The Six Thatchers

0:00:07 > 0:00:08My brother is a murderer.

0:00:08 > 0:00:10No chance for you to be a hero this time, Mr Holmes.

0:00:10 > 0:00:12Oh, do your research.

0:00:12 > 0:00:16I'm not a hero - I'm a high-functioning sociopath.

0:00:16 > 0:00:18Merry Christmas!

0:00:18 > 0:00:20GUNSHOT

0:00:20 > 0:00:23I'm not given to outbursts of brotherly compassion.

0:00:23 > 0:00:25You know what happened to the other one.

0:00:30 > 0:00:31Miss me?

0:00:31 > 0:00:33'Did you miss me? Did you miss me? Did you miss me?'

0:00:33 > 0:00:35I've only been gone four minutes.

0:00:35 > 0:00:37Well, I certainly hope you've learnt your lesson.

0:00:40 > 0:00:42What you're about to see is

0:00:42 > 0:00:44classified beyond top secret.

0:00:44 > 0:00:49Is that quite clear? Don't minute any of this.

0:00:49 > 0:00:52Once beyond these walls, you must never speak of it.

0:00:53 > 0:00:55A D notice has been slapped on the entire incident.

0:00:55 > 0:00:57Only those within this room,

0:00:57 > 0:01:01code names Antarctica, Langdale, Porlock and Love,

0:01:01 > 0:01:03will ever know the whole truth.

0:01:03 > 0:01:05As far as everyone else is concerned,

0:01:05 > 0:01:07going to the Prime Minister

0:01:07 > 0:01:09- and way beyond, Charles Augustus... - PHONE KEYBOARD CLICKS

0:01:09 > 0:01:12- Are you tweeting?!- No. MESSAGE SEND TONE

0:01:12 > 0:01:14- Well, that's what it looks like! - Of course I'm not tweeting.

0:01:14 > 0:01:16- Why would I be tweeting? - Give me that!- What? No!

0:01:16 > 0:01:18- What are you doing?! Get off! - Give it here!

0:01:20 > 0:01:22- "Back on terra firma." - Don't read them out.

0:01:22 > 0:01:24- "Free as a bird." - God, you're such a spoilsport.

0:01:24 > 0:01:26- Will you take this matter seriously, Sherlock?- I am!

0:01:26 > 0:01:28What makes you think I'm not taking it seriously?

0:01:28 > 0:01:31"#OhWhatABeautifulMorning"

0:01:31 > 0:01:33Look, not so long ago I was on a mission that meant certain death -

0:01:33 > 0:01:34my death!

0:01:34 > 0:01:37And now I'm back, in a nice warm office, with my big brother and...

0:01:37 > 0:01:38Are those ginger nuts?

0:01:38 > 0:01:40- Oh, God...- LOVE ginger nuts.

0:01:40 > 0:01:42Our doctor said you were clean.

0:01:42 > 0:01:44I am. Utterly.

0:01:44 > 0:01:47No need for stimulants now, remember? I have work to do.

0:01:47 > 0:01:49You're high as a kite!

0:01:49 > 0:01:51Natural high, I assure you. Totally natural.

0:01:51 > 0:01:54I'm just... # ..glad to be alive! #

0:01:54 > 0:01:57What shall we do next? What's your name?

0:01:57 > 0:01:58Vivian.

0:01:58 > 0:02:00- What would you do, Vivian?- Pardon?

0:02:00 > 0:02:03Well, it's a lovely day. Go for a stroll?

0:02:03 > 0:02:06Make a paper aeroplane? Have an ice lolly?

0:02:06 > 0:02:07Ice lolly, I suppose.

0:02:07 > 0:02:09Ice lolly it is!

0:02:09 > 0:02:12- What's your favourite? - Well, really, I shouldn't...

0:02:12 > 0:02:15- Go on.- Do they still do Mivvies?

0:02:15 > 0:02:17- Mr Holmes...- Yes?

0:02:18 > 0:02:21- ..we do need to get on. - Yes, of course.

0:02:21 > 0:02:23HELICOPTER WHIRS

0:02:25 > 0:02:27'Do your research.

0:02:27 > 0:02:30'I'm not a hero - I'm a high-functioning sociopath.

0:02:30 > 0:02:31GUNSHOT

0:02:31 > 0:02:33'..sociopath. GUNSHOT

0:02:33 > 0:02:36'..sociopath.' GUNSHOT

0:02:36 > 0:02:39I see. Who is supposed to have shot him, then?

0:02:39 > 0:02:42Some over-eager squaddie with an itchy trigger finger - that's who.

0:02:42 > 0:02:46- That's not what happened at all. - It is now.

0:02:46 > 0:02:48Remarkable. How did you do it?

0:02:48 > 0:02:51We have some very talented people working here.

0:02:51 > 0:02:54If James Moriarty can hack every TV screen in the land,

0:02:54 > 0:02:58rest assured we have the tech to doctor a bit of security footage.

0:02:59 > 0:03:01That is now the official version,

0:03:01 > 0:03:04the version anyone we want to will see.

0:03:04 > 0:03:06No need to go to the trouble of getting

0:03:06 > 0:03:08some sort of official pardon.

0:03:08 > 0:03:11You're off the hook, Mr Holmes.

0:03:11 > 0:03:13You're home and dry.

0:03:13 > 0:03:14OK, cheers.

0:03:14 > 0:03:16Obviously, there's unfinished business.

0:03:16 > 0:03:18Moriarty.

0:03:18 > 0:03:19I told you - Moriarty's dead.

0:03:19 > 0:03:22You say he filmed that video message before he died.

0:03:22 > 0:03:24Yes.

0:03:24 > 0:03:28You also say you know what he's going to do next.

0:03:28 > 0:03:31- What does that mean? - Perhaps that's all there is to it.

0:03:31 > 0:03:33Perhaps he was just trying to frighten you.

0:03:33 > 0:03:35No, no, he would never be that disappointing.

0:03:36 > 0:03:38He's planned something, something long-term.

0:03:38 > 0:03:40Something that would take effect if he never made it

0:03:40 > 0:03:42off that rooftop alive.

0:03:42 > 0:03:44Posthumous revenge.

0:03:44 > 0:03:47No, better than that - posthumous game.

0:03:47 > 0:03:49We brought you back to deal with this.

0:03:49 > 0:03:51- What are you going to do?- Wait.

0:03:51 > 0:03:53Wait?!

0:03:53 > 0:03:56Of course wait. I'm the target - targets wait.

0:03:56 > 0:03:59Look, whatever's coming, whatever he's lined up,

0:03:59 > 0:04:00I'll know when it begins.

0:04:00 > 0:04:03I always know when the game is on. Do you know why?

0:04:03 > 0:04:05Why?

0:04:05 > 0:04:06Because I love it.

0:04:40 > 0:04:43There was once a merchant, in the famous market at Baghdad.

0:04:43 > 0:04:46WATER SLOSHES One day he saw a stranger

0:04:46 > 0:04:48looking at him in surprise,

0:04:48 > 0:04:52and he knew that the stranger was Death.

0:04:52 > 0:04:55Pale and trembling, the merchant fled the marketplace

0:04:55 > 0:05:00and made his way many, many miles, to the city of Samarra.

0:05:01 > 0:05:05For there he was sure Death could not find him.

0:05:05 > 0:05:07But when, at last, he came to Samarra,

0:05:07 > 0:05:11the merchant saw, waiting for him, the grim figure of Death.

0:05:14 > 0:05:19"Very well," said the merchant. "I give in. I am yours."

0:05:22 > 0:05:24"But tell me, why did you look surprised

0:05:24 > 0:05:26"when you saw me this morning in Baghdad?"

0:05:28 > 0:05:31"Because," said Death,

0:05:31 > 0:05:33"I had an appointment with you tonight...

0:05:35 > 0:05:36"..in Samarra."

0:05:46 > 0:05:48If this gets any better, I'm going to get two knives.

0:05:48 > 0:05:49Pays to advertise.

0:05:49 > 0:05:52- So, what about Moriarty, then? - Oh, I have a plan.

0:05:52 > 0:05:54I'm going to monitor the underworld,

0:05:54 > 0:05:57every quiver of the web will tell me when the spider makes his move.

0:05:57 > 0:05:59So, basically, your plan is just to sit there

0:05:59 > 0:06:02solving crimes like you always do?

0:06:02 > 0:06:03Awesome, isn't it?

0:06:04 > 0:06:08He drowned, Mr Holmes. That's what we thought.

0:06:08 > 0:06:11- But when they opened up his lungs... - Yes?- ..sand.

0:06:11 > 0:06:12Superficial. PHONE WHISTLES

0:06:15 > 0:06:17Come back! It's the wrong thumb.

0:06:17 > 0:06:19DOOR SLAMS

0:06:23 > 0:06:25- Sherlock...- It's never twins.

0:06:27 > 0:06:29Hopkins, arrest Wilson. Dimmock, look in the lymph nodes.

0:06:29 > 0:06:31- 'Wilson?'- 'Lymph nodes?' - Sherlock...

0:06:31 > 0:06:33Yes, you may have nothing but a limbless torso, but there'll

0:06:33 > 0:06:35be traces of ink in the lymph nodes under the armpits.

0:06:35 > 0:06:38If your mystery corpse had tattoos, the signs will be there.

0:06:38 > 0:06:40- 'Bloody hell! Is that a guess?' - I never guess.

0:06:40 > 0:06:43- Sherlock...- 'So, he's the killer? The canary trainer?'

0:06:43 > 0:06:45- Of course he's the killer. - 'Didn't see that coming.'

0:06:45 > 0:06:47Hm, naturally.

0:06:47 > 0:06:50Sherlock, you can't go on spinning plates like this.

0:06:50 > 0:06:52That's it! The place was spinning.

0:06:52 > 0:06:55The heart medication you're taking is known to cause bouts of amnesia.

0:06:55 > 0:06:59Yes, I...I think so. Why?

0:06:59 > 0:07:01Because the fingerprints on your brother's neck were your own.

0:07:01 > 0:07:04- WATSON CHUCKLES - A jellyfish?- I know.

0:07:04 > 0:07:07- You can't arrest a jellyfish. - You could try.- We did try.

0:07:07 > 0:07:10- PHONE REPEATEDLY VIBRATES - Oh...

0:07:10 > 0:07:14- Oh, God.- Mary?- 59 missed calls.

0:07:14 > 0:07:15We're in a lot of trouble.

0:07:15 > 0:07:17MARY SCREAMS

0:07:17 > 0:07:20Ow! Oh, my God! Oh, my God!

0:07:20 > 0:07:22Relax, it's got two syllables...

0:07:22 > 0:07:24I'm a nurse, darling - I think I know what to do!

0:07:24 > 0:07:26- Come on, then...- Re!- Lax!

0:07:26 > 0:07:30No, just drive, please, God, just drive! God, drive!

0:07:30 > 0:07:32- SHE SCREAMS - Sherlock - Mary!

0:07:32 > 0:07:34That's it, Mary - re... PHONE KEYBOARD CLICKS

0:07:34 > 0:07:37- Don't you start!- ..lax.

0:07:37 > 0:07:41John, John... I think you have to pull over!

0:07:41 > 0:07:44- Mary, Mary...- Pull over!

0:07:44 > 0:07:47Oh, my God! MARY SCREAMS

0:07:51 > 0:07:53Has that come out?

0:07:53 > 0:07:56- They never come out when I take them.- Let's have a look.

0:07:56 > 0:07:58Aw, she's so beautiful.

0:08:00 > 0:08:02- Have another go.- What about a name?

0:08:02 > 0:08:04- Catherine. - Uh, yeah, we've gone off that.

0:08:04 > 0:08:05- Have we?- Yeah.- Oh.

0:08:05 > 0:08:08- Well, you know what I think... BOTH:- It's not a girl's name.

0:08:08 > 0:08:11Molly, Mrs H, we would love you to be godparents.

0:08:11 > 0:08:15- Oh!- If you...- Really? - That's so lovely.

0:08:15 > 0:08:19And, uh...you too, Sherlock?

0:08:19 > 0:08:22- You too what?- Godfather, we'd like you to be godfather.

0:08:22 > 0:08:24God is a ludicrous fiction, dreamt up by inadequates

0:08:24 > 0:08:27who abnegate all responsibility to an invisible magic friend.

0:08:27 > 0:08:29Yeah, but there'll be cake. Will you do it?

0:08:29 > 0:08:30I'll get back to you.

0:08:30 > 0:08:33Father, we ask you to send your blessings on this water

0:08:33 > 0:08:38and sanctify it for our use this day.

0:08:38 > 0:08:39In Christ's name.

0:08:39 > 0:08:42Now, what name have you given your daughter?

0:08:42 > 0:08:44Rosamund Mary.

0:08:44 > 0:08:45Rosamund?

0:08:45 > 0:08:47It means "Rose of the world". Rosie for short.

0:08:49 > 0:08:51Didn't you get John's text?

0:08:51 > 0:08:55No. I delete his texts. I delete any text that begins "Hi."

0:08:55 > 0:08:58No idea why people think you're incapable of human emotion.

0:08:58 > 0:09:00- MRS HUDSON CLEARS THROAT - Sorry.

0:09:00 > 0:09:01- WHISPERING:- Phone!

0:09:01 > 0:09:06And now, godparents, are you ready to help the parents of this child

0:09:06 > 0:09:09in their duties as Christian parents?

0:09:09 > 0:09:10- BOTH:- We are.

0:09:10 > 0:09:13- SIRI:- 'Sorry, I didn't catch that.

0:09:13 > 0:09:15'Please repeat the question.'

0:09:16 > 0:09:19As ever, Watson, you see but do not observe.

0:09:19 > 0:09:21To you, the world remains an impenetrable mystery,

0:09:21 > 0:09:22whereas, to me, it is an open book.

0:09:22 > 0:09:26Hard logic versus romantic whimsy - that is your choice.

0:09:26 > 0:09:28You fail to connect actions to their consequences.

0:09:28 > 0:09:32Now, for the last time, if you want to keep the rattle,

0:09:32 > 0:09:34do not throw the rattle.

0:09:43 > 0:09:45MESSAGE TONE

0:10:37 > 0:10:40All right, good girl, good girl. Good girl.

0:10:42 > 0:10:44I'd better finish this, hadn't I?

0:10:52 > 0:10:55- Hey.- Afternoon. He says you've got a good one, Greg?

0:10:55 > 0:10:58Oh, yeah.

0:10:58 > 0:11:01It was David Welsborough's 50th birthday.

0:11:01 > 0:11:03CHEERS AND APPLAUSE

0:11:04 > 0:11:06God, 50!

0:11:06 > 0:11:07Where does it go?

0:11:07 > 0:11:10I know for a fact I was only 21 this time last week.

0:11:10 > 0:11:12Yeah, well that's impossible. That was before you met me.

0:11:12 > 0:11:16- Well, no, no, there never was... - "There never was such a time."

0:11:17 > 0:11:20She's looking at me disapprovingly again.

0:11:20 > 0:11:22No. She's just jealous.

0:11:22 > 0:11:24Yeah, well, I think we both are.

0:11:24 > 0:11:26- PHONE VIBRATES - Oh...- No, no, David.

0:11:26 > 0:11:28- Come on, you promised.- No, it's...

0:11:29 > 0:11:32Oh, no... Oh, it's a Skype call.

0:11:32 > 0:11:36Oh! Then it must be Charlie. At least he's phoning, I suppose.

0:11:37 > 0:11:38Oh, look! Hello!

0:11:38 > 0:11:41'Hey, Dad. Happy birthday.

0:11:41 > 0:11:45'Sorry to miss the party, but travel broadens the mind, right?'

0:11:47 > 0:11:49No! Picture's frozen!

0:11:49 > 0:11:51'Yeah, signal's rubbish. But I can still hear you.'

0:11:51 > 0:11:53Why is it rubbish? Where are you?

0:11:53 > 0:11:55- How is he? Is he eating? Ask him if he's eating.- No...

0:11:55 > 0:11:57- MAN:- David? Come on!

0:11:57 > 0:12:00OK, no, hang on a sec, I'll find somewhere quieter.

0:12:00 > 0:12:02So, Charlie, where are you?

0:12:02 > 0:12:04Are you there?

0:12:04 > 0:12:07- 'Sorry, I'm here. I'm just a bit...' - Are you all right?

0:12:07 > 0:12:10- 'It's nothing. Probably just the altitude.'- Altitude?

0:12:10 > 0:12:13- 'I'm in Tibet. Didn't you see the mountains?'- Never mind mountains.

0:12:13 > 0:12:15Your mother wants to know if you're eating properly.

0:12:15 > 0:12:17- 'Listen, Dad, could you do me a favour?'- What?

0:12:17 > 0:12:20- 'Could you just check something on my car?'- Your car?

0:12:20 > 0:12:22'To settle a bet. The guys here don't believe

0:12:22 > 0:12:24'I've got a Power Ranger stuck to the bonnet.

0:12:24 > 0:12:27- 'Could you take a photo and send it?'- Uh, yes, I can do that.

0:12:31 > 0:12:32All done. Have you got it?

0:12:32 > 0:12:34Charlie?

0:12:36 > 0:12:38- LESTRADE:- A week later...

0:12:38 > 0:12:39Yeah?

0:12:39 > 0:12:42..something really weird happens.

0:12:42 > 0:12:45Drunk driver, he's totally smashed, the cops are chasing him,

0:12:45 > 0:12:47and he turns into the drive of the Welsborough house

0:12:47 > 0:12:49to try and get away.

0:12:49 > 0:12:50Unfortunately...

0:13:03 > 0:13:05The drunk guy survived, they managed to pull him out,

0:13:05 > 0:13:08but when they put the fire out and examined the parked car...

0:13:10 > 0:13:11Whose body?

0:13:11 > 0:13:13Charlie Welsborough, the son.

0:13:13 > 0:13:16- What?- The son who was in Tibet. DNA all checks out.

0:13:16 > 0:13:18Night of the party, the car's empty,

0:13:18 > 0:13:20and a week later...

0:13:20 > 0:13:22the dead boy's found at the wheel.

0:13:22 > 0:13:24SHERLOCK CHUCKLES

0:13:24 > 0:13:26- Yeah, I thought it'd tickle you. - Have you got a lab report?

0:13:26 > 0:13:29Yeah, Charlie Welsborough's the son of a Cabinet Minister,

0:13:29 > 0:13:31so I'm under a lot of pressure to get a result.

0:13:31 > 0:13:34Who cares about that? Tell me about the seats.

0:13:34 > 0:13:36- The seats?- Yes, the car seats.

0:13:39 > 0:13:41Made of vinyl.

0:13:41 > 0:13:43Two different types of vinyl present.

0:13:43 > 0:13:45Was it his own car?

0:13:45 > 0:13:47Yeah, not flash - he was a student.

0:13:47 > 0:13:48- Well, that's suggestive.- Why?

0:13:48 > 0:13:51- Vinyl's cheaper than leather. - Yeah, right?

0:13:51 > 0:13:52- There's something else.- Yes?

0:13:52 > 0:13:54According to this,

0:13:54 > 0:13:56Charlie Welsborough had already been dead for a week.

0:13:57 > 0:13:59What?

0:13:59 > 0:14:01The body in the car, dead for a week.

0:14:01 > 0:14:04Oh, this is a good one. Is it my birthday?

0:14:04 > 0:14:05You want help?

0:14:05 > 0:14:07- Yes, please. - One condition.- OK.

0:14:07 > 0:14:10Take all the credit. It gets boring if I just solve them all.

0:14:10 > 0:14:12Yeah, you say that,

0:14:12 > 0:14:14but then John blogs about it, and you get all the credit anyway.

0:14:14 > 0:14:15He's got a point.

0:14:15 > 0:14:17Which makes me look like some kind of prima donna

0:14:17 > 0:14:20who insists on getting credit for something he didn't do!

0:14:20 > 0:14:22Well, I think you've hit a sore spot, Sherlock.

0:14:22 > 0:14:25- Like I'm some kind of credit junkie. - Definitely a sore spot.

0:14:25 > 0:14:28- So you take all the glory, thanks... - OK!- ..thanks all the same.

0:14:28 > 0:14:31Look, just solve the bloody thing, will you? It's driving me nuts.

0:14:31 > 0:14:33Anything you say, Giles.

0:14:35 > 0:14:36Just kidding.

0:14:36 > 0:14:38HE MOUTHS: What's his name?

0:14:38 > 0:14:39- HE MOUTHS:- Greg.- What?

0:14:39 > 0:14:42Greg.

0:14:42 > 0:14:44It's obvious though, isn't it, what happened?

0:14:44 > 0:14:45John, you amaze me. You know what happened?

0:14:45 > 0:14:47Not a clue. It's just you normally say that at this point.

0:14:47 > 0:14:52Hmm. Well, then, let's hope you solve your little problem, Greg.

0:14:53 > 0:14:54- Hear that?- I know.

0:14:56 > 0:14:59- So, how's it going then, fatherhood? - Oh, good, great. Yeah, amazing.

0:14:59 > 0:15:01- Getting any sleep?- Christ, no.

0:15:01 > 0:15:04You're at the beck and call of a screaming, demanding baby,

0:15:04 > 0:15:06woken up at all hours to obey its every whim.

0:15:06 > 0:15:09- Must feel very different... - Sorry, what?

0:15:09 > 0:15:10Yes, well, you know how it is.

0:15:10 > 0:15:13All you do is clean up their mess, pat them on the head.

0:15:13 > 0:15:15- Are you two having a little joke? - Never a word of thanks.

0:15:15 > 0:15:18Can't even tell people's faces apart.

0:15:18 > 0:15:19This is a joke, isn't it?

0:15:19 > 0:15:22Yeah, and it's all, "Oh, aren't you clever. You're so, so clever."

0:15:22 > 0:15:24- Is it about me? - I think he needs winding.

0:15:24 > 0:15:27- You know, I think that really might be it.- No, don't get it.

0:15:27 > 0:15:30Charlie's family are pretty cut up about it, as you'd expect,

0:15:30 > 0:15:32- so go easy on them, yeah? - PHONE VIBRATES

0:15:32 > 0:15:34- You know me. MARY:- 'Hey, hello.' - Yeah.- Got them, don't worry.

0:15:34 > 0:15:36Pampers, the cream you can't get from Boots.

0:15:36 > 0:15:38Yeah, never mind about that. Where are you now?

0:15:38 > 0:15:39- At the dead boy's house?- Yeah.

0:15:39 > 0:15:42'And what does he think? Any theories?'

0:15:42 > 0:15:43Well, I texted you the details.

0:15:43 > 0:15:46Yeah, two different types of vinyl.

0:15:46 > 0:15:47- Hey!- How do you know about that?

0:15:47 > 0:15:50'Oh you'd be amazed at what a receptionist picks up.'

0:15:50 > 0:15:53- WHISPERING:- They know everything! - 'Solved it, then?'

0:15:53 > 0:15:55- I'm working on it.- 'Oh, Mary, motherhood's slowing you down.'

0:15:55 > 0:15:57- Pig!- Keep trying.

0:15:57 > 0:15:59'So, what about it, then?

0:15:59 > 0:16:01'What, an empty car that suddenly has a week-old corpse in it?

0:16:01 > 0:16:03'And what are you going to call this one?'

0:16:03 > 0:16:05Oh, the Ghost Driver.

0:16:05 > 0:16:07- Don't give it a title. - People like the titles.

0:16:07 > 0:16:09- They hate the titles. - Give the people what they want.

0:16:09 > 0:16:11No, never do that - people are stupid.

0:16:11 > 0:16:13Uh, SOME people.

0:16:13 > 0:16:14'All people are stupid.

0:16:14 > 0:16:16'Most people.'

0:16:16 > 0:16:17'Bizarre enough though, isn't it, to be him?'

0:16:17 > 0:16:19I mean, it's right up your strasse.

0:16:21 > 0:16:24Mr and Mrs Welsborough, I really am most terribly sorry

0:16:24 > 0:16:26- to hear about your daughter. - Son.- Son!

0:16:26 > 0:16:29Mr and Mrs Welsborough, this is Mr Sherlock Holmes.

0:16:29 > 0:16:31Thank you very much for coming. We've heard a great deal about you.

0:16:31 > 0:16:34If anyone can throw any light into this darkness, surely it will be you.

0:16:34 > 0:16:36Well, I believe that I...

0:16:38 > 0:16:39..can.

0:16:40 > 0:16:43- DISTORTED:- But Charlie was our whole world, Mr Holmes. I...

0:16:52 > 0:16:53Sherlock?

0:16:53 > 0:16:54Mr Holmes?

0:16:54 > 0:16:55Sorry, you were saying?

0:16:55 > 0:16:58Well, Charlie was our whole world, Mr Holmes.

0:16:58 > 0:17:00I...I don't think we'll ever get over this.

0:17:00 > 0:17:02No. Shouldn't think so.

0:17:06 > 0:17:09So sorry, will you excuse me a moment? I just...

0:17:12 > 0:17:14I'll...I'll just, um... Ahem.

0:17:18 > 0:17:21- Now what's wrong? - Not sure, I just...

0:17:21 > 0:17:23By the pricking of my thumbs.

0:17:23 > 0:17:24Seriously? You?

0:17:24 > 0:17:26Intuitions are not to be ignored, John.

0:17:26 > 0:17:28They represent data processed too fast

0:17:28 > 0:17:29for the conscious mind to comprehend.

0:17:29 > 0:17:31What is this?

0:17:31 > 0:17:35Oh, it's a sort of shrine, I suppose, really.

0:17:35 > 0:17:37Bit of a fan of Mrs T.

0:17:37 > 0:17:40A big hero of mine when I was getting started.

0:17:40 > 0:17:41Right, yes.

0:17:45 > 0:17:47- Who?- What?

0:17:47 > 0:17:49- Who...? Who was this? - Are you serious?

0:17:49 > 0:17:52- Sherlock... - It's... It's Margaret Thatcher,

0:17:52 > 0:17:55the first female Prime Minister of this country.

0:17:55 > 0:17:56Right.

0:17:56 > 0:17:59- Prime Minister?- Hmm. Leader of the Government.- Right.

0:18:00 > 0:18:04- Female?- For God's sake! You know perfectly well who she is.

0:18:04 > 0:18:06Why are you playing for time?

0:18:06 > 0:18:08It's the gap, look at the gap. It's wrong.

0:18:08 > 0:18:11Everything else is perfectly ordered, managed.

0:18:12 > 0:18:14The whole thing's verging on OCD. My respects.

0:18:14 > 0:18:16This figurine is routinely repositioned after

0:18:16 > 0:18:19the cleaner's been in, this picture is straightened every day,

0:18:19 > 0:18:20yet this ugly gap remains.

0:18:20 > 0:18:23- Something's missing from here, but only recently.- Yes, a...

0:18:23 > 0:18:26- Plaster bust.- ..plaster bust. - Oh, for God's sake! It got broken.

0:18:26 > 0:18:28What the hell has this got to do with Charlie?

0:18:28 > 0:18:30- Rug!- What? - Well, how could it get broken?

0:18:30 > 0:18:33The only place for it to fall is the floor and there is a big thick rug.

0:18:33 > 0:18:36- Does it matter? - Mrs Welsborough, my apologies.

0:18:36 > 0:18:38- It is worth letting him do this. - Is your friend quite mad?

0:18:38 > 0:18:40No, he's an arsehole, but it's an easy mistake.

0:18:40 > 0:18:44Look, no, we had a break-in, some little bastard smashed it to bits.

0:18:44 > 0:18:45We found the remains out there in the porch.

0:18:45 > 0:18:48- The porch where we came in? - How anybody could hate her so much

0:18:48 > 0:18:50they'd go to the trouble of smashing her likeness...

0:18:50 > 0:18:53I'm no expert, but, uh, possibly her face.

0:18:53 > 0:18:55Why didn't he smash all the others? Perfect opportunity,

0:18:55 > 0:18:57and look at that one - she's smiling.

0:18:57 > 0:18:59Oh, Inspector, this is clearly a waste of time.

0:18:59 > 0:19:02- And if there's nothing... - I know what happened to your son.

0:19:02 > 0:19:03You do?

0:19:03 > 0:19:05It's quite simple, superficial, to be blunt.

0:19:05 > 0:19:07But first, tell me, the night of the break-in,

0:19:07 > 0:19:08this room was in darkness?

0:19:08 > 0:19:11- Well, yes. - And the porch where it was smashed,

0:19:11 > 0:19:12I noticed the motion sensor was damaged,

0:19:12 > 0:19:15- so I assume it's permanently lit. - How did you notice that?

0:19:15 > 0:19:17I lack the arrogance to ignore details - I'm not the police.

0:19:17 > 0:19:20- So you're saying he smashed it where he could see it.- Exactly.

0:19:20 > 0:19:22- Why?- Don't know. Wouldn't be fun if I knew.

0:19:22 > 0:19:23Mr Holmes, please!

0:19:25 > 0:19:28It was your 50th birthday, Mr Welsborough, of course you were

0:19:28 > 0:19:31disappointed that your son hadn't made it back from his gap year.

0:19:31 > 0:19:32- After all, he was in Tibet.- Yes.

0:19:32 > 0:19:34- No.- No?

0:19:34 > 0:19:37CROWD: # Happy birthday... #

0:19:37 > 0:19:41The first part of your conversation was, in fact, pre-recorded video.

0:19:41 > 0:19:42Easily arranged.

0:19:45 > 0:19:47It's a Skype call.

0:19:47 > 0:19:49The trick was meant to be a surprise.

0:19:49 > 0:19:52- A trick?- Obviously.

0:19:52 > 0:19:54Could you take a photo and send it?

0:19:54 > 0:19:57There were two types of vinyl in the burnt-out remains of the car.

0:19:57 > 0:20:00One, the actual passenger seat, the other, a good copy.

0:20:00 > 0:20:01Well, good enough.

0:20:03 > 0:20:04Effectively a costume.

0:20:07 > 0:20:08You're joking?

0:20:08 > 0:20:11No, I'm not.

0:20:11 > 0:20:13All he wanted was for you to get close enough to the car

0:20:13 > 0:20:14so he could spring the surprise.

0:20:18 > 0:20:20- Oh, my God!- Surprise!

0:20:22 > 0:20:25That's when it happened.

0:20:25 > 0:20:26I can't be certain, of course,

0:20:26 > 0:20:29but I think Charlie must have suffered some sort of a seizure.

0:20:29 > 0:20:30You said he'd felt unwell?

0:20:30 > 0:20:31You all right?

0:20:31 > 0:20:34'It's nothing. Probably just the altitude.'

0:20:34 > 0:20:36He died there and then.

0:20:40 > 0:20:42No-one had any cause to go near his car,

0:20:42 > 0:20:45so there he remained, in the driver's seat, hidden, until...

0:20:50 > 0:20:53When the two cars were examined,

0:20:53 > 0:20:57the fake seat had melted in the fire, revealing Charlie,

0:20:57 > 0:21:00who'd been sitting there, quite dead, for a week.

0:21:01 > 0:21:03Oh, God!

0:21:05 > 0:21:06Poor kid.

0:21:06 > 0:21:09Really, I'm so sorry. Mr Welsborough, Mrs Welsborough.

0:21:12 > 0:21:14This is where it was smashed.

0:21:14 > 0:21:17- That was amazing.- What? - The car, the kid.

0:21:17 > 0:21:19Ancient history. Why are you still talking about it?

0:21:19 > 0:21:21What's so important about a broken bust of Margaret Thatcher?

0:21:21 > 0:21:24I can't stand it, never can. There's a loose thread in the world.

0:21:24 > 0:21:26It doesn't mean you have to pull on it.

0:21:26 > 0:21:27What kind of a life would that be?

0:21:27 > 0:21:29Besides, I have the strangest feeling...

0:21:29 > 0:21:31Miss me?

0:21:32 > 0:21:35- That's mine. You two take a...bus. - Why?

0:21:35 > 0:21:37I need to concentrate, and I don't want to hit you.

0:21:37 > 0:21:39The Mall, please.

0:21:42 > 0:21:45- I met her once.- Thatcher? - Rather arrogant, I thought.

0:21:45 > 0:21:47- YOU thought that?!- Ha, I know.

0:21:47 > 0:21:48Why am I looking at this?

0:21:49 > 0:21:51That's her, John and Mary's baby.

0:21:51 > 0:21:54Oh, I see, yes.

0:21:54 > 0:21:57Looks very...fully functioning.

0:21:58 > 0:21:59Is that really the best you can do?

0:21:59 > 0:22:02Sorry, I've never been very good with them.

0:22:02 > 0:22:04- Babies?- Humans.

0:22:04 > 0:22:07Moriarty - did he have any connection with Thatcher?

0:22:07 > 0:22:08Any interest in her?

0:22:08 > 0:22:10Why on earth would he?

0:22:10 > 0:22:12I don't know. You tell me.

0:22:14 > 0:22:16In the last year of his life,

0:22:16 > 0:22:19James Moriarty was involved with four political assassinations,

0:22:19 > 0:22:23over 70 assorted robberies and terrorist attacks,

0:22:23 > 0:22:25including a chemical weapons factory in North Korea,

0:22:25 > 0:22:27and had latterly shown some interest

0:22:27 > 0:22:30in tracking down the Black Pearl of the Borgias,

0:22:30 > 0:22:31which is still missing, by the way,

0:22:31 > 0:22:34in case you feel like applying yourself to something practical.

0:22:34 > 0:22:36It's a pearl - get another one.

0:22:38 > 0:22:40There's something important about this.

0:22:42 > 0:22:43I'm sure.

0:22:43 > 0:22:45Maybe it's Moriarty.

0:22:45 > 0:22:47Maybe it's not.

0:22:47 > 0:22:48WATER SLOSHES

0:22:48 > 0:22:50But something's coming.

0:22:52 > 0:22:54Are you having a premonition, brother mine?

0:22:56 > 0:22:58The world is woven from billions of lives,

0:22:58 > 0:22:59every strand crossing every other.

0:22:59 > 0:23:02What we call premonition is just movement of the web.

0:23:03 > 0:23:06If you could attenuate to every strand of quivering data,

0:23:06 > 0:23:09the future would be entirely calculable.

0:23:09 > 0:23:11As inevitable as mathematics.

0:23:12 > 0:23:15- Appointment In Samarra.- I'm sorry?

0:23:15 > 0:23:17The merchant who can't outrun Death.

0:23:17 > 0:23:19You always hated that story as a child.

0:23:19 > 0:23:23Less keen on predestination back then.

0:23:23 > 0:23:24I'm not sure I like it now.

0:23:24 > 0:23:26You wrote your own version, as I remember.

0:23:26 > 0:23:28Appointment In Sumatra.

0:23:28 > 0:23:32The merchant goes to a different city and is perfectly fine.

0:23:32 > 0:23:33Goodnight, Mycroft.

0:23:33 > 0:23:35Then he becomes a pirate, for some reason.

0:23:35 > 0:23:38- Keep me informed.- Of what? - Absolutely no idea.

0:24:04 > 0:24:06'Ammo!'

0:24:06 > 0:24:08MAN SHUDDERS

0:24:20 > 0:24:24- Oh, hi, Stella.- Greg.- You, uh...?

0:24:25 > 0:24:28- Uh, yeah, he's just got a client, so...- Right, right, right...

0:24:30 > 0:24:32Uh, you see a lot of each other, do you?

0:24:32 > 0:24:35It's nothing. I mean it's nothing serious.

0:24:35 > 0:24:38- No, no.- I just pop round every now and again for a chat.

0:24:38 > 0:24:39Yeah, of course.

0:24:39 > 0:24:41I mean he loves a really tricky case.

0:24:41 > 0:24:42Yeah, he does!

0:24:44 > 0:24:45So what you here for?

0:24:45 > 0:24:48Well, Interpol think the Borgia Pearl trail

0:24:48 > 0:24:49leads back to London, so...

0:24:49 > 0:24:52The Borgia Pearl? They still after that, are they?

0:24:52 > 0:24:54Yeah.

0:24:54 > 0:24:56So, how did you two first meet?

0:24:56 > 0:24:59Oh, well, there was a case about, um, ten years ago.

0:24:59 > 0:25:00Nobody could figure it out.

0:25:00 > 0:25:03There was an old lady found dead in a sauna.

0:25:03 > 0:25:06- Oh, yeah? How did she die? - Hypothermia.

0:25:06 > 0:25:07What?

0:25:07 > 0:25:10I know, but then I met Sherlock, it was so simple the way...

0:25:10 > 0:25:12Will you two please keep it down?!

0:25:12 > 0:25:13- Sorry.- Sorry.

0:25:13 > 0:25:15Now, you haven't always been in life insurance, have you?

0:25:15 > 0:25:18You started out in manual labour. Don't bother being astonished.

0:25:18 > 0:25:22Your right hand's almost an entire size bigger than your left - hard manual work does that.

0:25:22 > 0:25:24I was a carpenter. Like me dad.

0:25:24 > 0:25:26You're trying to give up smoking - unsuccessfully -

0:25:26 > 0:25:28and you once had a Japanese girlfriend

0:25:28 > 0:25:30that meant a lot to you but now you feel indifferent about.

0:25:30 > 0:25:32How the hell...?

0:25:32 > 0:25:34Ah...e-cigarettes.

0:25:34 > 0:25:36Not just that - ten individual e-cigarettes.

0:25:36 > 0:25:39If you just wanted to smoke indoors, you would've invested

0:25:39 > 0:25:41in one of those irritating electronic pipe things.

0:25:41 > 0:25:44But you're convinced you can give up, so you don't want to buy a pipe,

0:25:44 > 0:25:46because that means you're not serious about quitting.

0:25:46 > 0:25:48So instead, you buy individual cigarettes,

0:25:48 > 0:25:51always sure that each will be your last. Anything to add, John?

0:25:51 > 0:25:53- John?- Uh, yeah, yeah, listening.

0:25:53 > 0:25:56- What is that?- That is...me.

0:25:56 > 0:25:58Well, it's a me substitute.

0:25:58 > 0:25:59Don't be so hard on yourself.

0:25:59 > 0:26:01You know I value your little contributions.

0:26:01 > 0:26:04Yeah? It's been there since nine this morning.

0:26:04 > 0:26:06- Has it? Where were you? - Helping Mrs H with her sudoku.

0:26:06 > 0:26:09- What about my girlfriend?- What? - You said I had an ex...

0:26:09 > 0:26:11You've got a Japanese tattoo in the crook of your elbow

0:26:11 > 0:26:12in the name Akako.

0:26:12 > 0:26:14It's obvious you've tried to have it removed.

0:26:14 > 0:26:16But surely that means I want to forget her,

0:26:16 > 0:26:17not that I'm indifferent.

0:26:17 > 0:26:20If she'd really hurt your feelings, you would've had the word obliterated.

0:26:20 > 0:26:23The first attempt wasn't successful, and you haven't tried again,

0:26:23 > 0:26:27so it seems you can live with the slightly blurred memory of Akako, hence the indifference.

0:26:28 > 0:26:31I... I thought you'd done something clever.

0:26:31 > 0:26:34Ah, now, but now you've explained it, it's dead simple, innit?

0:26:34 > 0:26:36SHERLOCK INHALES DEEPLY

0:26:37 > 0:26:40I've withheld this information from you until now, Mr Kingsley,

0:26:40 > 0:26:42but I think it's time you knew the truth.

0:26:42 > 0:26:44What do you mean?

0:26:44 > 0:26:46Have you ever wondered if your wife was a little bit out of your league?

0:26:46 > 0:26:48- Well...- You thought she was having an affair.

0:26:48 > 0:26:51I'm afraid it's far worse than that - your wife is a spy.

0:26:51 > 0:26:54- What?- That's right. Her real name is Greta Bengsdotter.

0:26:54 > 0:26:56Swedish by birth and probably the most dangerous spy in the world.

0:26:56 > 0:26:59She's been operating deep undercover for the past four years now

0:26:59 > 0:27:02as your wife, for one reason only, to get near the American Embassy,

0:27:02 > 0:27:03across the road from your flat.

0:27:03 > 0:27:05Tomorrow the US President will be at the embassy,

0:27:05 > 0:27:07as part of an official state visit.

0:27:07 > 0:27:09As the President greets members of staff, Greta Bengsdotter,

0:27:09 > 0:27:12disguised as a 22-stone cleaner, will inject the President

0:27:12 > 0:27:14in the back of the neck with a dangerous new drug,

0:27:14 > 0:27:16hidden inside a secret compartment inside her padded armpit.

0:27:16 > 0:27:19This drug will render the President entirely susceptible

0:27:19 > 0:27:22- to the will of that new master, none other than James Moriarty.- What?

0:27:22 > 0:27:24Moriarty will then use the President as a pawn

0:27:24 > 0:27:26to destabilise the United Nations General Assembly,

0:27:26 > 0:27:28which is due to vote on a nuclear non-proliferation treaty,

0:27:28 > 0:27:31tipping the balance in favour of a first-strike policy against Russia.

0:27:31 > 0:27:33This chain of events will then prove unstoppable,

0:27:33 > 0:27:35thus precipitating World War III.

0:27:35 > 0:27:37- Are you serious?- No, of course not.

0:27:37 > 0:27:39His wife left him because his breath stinks

0:27:39 > 0:27:40and he likes to wear her lingerie.

0:27:40 > 0:27:42I don't!

0:27:42 > 0:27:44- Just the bras.- Get out.

0:27:46 > 0:27:49So, what's this all about, then?

0:27:50 > 0:27:52- Having fun.- Fun? - While I can.- Mm-hmm.

0:27:52 > 0:27:54KNOCK AT DOOR

0:27:54 > 0:27:56- Uh, Sherlock... - Borgia Pearl. Boring. Go!

0:27:56 > 0:27:57- But...- Go!

0:27:59 > 0:28:01- This had better be good. - Oh, I think you'll like it.

0:28:04 > 0:28:06That is the bust, isn't it? The one that was broken.

0:28:06 > 0:28:08No, it's another one - different owner.

0:28:08 > 0:28:10Different part of town.

0:28:10 > 0:28:12You were right - this is a thing. Something's going on.

0:28:15 > 0:28:17What's wrong? I thought you'd be pleased.

0:28:17 > 0:28:19- I am pleased. - You don't look pleased.

0:28:19 > 0:28:21This is my game face.

0:28:22 > 0:28:24And the game is on.

0:28:25 > 0:28:27Another two have been smashed since the Welsborough one.

0:28:27 > 0:28:30- One belonging to Mr Mohandes Hassan. - Identical busts?

0:28:30 > 0:28:32Yeah, and this one to a Dr Barnicot in Holborn.

0:28:32 > 0:28:35Three in total. God knows who'd want to do something like this.

0:28:35 > 0:28:38Yeah, but some people have that complex, don't they? An idee fixe.

0:28:38 > 0:28:40They obsess over one thing and they can't let it go.

0:28:40 > 0:28:42No, no good.

0:28:42 > 0:28:44There were other images of Margaret... Margaret...?

0:28:44 > 0:28:45You know who she is.

0:28:45 > 0:28:47..Thatcher, present at the first break-in.

0:28:47 > 0:28:50Why would a monomaniac fixate on just one? Ooh!

0:28:50 > 0:28:51- What?- Blood.

0:28:52 > 0:28:54Quite a bit of it, too.

0:28:55 > 0:28:57Was there any injury at the crime scene?

0:28:57 > 0:28:58Nah.

0:28:58 > 0:29:01Then our suspect must have cut themselves breaking the bust.

0:29:01 > 0:29:03- Come on.- Holborn?- Lambeth!

0:29:03 > 0:29:05- Lambeth? Why?- To see Toby.

0:29:05 > 0:29:07Ah, right. Who?

0:29:07 > 0:29:08- You'll see. - Right, are you coming?

0:29:08 > 0:29:11No, he's got a lunch date with a brunette forensic officer

0:29:11 > 0:29:12that he doesn't want to be late for.

0:29:12 > 0:29:14- Who told you? - The right sleeve of your jacket,

0:29:14 > 0:29:16plus the formaldehyde mixed with your cologne

0:29:16 > 0:29:18and your complete inability to stop looking at your watch.

0:29:18 > 0:29:20- Have a good time.- I will.

0:29:20 > 0:29:22Trust me, though, she's not right for you.

0:29:22 > 0:29:25- What?- She's not the one.

0:29:25 > 0:29:27Well, thank you, Mystic Meg.

0:29:27 > 0:29:28How do you work all that out?

0:29:28 > 0:29:31She's got three children in Rio that he doesn't know about.

0:29:31 > 0:29:33- Are you just making this up? - Possibly.- Who's Toby?

0:29:33 > 0:29:35There's a kid I know, hacker, brilliant hacker,

0:29:35 > 0:29:37one of the world's best.

0:29:37 > 0:29:38Got himself into serious trouble

0:29:38 > 0:29:40with the Americans a couple of years ago.

0:29:40 > 0:29:42He hacked into the Pentagon security system,

0:29:42 > 0:29:44and I managed to get him off the charge.

0:29:44 > 0:29:46Therefore he owes me a favour.

0:29:46 > 0:29:49- So, how does that help us? - What?- Toby the hacker?

0:29:49 > 0:29:51- Toby's not the hacker.- What?

0:29:52 > 0:29:54- All right, Craig? - All right, Sherlock?

0:29:54 > 0:29:56Craig's got a dog.

0:29:56 > 0:29:58So I see.

0:29:58 > 0:29:59Good boy!

0:29:59 > 0:30:01Hiya!

0:30:01 > 0:30:03Mary? What are you...?

0:30:03 > 0:30:05No, we, we agreed we would never bring Rosie out on a case.

0:30:05 > 0:30:08No, exactly. So...don't wait up.

0:30:08 > 0:30:10- Hey, Sherlock.- Hey. - Mary, what are you doing here?

0:30:10 > 0:30:13- She's better at this than you. - Better?- So I texted her.

0:30:13 > 0:30:15Hang on, Mary's better than me?

0:30:15 > 0:30:18Well, she is a retired super-agent with a terrifying skill-set.

0:30:18 > 0:30:21- Of course she's better. - Yeah, OK.- Nothing personal.

0:30:21 > 0:30:23What, so I'm supposed to just go home now, am I?

0:30:23 > 0:30:25What do you think, Sherlock? Shall we take him with us?

0:30:25 > 0:30:27- John or the dog? - Ha-ha, that's funny!- John.

0:30:27 > 0:30:28- Well...- He's handy and loyal.

0:30:28 > 0:30:31- That's hilarious.- Hmm. - Is it too early for a divorce?

0:30:31 > 0:30:34- Oh.- Barnicot's house, then. Anyone up for a trudge?

0:30:34 > 0:30:37Keep up, he's fast.

0:30:37 > 0:30:39- He's not moving.- He's thinking.

0:30:42 > 0:30:44He's really not moving.

0:30:44 > 0:30:46Slow but sure, John, not dissimilar to yourself.

0:30:48 > 0:30:50You just like this dog, don't you?

0:30:50 > 0:30:52- Well, I like you. - He's still not moving.

0:30:55 > 0:30:57- Fascinating.- Oh!

0:30:58 > 0:30:59SHE CLEARS HER THROAT

0:31:18 > 0:31:19Well, what do you make of it?

0:31:19 > 0:31:22- They were looking for something. - Yes, but it wasn't a burglar,

0:31:22 > 0:31:25they came specifically for that Thatcher bust. Why?

0:31:42 > 0:31:44DOG SNIFFS

0:31:50 > 0:31:52DOG WHINES

0:31:52 > 0:31:53Clever.

0:31:53 > 0:31:56Well, if you were wounded and you knew you were leaving a trail,

0:31:56 > 0:31:58- where would you go? - Like hiding a tree in a forest.

0:31:58 > 0:32:00Or blood in a butcher's.

0:32:00 > 0:32:03Never mind, Toby, better luck next time, hmm?

0:32:03 > 0:32:05This is it, though. This is the one, I can feel it.

0:32:05 > 0:32:06Not Moriarty?

0:32:06 > 0:32:10It has to be him. It's too bizarre, it's too baroque.

0:32:10 > 0:32:13It's designed to beguile me, tease me and lure me in.

0:32:13 > 0:32:16At last, a noose for me to put my neck into.

0:32:35 > 0:32:38You should have seen the state of the front room.

0:32:38 > 0:32:42- It was like The Exorcist.- Huh. Was Rosie's head spinning round?

0:32:42 > 0:32:46- No. Just the projectile vomiting. - Nice!- Hmm.

0:32:48 > 0:32:51Now, you think we'd have noticed, when she was born.

0:32:51 > 0:32:56- Hmm? Noticed what? - The little 666 on her forehead.

0:32:56 > 0:32:57Hmm, that's The Omen.

0:32:59 > 0:33:02- So?- Well, you said it was like The Exorcist.

0:33:02 > 0:33:03They're two different things.

0:33:03 > 0:33:05She can't be the devil and the Antichrist.

0:33:05 > 0:33:09BABY CRIES

0:33:09 > 0:33:10Yeah, can't she?

0:33:12 > 0:33:16I'm coming, darling. Mummy's coming.

0:33:16 > 0:33:18- LOVINGLY:- Oh, what are you doing?

0:33:20 > 0:33:23What are you doing? Come here.

0:33:23 > 0:33:27Have you heard of that thing? In Germany?

0:33:28 > 0:33:30You're going to have to be more specific, Craig.

0:33:30 > 0:33:34Ostalgie. People who missed the old days under the communists.

0:33:34 > 0:33:36- People are weird, aren't they?- Hmm.

0:33:36 > 0:33:40According to this, there's quite a market for Cold War memorabilia.

0:33:40 > 0:33:44Thatcher, Reagan, Stalin. Time's a great leveller, innit?

0:33:44 > 0:33:46Thatcher's like, I dunno, Napoleon now.

0:33:46 > 0:33:49Yes, fascinating. Irrelevant. Where exactly did they come from?

0:33:49 > 0:33:52I've got into the records of the suppliers - Gelder and Co.

0:33:52 > 0:33:54Seems they're from Georgia.

0:33:54 > 0:33:55Where exactly?

0:33:55 > 0:34:00Tbilisi. Batch of six. One to Welsborough. One to Hassan.

0:34:00 > 0:34:01One to Dr Barnicot.

0:34:01 > 0:34:03Two to Miss Orrie Harker.

0:34:03 > 0:34:06One to a Mr Jack Sandeford of Reading.

0:34:06 > 0:34:07Lestrade? Another one?

0:34:07 > 0:34:10- 'Yeah.'- Harker or Sandeford?

0:34:10 > 0:34:13Harker. And it's murder this time.

0:34:13 > 0:34:15Hmm, that perks things up a bit.

0:34:25 > 0:34:29Defensive wounds on her face and hands, throat cut. Sharp blade.

0:34:29 > 0:34:31The same thing inside the house? The bust?

0:34:31 > 0:34:33- Two of them this time.- Interesting.

0:34:33 > 0:34:35That batch of statues was made in Tbilisi several years ago.

0:34:35 > 0:34:38- Limited edition of six. - And now someone's wandering about

0:34:38 > 0:34:40destroying them all. Makes no sense. What's the point?

0:34:40 > 0:34:43No, they're not destroying them, that's not what's happening.

0:34:43 > 0:34:45- Yes, it is.- Well, it is, but it's not the point.

0:34:45 > 0:34:46I've been slow, far too slow.

0:34:46 > 0:34:49Well, I'm still being slow over here, so if you wouldn't mind...

0:34:49 > 0:34:50Slow but lucky, very lucky.

0:34:50 > 0:34:54And since they smashed both busts, our luck might just hold.

0:34:54 > 0:34:56Jack Sandeford of Reading is where I'm going next.

0:34:56 > 0:34:58Congratulations, by the way.

0:34:58 > 0:35:01- I'm sorry?- Well, you're about to solve a big one.

0:35:01 > 0:35:05- Yeah, until John publishes his blog. - Yeah, until then, basically.

0:35:14 > 0:35:17WATER SPLASHING

0:35:22 > 0:35:24That's enough now, love.

0:35:27 > 0:35:29Daddy has things to do, I'm afraid.

0:35:30 > 0:35:33And you need to get to bed. Come on.

0:36:05 > 0:36:06Wouldn't it be much simpler

0:36:06 > 0:36:09to take out your grievances at the polling station?

0:36:27 > 0:36:31You were on the run. Nowhere to hide your precious cargo.

0:36:34 > 0:36:36You find yourself in a workshop,

0:36:36 > 0:36:39plaster busts of the Iron Lady drying, it's clever.

0:36:39 > 0:36:40Very clever.

0:36:40 > 0:36:43But now you've met me and you're not so clever, are you?

0:36:43 > 0:36:44Who are you?

0:36:44 > 0:36:45My name is Sherlock Holmes.

0:36:47 > 0:36:48Goodbye, Sherlock Holmes.

0:37:01 > 0:37:03Argh!

0:38:14 > 0:38:15You're out of time.

0:38:15 > 0:38:18- Tell me about your boss, Moriarty. - Who?

0:38:18 > 0:38:21I know it's him. It must be him.

0:38:21 > 0:38:23You think you understand.

0:38:23 > 0:38:25You understand nothing.

0:38:25 > 0:38:28Well, before the police come in and spoil things,

0:38:28 > 0:38:30why don't we just enjoy the moment?

0:38:30 > 0:38:33Let me present Interpol's number one case.

0:38:33 > 0:38:35Too tough for them, too boring for me.

0:38:35 > 0:38:39The Black Pearl of the Borgias!

0:38:47 > 0:38:49It's not possible!

0:38:50 > 0:38:51How could she...?!

0:38:56 > 0:38:58Everything about who I was is on there.

0:38:58 > 0:39:01The problems of your past are your business.

0:39:01 > 0:39:03The problems of your future...

0:39:05 > 0:39:06..are my privilege.

0:39:13 > 0:39:14I don't understand.

0:39:15 > 0:39:18She... She destroyed it.

0:39:18 > 0:39:19She?

0:39:23 > 0:39:26You know her! You do, don't you?

0:39:26 > 0:39:28You know the bitch?!

0:39:29 > 0:39:31She betrayed me.

0:39:32 > 0:39:34- Betrayed us all.- Mary.

0:39:35 > 0:39:36This is about Mary?

0:39:36 > 0:39:39Is that what she's calling herself now, eh?

0:39:39 > 0:39:41- 'Armed police, you're surrounded!' - Give it to me.

0:39:43 > 0:39:45- YELLS:- Give it to me!

0:39:45 > 0:39:47'Come out slowly, I want to see your hands above your head.'

0:39:47 > 0:39:50Nobody shoots me! Anyone shoots, I kill this man.

0:39:50 > 0:39:53'Lay down your weapon. Do it now!'

0:39:53 > 0:39:55I'm leaving this place.

0:39:55 > 0:39:57If no-one follows me, no-one dies.

0:39:57 > 0:39:59'Lay down your weapon.'

0:39:59 > 0:40:02You are a policeman, I'm a professional.

0:40:03 > 0:40:06Tell her she's a dead woman.

0:40:06 > 0:40:08She's a dead woman walking.

0:40:08 > 0:40:12She's my friend. And she's under my protection.

0:40:12 > 0:40:13Who are you?

0:40:15 > 0:40:19I'm the man who's going to kill your friend.

0:40:21 > 0:40:22Who's Sherlock Holmes?

0:40:23 > 0:40:25Not a policeman.

0:40:27 > 0:40:29ALARM BLARES

0:40:50 > 0:40:52What do you think? Mate in two?

0:40:54 > 0:40:57Don't antagonise them, darling.

0:40:57 > 0:41:00Oh, what else is there to do? Chess palls after three months.

0:41:00 > 0:41:02Everything palls.

0:41:02 > 0:41:04They'll send someone soon.

0:41:04 > 0:41:07They? Who are THEY?

0:41:07 > 0:41:10Seems to me we put an awful lot of faith in THEY.

0:41:10 > 0:41:12Well, I've got something THEY would dearly love,

0:41:12 > 0:41:13if only we could get out of here.

0:41:15 > 0:41:16I've got Ammo.

0:41:16 > 0:41:18Ammo?

0:41:40 > 0:41:44- MARY:- Madame Ambassador. - What took you so long?

0:41:44 > 0:41:46- Can't get the staff. - Everyone out, now!

0:41:50 > 0:41:52Veer left!

0:41:54 > 0:41:56SCREAMING

0:42:01 > 0:42:02HE LAUGHS

0:42:04 > 0:42:06What now? What do we do?

0:42:10 > 0:42:11We die.

0:42:24 > 0:42:26Well?

0:42:26 > 0:42:29He can't have got far. We'll have him in a bit.

0:42:29 > 0:42:31- I very much doubt it.- Why?

0:42:31 > 0:42:34Because I think he used to work with Mary.

0:43:02 > 0:43:03GUNFIRE

0:43:03 > 0:43:06SHOUTING IN OTHER LANGUAGE

0:43:35 > 0:43:38Ammo. Ammo. Ammo.

0:43:42 > 0:43:46Ammo. Ammo. Ammo.

0:43:51 > 0:43:54Passed out again. It's no fun when they pass out!

0:43:54 > 0:43:56We'll come back later.

0:43:56 > 0:44:00What would he do if he knew, huh? About the English woman?

0:44:00 > 0:44:02What would you do to a traitor?

0:44:03 > 0:44:06Maybe we'll tell him one day. If he lives that long.

0:44:06 > 0:44:08HE CHUCKLES

0:45:22 > 0:45:25I am an idiot, I know nothing.

0:45:26 > 0:45:28Well, I've been telling you that for ages.

0:45:28 > 0:45:30That was quite a text you sent me.

0:45:32 > 0:45:34What's going on, Sherlock?

0:45:34 > 0:45:35I was so convinced it was Moriarty,

0:45:35 > 0:45:38I couldn't see what was right under my nose.

0:45:38 > 0:45:39Expected a pearl.

0:45:45 > 0:45:47Oh, my God, that's a...

0:45:47 > 0:45:50Yes, it's an AGRA. memory stick, like you gave John,

0:45:50 > 0:45:52except this one belongs to someone else. Who?

0:45:52 > 0:45:55I don't know. We... We all had one but the others were...

0:45:55 > 0:45:57Haven't you even looked at it yet?

0:45:57 > 0:46:00- I glanced at it but I prefer to hear it from you.- Why?

0:46:01 > 0:46:04Because I'll know the truth when I hear it.

0:46:11 > 0:46:14There were four of us, agents.

0:46:14 > 0:46:15Not just agents.

0:46:15 > 0:46:18Polite term.

0:46:18 > 0:46:21Alex. Gabriel.

0:46:21 > 0:46:23Me. And Ajay.

0:46:25 > 0:46:29There was absolute trust between us. The memory sticks guaranteed it.

0:46:29 > 0:46:31We all had one.

0:46:31 > 0:46:34Each containing aliases, our background, everything.

0:46:34 > 0:46:36We could never be betrayed,

0:46:36 > 0:46:39because we had everything we needed to destroy the other.

0:46:39 > 0:46:41- Who employed you? - Anyone who paid well.

0:46:41 > 0:46:44I mean, we were at the top of our game for years.

0:46:44 > 0:46:47And then it all ended.

0:46:47 > 0:46:49There was a coup in Georgia.

0:46:49 > 0:46:52The British Embassy in Tbilisi was taken over, lots of hostages.

0:46:52 > 0:46:54We got the call to go in, get them out.

0:46:54 > 0:46:57There was a change of plan, a last-minute adjustment.

0:46:57 > 0:47:01- Who from?- I don't know, just another voice on the phone.

0:47:01 > 0:47:03And a codeword.

0:47:04 > 0:47:06- Ammo.- Ammo?

0:47:06 > 0:47:09Like ammunition.

0:47:09 > 0:47:11We went in, but then something went wrong.

0:47:12 > 0:47:14Something went really wrong.

0:47:17 > 0:47:20GUNFIRE, SCREAMING

0:47:28 > 0:47:30That was six years ago.

0:47:30 > 0:47:32It feels like forever.

0:47:32 > 0:47:35I was the only one that made it out.

0:47:35 > 0:47:36No.

0:47:36 > 0:47:37What?

0:47:37 > 0:47:39I met someone tonight.

0:47:41 > 0:47:44Same someone who's looking for the sixth Thatcher.

0:47:51 > 0:47:54Oh, my God, that's Ajay, that's him. What, he's alive?

0:47:54 > 0:47:55Yeah, very much so.

0:47:57 > 0:47:59I don't believe it, this is amazing! I thought I was the only one,

0:47:59 > 0:48:01I thought I was the only one who got out.

0:48:01 > 0:48:02Where is he? I need to see him, now!

0:48:02 > 0:48:06Before you gave it to John, did you keep your memory stick safe?

0:48:06 > 0:48:09Yeah, of course. It was our insurance.

0:48:09 > 0:48:11Above all, they mustn't fall into enemy hands.

0:48:11 > 0:48:13So Ajay survived as well.

0:48:13 > 0:48:16And now he's looking for the memory stick he managed to hide,

0:48:16 > 0:48:19with all of AGRA's old aliases on it, but why?

0:48:19 > 0:48:21I don't know.

0:48:21 > 0:48:23Tbilisi was six years ago, where's he been?

0:48:28 > 0:48:31Mary, I'm sorry to tell you this, but he wants you dead.

0:48:31 > 0:48:33SHE LAUGHS

0:48:33 > 0:48:37Sorry, no, no, because we...we were family.

0:48:37 > 0:48:38Families fall out.

0:48:39 > 0:48:42The memory stick is the easiest way to track you down.

0:48:42 > 0:48:45You're the only other survivor, it must be you that he wants,

0:48:45 > 0:48:48and he's already killed looking for the Thatcher bust.

0:48:48 > 0:48:49Well, he's just trying to find me.

0:48:49 > 0:48:51He survived, that's all that matters!

0:48:51 > 0:48:52I heard it from his own mouth.

0:48:52 > 0:48:55"Tell her she's a dead woman walking."

0:48:58 > 0:49:00Why would he want to kill me?

0:49:01 > 0:49:04- He said you betrayed him. - Oh, no, no, that's insane.

0:49:06 > 0:49:07Well, it's what he believes.

0:49:11 > 0:49:12SHE GASPS

0:49:14 > 0:49:17I suppose I was always afraid this might happen.

0:49:17 > 0:49:20That something in my past would come back to haunt me one day.

0:49:20 > 0:49:23Yes, well, he's a very tangible ghost.

0:49:23 > 0:49:26God, I just wanted a bit of peace, and I really thought I had it.

0:49:26 > 0:49:27No, Mary...

0:49:28 > 0:49:29You do.

0:49:31 > 0:49:32I made a vow, remember?

0:49:34 > 0:49:36To look after the three of you.

0:49:37 > 0:49:39Sherlock, the dragon-slayer.

0:49:40 > 0:49:43Stay close to me and I will keep you safe from him, I promise you.

0:49:46 > 0:49:48There's something I think you should read.

0:49:48 > 0:49:50What is it?

0:49:50 > 0:49:52I hoped I wouldn't have to do this.

0:49:56 > 0:49:57What are you...?

0:49:59 > 0:50:01HE SNIFFS

0:50:01 > 0:50:02- Mary...- There you go.- Oh, no!

0:50:02 > 0:50:06It's all right. It's for the best, believe me.

0:50:08 > 0:50:09No.

0:50:11 > 0:50:14You just look after them till I get back. I'm sorry.

0:50:15 > 0:50:16I'm so sorry.

0:50:17 > 0:50:21CHILD SINGS

0:50:33 > 0:50:35HE GROANS

0:50:47 > 0:50:48Agra?

0:50:48 > 0:50:50A city on the banks of the river Yamuna

0:50:50 > 0:50:52in the northern state of Uttar Pradesh, India.

0:50:52 > 0:50:56It is 378km west of the state capital, Lucknow.

0:50:56 > 0:50:57What are you, Wikipedia?

0:50:57 > 0:50:59- Yes.- AGRA is an acronym.

0:50:59 > 0:51:01Oh, good, I love an acronym.

0:51:01 > 0:51:03All the best secret societies have them.

0:51:03 > 0:51:06Team of agents, the best. But you know all that.

0:51:06 > 0:51:08Of course I do. Go on.

0:51:08 > 0:51:11One of them, Ajay, is looking for Mary, also one of the team.

0:51:11 > 0:51:13Indeed? Well, that's news to me.

0:51:13 > 0:51:17Is it? He's already killed looking for that memory stick.

0:51:17 > 0:51:19AGRA always worked for the highest bidder,

0:51:19 > 0:51:20I thought that might include you?

0:51:20 > 0:51:22- Me?- Well, I mean the British government,

0:51:22 > 0:51:24or whatever government you're currently propping up.

0:51:24 > 0:51:28AGRA were very reliable. Then came the Tbilisi incident.

0:51:28 > 0:51:30They were sent in to free the hostages

0:51:30 > 0:51:33but it all went horribly wrong.

0:51:33 > 0:51:35And that was that, we stopped using freelancers.

0:51:35 > 0:51:37- Your initiative?- My initiative.

0:51:37 > 0:51:41Freelancers are too woolly, too messy.

0:51:41 > 0:51:44I don't like loose ends. Not on my watch.

0:51:47 > 0:51:50There was something else. A detail.

0:51:51 > 0:51:52A codeword.

0:51:54 > 0:51:56Ammo?

0:51:56 > 0:51:57It's all I've got.

0:51:57 > 0:51:58Little enough.

0:51:58 > 0:52:00Could you do some digging as a favour?

0:52:00 > 0:52:03You don't have many favours left.

0:52:03 > 0:52:05Then I'm calling them all in.

0:52:05 > 0:52:08And if you can find who's after her and neutralise them, what then?

0:52:08 > 0:52:10You think you can go on saving her forever?

0:52:10 > 0:52:11Of course.

0:52:11 > 0:52:13Is that sentiment talking?

0:52:13 > 0:52:15No, it's me.

0:52:16 > 0:52:18Difficult to tell the difference these days.

0:52:18 > 0:52:21Told you, I made a promise. A vow.

0:52:21 > 0:52:23All right. I'll see what I can do.

0:52:25 > 0:52:27But remember this, brother mine,

0:52:27 > 0:52:30agents like Mary tend not to reach retirement age.

0:52:30 > 0:52:35They get retired in a pretty permanent sort of way.

0:52:37 > 0:52:39Not on my watch.

0:52:39 > 0:52:41- MARY:- 'My darling, I need to tell you this

0:52:41 > 0:52:45'because you mustn't hate me for going away.'

0:52:45 > 0:52:48- NEW YORK ACCENT:- Pardon me, I can hear a squeaking.

0:52:48 > 0:52:51- Can you hear a squeaking?- No.

0:52:51 > 0:52:54Only I watched a documentary on the Discovery Channel -

0:52:54 > 0:52:56Why Planes Fail.

0:52:56 > 0:52:58- Did you see it?- Can't say I did. - Oh, truly terrifying.

0:52:58 > 0:53:02Swore I would never fly again, yet hear I am! Ha.

0:53:02 > 0:53:03Everything OK, madam?

0:53:03 > 0:53:06No. No, no, it's not, but then what's the use in complaining?

0:53:06 > 0:53:10I hear a squeaking. Probably the wing will come off is all.

0:53:10 > 0:53:13Everything's fine, I promise you. Just relax.

0:53:13 > 0:53:15Oh, OK. Relax.

0:53:15 > 0:53:18- She said relax. - SHE CHUCKLES

0:53:18 > 0:53:20Did you have a nice time in London?

0:53:20 > 0:53:24It was OK, I guess. But did somebody hide the sun?

0:53:24 > 0:53:27- Did you lose it in the war? - SHE LAUGHS

0:53:31 > 0:53:34'I gave myself permission to have an ordinary life.

0:53:36 > 0:53:38'I'm not running, I promise you that,

0:53:38 > 0:53:41'I just need to do this in my own way.'

0:53:41 > 0:53:44Oh, God! I'm... I-I don't feel so good.

0:53:44 > 0:53:45Oh, my God!

0:53:45 > 0:53:48FLIGHT ATTENDANT BUTTON BEEPS

0:53:51 > 0:53:53- Everything OK, madam? - I think I'm dying.

0:53:53 > 0:53:56I don't feel so good.

0:53:56 > 0:53:57You're all right.

0:53:57 > 0:54:00Oh, you're sweet. You have a very kind face.

0:54:00 > 0:54:02God will smile on you.

0:54:05 > 0:54:08'But I don't want you and Sherlock hanging off my gun arm,

0:54:08 > 0:54:10'I'm sorry, my love.'

0:54:22 > 0:54:25'I know you'll try to find me but there is no point.

0:54:26 > 0:54:30'Every move is random and not even Sherlock Holmes can anticipate

0:54:30 > 0:54:31'the roll of a dice.

0:54:36 > 0:54:40'I need to move the target far, far away from you

0:54:40 > 0:54:43'and Rosie, and then I'll come back, my darling.

0:54:44 > 0:54:46'I swear I will.'

0:56:19 > 0:56:21LAUGHTER

0:56:23 > 0:56:25Not like this one.

0:56:25 > 0:56:28You haven't got a chance, not a chance.

0:56:29 > 0:56:32I've got you where I want you. Give in, give in!

0:56:32 > 0:56:37I will destroy you. You're completely at my mercy.

0:56:37 > 0:56:39Mr Baker. Well, that completes the set.

0:56:39 > 0:56:41- No, it does not. - Well, who else am I missing?

0:56:41 > 0:56:43Master Bun, it's not a set without him.

0:56:43 > 0:56:45How many more times, Mr Sherlock?

0:56:45 > 0:56:48Hmm, maybe it's because I'm not familiar with the concept.

0:56:48 > 0:56:49Oh, hi, Mary.

0:56:49 > 0:56:50What concept?

0:56:50 > 0:56:53Happy families. Nice trip?

0:56:53 > 0:56:57- How the f...?- Please, Mary, there is a child present.

0:56:57 > 0:56:59- How did you get in here? - Karim let me in.

0:56:59 > 0:57:01Hello.

0:57:01 > 0:57:03Karim, would you be so kind as to fetch us some tea?

0:57:03 > 0:57:05- Sure.- Thank you.

0:57:05 > 0:57:07Nice to meet you, missus.

0:57:10 > 0:57:13No, I mean how did you find me?

0:57:13 > 0:57:15I'm Sherlock Holmes.

0:57:15 > 0:57:16No, really, though, how?

0:57:16 > 0:57:18Every movement I made was entirely random,

0:57:18 > 0:57:22every new personality just on the roll of a dice!

0:57:22 > 0:57:23Mary, no human action is ever truly random.

0:57:23 > 0:57:26An advanced grasp of the mathematics of probability,

0:57:26 > 0:57:28mapped onto a thorough apprehension of human psychology and the

0:57:28 > 0:57:30known dispositions of any given individual,

0:57:30 > 0:57:32can reduce the number of variables considerably.

0:57:32 > 0:57:34I myself know of at least 58 techniques to refine

0:57:34 > 0:57:37a seemingly infinite array of randomly generated possibilities

0:57:37 > 0:57:40down to the smallest number of feasible variables.

0:57:41 > 0:57:42But they're really difficult,

0:57:42 > 0:57:45so instead I just stuck a tracer on the inside of the memory stick.

0:57:45 > 0:57:47HE CHUCKLES

0:57:47 > 0:57:49- JOKINGLY:- Oh, you bastard!

0:57:49 > 0:57:52- ANGRILY:- You bastard! - I know, but your face!

0:57:52 > 0:57:54"The mathematics of probability"?

0:57:54 > 0:57:56- You believed that. - "Feasible variables"?

0:57:56 > 0:57:58Yes, I started to run out about then.

0:57:58 > 0:58:00In the memory stick!

0:58:00 > 0:58:01Yeah, that was my idea.

0:58:12 > 0:58:14- AGRA?- Yes.

0:58:14 > 0:58:16Uh-huh. You said it was your initials.

0:58:19 > 0:58:20In a way that was true.

0:58:20 > 0:58:24In a way? So many lies.

0:58:26 > 0:58:27I'm so sorry.

0:58:27 > 0:58:29And I don't just mean you.

0:58:29 > 0:58:31What?

0:58:31 > 0:58:34Alex, Gabriel, Ajay...

0:58:34 > 0:58:37You're R?

0:58:40 > 0:58:41Rosamund?

0:58:42 > 0:58:44Rosamund Mary.

0:58:46 > 0:58:47I always liked Mary.

0:58:48 > 0:58:50Yeah, me too.

0:58:52 > 0:58:53I used to.

0:58:55 > 0:58:57I just... I didn't know what else to do.

0:58:57 > 0:58:59You could have stayed, you could have talked to me.

0:58:59 > 0:59:02That's what couples are supposed to do. Work things through.

0:59:04 > 0:59:06Yes.

0:59:07 > 0:59:09Yes, of course.

0:59:09 > 0:59:11Mary, I may not be a very good man...

0:59:12 > 0:59:15..but I think I'm a bit better than you give me credit for,

0:59:15 > 0:59:16- most of the time.- All the time.

0:59:18 > 0:59:20You're always a good man, John, I've never doubted that.

0:59:20 > 0:59:22You never judge, you never complain.

0:59:22 > 0:59:24I don't deserve you, I...

0:59:27 > 0:59:31All I ever wanted to do was keep you and Rosie safe, that's all.

0:59:35 > 0:59:36I will keep you safe.

0:59:40 > 0:59:42But it has to be in London.

0:59:42 > 0:59:43It's my city, I know the turf.

0:59:46 > 0:59:49Come home and everything will be all right, I promise you.

0:59:50 > 0:59:51Get down!

0:59:51 > 0:59:53RAPID GUNFIRE

0:59:59 > 1:00:00Hello again.

1:00:00 > 1:00:02- Ajay?- Oh, you remember me, I'm touched.

1:00:02 > 1:00:05Look, I thought you were dead, believe me, I did.

1:00:05 > 1:00:08I've been looking forward to this for longer than you can imagine.

1:00:08 > 1:00:11I swear to you, I thought you were dead.

1:00:11 > 1:00:14I thought I was the only one who got out.

1:00:14 > 1:00:16How did you find us?

1:00:16 > 1:00:19By following you, Sherlock Holmes. I mean, you're clever.

1:00:19 > 1:00:23You found her but I found you. So perhaps not so clever.

1:00:23 > 1:00:26And now here we are. At last.

1:00:29 > 1:00:31- HE CHUCKLES - Touche!

1:00:31 > 1:00:35Listen, whatever you think you know, we can talk about this,

1:00:35 > 1:00:36we can work it out.

1:00:36 > 1:00:37She thought I was dead.

1:00:38 > 1:00:40I might as well have been.

1:00:40 > 1:00:43It was always just the four of us, always, remember?

1:00:43 > 1:00:44Oh, yeah.

1:00:44 > 1:00:46So why do you want to kill me?

1:00:46 > 1:00:49Do you know how long they kept me prisoner? What they did to me?

1:00:50 > 1:00:52They tortured Alex to death.

1:00:53 > 1:00:56I can still hear the sound of his back breaking. But you?

1:00:56 > 1:00:57You, where were you?

1:00:57 > 1:00:59That day at the embassy, I escaped.

1:00:59 > 1:01:00Ha!

1:01:00 > 1:01:04But I lost sight of you too, so you explain. Where were you?

1:01:04 > 1:01:07Oh, I got out. For a while.

1:01:07 > 1:01:09Long enough to hide my memory stick.

1:01:09 > 1:01:11I didn't want that to fall into their hands.

1:01:11 > 1:01:14- I- was loyal, you see.

1:01:14 > 1:01:15Loyal to my friends.

1:01:16 > 1:01:20But they took me, tortured me. Not for information.

1:01:22 > 1:01:24Not for anything except fun.

1:01:26 > 1:01:29They thought I'd give in, die,

1:01:29 > 1:01:30but I didn't, I lived.

1:01:32 > 1:01:35And eventually, they forgot about me rotting in a cell somewhere.

1:01:35 > 1:01:37Six years they kept me there.

1:01:38 > 1:01:40Until one day I saw my chance.

1:01:41 > 1:01:43Oh, and I made them pay.

1:01:43 > 1:01:47You know, all the time I was there, I just kept picking up things.

1:01:47 > 1:01:51Little whispers. Laughter. Gossip.

1:01:51 > 1:01:54How the clever agents had been betrayed.

1:01:54 > 1:01:55Brought down by you!

1:01:55 > 1:01:58- Me? - TRAIN WHISTLES

1:02:06 > 1:02:09You know I'll kill you too. You know I will, Ajay.

1:02:10 > 1:02:12What, you think I care if I die?

1:02:12 > 1:02:14I've dreamed of killing you...

1:02:15 > 1:02:18..every night for six years.

1:02:18 > 1:02:22Of squeezing the life out of your treacherous, lying throat.

1:02:22 > 1:02:24I swear to you, Ajay.

1:02:24 > 1:02:26What did you hear, Ajay?

1:02:26 > 1:02:29When you were a prisoner, what EXACTLY did you hear?

1:02:32 > 1:02:33What did I hear?

1:02:34 > 1:02:35Ammo.

1:02:37 > 1:02:40Every day as they tore into me, "Ammo.

1:02:40 > 1:02:43"Ammo.

1:02:43 > 1:02:45"Ammo. Ammo."

1:02:46 > 1:02:48We were betrayed!

1:02:48 > 1:02:51- And they said it was her? - That you betrayed us!

1:02:51 > 1:02:52They said her name?

1:02:52 > 1:02:54Yeah, they said it was the English woman.

1:02:54 > 1:02:57No! No!

1:03:05 > 1:03:07'The English woman, that's all he heard.

1:03:07 > 1:03:09'Naturally, he assumed it was Mary.'

1:03:09 > 1:03:11Couldn't this wait until you're back?

1:03:11 > 1:03:12No, it's not over.

1:03:12 > 1:03:14Ajay said that they'd been betrayed,

1:03:14 > 1:03:16the hostage-takers knew AGRA were coming.

1:03:16 > 1:03:18There was only a voice on the phone.

1:03:18 > 1:03:20'Remember? And a codeword.'

1:03:20 > 1:03:22"Ammo," yes, you said.

1:03:22 > 1:03:24How's your Latin, brother dear?

1:03:24 > 1:03:26My Latin?

1:03:26 > 1:03:28Amo, amas, amat.

1:03:29 > 1:03:32I love, you love, he loves. What...?

1:03:32 > 1:03:35Not "Ammo" as in ammunition, but "Amo", meaning?

1:03:39 > 1:03:41You'd better be right, Sherlock.

1:03:57 > 1:03:59Bloody thing!

1:04:01 > 1:04:03What's going on?

1:04:03 > 1:04:05I'm very sorry, Lady Smallwood,

1:04:05 > 1:04:08your security protocols have been temporarily rescinded.

1:04:08 > 1:04:09What?

1:04:20 > 1:04:23'So many lies. And I don't just mean you.'

1:04:49 > 1:04:52- Hello.- Ah, hello.

1:04:52 > 1:04:54- I like your daisy.- Thank you, yeah.

1:04:54 > 1:04:57- It's not really me, though, I think. - No?- No, no, it's too floral for me.

1:04:57 > 1:05:00I'm more of a "knackered with weary old eyes" kind of guy.

1:05:00 > 1:05:02Well, I think they're nice.

1:05:04 > 1:05:06Nice eyes.

1:05:06 > 1:05:08- HE LAUGHS - Thank you.- Look... Look...

1:05:08 > 1:05:10I don't normally do this,

1:05:10 > 1:05:11- but, um...- But you're going to.

1:05:11 > 1:05:13Yeah.

1:05:16 > 1:05:18- What's this?- This is me.

1:05:18 > 1:05:22- Thank you. Cheers.- Yeah. Great.

1:05:22 > 1:05:23- Bye!- Bye.

1:05:56 > 1:05:58HE CHUCKLES

1:06:23 > 1:06:26PHONE BEEPS

1:06:29 > 1:06:32Now, you think we'd have noticed, when she was born.

1:06:32 > 1:06:33Hmm? Noticed what?

1:06:34 > 1:06:36The little 666 on her forehead.

1:06:38 > 1:06:40Hmm, that's The Omen.

1:06:42 > 1:06:44- So?- Well, you said it was like The Exorcist.

1:06:44 > 1:06:45They're two different things.

1:06:45 > 1:06:48She can't be the devil and the Antichrist.

1:06:48 > 1:06:51BABY CRIES

1:06:51 > 1:06:53- Yeah, can't she?- Hmm.

1:06:54 > 1:06:56I'm coming darling. I'm coming.

1:06:56 > 1:06:58PHONE BEEPS

1:06:58 > 1:07:01Oh, what are you doing?

1:07:01 > 1:07:03What are you doing?

1:07:03 > 1:07:05Come here...

1:07:05 > 1:07:07It's OK.

1:07:10 > 1:07:13Do you want a cuddle?

1:07:13 > 1:07:15BABY CONTINUES TO WAIL

1:07:19 > 1:07:21I know.

1:07:25 > 1:07:26Oh, sweetheart.

1:07:31 > 1:07:35Ssh. Oh, you're not going to stop crying, are you?

1:07:36 > 1:07:39I know, shall we go and see Daddy?

1:07:39 > 1:07:40Oh, let's go and see Daddy!

1:07:41 > 1:07:44Daddy's here. It's OK, Rosie.

1:07:44 > 1:07:46I'll take her.

1:07:46 > 1:07:48- Yeah?- Yeah, I may as well get up now.

1:07:48 > 1:07:51Hey, baby, it's Daddy. Your daddy.

1:07:51 > 1:07:54Come here, Rose. Come here, darling, it's all right.

1:07:56 > 1:07:57Thank you.

1:08:47 > 1:08:50This is absolutely ridiculous and you know it.

1:08:50 > 1:08:51How many more times?

1:08:51 > 1:08:56Six years ago you held the brief for Foreign Operations, code name Love.

1:08:56 > 1:08:59And you're basing all this on a code name?

1:08:59 > 1:09:03On a whispered voice on the telephone? Come on, Mycroft.

1:09:03 > 1:09:05You were the conduit for AGRA.

1:09:05 > 1:09:08Every assignment, every detail they got from you.

1:09:08 > 1:09:10It was my job.

1:09:10 > 1:09:13Then there was the Tbilisi incident. AGRA went in.

1:09:13 > 1:09:14- Yes.- And they were betrayed.

1:09:14 > 1:09:15Not by me.

1:09:19 > 1:09:21Mycroft, we have known each other a long time.

1:09:23 > 1:09:24I promise you,

1:09:24 > 1:09:28I haven't the foggiest idea what all this is about.

1:09:28 > 1:09:32You wound up AGRA and all the other freelancers.

1:09:32 > 1:09:36I haven't done any of the things you're accusing me of.

1:09:36 > 1:09:37Not one.

1:09:40 > 1:09:42Not. One.

1:09:58 > 1:10:01Do you think she'll like bedtime stories? I'd like to do those.

1:10:01 > 1:10:02Yeah?

1:10:02 > 1:10:05Yeah. I just make a series of gurgling noises at the moment.

1:10:05 > 1:10:07Although she does seem to enjoy them.

1:10:07 > 1:10:09Well, I'll have to give that a go.

1:10:10 > 1:10:12Got a lot to catch up on.

1:10:28 > 1:10:32- AJAY:- 'You think you understand. You understand nothing.'

1:10:36 > 1:10:39- MYCROFT:- 'Code names Antarctica, Langdale, Porlock and Love.'

1:10:39 > 1:10:41- MARY:- 'You'd be amazed at what a receptionist picks up.

1:10:41 > 1:10:43'They know everything.'

1:10:43 > 1:10:45'They said it was the English woman.'

1:10:45 > 1:10:47'Don't minute any of this.'

1:10:47 > 1:10:49'They know everything.'

1:11:00 > 1:11:03- You don't make it easy, do you? - What do you mean?

1:11:04 > 1:11:07Well, being...being so perfect.

1:11:10 > 1:11:14Mary, I... I need to tell you...

1:11:14 > 1:11:17- PHONE BEEPS - Hang on.

1:11:17 > 1:11:18Can you tell me later?

1:11:20 > 1:11:22- Yeah.- Great.- Yeah.

1:11:23 > 1:11:24Well, no, we can't just go.

1:11:24 > 1:11:27- Rosie.- Yeah.- Er, you go.- No!

1:11:27 > 1:11:29I'll come as soon as I've found someone - Mrs Hudson.

1:11:29 > 1:11:31- Corfu till Saturday. Molly? - Er, yeah, I'll try.

1:11:31 > 1:11:32Well, we should both stay and wait for her.

1:11:32 > 1:11:34You know that's not going to happen.

1:11:34 > 1:11:36If there's more to this case, you need to see it.

1:11:36 > 1:11:37Yeah, OK, you win.

1:11:51 > 1:11:56'Ladies and gentlemen, the aquarium will be closing in five minutes.

1:11:56 > 1:11:59'Please make your way to the exit. Thank you.'

1:12:10 > 1:12:13Your office said I'd find you here.

1:12:13 > 1:12:16This was always my favourite spot for agents to meet.

1:12:18 > 1:12:21We're like them.

1:12:21 > 1:12:24Ghostly, living in the shadows.

1:12:24 > 1:12:25Predatory?

1:12:25 > 1:12:28Well, it depends which side you're on.

1:12:28 > 1:12:31Also, we have to keep moving or we die.

1:12:31 > 1:12:32Nice location for the final act,

1:12:32 > 1:12:34couldn't have chosen it better myself.

1:12:34 > 1:12:36But then I never could resist a touch of the dramatic.

1:12:36 > 1:12:38I just come here to look at the fish.

1:12:40 > 1:12:42I knew this would happen one day.

1:12:44 > 1:12:46- It's like that old story. - I really am a very busy man.

1:12:46 > 1:12:48Would you mind cutting to the chase?

1:12:48 > 1:12:50You're very sure of yourself, aren't you?

1:12:50 > 1:12:51With good reason.

1:12:51 > 1:12:55"There was once a merchant, in a famous market in Baghdad."

1:12:57 > 1:12:59I really have never liked this story.

1:12:59 > 1:13:01I'm just like the merchant in the story,

1:13:01 > 1:13:04I thought I could out-run the inevitable.

1:13:04 > 1:13:06I've always been looking over my shoulder,

1:13:06 > 1:13:10- always expecting to see the grim figure of...- Death.

1:13:10 > 1:13:12- Hello, Mary.- Hey.- John?- On his way.

1:13:13 > 1:13:14Let me introduce Ammo.

1:13:15 > 1:13:17You were Ammo?

1:13:18 > 1:13:20You were the person on the phone that time?

1:13:20 > 1:13:22Using AGRA as her private assassination unit.

1:13:22 > 1:13:24Why did you betray us?

1:13:24 > 1:13:26Why does anyone do anything?

1:13:26 > 1:13:28Hmm. Let me guess, selling secrets?

1:13:28 > 1:13:30Well, it would be churlish to refuse.

1:13:31 > 1:13:33Worked very well for a few years.

1:13:33 > 1:13:35I bought a nice cottage in Cornwall on the back of it.

1:13:35 > 1:13:37But...

1:13:37 > 1:13:41The ambassador in Tbilisi found out. I thought I'd had it.

1:13:41 > 1:13:45Then she was taken hostage in that coup.

1:13:45 > 1:13:47- SHE CHUCKLES - I couldn't believe my luck!

1:13:47 > 1:13:49That bought me a little time.

1:13:49 > 1:13:51But then you found out your boss had sent AGRA in.

1:13:51 > 1:13:54Very handy. They were always such reliable killers.

1:13:54 > 1:13:56What you didn't know, Mary,

1:13:56 > 1:13:59was that this one also tipped off the hostage-takers.

1:13:59 > 1:14:01Lady Smallwood gave the order.

1:14:01 > 1:14:04But I sent another one to the terrorists,

1:14:04 > 1:14:07with a nice little clue about her code name,

1:14:07 > 1:14:10should anyone have an enquiring mind.

1:14:10 > 1:14:12Seemed to do the trick.

1:14:12 > 1:14:14And you thought your troubles were over.

1:14:14 > 1:14:16I was tired.

1:14:16 > 1:14:18Tired of the mess of it all.

1:14:20 > 1:14:23I just wanted some peace, some clarity.

1:14:25 > 1:14:27The hostages were killed.

1:14:27 > 1:14:29AGRA too.

1:14:29 > 1:14:31Or so I thought.

1:14:31 > 1:14:33My secret was safe.

1:14:35 > 1:14:36But...apparently not.

1:14:38 > 1:14:40Just a little peace.

1:14:41 > 1:14:43That's all you wanted too, wasn't it?

1:14:43 > 1:14:47A family? Home?

1:14:47 > 1:14:48Really, I understand.

1:14:51 > 1:14:55So, just let me get out of here, right?

1:14:55 > 1:14:56Let me just walk away.

1:14:56 > 1:14:59I'll vanish, I'll go forever.

1:15:01 > 1:15:02What do you say?

1:15:02 > 1:15:04After what you did?!

1:15:04 > 1:15:05Mary, no!

1:15:06 > 1:15:08OK.

1:15:10 > 1:15:13London Aquarium. Yes, now.

1:15:16 > 1:15:18I was never a field agent.

1:15:18 > 1:15:20I always thought I'd be rather good.

1:15:20 > 1:15:22MARY SCOFFS

1:15:22 > 1:15:24Well, you handled the operation in Tbilisi very well.

1:15:24 > 1:15:26Thanks.

1:15:26 > 1:15:27- For a secretary.- What?

1:15:27 > 1:15:30It can't have been easy all those years, sitting in the back,

1:15:30 > 1:15:32keeping your mouth shut when you knew you were cleverer than

1:15:32 > 1:15:33most of the people in the room.

1:15:33 > 1:15:36- I didn't do this out of jealousy. - No?

1:15:38 > 1:15:41Same old drudge, day in, day out.

1:15:41 > 1:15:44Never getting out there where all the excitement was.

1:15:44 > 1:15:47Just back to your little flat on Wigmore Street.

1:15:47 > 1:15:50They've taken up the pavement outside the post office there.

1:15:50 > 1:15:52The local clay on your shoes is very distinctive.

1:15:52 > 1:15:55- Yes, your little flat.- How do you know?- Well, on your salary,

1:15:55 > 1:15:56it would have to be modest,

1:15:56 > 1:15:58and you spent all the money on that cottage, didn't you?

1:15:58 > 1:16:00And what are you, widowed or divorced?

1:16:00 > 1:16:03Wedding ring is at least 30 years old and you've moved it

1:16:03 > 1:16:06to another finger. That means you're sentimentally attached to it,

1:16:06 > 1:16:07but you're not still married.

1:16:07 > 1:16:09I favour widowed, given the number of cats you share your life with.

1:16:09 > 1:16:11- Sherlock...- Two Burmese and a Tortoiseshell,

1:16:11 > 1:16:13judging by the cat hairs on your cardigan.

1:16:13 > 1:16:15A divorcee is more likely to look for a new partner,

1:16:15 > 1:16:18a widow to fill the void left by her dead husband.

1:16:18 > 1:16:20- Sherlock, don't. - Pets do that, or so I'm told.

1:16:20 > 1:16:22There's clearly no-one new in your life,

1:16:22 > 1:16:24or you wouldn't be spending your Friday nights in an aquarium.

1:16:24 > 1:16:26That accounts for the drink problem too,

1:16:26 > 1:16:27the slight tremor in your hand,

1:16:27 > 1:16:29the red wine stain ghosting your top lip.

1:16:29 > 1:16:33So, yes, I'd say jealousy was your motive after all.

1:16:34 > 1:16:36To prove how good you are.

1:16:37 > 1:16:40To make up for the inadequacies of your...little life.

1:16:42 > 1:16:44Well, Mrs Norbury,

1:16:44 > 1:16:46I must admit this is unexpected.

1:16:46 > 1:16:48Vivian Norbury,

1:16:48 > 1:16:51who out-smarted them all.

1:16:51 > 1:16:53All except Sherlock Holmes.

1:16:56 > 1:16:57There's no way out.

1:16:59 > 1:17:00So it would seem.

1:17:02 > 1:17:04You've seen right through me, Mr Holmes.

1:17:04 > 1:17:05It's what I do.

1:17:07 > 1:17:10Maybe I can still surprise you.

1:17:10 > 1:17:12Now, come on, be sensible.

1:17:14 > 1:17:16Hmm, no, I don't think so.

1:17:27 > 1:17:30- Ah!- Surprise!

1:17:30 > 1:17:31MARY GASPS FOR AIR

1:17:31 > 1:17:33MARY GROANS

1:17:35 > 1:17:37Everything's fine. It's going to be OK.

1:17:37 > 1:17:39Get an ambulance!

1:17:39 > 1:17:42- It's all right, it's all right. - Mary!- John.

1:17:42 > 1:17:46All right, Mary? Mary? Stay with me, stay with me.

1:17:46 > 1:17:48- Oh, come on...- No, don't worry.

1:17:48 > 1:17:50Come on, Doctor, you can do better than that.

1:17:50 > 1:17:51Come on, Mary. Mary?

1:17:51 > 1:17:53Oh, God. John, I think this is it.

1:17:53 > 1:17:55No, no, no, no. It's not.

1:17:55 > 1:17:57- That's...- You made me so happy.

1:17:57 > 1:18:02You gave me everything I could ever, ever have wanted...

1:18:02 > 1:18:04Ssh, ssh, Mary, Mary, ssh, ssh.

1:18:04 > 1:18:06- Look after Rosie.- Ssh, ssh, ssh.

1:18:06 > 1:18:09- Promise me.- I promise. - No...- Yes, I promise.

1:18:09 > 1:18:13- Promise me!- I promise, I promise. Ssh, ssh.

1:18:13 > 1:18:14Hey, Sherlock.

1:18:14 > 1:18:15Yes.

1:18:15 > 1:18:17I...

1:18:17 > 1:18:19so like you.

1:18:19 > 1:18:21Did I ever say?

1:18:22 > 1:18:24Yes, yes, you did.

1:18:24 > 1:18:30I'm sorry for...for shooting you that time. I'm really sorry.

1:18:31 > 1:18:34- It's all right. - I think we're even now, OK?

1:18:34 > 1:18:35OK.

1:18:35 > 1:18:37- Oh, I think we're...- Mary, Mary...

1:18:37 > 1:18:40- ..even, definitely even. - Ssh, ssh.- Ooh.

1:18:43 > 1:18:45You were my whole world.

1:18:50 > 1:18:53Being Mary Watson...

1:18:54 > 1:18:58..was the only life worth living.

1:18:58 > 1:19:00- Mary...- Thank you.

1:19:03 > 1:19:05Mary...

1:19:24 > 1:19:26HE BEWAILS

1:19:42 > 1:19:44Don't you dare!

1:19:47 > 1:19:49You made a vow.

1:19:52 > 1:19:53You swore it.

1:21:08 > 1:21:12PHONE BEEPS REPEATEDLY

1:21:20 > 1:21:24'You've been having dreams. A recurring dream?'

1:21:30 > 1:21:31CLOCK TICKS RHYTHMICALLY

1:21:33 > 1:21:34Do you want to talk about it?

1:21:44 > 1:21:46This is a two-way relationship, you know.

1:21:51 > 1:21:54SHE SIGHS

1:21:56 > 1:22:00The whole world has come crashing down around you.

1:22:00 > 1:22:02Everything's hopeless.

1:22:02 > 1:22:03Irretrievable.

1:22:05 > 1:22:07I know that's what you must feel...

1:22:08 > 1:22:11..but I can only help you if you completely open yourself up to me.

1:22:11 > 1:22:13That's not really my style.

1:22:20 > 1:22:22I need to know what to do.

1:22:24 > 1:22:25Do?

1:22:26 > 1:22:27About John.

1:22:40 > 1:22:42BACK CRACKS, HE GROANS

1:23:15 > 1:23:19Put me through to Sherrinford, please. Yes, I'll wait.

1:23:27 > 1:23:29- SOBS:- But nothing will ever be the same again, will it?

1:23:29 > 1:23:31I'm afraid it won't.

1:23:31 > 1:23:34We'll have to rally round, I expect, do our bit.

1:23:34 > 1:23:36Look after little Rosie.

1:23:37 > 1:23:38I'm just going to, um...

1:23:40 > 1:23:43..look through these things. There might be a case.

1:23:43 > 1:23:47A case? Oh, you're not up to it, are you?

1:23:48 > 1:23:51Work is the best antidote to sorrow, Mrs Hudson.

1:23:51 > 1:23:54Yes. Yes, I expect you're right.

1:23:54 > 1:23:56I'll make some tea, shall I?

1:23:56 > 1:23:58- Mrs Hudson?- Yes, Sherlock?

1:24:01 > 1:24:04If you ever think I'm becoming a bit full of myself,

1:24:04 > 1:24:07cocky or over-confident...

1:24:07 > 1:24:11- Yes?- ..would you just say the word Norbury to me? Would you?

1:24:11 > 1:24:13Norbury?

1:24:13 > 1:24:14Just that.

1:24:16 > 1:24:17I'd be very grateful.

1:24:22 > 1:24:23What's this?

1:24:23 > 1:24:26Oh, I brought that up. It was mixed up with my things.

1:24:31 > 1:24:33Oh, God! Is that...?

1:24:33 > 1:24:35- Must be.- Oh.

1:24:36 > 1:24:38I knew it wouldn't end like this.

1:24:38 > 1:24:40I knew Moriarty made plans.

1:24:43 > 1:24:46'I thought that would get your attention.

1:24:46 > 1:24:48'So, this is in case...

1:24:51 > 1:24:53'In case the day comes.

1:24:53 > 1:24:57'If you are watching this, I'm probably dead.

1:24:58 > 1:25:00'I hope I can have an ordinary life but who knows?

1:25:00 > 1:25:04'Nothing's certain, nothing's written.

1:25:04 > 1:25:06'My old life...

1:25:08 > 1:25:10'..it was full of consequences.

1:25:13 > 1:25:16'The danger was the fun part but you can't outrun that forever.

1:25:16 > 1:25:18'You need to remember that. So...

1:25:21 > 1:25:25'..I'm giving you a case, Sherlock.

1:25:27 > 1:25:30'Might be the hardest case of your career.

1:25:31 > 1:25:35'When I'm...gone, if I'm gone...

1:25:38 > 1:25:40'..I need you to do something for me.'

1:25:48 > 1:25:51- BABY GURGLES - Hi.

1:25:52 > 1:25:56I just wondered how things were going and...

1:25:57 > 1:25:59..if there was anything I could do.

1:26:02 > 1:26:04It's, er, it's from John.

1:26:06 > 1:26:08- Right. - You don't need to read it now.

1:26:10 > 1:26:12I'm sorry, Sherlock.

1:26:12 > 1:26:17He says... John said if you were to come round asking after him,

1:26:17 > 1:26:19offering to help...

1:26:20 > 1:26:22Yes?

1:26:22 > 1:26:24He said he'd...

1:26:26 > 1:26:28..that he'd rather have anyone but you.

1:26:30 > 1:26:31Anyone.

1:26:39 > 1:26:41DOOR CLOSES

1:26:46 > 1:26:50'I'm giving you a case, Sherlock.

1:26:53 > 1:26:57'When I'm gone, if I'm...gone...

1:26:59 > 1:27:01'..I need you to do something for me.

1:27:05 > 1:27:07'Save John Watson.

1:27:10 > 1:27:12'Save him, Sherlock.

1:27:14 > 1:27:16'Save him.'

1:27:22 > 1:27:25'When does the path we walk on lock around our feet?

1:27:29 > 1:27:33'When does the road become a river with only one destination?'

1:27:36 > 1:27:41'Death waits for us all in Samarra.

1:27:41 > 1:27:43'But can Samarra be avoided?'

1:28:23 > 1:28:25'Go to hell, Sherlock.'