something?
1:08:26 > 1:08:29- That would set it off. - You see, you know things!
1:08:37 > 1:08:38BEEPING
1:08:48 > 1:08:50Oh!
1:08:50 > 1:08:51- Er...- My God!
1:08:51 > 1:08:53Er...
1:08:53 > 1:08:55JOHN GASPS
1:08:55 > 1:08:56Why didn't you call the police?!
1:08:56 > 1:08:59- Can you just...?- Why do you never call the police?!
1:08:59 > 1:09:00Well, it's no use now.
1:09:01 > 1:09:03So you can't switch the bomb off?!
1:09:03 > 1:09:06You can't switch the bomb off and you didn't call the police!
1:09:09 > 1:09:11Go, John. Go now!
1:09:11 > 1:09:14There's no point now, is there, because there's not enough time
1:09:14 > 1:09:17to get away and if we don't do this, other people will die!
1:09:17 > 1:09:18SHERLOCK SIGHS
1:09:21 > 1:09:22Mind palace!
1:09:22 > 1:09:24- Hmm?- Use your mind palace!
1:09:24 > 1:09:25How will that help?
1:09:25 > 1:09:27You've salted away every fact under the sun!
1:09:27 > 1:09:31- And you think I've just got "how to defuse a bomb" tucked away in there somewhere?!- Yes!
1:09:33 > 1:09:34Maybe.
1:09:35 > 1:09:37Think!
1:09:37 > 1:09:38Think, please think.
1:09:42 > 1:09:43Think!
1:09:48 > 1:09:49I can't!
1:09:54 > 1:09:55Oh, my God!
1:09:59 > 1:10:01This is it.
1:10:02 > 1:10:03Um, er...
1:10:03 > 1:10:04SHERLOCK BREATHES HEAVILY
1:10:05 > 1:10:07Oh, my God!
1:10:07 > 1:10:09Turn that off. Oh, God!
1:10:09 > 1:10:12Er, um, er...
1:10:18 > 1:10:19I'm sorry.
1:10:21 > 1:10:22What?
1:10:23 > 1:10:27I can't, I can't do it, John.
1:10:27 > 1:10:28I don't know how.
1:10:30 > 1:10:32Forgive me.
1:10:32 > 1:10:33What?!
1:10:33 > 1:10:36Please, John, forgive me,
1:10:36 > 1:10:38for all the hurt that I caused you.
1:10:38 > 1:10:41- No, no, no, no, no, no, this is a trick.- No.
1:10:41 > 1:10:42Another one of your bloody tricks.
1:10:42 > 1:10:45- No.- You're just trying to make me say something nice.
1:10:46 > 1:10:47Not this time.
1:10:47 > 1:10:50It's just to make you look good even though you've behaved like...
1:11:03 > 1:11:05I wanted you not to be dead.
1:11:05 > 1:11:08Yeah, well, be careful what you wish for.
1:11:10 > 1:11:13If I hadn't come back, you wouldn't be standing there and...
1:11:15 > 1:11:19..you'd still have a future, with Mary.
1:11:19 > 1:11:21Yeah, I know.
1:11:30 > 1:11:34Look, I find it difficult. I find it difficult, this sort of stuff.
1:11:34 > 1:11:35I know.
1:11:39 > 1:11:43You were the best and the wisest man that I have ever known.
1:11:45 > 1:11:48Yes, of course I forgive you.
1:12:04 > 1:12:07The criminal network Moriarty headed was vast.
1:12:07 > 1:12:10Its roots were everywhere, like a cancer, so we came up with a plan.
1:12:10 > 1:12:13Mycroft fed Moriarty information about me.
1:12:13 > 1:12:17Moriarty, in turn, gave us hints,
1:12:17 > 1:12:20just hints as to the extent of his web.
1:12:20 > 1:12:23We let him go, because it was important to let him believe
1:12:23 > 1:12:25he had the upper hand.
1:12:25 > 1:12:28And then, I sat back and watched Moriarty
1:12:28 > 1:12:30destroy my reputation, bit by bit.
1:12:30 > 1:12:34I had to make him believe he'd beaten me,
1:12:34 > 1:12:36utterly defeated me, and then he'd show his hand.
1:12:36 > 1:12:40There were 13 likely scenarios once we were up on that roof.
1:12:40 > 1:12:44Each of them were rigorously worked out and given a code name.
1:12:44 > 1:12:47It wasn't just my reputation that Moriarty needed to bury.
1:12:47 > 1:12:48I had to die.
1:12:48 > 1:12:50Sherlock!
1:12:50 > 1:12:53You can have me arrested, you can torture me,
1:12:53 > 1:12:56you can do anything you like with me,
1:12:56 > 1:13:00but nothing's going to prevent them from pulling the trigger.
1:13:00 > 1:13:04Your only three friends in the world will die, unless...
1:13:04 > 1:13:07Unless I kill myself and complete your story.
1:13:08 > 1:13:11You've got to admit that's sexier.
1:13:11 > 1:13:13'But the one thing I didn't anticipate was just how far
1:13:13 > 1:13:16'Moriarty was prepared to go. I suppose that was obvious,
1:13:16 > 1:13:19'given our first meeting at the swimming pool.
1:13:19 > 1:13:20'His death wish.'
1:13:20 > 1:13:21Argh!
1:13:21 > 1:13:22GUNSHOT
1:13:27 > 1:13:29'I knew I didn't have long.
1:13:29 > 1:13:32'I contacted my brother, set the wheels in motion.
1:13:34 > 1:13:36'And then everyone got to work.'
1:14:21 > 1:14:22'It's a trick.'
1:14:23 > 1:14:25'It's just a magic trick.'
1:14:26 > 1:14:28'All right, stop it now.'
1:14:28 > 1:14:30'Now, stay exactly where you are.'
1:14:32 > 1:14:33'Don't move!'
1:14:35 > 1:14:36All right.
1:14:40 > 1:14:42Keep your eyes fixed on me.
1:14:43 > 1:14:45Please, will you do this for me?
1:14:49 > 1:14:52'It was vital that John stayed just where I'd put him
1:14:52 > 1:14:56'and that way his view was blocked by the ambulance station.'
1:14:56 > 1:14:58Sherlock!
1:15:08 > 1:15:11'I needed to hit the air-bag,
1:15:11 > 1:15:13'which I did.
1:15:13 > 1:15:14'Speed was paramount.
1:15:14 > 1:15:16'The air-bag needed to be got out of the way
1:15:16 > 1:15:19'just as John cleared the station.
1:15:19 > 1:15:21'But we needed him to see a body.
1:15:21 > 1:15:24'That's where Molly came in.
1:15:24 > 1:15:28'Like figures on a weather clock, we went one way, John went the other.
1:15:29 > 1:15:32'Then, our well-timed cyclist...'
1:15:34 > 1:15:36'..put John briefly out of action,
1:15:36 > 1:15:40'giving me time to switch places with the corpse on the pavement.
1:15:51 > 1:15:53'The rest was just window dressing.'
1:15:56 > 1:16:01'And one final touch, a squash ball under the armpit.
1:16:01 > 1:16:05'Apply enough pressure and it momentarily cuts off the pulse.'
1:16:12 > 1:16:14Let me come through, please!
1:16:14 > 1:16:16- It's all right... - No, he's my friend.
1:16:16 > 1:16:18- It's all right. - No, he's my friend.
1:16:18 > 1:16:21- It's all right, it's all right... - He's my friend, please.
1:16:30 > 1:16:34Everything was anticipated, every eventuality allowed for.
1:16:34 > 1:16:37It worked perfectly.
1:16:37 > 1:16:41Molly. Molly Hooper? She was in on it?
1:16:41 > 1:16:43Yes. You remember the little girl who was abducted by Moriarty?
1:16:43 > 1:16:44SHE SCREAMS
1:16:44 > 1:16:46Get out!
1:16:46 > 1:16:49'You assumed she reacted like that because I was her kidnapper.'
1:16:49 > 1:16:51But I deduced Moriarty must have found someone who looked
1:16:51 > 1:16:55very like me to plant suspicion, and that that man, whoever he was,
1:16:55 > 1:16:58had to be got out of the way as soon as his usefulness ended.
1:16:58 > 1:17:00That meant there was a corpse in the morgue somewhere
1:17:00 > 1:17:02that looked just like me.
1:17:02 > 1:17:03Clever.
1:17:03 > 1:17:05Molly found the body, faked the records
1:17:05 > 1:17:07and I provided the other coat.
1:17:07 > 1:17:08I've got lots of coats.
1:17:08 > 1:17:10What about the sniper aiming at John?
1:17:10 > 1:17:13Mycroft's men intervened before he could take the shot.
1:17:13 > 1:17:14He was invited to reconsider.
1:17:14 > 1:17:16TELEPHONE RINGS
1:17:16 > 1:17:17Is it done?
1:17:20 > 1:17:21Good.
1:17:22 > 1:17:24And your homeless network?
1:17:24 > 1:17:27As I explained, the whole street was closed off.
1:17:27 > 1:17:29Like a scene from a play.
1:17:30 > 1:17:33Neat, don't you think?
1:17:33 > 1:17:34Hmm...
1:17:34 > 1:17:36What?
1:17:36 > 1:17:37Not the way I'd have done it.
1:17:37 > 1:17:39Oh, really?
1:17:39 > 1:17:42- No, I'm not saying it's not clever, but...- What?
1:17:46 > 1:17:48Bit...disappointed.
1:17:48 > 1:17:52Oh. Everyone's a critic. Anyway, that's not why I came.
1:17:53 > 1:17:56- No?- No, I think you know why I'm here, Phillip.
1:17:56 > 1:17:58"How I Did It, by Jack the Ripper?"
1:18:01 > 1:18:03Didn't you think it was intriguing?
1:18:03 > 1:18:06Lurid. A case so sensational you hoped I'd be interested.
1:18:06 > 1:18:10But you overdid it, Phillip. You and your little fan-club.
1:18:10 > 1:18:13I just couldn't live with myself, knowing that I'd driven you to...
1:18:13 > 1:18:18But you didn't. You were always right, I wasn't dead.
1:18:18 > 1:18:22No. No, and everything's OK now, isn't it?
1:18:22 > 1:18:24- Yeah.- Yeah.
1:18:26 > 1:18:28Though of course you've wasted police time.
1:18:28 > 1:18:31Perverted the course of justice.
1:18:31 > 1:18:34Risked distracting me from a massive terrorist assault that could have
1:18:34 > 1:18:37both destroyed Parliament and caused the death of hundreds of people.
1:18:37 > 1:18:40Oh, God! Oh, God, I'm sorry, Sherlock!
1:18:40 > 1:18:42- I'm so sorry. - HE CRIES
1:18:46 > 1:18:47Hang on.
1:18:49 > 1:18:51That doesn't make sense.
1:18:51 > 1:18:55How could you be sure John would stand on that exact spot?
1:18:55 > 1:18:56I mean, what if he'd moved?
1:18:56 > 1:18:59And...how did you do it all so quickly?
1:18:59 > 1:19:00What if the bike hadn't hit him?
1:19:01 > 1:19:04And anyway, why are you telling me all this?
1:19:04 > 1:19:05HE CHUCKLES
1:19:05 > 1:19:09If you'd pulled that off, I'm the last person you'd tell the truth to!
1:19:14 > 1:19:17Sherlock Holmes!
1:19:41 > 1:19:43SHERLOCK GIGGLES
1:20:05 > 1:20:07- You... - Oh, your face!
1:20:07 > 1:20:09- ..utter...- Your face!
1:20:09 > 1:20:10You!
1:20:10 > 1:20:12- Totally had you! - You cock!
1:20:12 > 1:20:15- I knew it! I knew it! You... - Oh, those things you said, such sweet things.
1:20:15 > 1:20:19- I never knew you cared.- I will, I'll kill you if you ever breathe a word of this...
1:20:19 > 1:20:22- Scout's honour. - ..to anyone! You knew!
1:20:22 > 1:20:23You knew how to turn it off!
1:20:23 > 1:20:25There's an off switch.
1:20:25 > 1:20:27There's always an off switch.
1:20:27 > 1:20:29Terrorists can get into all sorts of problems
1:20:29 > 1:20:31unless there's an off switch.
1:20:31 > 1:20:34- So why did you let me go through all that?!- I didn't lie altogether.
1:20:34 > 1:20:38I've absolutely no idea how to turn any of these silly little lights off.
1:20:38 > 1:20:40SHERLOCK GIGGLES
1:20:40 > 1:20:41NOISE FROM WALKIE TALKIES
1:20:41 > 1:20:45- And you did call the police? - Of course I called the police.
1:20:45 > 1:20:47I'm definitely going to kill you!
1:20:47 > 1:20:51Oh, please. Killing me, that's so two years ago.
1:20:55 > 1:20:57SHERLOCK LAUGHS
1:21:22 > 1:21:23GUN COCKS
1:21:27 > 1:21:30MUSIC: "Do You Hear The People Sing" from Les Miserables
1:21:30 > 1:21:32- MYCROFT:- 'Sherlock, please, I beg of you.
1:21:32 > 1:21:35'You can take over at the interval.'
1:21:35 > 1:21:38Oh, I'm sorry, brother dear, but you made a promise.
1:21:38 > 1:21:40Nothing I can do to help.
1:21:40 > 1:21:43'But you don't understand the pain of it, the horror.'
1:21:43 > 1:21:46Come on, you'll have to go down, they want the story.
1:21:47 > 1:21:48In a minute.
1:21:50 > 1:21:53I'm really pleased, Mary. Have you set a date?
1:21:53 > 1:21:56- Well, we thought May. - Ah, a spring wedding.- Yeah.
1:21:56 > 1:21:58- Well, once we've actually got engaged.- Yeah.
1:21:58 > 1:22:02- We were interrupted last time. - Yeah.- Well, I can't wait.
1:22:02 > 1:22:04You will be there, Sherlock?
1:22:04 > 1:22:06Weddings, not really my thing.
1:22:06 > 1:22:08- Hello, everyone.- Hello, Molly.
1:22:08 > 1:22:11- This is Tom. Tom, this is everyone.- Hi.
1:22:11 > 1:22:14- Hi.- It's really nice to meet you all. Hi.
1:22:14 > 1:22:16Wow! Yeah, hi, I'm John, good to meet you.
1:22:16 > 1:22:19- Ready? - Ready.
1:22:23 > 1:22:24Champagne?
1:22:26 > 1:22:28Yes.
1:22:33 > 1:22:35Thanks.
1:22:35 > 1:22:36Thank you.
1:22:39 > 1:22:41- Sit down, love.- Oh, thanks.
1:22:41 > 1:22:42So um...
1:22:44 > 1:22:45Is it serious, you two?
1:22:45 > 1:22:48Yeah. I've moved on.
1:22:50 > 1:22:52Did you...?
1:22:52 > 1:22:54- I'm not saying a word.- No, best not.
1:22:55 > 1:22:57- But I'm still waiting.- Hmm?
1:22:57 > 1:23:00Why did they try and kill me?
1:23:00 > 1:23:02If they knew you were onto them, why come after me?
1:23:02 > 1:23:04Put me in a bonfire?
1:23:04 > 1:23:07I don't know. I don't like not knowing.
1:23:09 > 1:23:12Unlike the nicely embellished fictions on your blog, John,
1:23:12 > 1:23:14real life is rarely so neat.
1:23:14 > 1:23:17I don't know who was behind all this, but I will find out,
1:23:17 > 1:23:19I promise you.
1:23:19 > 1:23:21Don't pretend you're not enjoying this.
1:23:21 > 1:23:24- Hmm? - Being back. Being a hero again.
1:23:24 > 1:23:27- Don't be stupid.- You'd have to be an idiot not to see it.
1:23:27 > 1:23:29- You love it.- Love what?
1:23:29 > 1:23:31Being Sherlock Holmes.
1:23:33 > 1:23:35I don't even know what that's supposed to mean.
1:23:36 > 1:23:40Sherlock, you are going to tell me how you did it?
1:23:41 > 1:23:43How you jumped off that building and survived?
1:23:43 > 1:23:47You know my methods, John, I am known to be indestructible.
1:23:47 > 1:23:49No, but seriously.
1:23:49 > 1:23:52When you were dead, I went to your grave.
1:23:52 > 1:23:54I should hope so.
1:23:54 > 1:23:55I made a little speech.
1:23:56 > 1:23:58I actually spoke to you.
1:23:58 > 1:24:01I know. I was there.
1:24:03 > 1:24:05I asked you for one more miracle.
1:24:06 > 1:24:08I asked you to stop being dead.
1:24:10 > 1:24:12I heard you.
1:24:15 > 1:24:18Anyway, time to go and be Sherlock Holmes.
1:24:30 > 1:24:32CAMERAS SNAP
1:25:08 > 1:25:10SHERLOCK'S VOICE: 'John!'
1:25:14 > 1:25:16- MARY'S VOICE:- 'John!'
1:25:19 > 1:25:21'John!
1:25:27 > 1:25:28'John!
1:25:30 > 1:25:32'John!'