0:00:02 > 0:00:08This programme contains some scenes which some viewers may find upsetting
0:00:26 > 0:00:27Mummy?
0:00:40 > 0:00:43Mummy! Wake up! Wake up!
0:00:43 > 0:00:45Mummy!
0:00:48 > 0:00:50BLEEPING
0:00:52 > 0:00:54CLATTER
0:00:57 > 0:00:59RUMBLING
0:01:02 > 0:01:04Wake up!
0:01:04 > 0:01:06PHONE RINGS
0:01:24 > 0:01:29Help me, please! I'm on a plane and everyone's asleep! Help me!
0:01:29 > 0:01:31- PHONE:- 'Hello. My name's Jim Moriarty.
0:01:33 > 0:01:35'Welcome to the final problem.'
0:02:09 > 0:02:11- 'You know, I could arrest you. - What for?
0:02:11 > 0:02:14- 'Wearing a dress like that. - Would you like me to take it off?
0:02:14 > 0:02:17- 'Then I'd really have to press charges.- Press away.
0:02:17 > 0:02:19'Isn't that how they got started?
0:02:19 > 0:02:22- 'Who?- Adam and Eve. - Oh, them.- And that turned out OK.
0:02:22 > 0:02:24'You think so?
0:02:24 > 0:02:27'I thought it was supposed to be the beginning of all human misery.
0:02:27 > 0:02:30'Now, what was all that about arresting me?
0:02:30 > 0:02:32- 'Well, maybe not arresting you.- No?
0:02:32 > 0:02:34'I could just keep you under close watch.
0:02:34 > 0:02:36- 'Very close?- A-huh.
0:02:39 > 0:02:42'Shame, I was looking forward to putting myself into the hands of the authorities.
0:02:42 > 0:02:44'You were?
0:02:44 > 0:02:49'Finger-printing, being searched...thoroughly.'
0:03:20 > 0:03:22- EERIE WHISPER:- Mycroft?
0:03:22 > 0:03:24FOOTSTEPS
0:03:27 > 0:03:28DOOR OPENS
0:03:30 > 0:03:32DOOR CREAKS
0:03:39 > 0:03:41DOOR SLAMS SHUT
0:03:45 > 0:03:47POP!
0:04:02 > 0:04:04CLOCK CHIMES
0:04:10 > 0:04:11- EERIE WHISPER:- Mycroft?
0:04:15 > 0:04:17Why don't you come out and show yourself?
0:04:17 > 0:04:19I don't have time for this.
0:04:19 > 0:04:22- CHILD:- We have time, Mycroft.
0:04:22 > 0:04:23All the time in the world.
0:04:32 > 0:04:34Mycroft?
0:04:37 > 0:04:39Who are you?
0:04:39 > 0:04:40- SINGSONG:- You know.
0:04:42 > 0:04:44Impossible.
0:04:44 > 0:04:46Nothing's impossible.
0:04:46 > 0:04:49You of all people know that.
0:04:54 > 0:04:56It's coming to get you.
0:04:59 > 0:05:04There's an east wind coming, Mycroft. Coming to get you.
0:05:04 > 0:05:06You can't have got out! You can't!
0:05:31 > 0:05:32CLICK
0:05:32 > 0:05:37No use, Mycroft. There's no defence and nowhere to hide.
0:05:37 > 0:05:39Y-a-a-a-argh!
0:05:57 > 0:05:59Sherlock? Help me!
0:05:59 > 0:06:01HE WHISTLES
0:06:04 > 0:06:08Experiment complete. Conclusion, I have a sister.
0:06:08 > 0:06:11This was you? All of this was you?!
0:06:11 > 0:06:14Conclusion two, my sister, Eurus, apparently,
0:06:14 > 0:06:17has been incarcerated from an early age in a secure institution
0:06:17 > 0:06:20controlled by my brother. Hey, Bro!
0:06:20 > 0:06:23Why would you do this, this pantomime? Why?!
0:06:23 > 0:06:26Conclusion three, you are terrified of her.
0:06:26 > 0:06:29You have no idea what you're dealing with. None at all!
0:06:29 > 0:06:31New information, she's out.
0:06:31 > 0:06:33That's not possible.
0:06:33 > 0:06:35It's more than possible, she was John's therapist.
0:06:35 > 0:06:38- Shot me during a session. - Only with a tranquilliser.
0:06:38 > 0:06:41- Hm. We still had ten minutes to go. - Well, we'll see about a refund.
0:06:41 > 0:06:43Right, you two, Wiggins has got your money by the gate,
0:06:43 > 0:06:44don't spend it all in one crack den.
0:06:44 > 0:06:46SQUEAK!
0:06:46 > 0:06:48Oh, I hope we didn't spoil your enjoyment of the movie.
0:06:48 > 0:06:49You're just leaving?!
0:06:49 > 0:06:52Well, we're not staying here, Eurus is coming and, er...
0:06:52 > 0:06:54someone's disabled all your security.
0:06:54 > 0:06:55Sleep well!
0:06:57 > 0:07:00Dr Watson, why would he do that to me? That was insane!
0:07:00 > 0:07:03Er...yes, well, someone convinced him that you wouldn't tell the truth
0:07:03 > 0:07:05unless you were actually wetting yourself.
0:07:05 > 0:07:07Someone?
0:07:07 > 0:07:08Probably me.
0:07:08 > 0:07:10So, that's it, is it? You're just going?
0:07:10 > 0:07:14Well, don't worry, there's a place for people like you,
0:07:14 > 0:07:16the desperate, the terrified.
0:07:16 > 0:07:18The ones with nowhere else to run.
0:07:18 > 0:07:20What place?
0:07:20 > 0:07:22221B Baker Street.
0:07:23 > 0:07:27See you in the morning. If there's a queue, join it.
0:07:27 > 0:07:30For God's sake, this is not one of your idiot cases!
0:07:30 > 0:07:33You might want to close that window.
0:07:33 > 0:07:34There is an east wind coming.
0:07:51 > 0:07:53You have to sit in the chair.
0:07:53 > 0:07:56They won't talk to you unless you sit in the chair, it's the rules.
0:07:56 > 0:07:58- I'm not a client!- Then get out.
0:08:08 > 0:08:11She's not going to stay there, is she?
0:08:14 > 0:08:15- Would you like a cup of tea? - Thank you.
0:08:15 > 0:08:17The kettle's over there.
0:08:20 > 0:08:23So, what happens now? Are you going to make deductions?
0:08:23 > 0:08:25You're going to tell the truth, Mycroft. Pure and simple.
0:08:25 > 0:08:30Who was it said, "The truth is rarely pure and never simple"?
0:08:30 > 0:08:32I don't know and I don't care.
0:08:32 > 0:08:35So, there were three of us, I know that now.
0:08:35 > 0:08:39You, me and Eurus.
0:08:41 > 0:08:43A sister I can't remember.
0:08:45 > 0:08:48Interesting name, Eurus. It's Greek, isn't it?
0:08:48 > 0:08:52Hm. Yeah, literally, the God of the East Wind.
0:08:52 > 0:08:53Yes.
0:08:53 > 0:08:56"The east wind is coming, Sherlock."
0:08:56 > 0:08:58You used that to scare me.
0:08:58 > 0:09:02- No.- You turned my sister into a ghost story.
0:09:02 > 0:09:05Of course I didn't. I monitored you.
0:09:05 > 0:09:06You what?
0:09:07 > 0:09:09Memories can resurface.
0:09:09 > 0:09:11Wounds can reopen.
0:09:11 > 0:09:14The roads we walk have demons beneath.
0:09:16 > 0:09:19And yours have been waiting for a very long time.
0:09:20 > 0:09:23I never bullied you. I used, at discreet intervals,
0:09:23 > 0:09:24potential trigger words
0:09:24 > 0:09:27to update myself as to your mental condition.
0:09:27 > 0:09:28I was looking after you.
0:09:28 > 0:09:30Why can't I remember her?
0:09:32 > 0:09:35- This is a private matter. - John stays.
0:09:35 > 0:09:38- (This is family!) - That's why he stays!
0:09:44 > 0:09:49Hm-hm! So there were three Holmes kids. What was the age gap?
0:09:49 > 0:09:51Seven years between myself and Sherlock,
0:09:51 > 0:09:53one year between Sherlock and Eurus.
0:09:53 > 0:09:55Middle child. Explains a lot.
0:09:58 > 0:09:59- So, did she have it, too?- Have what?
0:09:59 > 0:10:01The deduction thing.
0:10:01 > 0:10:03The deduction thing?
0:10:04 > 0:10:07- Yes.- More than you can know.
0:10:09 > 0:10:10Enlighten me.
0:10:10 > 0:10:13- You realise I'm the smart one? - As you never cease to announce.
0:10:13 > 0:10:17But Eurus, she was incandescent, even then.
0:10:17 > 0:10:20Our abilities were professionally assessed more than once.
0:10:20 > 0:10:22I was remarkable,
0:10:22 > 0:10:27but Eurus was described as an era-defining genius.
0:10:27 > 0:10:29Beyond Newton.
0:10:29 > 0:10:31Then why don't I remember her?
0:10:31 > 0:10:33You do remember her, in a way.
0:10:33 > 0:10:36Every choice you ever made, every path you've ever taken,
0:10:36 > 0:10:38the man you are today...
0:10:40 > 0:10:42..is your memory of Eurus.
0:10:46 > 0:10:49She was different from the beginning.
0:10:49 > 0:10:52She knew things she should never have known.
0:10:54 > 0:10:57As if she was somehow aware of truths beyond the normal scope.
0:11:01 > 0:11:03You look funny grown-up.
0:11:05 > 0:11:06- What's wrong?- Sorry.
0:11:08 > 0:11:10The memories are disturbing.
0:11:10 > 0:11:12What do you mean? Examples.
0:11:12 > 0:11:16They found her with a knife once. She seemed to be cutting herself.
0:11:16 > 0:11:18Mother and Father were terrified.
0:11:18 > 0:11:20They thought it was a suicide attempt.
0:11:20 > 0:11:24But when I asked Eurus what she was doing, she said:
0:11:24 > 0:11:27I wanted to see how my muscles worked.
0:11:27 > 0:11:32- Jesus!- So I asked her if she felt pain, and she said:
0:11:32 > 0:11:34Which one's pain?
0:11:34 > 0:11:36Then what happened?
0:11:39 > 0:11:41Musgrave.
0:11:43 > 0:11:47The ancestral home, where there was always honey for tea.
0:11:47 > 0:11:52- And Sherlock played among the funny gravestones.- Funny how?
0:11:52 > 0:11:54Come on, you lot!
0:11:54 > 0:11:56They weren't real. The dates were all wrong.
0:11:56 > 0:11:59An architectural joke which fascinated Sherlock.
0:12:02 > 0:12:07# Deep down below the old beech tree... #
0:12:07 > 0:12:10- Help succour me now the... - East winds blow.
0:12:10 > 0:12:13- # East winds blow... - 16 by six.
0:12:13 > 0:12:14# 16 by six...#
0:12:14 > 0:12:17And under we go.
0:12:17 > 0:12:20- You're starting to remember. - Fragments.
0:12:22 > 0:12:25Redbeard? Redbeard?
0:12:27 > 0:12:29- Redbeard?- He was my dog.
0:12:29 > 0:12:33Eurus took Redbeard and locked him up somewhere no-one could find him.
0:12:33 > 0:12:36- Redbeard?- And she refused to say where he was.
0:12:37 > 0:12:39Redbeard?
0:12:39 > 0:12:41She'd only repeat that song.
0:12:41 > 0:12:44Her little ritual.
0:12:44 > 0:12:48- Redbeard?- We begged and begged her to tell us where he was.
0:12:48 > 0:12:52- But she said: - (The song is the answer.)
0:12:52 > 0:12:54But the song made no sense.
0:12:54 > 0:12:58# ..Brother, and under we go. #
0:12:58 > 0:13:02- What happened to Redbeard? - We never found him.
0:13:02 > 0:13:05But she started calling him Drowned Redbeard,
0:13:05 > 0:13:07so we made our assumptions.
0:13:09 > 0:13:11Sherlock was traumatised.
0:13:11 > 0:13:16Natural, I suppose. He was, in the early days, an emotional child.
0:13:16 > 0:13:19But after that, he was different. So changed.
0:13:19 > 0:13:21Never spoke of it again.
0:13:21 > 0:13:24In time, he seemed to forget that Eurus had ever even existed.
0:13:26 > 0:13:28- How could he forget? She was living in the same house.- No.
0:13:30 > 0:13:32- They took her away.- Why?
0:13:35 > 0:13:37You don't lock up a child because a dog goes missing.
0:13:37 > 0:13:38Quite so.
0:13:39 > 0:13:43It was what happened immediately afterwards.
0:13:46 > 0:13:48FATHER: She knows where he is.
0:13:48 > 0:13:50- MOTHER:- We can't make her tell us.
0:13:50 > 0:13:52We can't make her do anything!
0:14:01 > 0:14:03FLAMES ROAR
0:14:15 > 0:14:18- After that, our sister had to be taken away.- Where?
0:14:18 > 0:14:22Oh, some suitable place, or so everyone thought.
0:14:22 > 0:14:24Not suitable enough, however.
0:14:24 > 0:14:26- She died there.- How?
0:14:26 > 0:14:30She started another fire. One which she did not survive.
0:14:30 > 0:14:32This is a lie.
0:14:32 > 0:14:33Yes.
0:14:34 > 0:14:36It is also a kindness.
0:14:36 > 0:14:39This is the story I told our parents to spare them further pain,
0:14:39 > 0:14:42and to account for the absence of an identifiable body.
0:14:42 > 0:14:44And no doubt to prevent their further interference.
0:14:44 > 0:14:46Well, that, too, of course.
0:14:46 > 0:14:50The depth of Eurus's psychosis and the extent of her abilities
0:14:50 > 0:14:53couldn't hope to be contained in any ordinary institution.
0:14:53 > 0:14:56Uncle Rudi took care of things.
0:14:56 > 0:14:58Where is she, Mycroft? Where's our sister?
0:14:58 > 0:15:01There's a place called Sherrinford.
0:15:01 > 0:15:04An island.
0:15:04 > 0:15:07It's a secure and very secret installation
0:15:07 > 0:15:11whose sole purpose is to contain what we call the uncontainables.
0:15:11 > 0:15:16The demons beneath the road? This is where we trap them.
0:15:16 > 0:15:19Sherrinford is more than a prison, or an asylum.
0:15:19 > 0:15:20It is a fortress,
0:15:20 > 0:15:24built to keep the rest of the world safe from what is inside it.
0:15:24 > 0:15:28Heaven may be a fantasy for the credulous and the afraid.
0:15:30 > 0:15:33But I can give you a map reference for hell.
0:15:35 > 0:15:38That's where our sister has been since early childhood.
0:15:38 > 0:15:40She hasn't left, not for a single day.
0:15:40 > 0:15:43Whoever you both met, it can't have been her.
0:15:43 > 0:15:45CRASH
0:15:49 > 0:15:54# I that am lost Oh, who will find me
0:15:54 > 0:15:57# Deep down below the old beech tree?
0:15:57 > 0:16:02# Help succour me now the east winds blow
0:16:02 > 0:16:07# 16 by six, brother and under we go... #
0:16:07 > 0:16:09- Keep back! Keep as still as you can! - What is it?
0:16:09 > 0:16:11# My soul seek the shade of my willow's bloom...#
0:16:11 > 0:16:15- It's a drone.- Yeah, I can see that. What's it carrying?
0:16:16 > 0:16:18What's that silver thing on top of it, Mycroft?
0:16:18 > 0:16:21It's a DX-707.
0:16:21 > 0:16:24I've authorised the purchase of quite a number of these.
0:16:24 > 0:16:27Colloquially, it is known as the patience grenade.
0:16:29 > 0:16:31Patience?
0:16:31 > 0:16:33The motion sensor has activated.
0:16:33 > 0:16:36- If any of us move, the grenade will detonate.- How powerful?
0:16:36 > 0:16:39It'll certainly destroy this flat and kill anyone in it.
0:16:39 > 0:16:40Assuming walls of reasonable strength,
0:16:40 > 0:16:43your neighbours should be safe, but as it's landed on the floor,
0:16:43 > 0:16:46I am moved to wonder if the cafe below is open.
0:16:46 > 0:16:49- It's Sunday morning, so it's closed. - What about Mrs Hudson?
0:16:49 > 0:16:53MUSIC: The Number Of The Beast by Iron Maiden
0:16:58 > 0:17:01Going by her usual routine, I estimate she has another two minutes left.
0:17:01 > 0:17:03She keeps the vacuum cleaner at the back of the flat.
0:17:03 > 0:17:07- So?- So safer there, when she's putting it away.
0:17:07 > 0:17:09But we have to move eventually and we should do it when she's safest.
0:17:09 > 0:17:12When the vacuum stops, we give her eight seconds to get to the back of the flat.
0:17:12 > 0:17:14She's fast when she's cleaning. Then we move.
0:17:14 > 0:17:17What's the trigger response time?
0:17:17 > 0:17:20Once we're mobile, how long before detonation?
0:17:20 > 0:17:23We have a maximum of three seconds to vacate the blast radius.
0:17:23 > 0:17:26John and I will take the windows, you take the stairs.
0:17:26 > 0:17:27- Help get Mrs Hudson out, too.- Me?
0:17:27 > 0:17:29- You're closer.- You're faster.
0:17:29 > 0:17:32Speed differential won't be as critical as the distance.
0:17:32 > 0:17:34Yes, agreed.
0:17:34 > 0:17:37She's further away. She's moving to the back.
0:17:37 > 0:17:39I estimate we have a minute left.
0:17:39 > 0:17:41- Is a phone call possible? - Phone call?
0:17:41 > 0:17:44John has a daughter, he may wish to say goodbye.
0:17:44 > 0:17:48I'm sorry, Dr Watson, any movement will set off the grenade. I hope you understand.
0:17:49 > 0:17:51Oscar Wilde.
0:17:51 > 0:17:55- What?- He said, "The truth is rarely pure and never simple".
0:17:56 > 0:17:59It's from The Importance Of Being Earnest. We did it at school.
0:17:59 > 0:18:01So did we, now I recall.
0:18:02 > 0:18:04I was Lady Bracknell.
0:18:04 > 0:18:06Yeah. You were great.
0:18:06 > 0:18:09- You really think so? - Yes, I really do.
0:18:09 > 0:18:11Well, that's good to know.
0:18:11 > 0:18:13I've always wondered.
0:18:19 > 0:18:21(Good luck, boys.)
0:18:22 > 0:18:25Three, two, one, go!
0:18:34 > 0:18:36FLAMES ROAR
0:18:55 > 0:18:58'And now the shipping forecast, issued by the Met Office
0:18:58 > 0:19:03'on behalf of the Maritime Coastguard Agency at 05.05.
0:19:03 > 0:19:05'Thames, Dover...'
0:19:05 > 0:19:07Go on, son, get it up.
0:19:08 > 0:19:09Better out than in.
0:19:09 > 0:19:11- GASPS FOR BREATH: - Is it always like this?
0:19:11 > 0:19:13No. Thank God!
0:19:13 > 0:19:16Usually, it's much worse.
0:19:16 > 0:19:17I might go and work in a bank!
0:19:19 > 0:19:21Is that an helicopter?
0:19:22 > 0:19:25No, not in this weather.
0:19:25 > 0:19:27'..Shannon, Malin, Sherrinford.
0:19:27 > 0:19:29'Sherrinford.
0:19:29 > 0:19:30'Sherrinford.'
0:19:30 > 0:19:32- Do you hear that?- 'Sherrinford.'
0:19:32 > 0:19:34I never heard that one before.
0:19:34 > 0:19:36Sherrinford?
0:19:36 > 0:19:38Forget you ever heard it.
0:19:38 > 0:19:42- What?- Sometimes when we're out in these waters, we get that message.
0:19:42 > 0:19:44Just forget about it.
0:19:44 > 0:19:45- Yeah, but we've never...- Just...!
0:19:46 > 0:19:48THUD
0:19:58 > 0:20:00- Who the hell are you?! - My name's Sherlock Holmes.
0:20:00 > 0:20:02The detective.
0:20:02 > 0:20:03The pirate.
0:20:20 > 0:20:23Golf Whiskey X-ray, this is a restricted area.
0:20:23 > 0:20:24Repeat, restricted area.
0:20:24 > 0:20:27You are off course. Are you receiving?
0:20:27 > 0:20:30Golf Whiskey X-ray, you are off course. Are you receiving?
0:20:30 > 0:20:32'We are receiving you. This is a distress call.
0:20:32 > 0:20:35'Repeat, distress call. We're in trouble here.'
0:20:35 > 0:20:37Golf Whiskey X-ray, what is your situation?
0:20:39 > 0:20:42Golf Whiskey X-ray, where are you now?
0:20:42 > 0:20:44'We're headed for the rocks, we're going to hit!'
0:20:46 > 0:20:49Governor to the control room!
0:20:49 > 0:20:52- TANNOY:- 'Lockdown in progress! Lockdown in progress!
0:20:52 > 0:20:56'Please proceed to designated red stations.
0:20:56 > 0:21:00'Please proceed to designated red stations.'
0:21:00 > 0:21:02SIREN WAILS
0:21:06 > 0:21:09- Hold it! Wait, wait, wait! Wait! - Wait!
0:21:09 > 0:21:12In the sand! In the sand!
0:21:18 > 0:21:20I need to speak to Mycroft.
0:21:20 > 0:21:22He's in hospital, there was an explosion.
0:21:22 > 0:21:23Put me through to the hospital.
0:21:23 > 0:21:26He's not conscious. He's severely injured.
0:21:26 > 0:21:29No-one is even confident he's going to pull through.
0:21:29 > 0:21:31Where's his brother? Where's Sherlock Holmes?
0:21:31 > 0:21:32Missing.
0:21:32 > 0:21:34No, he's not, he's here!
0:21:34 > 0:21:36Sir, we found two more from the boat.
0:21:36 > 0:21:40'He stole our boat! Him and another fella, with guns!'
0:21:40 > 0:21:44- Where'd you find them? - 'North side of the island, sir.'
0:21:47 > 0:21:49- Holding cell, now!- 'Right, sir.'
0:21:49 > 0:21:52- TANNOY:- 'Lockdown in progress.'
0:21:55 > 0:21:57This is a mistake!
0:21:57 > 0:22:01I'm the victim here, this man stole my boat! He's a pirate.
0:22:01 > 0:22:03- Yeah, I really am.- Please, sit down.
0:22:03 > 0:22:04I don't even know who he is!
0:22:04 > 0:22:08He's Dr John Watson, formerly of the Fifth Northumberland Fusiliers.
0:22:08 > 0:22:11- What are you doing here? - It's a hospital. Any work?
0:22:11 > 0:22:12It's not a hospital.
0:22:12 > 0:22:14I want eyes on Eurus Holmes.
0:22:14 > 0:22:16Go straight to the special unit,
0:22:16 > 0:22:19- deploy green and yellow shift, on my authority.- Sir.
0:22:24 > 0:22:27I'm sparing your blushes because we're supposed to be on the same side.
0:22:27 > 0:22:29And frankly, this is embarrassing.
0:22:29 > 0:22:31Ooh. Doing a cavity search?
0:22:31 > 0:22:34The true art of disguise, according to your famous friend,
0:22:34 > 0:22:36is not being looked at.
0:22:36 > 0:22:39But I am looking at you, aren't I, Mr Holmes?
0:22:40 > 0:22:42Yes, you are.
0:22:42 > 0:22:44But that is sort of the point, isn't it?
0:22:46 > 0:22:49You see, you should have been looking at the guy you just gave your pass to.
0:22:49 > 0:22:51Ah!
0:23:01 > 0:23:03That's the trouble with uniforms and name badges,
0:23:03 > 0:23:05people stop looking at faces.
0:23:05 > 0:23:07We'd be better off with clown outfits.
0:23:07 > 0:23:09At least they'd be satirically relevant.
0:23:09 > 0:23:12Oh, you'll find the real Landers on the north shore, tied up with two others.
0:23:12 > 0:23:15- Two others? - Hm. Well, it was trial and error.
0:23:15 > 0:23:16We had to find the right waistband.
0:23:16 > 0:23:19This is insane! This is unnecessary.
0:23:19 > 0:23:21No, your security is compromised and we don't know who to trust.
0:23:21 > 0:23:23And that justifies dressing up?
0:23:23 > 0:23:24Yes, it does!
0:23:26 > 0:23:29It justifies dressing up or any damn thing I say it does!
0:23:29 > 0:23:32Now, listen to me, for your own physical safety, do not speak.
0:23:32 > 0:23:35Do not indulge in any non-verbal signals
0:23:35 > 0:23:37suggestive of internal thought!
0:23:37 > 0:23:39If the safety of my sister is compromised,
0:23:39 > 0:23:42if the security of my sister is compromised,
0:23:42 > 0:23:45if the incarceration of my sister is compromised,
0:23:45 > 0:23:49in short, if I find any indication my sister has left this island at any time,
0:23:49 > 0:23:51I swear to you, you will not!
0:23:54 > 0:23:56- Say thank you to Dr Watson.- Why?
0:23:56 > 0:23:59He talked me out of Lady Bracknell. This could have been very different.
0:23:59 > 0:24:01Are you in?
0:24:01 > 0:24:04Just arriving at the secure unit. Explain.
0:24:04 > 0:24:05'Door opening.'
0:24:05 > 0:24:07Prison within a prison.
0:24:07 > 0:24:11Eurus must be allowed the strict minimum of human interaction.
0:24:11 > 0:24:14- Why?- Since you're determined to meet her, you're about to find out.
0:24:17 > 0:24:20Eyes on Eurus Holmes. Governor's orders.
0:24:20 > 0:24:21Answer yes or no.
0:24:21 > 0:24:24Has there ever been, against my express instructions,
0:24:24 > 0:24:28any attempt at a psychiatric evaluation of Eurus Holmes?
0:24:28 > 0:24:30- Yes.- I presume the tapes are in my office.
0:24:30 > 0:24:33- Your office?- Cast your mind back. It used to be yours.
0:24:35 > 0:24:37You haven't been down here before, have you?
0:24:37 > 0:24:38Silence Of The Lambs, basically.
0:24:38 > 0:24:40- You what?- Keep your distance.
0:24:40 > 0:24:43Stay at least three feet away from the glass, and all that.
0:24:43 > 0:24:44Why the headphones?
0:24:44 > 0:24:46She doesn't stop playing. Sometimes for weeks.
0:24:46 > 0:24:48Beautiful.
0:24:48 > 0:24:51- Kills you in the end. - Aye, still beautiful, though.
0:24:54 > 0:24:56'Door closing.'
0:25:01 > 0:25:03VIOLIN PLAYS
0:25:20 > 0:25:22SHE STOPS PLAYING
0:25:24 > 0:25:25SHE RESUMES PLAYING
0:25:43 > 0:25:45'Why am I here?
0:25:45 > 0:25:47'Why do you think you're here?
0:25:47 > 0:25:49'No-one ever tells me.'
0:25:49 > 0:25:51PLAYING CONTINUES
0:25:54 > 0:25:55PLAYING SPEEDS UP
0:25:57 > 0:25:59SLOWS DOWN
0:25:59 > 0:26:02- 'Am I being punished? - You've been bad.
0:26:02 > 0:26:04'There's no such thing as bad.
0:26:04 > 0:26:06- 'What about good? - Good and bad are fairytales.
0:26:06 > 0:26:09'We have evolved to attach an emotional significance
0:26:09 > 0:26:13'to what is nothing more than a survival strategy of the pack animal.
0:26:13 > 0:26:15'We are conditioned to invest divinity in utility.
0:26:15 > 0:26:17'Good isn't really good, evil isn't really wrong,
0:26:17 > 0:26:21'bottoms aren't really pretty. You are a prisoner of your own meat.
0:26:21 > 0:26:22'Why aren't you?
0:26:22 > 0:26:25'I'm too clever.'
0:26:25 > 0:26:27MUSIC CONTINUES
0:26:31 > 0:26:33- THROUGH SPEAKERS:- Did you bring it? - Sorry?
0:26:33 > 0:26:36My hairband. Did you bring it, like I asked?
0:26:36 > 0:26:39I'm not one of the... I-I don't work here.
0:26:39 > 0:26:41My special hairband.
0:26:41 > 0:26:43I'm not one of your doctors.
0:26:43 > 0:26:47The one I made you steal from Mummy.
0:26:51 > 0:26:53It was the last thing I said to you, remember?
0:26:53 > 0:26:55The day they took me away.
0:26:55 > 0:26:57No.
0:26:57 > 0:26:59- No?- We've spoken since then.
0:26:59 > 0:27:00You came round to my flat a few weeks back,
0:27:00 > 0:27:04you pretended to be a woman called Faith Smith. We had chips.
0:27:04 > 0:27:05Does this mean you didn't bring my hairband?
0:27:05 > 0:27:09How did you manage to get out of this place? How did you do that?
0:27:09 > 0:27:11Easy. Look at me.
0:27:11 > 0:27:13I am looking at you.
0:27:13 > 0:27:16You can't see it, can you?
0:27:16 > 0:27:19You try and try, but you just can't see, you can't look.
0:27:19 > 0:27:21See what?
0:27:21 > 0:27:23- What do you think?- Beautiful.
0:27:23 > 0:27:26- You're not looking at it. - I meant your playing.
0:27:26 > 0:27:27Oh, the music!
0:27:27 > 0:27:30I never know if it's beautiful or not, only if it's right.
0:27:30 > 0:27:32Often they're the same thing.
0:27:32 > 0:27:35If they're not always the same thing, what's the point in beauty? Look at the violin.
0:27:35 > 0:27:37I need to know how you escaped.
0:27:37 > 0:27:39Look at the violin.
0:27:42 > 0:27:45- It's a Stradivarius.- It's a gift.
0:27:45 > 0:27:47- Who from?- Me.
0:28:05 > 0:28:07- Why?- You play, don't you?
0:28:09 > 0:28:10How did you know?
0:28:13 > 0:28:14How did I know?
0:28:16 > 0:28:19I taught you. Don't you remember? How can you not remember that?
0:28:19 > 0:28:22Eurus, I don't remember you at all.
0:28:22 > 0:28:23Interesting.
0:28:24 > 0:28:26Mycroft told me you'd rewritten your memories,
0:28:26 > 0:28:29he didn't tell me you'd written me out completely.
0:28:29 > 0:28:31What do you mean, rewritten?
0:28:31 > 0:28:34You still don't know about Redbeard, do you?
0:28:34 > 0:28:37Oh! This is going to be such a good day.
0:28:37 > 0:28:39'She smiles at you when you come home...'
0:28:39 > 0:28:42Everyone we sent in there, it's hard to describe,
0:28:42 > 0:28:45- it's...it's like she... - Recruited them.
0:28:45 > 0:28:47'Smiling is advertising.'
0:28:47 > 0:28:48Enslaved them.
0:28:48 > 0:28:51She's been capable of that since she was five.
0:28:51 > 0:28:53She's an adult now.
0:28:53 > 0:28:55I warned you. I ordered you.
0:28:56 > 0:28:59She's clinically unique. We had to try.
0:28:59 > 0:29:00At what cost?
0:29:00 > 0:29:04'Happiness is a pop song. Sadness is a poem.'
0:29:04 > 0:29:05What cost?
0:29:07 > 0:29:10Tell me the worst thing that has happened.
0:29:10 > 0:29:14She kept suggesting to Dr Taylor that he should kill his family.
0:29:14 > 0:29:16- And?- He said it was like an earworm,
0:29:16 > 0:29:18couldn't get her out of his head.
0:29:18 > 0:29:20- And?- He left.
0:29:20 > 0:29:23- And?- Killed himself.
0:29:24 > 0:29:26And?
0:29:26 > 0:29:28His family.
0:29:28 > 0:29:29'Are you going to cry?
0:29:31 > 0:29:33'It's OK if you cry.
0:29:33 > 0:29:34'I don't want to cry.
0:29:34 > 0:29:36'I can help you cry.'
0:29:38 > 0:29:41- Play for me.- I need to know how you got out of here.
0:29:41 > 0:29:44You know already! Look at me. Look and play.
0:29:51 > 0:29:53HE BEGINS TO PLAY
0:29:53 > 0:29:56No, not Bach. You clearly don't understand it. Play you.
0:29:57 > 0:29:59- Me?- You.
0:30:02 > 0:30:04HE BEGINS TO PLAY
0:30:04 > 0:30:06Oh! Have you had sex?
0:30:06 > 0:30:08Why do you ask?
0:30:08 > 0:30:09The music. I've had sex.
0:30:09 > 0:30:12- How?- One of the nurses got careless. I liked it.
0:30:12 > 0:30:14Messy, though. People are so breakable.
0:30:14 > 0:30:16I take it he didn't consent.
0:30:16 > 0:30:17- He?- She?
0:30:17 > 0:30:19Afraid I didn't notice in the heat of the moment.
0:30:19 > 0:30:23And afterwards, well, you couldn't really tell.
0:30:23 > 0:30:26Is that vibrato, or is your hand shaking?
0:30:31 > 0:30:34I warned you explicitly, no-one was to talk to her alone.
0:30:34 > 0:30:36- You spoke to her. - I know what I'm doing!
0:30:36 > 0:30:39You even brought her a visitor on Christmas Day.
0:30:39 > 0:30:40I took a calculated risk.
0:30:40 > 0:30:43You gave her a Christmas present.
0:30:43 > 0:30:44Remember her Christmas present?
0:30:44 > 0:30:47I am aware of the dangers Eurus poses
0:30:47 > 0:30:49and equipped to deal with them.
0:30:49 > 0:30:50What dangers?
0:30:50 > 0:30:56Eurus doesn't just talk to people, she...reprograms them.
0:30:56 > 0:31:00Anyone who spends time with her is automatically compromised.
0:31:02 > 0:31:04'I'm only trying to help you. We can help each other.
0:31:04 > 0:31:07'Helping someone is the best way you can help yourself.
0:31:07 > 0:31:09'I don't trust you.'
0:31:09 > 0:31:11So, clearly you remember me?
0:31:11 > 0:31:13I remember everything. Every single thing.
0:31:13 > 0:31:16You just need a big enough hard drive.
0:31:16 > 0:31:18- WATSON: 'Sherlock?'- Not now.
0:31:18 > 0:31:21- 'Vatican Cameos.'- In a minute.
0:31:21 > 0:31:24Let's continue.
0:31:24 > 0:31:26Did they tell you to keep three feet from the glass?
0:31:26 > 0:31:29- Yes.- Be naughty, step closer.
0:31:29 > 0:31:32- Why?- Do it. Step closer.
0:31:36 > 0:31:37Tell me what you remember.
0:31:37 > 0:31:40You, me and Mycroft.
0:31:40 > 0:31:44Mycroft was quite clever. He could understand things if you went a bit slow,
0:31:44 > 0:31:48but you, you were my favourite.
0:31:48 > 0:31:50Why was I your favourite?
0:31:50 > 0:31:53Because I could make you laugh. I loved it when you laughed.
0:31:53 > 0:31:56Once, I made you laugh all night, I thought you were going to burst.
0:31:56 > 0:31:58I was so happy.
0:31:58 > 0:32:00Then Mummy and Daddy had to stop me, of course.
0:32:00 > 0:32:04- Why? - Well, turns out I'd got it wrong.
0:32:04 > 0:32:06Apparently, you were screaming.
0:32:06 > 0:32:07Why was I screaming?
0:32:07 > 0:32:09FAINT WHIMPERING
0:32:12 > 0:32:13(Redbeard!)
0:32:17 > 0:32:20- I remember Redbeard.- Do you now?
0:32:20 > 0:32:22Tell me what I don't know.
0:32:24 > 0:32:25Touch the glass.
0:32:28 > 0:32:30I put my trust in you, my implicit trust,
0:32:30 > 0:32:33as governor of this institute!
0:32:33 > 0:32:35GULLS CRY
0:32:35 > 0:32:37WAVES CRASH
0:32:44 > 0:32:45It's obvious when it all started.
0:32:45 > 0:32:48Well, she was never the same after that Christmas.
0:32:48 > 0:32:49It's as if you woke her up.
0:32:49 > 0:32:51That is entirely beside the point!
0:32:51 > 0:32:53- You had your orders and failed to act on them.- Listen to the tape.
0:32:53 > 0:32:55- Sorry?- Do it now, listen.
0:32:56 > 0:32:59- My sister's methods of... - Just listen.
0:32:59 > 0:33:01'You have no idea how I could help.
0:33:01 > 0:33:04'Bring me your wife. I want to meet her.
0:33:04 > 0:33:05- MAN:- 'I don't need your help.'
0:33:05 > 0:33:07Redbeard was my dog.
0:33:07 > 0:33:09I know what happened to Redbeard.
0:33:09 > 0:33:13Oh, Sherlock, you know nothing.
0:33:13 > 0:33:16Touch the glass and I'll tell you the truth.
0:33:19 > 0:33:22I'll touch it, too, if you're scared.
0:33:22 > 0:33:25'I can fix her for you and then I'll give you her straight back,
0:33:25 > 0:33:27'good as new, I promise.
0:33:27 > 0:33:32'That's all. What you're proposing is not... It's not...right.'
0:33:32 > 0:33:34Everyone who went in there got affected.
0:33:34 > 0:33:36- Enslaved, you said.- Yes.
0:33:36 > 0:33:39- One after the other?- Yes.
0:33:39 > 0:33:41- Dr Watson, I think we've...- Shut up!
0:33:41 > 0:33:43- EURUS:- 'Do you trust your wife?'
0:33:43 > 0:33:45One question, that's your voice, isn't it?
0:33:45 > 0:33:46'Do you really? Do you trust her?
0:33:46 > 0:33:48'You've got to stop saying these things.'
0:33:48 > 0:33:52If Eurus has enslaved you, then who exactly is in charge of this prison?
0:33:52 > 0:33:55'It's completely inappropriate.'
0:33:55 > 0:33:57I'm sorry.
0:33:57 > 0:33:58- No!- Very, very sorry.
0:33:58 > 0:34:00No! ALARM WAILS
0:34:10 > 0:34:13You think it's a trick.
0:34:13 > 0:34:16You look so unsure.
0:34:16 > 0:34:18You're not used to being unsure, are you?
0:34:18 > 0:34:20It's more common than you'd think.
0:34:20 > 0:34:22Look at you.
0:34:24 > 0:34:26The man who sees through everything
0:34:26 > 0:34:29is exactly the man who doesn't notice...
0:34:30 > 0:34:34..when there's nothing to see through.
0:34:38 > 0:34:41Do you see how it was done? I know you like explanations.
0:34:43 > 0:34:45The signs, you suspended the signs!
0:34:45 > 0:34:47And my voice? Throat mic.
0:34:47 > 0:34:49Puts me through the speakers.
0:34:49 > 0:34:51- DIRECT VOICE:- Don't you think it's clever?
0:34:51 > 0:34:54- Simple, but clever.- Transparent.
0:34:54 > 0:34:57Well, you do keep asking me how I got out of here.
0:35:01 > 0:35:04Like this.
0:35:04 > 0:35:06Ooof! Argh!
0:35:06 > 0:35:08A-A-A-A-A-A-Argh!
0:35:08 > 0:35:12Get in here, all of you! Stop me killing him!
0:35:12 > 0:35:15- COMPOSED:- No, no, stop me in a minute.
0:35:15 > 0:35:17A-A-A-A-A-A-Argh!
0:35:18 > 0:35:20Oh!
0:35:20 > 0:35:21- TANNOY:- 'Red alert! Red alert!
0:35:21 > 0:35:23'Big, red, bouncy, red alert!'
0:35:23 > 0:35:25- Dr Watson...! - 'Klingons attacking lower decks!
0:35:25 > 0:35:28'Also cowboys in black hats and Darth Vader.
0:35:28 > 0:35:31'Don't be alarmed! I'm here now, I'm here now!
0:35:31 > 0:35:33'Did you miss me? Did you miss me?
0:35:33 > 0:35:34'Miss me? Miss me?
0:35:34 > 0:35:36'Miss me? Miss me?
0:35:36 > 0:35:39'Miss me? Miss me? Miss me? Miss me?
0:35:39 > 0:35:43'Miss me? Miss me? Miss me? Miss me...?'
0:35:43 > 0:35:45MUSIC: I Want To Break Free by Queen
0:35:57 > 0:36:01# I want to break free
0:36:01 > 0:36:05# I want to break free
0:36:05 > 0:36:09# I want to break free from your lies
0:36:09 > 0:36:14# You're so self-satisfied I don't need you
0:36:14 > 0:36:17# I've got to break free
0:36:17 > 0:36:19RAPTUROUS APPLAUSE
0:36:20 > 0:36:22# God knows
0:36:22 > 0:36:26# God knows I want to break free
0:36:28 > 0:36:29# I've fallen in...#
0:36:29 > 0:36:30MUSIC STOPS
0:36:42 > 0:36:45- Mr Moriarty.- Big G.
0:36:45 > 0:36:49Big G means Governor. Street speak.
0:36:49 > 0:36:53I'm a bit down with the kids, you know.
0:36:53 > 0:36:55I'm relatable that way.
0:36:55 > 0:36:57Do you like my boys?
0:36:57 > 0:37:02This one's got more stamina, but he's less caring in the afterglow.
0:37:04 > 0:37:06This way, please.
0:37:22 > 0:37:25Smell all that insane criminality.
0:37:25 > 0:37:26HE INHALES
0:37:26 > 0:37:28Do you have cannibals here?
0:37:28 > 0:37:30- Yes.- How many?- Three.- That's good.
0:37:32 > 0:37:34People leave their bodies to science,
0:37:34 > 0:37:36I think cannibals would be so much more grateful.
0:37:38 > 0:37:40HE WHISTLES
0:37:41 > 0:37:43FAINT VOICES
0:37:43 > 0:37:45Ah!
0:37:46 > 0:37:48HE CHUCKLES
0:38:06 > 0:38:08Ah! Isn't that sweet?
0:38:08 > 0:38:10Won't you sit down?
0:38:10 > 0:38:13I wrote my own version of the Nativity when I was a child.
0:38:13 > 0:38:15The Hungry Donkey.
0:38:15 > 0:38:19It was a bit gory, but if you're going to put a baby in a manger,
0:38:19 > 0:38:20you're asking for trouble.
0:38:23 > 0:38:26- You know what this place is, of course?- Of course.
0:38:27 > 0:38:29So, am I under arrest again?
0:38:29 > 0:38:31You remain a person of interest,
0:38:31 > 0:38:33but until you commit a verifiable crime,
0:38:33 > 0:38:35you are, I regret, at liberty.
0:38:35 > 0:38:38- Then why am I here? - You're a Christmas present.
0:38:38 > 0:38:40Ah. How do you want me?
0:38:42 > 0:38:44There is, in this facility,
0:38:44 > 0:38:46a prisoner whose intellectual abilities
0:38:46 > 0:38:49are of occasional use to the British government.
0:38:49 > 0:38:53What, for, like, really difficult sums, long division, that sort of thing?
0:38:53 > 0:38:56She predicted the exact dates of the last three terrorist attacks
0:38:56 > 0:38:59on the British mainland after an hour on Twitter.
0:38:59 > 0:39:00That sort of thing.
0:39:00 > 0:39:04In return, however, she requires treats.
0:39:04 > 0:39:06Last year, it was a violin.
0:39:06 > 0:39:07This year?
0:39:09 > 0:39:14Five minutes unsupervised conversation...with you.
0:39:15 > 0:39:17Me?
0:39:20 > 0:39:21With me?
0:39:21 > 0:39:25She has noted your interest in the activities of my little brother.
0:39:25 > 0:39:31So, what has she got to do with Sherlock Holmes?
0:39:34 > 0:39:36Whatever you're about to tell me...
0:39:38 > 0:39:42..I already know it's going to be...awesome!
0:40:09 > 0:40:10I'm your Christmas present.
0:40:19 > 0:40:20So, what's mine?
0:40:29 > 0:40:30Redbeard.
0:40:53 > 0:40:55HE GROANS
0:40:55 > 0:40:57How are you?
0:40:59 > 0:41:02- Bit of a lump. - True, that, but you have your uses.
0:41:03 > 0:41:05- Did you see your sister?- Yes.
0:41:05 > 0:41:08- How was that? - Family is always difficult.
0:41:08 > 0:41:11Is this an occasion for banter?
0:41:11 > 0:41:12Case in point.
0:41:12 > 0:41:13RINGING TONE
0:41:13 > 0:41:16- Are we phoning someone?- Apparently.
0:41:16 > 0:41:18- What's he doing here?- As he is told.
0:41:18 > 0:41:20Eurus is in control.
0:41:20 > 0:41:21PHONE CONNECTS
0:41:21 > 0:41:25Help me. Please, I'm on a plane and everyone's asleep!
0:41:25 > 0:41:27Help me!
0:41:27 > 0:41:29'Hello. My name's Jim Moriarty.
0:41:29 > 0:41:34'Welcome to the final problem.'
0:41:34 > 0:41:36- It's OK, he's dead. - He doesn't sound dead.
0:41:36 > 0:41:38'This is a recorded announcement.
0:41:38 > 0:41:42'Please say hello to some very old friends of mine.'
0:41:42 > 0:41:44Hello? I can hear you talking.
0:41:44 > 0:41:47'Please help me! I'm on a plane and it's going to crash!'
0:41:47 > 0:41:49- What is this? We can't do this! - Do shut up, dear.
0:41:49 > 0:41:51- 'Is someone there?!' - Is this supposed to be a game?
0:41:51 > 0:41:54- Be quiet.- 'Please help me!'
0:41:54 > 0:41:58Oh, hello. Um...try...try to stay calm.
0:41:58 > 0:42:00Just...tell me...tell me what your name is.
0:42:00 > 0:42:02I'm not supposed to tell my name to strangers.
0:42:02 > 0:42:05Of course not, very good. But, um...I'll tell you mine.
0:42:05 > 0:42:08- My name is... - WHITE NOISE
0:42:08 > 0:42:09Hello?
0:42:09 > 0:42:12Oh, dear. We seem to have lost the connection.
0:42:14 > 0:42:16How have you done this? How is any of this possible?
0:42:16 > 0:42:19You put me in here, Mycroft, you brought me my treats.
0:42:21 > 0:42:22What treats?
0:42:27 > 0:42:30'Clever, Eurus! You go, girl!'
0:42:30 > 0:42:32How can that be Moriarty?
0:42:32 > 0:42:36Oh, he recorded lots of little messages for me before he died.
0:42:36 > 0:42:39Loved it. Did you know his brother was a stationmaster?
0:42:39 > 0:42:41I think he was always jealous.
0:42:41 > 0:42:43The girl, where is she?
0:42:43 > 0:42:45Can I talk to her again?
0:42:45 > 0:42:46Poor little thing.
0:42:46 > 0:42:51Alone in the sky in a great big plane with nowhere to land.
0:42:51 > 0:42:52But where in the world is she?
0:42:52 > 0:42:54It's a clever little puzzle.
0:42:54 > 0:42:57If you want to apply yourself to it, I can reconnect you,
0:42:57 > 0:42:58but first...
0:43:03 > 0:43:05That's my wife.
0:43:05 > 0:43:06That's my wife!
0:43:08 > 0:43:10Oh, God, that's my wife!
0:43:10 > 0:43:11I'm going to shoot the governor's wife.
0:43:11 > 0:43:14Please! No!
0:43:14 > 0:43:15Please! Help her!
0:43:15 > 0:43:20In about a minute...bang! Dead!
0:43:20 > 0:43:23- Please don't do that. - Well, you can stop me.
0:43:23 > 0:43:26- How? - There's a gun in the hatch. Take it.
0:43:30 > 0:43:32You want to save the governor's wife,
0:43:32 > 0:43:35choose either Dr Watson or Mycroft to kill the governor.
0:43:35 > 0:43:37Oh! Oh, God!
0:43:41 > 0:43:44You can't do it, Sherlock. If you do it, it won't count. I'll kill her, anyway.
0:43:44 > 0:43:47It has to be your brother or your friend.
0:43:49 > 0:43:51You have to do this.
0:43:52 > 0:43:53Eurus will kill her!
0:43:56 > 0:43:58It doesn't appear we have a choice.
0:43:58 > 0:44:01Right, then. Countdown's starting.
0:44:02 > 0:44:04How long?
0:44:04 > 0:44:06No, no, no, the countdown is for me.
0:44:06 > 0:44:10Withholding the precise deadline will apply the emotional pressure more evenly.
0:44:10 > 0:44:15Where possible, please give me an explicit verbal indication of your anxiety levels,
0:44:15 > 0:44:17I can't always read them from your behaviour.
0:44:17 > 0:44:19I can't do this.
0:44:19 > 0:44:21I can't, it's murder.
0:44:21 > 0:44:24This is not murder, this is saving my wife.
0:44:24 > 0:44:27I'm particularly focused on internal conflicts,
0:44:27 > 0:44:30where strategising around a largely-intuitive moral code
0:44:30 > 0:44:33appears to create a counterintuitive result.
0:44:33 > 0:44:35I will not kill.
0:44:35 > 0:44:37I will not have blood on my hands!
0:44:37 > 0:44:39Yes, very good. Thank you.
0:44:39 > 0:44:41Killing my wife is what you are doing.
0:44:41 > 0:44:42No!
0:44:46 > 0:44:47OK, fine.
0:44:49 > 0:44:50John?
0:44:53 > 0:44:55Dr Watson, are you married?
0:44:55 > 0:44:56I was.
0:44:56 > 0:44:59- What happened?- She died.
0:45:00 > 0:45:02What would you give to get her back?
0:45:02 > 0:45:04I mean, if you could, if it was possible,
0:45:04 > 0:45:06what would you do to save her?
0:45:06 > 0:45:08Eurus will kill me.
0:45:08 > 0:45:11Please save my wife.
0:45:11 > 0:45:13There will, I'm afraid, be regular prompts
0:45:13 > 0:45:16to create an atmosphere of urgency.
0:45:16 > 0:45:19- MORIARTY:- 'Tick-tock, tick-tock, tick-tock.
0:45:19 > 0:45:23'Tick-tick-tick-tick, tick-tock, tick-tock, tick-tock.'
0:45:34 > 0:45:36What's your name?
0:45:36 > 0:45:37David.
0:45:37 > 0:45:39And you're sure about this, David?
0:45:39 > 0:45:40Of course I'm bloody sure!
0:45:40 > 0:45:43Nearly there.
0:45:43 > 0:45:45Right, do you want to pray or anything?
0:45:45 > 0:45:48With Eurus Holmes in the world, who the hell would I pray to?
0:45:49 > 0:45:52You are a good man and you are doing a good thing.
0:45:52 > 0:45:53So are you.
0:45:53 > 0:45:55I'll spend the rest of my life telling myself that.
0:46:05 > 0:46:06Please!
0:46:25 > 0:46:26Oh, God!
0:46:26 > 0:46:30I know that you're scared, but you should also be very proud.
0:46:30 > 0:46:33Just do it! Be quick!
0:46:35 > 0:46:38- MORIARTY: - 'Tick-tick-tick-tick-tick-tick.'
0:46:38 > 0:46:41This is very good, Dr Watson.
0:46:41 > 0:46:43I should have fitted you with a cardiograph.
0:46:43 > 0:46:44Goodbye, David.
0:46:46 > 0:46:49'Tock-tock-tock-tock-tock-tock-tock, tick-tick-tick.'
0:46:52 > 0:46:55- SOBS:- Please!
0:46:55 > 0:46:57I can't. I'm sorry, I can't do it.
0:46:57 > 0:46:59I know, it's all right.
0:46:59 > 0:47:01Stop! No, no! Stop!
0:47:02 > 0:47:04I'm sorry.
0:47:04 > 0:47:05- It's all right. - I'm so sorry!
0:47:05 > 0:47:07Remember me.
0:47:07 > 0:47:09- No!- No! - GUNSHOT
0:47:12 > 0:47:14Oh!
0:47:14 > 0:47:16HE VOMITS
0:47:16 > 0:47:18Are you all right?
0:47:19 > 0:47:21Interesting.
0:47:22 > 0:47:25All right, there you go, you got what you wanted, and he's dead.
0:47:25 > 0:47:29Dead or alive, he really wasn't very interesting.
0:47:29 > 0:47:32But you three, you three were wonderful.
0:47:32 > 0:47:34Thank you.
0:47:35 > 0:47:40You see, what you did, Dr Watson, specifically because of your moral code,
0:47:40 > 0:47:42because you don't want blood on your hands,
0:47:42 > 0:47:44two people are dead instead of one.
0:47:44 > 0:47:46Two people?
0:47:46 > 0:47:47Yes. Sorry.
0:47:47 > 0:47:49Hang on.
0:47:51 > 0:47:53GUNSHOT
0:47:53 > 0:47:54Oh!
0:47:55 > 0:47:57HE EXHALES
0:48:01 > 0:48:04What advantage did your moral code grant you?
0:48:04 > 0:48:07Is it not, in the end, selfish to keep one's hands clean
0:48:07 > 0:48:09at the expense of another's life?
0:48:09 > 0:48:11You didn't have to kill her!
0:48:11 > 0:48:13Huh! The condition of her survival
0:48:13 > 0:48:17was that you or Mycroft had to kill her husband.
0:48:18 > 0:48:20This is an experiment.
0:48:20 > 0:48:22There will be rigour.
0:48:22 > 0:48:25Sherlock, pick up the gun. It's your turn next.
0:48:25 > 0:48:28When I tell you to use it, and I will,
0:48:28 > 0:48:30remember what happened this time.
0:48:30 > 0:48:32What if I don't want a gun?
0:48:32 > 0:48:34Oh, the gun is intended as a mercy.
0:48:34 > 0:48:36- For whom?- You.
0:48:36 > 0:48:37- How so?- If someone else had to die,
0:48:37 > 0:48:40would you really want to do it with your bare hands?
0:48:40 > 0:48:42It would waste valuable time.
0:48:48 > 0:48:50Probably just take it.
0:48:57 > 0:48:58There's only one bullet left.
0:48:58 > 0:49:00You will only need one.
0:49:00 > 0:49:03But you WILL need it.
0:49:03 > 0:49:04DOOR OPENS
0:49:05 > 0:49:07Please, go through.
0:49:07 > 0:49:09There's a few tasks for you
0:49:09 > 0:49:13and a girl on a plane is getting very, very scared.
0:49:18 > 0:49:19Treats?
0:49:19 > 0:49:22Yes. You know, a violin.
0:49:22 > 0:49:25In exchange for?
0:49:25 > 0:49:26She's very clever.
0:49:26 > 0:49:28I'm beginning to think you're not.
0:49:30 > 0:49:33- MORIARTY:- 'Come on now, all aboard!
0:49:33 > 0:49:38'Choo-choo! Choo-choo! Choo-choo!
0:49:38 > 0:49:42'Choo-choo! Choo-choo!
0:49:42 > 0:49:44'Choo-choo!
0:49:44 > 0:49:47'Choo-choo! Choo-choo!'
0:49:47 > 0:49:49Someone's been redecorating.
0:49:49 > 0:49:52- Is that allowed?- She's literally taken over the asylum,
0:49:52 > 0:49:55we have more to worry about than her choice of colour scheme.
0:49:55 > 0:49:57Barely dry. Recent.
0:49:57 > 0:49:59And it's for our benefit.
0:49:59 > 0:50:02As a motivator to your continued cooperation,
0:50:02 > 0:50:05I'm now reconnecting you.
0:50:05 > 0:50:10'Fasten your seatbelts, it's going to be a bumpy night.'
0:50:10 > 0:50:11- GIRL:- 'Are...are you still there?'
0:50:11 > 0:50:13Yes, hello?
0:50:13 > 0:50:15Hello, we're still here, can you hear us?
0:50:15 > 0:50:17- Yes.- 'Everything is going to be all right,
0:50:17 > 0:50:20'I-I just need you to tell me where you are.
0:50:20 > 0:50:22'Outside, is it day or night?'
0:50:22 > 0:50:25- Night.- That certainly narrows it down to half the planet(!)
0:50:25 > 0:50:27- What kind of a plane are you on? - 'I don't know.'
0:50:27 > 0:50:31- Is it big or small?- 'Big.' - Lots of people on it?
0:50:31 > 0:50:33Lots and lots, but they're all asleep, I can't wake them up.
0:50:33 > 0:50:36- Where did you take off from? - 'And the driver's asleep.'
0:50:36 > 0:50:39No, I understand, but where did you come from?
0:50:39 > 0:50:41'Where did the plane take off?'
0:50:41 > 0:50:43- My nan's.- And where are you going?
0:50:43 > 0:50:45- 'Home.'- No, I mean what airport...
0:50:45 > 0:50:48Enough for now. Time to play a new game.
0:50:48 > 0:50:52Look on the table in front of you. Open the envelope.
0:50:52 > 0:50:54If you want to speak to the girl again,
0:50:54 > 0:50:56earn yourself some phone time!
0:50:56 > 0:50:58This is inhuman, this is insane!
0:50:58 > 0:50:59Mycroft, we know!
0:51:01 > 0:51:04Six months ago, a man called Evans was murdered.
0:51:04 > 0:51:05Unsolved, except by me.
0:51:07 > 0:51:10He was shot from a distance of 300 metres with this rifle.
0:51:12 > 0:51:13Now, if the police had any brains,
0:51:13 > 0:51:16they'd realise there are three suspects, all brothers,
0:51:16 > 0:51:20Nathan Garrideb, Alex Garrideb and Howard Garrideb.
0:51:20 > 0:51:22All these photos are up to date,
0:51:22 > 0:51:27but which one pulled the trigger, Sherlock?
0:51:27 > 0:51:29Which one?
0:51:29 > 0:51:32What's this, we're supposed to solve this based on what?
0:51:32 > 0:51:34This. This is all we get.
0:51:34 > 0:51:36Please, make use of your friends, Sherlock.
0:51:36 > 0:51:40I want to see you interact with people that you're close to.
0:51:40 > 0:51:42Also, you may have to choose which one to keep.
0:51:44 > 0:51:47- What do you make of it?- Am I being asked to prove my usefulness?
0:51:47 > 0:51:48Yes, I should think you are.
0:51:48 > 0:51:50I will not be manipulated like this.
0:51:50 > 0:51:52Fine. John? John!
0:51:54 > 0:51:58Yeah, I think I've seen one of these. It's a buffalo gun.
0:51:58 > 0:52:02I'd say 1940s, old-fashioned sight. No crosshairs.
0:52:02 > 0:52:05Glasses, glasses. Nathan wears glasses.
0:52:05 > 0:52:08Evans was shot from 300 metres.
0:52:08 > 0:52:10The kickback from a gun with this calibre...
0:52:14 > 0:52:15..would be massive.
0:52:15 > 0:52:17No cuts, no scarring.
0:52:17 > 0:52:19It's not Nathan, then. Who's next?
0:52:19 > 0:52:21Well done, Dr Watson. How useful you are.
0:52:21 > 0:52:23Do you have a suspicion we're being made to compete?
0:52:23 > 0:52:26We're not competing. There's a plane in the air that's going to crash,
0:52:26 > 0:52:28so what we're doing is trying to save a little girl.
0:52:28 > 0:52:31Today, we have to be soldiers, Mycroft, soldiers.
0:52:31 > 0:52:33And that means to hell with what happens to us!
0:52:35 > 0:52:36Your priorities do you credit.
0:52:36 > 0:52:39No, my priorities just got a woman killed.
0:52:39 > 0:52:41Now, as I understand it, Sherlock,
0:52:41 > 0:52:44you try to repress your emotions to refine your reasoning.
0:52:44 > 0:52:47I'd like to see how that works. So, if you don't mind,
0:52:47 > 0:52:51I'm going to apply some context to your deductions.
0:52:53 > 0:52:54Oh, dear God!
0:52:54 > 0:52:57Two of the Garridebs work here as orderlies,
0:52:57 > 0:53:00so getting the third along really wasn't too difficult.
0:53:00 > 0:53:05Once you bring in your verdict, let me know and justice will be done.
0:53:05 > 0:53:07- Justice? - What will you do with them?
0:53:07 > 0:53:09Early release.
0:53:09 > 0:53:10You'll drop them into the sea.
0:53:10 > 0:53:12Sink or swim.
0:53:12 > 0:53:13They're tied up!
0:53:13 > 0:53:16Exactly! Now there is context.
0:53:16 > 0:53:18Please continue with your deductions.
0:53:18 > 0:53:21I'm now focusing on the difference to your mental capacity
0:53:21 > 0:53:23a specified consequence can make.
0:53:23 > 0:53:24Why should we bother?
0:53:24 > 0:53:28What if we're disinclined to play your games, little sister?
0:53:28 > 0:53:31Hm-hm! I have, if you remember,
0:53:31 > 0:53:33provided you with some motivation.
0:53:33 > 0:53:36- GIRL:- 'We're going through the clouds, like cotton wool.'
0:53:36 > 0:53:39Oh, that's nice. Try to tell me more about the plane.
0:53:39 > 0:53:41Why won't my mummy wake up?
0:53:41 > 0:53:43CALL DISCONNECTS
0:53:45 > 0:53:47So it's got to be one of the other two. Now, Howard...
0:53:49 > 0:53:51Howard's a lifelong drunk, pallor of his skin,
0:53:51 > 0:53:53terminal gin blossoms on his red nose.
0:53:53 > 0:53:56And, terror notwithstanding, a bad case of the DTs.
0:54:00 > 0:54:03There's no way he could have taken that shot from 300 metres way.
0:54:03 > 0:54:04So that leaves us with Alex.
0:54:04 > 0:54:07Indentations on the temples suggest he habitually wears glasses.
0:54:07 > 0:54:09Frown lines suggest a lifetime of peering.
0:54:09 > 0:54:10He's short-sighted, or he was.
0:54:10 > 0:54:12His recent laser surgery has done the trick.
0:54:12 > 0:54:15- Laser surgery?- Look at his clothes, he's made an effort.
0:54:15 > 0:54:17- That's very good.- Excellent.
0:54:17 > 0:54:21Suddenly he sees himself in quite a different light now that he's dumped the specs.
0:54:21 > 0:54:22He even has a spray tan.
0:54:22 > 0:54:25But he's clearly not used to his new personal grooming ritual.
0:54:25 > 0:54:29That can be told by the state of his fingernails and the fact that there's hair growing in his ears.
0:54:29 > 0:54:31So it's a superficial job, then.
0:54:31 > 0:54:33But he got his eyes fixed, his hands were steady.
0:54:33 > 0:54:35He pulled the trigger. He killed Evans.
0:54:35 > 0:54:37Are you ready to condemn the prisoner?
0:54:37 > 0:54:39Sherlock, we can't do this.
0:54:39 > 0:54:40The plane, remember?
0:54:40 > 0:54:42Sherlock, are you ready?
0:54:45 > 0:54:47Alex.
0:54:47 > 0:54:50Say it. Condemn him.
0:54:50 > 0:54:54Condemn him in the knowledge of what will happen to the man you name.
0:54:57 > 0:54:59I condemn Alex Garrideb.
0:55:01 > 0:55:02- MORIARTY:- 'Mind the gap.'
0:55:02 > 0:55:05Congratulations, you got the right one.
0:55:05 > 0:55:06Now, go through the door.
0:55:06 > 0:55:09You dropped the other two, why?
0:55:09 > 0:55:11- Interesting.- Why?!
0:55:11 > 0:55:12Does it really make a difference,
0:55:12 > 0:55:15killing the innocent instead of the guilty?
0:55:15 > 0:55:16Let's see.
0:55:16 > 0:55:19'The train has left the station!'
0:55:19 > 0:55:23No. That felt pretty much the same.
0:55:23 > 0:55:25John?
0:55:25 > 0:55:28- Don't let her distract you. - Distract me?- Soldiers today.
0:55:51 > 0:55:52One more minute on the phone.
0:55:52 > 0:55:54- GIRL:- 'I'm frightened! I'm really frightened!'
0:55:54 > 0:55:57It's OK, don't worry. I don't have very long with you,
0:55:57 > 0:56:00so I just need you tell me what you can see outside the plane.
0:56:00 > 0:56:02Just the sea. I can see the sea.
0:56:02 > 0:56:05- Are there ships on it?- 'No ships.
0:56:05 > 0:56:06'I can see lights in the distance.'
0:56:06 > 0:56:08- Is it a city?- 'I think so.'
0:56:08 > 0:56:11She's about to fly over a city in a pilotless plane.
0:56:11 > 0:56:12We'll have to talk her through it.
0:56:12 > 0:56:15- Through what? - 'Hello? Are you still there?'
0:56:15 > 0:56:17Still here. Just give us a minute.
0:56:17 > 0:56:19Getting the plane away from any mainland, any populated areas.
0:56:19 > 0:56:22- It has to crash in the sea. - What about the girl?
0:56:22 > 0:56:25Well, obviously, Dr Watson, she's the one who's going to crash it.
0:56:25 > 0:56:27No. We could help her land it.
0:56:27 > 0:56:29And if we fail and she crashes into a city?
0:56:29 > 0:56:30How many will die then?
0:56:30 > 0:56:33How are we going to get her to do that?
0:56:33 > 0:56:35I'm afraid we're going to have to give her hope.
0:56:35 > 0:56:37Is there really no-one there that can help you?
0:56:37 > 0:56:39Have you really, really checked?
0:56:39 > 0:56:42Everyone's asleep. Will you help me?
0:56:42 > 0:56:44We're going to do everything that we can.
0:56:44 > 0:56:46'I'm scared. I'm really scared!'
0:56:46 > 0:56:47It's all right, I...
0:56:47 > 0:56:50- EURUS:- Now, back to the matter in hand. Coffin.
0:56:50 > 0:56:53Problem, someone is about to die.
0:56:53 > 0:56:55It will be, as I understand it, a tragedy.
0:56:55 > 0:56:57So many days not lived,
0:56:57 > 0:57:02so many words unsaid, et cetera, et cetera, et cetera, et cetera...
0:57:02 > 0:57:05Yes, yes, yes, and this, I presume, will be their coffin.
0:57:05 > 0:57:07Whose coffin, Sherlock?
0:57:07 > 0:57:10Please, start your deductions.
0:57:10 > 0:57:12I will apply some context in a moment.
0:57:12 > 0:57:15Well, allowing for the entirely pointless courtesy of headroom,
0:57:15 > 0:57:18I'd say this coffin is intended for someone of about five foot four.
0:57:18 > 0:57:20- Makes it more likely to be a woman. - Not a child?
0:57:20 > 0:57:23A child's would be more expensive. This is in the lower price range,
0:57:23 > 0:57:25although still best available in that bracket.
0:57:25 > 0:57:26That was a lonely night on Google.
0:57:26 > 0:57:28This is a practical and informed choice.
0:57:28 > 0:57:31The balance of probability suggests that this is for an unmarried woman,
0:57:31 > 0:57:33distant from her close relatives.
0:57:33 > 0:57:36That is suggested by the economy of choice, acquainted with the process of death,
0:57:36 > 0:57:39but unsentimental about the necessity of disposal. The lining of the coffin...
0:57:39 > 0:57:42Yes, very good, Sherlock, or we could just look at the name on the lid.
0:57:46 > 0:57:48Only it isn't a name.
0:57:48 > 0:57:50So it's for somebody who loves somebody.
0:57:50 > 0:57:52It's for somebody who loves Sherlock.
0:57:52 > 0:57:55This is all about you, everything here.
0:57:56 > 0:57:57So, who loves you?
0:57:57 > 0:58:00I'm assuming it's not a long list.
0:58:00 > 0:58:03- Irene Adler.- Don't be ridiculous. Look at the coffin.
0:58:05 > 0:58:08Unmarried, practical about death, alone.
0:58:10 > 0:58:12- Molly.- Molly Hooper.
0:58:12 > 0:58:14She's perfectly safe, for the moment.
0:58:14 > 0:58:18Her flat is rigged to explode in approximately three minutes,
0:58:18 > 0:58:20unless I hear the release code from her lips.
0:58:20 > 0:58:23I'm calling her on your phone, Sherlock.
0:58:23 > 0:58:25- Make her say it.- Say what?
0:58:25 > 0:58:27- Obvious, surely.- No.- Yes.
0:58:30 > 0:58:33Oh, one important restriction, you're not allowed to mention
0:58:33 > 0:58:35in any way at all that her life is in danger.
0:58:35 > 0:58:38You may not, at any point, suggest that there is any form of crisis.
0:58:38 > 0:58:41If you do, I will end this session and her life.
0:58:41 > 0:58:43Are we clear?
0:58:44 > 0:58:46- MORIARTY:- 'Tick-tock, tick-tock, tick-tock,
0:58:46 > 0:58:48'tick-tock, tick-tock, tick-tick...'
0:58:48 > 0:58:50PHONE RINGS
0:58:57 > 0:59:00- What's she doing?- She's making tea.
0:59:00 > 0:59:02But why isn't she answering her phone?
0:59:02 > 0:59:03You never answer your phone.
0:59:03 > 0:59:05Yes, but it's me calling.
0:59:10 > 0:59:13- ANSWERPHONE:- 'Hi, this is Molly at the dead centre of town.
0:59:13 > 0:59:16'Leave a message.'
0:59:16 > 0:59:20OK, OK. Just one more time.
0:59:20 > 0:59:22DIALLING TONE
0:59:22 > 0:59:24PHONE RINGS
0:59:24 > 0:59:26Go on, Molly, pick up. Just bloody pick up.
0:59:26 > 0:59:28PHONE RINGS
0:59:37 > 0:59:41'Hello, Sherlock. Is this urgent? Because I'm not having a good day.'
0:59:41 > 0:59:45Molly, I just want you to do something very easy for me and not ask why.
0:59:45 > 0:59:47Oh, God! Is this one of your stupid games?
0:59:47 > 0:59:51No, it's not a game. I need you to help me.
0:59:51 > 0:59:54- Look, I'm not at the lab. - It's not about that.
0:59:54 > 0:59:56Well, quickly, then.
0:59:58 > 1:00:01Sherlock! What is it, what do you want?
1:00:01 > 1:00:03'Tick-tock, tick-tock, tick-tock...'
1:00:03 > 1:00:07Molly, please, without asking why, just say these words.
1:00:07 > 1:00:08What words?
1:00:08 > 1:00:09I love you.
1:00:11 > 1:00:15- Leave me alone.- Molly, no, please, no! Don't hang up! Do not hang up!
1:00:15 > 1:00:18Calmly, Sherlock, or I will finish her right now.
1:00:18 > 1:00:19Why are you doing this to me?!
1:00:19 > 1:00:20Why are you making fun of me?!
1:00:20 > 1:00:22Please, I swear, you just have to listen to me.
1:00:22 > 1:00:24Softer, Sherlock.
1:00:24 > 1:00:27Molly, this is for a case.
1:00:27 > 1:00:29It's...it's a sort of experiment.
1:00:29 > 1:00:31I'm not an experiment, Sherlock.
1:00:31 > 1:00:34No, I know you're not an experiment, you're my friend.
1:00:34 > 1:00:38We're friends, but, please, just say those words for me.
1:00:38 > 1:00:43Please don't do this. Just...just...don't do it.
1:00:43 > 1:00:45It's very important.
1:00:45 > 1:00:46I can't say why.
1:00:46 > 1:00:48But I promise you, it is.
1:00:48 > 1:00:51I can't say that, I can't...I can't say that to you.
1:00:51 > 1:00:53Of course you can. Why can't you?
1:00:53 > 1:00:54'You know why.'
1:00:54 > 1:00:56No, I don't know why.
1:00:56 > 1:00:57SHE SIGHS
1:00:57 > 1:00:59Of course you do.
1:00:59 > 1:01:02'Tick-tock, tick-tock, tick-tock, tick-tock,
1:01:02 > 1:01:03'tick-tick-tick-tick-tick.'
1:01:03 > 1:01:05Please, just say it.
1:01:07 > 1:01:09'I can't. Not to you.'
1:01:09 > 1:01:11Why?
1:01:11 > 1:01:14Because...because it's true.
1:01:14 > 1:01:18Because...it's true, Sherlock.
1:01:18 > 1:01:20It's always been true.
1:01:22 > 1:01:24Well, if it's true, just say it anyway.
1:01:27 > 1:01:28You bastard!
1:01:28 > 1:01:29'Say it anyway.'
1:01:29 > 1:01:34'You say it. Go on. You say it first.'
1:01:34 > 1:01:37- What? - Say it. Say it like you mean it.
1:01:39 > 1:01:41Final 30 seconds.
1:01:48 > 1:01:49I...
1:01:52 > 1:01:54..I love you.
1:01:58 > 1:01:59I love you.
1:02:02 > 1:02:04Molly?
1:02:07 > 1:02:09Molly, please!
1:02:18 > 1:02:20I love you.
1:02:20 > 1:02:21BEEPING
1:02:21 > 1:02:23HE EXHALES
1:02:31 > 1:02:33Sherlock, however hard that was...
1:02:33 > 1:02:35Eurus, I won. I won.
1:02:36 > 1:02:39Come on, play fair. The girl on the plane, I need to talk to her.
1:02:42 > 1:02:43I won! I saved Molly Hooper!
1:02:43 > 1:02:45Huh!
1:02:45 > 1:02:48Saved her? From what?
1:02:48 > 1:02:51Oh, do be sensible, there were no explosives in her little house.
1:02:51 > 1:02:53Why would I be so clumsy?
1:02:53 > 1:02:55You didn't win, you lost.
1:02:55 > 1:02:58Look what you did to her. Look what you did to yourself.
1:02:58 > 1:03:01All those complicated little emotions, I lost count.
1:03:01 > 1:03:05Emotional context, Sherlock, it destroys you every time.
1:03:05 > 1:03:09Now, please, pull yourself together. I need you at peak efficiency.
1:03:09 > 1:03:11The next one isn't going to be so easy.
1:03:13 > 1:03:14In your own time.
1:03:30 > 1:03:34- Sherlock?- No. No!
1:03:35 > 1:03:38No! No! No! Argh!
1:03:42 > 1:03:45No! No! No!
1:03:45 > 1:03:49A-A-A-A-A-A-A-Argh!
1:03:53 > 1:03:57THUNDERCLAP
1:03:57 > 1:03:59WIND WHISTLES
1:04:05 > 1:04:07Hm-hm.
1:04:10 > 1:04:12I know this is difficult, and I know you're being tortured,
1:04:12 > 1:04:14but you have got to keep it together.
1:04:14 > 1:04:17This isn't torture, this is vivisection.
1:04:17 > 1:04:20We're experiencing science from the perspective of lab rats.
1:04:22 > 1:04:24Huh!
1:04:27 > 1:04:28- Soldiers?- Soldiers.
1:04:34 > 1:04:36WATSON EXHALES
1:04:36 > 1:04:39- MORIARTY:- 'Tick-tock! Tickets, please!'
1:04:39 > 1:04:42Hey, Sis, don't mean to complain, but this one's empty.
1:04:42 > 1:04:44What happened, did you run out of ideas?
1:04:44 > 1:04:48It's not empty, Sherlock. You've still got the gun, haven't you?
1:04:48 > 1:04:51I told you you'd need it, because only two can play the next game.
1:04:51 > 1:04:53Just two of you go on from here.
1:04:53 > 1:04:56Your choice, it's make-your-mind-up time.
1:04:56 > 1:04:59Whose help do you need the most, John or Mycroft?
1:04:59 > 1:05:02It's an elimination round.
1:05:02 > 1:05:04You choose one and kill the other.
1:05:04 > 1:05:06You have to choose, family or friend.
1:05:06 > 1:05:09Mycroft or John Watson?
1:05:09 > 1:05:11'Tick-tick-tick-tick-tick-tick...'
1:05:11 > 1:05:15- Eurus, enough! - Not yet, I think, but nearly.
1:05:15 > 1:05:19Remember, there's a plane in the sky and it's not going to land.
1:05:22 > 1:05:24- Well?- Well, what?
1:05:24 > 1:05:27We're not actually going to discuss this, are we?
1:05:27 > 1:05:31I'm sorry, Dr Watson, you're a fine man in many respects.
1:05:31 > 1:05:33Make your goodbyes and shoot him.
1:05:35 > 1:05:37- Shoot him!- What?
1:05:37 > 1:05:39Shoot Dr Watson.
1:05:39 > 1:05:43There's no question who has to continue from here, it's us. You and me.
1:05:43 > 1:05:46Whatever lies ahead requires brainpower, Sherlock,
1:05:46 > 1:05:47not sentiment.
1:05:47 > 1:05:49Don't prolong his agony, shoot him.
1:05:49 > 1:05:51Do I get a say in this?
1:05:51 > 1:05:55Today, we are soldiers. Soldiers die for their country.
1:05:55 > 1:05:58I regret, Dr Watson, that privilege is now yours.
1:06:00 > 1:06:01Shit, he's right.
1:06:03 > 1:06:05He is, in fact, right.
1:06:05 > 1:06:09Make it swift. No need to prolong his agony.
1:06:09 > 1:06:11Get it over with and we can get to work.
1:06:14 > 1:06:16Huh! Hm-hm!
1:06:16 > 1:06:19Oh, God! I should have expected this.
1:06:19 > 1:06:23Pathetic. You always were the slow one. The idiot.
1:06:23 > 1:06:25That's why I've always despised you.
1:06:25 > 1:06:29You shame us all. You shame the family name.
1:06:29 > 1:06:32Now, for once in your life, do the right thing.
1:06:32 > 1:06:35Put this stupid little man out of all our misery.
1:06:35 > 1:06:36Shoot him!
1:06:36 > 1:06:39- Stop it.- Look at him. What is he?
1:06:39 > 1:06:42Nothing more than a distraction, a little scrap of ordinariness
1:06:42 > 1:06:45for you to impress, to dazzle with your cleverness.
1:06:45 > 1:06:46You'll find another.
1:06:46 > 1:06:49- Please, for God's sake, just stop it.- Why?
1:06:49 > 1:06:53Because, on balance, even your Lady Bracknell was more convincing.
1:06:53 > 1:06:56Ignore everything he just said, he's being kind.
1:06:56 > 1:06:58He's trying to make it easy for me to kill him.
1:07:00 > 1:07:03Which is why this is going to be so much harder.
1:07:05 > 1:07:07You said you liked my Lady Bracknell.
1:07:07 > 1:07:09Sherlock, don't.
1:07:09 > 1:07:11It's not your decision, Dr Watson.
1:07:11 > 1:07:14Not in the face, though, please.
1:07:14 > 1:07:15I promised my brain to the Royal Society.
1:07:15 > 1:07:18Where would you suggest?
1:07:18 > 1:07:21Well, I suppose there is a heart somewhere inside me.
1:07:21 > 1:07:24I don't imagine it's much of a target,
1:07:24 > 1:07:27but why don't we try for that?
1:07:27 > 1:07:28I won't allow this.
1:07:30 > 1:07:33This is my fault. Moriarty.
1:07:33 > 1:07:36- Moriarty?- Her Christmas treat.
1:07:36 > 1:07:40Five minutes' conversation with Jim Moriarty five years ago.
1:07:40 > 1:07:43What did they discuss?
1:07:43 > 1:07:45Five minutes' conversation...
1:07:48 > 1:07:50..unsupervised.
1:07:56 > 1:07:58SHERLOCK SIGHS
1:07:59 > 1:08:01Goodbye, brother mine.
1:08:04 > 1:08:05No flowers.
1:08:07 > 1:08:09My request.
1:08:13 > 1:08:17Jim Moriarty thought you'd make this choice. He was so excited.
1:08:19 > 1:08:22'And here we are, the end of the line.
1:08:22 > 1:08:26'Holmes killing Holmes.'
1:08:31 > 1:08:33'This is where I get off.'
1:08:37 > 1:08:38Five minutes.
1:08:40 > 1:08:44It took her just five minutes to do all of this to us.
1:08:52 > 1:08:54Well, not on my watch.
1:08:54 > 1:08:55What are you doing?
1:08:57 > 1:08:59A moment ago, a brave man asked to be remembered.
1:08:59 > 1:09:01I'm remembering the governor.
1:09:01 > 1:09:05- Ten...- No! No, Sherlock...
1:09:05 > 1:09:08- ..nine, eight...- You can't!
1:09:08 > 1:09:10- ..seven... - You don't know about Redbeard yet!
1:09:10 > 1:09:13- ..six...- Sherlock!- ..five...
1:09:13 > 1:09:15- Sherlock, stop that at once! - POPPING
1:09:15 > 1:09:17..four...
1:09:18 > 1:09:19..three...
1:09:20 > 1:09:22..two...
1:09:38 > 1:09:40- GIRL:- 'Hello?
1:09:43 > 1:09:45'Hello? Are you still there?'
1:09:45 > 1:09:48Yes, yeah, no, I'm...I'm still here. I'm here.
1:09:48 > 1:09:51You went away. You said you'd help me and you went away.
1:09:51 > 1:09:53Yes, I know. Well, I'm sorry about that.
1:09:53 > 1:09:56We...we...we must have got cut off. Um...
1:09:57 > 1:10:00How...how...how long was I away?
1:10:00 > 1:10:01Hours. Hours and hours.
1:10:01 > 1:10:04Why don't grown-ups tell the truth?
1:10:04 > 1:10:08No, I-I am telling the truth. You can trust me.
1:10:08 > 1:10:09'Where did you go?'
1:10:09 > 1:10:12I'm not completely sure.
1:10:12 > 1:10:14Um...now, I tell you what,
1:10:14 > 1:10:17you...you've got to be really, really brave for me.
1:10:17 > 1:10:21Can you go to the front of the plane? Can you do that?
1:10:21 > 1:10:23- 'The front?' - Yes, that's right, the front.
1:10:23 > 1:10:26- 'You mean where the driver is?' - Yes, that's it.
1:10:26 > 1:10:29OK. I'm going.
1:10:32 > 1:10:34- Are you there yet?- Yeah, I'm here.
1:10:34 > 1:10:37- John?- Yeah?- Where are you?
1:10:37 > 1:10:40I don't know. I've just woken up. Where are you?
1:10:40 > 1:10:42I'm in another cell. I just spoke to the girl on the plane again.
1:10:42 > 1:10:45- We've been out for hours. - What, she's still up there?
1:10:45 > 1:10:47Yes. The plane will keep flying until it runs out of fuel.
1:10:47 > 1:10:50- Is Mycroft with you?- I have no idea, I can hardly see anything.
1:10:50 > 1:10:52Mycroft? Mycroft?
1:10:53 > 1:10:56- Are you OK?- Yeah.
1:10:56 > 1:10:58Keep exploring. Tell me anything you can about where you are.
1:10:58 > 1:11:01The walls are...rough. They're rock, I guess.
1:11:01 > 1:11:03What are you standing on?
1:11:03 > 1:11:06Er...stone, I think, but, listen, there's about two feet of water.
1:11:09 > 1:11:11Chains.
1:11:11 > 1:11:15Yeah, my feet are chained up. I can feel something.
1:11:15 > 1:11:16Ah.
1:11:20 > 1:11:23Bones, Sherlock. There are bones in here.
1:11:23 > 1:11:25What kind of bones?
1:11:26 > 1:11:28Er...I don't know. Small.
1:11:34 > 1:11:37- Redbeard.- GIRL:- 'Who's Redbeard?'
1:11:37 > 1:11:40Oh, hello. Are you at the front of the plane now?
1:11:40 > 1:11:42Yeah. I still can't wake the driver up.
1:11:42 > 1:11:44That's all right. What can you see now?
1:11:44 > 1:11:46I can see a river.
1:11:46 > 1:11:48- There's...there's...there's a big wheel.- All right.
1:11:48 > 1:11:51Well, you and I are going to have to drive this plane together.
1:11:51 > 1:11:53Just you and me.
1:11:53 > 1:11:55- We are? - Yeah. There's nothing to it.
1:11:55 > 1:11:58We just need to get in touch with some people on the ground.
1:11:58 > 1:12:02Now, um...can you see anything that looks like a radio?
1:12:02 > 1:12:04No.
1:12:04 > 1:12:06That's all right, but keep looking, we've got plenty of time.
1:12:06 > 1:12:08BLEEPING
1:12:08 > 1:12:11- Yargh!- What's wrong? - The whole plane's shaking.
1:12:11 > 1:12:13It's just turbulence, it's nothing to worry about.
1:12:13 > 1:12:15My ears hurt.
1:12:15 > 1:12:17Does the river look like it's getting closer?
1:12:17 > 1:12:19A little bit.
1:12:19 > 1:12:22All right, then, that means you're nearly home.
1:12:22 > 1:12:25Sherlock? I'm in a well.
1:12:27 > 1:12:30That's where I am. I'm in the bottom of a well.
1:12:32 > 1:12:35Why would there be a well in Sherrinford?
1:12:35 > 1:12:36Why is there a draft?
1:12:40 > 1:12:43Walls don't contract after you've painted them.
1:12:43 > 1:12:45Not real ones.
1:12:51 > 1:12:53I'm home. Musgrave Hall.
1:12:53 > 1:12:56- EURUS:- 'Me and Jim Moriarty, we got on like a house on fire.
1:12:56 > 1:12:58'Which reminded me of home.'
1:12:58 > 1:13:01Yeah, it's just an old building, I don't care. The plane, tell me about the plane NOW!
1:13:01 > 1:13:04'Sweet Jim, he was never very interested in being alive,
1:13:04 > 1:13:06'especially if you could make more trouble being dead.'
1:13:06 > 1:13:09Yeah, still not interested. The plane!
1:13:09 > 1:13:11'You knew he'd take his revenge.
1:13:11 > 1:13:13'His revenge, apparently, is me.'
1:13:13 > 1:13:17Eurus, let me speak to the little girl on the plane and I'll play any game you like.
1:13:17 > 1:13:19'First, find Redbeard.'
1:13:19 > 1:13:22I'm letting the water in now.
1:13:22 > 1:13:25You don't want me to drown another one of your pets, do you?
1:13:25 > 1:13:30At long last, Sherlock Holmes, it's time to solve the Musgrave ritual.
1:13:30 > 1:13:34Your very first case, and the final problem.
1:13:34 > 1:13:37Oh! Bye-bye.
1:13:37 > 1:13:38Sherlock!
1:13:38 > 1:13:42# I that am lost, oh, who will find me deep down below...
1:13:42 > 1:13:44Sherlock!
1:13:44 > 1:13:46# ..the old beech tree?
1:13:46 > 1:13:50# Help succour me now the east winds blow...#
1:13:50 > 1:13:52John! John? Can you hear me?!
1:13:52 > 1:13:54# 16 by six, brother and under we go. #
1:13:54 > 1:13:57- John?! - Argh! Help me! Help me, please!
1:13:57 > 1:13:59- Sherlock! - # Be not afraid...#
1:13:59 > 1:14:02- John?- Yeah, it's flooding. The well is flooding!
1:14:02 > 1:14:05- Try as long as possible not to drown.- What?!
1:14:05 > 1:14:07I'm going to find you! I am finding you!
1:14:07 > 1:14:10Well, hurry up, please, because I don't have long!
1:14:10 > 1:14:13Yargh! It's leaning over! The whole plane!
1:14:13 > 1:14:16# Oh, who will find me
1:14:16 > 1:14:20# Deep down below the old beech tree? #
1:14:20 > 1:14:22Argh!
1:14:24 > 1:14:28Eurus, you said the answer's in the song, but I went through the song, line by line
1:14:28 > 1:14:31all those years ago and I found nothing. I couldn't find anything!
1:14:31 > 1:14:33There was a beech tree in the grounds and I dug.
1:14:33 > 1:14:35I dug, I dug and dug and dug.
1:14:35 > 1:14:3716 feet by six.
1:14:37 > 1:14:4016 yards, 16 metres, and I found nothing!
1:14:40 > 1:14:42No-one!
1:14:42 > 1:14:44Sherlock?
1:14:44 > 1:14:47It was a clever little puzzle, wasn't it?
1:14:47 > 1:14:50So, why couldn't you work it out, Sherlock?
1:14:52 > 1:14:54Sherlock, there's something you need to know.
1:14:54 > 1:14:56Emotional context.
1:14:56 > 1:14:59And here it comes.
1:14:59 > 1:15:03Sherlock, the bones I found...
1:15:03 > 1:15:06Yes. They're dogs' bones, that's Redbeard.
1:15:06 > 1:15:09Mycroft's been lying to you, to both of us.
1:15:09 > 1:15:11They're not dogs' bones.
1:15:11 > 1:15:15Remember Daddy's allergy? What was he allergic to?
1:15:15 > 1:15:19What would he never let you have, all those times you begged?
1:15:19 > 1:15:21Well, he'd never let you have a dog.
1:15:21 > 1:15:23FAINT BARKING
1:15:25 > 1:15:28Come on, Redbeard.
1:15:28 > 1:15:30Your funny little memory, Sherlock.
1:15:34 > 1:15:38You were upset, so you told yourself a better story.
1:15:42 > 1:15:45But we never had a dog.
1:16:03 > 1:16:04Victor!
1:16:04 > 1:16:06Now it's coming.
1:16:07 > 1:16:09Victor Trevor.
1:16:11 > 1:16:13We played pirates.
1:16:15 > 1:16:16I was Yellowbeard and he was...
1:16:19 > 1:16:21..he was Redbeard!
1:16:21 > 1:16:24You were inseparable, but I wanted to play, too.
1:16:28 > 1:16:30Oh! Oh, God!
1:16:34 > 1:16:38What...what did you do?
1:16:38 > 1:16:42# I that am lost
1:16:42 > 1:16:46# Oh, who will find me
1:16:46 > 1:16:50# Deep down below the old beech tree...? #
1:16:50 > 1:16:54Please let me out! Please, someone help me! Please!
1:17:02 > 1:17:05'Come on, Redbeard.'
1:17:14 > 1:17:17Victor!
1:17:17 > 1:17:21Deep water, Sherlock, all your life, in all your dreams.
1:17:23 > 1:17:25Deep waters.
1:17:25 > 1:17:27You killed him!
1:17:31 > 1:17:33You killed my best friend.
1:17:33 > 1:17:36I never had a best friend.
1:17:38 > 1:17:40I had no-one.
1:17:55 > 1:17:58Play with me, Sherlock. Play with me.
1:18:00 > 1:18:02No-one.
1:18:05 > 1:18:07No-one.
1:18:10 > 1:18:13OK. OK, let's play.
1:18:26 > 1:18:27- GIRL:- 'Hello? Are you there?'
1:18:27 > 1:18:30I need your help. I'm trying to solve a puzzle.
1:18:30 > 1:18:32- 'But what about the plane?!' - The puzzle will save the plane.
1:18:32 > 1:18:36The wrong dates. She used the wrong dates on the gravestones
1:18:36 > 1:18:39as the key to the cipher, and the cipher was the song.
1:18:39 > 1:18:41Is this strictly relevant?!
1:18:41 > 1:18:43Yes, it is. I'll be with you in a minute.
1:18:52 > 1:18:54The lights are getting closer!
1:18:54 > 1:18:55Hush now, working.
1:18:55 > 1:18:57Let's number the words of the song.
1:18:59 > 1:19:00Then rearrange the numbered words
1:19:00 > 1:19:02to match the sequence on the gravestones.
1:19:09 > 1:19:11I am lost.
1:19:11 > 1:19:13Help me brother.
1:19:13 > 1:19:15Save my life
1:19:15 > 1:19:17before my doom.
1:19:17 > 1:19:19I am lost
1:19:19 > 1:19:22without your love.
1:19:22 > 1:19:24Save my soul, seek my room.
1:19:28 > 1:19:30Oh, God!
1:19:33 > 1:19:37We're going to crash! I'm going to die! Argh!
1:19:37 > 1:19:38HE GASPS FOR BREATH
1:19:41 > 1:19:43I think it's time you told me your real name.
1:19:43 > 1:19:46I'm not allowed to tell my name to strangers.
1:19:48 > 1:19:50But I'm not a stranger, am I?
1:19:53 > 1:19:54I'm your brother.
1:19:58 > 1:20:00I'm here, Eurus.
1:20:10 > 1:20:12You're playing with me, Sherlock.
1:20:12 > 1:20:14We're playing the game.
1:20:14 > 1:20:16The game, yes, I get it now.
1:20:16 > 1:20:18The song was never a set of directions.
1:20:18 > 1:20:21I'm in the plane. I'm going to crash.
1:20:21 > 1:20:23And you're going to save me.
1:20:23 > 1:20:25Look how brilliant you are.
1:20:25 > 1:20:28Your mind has created the perfect metaphor.
1:20:28 > 1:20:30You're high above us, all alone in the sky,
1:20:30 > 1:20:33and you understand everything except how to land.
1:20:33 > 1:20:36Now, I'm just an idiot, but I'm on the ground.
1:20:38 > 1:20:39I can bring you home.
1:20:39 > 1:20:40No.
1:20:40 > 1:20:43No, no. It's too late now.
1:20:43 > 1:20:45No, it's not, it's not too late.
1:20:45 > 1:20:50Every time I close my eyes, I'm on the plane.
1:20:50 > 1:20:52I'm lost, lost in the sky
1:20:52 > 1:20:56and...no-one can hear me.
1:21:00 > 1:21:01Open your eyes.
1:21:02 > 1:21:04I'm here.
1:21:07 > 1:21:10You're not lost anymore.
1:21:10 > 1:21:11SHE SOBS
1:21:14 > 1:21:20Now, you...you just, you just went the wrong way last time, that's all.
1:21:20 > 1:21:22This time, get it right.
1:21:22 > 1:21:24Tell me how to save my friend.
1:21:24 > 1:21:26Argh!
1:21:26 > 1:21:29Eurus, help me save John Watson.
1:21:34 > 1:21:36HE GASPS
1:21:44 > 1:21:46I just spoke to your brother.
1:21:46 > 1:21:48- How is he? - He's a bit shaken up, that's all.
1:21:48 > 1:21:51She didn't hurt him, she just locked him in her old cell.
1:21:51 > 1:21:55- What goes around comes around. - Give me a moment, boys.
1:21:55 > 1:21:58Um...Mycroft, make sure he's looked after.
1:21:58 > 1:22:00He's not as strong as he thinks he is.
1:22:00 > 1:22:02- Yeah, I'll take care of it. - Thanks, Greg.
1:22:06 > 1:22:08- The helicopter ready?- Mm-hm.
1:22:08 > 1:22:10Let's move her, then.
1:22:10 > 1:22:12Is that him, sir, Sherlock Holmes?
1:22:12 > 1:22:13Fan, are you?
1:22:13 > 1:22:15Well, he's a great man, sir.
1:22:15 > 1:22:17No, he's better than that.
1:22:18 > 1:22:20He's a good one.
1:22:23 > 1:22:25- You OK?- I said I'd bring her home.
1:22:28 > 1:22:29I can't, can I?
1:22:29 > 1:22:33Well, you gave her what she was looking for - context.
1:22:33 > 1:22:34Is that good?
1:22:36 > 1:22:37It's not good, it's not bad, it's...
1:22:39 > 1:22:41It is what it is.
1:22:42 > 1:22:45Alive for all these years?!
1:22:46 > 1:22:48How is that even possible?!
1:22:48 > 1:22:53What Uncle Rudi began, I thought it best to continue.
1:22:53 > 1:22:58I'm not asking how you did it, idiot boy, I'm asking how could you?!
1:22:58 > 1:23:02- I was trying to be kind.- Kind?!
1:23:02 > 1:23:04Kind?!
1:23:04 > 1:23:07You told us that our daughter was dead!
1:23:07 > 1:23:10Better that than tell you what she had become.
1:23:10 > 1:23:12I'm sorry.
1:23:12 > 1:23:17Whatever she became, whatever she is now, Mycroft,
1:23:17 > 1:23:19she remains our daughter.
1:23:19 > 1:23:21And my sister.
1:23:21 > 1:23:22Then you should have done better.
1:23:22 > 1:23:24He did his best.
1:23:24 > 1:23:27Then he's very limited.
1:23:28 > 1:23:30Where is she?
1:23:30 > 1:23:33Back in Sherrinford. Secure this time.
1:23:33 > 1:23:35People have died.
1:23:35 > 1:23:39Without doubt, she will kill again if she has the opportunity.
1:23:39 > 1:23:42There's no possibility she'll ever be able to leave.
1:23:42 > 1:23:44When can we see her?
1:23:46 > 1:23:48There's no point.
1:23:48 > 1:23:50How dare you say that?!
1:23:50 > 1:23:52She won't talk.
1:23:52 > 1:23:54She won't communicate with anyone in any way.
1:23:54 > 1:23:58She has passed beyond our view.
1:23:58 > 1:24:00There are no words that can reach her now.
1:24:02 > 1:24:03Sherlock?
1:24:06 > 1:24:09Well? You were always the grown-up.
1:24:09 > 1:24:12What do we do now?
1:24:33 > 1:24:35HE CHECKS TUNING
1:24:42 > 1:24:45HE PLAYS
1:24:55 > 1:24:58MUSIC CONTINUES
1:25:15 > 1:25:16SHERLOCK STOPS PLAYING
1:25:19 > 1:25:21PLAYING RESUMES
1:25:36 > 1:25:37SHERLOCK STOPS PLAYING
1:25:43 > 1:25:45SHE PLAYS THE SAME MELODY
1:25:53 > 1:25:55HE CONTINUES THE MELODY
1:25:58 > 1:26:01Er...yeah, I-I think you'd better get round here.
1:26:05 > 1:26:07THEY PLAY
1:26:24 > 1:26:28PS, I know you two.
1:26:28 > 1:26:31And if I'm gone, I know what you could become.
1:26:31 > 1:26:34Because I know who you really are.
1:26:34 > 1:26:37A junky who solves crimes to get high.
1:26:37 > 1:26:41And the doctor who never came home from the war.
1:26:47 > 1:26:51Will you listen to me? Who you really are, it doesn't matter.
1:26:51 > 1:26:53It's all about the legend.
1:26:53 > 1:26:56The stories, the adventures.
1:27:06 > 1:27:08There is a last refuge for the desperate,
1:27:08 > 1:27:12the unloved, the persecuted.
1:27:12 > 1:27:16There is a final court of appeal for everyone.
1:27:40 > 1:27:43When life gets too strange,
1:27:43 > 1:27:46too impossible, too frightening,
1:27:46 > 1:27:49there is always one last hope.
1:27:50 > 1:27:53When all else fails, there are two men sitting
1:27:53 > 1:27:56arguing in a scruffy flat
1:27:56 > 1:28:00like they've always been there, and they always will.
1:28:01 > 1:28:05THE best and wisest men I have ever known.
1:28:08 > 1:28:10My Baker Street boys.
1:28:11 > 1:28:15Sherlock Holmes and Dr Watson.