0:00:02 > 0:00:05Dr Blake was found murdered in the lab this morning.
0:00:05 > 0:00:06Anna?
0:00:06 > 0:00:08She was my wife...
0:00:08 > 0:00:10Was there anything unusual
0:00:10 > 0:00:12in your wife working with Peter Latimer late?
0:00:12 > 0:00:14There was nothing unusual.
0:00:14 > 0:00:17Anna Blake booked two same-day return flights to Lerwick,
0:00:17 > 0:00:19one for herself, the other for Peter Latimer.
0:00:19 > 0:00:24Dr Blake's computer is still running and it's password protected.
0:00:26 > 0:00:29Just have a look at the contents of Finlay's camera.
0:00:29 > 0:00:31Gina, what was in the attachments?
0:00:31 > 0:00:35Photographs of me going about my life. It was creepy.
0:00:35 > 0:00:36Joe Blake...
0:00:36 > 0:00:38Any idea why he would come back during term time?
0:00:38 > 0:00:40How do you mean? When did he come back?
0:00:40 > 0:00:42Last night.
0:00:43 > 0:00:45FIRE BELLOWS
0:00:45 > 0:00:46MAN SCREAMS
0:00:46 > 0:00:48What's happened? Who is it?!
0:00:48 > 0:00:50It's Peter Latimer.
0:01:49 > 0:01:52Coastguard get Peter Latimer back to Lerwick OK?
0:01:52 > 0:01:56Yeah, Anna's body too. He'll be in a hospital bed by now.
0:01:56 > 0:01:59Come here and look at this.
0:01:59 > 0:02:02What does that look like to you?
0:02:02 > 0:02:06Like something was dragged from here inside.
0:02:06 > 0:02:08Yeah, that's what I think.
0:02:09 > 0:02:11It's hard to tell.
0:02:13 > 0:02:14Hard to tell.
0:02:17 > 0:02:20MACHINE BEEPS
0:02:28 > 0:02:30BEEPING QUICKENS
0:02:33 > 0:02:37MONITOR ALARM BEEPS
0:02:40 > 0:02:43Burgh Road, Church Road...
0:02:45 > 0:02:47Church Road, camera two...
0:02:49 > 0:02:51Commercial Street.
0:02:52 > 0:02:54Asbrigg Place, Burgh Road, Church Road,
0:02:54 > 0:02:58Church Road, camera two, Commercial Street... Camera down?
0:02:58 > 0:03:02That was the hospital. It's Latimer.
0:03:02 > 0:03:04His condition's deteriorating.
0:03:04 > 0:03:06I think you better get down there quick.
0:03:07 > 0:03:09BEEPING
0:03:09 > 0:03:11..three, four, five.
0:03:11 > 0:03:13- One, two...- Three, four, five.
0:03:13 > 0:03:14One, two...
0:03:19 > 0:03:22They must have some idea when planes can fly again?
0:03:22 > 0:03:23Darling, please...
0:03:24 > 0:03:26Patience.
0:03:26 > 0:03:30You're fine. You have your work to distract you.
0:03:30 > 0:03:31Did you not bring a book or...?
0:03:31 > 0:03:33Why would I bring a book?
0:03:33 > 0:03:38I came here to see Bill on our anniversary.
0:03:38 > 0:03:41There are plenty of books here, if you want to...
0:03:41 > 0:03:43They're not all about birds.
0:03:44 > 0:03:46Somebody left The Da Vinci Code.
0:04:11 > 0:04:12Tosh?
0:04:14 > 0:04:16- That's Latimer's.- Sure?
0:04:16 > 0:04:19It was there when I searched his room.
0:04:22 > 0:04:24So, what do you think?
0:04:24 > 0:04:26He came out here with a hip flask full of whisky
0:04:26 > 0:04:30and then fell asleep with a cigarette on the go?
0:04:30 > 0:04:32I had an uncle who did something similar,
0:04:32 > 0:04:35except with a chip pan. Nearly burnt himself to a crisp.
0:04:35 > 0:04:37He's only allowed oven-ready now.
0:04:44 > 0:04:47Do you still want to talk to Finlay?
0:04:47 > 0:04:49Aye...and the rest.
0:05:29 > 0:05:31You know, after Frank attacked him yesterday,
0:05:31 > 0:05:34you'd have thought he'd stay in here for his own safety.
0:05:34 > 0:05:36He could drink in here, he could smoke in here -
0:05:36 > 0:05:37he's disabled the alarm.
0:05:37 > 0:05:40So, after all the agro of yesterday,
0:05:40 > 0:05:42why would you put yourself at risk again
0:05:42 > 0:05:46and tramp halfway across the island to booze it up in a cold, dark hut?
0:05:46 > 0:05:47It doesn't make sense.
0:05:47 > 0:05:49He must have gone there to meet someone.
0:05:49 > 0:05:51PHONE RINGS
0:05:55 > 0:05:57Sir...
0:05:58 > 0:06:00Peter Latimer has just died.
0:06:02 > 0:06:05He went into cardiac arrest and couldn't be resuscitated.
0:06:06 > 0:06:10They're making arrangements to move the body now.
0:06:10 > 0:06:15OK. Before they do, have Cora examine the body
0:06:15 > 0:06:17and request that they fast-track the forensics, OK?
0:06:17 > 0:06:19I'll call her now.
0:06:22 > 0:06:24Peter Latimer just died.
0:06:27 > 0:06:30Two work colleagues killed in suspicious circumstances
0:06:30 > 0:06:32less than 24 hours apart?
0:06:32 > 0:06:33I know.
0:06:33 > 0:06:35And when Anna was attacked, there were no defensive wounds,
0:06:35 > 0:06:37and nobody heard a thing,
0:06:37 > 0:06:40and I think people here know a lot more than they're letting on.
0:06:40 > 0:06:43You think it's the same person involved in both deaths?
0:06:43 > 0:06:46Maybe, unless Latimer is a revenge killing for Anna.
0:06:47 > 0:06:50But we shouldn't get too far ahead of ourselves
0:06:50 > 0:06:51until we have spoken to Cora.
0:06:51 > 0:06:54In the meantime, we should be talking to our stalker.
0:07:05 > 0:07:06Where is everybody?
0:07:06 > 0:07:10Frank's not here, Joe's been missing since last night.
0:07:11 > 0:07:14Finlay, I'd like a word with you in private, please.
0:07:14 > 0:07:16In the reading room.
0:07:16 > 0:07:19As soon as Frank gets back, tell him I want to see him.
0:07:25 > 0:07:31I...I would like to apologise for my behaviour yesterday.
0:07:31 > 0:07:33That's very big of you.
0:07:35 > 0:07:38You know you're probably facing a charge of obstruction, right?
0:07:38 > 0:07:41You managed to access the memory card, then?
0:07:41 > 0:07:42Eventually, yes.
0:07:43 > 0:07:47- It was quite an eye-opener.- Well, you can understand my reaction.
0:07:47 > 0:07:49I don't care about your reaction.
0:07:51 > 0:07:54I'm far more concerned about your behaviour in the first place...
0:07:54 > 0:07:59because you've got hundreds of photographs of Anna Blake.
0:08:02 > 0:08:05You can't always control how you feel about people.
0:08:05 > 0:08:07How DID you feel about her?
0:08:07 > 0:08:09- I, um...- I mean, did you love her? Did you hate her?
0:08:09 > 0:08:11I worshipped her.
0:08:12 > 0:08:16I just wanted to be part of her life, to be close to her.
0:08:17 > 0:08:20The photographs were the only option available to me.
0:08:20 > 0:08:22That's not really true.
0:08:22 > 0:08:24She could have any man she wanted.
0:08:24 > 0:08:27You could imagine what she'd make of an advance
0:08:27 > 0:08:29- from the likes of me.- OK.
0:08:37 > 0:08:41What about Gina? What about her?
0:08:43 > 0:08:45You know about that?
0:08:49 > 0:08:53I...I never would have hurt Anna and I...I never hurt Gina.
0:08:53 > 0:08:57- You scared Gina, though. - No, I... I was teasing her.
0:08:57 > 0:08:59I wanted her to know she had a secret admirer.
0:08:59 > 0:09:01She didn't want one,
0:09:01 > 0:09:04and I am very sure that neither did Anna Blake.
0:09:07 > 0:09:09Take a seat.
0:09:14 > 0:09:17I need to know exactly where you were last night.
0:09:19 > 0:09:20I was around here.
0:09:20 > 0:09:23- Be more specific. - I was at the chapel.
0:09:23 > 0:09:24For how long?
0:09:24 > 0:09:28Uh... I got there about six
0:09:28 > 0:09:31and I left at around 8.30.
0:09:31 > 0:09:32Around 8.30?
0:09:32 > 0:09:35Yeah. Well, I...I wasn't looking at my watch.
0:09:39 > 0:09:41Why did you stay so long?
0:09:45 > 0:09:46I was praying for Anna.
0:09:48 > 0:09:49DOOR OPENS
0:09:49 > 0:09:51Sir.
0:09:52 > 0:09:55You'd better be telling me the truth.
0:09:56 > 0:09:57DOOR CLOSES
0:10:01 > 0:10:03Bill and Tessa have given each other an alibi.
0:10:03 > 0:10:06- They were together in their room. - That's very handy.
0:10:06 > 0:10:09Feel a bit sorry for them. Some wedding anniversary.
0:10:09 > 0:10:11I take it that's not why you called me out here.
0:10:11 > 0:10:14No, your dad called. He said Frank's at the chapel.
0:10:15 > 0:10:17Popular place.
0:10:17 > 0:10:21He's worried about him. Said he's been there since first light.
0:10:49 > 0:10:51Hi, Joe.
0:10:51 > 0:10:52Is Angus in?
0:10:52 > 0:10:54No, he's not.
0:10:54 > 0:10:55Is that the truth?
0:10:55 > 0:11:01Look, I am really sorry about what happened to your mum.
0:11:01 > 0:11:03We're all really sorry, Joe.
0:11:03 > 0:11:07- Will you even tell him that I called?- Of course I'll tell him.
0:11:09 > 0:11:11You should go back.
0:11:13 > 0:11:17- You got the note, didn't you? - Eh?- You found the note.
0:11:17 > 0:11:19Come on, son. You better go back.
0:11:25 > 0:11:26What note?
0:11:27 > 0:11:29I don't know what he's on about.
0:11:50 > 0:11:52DOOR OPENS
0:12:00 > 0:12:03He hasn't moved for two hours.
0:12:06 > 0:12:08OK, Dad.
0:12:24 > 0:12:27Peter Latimer died of his injuries 45 minutes ago.
0:12:30 > 0:12:32Are you expecting regret?
0:12:33 > 0:12:35I'm not expecting anything.
0:12:35 > 0:12:37God knows, it was coming.
0:12:39 > 0:12:41What makes you say that?
0:12:43 > 0:12:46There were many occasions when I had to go up to the hide to fetch him
0:12:46 > 0:12:49when he was half-cut... cos he'd sloped off for a session.
0:12:51 > 0:12:54So, you knew he drank, then?
0:12:55 > 0:13:00When he first arrived, he played the Oxford golden boy to a tee.
0:13:02 > 0:13:05After a while, I got to know him.
0:13:07 > 0:13:09I saw a different side to him.
0:13:11 > 0:13:12Which was what?
0:13:13 > 0:13:16Crippling self-doubt about the work.
0:13:17 > 0:13:18"Is it good enough?
0:13:18 > 0:13:20"Is it original enough?
0:13:20 > 0:13:22"Am I making a contribution?"
0:13:22 > 0:13:26In short, are they wasting their lives?
0:13:29 > 0:13:32Well, we've all thought like that from time to time.
0:13:32 > 0:13:33No.
0:13:33 > 0:13:35Not Anna.
0:13:35 > 0:13:38Anna never had any self-doubt.
0:13:39 > 0:13:42Her personal life might have been a bit of a mess,
0:13:42 > 0:13:44but when it came to her work...
0:13:46 > 0:13:48..she was something else.
0:13:51 > 0:13:53Where were you last night?
0:13:53 > 0:13:55I was at the centre.
0:13:55 > 0:13:57Anybody verify that?
0:13:58 > 0:14:00No, I was alone.
0:14:00 > 0:14:01Do you know where Joe is?
0:14:01 > 0:14:03Apparently, he's gone missing.
0:14:03 > 0:14:06Joe often goes off on his own.
0:14:06 > 0:14:08He's a loner.
0:14:08 > 0:14:10He always has been.
0:14:11 > 0:14:15I've been using it as an excuse to be a bad father for far too long.
0:14:18 > 0:14:19Joe wouldn't hurt anyone.
0:14:19 > 0:14:22No, I'm not suggesting he would,
0:14:22 > 0:14:24but I just need to establish where he was.
0:14:26 > 0:14:29Maybe I should have said he was with me.
0:14:29 > 0:14:32That wouldn't make any difference in the end, would it, Frank?
0:14:40 > 0:14:42How is he?
0:14:42 > 0:14:44Coping as best he can, I suppose.
0:14:44 > 0:14:46The sooner this nightmare ends,
0:14:46 > 0:14:49the sooner we can start repairing the damage done to this community.
0:14:49 > 0:14:51We're going as fast as we can, Dad.
0:14:51 > 0:14:53I know that, son,
0:14:53 > 0:14:57but this place is unlike anywhere else in so many respects.
0:14:57 > 0:14:59Even Finlay has found God.
0:14:59 > 0:15:04Gordon came in last night to lock up and he found him just sitting there.
0:15:04 > 0:15:06Didn't want to disturb him.
0:15:07 > 0:15:09What time was that?
0:15:09 > 0:15:13About half past eight, I think he said.
0:15:13 > 0:15:17For the sake of this wee lump of rock, Jimmy, catch this person.
0:15:19 > 0:15:21Don't worry, Dad.
0:15:37 > 0:15:41Finlay Caufield looks like he's got an alibi.
0:15:41 > 0:15:44According to my dad, he was at the chapel last night
0:15:44 > 0:15:46at about half past eight,
0:15:46 > 0:15:50which would make it impossible for him to have set fire to the hide.
0:15:50 > 0:15:52Angus...
0:15:52 > 0:15:53Any luck?
0:15:53 > 0:15:55Getting there.
0:15:55 > 0:15:57Most passwords are run through an algorithm
0:15:57 > 0:15:59that generate a scrambled string of characters
0:15:59 > 0:16:02- that can't be reversed back to the original text.- Right.
0:16:02 > 0:16:03That's called a one-way hash.
0:16:03 > 0:16:06So, to crack a password means getting a copy
0:16:06 > 0:16:07of the one-way hash on the server
0:16:07 > 0:16:10then using the algorithm to generate lots of hashes
0:16:10 > 0:16:11until you get a match.
0:16:11 > 0:16:13Does that mean you're getting there?
0:16:13 > 0:16:15- It's only a matter of when.- Right.
0:16:17 > 0:16:19SHE CHUCKLES
0:16:21 > 0:16:23OK, I think you're right.
0:16:23 > 0:16:26- Peter and Anna were having an affair.- Yeah?- Mmm.
0:16:26 > 0:16:29And if you're right, then that would give Frank
0:16:29 > 0:16:31a motive for killing them both.
0:16:31 > 0:16:33Extreme...
0:16:33 > 0:16:36Betrayal and humiliation are extreme.
0:16:38 > 0:16:39Bingo!
0:16:41 > 0:16:42I got you in.
0:16:45 > 0:16:47He was clearly on the bubble.
0:16:50 > 0:16:51The what?
0:16:51 > 0:16:55An expression used by surgeons in the US military
0:16:55 > 0:16:58for patients with 50% burns.
0:16:58 > 0:17:01"On the bubble" refers to a patient balanced on the threshold
0:17:01 > 0:17:03between life and death.
0:17:05 > 0:17:06Why "bubble"?
0:17:06 > 0:17:11Apparently, it relates to the Indy 500 race in America.
0:17:11 > 0:17:16If a driver was only just about to qualify for the race proper,
0:17:16 > 0:17:19and a rival posted a better time,
0:17:19 > 0:17:24then the first driver's dreams are dashed and his bubble is burst.
0:17:24 > 0:17:25Isn't that terrific?
0:17:25 > 0:17:28- Not if you're that driver. - Well, no.
0:17:28 > 0:17:31But as a metaphor, it's...
0:17:31 > 0:17:32Oh...
0:17:33 > 0:17:36Hello... What's this?
0:17:41 > 0:17:43- Tosh...- Mm-hm?
0:17:47 > 0:17:51There's nothing of any note in Anna's inboxes or outboxes,
0:17:51 > 0:17:53but there's this...
0:17:54 > 0:17:57"Dear Prof Martinez..." Who's that?
0:17:57 > 0:17:59- It's Latimer's department head at Oxford.- Oh.
0:17:59 > 0:18:02"I am duty bound by our professional ethics to report
0:18:02 > 0:18:05"a distressing situation relating to your colleague Peter Latimer."
0:18:07 > 0:18:09Oh, my God.
0:18:09 > 0:18:12Latimer was fabricating research data.
0:18:12 > 0:18:14Look at the date it was written.
0:18:14 > 0:18:16Two weeks before she died.
0:18:16 > 0:18:18Why wasn't it sent?
0:18:18 > 0:18:22- Obviously something happened to stop her.- Such as?
0:18:22 > 0:18:26Well, their trip to Lerwick
0:18:26 > 0:18:29was only three days later.
0:18:29 > 0:18:31You think it's related?
0:18:35 > 0:18:36Right.
0:18:36 > 0:18:38I won't be long.
0:18:47 > 0:18:49How are you?
0:18:53 > 0:18:55I don't know where to put myself.
0:18:57 > 0:19:00We lost someone.
0:19:01 > 0:19:03It changes how you look at the world...
0:19:04 > 0:19:06..but you live.
0:19:14 > 0:19:17PHONE RINGS
0:19:19 > 0:19:20Sandy?
0:19:20 > 0:19:23Cora found a fracture at the back of Latimer's skull.
0:19:23 > 0:19:27In her view, it was almost certainly caused by a severe blow.
0:19:27 > 0:19:29Right. Or a fall?
0:19:29 > 0:19:32No, the location of the fracture isn't one normally associated
0:19:32 > 0:19:35with impact fractures resulting from a fall backwards.
0:19:35 > 0:19:41In Cora's view, Latimer was hit hard from behind.
0:19:41 > 0:19:42OK, good work.
0:19:42 > 0:19:46Oh, and I've found footage of Anna and Latimer
0:19:46 > 0:19:48entering Commercial Street.
0:19:48 > 0:19:52But the cameras on Commercial Street itself were down that day.
0:19:52 > 0:19:54I'm going to try and bridge that gap.
0:19:54 > 0:19:55Right, listen, keep in touch,
0:19:55 > 0:19:58cos you're all I've got over there, OK?
0:20:01 > 0:20:03DOOR CLOSES
0:20:06 > 0:20:08Frank...
0:20:15 > 0:20:19Why would Peter Latimer start fabricating his research data?
0:20:19 > 0:20:20What are you talking about?
0:20:20 > 0:20:25I've just found the draft of an accusatory e-mail on Anna's computer
0:20:25 > 0:20:28intended for Latimer's department head
0:20:28 > 0:20:30at Oxford University.
0:20:30 > 0:20:32A draft? Written when?
0:20:32 > 0:20:33Two weeks ago.
0:20:36 > 0:20:39I've no idea what all that's about.
0:20:39 > 0:20:41And I have no idea why she didn't send it.
0:20:41 > 0:20:43That's not Anna.
0:20:43 > 0:20:46Anna dealt with everything in the moment, when it occurred.
0:20:46 > 0:20:50That way, she could focus on what was really important.
0:20:50 > 0:20:51Right, her work.
0:20:53 > 0:20:57What about her relationship with Peter Latimer?
0:20:59 > 0:21:01Is it possible that there was something
0:21:01 > 0:21:05going on between the two of them? Did you ever have any suspicions?
0:21:07 > 0:21:08No.
0:21:10 > 0:21:12It never occurred to me.
0:21:14 > 0:21:16- Is that it?- You sure?
0:21:18 > 0:21:19Yes, I'm sure.
0:21:22 > 0:21:24- Can I go now?- For now, sure.
0:21:31 > 0:21:34Are you any closer to finding out who actually killed her?!
0:21:36 > 0:21:39I mean, it's an island. How difficult can it be?
0:21:48 > 0:21:51Sergeant, could you take a look at this with me?
0:21:52 > 0:21:53What have we got?
0:21:53 > 0:21:57Are the timelines for these CCTV footages correct?
0:21:57 > 0:21:59- Yeah. - Well, then it looks to me like
0:21:59 > 0:22:02when Latimer enters Commercial Street,
0:22:02 > 0:22:04he's not got a bag,
0:22:04 > 0:22:06and when he leaves...
0:22:06 > 0:22:08he has.
0:22:13 > 0:22:15Sir...
0:22:15 > 0:22:17Sandy noticed that Latimer was carrying a backpack
0:22:17 > 0:22:19when they emerged from Commercial Street.
0:22:21 > 0:22:24And you didn't find it when you searched Latimer's room?
0:22:25 > 0:22:27And you searched his room in the morning,
0:22:27 > 0:22:29which means that it was already missing
0:22:29 > 0:22:31by the time the hide was set alight.
0:22:33 > 0:22:35It was odd that he went out that morning.
0:22:35 > 0:22:38He must have known that it was going to look suspicious.
0:23:00 > 0:23:02Sure this is where you saw Latimer, Tosh?
0:23:02 > 0:23:04Yeah. Over there.
0:23:04 > 0:23:08Definitely. That's approximately 275 yards to there.
0:23:08 > 0:23:11- That's impressive.- Well, I spent a lifetime at sea, Tosh,
0:23:11 > 0:23:14estimating the distance between one wave and the other.
0:23:14 > 0:23:17- Get that wrong and you can be... - Quite literally, sunk.
0:23:17 > 0:23:18Shall we...?
0:23:20 > 0:23:21HE MUTTERS
0:23:26 > 0:23:30Are you sure you don't want to check out the wreckage of the Heinkel?
0:23:30 > 0:23:32No, I think it's a wee bit obvious, Dad.
0:23:32 > 0:23:34What's the Heinkel?
0:23:34 > 0:23:38A German plane brought down in 1941.
0:23:38 > 0:23:40It's just up over the hill there.
0:24:19 > 0:24:22PHONE RINGS
0:24:25 > 0:24:28- Hello.- It's Sandy.
0:24:28 > 0:24:31Sandy, I was just about to call you.
0:24:31 > 0:24:33The pathologist confirms Cora's suspicion
0:24:33 > 0:24:35about Latimer's head injury.
0:24:35 > 0:24:38He would've had to have been running backwards into a tree
0:24:38 > 0:24:41at 30 miles an hour to sustain that amount of damage.
0:24:41 > 0:24:44OK. Any more from forensics on Anna Blake?
0:24:44 > 0:24:46They're still working on the bruising on her face.
0:24:46 > 0:24:48More as it comes through.
0:24:48 > 0:24:51Right. I also want you to get on to the Royal Bank of Scotland
0:24:51 > 0:24:53in Commercial Street.
0:24:53 > 0:24:56I want you to ask them if there was a withdrawal
0:24:56 > 0:25:01for £10,000 under the name of Peter Latimer.
0:25:01 > 0:25:03OK. OK, I'll do that now.
0:25:04 > 0:25:10Right. Pathology have confirmed that Peter Latimer was hit from behind.
0:25:10 > 0:25:15So, he hid the ten grand in the morning,
0:25:15 > 0:25:17knowing that we were arriving.
0:25:17 > 0:25:21Why didn't he want to be found with it on him?
0:25:21 > 0:25:23He took the money out with Anna
0:25:23 > 0:25:27so it's reasonable to assume it had something to do with her.
0:25:27 > 0:25:28Whatever the reason,
0:25:28 > 0:25:31get on to Rhona and tell her that we're now looking
0:25:31 > 0:25:33at a double murder enquiry,
0:25:33 > 0:25:36and that I think we're looking for the same killer for both crimes.
0:25:36 > 0:25:39KNOCK ON DOOR
0:25:46 > 0:25:48- Hi, Joe. - I need to speak to you.
0:25:49 > 0:25:52- OK. - I know who killed my mother.
0:25:54 > 0:25:56OK, come on in, son.
0:26:02 > 0:26:05Have a seat, if you like.
0:26:07 > 0:26:09- This is Detective Sergeant McIntosh.- Hiya.
0:26:11 > 0:26:12Erm...
0:26:13 > 0:26:17I was just about to make a cup of tea. Do you want one?
0:26:17 > 0:26:19Fine. What do you take?
0:26:19 > 0:26:21- Milk.- Just milk?
0:26:26 > 0:26:28- Don't you want to know?- Sure.
0:26:28 > 0:26:31I'm just a wee bit concerned that it's taken you this long
0:26:31 > 0:26:33to come and tell us.
0:26:38 > 0:26:40Donnie Tulloch.
0:26:44 > 0:26:45Donnie Tulloch?
0:26:47 > 0:26:49Donnie Tulloch killed your mum?
0:26:51 > 0:26:52Yes.
0:26:57 > 0:27:00That's a really serious allegation, Joe.
0:27:00 > 0:27:02How do you know this?
0:27:02 > 0:27:06- He was at the research centre that night.- Of course he was.
0:27:06 > 0:27:12Cos the dance was for Angus's 18th birthday party
0:27:12 > 0:27:14and most of the island was there.
0:27:14 > 0:27:18You know your mum wasn't attacked until everyone had gone home.
0:27:18 > 0:27:21So...why Donnie?
0:27:24 > 0:27:27I mean, why would he do a thing like that?
0:27:29 > 0:27:31- They didn't want me there. - Who didn't?
0:27:31 > 0:27:35Donnie...and my parents.
0:27:35 > 0:27:38Didn't want you where? At the dance?
0:27:38 > 0:27:40They wanted me anywhere but there.
0:27:40 > 0:27:44They had an agreement to make me stay away.
0:27:44 > 0:27:47I'm sorry, Joe, I don't understand.
0:27:48 > 0:27:52You had an agreement to stay away from the dance?
0:27:54 > 0:27:56No.
0:28:00 > 0:28:02From Angus.
0:28:07 > 0:28:12Yes, the name is Peter Latimer.
0:28:14 > 0:28:18Yes, £10,000 in cash.
0:28:18 > 0:28:21Can you give that dog something to eat?
0:28:21 > 0:28:23- I can't take the big doe eyes any more.- It's for his own good.
0:28:23 > 0:28:27Then take him for a walk, or something. Honestly, I can't bear it!
0:28:27 > 0:28:29Come on.
0:28:29 > 0:28:31OK, could you try...
0:28:32 > 0:28:34..DR Peter Latimer?
0:28:34 > 0:28:40So, did Donnie and Isobel see you as being...
0:28:40 > 0:28:43a bad influence on Angus?
0:28:43 > 0:28:46Donnie did.
0:28:48 > 0:28:50I don't think Isobel knew about us.
0:28:53 > 0:28:55And what about Angus?
0:28:56 > 0:28:58Did he feel the same way?
0:29:02 > 0:29:04- I thought so.- Right.
0:29:05 > 0:29:09And then Donnie found out about the relationship?
0:29:09 > 0:29:10He saw us together...
0:29:12 > 0:29:14Hit the roof.
0:29:14 > 0:29:17So, your parents agreed to send you away?
0:29:18 > 0:29:20My mother did.
0:29:20 > 0:29:22But you came back on Angus's 18th birthday?
0:29:24 > 0:29:26Yeah.
0:29:27 > 0:29:30And you came back to make a point?
0:29:33 > 0:29:35I suppose so.
0:29:37 > 0:29:40PHONE RINGS
0:29:41 > 0:29:43Hi, Sandy.
0:29:43 > 0:29:46They got into an argument that night, Donnie and Mum.
0:29:46 > 0:29:50He blames her for me turning up out of the blue.
0:29:51 > 0:29:54Said she wasn't taking the situation seriously enough.
0:29:54 > 0:29:56Right, first things first.
0:29:56 > 0:29:59Donnie's in the wrong about this, Joe,
0:29:59 > 0:30:04but there's absolutely no evidence to connect him with any crime.
0:30:05 > 0:30:08- Covering up for your friend? - No, son.
0:30:08 > 0:30:11But I can't go around accusing people of murder
0:30:11 > 0:30:14based on nothing.
0:30:23 > 0:30:27Peter Latimer didn't withdraw £10,000 from his bank account.
0:30:27 > 0:30:29Anna withdrew it from hers.
0:30:31 > 0:30:34It smells like some sort of payoff. But for what?
0:30:35 > 0:30:37Where are you going?
0:30:37 > 0:30:40I need to go and talk to Donnie about Joe.
0:30:42 > 0:30:44I need some straight answers.
0:30:57 > 0:30:58Donnie?
0:31:08 > 0:31:11Hello.
0:31:11 > 0:31:14Didn't think we'd see you today. How's it going?
0:31:14 > 0:31:16Fine, fine. Is Donnie here?
0:31:16 > 0:31:20He's in the kitchen. He smelt my scones from over the road.
0:31:20 > 0:31:22He's got a nose like a bloodhound.
0:31:22 > 0:31:25- Hello.- Some serious baking going on in there.
0:31:25 > 0:31:27- So I see. Hi.- Hi.
0:31:27 > 0:31:29What are you two doing?
0:31:29 > 0:31:31Just playing some stupid game.
0:31:31 > 0:31:33It's for kids, really. We're regressing.
0:31:33 > 0:31:35Maybe that's no bad thing.
0:31:35 > 0:31:39Jimmy, you can't stop them growing up, no matter how much you want to.
0:31:39 > 0:31:42I know, but it doesn't stop you worrying about them, though. How is she?
0:31:42 > 0:31:45She's fine. She's fine.
0:31:45 > 0:31:47You got time for a cuppa?
0:31:47 > 0:31:49No, I want to talk to Donnie.
0:31:49 > 0:31:51Thought I heard your voice.
0:31:51 > 0:31:53You got time for a wee chat in private?
0:31:53 > 0:31:55- Oh. Sounds serious.- Mm-hm.
0:31:55 > 0:31:58- The kitchen's all yours. - Thanks, Mum.
0:32:00 > 0:32:03- I was thinking about you today, actually.- Why was that?
0:32:03 > 0:32:05I was up by the South Lighthouse,
0:32:05 > 0:32:08reminded me of the time we broke in there, do you remember?
0:32:08 > 0:32:10No, I remember that YOU broke in there.
0:32:10 > 0:32:13No, it was your idea. I was just the muscle.
0:32:13 > 0:32:16That was the same summer there was those, erm...
0:32:17 > 0:32:20..geography students got stranded, wasn't it?
0:32:20 > 0:32:22That's right.
0:32:22 > 0:32:23You and me and 15 girls.
0:32:25 > 0:32:27Happy days, eh?
0:32:27 > 0:32:29I need to ask you a couple of questions.
0:32:29 > 0:32:31Fire away.
0:32:35 > 0:32:38Did you and Anna Blake have an argument the night she died?
0:32:39 > 0:32:41No, why would we?
0:32:42 > 0:32:45Just somebody said they overheard you and her having words,
0:32:45 > 0:32:47- that's all.- Who?
0:32:47 > 0:32:50Well, if it didn't happen, it doesn't matter, does it?
0:32:54 > 0:32:56We had a discussion.
0:32:59 > 0:33:01- It was a wee bit heated. - About what?
0:33:01 > 0:33:03It's personal, Jimmy.
0:33:05 > 0:33:07Why didn't you tell me this before?
0:33:07 > 0:33:10- It's got nothing to do with what happened. - That's for me to decide.
0:33:14 > 0:33:18Are you interviewing me here? Is that what this is?
0:33:18 > 0:33:21I need to know things like this.
0:33:23 > 0:33:25It helps me see the big picture.
0:33:34 > 0:33:35It was about the kids.
0:33:37 > 0:33:39Joe's been leading Angus astray.
0:33:41 > 0:33:45He's bad news, Jimmy. He's a troubled boy.
0:33:45 > 0:33:47Anna had her head in the sand about the whole thing.
0:33:55 > 0:33:58You're not thinking I had something to do with her death?
0:33:58 > 0:34:00- I never said that.- Jimmy...
0:34:03 > 0:34:05You really think I could do something like that?
0:34:07 > 0:34:10I don't think anything of the sort.
0:34:12 > 0:34:14I'll tell you this, though.
0:34:14 > 0:34:18It's not just Anna Blake who could stick her head in the sand.
0:34:26 > 0:34:28PHONE RINGS
0:34:29 > 0:34:33- Tosh?- I've just had a thought. I'm not sure if it's a good thought,
0:34:33 > 0:34:35but it's a thought.
0:34:35 > 0:34:37Well, try me.
0:34:37 > 0:34:40Well, if we're looking for proof of an affair between Latimer
0:34:40 > 0:34:44and Anna, then who better to ask than Finlay?
0:34:44 > 0:34:47He's been recording every detail of her life
0:34:47 > 0:34:50for the past few months, hasn't he?
0:35:02 > 0:35:03Potato scones.
0:35:05 > 0:35:08That's what used to pass for a vegetable in my house.
0:35:10 > 0:35:11Don't look so concerned, Finlay.
0:35:11 > 0:35:14I'm just going to ask you a couple of questions.
0:35:17 > 0:35:19That is excellent news. Thank you.
0:35:20 > 0:35:22The storm's moved over to Iceland.
0:35:22 > 0:35:26Commercial flights are due to resume in three hours.
0:35:27 > 0:35:31The new research group will be arriving soon.
0:35:31 > 0:35:33So we can go?
0:35:34 > 0:35:37Better tell Finlay - he'll be pleased.
0:35:39 > 0:35:43You took 362 photographs of Anna Blake.
0:35:44 > 0:35:46You must have spent quite a bit of time watching her,
0:35:46 > 0:35:50so you must have seen things and heard things that no-one else did.
0:35:50 > 0:35:54- I'm not a gossip, Detective Inspector.- Mm.
0:35:59 > 0:36:01When I spoke to you earlier,
0:36:01 > 0:36:05you told me that Anna Blake could have any man she wanted.
0:36:07 > 0:36:09So, did she want Peter Latimer?
0:36:13 > 0:36:16It doesn't feel right talking about her like this.
0:36:16 > 0:36:19She did something stupid, and she regretted it.
0:36:19 > 0:36:21Did she have a affair?
0:36:23 > 0:36:24- Briefly.- How brief?
0:36:26 > 0:36:30It didn't last any longer than three weeks.
0:36:31 > 0:36:34- It had started when Latimer first arrived.- Why did it end?
0:36:36 > 0:36:38She grew tired of him.
0:36:39 > 0:36:41He was flattered by her attention,
0:36:41 > 0:36:45and then, when she withdrew it, he slunk back to the bottle.
0:36:46 > 0:36:48And did Frank know?
0:36:49 > 0:36:52- Not at first. - But he found out?- Yeah.
0:37:07 > 0:37:09Angus still over seeing Cassie?
0:37:09 > 0:37:11He is, aye.
0:37:11 > 0:37:13What's wrong, Donnie?
0:37:13 > 0:37:16- It's nothing. - I know when something's wrong.
0:37:18 > 0:37:20I saw Jimmy on the road back.
0:37:22 > 0:37:24He asked me a couple of questions.
0:37:24 > 0:37:28- He asked YOU a couple of questions? - Aye.- About what?
0:37:31 > 0:37:34Forget about it, it doesn't matter.
0:38:02 > 0:38:05Finlay said I'd find you up here.
0:38:05 > 0:38:07I needed to give myself something to do.
0:38:07 > 0:38:09Do you mind if we have a word?
0:38:12 > 0:38:14Come in.
0:38:17 > 0:38:19So has there been a development?
0:38:19 > 0:38:21Yeah, in a manner of speaking.
0:38:22 > 0:38:25Erm...it's about Anna and Peter Latimer.
0:38:26 > 0:38:28Right.
0:38:28 > 0:38:31We have a statement that says that they were having an affair.
0:38:31 > 0:38:33What?!
0:38:33 > 0:38:37I'm sorry to break it to you like that,
0:38:37 > 0:38:40but I had a feeling that maybe you suspected,
0:38:40 > 0:38:43after you told me your wife was not perfect.
0:38:43 > 0:38:46No, no, you misunderstood, I was referring...
0:38:46 > 0:38:48OK! You have to stop lying to me.
0:38:48 > 0:38:51I don't know whose reputation you're trying to protect,
0:38:51 > 0:38:53whether it's your own, or your wife's,
0:38:53 > 0:38:57but whichever way it is, you have to start being straight with me now.
0:39:07 > 0:39:09It didn't seem relevant.
0:39:11 > 0:39:14It wasn't the first time.
0:39:14 > 0:39:17Of course it's relevant, especially if it's not the first time.
0:39:17 > 0:39:20She promised me that it had stopped.
0:39:22 > 0:39:23You know...
0:39:26 > 0:39:27..all that.
0:39:29 > 0:39:31The...the affairs.
0:39:33 > 0:39:35I hated it.
0:39:38 > 0:39:39I hated it.
0:39:42 > 0:39:44But I learned to live with it.
0:39:46 > 0:39:47You should have told me.
0:39:49 > 0:39:52You should have also told me about Anna sending Joe away.
0:39:52 > 0:39:55Anna only did that to protect him.
0:39:56 > 0:40:01I know it may not look like the perfect marriage to you but...
0:40:01 > 0:40:03we loved each other.
0:40:07 > 0:40:09DOOR OPENS
0:40:10 > 0:40:12Tosh.
0:40:12 > 0:40:17Finlay's confirmed that Anna and Peter Latimer WERE having an affair,
0:40:17 > 0:40:19and Frank knew about it.
0:40:19 > 0:40:22- He knew?- Yeah, I don't think Anna realised that.
0:40:22 > 0:40:24I think she was trying to protect him.
0:40:24 > 0:40:26Did you mention the ten grand?
0:40:26 > 0:40:30No. I didn't want to finish him off with the notion that Anna might
0:40:30 > 0:40:33have also been planning to leave him.
0:40:33 > 0:40:37- She wasn't, was she?- No. I know that, but it might have occurred to Frank.
0:40:37 > 0:40:40Maybe when Anna told Latimer about the e-mail,
0:40:40 > 0:40:43he threatened her back with telling Frank about them.
0:40:43 > 0:40:45She knew it would break Frank in half.
0:40:45 > 0:40:48That would certainly explain why the e-mail was never sent.
0:40:48 > 0:40:50- And possibly the £10,000 payoff.- Mm.
0:40:50 > 0:40:52FOOTSTEPS APPROACH
0:40:54 > 0:40:57- Isobel, you can't be in here. - I need to talk to you, Jimmy.
0:40:57 > 0:41:00That's fine, but we should go outside.
0:41:00 > 0:41:03But what's going on? Why did you question Donnie?
0:41:03 > 0:41:05Come on, let's go for a walk.
0:41:08 > 0:41:11Was he having an affair with Joe Blake's mum, was that it?
0:41:11 > 0:41:14No, it's nothing like that.
0:41:14 > 0:41:18I mean, I don't even think it's something you should be that worried about.
0:41:18 > 0:41:22Look, I was the first girl who ever let you kiss her.
0:41:22 > 0:41:24You owe me.
0:41:27 > 0:41:29Talk to Donnie.
0:41:30 > 0:41:33Talk to him about Angus and Joe.
0:41:34 > 0:41:36OK?
0:41:40 > 0:41:42It'll be fine.
0:41:53 > 0:41:56I've got Sandy on the line. He was checking out Latimer
0:41:56 > 0:41:59and he came across a conference in Hawaii eight years ago that
0:41:59 > 0:42:02Latimer was presenting a paper at - you'll want to hear this...
0:42:02 > 0:42:05OK, put him on speaker phone.
0:42:05 > 0:42:07OK, Sandy, what have you got?
0:42:07 > 0:42:10Also giving a paper at the same conference...
0:42:12 > 0:42:15..Dr Bill Warren.
0:42:15 > 0:42:19Latimer's CV is relatively short and uninteresting
0:42:19 > 0:42:22because of his age and the fact that he's not very prolific.
0:42:22 > 0:42:26So I just thought I'd do some more research on Bill Warren.
0:42:26 > 0:42:30And he found this - taken at Infotaka in 1997.
0:42:30 > 0:42:34It's a research station on a nature reserve in Malaysia.
0:42:34 > 0:42:36This is Bill Warren 17 years ago.
0:42:36 > 0:42:39And this woman whose waist he has his arm so comfortably around...
0:42:39 > 0:42:41Is Anna Blake.
0:42:41 > 0:42:45And one more thing. There is also an online blog written
0:42:45 > 0:42:48by Bill and his 12-year-old son David
0:42:48 > 0:42:53when they took a trip of a lifetime to the Galapagos Islands in 2009.
0:42:53 > 0:42:55Is there a picture of the boy?
0:42:57 > 0:42:58He looks just like Joe Blake.
0:42:58 > 0:43:02Yes. But it is definitely David Warren.
0:43:02 > 0:43:05He died of leukaemia six months after the trip was made.
0:43:05 > 0:43:08It was because he had terminal leukaemia that they went.
0:43:08 > 0:43:14So Anna Blake and Bill Warren were in Malaysia 17 years ago.
0:43:14 > 0:43:18Anna Blake's son, Joe, is 17...
0:43:20 > 0:43:23Need to rewind a bit.
0:43:23 > 0:43:26Bill Warren said that before he came to Fair Isle
0:43:26 > 0:43:29he didn't know Anna Blake, except through her work.
0:43:30 > 0:43:35So he lied. And I think we all know why.
0:43:44 > 0:43:45Dr Warren.
0:43:46 > 0:43:48You waiting on someone?
0:43:48 > 0:43:50Sort of. The planes are flying again.
0:43:50 > 0:43:52We managed to get seats on the 6.30.
0:43:52 > 0:43:55I was looking to see if I could spot it coming in.
0:43:55 > 0:43:58You've got just enough time to answer a couple of questions.
0:43:58 > 0:44:02- Yes, of course. If it will help. I'll just let my wife know. - It's OK, it won't take long.
0:44:02 > 0:44:04Just come into the reading room.
0:44:08 > 0:44:10All right, Is? Cup of tea?
0:44:10 > 0:44:12Yeah.
0:44:15 > 0:44:17Angus, can you go up to your room, please?
0:44:19 > 0:44:21I'm not five, you know.
0:44:21 > 0:44:24I just want to talk to your dad in private. Go on.
0:44:27 > 0:44:31Christ, I can barely get you out of the bloody room
0:44:31 > 0:44:34and now you want to be in the belly of the kirk? Go on!
0:44:40 > 0:44:41Go on, Angus.
0:45:01 > 0:45:04Talk to me about Joe Blake now.
0:45:09 > 0:45:11DOOR OPENS
0:45:12 > 0:45:14Joe.
0:45:17 > 0:45:19Where have you been?
0:45:19 > 0:45:20Does it matter?
0:45:23 > 0:45:27- We need to talk.- Bit late for talking, don't you think?
0:45:30 > 0:45:33I should never have agreed to you being sent away.
0:45:33 > 0:45:35It was wrong.
0:45:35 > 0:45:37But at the time we thought that...
0:45:37 > 0:45:41maybe a bit of breathing space...
0:45:41 > 0:45:43you know...
0:45:43 > 0:45:45With your mother,
0:45:45 > 0:45:50I didn't always feel that I had the right to intervene.
0:45:51 > 0:45:53But you're my son.
0:45:59 > 0:46:01And I love you.
0:46:02 > 0:46:05You made me feel ashamed of who I am.
0:46:05 > 0:46:08I know, and that will never happen again.
0:46:11 > 0:46:13I promise.
0:46:22 > 0:46:25- Did you know that Anna had fallen pregnant?- No.
0:46:27 > 0:46:30We maintained contact for a year or so afterwards,
0:46:30 > 0:46:34professional contact, and she made no mention of a child.
0:46:34 > 0:46:37- So you had no idea you had a son?- None.
0:46:37 > 0:46:39But when you arranged the placement here...
0:46:39 > 0:46:42I knew it was her, of course. 18 years is a long time.
0:46:42 > 0:46:45There was no reason to suppose that it would affect
0:46:45 > 0:46:48our working relationship here. And it didn't.
0:46:48 > 0:46:51It didn't occur to you that every time she mentioned Joe,
0:46:51 > 0:46:53she was talking about...?
0:46:53 > 0:46:56She wasn't in the habit of talking about him.
0:46:56 > 0:46:59Joe wasn't here in my time on Fair Isle so I never came across him.
0:46:59 > 0:47:01Until the dance.
0:47:02 > 0:47:04Tessa said that she had seen a boy on the boat
0:47:04 > 0:47:09who looked so much like David it broke her heart all over again.
0:47:11 > 0:47:13We've seen a photograph.
0:47:13 > 0:47:15He looked like a lovely boy, Dr Warren.
0:47:15 > 0:47:17We were extremely close.
0:47:18 > 0:47:20I'm sorry...
0:47:20 > 0:47:23No, it's OK. It's OK. Just take your time.
0:47:24 > 0:47:28When I found out that Joe was Anna's son, I put two and two together.
0:47:28 > 0:47:32- And what? You confronted her with that?- Yes.
0:47:33 > 0:47:37Anna told me that she discovered she was pregnant on the flight
0:47:37 > 0:47:39home from Malaysia, and as was her character,
0:47:39 > 0:47:44by the time the flight had landed she'd decided that it was in the best interests of all concerned
0:47:44 > 0:47:46that I remain blissfully ignorant
0:47:46 > 0:47:50while she and Frank bring up the child up as theirs.
0:47:52 > 0:47:54When I knew the truth...
0:47:56 > 0:47:58..I felt like I'd lost two children.
0:47:58 > 0:48:00I couldn't believe she'd done that to me,
0:48:00 > 0:48:03denied me the chance to be a father.
0:48:03 > 0:48:05How did that make you feel?
0:48:05 > 0:48:09Worse. I suppose I'd suppressed so much that I just couldn't any more.
0:48:14 > 0:48:17I wanted to kill her.
0:48:17 > 0:48:18And...
0:48:20 > 0:48:22And that's what I did.
0:48:29 > 0:48:34Let me get this straight. You're saying you killed Anna Blake
0:48:34 > 0:48:37because she hid the fact that you had a son together?
0:48:39 > 0:48:42Yes, that's right.
0:48:42 > 0:48:44PHONE RINGS
0:48:48 > 0:48:50DOOR CLOSES
0:48:54 > 0:48:56Hi, Sandy, what have you got?
0:48:56 > 0:48:59The forensic analysis of the bruising on Anna's face
0:48:59 > 0:49:03has just come through. There is one key finding.
0:49:05 > 0:49:09OK. Let's just go over what actually happened, OK?
0:49:09 > 0:49:14- I don't think it could be any clearer, do you?- To you, maybe.
0:49:14 > 0:49:16DOOR OPENS
0:49:30 > 0:49:35OK. So, you're saying that when you found out that Joe
0:49:35 > 0:49:39was your son and that Anna had kept that from you, you were furious?
0:49:39 > 0:49:45- Yes.- And during an argument, you what...? You lashed out at her?
0:49:45 > 0:49:47Yes. That's right, I struck her.
0:49:49 > 0:49:52- Sorry, with which hand?- Um...
0:49:52 > 0:49:56My left. Anna tried to push me out of the laboratory.
0:49:56 > 0:50:00I'm ashamed to say that I knocked her to the floor.
0:50:00 > 0:50:02And left her to die of her injuries.
0:50:02 > 0:50:03Oh, God!
0:50:03 > 0:50:07It was a moment of madness.
0:50:07 > 0:50:11It's something that I will have to live with for the rest of my life.
0:50:13 > 0:50:15Let me see your left hand.
0:50:22 > 0:50:24Within the bruise...
0:50:25 > 0:50:29..there's a mark that was left by a hand with a ring on it.
0:50:31 > 0:50:33You don't wear a ring.
0:50:35 > 0:50:37But your wife Tessa does.
0:50:43 > 0:50:45Are you trying to protect your wife?
0:50:45 > 0:50:48No. It was me.
0:50:48 > 0:50:50Why on earth would she do that?
0:50:50 > 0:50:54Well, let's find out. Tosh, go and find Mrs Warren
0:50:54 > 0:50:56and hold her in the common room.
0:50:59 > 0:51:01(Please...)
0:51:01 > 0:51:03DOOR CLOSES
0:51:15 > 0:51:17So, Peter Latimer?
0:51:18 > 0:51:21Did he hear something? Did he see something?
0:51:21 > 0:51:23Latimer knew that something had happened.
0:51:23 > 0:51:27He said he was sure there was a perfectly simple explanation.
0:51:30 > 0:51:32Clearly, he was going to blackmail us.
0:51:32 > 0:51:34I couldn't allow that to happen.
0:51:34 > 0:51:36Not to Tess.
0:51:38 > 0:51:40Sir, Mrs Warren's not in the centre.
0:51:40 > 0:51:43Finlay say he saw her walking south towards the cliffs.
0:51:43 > 0:51:46No wait. You just stay here.
0:51:46 > 0:51:48I'll go and find her.
0:52:34 > 0:52:36Tessa.
0:52:39 > 0:52:42If you think this is the only choice you've got...
0:52:44 > 0:52:46..it isn't, you know.
0:52:48 > 0:52:50What about your husband?
0:52:52 > 0:52:54Some people look at all this terrible beauty
0:52:54 > 0:52:56and they see the hand of God in it.
0:52:58 > 0:53:01But where was God when my David died?
0:53:03 > 0:53:04Where was God then?
0:53:08 > 0:53:11She didn't know what it was like to lose a child.
0:53:11 > 0:53:14I simply asked her to let Bill into Joe's life,
0:53:14 > 0:53:17so he could be a father again.
0:53:19 > 0:53:20She didn't care.
0:53:21 > 0:53:23She just turned away.
0:53:23 > 0:53:26I don't know where God was when your son died...
0:53:28 > 0:53:31..or my wife, for that matter.
0:53:31 > 0:53:36But killing yourself isn't going to make anything better, Tessa.
0:53:36 > 0:53:39It's just going to make everything that wee bit harder
0:53:39 > 0:53:42for everybody who loves you and cares about you.
0:53:42 > 0:53:46Whatever you say now, I know you didn't mean to kill Anna.
0:53:46 > 0:53:48Nobody thinks you did.
0:53:48 > 0:53:50But somebody has to be punished.
0:53:52 > 0:53:53Not like this.
0:53:56 > 0:53:58Tessa.
0:54:07 > 0:54:09Come on.
0:54:14 > 0:54:15Please.
0:54:28 > 0:54:31- SHE SOBS - I know...
0:54:34 > 0:54:36Come on.
0:55:02 > 0:55:03Thanks, Mum.
0:55:03 > 0:55:06Absolutely any time. Cassie's a lovely girl.
0:55:06 > 0:55:10- You're doing a fine job. - Do you think so?- Yes.
0:55:13 > 0:55:15Bye, Ma.
0:55:16 > 0:55:19And maybe when you're over next month getting your hair done,
0:55:19 > 0:55:22I'll take Jimmy for a pint and we'll catch up proper.
0:55:22 > 0:55:25I'd like that, aye. All right, Donnie?
0:55:25 > 0:55:28- I'll see you, Jimmy, yeah? Sorry for being an idiot.- See you.
0:55:31 > 0:55:32- Thanks.- You'll be fine.
0:55:32 > 0:55:35And next time you're over on the mainland,
0:55:35 > 0:55:37- you're always welcome, come stay with us.- I'd like that.
0:55:37 > 0:55:39- All right.- Thanks.
0:55:39 > 0:55:41- Bye, Angus.- Cheers.
0:55:48 > 0:55:50See you next time, Grandad.
0:55:50 > 0:55:53In the meantime, watch out for the boys.
0:55:53 > 0:55:56- Which ones?- All of them, Lerwick's a big place.
0:55:57 > 0:56:00So, I'll see you for a pint?
0:56:00 > 0:56:01It's a date.
0:56:01 > 0:56:03Life's too short, Jimmy.
0:56:03 > 0:56:06I know.
0:56:06 > 0:56:08Tosh, how are your sea legs?
0:56:08 > 0:56:12- Why?- Cos if you thought the flight over was rough,
0:56:12 > 0:56:15you're about to experience the true meaning of the word.
0:56:15 > 0:56:18But just remember, it was you that insisted on sailing.
0:56:18 > 0:56:21Anything's better than the death plane.
0:56:21 > 0:56:23I'll see you, Dad.
0:56:25 > 0:56:28Not so long next time.
0:56:36 > 0:56:38- Cass?- Yeah?
0:56:38 > 0:56:41I just wanted to have a wee word with you about Angus.
0:56:41 > 0:56:44I know he's gay. So what?
0:56:46 > 0:56:47OK.
0:56:49 > 0:56:50Well...