0:00:02 > 0:00:04Mr Magnussen, please state your full name for the record.
0:00:04 > 0:00:07Charles Augustus Magnussen.
0:00:07 > 0:00:09Mr Magnussen,
0:00:09 > 0:00:12how would you describe your influence over the Prime Minister?
0:00:12 > 0:00:14The British Prime Minister?
0:00:14 > 0:00:17Any of the British Prime Ministers you have known.
0:00:17 > 0:00:20I never had the slightest influence over any of them.
0:00:20 > 0:00:21Why would I?
0:00:23 > 0:00:28I notice you've had seven meetings at Downing Street this year.
0:00:28 > 0:00:30Why?
0:00:30 > 0:00:33Because I was invited.
0:00:33 > 0:00:36Can you recall the subjects under discussion?
0:00:36 > 0:00:39Not without being more indiscreet than I believe is appropriate.
0:00:39 > 0:00:42Do you think it right that a newspaper proprietor,
0:00:42 > 0:00:46a private individual, and in fact a foreign national,
0:00:46 > 0:00:49should have such regular access to our Prime Minister?
0:00:51 > 0:00:55I don't think it's wrong that a private individual should
0:00:55 > 0:00:57accept an invitation.
0:00:57 > 0:01:00However, you have my sincere apologies for being foreign.
0:01:00 > 0:01:03That's not what I meant. That is not in any way...
0:01:03 > 0:01:05Mr Magnussen, can you recall an occasion
0:01:05 > 0:01:09when your remarks could have influenced government policy?
0:01:09 > 0:01:12Or the Prime Minister's thinking in any way?
0:01:13 > 0:01:14No.
0:01:14 > 0:01:16Are you sure?
0:01:28 > 0:01:30I have an excellent memory.
0:02:32 > 0:02:34PROJECTOR WHIRS
0:02:42 > 0:02:45Your car is waiting outside... See you tomorrow.
0:02:55 > 0:02:57May I join you?
0:02:57 > 0:02:59I don't think it's appropriate.
0:02:59 > 0:03:03- It isn't.- Mr Magnussen, outside the inquiry, we can have no contact,
0:03:03 > 0:03:04no communication at all.
0:03:05 > 0:03:07Please don't do that.
0:03:07 > 0:03:12In 1982, your husband corresponded with Helen Catherine Driscoll.
0:03:12 > 0:03:14That was before I knew him.
0:03:14 > 0:03:16The letters were lively, loving...
0:03:16 > 0:03:18some would say explicit.
0:03:18 > 0:03:20And currently in my possession.
0:03:20 > 0:03:22Will you please move your hand?
0:03:22 > 0:03:27"I long, my darling, to know the touch of your...body."
0:03:27 > 0:03:29I know what was in the letters.
0:03:29 > 0:03:31She was 15.
0:03:33 > 0:03:34She looked older.
0:03:36 > 0:03:40Oh, she looked delicious. We have photographs too.
0:03:40 > 0:03:42The ones she sent him.
0:03:43 > 0:03:45Yum-yum.
0:03:45 > 0:03:47He was unaware of her age.
0:03:47 > 0:03:49He met her only once before the letters began.
0:03:49 > 0:03:52When he discovered the truth, he stopped immediately.
0:03:52 > 0:03:53Those are the facts.
0:03:53 > 0:03:56Facts are for history books. I work in news.
0:03:56 > 0:03:58Your hand is sweating.
0:03:58 > 0:04:01Always, I'm afraid. I have a condition.
0:04:01 > 0:04:02It's disgusting.
0:04:03 > 0:04:05I'm used to it.
0:04:05 > 0:04:08The whole world is wet to my touch.
0:04:08 > 0:04:11I will call someone, I will have you removed.
0:04:11 > 0:04:12What is that?
0:04:17 > 0:04:19Claire de la Lune?
0:04:20 > 0:04:21A bit young for you, isn't it?
0:04:23 > 0:04:27You want to hit me now? Could you, still?
0:04:27 > 0:04:29Little old lady now.
0:04:29 > 0:04:33Perhaps you should settle for calling someone.
0:04:35 > 0:04:38Well, go on.
0:04:38 > 0:04:39No?
0:04:39 > 0:04:41Because now there are consequences.
0:04:41 > 0:04:44I have the letters and therefore I have you.
0:04:44 > 0:04:45This is blackmail.
0:04:45 > 0:04:47Of course it isn't blackmail.
0:04:47 > 0:04:49This is...
0:04:49 > 0:04:50ownership.
0:04:50 > 0:04:52You do not own me.
0:05:05 > 0:05:07Claire de la Lune.
0:05:12 > 0:05:14It never tastes like it smells, does it?
0:05:21 > 0:05:24Lady Smallwood's bill is on me. See to it.
0:05:24 > 0:05:25Yes, Mr Magnussen.
0:05:27 > 0:05:28SHE SHUDDERS
0:05:34 > 0:05:36Oh, God! Oh!
0:05:37 > 0:05:39You all right, ma'am?
0:05:39 > 0:05:40Fine, yes.
0:05:41 > 0:05:43Magnussen!
0:05:44 > 0:05:46No-one stands up to him.
0:05:46 > 0:05:48No-one dares, no-one even tries.
0:05:48 > 0:05:51There isn't a man or woman in England capable of stopping
0:05:51 > 0:05:53that disgusting creature...
0:05:56 > 0:05:57Ma'am?
0:05:57 > 0:06:00Turn the car around. We're going back into town. Turn around.
0:06:02 > 0:06:04Where are we going, ma'am?
0:06:05 > 0:06:06Baker Street.
0:06:40 > 0:06:43RAPID GUNFIRE AND EXPLOSIONS
0:06:46 > 0:06:48'You've seen a lot of injuries, then? Violent deaths?'
0:06:48 > 0:06:51- 'Enough for a lifetime.' - 'Want to see some more?'
0:06:51 > 0:06:52'Oh, God, yes.'
0:06:52 > 0:06:54KNOCKING ON DOOR
0:06:54 > 0:06:55'The game is on.'
0:06:57 > 0:06:58KNOCKING CONTINUES
0:07:01 > 0:07:04I know it's early. Really, I'm sorry.
0:07:04 > 0:07:05WOMAN SOBS
0:07:05 > 0:07:08- Is that Kate? - Yeah, it's Kate.
0:07:08 > 0:07:09Invite her in?
0:07:09 > 0:07:12Er, sorry, yes, do you want to come in, Kate?
0:07:13 > 0:07:15Hey!
0:07:15 > 0:07:16It's hard.
0:07:18 > 0:07:22- There you go.- It's Isaac. - Oh, your husband?- Son.- Son, yeah.
0:07:22 > 0:07:26He's gone missing again. Didn't come home last night.
0:07:26 > 0:07:27The usual.
0:07:27 > 0:07:29He's the drugs one, yeah?
0:07:29 > 0:07:31Er, yeah, nicely put, John.
0:07:31 > 0:07:34But is it Sherlock Holmes you want? Because I've not seen him in ages.
0:07:34 > 0:07:36- About a month. - Who is Sherlock Holmes?
0:07:36 > 0:07:38See, that does happen.
0:07:38 > 0:07:42There's a place they all go to, him and his friends.
0:07:44 > 0:07:47They all do whatever they do.
0:07:48 > 0:07:50Shoot up, whatever you call it.
0:07:50 > 0:07:54- Where is he?- It's a house, it's a dump. It's practically falling down.
0:07:54 > 0:07:57No, the address? Where, exactly?
0:07:57 > 0:07:59- Seriously?- Why not?
0:07:59 > 0:08:01She's not going to the police, someone's got to get him.
0:08:01 > 0:08:03- Why you?- I'm being neighbourly. - Since when?
0:08:03 > 0:08:06Ha, since now. Since this exact minute.
0:08:06 > 0:08:08- Why are you being so...?- What?
0:08:08 > 0:08:10I don't know, what's the matter with you?
0:08:10 > 0:08:12There is NOTHING the matter with me.
0:08:12 > 0:08:15- Imagine I said that without shouting.- I'm trying.
0:08:15 > 0:08:17No, you can't come, you're pregnant.
0:08:17 > 0:08:19You can't go, I'm pregnant!
0:08:28 > 0:08:30- SHE CHUCKLES - What is that?!
0:08:30 > 0:08:33- It's a tyre lever.- Why?- Cos there were loads of smackheads in there
0:08:33 > 0:08:35and one of them might need help with a tyre.
0:08:35 > 0:08:37If there's any trouble, just go, I'll be fine.
0:08:37 > 0:08:39John, John, John, John...
0:08:40 > 0:08:42It is a tiny bit sexy.
0:08:42 > 0:08:44Yeah, I know.
0:08:47 > 0:08:48JOHN BANGS ON DOOR Hello?
0:08:51 > 0:08:53- What do you want?- Excuse me.
0:08:53 > 0:08:55DOOR CRASHES OPEN
0:08:55 > 0:08:58Oh, no, you can't come in here!
0:08:58 > 0:09:02I'm looking for a friend. A very specific...friend.
0:09:02 > 0:09:04I'm not just browsing.
0:09:04 > 0:09:07You've got to go. No-one's allowed here.
0:09:07 > 0:09:10HE CLEARS HIS THROAT Isaac Whitney, you seen him?
0:09:10 > 0:09:13I'm asking you if you've seen Isaac Whitney
0:09:13 > 0:09:14and now you're showing me a knife.
0:09:14 > 0:09:18Is it a clue? Are you doing a mime?
0:09:18 > 0:09:21Go. Or I'll cut you.
0:09:21 > 0:09:23Oh, not from there. Let me help.
0:09:27 > 0:09:30Now, concentrate. Isaac...Whitney?
0:09:30 > 0:09:32OK, you asked for it.
0:09:33 > 0:09:36MAN GRUNTS IN PAIN
0:09:36 > 0:09:37Agh! Ohh!
0:09:37 > 0:09:40Right. Are you concentrating yet?
0:09:40 > 0:09:42You broke my arm!
0:09:42 > 0:09:43No, I sprained it.
0:09:43 > 0:09:47It feels squishy. Is it supposed to feel squishy?
0:09:47 > 0:09:49- Feel that!- Yeah, it's a sprain.
0:09:49 > 0:09:51I'm a doctor, I know how to sprain people.
0:09:51 > 0:09:53Now where is Isaac Whitney?
0:09:53 > 0:09:56I don't know! Maybe upstairs.
0:09:56 > 0:09:58There you go. Wasn't that easy?
0:10:00 > 0:10:02No, it was really sore.
0:10:02 > 0:10:03Mental, you are!
0:10:03 > 0:10:06No, just used to a better class of criminal.
0:10:06 > 0:10:08BIRD CAWING
0:10:08 > 0:10:10MAN COUGHING
0:10:19 > 0:10:20Isaac? Isaac Whitney?
0:10:20 > 0:10:23OBJECT CLATTERS
0:10:23 > 0:10:24Isaac?
0:10:25 > 0:10:27MAN RESPONDS WEAKLY
0:10:27 > 0:10:30Hello, mate. Sit up for me, sit up.
0:10:32 > 0:10:34- Dr Watson?- Yep.
0:10:34 > 0:10:35Where am I?
0:10:35 > 0:10:38Arse-end of the universe with the scum of the earth. Look at me.
0:10:38 > 0:10:40Have you come for me?
0:10:40 > 0:10:43Do you think I know a lot of people here?
0:10:43 > 0:10:45Hey, all right?
0:10:45 > 0:10:50- SHERLOCK:- Oh, hello, John. Didn't expect to see you here.
0:10:53 > 0:10:54Come for me too?
0:10:57 > 0:11:01- Hello, Isaac.- Mrs Watson, can I, can I get in, please?
0:11:01 > 0:11:04- Yes, of course, get in. Where's John?- They're having a fight.
0:11:04 > 0:11:05Who is?!
0:11:05 > 0:11:08- DOOR CLATTERS - For God sakes, John, I'm on a case!
0:11:08 > 0:11:09A month. That's all it took.
0:11:09 > 0:11:11- One!- I'm working.
0:11:11 > 0:11:13"Sherlock Holmes in a drug den." How's that going to look?!
0:11:13 > 0:11:15- I'm undercover.- No, you're not!
0:11:15 > 0:11:18- CAR TYRES SCREECH - Well, I'm not now!
0:11:18 > 0:11:20In, both of you, quickly!
0:11:25 > 0:11:29Please, can I come? I think I've got a broken arm.
0:11:29 > 0:11:32- No, go away.- No, let him.- Why? - Yeah, just get in. It's a sprain.
0:11:33 > 0:11:37Anyone else? I mean, are we taking everybody home, are we?
0:11:38 > 0:11:39All right, Shezza?
0:11:39 > 0:11:42- "Shezza"?- I WAS undercover!
0:11:42 > 0:11:43Seriously, Shezza, though?
0:11:43 > 0:11:46- We're not going home, we're going to Bart's. I'm calling Molly.- Why?
0:11:46 > 0:11:49Because Sherlock Holmes needs to pee in a jar.
0:12:01 > 0:12:03Well? Is he clean?
0:12:04 > 0:12:05Clean?
0:12:14 > 0:12:17How dare you throw away the beautiful gifts you were born with!
0:12:17 > 0:12:19And how dare you betray the love of your friends!
0:12:19 > 0:12:21Say you're sorry.
0:12:21 > 0:12:24Sorry your engagement's over. Though I'm fairly grateful for the lack of a ring.
0:12:24 > 0:12:27Stop it. Just stop it!
0:12:27 > 0:12:30If you were anywhere near this kind of thing again,
0:12:30 > 0:12:32you could have called, you could have talked to me.
0:12:32 > 0:12:34Please, do relax. This is all for a case.
0:12:34 > 0:12:36What kind of case would need you doing this?
0:12:36 > 0:12:39I might as well ask you why you've started cycling to work?
0:12:39 > 0:12:41No, we're not playing this game.
0:12:41 > 0:12:43Quite recently, I'd say, you're very determined about it.
0:12:43 > 0:12:46- Not interested.- I am. Ow!
0:12:46 > 0:12:48Oh, sorry, you moved, but it is just a sprain.
0:12:48 > 0:12:51- Yeah, somebody hit me.- Huh?
0:12:53 > 0:12:55Yeah, just some guy.
0:12:56 > 0:12:59Yeah, it was probably just an addict in need of a fix.
0:13:00 > 0:13:01Yes, I think in a way it was.
0:13:02 > 0:13:06- Is it his shirt?- I'm sorry?
0:13:06 > 0:13:08Well, it's the creases, isn't it?
0:13:10 > 0:13:12The two creases down the front.
0:13:12 > 0:13:14It's been recently folded, but it's not new.
0:13:14 > 0:13:17You must have dressed in a hurry this morning.
0:13:17 > 0:13:19So all your shirts must be kept like that.
0:13:21 > 0:13:22But why?
0:13:22 > 0:13:25Maybe cos you cycle to work every morning, shower
0:13:25 > 0:13:29when you get there and then dress in the clothes you brought with you.
0:13:29 > 0:13:32You keep your shirts folded, ready to pack.
0:13:33 > 0:13:35Not bad.
0:13:35 > 0:13:36And I further deduce...
0:13:38 > 0:13:42..you've only started recently because you've got a bit of chafing.
0:13:42 > 0:13:44No, he's always walked like that.
0:13:44 > 0:13:45Remind me, what's your name again?
0:13:45 > 0:13:48- They call me the Wig. - No, they don't.
0:13:48 > 0:13:50Well, they...they call me Wiggy.
0:13:50 > 0:13:51Nope.
0:13:54 > 0:13:56Bill. Bill Wiggins.
0:13:56 > 0:13:59Nice observational skills, Billy.
0:13:59 > 0:14:01TEXT ALERT
0:14:01 > 0:14:03Ah, finally!
0:14:03 > 0:14:06- Finally what?- Good news?
0:14:06 > 0:14:08Oh, excellent news, the best.
0:14:08 > 0:14:11There's every chance that my drug habit might hit the newspapers.
0:14:11 > 0:14:15The game is on. Excuse me...for a second.
0:14:18 > 0:14:21You've heard of Charles Augustus Magnussen, of course?
0:14:21 > 0:14:25Yeah. Owns some newspapers. Ones I don't read.
0:14:25 > 0:14:27Hang on, weren't there other people?
0:14:27 > 0:14:30Mary's taking the boys home, I'm taking you, we did discuss it.
0:14:30 > 0:14:34People were talking, none of them were me, I must have filtered.
0:14:34 > 0:14:36- I noticed.- I have to filter out a lot of witless babble.
0:14:36 > 0:14:38I've got Mrs Hudson on semi-permanent mute.
0:14:41 > 0:14:44- HE SIGHS - What is my brother doing here?
0:14:44 > 0:14:47So I'll just pay, then, shall I?
0:14:47 > 0:14:48He's straightened the knocker.
0:14:48 > 0:14:52He always corrects it, it's OCD, doesn't even know he's doing it.
0:14:52 > 0:14:55- Why do you do that?- Do what? - Nothing.
0:14:58 > 0:15:01Well then, Sherlock, back on the sauce?
0:15:01 > 0:15:03- What are you doing here? - I phoned him.
0:15:03 > 0:15:07The siren call of old habits. How very like Uncle Rudy.
0:15:07 > 0:15:11- Though in many ways, cross-dressing would have been a wiser path for you.- You phoned him.
0:15:11 > 0:15:13- Of course I bloody phoned him. - Of course he bloody did.
0:15:13 > 0:15:16Now save me a little time - where should we be looking?
0:15:16 > 0:15:18- "We"?- ANDERSON: Mr Holmes?
0:15:19 > 0:15:21For God's sake!
0:15:24 > 0:15:28- Anderson?!- Sorry, Sherlock, it's for your own good.
0:15:28 > 0:15:32Oh, that's him, isn't it? You said he'd be taller.
0:15:32 > 0:15:35Some members of your little fan club. Do be polite.
0:15:35 > 0:15:38They're entirely trustworthy and even willing to search
0:15:38 > 0:15:41through the toxic waste dump that you are pleased to call a flat.
0:15:41 > 0:15:43You're a celebrity these days, Sherlock.
0:15:43 > 0:15:45You can't afford a drug habit.
0:15:45 > 0:15:49- I do not have a drug habit. - JOHN: Hey, what happened to my chair?
0:15:49 > 0:15:51It was blocking my view to the kitchen.
0:15:51 > 0:15:52Well, it's good to be missed!
0:15:52 > 0:15:56- You were gone, I saw an opportunity. - No, you saw the kitchen.
0:15:56 > 0:15:58What have you found so far? Clearly, nothing.
0:15:58 > 0:15:59There's nothing to find!
0:15:59 > 0:16:02Your bedroom door is shut. You haven't been home all night.
0:16:02 > 0:16:05So, why would a man who has never knowingly closed a door without
0:16:05 > 0:16:09the direct orders of his mother bother to do so on this occasion?
0:16:09 > 0:16:12OK, stop, just stop! Point made.
0:16:12 > 0:16:13Jesus, Sherlock!
0:16:13 > 0:16:17I shall have to phone our parents, of course. In Oklahoma.
0:16:17 > 0:16:20It won't be the first time that your substance abuse
0:16:20 > 0:16:22has wreaked havoc with their line dancing.
0:16:25 > 0:16:27This is not what you think. This is for a case.
0:16:27 > 0:16:30What case could possibly justify this?
0:16:30 > 0:16:31Magnussen.
0:16:31 > 0:16:34Charles Augustus Magnussen.
0:16:38 > 0:16:42That name you think you may have just heard, you were mistaken.
0:16:42 > 0:16:44If you ever mention hearing that name in this room,
0:16:44 > 0:16:47in this context, I guarantee you, on behalf
0:16:47 > 0:16:50of the British Security Services, that materials will be found on
0:16:50 > 0:16:54your computer hard-drives, resulting in your immediate incarceration.
0:16:54 > 0:16:57Don't reply, just look frightened and scuttle.
0:16:59 > 0:17:02I hope I won't have to threaten you as well.
0:17:04 > 0:17:07Well, I think we'd both find that embarrassing.
0:17:07 > 0:17:09Magnussen is not your business.
0:17:09 > 0:17:12- Oh, you mean he's yours?- You may consider him under my protection.
0:17:12 > 0:17:13I consider you under his thumb.
0:17:13 > 0:17:15If you go against Magnussen,
0:17:15 > 0:17:18then you will find yourself going against me.
0:17:18 > 0:17:20OK. I'll let you know if I notice.
0:17:20 > 0:17:23Um, what was I going to say? Oh, yeah.
0:17:23 > 0:17:24Bye-bye.
0:17:28 > 0:17:31Unwise, brother mine.
0:17:31 > 0:17:33Ohh! Ugh!
0:17:33 > 0:17:34Brother mine...
0:17:35 > 0:17:39..don't appal me when I'm high.
0:17:39 > 0:17:41Mycroft, don't say another word, just go.
0:17:41 > 0:17:43He could snap you in two and right now,
0:17:43 > 0:17:46I'm slightly worried that he might.
0:17:48 > 0:17:50Don't speak, just leave.
0:17:52 > 0:17:53Oh.
0:17:57 > 0:17:58HE CLEARS HIS THROAT
0:18:02 > 0:18:04Er, Magnussen?
0:18:04 > 0:18:07- What time is it?- About eight.
0:18:07 > 0:18:10I'll be meeting him in three hours. I need a bath.
0:18:10 > 0:18:13- It's for a case, you say?- Yep. - What sort of case?
0:18:13 > 0:18:16Too big and dangerous for any sane individual to get involved in.
0:18:16 > 0:18:18- You trying to put me off?- God, no.
0:18:18 > 0:18:20Trying to recruit you.
0:18:21 > 0:18:23And stay out of my bedroom.
0:18:33 > 0:18:36Oh, John, hi. How are you?
0:18:36 > 0:18:38Janine?
0:18:38 > 0:18:41Sorry, not dressed. Has everybody gone?
0:18:41 > 0:18:43- I heard shouting. - Yes, they're gone.
0:18:43 > 0:18:45God, look at the time. I'll be late.
0:18:45 > 0:18:48- It sounded like an argument. Was it Mike?- Mike?
0:18:48 > 0:18:52Mike, yeah. His brother, Mike. They're always fighting.
0:18:52 > 0:18:53Mycroft.
0:18:53 > 0:18:54Do people actually call him that?
0:18:54 > 0:18:56- Yeah.- Huh!
0:18:56 > 0:18:58Oh, could you be a love and put some coffee on?
0:18:58 > 0:18:59Sure, right, yeah.
0:18:59 > 0:19:03Thanks. Oh, how is Mary? How's married life?
0:19:03 > 0:19:05She's fine. We're both fine. Yeah.
0:19:05 > 0:19:08Oh, it's over there now. Where's Sherl?
0:19:08 > 0:19:10(Sherl!)
0:19:10 > 0:19:13Er, he's just having a bath. I'm sure he'll be out in a minute.
0:19:13 > 0:19:15- Oh, like he ever is!- Yeah.
0:19:18 > 0:19:21- SHE KNOCKS ON DOOR - Morning. Room for a little one?
0:19:21 > 0:19:23SHERLOCK AND JANINE GIGGLE
0:19:25 > 0:19:26Morning.
0:19:26 > 0:19:28SHERLOCK LAUGHS
0:19:28 > 0:19:29Ooh!
0:19:29 > 0:19:33So, it's just a guess, but you've probably got some questions?
0:19:33 > 0:19:36Yeah, one or two. Pretty much.
0:19:36 > 0:19:37Naturally.
0:19:43 > 0:19:45- You have a girlfriend?- Yes, I have.
0:19:47 > 0:19:49Now, Magnussen. Magnussen is like a shark.
0:19:49 > 0:19:51It's the only way I can describe him.
0:19:51 > 0:19:55Have you ever been to the shark tank at the London Aquarium, John? Stood up close to the glass?
0:19:55 > 0:20:00Those floating, flat faces, those dead eyes. That's what he is.
0:20:02 > 0:20:05I've dealt with murderers, psychopaths,
0:20:05 > 0:20:07terrorists, serial killers.
0:20:07 > 0:20:12None of them can turn my stomach like Charles Augustus Magnussen.
0:20:13 > 0:20:15Yes, you have?
0:20:15 > 0:20:16Sorry, what?
0:20:16 > 0:20:20- You have a girlfriend?- What? Yes, yes, I'm going out with Janine.
0:20:20 > 0:20:22- I thought that was fairly obvious. - Yes. Well, yes.
0:20:22 > 0:20:24HE CLEARS HIS THROAT
0:20:24 > 0:20:27You... You... You are in a relationship?
0:20:27 > 0:20:29Yes, I am.
0:20:29 > 0:20:32- You and Janine?- Hmm. Yes, me and Janine.
0:20:32 > 0:20:33Care to elaborate?
0:20:34 > 0:20:38Well, we're in a good place. It's, um...
0:20:38 > 0:20:40- very affirming. - You got that from a book.
0:20:40 > 0:20:42Everyone got that from a book.
0:20:42 > 0:20:46OK, you two bad boys. Behave yourselves.
0:20:46 > 0:20:49You, Sherl, you're going to have to tell me where you were last night.
0:20:49 > 0:20:52- Working.- Working? Of course.
0:20:52 > 0:20:55I'm the only one who really knows what you're like, remember?
0:20:55 > 0:20:57Well, don't you go letting on.
0:20:58 > 0:21:00I might just, actually.
0:21:02 > 0:21:04I haven't told Mary about this.
0:21:04 > 0:21:07- I kind of wanted to surprise her. - Yeah, I think you probably will.
0:21:07 > 0:21:10But we should have you two over for dinner, really soon.
0:21:10 > 0:21:13- Yeah.- My place though, not the scuzz-dump.
0:21:13 > 0:21:15Great, yeah.
0:21:15 > 0:21:17Dinner, yeah.
0:21:17 > 0:21:20- I'd better dash. It was brilliant to see you.- You too.
0:21:23 > 0:21:26Have a lovely day. Call me later.
0:21:26 > 0:21:29I might do. I might call you.
0:21:29 > 0:21:31Unless I meet someone prettier.
0:21:39 > 0:21:41Solve me a crime, Sherlock Holmes.
0:21:46 > 0:21:48You know Magnussen as a newspaper owner,
0:21:48 > 0:21:50but he is so much more than that.
0:21:50 > 0:21:53He uses his power and wealth to gain information.
0:21:53 > 0:21:56The more he acquires, the greater his wealth and power.
0:21:56 > 0:22:00And I'm not exaggerating when I say that he knows the critical pressure point on every person of note
0:22:00 > 0:22:04or influence in the whole of the Western World and probably beyond.
0:22:04 > 0:22:06He is the Napoleon of blackmail.
0:22:06 > 0:22:11And he has created an unassailable architecture of forbidden knowledge.
0:22:11 > 0:22:13Its name...
0:22:13 > 0:22:15is Appledore.
0:22:16 > 0:22:19- Dinner?- Sorry, what dinner?
0:22:19 > 0:22:22Me and Mary coming for dinner with...
0:22:22 > 0:22:23wine and...
0:22:23 > 0:22:25sitting.
0:22:25 > 0:22:28Seriously? I have just told you that the Western World is run
0:22:28 > 0:22:32- from this house and you want to talk about dinner? - Fine. Talk about the house.
0:22:34 > 0:22:37It is the greatest repository of sensitive and dangerous
0:22:37 > 0:22:39information anywhere in the world,
0:22:39 > 0:22:42the Alexandrian Library of secrets and scandals
0:22:42 > 0:22:44and none of it is on a computer.
0:22:44 > 0:22:46He's smart. Computers can be hacked.
0:22:46 > 0:22:48It's all on hard copy, in vaults, underneath that house.
0:22:48 > 0:22:51And as long as it is, the personal freedom of anyone
0:22:51 > 0:22:53you've ever met is a fantasy.
0:22:53 > 0:22:55KNOCKING ON DOOR
0:22:55 > 0:22:57That was the doorbell. Couldn't you hear it?
0:22:57 > 0:23:00- It's in the fridge. It kept ringing. - Oh, that's not a fault, Sherlock!
0:23:00 > 0:23:02Who is it?
0:23:06 > 0:23:09Mr Holmes said you can go right up.
0:23:17 > 0:23:20Oh. Go ahead.
0:23:21 > 0:23:23Sir?
0:23:23 > 0:23:26Can I have a moment?
0:23:26 > 0:23:27He's fine.
0:23:29 > 0:23:33Look, I... Right. I should probably tell you...
0:23:33 > 0:23:35OK, I...
0:23:35 > 0:23:36There.
0:23:42 > 0:23:44Doesn't mean I'm not pleased to see you.
0:23:44 > 0:23:46I can vouch for this man. He is a doctor.
0:23:46 > 0:23:49If you know who I am, then you know who he is.
0:23:49 > 0:23:51Don't you, Mr Magnussen?
0:23:54 > 0:23:57I understood we were meeting at YOUR office.
0:23:57 > 0:23:59This is my office.
0:24:05 > 0:24:07Well, it is now.
0:24:11 > 0:24:14Mr Magnussen, I have been asked to intercede with you
0:24:14 > 0:24:17by Lady Elizabeth Smallwood
0:24:17 > 0:24:19on the matter of her husband's letters.
0:24:19 > 0:24:24Some time ago you put pressure on her concerning those letters.
0:24:25 > 0:24:27She would like those letters back.
0:24:29 > 0:24:33Obviously, the letters no longer have any practical use to you,
0:24:33 > 0:24:34so with that in mind...
0:24:37 > 0:24:38Something I said?
0:24:38 > 0:24:40No, no. I was reading.
0:24:43 > 0:24:45There's rather a lot.
0:24:47 > 0:24:49Redbeard?
0:24:52 > 0:24:55Sorry. Sorry, you were probably talking.
0:24:55 > 0:24:57I...
0:24:57 > 0:25:01I was trying to explain that I have been asked to act on behalf of...
0:25:01 > 0:25:04- Bathroom? - Along from the kitchen, sir.
0:25:04 > 0:25:08- OK.- I've been asked to negotiate the return of those letters.
0:25:08 > 0:25:11I am aware you do not make copies of sensitive documents.
0:25:11 > 0:25:15- Is it like the rest of the flat? - Sir?- The bathroom?
0:25:15 > 0:25:18- Yes, sir.- Maybe not then.
0:25:18 > 0:25:21Am I acceptable to you as an intermediary?
0:25:24 > 0:25:27Lady Elizabeth Smallwood...
0:25:27 > 0:25:28I like her.
0:25:30 > 0:25:34Mr Magnussen, am I acceptable to you
0:25:34 > 0:25:35as an intermediary?
0:25:35 > 0:25:37She's English with a spine.
0:25:41 > 0:25:44Best thing about the English...
0:25:47 > 0:25:49..you're so domesticated.
0:25:49 > 0:25:52All standing around, apologising...
0:25:54 > 0:25:56..keeping your little heads down.
0:25:58 > 0:26:02You can do what you like here. No-one's ever going to stop you.
0:26:02 > 0:26:05A nation of herbivores.
0:26:05 > 0:26:06URINE TRICKLES
0:26:06 > 0:26:09I have interests all over the world but...
0:26:09 > 0:26:11everything starts in England.
0:26:12 > 0:26:15If it works here...
0:26:15 > 0:26:16ZIPS UP TROUSERS
0:26:16 > 0:26:18..I try it in a real country.
0:26:22 > 0:26:25The United Kingdom,
0:26:25 > 0:26:27Petri dish to the Western World.
0:26:28 > 0:26:33Tell Lady Elizabeth I might need those letters so...
0:26:33 > 0:26:35I'm keeping them.
0:26:37 > 0:26:39Goodbye.
0:26:39 > 0:26:41Anyway...
0:26:43 > 0:26:45..they're funny.
0:26:51 > 0:26:52Jesus!
0:26:52 > 0:26:55Did you notice the one extraordinary thing he did?
0:26:57 > 0:26:59There was a moment that kind of stuck in the mind, yeah.
0:26:59 > 0:27:02Exactly. When he showed us the letters.
0:27:03 > 0:27:05- OK.- So, he's brought the letters to London,
0:27:05 > 0:27:07so no matter what he says, he's ready to make a deal.
0:27:07 > 0:27:11Now, Magnussen only makes a deal once he's established a person's weaknesses,
0:27:11 > 0:27:14the pressure point, he calls it. So, clearly he believes
0:27:14 > 0:27:18I'm a drug addict and no serious threat.
0:27:18 > 0:27:22And of course, because he's in town tonight, the letters will be in his safe in his London office
0:27:22 > 0:27:25while he's out to dinner with the Marketing Group of GB from seven till ten.
0:27:25 > 0:27:28- How do you know his schedule?- Because I do. I'll see you tonight.
0:27:28 > 0:27:30- I've got some shopping to do. - What's tonight?
0:27:30 > 0:27:31I'll text instructions.
0:27:31 > 0:27:35- Yeah, I'll text YOU if I'm available. - You are, I checked.
0:27:35 > 0:27:38- Don't bring a gun. - Why would I bring a gun?
0:27:38 > 0:27:41Or a knife or a tyre lever. Probably best not to do any arm-spraining,
0:27:41 > 0:27:44- but we'll see how the night goes. - Are you just assuming I'm coming along?
0:27:44 > 0:27:49Time you got out of the house, John. You've put on 7lbs since you married and the cycling isn't doing it.
0:27:50 > 0:27:54- It's actually 4lbs.- Mary and I think seven. See you later.
0:28:09 > 0:28:11- TV REPORTER:- And breaking news now.
0:28:11 > 0:28:14John Garvie MP has been arrested today on charges of corruption.
0:28:14 > 0:28:16This follows an investigation...
0:28:20 > 0:28:24Magnussen's office is on the top floor, just below his private flat.
0:28:24 > 0:28:26There are 14 layers of security between us and him,
0:28:26 > 0:28:29two of which aren't even legal in this country.
0:28:29 > 0:28:33- Want to know how we're going to break in?- Is that what we're doing? - Of course it's what we're doing.
0:28:35 > 0:28:36Magnussen's private lift.
0:28:36 > 0:28:40Goes straight to his penthouse and office. Only he uses it
0:28:40 > 0:28:42and only his keycard calls the lift.
0:28:42 > 0:28:46If anyone else even tries, security is automatically informed.
0:28:46 > 0:28:48Standard keycard for the building.
0:28:48 > 0:28:51Nicked it yesterday. Only gets us as far as the canteen.
0:28:53 > 0:28:56Here we go then. If I was to use this card on that lift now,
0:28:56 > 0:28:59- what happens? - Well, the alarms would go off
0:28:59 > 0:29:01- and you'd be dragged away by security.- Exactly.
0:29:01 > 0:29:05Get taken to a small room somewhere and your head kicked in.
0:29:05 > 0:29:08- Do we really need so much colour? - It passes the time.
0:29:10 > 0:29:11But if I do this...
0:29:11 > 0:29:14If you press a keycard against your mobile phone for long enough,
0:29:14 > 0:29:16it corrupts the magnetic strip. The card stops working.
0:29:16 > 0:29:19It's a common problem. Never put your keycard with your phone.
0:29:19 > 0:29:22What happens if I use the card now?
0:29:22 > 0:29:23It still doesn't work.
0:29:23 > 0:29:26But it doesn't read as the wrong card now.
0:29:26 > 0:29:28It registers as corrupted.
0:29:28 > 0:29:32But if it's corrupted, how do they know it's not Magnussen?
0:29:32 > 0:29:35- Would they risk dragging him off? - Probably not.
0:29:35 > 0:29:37So, what do they do? What do they have to do?
0:29:37 > 0:29:40Check if it's him or not.
0:29:40 > 0:29:43There's a camera at eye height to the right of the door.
0:29:47 > 0:29:50A live picture of the card user is relayed directly
0:29:50 > 0:29:52to Magnussen's personal staff in his office,
0:29:52 > 0:29:55the only people trusted to make a positive ID.
0:29:55 > 0:29:59At this hour, almost certainly his PA.
0:29:59 > 0:30:01So, how does that help us?
0:30:02 > 0:30:04Human error.
0:30:04 > 0:30:05I've been shopping.
0:30:08 > 0:30:10Here we go then.
0:30:10 > 0:30:13You realise you don't exactly look like Magnussen?
0:30:13 > 0:30:16Which in this case is a considerable advantage.
0:30:16 > 0:30:18BEEPING
0:30:25 > 0:30:29- Sherlock, you complete loon. What are you doing?! - Hang on, was that...?
0:30:29 > 0:30:30Hi, Janine.
0:30:30 > 0:30:33Go on, let me in.
0:30:33 > 0:30:36I can't. You know I can't. Don't be silly.
0:30:36 > 0:30:38Don't make me do it out here.
0:30:39 > 0:30:41Not in front of everyone.
0:30:41 > 0:30:43Do what in front of everyone?
0:30:59 > 0:31:02- You see, as long as there's people, there's always a weak spot. - That was Janine.
0:31:02 > 0:31:04Yes, of course it was. She's Magnussen's PA.
0:31:04 > 0:31:08- That's the whole point.- Did you just get engaged to break into an office? - Yeah. Stroke of luck meeting her
0:31:08 > 0:31:12- at your wedding. You can take some of the credit.- Jesus!
0:31:12 > 0:31:17- Sherlock, she loves you. - Yes. Like I said, human error.
0:31:19 > 0:31:22- What are you going to do?- Well, not actually marry her, obviously.
0:31:22 > 0:31:25- There's only so far you can go. - So, what will you tell her?
0:31:25 > 0:31:29Well, I'll tell her that our entire relationship was a ruse
0:31:29 > 0:31:31to break into her boss's office. I imagine she'll want to stop
0:31:31 > 0:31:34seeing me at that point, but you're the expert on women.
0:31:43 > 0:31:44So, where did she go?
0:31:44 > 0:31:47That's a bit rude. I just proposed to her.
0:31:47 > 0:31:48Sherlock.
0:31:48 > 0:31:50Did she faint?
0:31:50 > 0:31:52Do they really do that?!
0:31:52 > 0:31:54It's a blow to the head.
0:31:54 > 0:31:56She's breathing.
0:31:56 > 0:31:57Janine?
0:31:57 > 0:32:00- SHE MURMURS - Another in here.
0:32:00 > 0:32:02Security.
0:32:02 > 0:32:03Does he need help?
0:32:07 > 0:32:11Ex-con. White supremacist by the tattoos, so who cares?
0:32:11 > 0:32:12Stick with Janine.
0:32:14 > 0:32:17Janine, focus on my voice. Can you hear me?
0:32:26 > 0:32:28Hey, they must still be here.
0:32:28 > 0:32:30So is Magnussen. His seat's still warm.
0:32:30 > 0:32:33He should be at dinner, but he's still in the building.
0:32:33 > 0:32:36- Upstairs.- We should call the police. - During our own burglary?
0:32:36 > 0:32:39You're really not a natural at this, are you?
0:32:39 > 0:32:40No, wait. Sssh.
0:32:43 > 0:32:45Perfume and not Janine's.
0:32:47 > 0:32:50Claire de la Lune. Why do I know it?
0:32:50 > 0:32:53- Mary wears it.- No, not Mary. Somebody else.
0:32:53 > 0:32:55CLANGING
0:32:55 > 0:32:57Sherlock!
0:33:06 > 0:33:08What would your husband think?
0:33:08 > 0:33:11Your lovely husband, upright and honourable,
0:33:11 > 0:33:15so English. What would he say to you now?
0:33:15 > 0:33:16No, no!
0:33:18 > 0:33:21You're doing this to protect him from the truth?
0:33:21 > 0:33:23Well, is this the protection he would want?
0:33:23 > 0:33:25Additionally, if you're going to commit murder,
0:33:25 > 0:33:29you might consider changing your perfume, Lady Smallwood.
0:33:31 > 0:33:33Sorry. Who?
0:33:38 > 0:33:42That's...not Lady Smallwood, Mr Holmes.
0:33:55 > 0:33:57- Is John with you?- He's, um...
0:33:57 > 0:33:58Is John here?
0:34:00 > 0:34:01He's downstairs.
0:34:02 > 0:34:06So, what do you do now?
0:34:06 > 0:34:08Kill us both?
0:34:08 > 0:34:12Mary, whatever he's got on you, let me help.
0:34:12 > 0:34:16Oh, Sherlock, if you take one more step, I swear I will kill you.
0:34:16 > 0:34:18No, Mrs Watson...
0:34:18 > 0:34:20you won't.
0:34:27 > 0:34:29I'm sorry, Sherlock.
0:34:29 > 0:34:31I truly am.
0:34:32 > 0:34:35Mary?
0:34:35 > 0:34:38ALARM RINGS
0:34:42 > 0:34:44It's not like it is in the movies.
0:34:44 > 0:34:48There's not a great big spurt of blood and you go flying backwards.
0:34:48 > 0:34:51The impact isn't spread over a wide area.
0:34:51 > 0:34:54It's tightly focused so there's little or no energy transfer.
0:34:54 > 0:34:57You stay still and the bullet pushes through.
0:34:57 > 0:35:00You're almost certainly going to die, so we need to focus.
0:35:03 > 0:35:05I said, "Focus!"
0:35:07 > 0:35:09It's all well and clever having a mind palace,
0:35:09 > 0:35:12but you've only three seconds of consciousness left to use it.
0:35:12 > 0:35:14So, come on. What's going to kill you?
0:35:14 > 0:35:18- Blood loss.- Exactly. So, it's all about one thing now -
0:35:18 > 0:35:21forwards or backwards?
0:35:21 > 0:35:23We need to decide which way you're going to fall.
0:35:23 > 0:35:27- One hole or two?- Sorry? - Is the bullet still inside you?
0:35:27 > 0:35:30Or is there an exit wound? It'll depend on the gun.
0:35:30 > 0:35:32That one, I think.
0:35:32 > 0:35:33Or that one.
0:35:35 > 0:35:38Oh, for God's sake, Sherlock. It doesn't matter about the gun.
0:35:38 > 0:35:40Don't be stupid.
0:35:40 > 0:35:42You always were so stupid.
0:35:42 > 0:35:44Such a disappointment.
0:35:44 > 0:35:46I'm not stupid.
0:35:46 > 0:35:49You're a very stupid little boy.
0:35:49 > 0:35:51Mummy and Daddy are very cross
0:35:51 > 0:35:54because it doesn't matter about the gun.
0:35:54 > 0:35:55Why not?
0:35:55 > 0:35:58You saw the whole room when you entered it.
0:35:58 > 0:36:00What was directly behind you when you were murdered?
0:36:00 > 0:36:03I've not been murdered YET.
0:36:03 > 0:36:05Balance of probability, little brother.
0:36:08 > 0:36:11If the bullet had passed through you, what would you have heard?
0:36:11 > 0:36:13The mirror shattering.
0:36:13 > 0:36:14You didn't. Therefore...?
0:36:15 > 0:36:18The bullet's still inside me.
0:36:18 > 0:36:20So we need to take him down backwards.
0:36:20 > 0:36:23I agree. Sherlock, you need to fall on your back.
0:36:23 > 0:36:25Right now the bullet is the cork in a bottle.
0:36:25 > 0:36:28The bullet itself is blocking most of the blood flow.
0:36:28 > 0:36:31But any pressure or impact on the entrance wound could dislodge it.
0:36:31 > 0:36:35Plus, on your back, gravity's working for us.
0:36:35 > 0:36:36Fall...
0:36:36 > 0:36:37now.
0:36:50 > 0:36:52ALARM RINGS
0:36:52 > 0:36:55What the hell is that?! What's happening?!
0:36:56 > 0:36:59You're going into shock. It's the next thing that's going to kill you.
0:36:59 > 0:37:02- What do I do?- Don't go into shock, obviously.
0:37:02 > 0:37:05Must be something in this ridiculous memory palace of yours
0:37:05 > 0:37:07that can calm you down.
0:37:08 > 0:37:09Find it.
0:37:11 > 0:37:14The East Wind is coming, Sherlock.
0:37:14 > 0:37:16It's coming to get you.
0:37:18 > 0:37:21SCREAMS ECHO
0:37:21 > 0:37:22Find it.
0:37:25 > 0:37:27Hello, Redbeard. Here, boy.
0:37:27 > 0:37:30Come on. Come to me.
0:37:30 > 0:37:31It's OK. It's all right.
0:37:31 > 0:37:34- YOUNG SHERLOCK:- Come on. It's me. It's me.
0:37:34 > 0:37:35Come on.
0:37:35 > 0:37:37Good boy. Clever boy.
0:37:37 > 0:37:38Good boy.
0:37:38 > 0:37:41Hello, Redbeard. They're putting me down too now.
0:37:42 > 0:37:45It's no fun, is it?
0:37:45 > 0:37:46Redbeard.
0:37:53 > 0:37:55That was shock. You're going to feel the pain.
0:37:55 > 0:37:59There's a hole ripped through you.
0:37:59 > 0:38:01Massive internal bleeding.
0:38:01 > 0:38:03You have to control the pain.
0:38:07 > 0:38:09Control. Control. Control.
0:38:12 > 0:38:13You...
0:38:15 > 0:38:17You never felt pain, did you?
0:38:19 > 0:38:21Why did you never feel pain?
0:38:21 > 0:38:24You always feel it, Sherlock.
0:38:30 > 0:38:33But you don't have to fear it!
0:38:33 > 0:38:35SHERLOCK GROANS
0:38:40 > 0:38:41Pain...
0:38:43 > 0:38:45..heartbreak...
0:38:46 > 0:38:47..loss...
0:38:49 > 0:38:52..death...
0:38:52 > 0:38:53..it's all good.
0:38:56 > 0:38:57It's all good.
0:38:57 > 0:39:00Sherlock! Sherlock. Can you hear me?
0:39:00 > 0:39:01What happened?
0:39:01 > 0:39:03He got shot.
0:39:03 > 0:39:04Jesus!
0:39:04 > 0:39:05Sherlock.
0:39:05 > 0:39:07Oh, my!
0:39:07 > 0:39:08Who shot him?!
0:39:08 > 0:39:10'Emergency. Which service do you require?'
0:39:10 > 0:39:12# It's raining
0:39:12 > 0:39:15# It's pouring
0:39:15 > 0:39:20# Sherlock is boring
0:39:22 > 0:39:24# I'm laughing
0:39:24 > 0:39:26# I'm crying
0:39:26 > 0:39:30# Sherlock is dying. #
0:39:30 > 0:39:32Sherlock!
0:39:33 > 0:39:35We're losing you. Sherlock!
0:39:37 > 0:39:41Come on, Sherlock. Just die, why can't you?
0:39:42 > 0:39:44One little push
0:39:44 > 0:39:46and off you pop.
0:39:55 > 0:39:59You're going to love being dead, Sherlock. No-one ever bothers you.
0:40:01 > 0:40:04Mrs Hudson will cry...
0:40:04 > 0:40:06and Mummy and Daddy will cry...
0:40:06 > 0:40:10and the woman will cry and John will cry buckets and buckets.
0:40:10 > 0:40:14It's him that I worry about the most. That wife!
0:40:14 > 0:40:16You're letting him down, Sherlock.
0:40:16 > 0:40:19John Watson is definitely in danger.
0:40:34 > 0:40:36Oh, you're not getting better, are you?
0:40:36 > 0:40:38Was it something I said, huh?
0:40:42 > 0:40:45Sherlock!
0:40:57 > 0:41:00SHERLOCK GROANS
0:41:35 > 0:41:37- Mary.- Hey.
0:41:37 > 0:41:39He's only bloody woken up.
0:41:39 > 0:41:43- He's pulled through.- Really? - Yeah.- Seriously?- You...
0:41:43 > 0:41:45Mrs Watson, you're in big trouble.
0:41:45 > 0:41:47Really? Why?
0:41:47 > 0:41:49His first word when he woke up...
0:41:49 > 0:41:50"Mary."
0:41:50 > 0:41:52HE CHUCKLES
0:42:09 > 0:42:11You don't tell him.
0:42:12 > 0:42:14Sherlock?
0:42:16 > 0:42:18You don't tell John.
0:42:23 > 0:42:25Bad girl.
0:42:26 > 0:42:29Bad, bad girl.
0:42:31 > 0:42:32Look at me...
0:42:33 > 0:42:36..and tell me you're not going to tell him.
0:42:44 > 0:42:46I'm buying a cottage.
0:42:47 > 0:42:49I've made a lot of money out of you, mister.
0:42:49 > 0:42:52Nothing hits the spot like revenge with profits.
0:42:52 > 0:42:54You didn't give those stories to Magnussen, did you?
0:42:54 > 0:42:57God, no. One of his rivals. He was spitting.
0:42:57 > 0:42:59Hmm.
0:42:59 > 0:43:02Sherlock Holmes, you are a back-stabbing, heartless,
0:43:02 > 0:43:03manipulative bastard.
0:43:03 > 0:43:06And you, as it turns out, are a grasping, opportunistic,
0:43:06 > 0:43:09publicity-hungry, tabloid whore.
0:43:09 > 0:43:10So, we're good then?
0:43:10 > 0:43:12Yeah, of course.
0:43:12 > 0:43:15- Where's the cottage?- Sussex Downs.
0:43:15 > 0:43:17- Nice.- It's gorgeous.
0:43:17 > 0:43:20There's beehives, but I'm getting rid of those.
0:43:20 > 0:43:23- HE GASPS - Oh, it hurts, does it?
0:43:23 > 0:43:25Probably want to restart your morphine.
0:43:25 > 0:43:27I might have fiddled with the taps.
0:43:27 > 0:43:30- How much more revenge are you going to need?- Just the occasional top-up.
0:43:30 > 0:43:32Dream come true for you, this place.
0:43:32 > 0:43:34They actually attach the drugs to you.
0:43:34 > 0:43:36Not good for working.
0:43:36 > 0:43:39You won't be working for a while, Sherl.
0:43:39 > 0:43:41You lied to me.
0:43:41 > 0:43:43You lied and lied.
0:43:43 > 0:43:46I exploited the fact of our connection.
0:43:46 > 0:43:47When?
0:43:49 > 0:43:51Just once would have been nice.
0:43:51 > 0:43:52Oh.
0:43:52 > 0:43:54I was waiting till we got married.
0:43:54 > 0:43:57That was never going to happen.
0:44:00 > 0:44:01Got to go.
0:44:03 > 0:44:05I'm not supposed to keep you talking.
0:44:05 > 0:44:08And also, I have an interview with The One Show
0:44:08 > 0:44:11and I haven't made it up yet.
0:44:12 > 0:44:14Just one thing...
0:44:14 > 0:44:17you shouldn't have lied to me.
0:44:17 > 0:44:19I know what kind of man you are,
0:44:19 > 0:44:22but we could have been friends.
0:44:22 > 0:44:24I'll give your love to John and Mary.
0:44:43 > 0:44:45You don't tell him.
0:44:45 > 0:44:48You don't tell John.
0:44:48 > 0:44:49So...
0:44:51 > 0:44:53..Mary Watson...
0:44:56 > 0:44:58..who are you?
0:45:03 > 0:45:06Mary Watson.
0:45:14 > 0:45:17I don't know how much sense you'll get out of him.
0:45:17 > 0:45:19He's drugged up, so he's pretty much babbling.
0:45:19 > 0:45:21Oh, they won't let you use that in here, you know?
0:45:21 > 0:45:24No, I'm not going to use the phone. I just want to take a video.
0:45:30 > 0:45:32Oh, Jesus!
0:45:34 > 0:45:36So, where would he go?
0:45:36 > 0:45:37Oh, Christ knows!
0:45:37 > 0:45:40Try finding Sherlock in London.
0:45:42 > 0:45:44He's got three known bolt-holes.
0:45:44 > 0:45:47Parliament Hill, Camden Lock and Dagmar Court.
0:45:47 > 0:45:49Five known bolt holes.
0:45:49 > 0:45:51There's the blind greenhouse in Kew Gardens
0:45:51 > 0:45:53and the leaning tomb in Hampstead Cemetery.
0:45:53 > 0:45:55Just the spare bedroom.
0:45:55 > 0:45:57Well, my bedroom.
0:45:57 > 0:45:59We agreed he needs the space.
0:46:02 > 0:46:04Behind the clock face of Big Ben.
0:46:04 > 0:46:06I think he was probably joking.
0:46:06 > 0:46:07No, I don't think so.
0:46:07 > 0:46:12Leinster Gardens. It's his number one bolt hole. Top, top secret.
0:46:12 > 0:46:14He only knows about it cos he stalked him one night.
0:46:14 > 0:46:17- Followed!- Followed, yeah.
0:46:17 > 0:46:19He knew who shot him.
0:46:19 > 0:46:22The bullet wound was here, so he was facing whoever it was.
0:46:22 > 0:46:25So, why not tell us? Because he's tracking them down himself.
0:46:25 > 0:46:28- Or protecting them. - Protecting the shooter, why?
0:46:28 > 0:46:30Well, protecting someone then. But why would he care?
0:46:30 > 0:46:33He's Sherlock. Who would he bother protecting?
0:46:34 > 0:46:37Call me if you hear anything. Don't hold out on me, John.
0:46:37 > 0:46:39- Call me, OK?- Yeah. Yeah, right.
0:46:39 > 0:46:42- Good night then.- Bye then.
0:46:45 > 0:46:47John, need a cuppa?
0:46:47 > 0:46:51Mrs Hudson, why does Sherlock think that I'll be moving back in here?
0:46:51 > 0:46:53Oh, yes, he's put your chair back again, hasn't he?
0:46:53 > 0:46:56That's nice. It looks much better.
0:46:59 > 0:47:02John, what's wrong? Tell me. John?
0:47:02 > 0:47:06- MOBILE BUZZES - That's your phone, isn't it?
0:47:06 > 0:47:08It's Sherlock, John. Sherlock.
0:47:08 > 0:47:12John, you have to answer it!
0:47:17 > 0:47:19- Spare any change, love?- No. - Oh, come on, love.
0:47:19 > 0:47:21Don't be like all the rest.
0:47:25 > 0:47:28Rule one of looking for Sherlock Holmes, he finds you.
0:47:29 > 0:47:31You're working for Sherlock now?
0:47:31 > 0:47:35- Keeps me off the streets, doesn't it?- Well...no.
0:47:37 > 0:47:40MOBILE RINGS
0:47:40 > 0:47:42- Where are you? - 'Can't you see me?'
0:47:42 > 0:47:44Well, what am I looking for?
0:47:44 > 0:47:48'The lie, the lie of Leinster Gardens, hidden in plain sight.
0:47:50 > 0:47:53'Hardly anyone notices. People live here for years and never see it.
0:47:53 > 0:47:57'But if you are what I think you are, it will take you less than a minute.
0:47:57 > 0:48:00'The houses, Mary. Look at the houses.'
0:48:00 > 0:48:02How did you know I'd come here?
0:48:02 > 0:48:06'I knew you'd talk to the people no-one else would bother with.'
0:48:06 > 0:48:08Huh, I thought I was being clever.
0:48:08 > 0:48:11'You're always clever, Mary, I was relying on that.
0:48:11 > 0:48:14'I planted the information for you to find.'
0:48:14 > 0:48:16Ohh!
0:48:16 > 0:48:17'30 seconds.'
0:48:17 > 0:48:19But what am I looking at?
0:48:19 > 0:48:23'No door knobs, no letterbox. Painted windows.
0:48:23 > 0:48:26'23 and 24 Leinster Gardens.
0:48:26 > 0:48:28'The empty houses.
0:48:28 > 0:48:32'They were demolished years ago to make way for the London Underground,
0:48:32 > 0:48:35'a vent for the old steam trains.
0:48:35 > 0:48:38'Only the very front section of the house remains.'
0:48:38 > 0:48:40'It's just a facade.
0:48:40 > 0:48:43'Remind you of anyone, Mary?
0:48:43 > 0:48:44'A facade?
0:48:44 > 0:48:48'Sorry, I never could resist a touch of drama.
0:48:52 > 0:48:54'Do come in. It's a little cramped.'
0:48:54 > 0:48:56Do you own this place?
0:48:56 > 0:48:59'Hmm, I won it in a card game with the Clarence House Cannibal.
0:48:59 > 0:49:04'Nearly cost me my kidneys, but fortunately I had a straight flush.
0:49:05 > 0:49:07'Quite a gambler, that woman.'
0:49:12 > 0:49:13What do you want, Sherlock?
0:49:13 > 0:49:18'Mary Morstan was stillborn in October 1972.
0:49:19 > 0:49:23'Her gravestone is in Chiswick cemetery, where five years ago
0:49:23 > 0:49:27'you acquired her name and date of birth, and thereafter her identity.
0:49:27 > 0:49:31'That's why you don't have friends from before that date.'
0:49:31 > 0:49:36Need to work on your half of the church, Mary. Looking a bit thin.
0:49:36 > 0:49:38Oh, orphan's lot. Friends, that's all I have.
0:49:38 > 0:49:41'It's an old enough technique, known to the kinds of people
0:49:41 > 0:49:44'who could recognise a skip code on sight...'
0:49:44 > 0:49:48At first I thought it was just a Bible thing, spam, but it's not.
0:49:48 > 0:49:49It's a skip code.
0:49:49 > 0:49:52'..have extraordinarily retentive memories.'
0:49:52 > 0:49:54How can you not remember which room? You remember everything!
0:49:54 > 0:49:57- I have to delete something!- 207.
0:49:57 > 0:49:59You were very slow.
0:49:59 > 0:50:02'How good a shot are you?'
0:50:03 > 0:50:06How badly do you want to find out?
0:50:06 > 0:50:08'If I die here, my body would be found in a building
0:50:08 > 0:50:11'with your face projected on the front of it.
0:50:11 > 0:50:15'Even Scotland Yard could get somewhere with that.
0:50:15 > 0:50:17'I want to know how good you are.
0:50:17 > 0:50:18'Go on, show me.
0:50:18 > 0:50:21'The doctor's wife must be a little bit bored by now.'
0:50:26 > 0:50:28GUNSHOT
0:50:36 > 0:50:37May I see?
0:50:42 > 0:50:43Huh, it's a dummy.
0:50:43 > 0:50:45Well, I suppose that was a fairly obvious trick.
0:50:54 > 0:50:58And yet, over a distance of six feet,
0:50:58 > 0:51:00you failed to make a kill shot.
0:51:03 > 0:51:05Enough to hospitalise me, not enough to kill me.
0:51:07 > 0:51:11That wasn't a miss, that was surgery.
0:51:15 > 0:51:17- I'll take the case.- What case?
0:51:17 > 0:51:22Yours. Why didn't you come to me in the first place?
0:51:22 > 0:51:26Because John can't ever know that I lied to him.
0:51:26 > 0:51:28It would break him and I would lose him forever.
0:51:28 > 0:51:31And Sherlock, I will never let that happen.
0:51:32 > 0:51:35Please, understand,
0:51:35 > 0:51:40there is nothing in this world I would not do to stop that happening.
0:51:40 > 0:51:41Sorry.
0:51:44 > 0:51:46Not that obvious a trick.
0:52:01 > 0:52:04Now talk and sort it out and do it quickly.
0:52:17 > 0:52:20MUSIC: "Hark! The Herald Angels Sing"
0:52:20 > 0:52:23Oh, dear God, it's only two o'clock.
0:52:23 > 0:52:25It's been Christmas Day for at least a week now.
0:52:25 > 0:52:29How can it only be two o'clock? I'm in agony.
0:52:29 > 0:52:31Mikey, is this your laptop?
0:52:31 > 0:52:34Upon which depends the security of the free world, yes,
0:52:34 > 0:52:35and you've got potatoes on it!
0:52:35 > 0:52:38You shouldn't leave it lying around if it's so important.
0:52:38 > 0:52:40Why are we doing this? We never do this.
0:52:40 > 0:52:43We are here because Sherlock is home from hospital
0:52:43 > 0:52:45and we are all very happy.
0:52:45 > 0:52:47Am I happy too? I haven't checked.
0:52:47 > 0:52:48Behave, Mike!
0:52:48 > 0:52:50Mycroft is the name you gave me,
0:52:50 > 0:52:53- if you could possibly struggle all the way to the end.- Mrs Holmes.
0:52:53 > 0:52:58Oh, thank you, dear. I'm not absolutely sure why you're here.
0:52:58 > 0:52:59I invited him.
0:52:59 > 0:53:01I'm his protege, Mrs Holmes.
0:53:01 > 0:53:04When he dies, I get all his stuff and his job.
0:53:04 > 0:53:07- No.- Oh, well, I help out a bit.
0:53:07 > 0:53:09Closer.
0:53:09 > 0:53:11If he does get murdered or something...
0:53:11 > 0:53:13- Probably stop talking now.- OK.
0:53:13 > 0:53:15Lovely when you bring your friends round(!)
0:53:15 > 0:53:18Stop it, you. Somebody's put a bullet in my boy.
0:53:18 > 0:53:23If I ever find out who, I shall turn absolutely monstrous.
0:53:23 > 0:53:26This was for Mary. I'll be back in a minute.
0:53:30 > 0:53:33Ah. Mary. There you are.
0:53:33 > 0:53:36Cup of tea. If Father starts making little humming noises,
0:53:36 > 0:53:39just give him a little poke. That usually does it.
0:53:39 > 0:53:41Did you write this?
0:53:41 > 0:53:43Oh, that silly old thing, you mustn't read that.
0:53:43 > 0:53:47Mathematics must seem terribly fatuous now.
0:53:47 > 0:53:49No humming, you.
0:53:51 > 0:53:54Complete flake, my wife, but happens to be a genius.
0:53:54 > 0:53:56She was a mathematician?
0:53:56 > 0:54:02Gave it all up for children. I could never bear to argue with her.
0:54:02 > 0:54:04I'm something of a moron myself.
0:54:04 > 0:54:08But she's... unbelievably hot.
0:54:08 > 0:54:12Oh my God, you're the sane one, aren't you?
0:54:13 > 0:54:14Aren't you?
0:54:18 > 0:54:21Oh. Sorry, I just, er...
0:54:23 > 0:54:25Oh, you two need a moment?
0:54:25 > 0:54:27If you don't mind?
0:54:27 > 0:54:31No, course not. I'll go and see if I can help with...
0:54:31 > 0:54:33something or another.
0:54:41 > 0:54:44Those two. They all right?
0:54:44 > 0:54:47Well, you know, they've had their ups and downs.
0:54:52 > 0:54:53Baker Street, now.
0:55:05 > 0:55:08John, Mary...
0:55:11 > 0:55:14Oh, Sherlock, oh, good gracious, you look terrible!
0:55:14 > 0:55:16Get me some morphine from your kitchen, I've run out.
0:55:16 > 0:55:20- I don't have any morphine.- Then what exactly is the point of you?!
0:55:20 > 0:55:22What is going on?
0:55:22 > 0:55:23Bloody good question.
0:55:23 > 0:55:27The Watsons are about to have a domestic and fairly quickly I hope, because we've got work to do.
0:55:27 > 0:55:28No, I have a better question -
0:55:28 > 0:55:32is everyone I have ever met a psychopath?
0:55:33 > 0:55:35Yes.
0:55:35 > 0:55:38- Good that we've settled that. Now we...- SHUT UP!
0:55:39 > 0:55:43And stay shut up, because this is not funny.
0:55:43 > 0:55:44Not this time.
0:55:44 > 0:55:46- I didn't say it was funny.- You.
0:55:46 > 0:55:49What have I ever done? Hmm?
0:55:50 > 0:55:53My whole life, to deserve you?
0:55:53 > 0:55:55Everything.
0:55:55 > 0:55:57Sherlock, I've told you, shut up.
0:55:57 > 0:55:59No, I mean it - seriously, everything.
0:55:59 > 0:56:02Everything you've ever done, is what you did.
0:56:02 > 0:56:04Sherlock, one more word and you will not need morphine.
0:56:04 > 0:56:06You were a doctor who went to war.
0:56:06 > 0:56:09You're a man who couldn't stay in the suburbs for more than a month
0:56:09 > 0:56:11without storming a crack den, beating up a junkie.
0:56:11 > 0:56:14Your best friend is a sociopath, who solves crimes
0:56:14 > 0:56:17as an alternative to getting high. That's me, by the way, hello.
0:56:17 > 0:56:19Even the landlady used to run a drug cartel.
0:56:19 > 0:56:22It was my husband's cartel. I was just typing.
0:56:22 > 0:56:24And exotic dancing.
0:56:24 > 0:56:26Sherlock Holmes, if you've been YouTubing...
0:56:26 > 0:56:30John, you are addicted to a certain lifestyle.
0:56:30 > 0:56:34You are abnormally attracted to dangerous situations and people,
0:56:34 > 0:56:39so is it truly such a surprise that the woman you fall in love with
0:56:39 > 0:56:41conforms to that pattern?
0:56:41 > 0:56:43But she wasn't supposed to be like that!
0:56:47 > 0:56:49Why is SHE like that?
0:56:52 > 0:56:54Because you chose her.
0:56:59 > 0:57:02Why is everything always
0:57:02 > 0:57:04MY FAULT?!
0:57:04 > 0:57:06Oh, neighbours!
0:57:06 > 0:57:08John, listen. Be calm and answer me.
0:57:08 > 0:57:10What is she?
0:57:10 > 0:57:13- My lying wife?- No, what is she?
0:57:13 > 0:57:16And the woman who is carrying my child, who has lied to me since the day I met her.
0:57:16 > 0:57:20No. Not in this flat, not in this room.
0:57:20 > 0:57:23Right here, right now, what is she?
0:57:26 > 0:57:27OK.
0:57:31 > 0:57:33Your way.
0:57:35 > 0:57:36Always your way.
0:57:38 > 0:57:39HE CLEARS THROAT
0:57:43 > 0:57:44Sit.
0:57:44 > 0:57:45Why?
0:57:45 > 0:57:47Because that's where they sit.
0:57:49 > 0:57:52The people who come in here with their stories.
0:57:52 > 0:57:54They're the clients, that's all you are now, Mary.
0:57:54 > 0:57:55You're a client.
0:57:56 > 0:58:00This is where you sit and talk and this is where we sit and listen.
0:58:00 > 0:58:02Then we decide if we want you or not.
0:58:32 > 0:58:34So, are you OK?
0:58:34 > 0:58:39Oh, are we doing conversation today? It really is Christmas(!)
0:58:43 > 0:58:46Now?
0:58:46 > 0:58:50Seriously, months of silence and we're going to do this now?
0:58:58 > 0:59:00A.G.R.A., what's that?
0:59:01 > 0:59:04Er... my initials.
0:59:07 > 0:59:10Everything about who I was is on there.
0:59:10 > 0:59:13If you love me, don't read it in front of me.
0:59:13 > 0:59:15Why?
0:59:15 > 0:59:18Because you won't love me when you've finished
0:59:18 > 0:59:21and I don't want to see that happen.
0:59:24 > 0:59:26WATSON SIGHS
0:59:28 > 0:59:30How much do you know already?
0:59:30 > 0:59:34By your skill set, you are, or were, an intelligence agent.
0:59:34 > 0:59:37Your accent is currently English, but I suspect you are not.
0:59:37 > 0:59:39You're on the run from something.
0:59:39 > 0:59:41You've used your skills to disappear.
0:59:41 > 0:59:44Magnussen knows your secret, which is why you were going to kill him.
0:59:44 > 0:59:47And I assume you befriended Janine in order to get close to him.
0:59:47 > 0:59:49Oh, you can talk!
0:59:49 > 0:59:52Oh, look at you two, you should have got married.
0:59:52 > 0:59:54The stuff Magnussen has on me,
0:59:54 > 0:59:56I would go to prison for the rest of my life.
0:59:56 > 0:59:59- So you were going to kill him?- People like Magnussen should be killed,
0:59:59 > 1:00:01- that's why there are people like me. - Perfect!
1:00:01 > 1:00:04So that's what you were, an assassin? How could I not see that?
1:00:04 > 1:00:05You did see that.
1:00:08 > 1:00:10And you married me.
1:00:12 > 1:00:13Because he's right.
1:00:15 > 1:00:17It's what you like.
1:00:22 > 1:00:26So, Mary, any documents that Magnussen has
1:00:26 > 1:00:30concerning yourself, you want extracted and returned.
1:00:31 > 1:00:33Why would you help me?
1:00:33 > 1:00:35Because you saved my life.
1:00:35 > 1:00:37Sorry-sorry, what?
1:00:37 > 1:00:39When I happened on you and Magnussen...
1:00:41 > 1:00:42..you had a problem.
1:00:44 > 1:00:46More specifically, you had a witness.
1:00:49 > 1:00:51What do you do now?
1:00:54 > 1:00:56Kill both of us?
1:00:56 > 1:00:57GUNSHOT
1:00:58 > 1:01:02'The solution, of course, was simple. Kill us both and leave.'
1:01:13 > 1:01:16However, sentiment got the better of you.
1:01:19 > 1:01:22'One precisely calculated shot to incapacitate me,
1:01:22 > 1:01:26'in the hope that it would buy you more time to negotiate my silence.'
1:01:26 > 1:01:28Of course, you couldn't shoot Magnussen.
1:01:28 > 1:01:31On the night both of us broke into the building,
1:01:31 > 1:01:33your own husband would become a suspect. So...
1:01:37 > 1:01:43'You calculated that Magnussen would use the fact of your involvement...'
1:01:43 > 1:01:47rather than sharing the information with the police, as is his MO.
1:01:50 > 1:01:55And then you left the way you came.
1:01:55 > 1:01:56Have I missed anything?
1:01:56 > 1:01:58How did she save your life?
1:01:58 > 1:02:00- She phoned the ambulance. - I phoned the ambulance.
1:02:00 > 1:02:01She phoned first.
1:02:05 > 1:02:07'Emergency, which service do you require?'
1:02:07 > 1:02:09You didn't find me for another five minutes.
1:02:09 > 1:02:10Left to you, I would have died.
1:02:10 > 1:02:14The average arrival time for a London ambulance is...
1:02:14 > 1:02:16Did somebody call an ambulance?
1:02:16 > 1:02:19Eight minutes. Did you bring any morphine? I asked on the phone.
1:02:19 > 1:02:20We were told there was a shooting.
1:02:20 > 1:02:22There was, last week.
1:02:22 > 1:02:24But I believe I'm bleeding internally,
1:02:24 > 1:02:27my pulse is very erratic, you may need to restart my heart on the way...
1:02:27 > 1:02:30- Jesus, Sherlock. Come on, Sherlock. - Argh!
1:02:30 > 1:02:34John, John, Magnussen is all that matters now.
1:02:34 > 1:02:38You can trust Mary - she saved my life.
1:02:38 > 1:02:39She shot you.
1:02:39 > 1:02:43Mixed messages, I grant you that... Argh!
1:02:43 > 1:02:45Sherlock! Sherlock! Take him.
1:02:45 > 1:02:46- Got him?- Yeah.
1:02:46 > 1:02:49SHERLOCK GRUNTS IN PAIN
1:03:00 > 1:03:01So, have you read it?
1:03:07 > 1:03:09- Would you come here a moment? - No, tell me, have you?
1:03:09 > 1:03:11Just... Come here.
1:03:15 > 1:03:16No, I'm fine.
1:03:22 > 1:03:25I've thought long and hard about what I want to say to you.
1:03:27 > 1:03:29These are prepared words, Mary.
1:03:29 > 1:03:32- I've chosen these words with care. - OK.
1:03:32 > 1:03:33HE CLEARS HIS THROAT
1:03:33 > 1:03:37The problems of your past are your business.
1:03:39 > 1:03:43The problems of your future...
1:03:43 > 1:03:44are my privilege.
1:03:45 > 1:03:47It's all I have to say, it's all I need to know.
1:03:56 > 1:03:58No, I didn't read it.
1:04:01 > 1:04:03You don't even know my name.
1:04:05 > 1:04:07Is "Mary Watson" good enough for you?
1:04:07 > 1:04:09Yes. Oh my God, yes.
1:04:09 > 1:04:11Then it's good enough for me, too.
1:04:11 > 1:04:13SHE SOBS
1:04:16 > 1:04:20All this does not mean that I'm not still basically pissed off with you.
1:04:20 > 1:04:21Hmm, I know, I know.
1:04:21 > 1:04:24I am very pissed off, and it will come out now and then.
1:04:24 > 1:04:25I know, I know, I know.
1:04:27 > 1:04:30You can mow the sodding lawn from now on.
1:04:30 > 1:04:31- I do mow the lawn.- I do it loads.
1:04:31 > 1:04:33You really don't.
1:04:33 > 1:04:35- I choose the baby's name. - Not a chance.- OK.
1:04:37 > 1:04:40- I'm glad you've given up on the Magnussen business.- Are you?
1:04:40 > 1:04:44I'm still curious, though. He's hardly your usual kind of puzzle.
1:04:44 > 1:04:45Why do you hate him?
1:04:45 > 1:04:47Because he attacks people who are different
1:04:47 > 1:04:50and preys on their secrets. Why don't you?
1:04:50 > 1:04:52He never causes too much damage to anyone important.
1:04:52 > 1:04:54He's far too intelligent for that.
1:04:54 > 1:04:59He's a businessman, that's all. And occasionally useful to us.
1:04:59 > 1:05:02A necessary evil, not a dragon for you to slay.
1:05:04 > 1:05:06A dragon-slayer. Is that what you think of me?
1:05:06 > 1:05:10No. It's what you think of yourself.
1:05:10 > 1:05:11Are you two smoking?!
1:05:11 > 1:05:12- No.- It was Mycroft.
1:05:18 > 1:05:22I have, by the way, a job offer I should like you to decline.
1:05:22 > 1:05:24I decline your kind offer.
1:05:24 > 1:05:26I shall pass on your regrets.
1:05:26 > 1:05:30- What was it?- MI6. They want to place you back into Eastern Europe.
1:05:30 > 1:05:34An undercover assignment that would prove fatal to you in,
1:05:34 > 1:05:36I think, about six months.
1:05:36 > 1:05:39Then why don't you want me to take it?
1:05:39 > 1:05:43It's tempting, but on balance, you have more utility closer to home.
1:05:43 > 1:05:45Utility! How do I have utility?
1:05:48 > 1:05:49Here be dragons.
1:05:51 > 1:05:54- HE COUGHS - This isn't agreeing with me.
1:05:54 > 1:05:55I'm going in.
1:05:55 > 1:05:58You need low tar. You still smoke like a beginner.
1:06:01 > 1:06:02Also...
1:06:03 > 1:06:05..your loss would break my heart.
1:06:05 > 1:06:07HE COUGHS
1:06:07 > 1:06:09What the hell am I supposed to say to that?!
1:06:12 > 1:06:14- Merry Christmas?- You hate Christmas.
1:06:14 > 1:06:18Yes. Perhaps there was something in the punch.
1:06:18 > 1:06:20Clearly. Go and have some more.
1:06:24 > 1:06:27So you realise that Sherlock got us out here to see his mum and dad for a reason?
1:06:27 > 1:06:32His lovely mum and dad, a fine example of married life, I get that.
1:06:32 > 1:06:35That is the thing with Sherlock, it's always the unexpected.
1:06:35 > 1:06:38Oi. Oi? Mary?
1:06:38 > 1:06:42Jesus Christ! Mary? Sit down.
1:06:42 > 1:06:43Mary, can you hear me?
1:06:44 > 1:06:45Don't drink Mary's tea.
1:06:49 > 1:06:50Or the punch.
1:06:56 > 1:06:57Sherlock...
1:06:58 > 1:07:00Did you just drug my pregnant wife?!
1:07:00 > 1:07:02Don't worry, Wiggins is an excellent chemist.
1:07:02 > 1:07:05I calculated your wife's dose myself. Won't affect the little one.
1:07:05 > 1:07:07I'll keep an eye on her.
1:07:07 > 1:07:10He'll monitor their recovery. It's more or less his day job.
1:07:10 > 1:07:11What the hell have you done?!
1:07:12 > 1:07:14A deal with the devil.
1:07:22 > 1:07:24Shouldn't you be in hospital?
1:07:24 > 1:07:28I am in hospital. This is the canteen.
1:07:28 > 1:07:31- Is it?- In my opinion, yes. Have a seat.
1:07:31 > 1:07:32Thank you.
1:07:34 > 1:07:36I've been thinking about you.
1:07:36 > 1:07:38I've been thinking about you.
1:07:38 > 1:07:40Really?
1:07:44 > 1:07:46I want to see Appledore.
1:07:47 > 1:07:50Where you keep all the secrets, all the files,
1:07:50 > 1:07:52everything you've got on everyone.
1:07:52 > 1:07:55I want you to invite me.
1:07:57 > 1:08:00What makes you think I'd be so careless?
1:08:01 > 1:08:05Oh, I think you're a lot more careless than you let on.
1:08:07 > 1:08:08Am I?
1:08:13 > 1:08:16It's the dead-eyed stare that gives it away.
1:08:17 > 1:08:21Except it's not dead-eyed, is it?
1:08:26 > 1:08:27You're reading.
1:08:31 > 1:08:35Portable Appledore. How does it work?
1:08:36 > 1:08:41Built-in flash drive? 4G wireless?
1:08:55 > 1:08:58They're just ordinary spectacles.
1:08:58 > 1:09:01Yes, they are.
1:09:12 > 1:09:14You underestimate me, Mr Holmes.
1:09:24 > 1:09:27Impress me, then. Show me Appledore.
1:09:28 > 1:09:30Everything is available for a price.
1:09:30 > 1:09:32Are you making me an offer?
1:09:32 > 1:09:33A Christmas present.
1:09:35 > 1:09:38And what are you giving me for Christmas, Mr Holmes?
1:09:38 > 1:09:40My brother.
1:09:44 > 1:09:45Oh, Jesus!
1:09:49 > 1:09:54Sherlock, please tell me you haven't just gone out of your mind.
1:09:54 > 1:09:55I'd rather keep you guessing.
1:09:55 > 1:09:57HELICOPTER WHIRS
1:09:57 > 1:10:00Ah, there's our lift.
1:10:06 > 1:10:07Coming?
1:10:07 > 1:10:08Where?
1:10:08 > 1:10:10- You want your wife to be safe? - Of course I do.
1:10:10 > 1:10:13Good, because this is going to be incredibly dangerous.
1:10:13 > 1:10:16One false move and we'll have betrayed the security of the United Kingdom and be in prison
1:10:16 > 1:10:20for high treason. Magnussen is the most dangerous man we've ever encountered
1:10:20 > 1:10:22and the odds are comprehensively stacked against us.
1:10:22 > 1:10:25- But it's Christmas!- I feel the same.
1:10:25 > 1:10:28Oh, you mean it's actually Christmas. Did you bring your gun, as I suggested?
1:10:28 > 1:10:32- Why would I bring my gun to your parents' house for Christmas dinner?! - Is it in your coat?- Yes.
1:10:32 > 1:10:34- Off we go, then.- Where are we going? - Appledore.
1:11:31 > 1:11:34I would offer you a drink, but it's very rare and expensive.
1:11:40 > 1:11:43Oh, it WAS you.
1:11:43 > 1:11:44Yes, of course.
1:11:44 > 1:11:48Very hard to find a pressure point on you, Mr Holmes.
1:11:48 > 1:11:51The drugs thing I never believed for a moment.
1:11:51 > 1:11:55Anyway, you wouldn't care if it was exposed, would you?
1:11:55 > 1:11:58But look how you care about John Watson.
1:12:00 > 1:12:02Your damsel in distress.
1:12:03 > 1:12:08You put me in a fire, for leverage?!
1:12:08 > 1:12:11Oh, I would never let you burn, Dr Watson.
1:12:11 > 1:12:15I had people standing by. I'm not a murderer.
1:12:17 > 1:12:19Unlike your wife.
1:12:24 > 1:12:29Let me explain how leverage works, Dr Watson.
1:12:30 > 1:12:32For those who understand these things,
1:12:32 > 1:12:36Mycroft Holmes is the most powerful man in the country.
1:12:36 > 1:12:39Well, apart from me.
1:12:40 > 1:12:45Mycroft's pressure point is his junkie detective brother, Sherlock.
1:12:45 > 1:12:48Sherlock's pressure point is his best friend, John Watson.
1:12:48 > 1:12:51John Watson's pressure point is his wife.
1:12:51 > 1:12:54I own John Watson's wife, I own Mycroft.
1:12:56 > 1:12:58He's what I'm getting for Christmas.
1:12:59 > 1:13:01It's an exchange, not a gift.
1:13:05 > 1:13:06Forgive me, but...
1:13:09 > 1:13:11I already seem to have it.
1:13:11 > 1:13:12It's password protected.
1:13:15 > 1:13:18In return for the password, you will give me any material
1:13:18 > 1:13:22in your possession pertaining to the woman I know as Mary Watson.
1:13:22 > 1:13:27Oh, she's bad, that one. So many dead people.
1:13:27 > 1:13:29- You should see what I've seen. - I don't need to see it.
1:13:29 > 1:13:33You might enjoy it, though. I enjoy it.
1:13:35 > 1:13:37Then why don't you show us?
1:13:37 > 1:13:40Show you Appledore? The secret vaults.
1:13:41 > 1:13:42Is that what you want?
1:13:42 > 1:13:47I want everything you've got on Mary.
1:13:50 > 1:13:52HE CHUCKLES
1:13:55 > 1:13:59You know, I honestly expected something good.
1:13:59 > 1:14:04- Oh, I think you'll find the contents of that laptop... - Include a GPS locator.
1:14:04 > 1:14:07By now your brother will have noticed the theft
1:14:07 > 1:14:10and the security services will be converging on this house.
1:14:10 > 1:14:14Having arrived, they'll find top-secret information in my hands
1:14:14 > 1:14:18and they have every justification to search my vaults.
1:14:18 > 1:14:21They will discover further information of this kind
1:14:21 > 1:14:23and I will be imprisoned.
1:14:23 > 1:14:27You would be exonerated and restored to your smelly little apartment
1:14:27 > 1:14:30to solve crimes with Mr and Mrs Psychopath.
1:14:32 > 1:14:35Mycroft has been looking for this opportunity for a long time.
1:14:38 > 1:14:40He'll be a very, very proud big brother.
1:14:42 > 1:14:45The fact that you know it's going to happen isn't going to stop it.
1:14:45 > 1:14:50Then why am I smiling? Ask me.
1:14:51 > 1:14:52Why are you smiling?
1:14:54 > 1:14:57Because Sherlock Holmes has made one enormous mistake,
1:14:57 > 1:15:01which will destroy the lives of everyone he loves.
1:15:03 > 1:15:04And everything he holds dear.
1:15:08 > 1:15:12Let me show you the Appledore vaults.
1:15:24 > 1:15:26The entrance to my vaults.
1:15:27 > 1:15:29This is where I keep you all.
1:15:43 > 1:15:45OK, so where are the vaults, then?
1:15:45 > 1:15:50Vaults? What vaults? There are no vaults beneath this building.
1:15:53 > 1:15:54They're all in here.
1:15:56 > 1:16:00The Appledore vaults are my mind palace.
1:16:01 > 1:16:03You know about mind palaces, don't you, Sherlock?
1:16:03 > 1:16:09How to store information so you never forget it, by picturing it.
1:16:09 > 1:16:15I just sit here, I close my eyes and down I go to my vaults.
1:16:20 > 1:16:22I can go anywhere inside my vaults.
1:16:24 > 1:16:25My memories.
1:16:31 > 1:16:34I'll look at the files on Mrs Watson.
1:16:41 > 1:16:43HE CLEARS HIS THROAT
1:16:43 > 1:16:44Hmm.
1:16:45 > 1:16:48Oh, this is one of my favourites.
1:16:48 > 1:16:50Oh, it's so exciting.
1:16:54 > 1:16:56All those wet jobs for the CIA.
1:16:56 > 1:17:02Ooh, she's gone a bit freelance now, bad girl.
1:17:05 > 1:17:10HE CHUCKLES
1:17:10 > 1:17:13Oh, she's so wicked.
1:17:13 > 1:17:16I can really see why you like her.
1:17:21 > 1:17:23You see?
1:17:23 > 1:17:27So there are no documents, you don't actually have anything here?
1:17:27 > 1:17:29Oh, sometimes I send out for something,
1:17:29 > 1:17:33if I really need it, but mostly I just remember it all.
1:17:33 > 1:17:34I don't understand.
1:17:34 > 1:17:36- You should have that on a T-shirt. - You just remember it all?
1:17:36 > 1:17:41It's all about knowledge, everything is. Knowing is owning.
1:17:41 > 1:17:43But if you just know it, then you don't have proof.
1:17:43 > 1:17:46Proof? What would I need proof for?
1:17:46 > 1:17:48I'm in news, you moron.
1:17:48 > 1:17:51I don't have to prove it, I just have to print it.
1:17:51 > 1:17:53Speaking of news...
1:17:53 > 1:17:56You'll both be heavily featured tomorrow.
1:17:56 > 1:17:59Trying to sell state secrets to me.
1:18:00 > 1:18:01Tut tut.
1:18:02 > 1:18:06Let's go outside. They'll be here shortly.
1:18:06 > 1:18:08Can't wait to see you arrested.
1:18:09 > 1:18:12Sherlock, do we have a plan?
1:18:13 > 1:18:14Sherlock?
1:18:27 > 1:18:30They're taking their time, aren't they?
1:18:30 > 1:18:31I still don't understand.
1:18:31 > 1:18:33And there's the back of the T-shirt.
1:18:33 > 1:18:37You just know things - how does that work?
1:18:37 > 1:18:40I just love your little soldier face. I'd like to punch it.
1:18:40 > 1:18:43Bring it over here a minute.
1:18:43 > 1:18:46Come on. For Mary. Bring me your face.
1:18:49 > 1:18:50HE CLEARS THROAT
1:18:53 > 1:18:56Lean forward a bit and stick your face out.
1:18:58 > 1:19:01Please.
1:19:01 > 1:19:04Now, can I flick it?
1:19:04 > 1:19:09Look at me. Can I flick your face?
1:19:16 > 1:19:21I just love doing this. I could do it all day.
1:19:21 > 1:19:23Well, it works like this, John.
1:19:23 > 1:19:25I know who Mary hurt and killed.
1:19:27 > 1:19:29I know where to find people who hate her.
1:19:32 > 1:19:35I know where they live, I know their phone numbers.
1:19:38 > 1:19:41All in my mind palace, all of it.
1:19:41 > 1:19:46I could phone them right now and tear your whole life down...
1:19:48 > 1:19:50..and I will,
1:19:50 > 1:19:53unless you let me flick your face.
1:20:01 > 1:20:02This is what I do to people.
1:20:03 > 1:20:05This is what I do to whole countries.
1:20:07 > 1:20:09Just because I know.
1:20:11 > 1:20:12Can I do your eye now?
1:20:13 > 1:20:15See if you can keep it open, hmm?
1:20:16 > 1:20:18Come on, for Mary. Keep it open.
1:20:18 > 1:20:20Sherlock?
1:20:20 > 1:20:23Let him. I'm sorry, just...let him.
1:20:24 > 1:20:26Hmm? Come on, eye open.
1:20:27 > 1:20:31MAGNUSSEN CHUCKLES
1:20:31 > 1:20:33It's difficult, isn't it?
1:20:33 > 1:20:38Janine managed to once. She makes the funniest noises.
1:20:47 > 1:20:51Sherlock Holmes and John Watson, stand away from that man.
1:20:51 > 1:20:53Here we go, Mr Holmes.
1:20:53 > 1:20:57To clarify, Appledore's vaults only exist in your mind,
1:20:57 > 1:20:59nowhere else, just there?
1:20:59 > 1:21:02They're not real, they never have been.
1:21:02 > 1:21:06Sherlock Holmes and John Watson, step away!
1:21:06 > 1:21:09It's fine, they're harmless.
1:21:09 > 1:21:12'Target is not armed, I repeat target is not armed.'
1:21:12 > 1:21:13Sherlock, what do we do?
1:21:13 > 1:21:16Nothing. There is nothing to be done.
1:21:16 > 1:21:20Oh, I'm not a villain, I have no evil plan.
1:21:20 > 1:21:24I'm a businessman, acquiring assets. You happen to be one of them.
1:21:24 > 1:21:28Sorry, no chance for you to be a hero this time, Mr Holmes.
1:21:28 > 1:21:34Sherlock Holmes and John Watson, stand away from that man. Do it now!
1:21:34 > 1:21:36Oh, do your research.
1:21:37 > 1:21:41I'm not a hero, I'm a high-functioning sociopath.
1:21:41 > 1:21:43Merry Christmas!
1:21:43 > 1:21:44GUNSHOT
1:21:44 > 1:21:46'Man down, man down.'
1:21:46 > 1:21:48Get away from me, John! Stay well back!
1:21:48 > 1:21:50Christ, Sherlock!
1:21:50 > 1:21:54Don't fire! Do not fire on Sherlock Holmes!
1:21:54 > 1:21:56Do not fire!
1:21:57 > 1:21:59Oh Christ, Sherlock!
1:22:02 > 1:22:08Give my love to Mary. Tell her she's safe now.
1:22:37 > 1:22:38Oh, Sherlock.
1:22:41 > 1:22:42What have you done?
1:22:52 > 1:22:54As my colleague is fond of remarking,
1:22:54 > 1:22:57this country sometimes needs a blunt instrument.
1:22:57 > 1:23:00Equally, it sometimes needs a dagger,
1:23:00 > 1:23:04a scalpel wielded with precision and without remorse.
1:23:07 > 1:23:11There will always come a time when we need Sherlock Holmes.
1:23:11 > 1:23:15If this is some expression of familial sentiment...
1:23:15 > 1:23:16Don't be absurd.
1:23:16 > 1:23:19I am not given to outbursts of brotherly compassion.
1:23:21 > 1:23:24You know what happened to the other one.
1:23:24 > 1:23:28In any event, there is no prison in which we could incarcerate Sherlock
1:23:28 > 1:23:31without causing a riot on a daily basis.
1:23:31 > 1:23:37The alternative, however, would require your approval.
1:23:37 > 1:23:39Hardly merciful, Mr Holmes.
1:23:39 > 1:23:44Regrettably, Lady Smallwood, my brother is a murderer.
1:23:57 > 1:24:00You will look after him for me, won't you?
1:24:00 > 1:24:03Hmm. Don't worry. I'll keep him in trouble.
1:24:04 > 1:24:05That's my girl.
1:24:10 > 1:24:13Since this is likely to be the last conversation I'll have with John Watson,
1:24:13 > 1:24:15would you mind if we took a moment?
1:24:24 > 1:24:26So here we are.
1:24:28 > 1:24:30William Sherlock Scott Holmes.
1:24:30 > 1:24:31Sorry?
1:24:31 > 1:24:34That's the whole of it. If you're looking for baby names.
1:24:34 > 1:24:35WATSON CHUCKLES
1:24:35 > 1:24:38No, we've had a scan, we're pretty sure it's a girl.
1:24:38 > 1:24:39Oh. OK.
1:24:44 > 1:24:46Yeah.
1:24:46 > 1:24:49You know, actually, I can't think of a single thing to say.
1:24:49 > 1:24:50No, neither can I.
1:24:52 > 1:24:53The game is over.
1:24:53 > 1:24:56The game is never over, John.
1:24:56 > 1:24:58But there may be some new players now.
1:24:58 > 1:25:02- That's OK, the East Wind takes us all in the end.- What's that?
1:25:03 > 1:25:06It's a story my brother told me when we were kids.
1:25:06 > 1:25:11The East Wind is a terrifying force that lays waste to all in its path.
1:25:11 > 1:25:14It seeks out the unworthy and plucks them from the earth.
1:25:14 > 1:25:15That was generally me.
1:25:15 > 1:25:18- Nice(!) - He's a rubbish big brother.
1:25:19 > 1:25:24So what about you, then? Where are you actually going now?
1:25:24 > 1:25:27Oh, some undercover work in Eastern Europe.
1:25:27 > 1:25:28For how long?
1:25:28 > 1:25:33Six months, my brother estimates. He's never wrong.
1:25:33 > 1:25:34And then what?
1:25:38 > 1:25:39Who knows?
1:25:45 > 1:25:51John, there's something I should say, I've meant to say always
1:25:51 > 1:25:53and I never have.
1:25:53 > 1:25:56Since it's unlikely we'll ever meet again, I might as well say it now.
1:26:00 > 1:26:02Sherlock is actually a girl's name.
1:26:06 > 1:26:07It's not.
1:26:07 > 1:26:08It was worth a try.
1:26:08 > 1:26:10We're not naming our daughter after you.
1:26:10 > 1:26:12Oh, I think it could work.
1:26:19 > 1:26:20To the very best of times, John.
1:27:08 > 1:27:10- TV:- 'Smith brings it inside. This looks good.
1:27:10 > 1:27:13'Cassandra comes in for a shot. Ooh, he missed it!'
1:27:15 > 1:27:19- Oi, there's something wrong with the telly.- There's something wrong with the telly, mate.
1:27:21 > 1:27:22Who's that?
1:27:22 > 1:27:24- DISTORTED VOICE:- Did you miss me?
1:27:24 > 1:27:27Did you miss me? Did you miss me? Did you miss me? Did you miss me?
1:27:27 > 1:27:29How is this possible?
1:27:29 > 1:27:32We don't know, but it's on every screen in the country.
1:27:32 > 1:27:33Every screen simultaneously.
1:27:33 > 1:27:35Has the Prime Minister been told?
1:27:37 > 1:27:38And Mycroft?
1:27:38 > 1:27:41But that's not possible. That is simply not possible.
1:27:44 > 1:27:48- What's happened? - Sir? It's your brother.
1:27:51 > 1:27:52Mycroft?
1:27:52 > 1:27:54'Hello, little brother. How's the exile going?'
1:27:54 > 1:27:56I've only been gone four minutes.
1:27:56 > 1:27:58Well, I certainly hope you've learnt your lesson.
1:27:58 > 1:28:01'As it turns out, you're needed.'
1:28:01 > 1:28:03Oh, for God's sake, make up your mind!
1:28:04 > 1:28:05Who needs me this time?
1:28:05 > 1:28:09'Did you miss me? Did you miss me? Did you miss me? Did you miss me?
1:28:09 > 1:28:12'Did you miss me? Did you miss me? Did you miss me? Did you miss me?'
1:28:12 > 1:28:14England.
1:28:14 > 1:28:16But he's dead. I mean, you told me he was dead, Moriarty?
1:28:16 > 1:28:18Absolutely. Blew his own brains out.
1:28:18 > 1:28:20So how can he be back?
1:28:20 > 1:28:25Well if he is, he'd better wrap up warm.
1:28:26 > 1:28:28There's an East Wind coming.
1:29:05 > 1:29:06Miss me?