0:00:02 > 0:00:03Maybe if you had a name?
0:00:03 > 0:00:04Robbie.
0:00:05 > 0:00:07He never got off that ferry.
0:00:07 > 0:00:11Michael Thompson and Robbie Morton both have the same tattoo.
0:00:11 > 0:00:12They are connected.
0:00:12 > 0:00:15You're seeing something that isn't there.
0:00:15 > 0:00:16GUNSHOT
0:00:16 > 0:00:20Michael Maguire's here on witness protection.
0:00:20 > 0:00:23Arthur McCall, that's who Michael Thompson was testifying against.
0:00:23 > 0:00:26He is no longer a client I want to represent.
0:00:26 > 0:00:29Neither is he a client I can afford to offend.
0:00:29 > 0:00:31Asha Israni. Michael Thompson's dedicated handler.
0:00:31 > 0:00:34- It's about how men are with women. - SHE LAUGHS
0:00:34 > 0:00:37He said I was a message...
0:00:37 > 0:00:38you couldn't ignore.
0:00:41 > 0:00:43I don't want you to look at me!
0:00:43 > 0:00:48Robbie Morton and Michael Thompson, they are father and son.
0:00:48 > 0:00:50Who raped you?
0:00:50 > 0:00:51Ben Brennan.
0:00:51 > 0:00:53So Phyllis Brennan's son commits a rape...
0:00:53 > 0:00:55Ben, darling, you remember Rhona?
0:00:55 > 0:00:57How could I forget?
0:00:57 > 0:00:59..and Arthur McCall makes it go away.
0:00:59 > 0:01:02That's bigger than just Arthur McCall.
0:01:02 > 0:01:04Someone's covering something and we're definitely looking
0:01:04 > 0:01:08in the right place, or they wouldn't have bothered trying to warn us off.
0:02:08 > 0:02:10SALSA MUSIC PLAYS
0:02:10 > 0:02:12LAUGHTER
0:02:13 > 0:02:14Hello?
0:02:14 > 0:02:15Hello, come in.
0:02:15 > 0:02:16Sorry to bother you at home.
0:02:16 > 0:02:19- Oh, don't be daft! Do you want a drink?- No.
0:02:19 > 0:02:21Are you going to stay for some food?
0:02:21 > 0:02:23No, no, I'm fine, thanks.
0:02:23 > 0:02:25Look, I was wondering, erm...
0:02:25 > 0:02:27Can I talk to Phyllis alone?
0:02:27 > 0:02:28Just for a couple minutes.
0:02:29 > 0:02:32Yes, yeah, course. I'll, er...
0:02:39 > 0:02:40What's this about, Jimmy?
0:02:41 > 0:02:42Your son, Ben.
0:02:44 > 0:02:45And Level Nine.
0:02:46 > 0:02:49Sorry, I don't really know what you're talking about. Um...?
0:02:49 > 0:02:54There was a nightclub in Glasgow that was owned by Arthur McCall
0:02:56 > 0:02:59and Ben was there the night a girl called Kelly Paterson got attacked.
0:02:59 > 0:03:02- Really, when was this? - Ten years ago.- Ah!
0:03:02 > 0:03:06Ben was accused of rape. Calvin Sarwar made it go away,
0:03:06 > 0:03:07and Michael Thompson was a witness,
0:03:07 > 0:03:10so that's why we're talking about it.
0:03:10 > 0:03:17Now, is there anything to do with the death of Michael Thompson that you're not telling me?
0:03:17 > 0:03:18Absolutely nothing.
0:03:19 > 0:03:20You know...
0:03:23 > 0:03:27..I'd always assumed that Michael Thompson was killed
0:03:27 > 0:03:28to protect Arthur McCall.
0:03:30 > 0:03:31Now I'm not so sure.
0:03:32 > 0:03:35Now I'm thinking Calvin Sarwar had him killed
0:03:35 > 0:03:37to protect HIS relationship with you.
0:03:39 > 0:03:43You know people like Sarwar, they do things for a reason.
0:03:43 > 0:03:47Thought he'd have wanted something in return for saving Ben.
0:03:49 > 0:03:51Are you saying I made a pact with Sarwar?
0:03:51 > 0:03:52What, to protect Ben?
0:03:54 > 0:03:55It's possible.
0:03:59 > 0:04:00You're right.
0:04:01 > 0:04:03There was an allegation, but, um...
0:04:03 > 0:04:05Ben did not need protecting.
0:04:07 > 0:04:10She withdrew her statement because she was lying
0:04:10 > 0:04:14and she knew that nobody would believe her.
0:04:14 > 0:04:15Phyllis,
0:04:15 > 0:04:18I've seen the medical report.
0:04:18 > 0:04:20Trust me, somebody would've believed her.
0:04:22 > 0:04:23Now, I'm asking you again...
0:04:25 > 0:04:27..did Sarwar want anything in return?
0:04:29 > 0:04:30No.
0:04:32 > 0:04:36You know, Phyllis, I'm going to request access to every single case
0:04:36 > 0:04:40that came across your desk which Sarwar represented
0:04:40 > 0:04:42and see if there's even a trace of a deal.
0:04:44 > 0:04:45I'll find it.
0:04:53 > 0:04:54I'm sorry.
0:05:31 > 0:05:35I want you to check all the cases you can find involving
0:05:35 > 0:05:38Calvin Sarwar and Phyllis Brennan.
0:05:38 > 0:05:40You're looking for signs of collusion.
0:05:40 > 0:05:41OK.
0:05:41 > 0:05:44And then I want you to call DS Boyd in Glasgow
0:05:44 > 0:05:48and I want you to tell him that we're going to need a search warrant
0:05:48 > 0:05:51for Calvin Sarwar's home and his office, as soon as possible.
0:05:51 > 0:05:54And tell him we're looking for signs of financial irregularity,
0:05:54 > 0:05:56money laundering and false accounting.
0:05:56 > 0:05:59Untangling all that could take months.
0:05:59 > 0:06:00Yes, so, we better get started.
0:06:00 > 0:06:02KNOCK ON DOOR
0:06:02 > 0:06:03Come in.
0:06:04 > 0:06:08Got an ID on our catch of the day. Eddie Kerr.
0:06:09 > 0:06:13Known associate of McCall's. Looks like our Arthur's in trouble.
0:06:13 > 0:06:15That's what Calvin Sarwar wants us to think.
0:06:17 > 0:06:20- Billy, can you get me on the next flight to Glasgow?- Aye.
0:06:25 > 0:06:28I'm thinking I should press charges against Ben Brennan.
0:06:31 > 0:06:33You don't think I should?
0:06:33 > 0:06:35No, no, it's... It's not that. It...
0:06:37 > 0:06:39..just won't be easy.
0:06:39 > 0:06:41Especially for somebody with a past like mine?
0:06:41 > 0:06:43It was a long time ago, Kelly.
0:06:44 > 0:06:47The prosecution won't have any forensic evidence.
0:06:47 > 0:06:50It will just be your word against his.
0:06:50 > 0:06:52And the fact that you dropped the case won't help.
0:06:52 > 0:06:54It wasn't a long time ago for me.
0:06:56 > 0:06:57I think about it every day.
0:06:57 > 0:07:00I'm not saying you shouldn't, I'm just saying...
0:07:01 > 0:07:03..you need to be prepared.
0:07:04 > 0:07:06I believe you,
0:07:06 > 0:07:08but the court might not.
0:07:10 > 0:07:11I don't care.
0:07:13 > 0:07:15He made me feel worthless.
0:07:15 > 0:07:16Like I didn't matter.
0:07:16 > 0:07:19Well, I'm sick of feeling like this.
0:07:19 > 0:07:20Like a victim.
0:07:23 > 0:07:24I'm pressing charges.
0:07:25 > 0:07:28In that case, I'll give you all the help I can.
0:07:29 > 0:07:30That's a promise.
0:07:46 > 0:07:47I have to speak to him.
0:07:54 > 0:07:58DS Macintosh was raped by one of McCall's men.
0:08:00 > 0:08:03It's their way of trying to intimidate us.
0:08:03 > 0:08:05And I thought you should know that.
0:08:08 > 0:08:09I see.
0:08:27 > 0:08:28How is Bella?
0:08:28 > 0:08:32I've, er, told Craig I'll keep an eye on his granny for him.
0:08:32 > 0:08:34A lot better now. She'll be pleased to see you.
0:08:34 > 0:08:38- LAUGHING:- I've made you a present, Bella! Do you want to see it?
0:08:38 > 0:08:40SHE LAUGHS
0:08:40 > 0:08:42It's a Kokkaloorie chain.
0:08:42 > 0:08:45- 'It was good of you to take Leanne in like this.'- Do you like it?
0:08:45 > 0:08:47'How is she doing?'
0:08:47 > 0:08:48Settling in.
0:08:48 > 0:08:49'Fits perfectly.'
0:08:49 > 0:08:51She's having trouble sleeping.
0:08:51 > 0:08:54Nightmares.
0:08:54 > 0:08:56I think she's dreaming about the day she was shot.
0:08:56 > 0:08:59Has she said anything to you about what happened?
0:08:59 > 0:09:01Remembered anything new?
0:09:01 > 0:09:03No. Nothing.
0:09:03 > 0:09:06She cries out, that's all. And in the morning, she seems fine.
0:09:07 > 0:09:10The first daisies of the year!
0:09:14 > 0:09:17Calvin, I've just had a call.
0:09:17 > 0:09:19The police are searching your home as we speak.
0:09:19 > 0:09:21What exactly is it they're looking for?
0:09:21 > 0:09:25Material evidence likely to aid a criminal investigation, apparently.
0:09:25 > 0:09:26What investigation?
0:09:26 > 0:09:28It's related to financial irregularities,
0:09:28 > 0:09:32- but, er, that's all they'll say. - OK.
0:09:32 > 0:09:34Get over there, will you? Keep an eye on them.
0:09:37 > 0:09:40Well, the girl has made another statement.
0:09:40 > 0:09:45It's part of an investigation into Arthur McCall.
0:09:45 > 0:09:48They'll use whatever they can to bring him down, of course, it's just that I'm...
0:09:50 > 0:09:53- I'm worried that you're going to be dragged into it. - After all this time?
0:09:54 > 0:09:57Rhona's really angry, she...
0:09:57 > 0:10:00thinks I should have let events just run their course.
0:10:01 > 0:10:04But I did the right thing, I know I did.
0:10:07 > 0:10:11I... I-I did do the right thing, didn't I, Ben?
0:10:11 > 0:10:12- Oh, of course.- Ha.
0:10:14 > 0:10:15It's just...
0:10:16 > 0:10:21It's just that the girl was really badly hurt.
0:10:21 > 0:10:23- Were you aware of that? - Why're you asking me this?
0:10:24 > 0:10:28Because we have to be prepared if this goes to court.
0:10:54 > 0:10:56'Rape Crisis, hello?
0:11:00 > 0:11:04'Take your time. There's no pressure to say anything.
0:11:05 > 0:11:07'We're still here with you.'
0:11:20 > 0:11:24I remember hardly anything about that night.
0:11:24 > 0:11:26You don't know how she got her injuries?
0:11:29 > 0:11:31Well, did you hurt her?
0:11:32 > 0:11:34Er... Maybe, er...
0:11:35 > 0:11:39M-maybe I would behave differently now that I have my own daughter.
0:11:39 > 0:11:41I mean, you see things differently don't you, when you...
0:11:41 > 0:11:43when you become a parent?
0:11:43 > 0:11:45"Behave differently"?! Behave differently? What do you mean?
0:11:47 > 0:11:48What do you mean, Ben?
0:11:52 > 0:11:54Oh, my God. You've got to tell me what happened.
0:11:56 > 0:12:00We were drunk! She... She said she wanted to have some fun,
0:12:00 > 0:12:01things got out of hand.
0:12:01 > 0:12:05- It didn't feel like I was doing anything wrong, I... - Did you rape her?
0:12:05 > 0:12:08- Maybe I grabbed her, maybe I was a bit rough...- That's NOT what I asked.
0:12:10 > 0:12:12You know, I've tried to remember what happened that night.
0:12:12 > 0:12:14For years I have tried!
0:12:15 > 0:12:18I mean, maybe part of me doesn't want to, eh?
0:12:23 > 0:12:25You should have told me the truth.
0:12:39 > 0:12:43OK, so we've found two mobile phones at Sarwar's house,
0:12:43 > 0:12:44both Sim cards missing,
0:12:44 > 0:12:47all the files on his computers are encrypted
0:12:47 > 0:12:50and it seems like he's run all his transactions through
0:12:50 > 0:12:53onion browsers, so it means we cannae trace them.
0:12:53 > 0:12:55Basically, he's covered his tracks extremely well.
0:12:56 > 0:12:58Any good news?
0:12:58 > 0:13:01Forensics think they can piece the files together, but that could take weeks, if not months.
0:13:01 > 0:13:03- So in a word, no.- Perez!
0:13:05 > 0:13:07I want to make a statement.
0:13:09 > 0:13:11Whenever you're ready.
0:13:13 > 0:13:16When Ben called that night from Level Nine,
0:13:16 > 0:13:19he was in a terrible state. He told me what had happened,
0:13:19 > 0:13:22that the girl was making false allegations of rape.
0:13:22 > 0:13:25He said he was with Arthur McCall's lawyer,
0:13:25 > 0:13:27Calvin Sarwar, and that he'd offered to help.
0:13:27 > 0:13:29So I spoke to him on the phone and...
0:13:32 > 0:13:36He said that Ben was innocent but the girl was very convincing.
0:13:36 > 0:13:39He thought she was trying to extort money because she knew who I was.
0:13:43 > 0:13:45He said he could make it all go away.
0:13:46 > 0:13:49A few days later, he called, he said that the matter was settled,
0:13:49 > 0:13:53there was nothing to worry about and that she had, um...
0:13:53 > 0:13:55POLICE SIREN WAILS IN DISTANCE
0:13:55 > 0:13:57She'd come to her senses.
0:13:59 > 0:14:01Did you ask why she changed her story?
0:14:06 > 0:14:07No. I was simply relieved.
0:14:09 > 0:14:11So what did Sarwar want in return?
0:14:11 > 0:14:14Nothing... Not at first, um...
0:14:16 > 0:14:18But after a few months I got a call.
0:14:20 > 0:14:22And he implied that if I didn't help him,
0:14:22 > 0:14:25word would get around about what happened that night.
0:14:28 > 0:14:30He, um...
0:14:30 > 0:14:32wanted me to block any investigations
0:14:32 > 0:14:34into his financial activities.
0:14:37 > 0:14:38How would you do that?
0:14:38 > 0:14:42He has a company he uses to launder money for Arthur McCall.
0:14:42 > 0:14:45I suspect he's robbing McCall blind in the process.
0:14:48 > 0:14:51I kept the Serious Crime Squad away
0:14:51 > 0:14:54by diverting the investigation down other avenues.
0:14:55 > 0:14:58What was the name of the company?
0:14:59 > 0:15:01Dolos.
0:15:01 > 0:15:03It's the spirit of treachery in Greek mythology.
0:15:05 > 0:15:09Did you give him information regarding the whereabouts of Michael Thompson?
0:15:09 > 0:15:12- I would never have put anybody at risk...- That's not what I asked you.
0:15:14 > 0:15:16No.
0:15:16 > 0:15:18And the murder of Robbie Morton?
0:15:18 > 0:15:19I don't know anything about that.
0:15:19 > 0:15:21Are you sure?
0:15:21 > 0:15:23Y... Yeah.
0:15:23 > 0:15:26Because two people have died and one of my officers, DS Macintosh,
0:15:26 > 0:15:28was attacked, to protect you, Phyllis.
0:15:31 > 0:15:35I couldn't live with myself if that were the case, I really couldn't.
0:15:35 > 0:15:38Yeah, you'd be surprised what people can live with.
0:15:38 > 0:15:39Now...
0:15:40 > 0:15:42..Sarwar will have covered his tracks.
0:15:42 > 0:15:45He'll have hid behind Arthur McCall and I doubt any of this is going
0:15:45 > 0:15:46to lead directly to him.
0:15:46 > 0:15:47I'm going to need more.
0:15:50 > 0:15:51I don't know what else I can give you.
0:15:51 > 0:15:53I really don't know what else I can do.
0:16:06 > 0:16:09You know, I think you've got a wee bit of a crush on me, Perez, hm?
0:16:11 > 0:16:12Can't stay away.
0:16:14 > 0:16:16So, what's this about Michael?
0:16:18 > 0:16:20You arrest the bastard that did it?
0:16:20 > 0:16:21No need.
0:16:24 > 0:16:26He turned up dead in one of our fishing nets.
0:16:28 > 0:16:31Funnily enough, he's an old pal of yours, Eddie Kerr.
0:16:33 > 0:16:36You're joining up dots that aren't there, Perez.
0:16:37 > 0:16:38I know.
0:16:40 > 0:16:44You'd never do something so...obvious, would you?
0:16:45 > 0:16:47Like ordering the rape of a young DS.
0:16:48 > 0:16:51I mean, you're stupid,
0:16:51 > 0:16:52but are you that stupid?
0:16:53 > 0:16:55Because that would be suicidal, wouldn't it?
0:16:55 > 0:16:57Trying to intimidate us like that?
0:16:57 > 0:17:01Because then you'd have every cop in Scotland after your blood.
0:17:03 > 0:17:06And that's why I don't think you'd anything to do with it.
0:17:08 > 0:17:09Calvin Sarwar.
0:17:11 > 0:17:14It was him that ordered the hit on Michael.
0:17:15 > 0:17:17And the attack on my DS.
0:17:19 > 0:17:22He's been systematically setting you up.
0:17:22 > 0:17:24He's got a fiscal in his pocket.
0:17:24 > 0:17:27Yet you still ended up in the jail. How's that?
0:17:29 > 0:17:30Or your money?
0:17:32 > 0:17:34You looked at your accounts lately?
0:17:36 > 0:17:38He's just about cleaned you out.
0:17:39 > 0:17:42It's not going to be that long before everybody knows it.
0:17:42 > 0:17:45How's that going to look? Calvin Sarwar making a fool out of you?
0:17:47 > 0:17:51I mean, your boys aren't going to be that loyal for very long, are they?
0:17:53 > 0:17:54You're done, Arthur.
0:17:55 > 0:17:57And he's done you.
0:18:01 > 0:18:03You see Mr Perez to the door, would you?
0:18:05 > 0:18:09It's Detective Inspector Perez to you.
0:18:09 > 0:18:10And I know my own way out.
0:18:31 > 0:18:34It's not a great idea for us to be seen together,
0:18:34 > 0:18:36you DO know that.
0:18:36 > 0:18:37Then I'll be quick.
0:18:37 > 0:18:38Thank you.
0:18:41 > 0:18:43I need to know exactly what you've gotten me into.
0:18:43 > 0:18:45I'm not sure I follow.
0:18:47 > 0:18:51People have died to keep our arrangement secret.
0:18:51 > 0:18:54You knew who Arthur McCall was before you signed up to this.
0:18:54 > 0:18:57McCall had nothing to do with the death of Michael Thompson...
0:18:57 > 0:18:59I'd be very careful if I was you.
0:18:59 > 0:19:02If you talk, you'll only incriminate yourself and your son.
0:19:04 > 0:19:05What kind of a man are you?
0:19:05 > 0:19:08- A survivor. Just like you. - I never killed anybody.- No.
0:19:08 > 0:19:12But you ruined that girl's life, the one your son raped.
0:19:12 > 0:19:16Kelly. That's her name, by the way, in case you forgot.
0:19:16 > 0:19:18You could have asked so many questions about that night,
0:19:18 > 0:19:21but you didn't. Not once. So, don't take the moral high ground.
0:19:21 > 0:19:24You just sound like the hypocrite you are.
0:19:25 > 0:19:28I need to know exactly what happened to Robbie Morton
0:19:28 > 0:19:31and Michael Thompson before I continue to protect you.
0:19:31 > 0:19:32No, you don't!
0:19:34 > 0:19:36I don't kill people, Phyllis. But I know guys who do.
0:19:36 > 0:19:39So, just keep your mouth shut. For all our sakes.
0:19:56 > 0:19:58Is there any way my son can be kept out of this?
0:20:09 > 0:20:11PHONE RINGS
0:20:12 > 0:20:13Jimmy Perez.
0:20:16 > 0:20:18Yeah, I can meet you there.
0:20:29 > 0:20:31My father worked in these shipyards all his life.
0:20:33 > 0:20:34Dangerous job.
0:20:36 > 0:20:38Men had to look out for each other's backs.
0:20:40 > 0:20:42- HE SCOFFS - Not today.
0:20:43 > 0:20:45All run by people like Sarwar.
0:20:45 > 0:20:47Suits.
0:20:49 > 0:20:51Only looking out for themselves.
0:20:51 > 0:20:52Ah, come on, Arthur.
0:20:52 > 0:20:55Spare me the working-class hero spiel, yeah?
0:20:57 > 0:21:02The man you want to speak to is, er, Danny Torr.
0:21:03 > 0:21:06Owns a tanning salon in town.
0:21:06 > 0:21:09He's not one of my people, but I've had a wee word with him.
0:21:11 > 0:21:13Sarwar paid Eddie Kerr...
0:21:14 > 0:21:16..to have Michael killed.
0:21:16 > 0:21:18All the money went through him.
0:21:25 > 0:21:26He'll testify.
0:21:43 > 0:21:46Sir, I found this in the Dolos file.
0:21:46 > 0:21:47Cheers, Jamie.
0:21:50 > 0:21:52Result!
0:21:52 > 0:21:54Anonymous e-mail sent to Calvin Sarwar
0:21:54 > 0:21:57just a day before Michael Thompson was shot
0:21:57 > 0:21:59revealing his name and address on Shetland.
0:22:01 > 0:22:03We've got him.
0:22:05 > 0:22:07For the benefit of the tape,
0:22:07 > 0:22:12we are now showing Mr Sarwar a CCTV image that we received.
0:22:12 > 0:22:14Would you mind having a look at that and telling me
0:22:14 > 0:22:17whether or not you recognise either of those two men?
0:22:17 > 0:22:21The one on the left is Eddie Kerr. The other one is Danny Torr.
0:22:24 > 0:22:26Never seen either of them before.
0:22:26 > 0:22:28Danny Torr is willing to testify
0:22:28 > 0:22:32that you asked him to pay Eddie Kerr £30,000 to kill Michael Thompson.
0:22:32 > 0:22:34He would say that - he's protecting Arthur McCall.
0:22:34 > 0:22:39For the benefit of the tape, I'm now showing Mr Sarwar an e-mail.
0:22:40 > 0:22:42Apparently, you knew where Michael Thompson was living.
0:22:43 > 0:22:45I've never seen that e-mail.
0:22:45 > 0:22:48We found it on your computer in a file named "Dolos".
0:22:50 > 0:22:53See, Phyllis Brennan told us almost everything
0:22:53 > 0:22:56that we need to know about you. Or rather, YOU did.
0:22:58 > 0:23:01- PHYLLIS ON TAPE:- 'I need to know exactly what happened
0:23:01 > 0:23:03'to Robbie Morton and Michael Thompson
0:23:03 > 0:23:07- 'before I continue to protect you.' - SARWAR ON TAPE:- 'No, you don't.
0:23:07 > 0:23:09'I don't kill people, Phyllis. But I know guys who do.'
0:23:09 > 0:23:12You see, we went through every single one of her cases,
0:23:12 > 0:23:15and every time your name came up... FOLDERS SLAP ON DESK
0:23:15 > 0:23:18..it was followed by "No Further Action".
0:23:19 > 0:23:21You OK, Mr Sarwar?
0:23:24 > 0:23:27Time is 17.42. Interview with Calvin Sarwar
0:23:27 > 0:23:30is being suspended for a comfort break.
0:23:34 > 0:23:36Yeah, I know what you did.
0:23:37 > 0:23:41- Did you really think you were going to get away with that?- With what?
0:23:42 > 0:23:45- Sir? - You know what I'm talking about.
0:23:45 > 0:23:47Haven't you got more important things to worry about
0:23:47 > 0:23:51than some stupid tart who goes off with the first man she meets?
0:23:52 > 0:23:54Look on the bright side.
0:23:55 > 0:23:57She probably enjoyed it.
0:23:57 > 0:24:00Are we finished here, sir?
0:24:00 > 0:24:02Are we, Perez?
0:24:02 > 0:24:03No.
0:24:05 > 0:24:06Not yet.
0:24:08 > 0:24:12Calvin Sarwar, I'm charging you with aiding and abetting
0:24:12 > 0:24:14in the murder of Michael Thompson,
0:24:14 > 0:24:17whereby you paid a third party to carry out the murder.
0:24:17 > 0:24:20I'm also charging you with fraud, extortion and blackmail.
0:24:20 > 0:24:21Now, do you understand the charge?
0:24:23 > 0:24:27Is there anything that you would like to say in reply to the charge?
0:24:33 > 0:24:34Fine.
0:24:34 > 0:24:35Don't even think about bail.
0:24:38 > 0:24:39HE SIGHS
0:24:42 > 0:24:43You OK?
0:24:43 > 0:24:44What?
0:24:44 > 0:24:46Are you all right?
0:24:47 > 0:24:48Aye, I'm fine.
0:24:48 > 0:24:51Are we not charging him with Robbie Morton's murder?
0:24:53 > 0:24:54No.
0:24:55 > 0:24:59Robbie Morton was dead before that e-mail was sent.
0:25:00 > 0:25:04I know those murders are connected, I just don't know how.
0:25:05 > 0:25:07Not yet.
0:25:09 > 0:25:11Will you keep the techie boys on top of that e-mail?
0:25:11 > 0:25:14- Because I do want to know who sent it.- OK.
0:25:14 > 0:25:16And he doesnae get any bail.
0:25:16 > 0:25:18And you give him vulnerable prisoner status
0:25:18 > 0:25:20because I want to keep him out of harm's way.
0:25:20 > 0:25:23At least until I can shed a wee bit more light on this. OK?
0:25:23 > 0:25:25All right, will do.
0:25:27 > 0:25:29Welcome to the VP wing.
0:25:29 > 0:25:33Under Rule 42, you're to be segregated for your own protection.
0:25:33 > 0:25:34You will not leave this wing.
0:25:34 > 0:25:37You will not associate with any other prisoners.
0:25:37 > 0:25:38You'll only use the education room
0:25:38 > 0:25:40when other prisoners are not using it.
0:25:40 > 0:25:44You'll have a separate work regime, separate exercise times,
0:25:44 > 0:25:45and you'll have your own cell.
0:25:59 > 0:26:01SHE TAPS
0:26:02 > 0:26:04Fancy a drink?
0:26:14 > 0:26:19It must be great to be able to express yourself the way you do.
0:26:20 > 0:26:22Aye.
0:26:27 > 0:26:29Did something happen to you, Lowrie?
0:26:30 > 0:26:33Is that why you paint the things you paint?
0:26:35 > 0:26:37HE CLEARS HIS THROAT
0:26:37 > 0:26:39When I was at, um...
0:26:40 > 0:26:41..art school...
0:26:44 > 0:26:46..my younger brother and myself
0:26:46 > 0:26:50were on our way home from a night out.
0:26:56 > 0:26:58We were set upon by a...
0:27:00 > 0:27:01..a group of lads.
0:27:02 > 0:27:05There was no rhyme nor reason for...for it.
0:27:11 > 0:27:12One pulled a knife.
0:27:16 > 0:27:18It was over in seconds...
0:27:23 > 0:27:24..and my brother was gone.
0:27:31 > 0:27:34We always said he died because...
0:27:35 > 0:27:37..he had such a big heart.
0:27:39 > 0:27:40They couldn't miss it.
0:27:43 > 0:27:45That much was true.
0:27:54 > 0:27:56I'm so sorry.
0:28:01 > 0:28:03And me for you.
0:28:34 > 0:28:35What are you doing here?
0:28:35 > 0:28:40- I wanted to spend a few days with you before I go to Brazil.- Aww!
0:28:40 > 0:28:42HE CHUCKLES
0:28:44 > 0:28:47I thought we could watch an old movie tonight?
0:28:47 > 0:28:48OK, what have you got?
0:28:48 > 0:28:50Elf.
0:28:50 > 0:28:52BOTH LAUGH
0:28:52 > 0:28:54- Do you remember?- Yeah.
0:28:54 > 0:28:57- Right, well, you stick it on. I've got popcorn.- OK.
0:28:58 > 0:29:01KEYS CLACK
0:29:03 > 0:29:05SCREAMING
0:29:05 > 0:29:06ALARM BEEPS
0:29:06 > 0:29:08NO!
0:29:11 > 0:29:12- NO! - WHIMPERING
0:29:12 > 0:29:14Leanne?
0:29:16 > 0:29:18NO! NO!
0:29:18 > 0:29:19Leanne...
0:29:19 > 0:29:21You're OK. You're OK...
0:29:21 > 0:29:23You're just having a bad dream, that's all.
0:29:23 > 0:29:25SHE PANTS
0:29:31 > 0:29:33SHE WHIMPERS
0:29:39 > 0:29:42PHONE VIBRATES
0:29:42 > 0:29:44KEYPAD TONE
0:29:44 > 0:29:45Iain?
0:29:45 > 0:29:48'Sorry to call so late, boss. I thought you should know this.'
0:29:48 > 0:29:50The...e-mail Calvin received.
0:29:52 > 0:29:53It's a proxy account
0:29:53 > 0:29:55set up under some random name,
0:29:55 > 0:29:58but I've managed to trace the IP address.
0:30:00 > 0:30:01Lerwick.
0:30:03 > 0:30:05Can you be more specific?
0:30:05 > 0:30:06Um, not yet.
0:30:06 > 0:30:07We're working on it.
0:30:13 > 0:30:16OK, Witness Protection are maintaining
0:30:16 > 0:30:17that there was only five people
0:30:17 > 0:30:20who knew that Michael Thompson was on Shetland.
0:30:20 > 0:30:23So, that means that one of them must have been here on the 14th,
0:30:23 > 0:30:25the day the e-mail was sent.
0:30:25 > 0:30:28- So, that's who we have to find. - Is there anyone else?
0:30:28 > 0:30:30- Someone we've overlooked? - PHONE RINGS
0:30:30 > 0:30:31Sorry.
0:30:33 > 0:30:35Hey, how's things?
0:30:35 > 0:30:36'Good, good.'
0:30:36 > 0:30:39Listen, I've got a couple of days' leave
0:30:39 > 0:30:42and I thought I'd spend them in Shetland, if that's OK with you?
0:30:42 > 0:30:44Sure, of course.
0:30:44 > 0:30:47Well, that's a relief. Cos I'm on the 11.45.
0:30:47 > 0:30:49'You going to pick me up from the airport?'
0:30:49 > 0:30:51Yeah, I'll see you there.
0:30:51 > 0:30:55Grace, from the care home, wants to talk to you about Leanne.
0:30:55 > 0:30:57Oh, yeah, they're worried about her.
0:30:57 > 0:30:58I called in on them yesterday.
0:30:58 > 0:31:00OK. Well, call her back
0:31:00 > 0:31:03and tell her I'll drop by later on this afternoon.
0:31:07 > 0:31:09- Hi.- Hey.
0:31:09 > 0:31:11- How was your flight?- Yeah, I'm still not used to the runway
0:31:11 > 0:31:14- being quite so close to the sea. - HE CHUCKLES
0:31:16 > 0:31:19- You OK...with me...being here? - Yes, I am.
0:31:23 > 0:31:27- I have to go to Herder House for two minutes, is that OK?- Yeah, fine.
0:31:31 > 0:31:34I thought we could meet up for dinner when you finish work?
0:31:34 > 0:31:36Sure. I don't know when that's going to be, though.
0:31:36 > 0:31:39Oh, don't worry, whenever.
0:31:39 > 0:31:40Oh, and there's another thing,
0:31:40 > 0:31:44my daughter Cassie's home for a few days so...
0:31:45 > 0:31:46I've got a room at the Lighthouse.
0:31:48 > 0:31:49OK.
0:31:57 > 0:31:59I'll be two minutes.
0:32:05 > 0:32:07Right, Sandy was saying she's still having nightmares.
0:32:07 > 0:32:09Yes, and it's getting worse.
0:32:09 > 0:32:12I'm sure now she's reliving the trauma of being shot.
0:32:12 > 0:32:13There's something else.
0:32:22 > 0:32:24Leanne's prescription from the hospital.
0:32:24 > 0:32:26Anti-depressants. High dosage.
0:32:26 > 0:32:28She'd been taking them for years. Long before this happened.
0:32:31 > 0:32:35OK. I can get in contact with Victim Support,
0:32:35 > 0:32:37- see what help they can offer. - That'll be great.- OK.
0:32:42 > 0:32:44Hello.
0:32:44 > 0:32:45Hello.
0:32:49 > 0:32:50How are you feeling?
0:32:50 > 0:32:52Yeah...
0:32:52 > 0:32:54Yeah, a lot better, thanks.
0:32:55 > 0:32:56Are you not sleeping so good?
0:32:57 > 0:32:59I dream.
0:32:59 > 0:33:00What's that about?
0:33:00 > 0:33:02The shooting?
0:33:02 > 0:33:04Think so.
0:33:05 > 0:33:08Well, you know, if you think of anything new...
0:33:10 > 0:33:14..doesn't matter if you don't think it's important, you must tell me.
0:33:15 > 0:33:18Because it might not make sense to you, but it might make sense to me.
0:33:19 > 0:33:21I will.
0:33:21 > 0:33:22OK.
0:33:22 > 0:33:23Promise?
0:33:25 > 0:33:27I promise.
0:33:30 > 0:33:32I knew it was too good to be true.
0:33:33 > 0:33:34What's that?
0:33:34 > 0:33:36You being single.
0:33:49 > 0:33:50She's a colleague.
0:33:50 > 0:33:53I'm just dropping her off at the Lighthouse.
0:33:53 > 0:33:57- I believe you.- Good.- Yes.- Uh-huh. - I mean, thousands wouldn't.
0:33:57 > 0:33:59SHE GIGGLES
0:34:03 > 0:34:06You know, if you want to talk to anybody.
0:34:07 > 0:34:10I can arrange that for you, OK?
0:34:11 > 0:34:13You just have to tell me.
0:34:16 > 0:34:20PHONE VIBRATES
0:34:21 > 0:34:23I'm going to have to take this.
0:34:27 > 0:34:31- 'Tosh?'- I've checked the list of people who knew where Michael was.
0:34:31 > 0:34:33- 'And?'- All of them were in Glasgow.
0:34:33 > 0:34:35Except Asha Israni.
0:34:35 > 0:34:37'She was here visiting Michael on the 14th.'
0:34:39 > 0:34:40Are you sure?
0:34:40 > 0:34:41Positive.
0:34:41 > 0:34:46Right, I'll need to look into her background. Um...
0:34:46 > 0:34:49Her training, her university, everything.
0:34:49 > 0:34:52See if there's a link to either McCall or Sarwar.
0:35:03 > 0:35:05Why don't you text me when you've finished work
0:35:05 > 0:35:07and we can meet up in the fish restaurant by the harbour?
0:35:07 > 0:35:10I don't think that I'm going to be able to make dinner.
0:35:10 > 0:35:13There's been a development on a case.
0:35:14 > 0:35:16Oh, of course. Don't worry about it.
0:35:19 > 0:35:22You still have to sleep though, don't you?
0:35:24 > 0:35:26Yeah.
0:35:44 > 0:35:47Right, have we got anything?
0:35:47 > 0:35:52Yeah, this from the university alumni page.
0:35:52 > 0:35:55A list of the Debating Society circa '93.
0:35:55 > 0:35:59Asha and Calvin Sarwar were both in the Debating Society.
0:35:59 > 0:36:02Doesn't mean they necessarily knew each other, does it?
0:36:04 > 0:36:05Those WP files in yet?
0:36:05 > 0:36:07Yeah, just got access.
0:36:07 > 0:36:08OK, start digging.
0:36:10 > 0:36:13And go through the passenger manifesto again.
0:36:13 > 0:36:16I want to know if Asha was on the ferry
0:36:16 > 0:36:18the night that Robbie went missing.
0:36:19 > 0:36:22Sandy, get me Leanne's initial statement.
0:36:22 > 0:36:25We're going to have to go back to the beginning
0:36:25 > 0:36:27- cos we missed something.- OK.
0:36:27 > 0:36:30Billy, I need Leanne's initial statement.
0:36:35 > 0:36:37Leanne's first statement.
0:36:37 > 0:36:41Right, get on to the hotel in Aberdeen
0:36:41 > 0:36:43where Asha and Michael met,
0:36:43 > 0:36:45talk to the staff that were on that day.
0:36:45 > 0:36:48Did anybody see Asha meeting anybody else
0:36:48 > 0:36:50- before or after that meeting? - OK.
0:36:50 > 0:36:52PHONE RINGS
0:36:54 > 0:36:56DS Boyd.
0:36:56 > 0:36:59'Sir, I've managed to track down the e-mail to its source.
0:36:59 > 0:37:02'It came from Lerwick Library.'
0:37:02 > 0:37:04OK, thanks. I'll keep you posted.
0:37:16 > 0:37:17Sir!
0:37:17 > 0:37:19Asha's Witness Protection files.
0:37:19 > 0:37:22Spotted one I think you'll be interested in.
0:37:22 > 0:37:25Her first. The Gilborne family from Shetland.
0:37:28 > 0:37:31- OK, go. - Anne Gilborne was a single mother,
0:37:31 > 0:37:34she witnessed a crime while on holiday on the mainland.
0:37:34 > 0:37:37Her testimony could've brought down several heavy-duty targets.
0:37:37 > 0:37:39Despite threats, she agreed to testify.
0:37:39 > 0:37:42But she never gave evidence. The case collapsed on a technicality.
0:37:42 > 0:37:44And she was relocated from Shetland to the mainland?
0:37:44 > 0:37:47From what I can gather from the file, Anne didn't adjust.
0:37:47 > 0:37:49She killed herself.
0:37:49 > 0:37:51And are there any links in this case
0:37:51 > 0:37:55- to Arthur McCall or Calvin Sarwar? - Not that I can see.
0:37:55 > 0:37:57Right. See what you can find out about the family.
0:37:57 > 0:37:59In fact, try the Gazette.
0:37:59 > 0:38:02- See if they've got anything in the archives.- OK.
0:38:03 > 0:38:05The 14th.
0:38:06 > 0:38:07Pretty quiet that day.
0:38:08 > 0:38:11Do you remember anybody using the computer?
0:38:11 > 0:38:13They are there for the public. Tourists mostly.
0:38:13 > 0:38:16We have sites of local interest bookmarked.
0:38:20 > 0:38:22Is there anybody stands out?
0:38:23 > 0:38:24Not really.
0:38:24 > 0:38:26What about an Asian woman?
0:38:26 > 0:38:28Not that I remember.
0:38:28 > 0:38:31Oh, one thing though, someone wiped the history.
0:38:31 > 0:38:33It was a bloody nuisance, to be honest.
0:38:34 > 0:38:36OK, thanks, Vicky.
0:38:38 > 0:38:41Oh, how's the wee girl getting on?
0:38:41 > 0:38:42The one that got shot.
0:38:43 > 0:38:46Er, she's fine, she's on the mend.
0:38:46 > 0:38:49Glad to hear it. She's a lovely girl.
0:39:02 > 0:39:03Do you know her?
0:39:04 > 0:39:08Aye. She was in a here a few times, before it happened.
0:39:10 > 0:39:12Did she use the computer?
0:39:13 > 0:39:15She did.
0:39:40 > 0:39:42TEXT ALERT
0:39:56 > 0:40:01Hotel confirms Asha checked out at the same time as Michael left.
0:40:01 > 0:40:03Well, there's no sign of her on the manifesto.
0:40:03 > 0:40:05Although she could have been a foot passenger.
0:40:05 > 0:40:08They did say the one person we could've checked with
0:40:08 > 0:40:10was the chambermaid, but she left her job that same day.
0:40:10 > 0:40:13Oh, let me look at Leanne's statement again...
0:40:16 > 0:40:18"Occupation.
0:40:18 > 0:40:19"Chambermaid.
0:40:21 > 0:40:23"Oakhill Hotel, Aberdeen."
0:40:30 > 0:40:31"Kokkaloorie".
0:40:31 > 0:40:35- Kokkaloorie. It's the old Shetland word...- For daisy.
0:40:35 > 0:40:38Hardly anybody uses it any more, but Leanne did,
0:40:38 > 0:40:39the other day with Bella.
0:40:39 > 0:40:41Yeah, she also knew the Driftwood Rule.
0:40:41 > 0:40:43'I got the impression she'd never been to Shetland before.
0:40:43 > 0:40:45'Yes, so did I.
0:40:46 > 0:40:47'Right, we need to talk to her...
0:40:50 > 0:40:52'..because she sent the e-mail.'
0:40:52 > 0:40:54Jimmy?
0:40:54 > 0:40:56- What? - Just got the word from Glasgow.
0:40:58 > 0:41:00Calvin Sarwar was found dead in the VP wing.
0:41:00 > 0:41:02Hanged himself.
0:41:04 > 0:41:05It's McCall.
0:41:05 > 0:41:08What did you expect was going to happen?
0:41:09 > 0:41:10Well, not that.
0:41:10 > 0:41:13Sir, just got a photograph from the Gazette. Anne Gilborne.
0:41:15 > 0:41:17Notice a resemblance?
0:41:17 > 0:41:18She's her daughter.
0:41:18 > 0:41:20Leanne's Lena Gilborne.
0:41:26 > 0:41:28She followed Michael onto the ferry,
0:41:28 > 0:41:30but it wasn't him she was after,
0:41:30 > 0:41:31it was Asha.
0:41:37 > 0:41:39She's just in here.
0:41:39 > 0:41:41She was.
0:41:41 > 0:41:43- Has anyone seen Leanne?- No.
0:41:43 > 0:41:44Leanne?
0:41:46 > 0:41:48Leanne!
0:41:53 > 0:41:55- What is it?- My car!
0:41:55 > 0:41:57It's gone!
0:42:11 > 0:42:13SHE EXHALES
0:42:17 > 0:42:19KNOCK AT DOOR
0:42:26 > 0:42:28Hi!
0:42:28 > 0:42:29Hi.
0:42:31 > 0:42:32Remember me?
0:42:35 > 0:42:36I'm sorry. Can I help you?
0:42:39 > 0:42:40You don't remember?
0:42:43 > 0:42:44Lena?
0:42:44 > 0:42:46SHE CHUCKLES
0:42:47 > 0:42:49Can I come in?
0:42:49 > 0:42:51Yeah, yeah.
0:43:01 > 0:43:02How have you been?
0:43:19 > 0:43:21You look well.
0:43:23 > 0:43:25I can't believe you'd forgotten us.
0:43:27 > 0:43:29I never forgot you.
0:43:30 > 0:43:32Lena...
0:43:32 > 0:43:33what is it that you want?
0:43:36 > 0:43:38PHONE RINGS
0:43:42 > 0:43:44I'm sorry.
0:43:44 > 0:43:45Don't!
0:43:45 > 0:43:47- I need to get this.- Leave it!
0:43:47 > 0:43:49GRUNTING
0:43:49 > 0:43:51SHE GASPS
0:43:55 > 0:43:57SHE PANTS
0:44:05 > 0:44:07SHE GROANS
0:44:07 > 0:44:10SHE PANTS
0:44:16 > 0:44:18- VOICEMAIL:- 'Hi, this is the phone of Asha Israni.
0:44:18 > 0:44:21- 'Please leave a message after the tone. Thank you.' - BEEPING
0:44:21 > 0:44:24Asha, it's Jimmy. I need to speak to you.
0:44:24 > 0:44:27Can you call me as soon as you pick this up, please?
0:44:27 > 0:44:30SHE GROANS
0:44:37 > 0:44:39Any word on Grace's stolen car?
0:44:39 > 0:44:42Willie at Brae said it's just been sighted heading to Wadbister.
0:44:42 > 0:44:45That's where the Gilborne family lived.
0:44:45 > 0:44:47'So, that's why Leanne was there when she was shot.'
0:44:47 > 0:44:49She was visiting her old family home.
0:44:49 > 0:44:51Right, I'm heading over there now.
0:44:51 > 0:44:54Tosh, check the Lighthouse Hotel.
0:44:54 > 0:44:56Asha's not picking up her phone.
0:44:56 > 0:44:58And then try the harbour restaurant.
0:44:58 > 0:45:01- I want to make sure that Leanne hasn't taken her...- 'OK.'
0:45:25 > 0:45:27HE KNOCKS
0:45:31 > 0:45:33DOOR RATTLES
0:45:43 > 0:45:45Where's Asha?
0:45:46 > 0:45:48Where is she?
0:45:48 > 0:45:51She said that we would have a new life.
0:45:52 > 0:45:54A better life. Well, she lied!
0:45:54 > 0:45:57I know what happened to you and your mother and I'm very sorry.
0:45:57 > 0:46:00But if you've harmed Asha, I really need to know.
0:46:00 > 0:46:02She abandoned us when we weren't useful any more,
0:46:02 > 0:46:04and she didn't care what happened!
0:46:04 > 0:46:06She is the reason my mother killed herself.
0:46:09 > 0:46:11SHE SNIFFLES
0:46:11 > 0:46:13She didn't even know who I was!
0:46:15 > 0:46:18- She didn't even recognise me!- When?
0:46:18 > 0:46:20When didn't she recognise you?
0:46:21 > 0:46:22When, Leanne?!
0:46:25 > 0:46:26Just now...
0:46:28 > 0:46:29..at the hotel.
0:46:34 > 0:46:35Tosh!
0:46:35 > 0:46:36Sir!
0:46:36 > 0:46:38Tosh, Asha's still at the hotel.
0:46:38 > 0:46:40- 'And I think she's hurt.'- On it!
0:46:44 > 0:46:47Billy, we need an ambulance to the Lighthouse Hotel! Now!
0:46:54 > 0:46:57GLASS SMASHES
0:46:59 > 0:47:01Asha?
0:47:01 > 0:47:02Asha, can you hear me?
0:47:02 > 0:47:05You're going to be OK.
0:47:05 > 0:47:06How long are they going to be?
0:47:07 > 0:47:10She's suffered a piercing trauma to the chest...
0:47:11 > 0:47:13Looks like a kitchen knife.
0:47:13 > 0:47:15Weapon is still in the wound.
0:47:15 > 0:47:16Help is coming.
0:47:16 > 0:47:19Just hold on, Asha. It's going to be fine.
0:47:19 > 0:47:21When I saw her at the hotel...
0:47:23 > 0:47:25..I knew who she was.
0:47:26 > 0:47:28But then, she was gone.
0:47:29 > 0:47:30And Michael?
0:47:30 > 0:47:33I saw the two of them together.
0:47:35 > 0:47:38I knew he was in Witness Protection. There was just something about him.
0:47:39 > 0:47:41The way that his eyes never stopped moving.
0:47:43 > 0:47:47- So, I followed him onto the ferry. - Because you thought that...
0:47:48 > 0:47:50..he would lead you to Asha?
0:47:51 > 0:47:52Yeah.
0:47:54 > 0:47:55And what about Robbie?
0:47:57 > 0:47:59Robbie...
0:47:59 > 0:48:02He was upset after the argument with Michael
0:48:02 > 0:48:04and he got really drunk.
0:48:05 > 0:48:09I told him, he should report Michael to the police, but he wouldn't.
0:48:09 > 0:48:11You wanted Michael to get into trouble...
0:48:12 > 0:48:16..so that Asha would have to show her face to save him?
0:48:16 > 0:48:17I told Robbie...
0:48:19 > 0:48:20..about my mum.
0:48:21 > 0:48:23But he... He still... He wouldn't help me.
0:48:23 > 0:48:27Well, no, Leanne, he wouldn't help you because Michael was his father.
0:48:31 > 0:48:33SHE SIGHS
0:48:37 > 0:48:40How did Robbie get locked in the container?
0:48:42 > 0:48:44We went down to the car deck to smoke some weed.
0:48:45 > 0:48:47And...
0:48:49 > 0:48:51..he thought it was a funny idea to get inside it.
0:48:52 > 0:48:55That it would be a good place for us to be alone.
0:48:56 > 0:48:58He was totally wasted.
0:49:01 > 0:49:03And then, he passed out.
0:49:05 > 0:49:06You walked away...
0:49:08 > 0:49:09..and you closed the door,
0:49:09 > 0:49:12and then, you just left him there?
0:49:15 > 0:49:17And you just pretended to look for him?
0:49:17 > 0:49:19I wanted Michael to get the blame
0:49:19 > 0:49:21when Robbie was reported missing.
0:49:21 > 0:49:24I thought you would find him! I did! I really, really did!
0:49:24 > 0:49:27Then, you sent the e-mail to Calvin Sarwar,
0:49:27 > 0:49:30that ruined Michael and Freya's lives...
0:49:31 > 0:49:35..all in the hope that Asha would have to come back to Shetland?
0:49:39 > 0:49:40My mother...
0:49:43 > 0:49:46SHE SOBS AND GASPS
0:49:46 > 0:49:48..she was so beautiful...
0:49:51 > 0:49:52..and she was so kind.
0:49:56 > 0:49:59I just want her back!
0:50:02 > 0:50:04What have you done?
0:50:04 > 0:50:06SHE WEEPS
0:50:08 > 0:50:10What have you done?
0:50:14 > 0:50:16What have you done...?
0:50:37 > 0:50:39I'm sorry.
0:50:40 > 0:50:41For what?
0:50:43 > 0:50:46For this, or for thinking that I was the leak?
0:50:49 > 0:50:51For both.
0:50:51 > 0:50:54I guess that's what makes you so good at your job, isn't it?
0:50:55 > 0:50:57Being naturally suspicious.
0:50:59 > 0:51:03Seeing everyone as guilty until proven innocent.
0:51:05 > 0:51:07Yeah, it's not a great start, is it?
0:51:10 > 0:51:12No.
0:51:17 > 0:51:21Tosh is going to take your statement now, if that's OK?
0:51:32 > 0:51:34She's all yours.
0:51:46 > 0:51:48Time to go, Leanne.
0:51:48 > 0:51:50These men will escort you to the mainland.
0:51:54 > 0:51:56It's Lena.
0:52:00 > 0:52:01HANDCUFFS CLINK
0:52:04 > 0:52:06My name is Lena.
0:52:14 > 0:52:16- Hey.- Hi.
0:52:19 > 0:52:22- How are you doing?- OK.
0:52:26 > 0:52:27Listen...
0:52:29 > 0:52:32Now that we've got Sarwar's mobile phone records,
0:52:32 > 0:52:34we could track down the man who attacked you.
0:52:35 > 0:52:37If you want, that is.
0:52:40 > 0:52:41I already know who he is.
0:52:43 > 0:52:44He was among the mugshots.
0:52:46 > 0:52:48But I don't want to take it further.
0:52:50 > 0:52:52We both know what a court case would be like.
0:52:53 > 0:52:55It wouldn't make me feel any better.
0:53:00 > 0:53:03The man who attacked me was a weapon.
0:53:03 > 0:53:04Sarwar pulled the trigger.
0:53:04 > 0:53:06I know that.
0:53:07 > 0:53:09We both know that.
0:53:10 > 0:53:12Again, it's your call.
0:53:15 > 0:53:18I mean, the SARC will keep the evidence for seven years.
0:53:21 > 0:53:22So, you could change your mind.
0:53:23 > 0:53:24I could.
0:53:27 > 0:53:29I have to do what's best for me.
0:53:40 > 0:53:42Request for a transfer.
0:53:45 > 0:53:48I need to stand on my own two feet.
0:53:50 > 0:53:51It's time.
0:54:15 > 0:54:18- Right, that's me!- Sure you don't want a lift to the airport?
0:54:18 > 0:54:19Nah, this is better.
0:54:19 > 0:54:22- You got everything? Your passport? - Yep, check.
0:54:22 > 0:54:25- Spanish phrase book?- No, but I do have my Portuguese phrase book.
0:54:25 > 0:54:27OK, I'll shut up now.
0:54:27 > 0:54:29Probably best.
0:54:29 > 0:54:31- Call us when you get there. - Aye. Or text.
0:54:31 > 0:54:33- E-mail.- Or Facebook.
0:54:33 > 0:54:34Yeah. No excuses.
0:54:34 > 0:54:37All right! OK! I will. Relax, both of you!
0:54:38 > 0:54:40See you later.
0:54:43 > 0:54:44Bye, Dad.
0:54:45 > 0:54:47You have a great time.
0:54:47 > 0:54:49Yeah, I will.
0:54:49 > 0:54:50See you.
0:54:51 > 0:54:52Have fun!
0:54:52 > 0:54:54CAR ENGINE STARTS
0:55:27 > 0:55:29Do you want a cup of tea?
0:55:29 > 0:55:31No, um... I'm going to get going.
0:55:33 > 0:55:35I phoned Mary last night, had a chat and, er...
0:55:37 > 0:55:39Well, I think I'm going to give it another bash.
0:55:40 > 0:55:41Good.
0:55:41 > 0:55:42Aye! Aye!
0:55:44 > 0:55:46I'm worried, though.
0:55:46 > 0:55:47About Cassie?
0:55:47 > 0:55:49No, no, no. Not about Cassie.
0:55:49 > 0:55:53She's got a good head on her shoulders. You did a great job.
0:55:54 > 0:55:55I'm talking about you.
0:55:58 > 0:56:00What?
0:56:00 > 0:56:02Cass was always your reason to get up in the morning.
0:56:04 > 0:56:05Now she's gone...
0:56:06 > 0:56:09..and you're going to have to rejoin the human race.
0:56:10 > 0:56:13You know, get back out there and...
0:56:13 > 0:56:15Aye, OK.
0:56:15 > 0:56:16Go on, away you go!
0:56:22 > 0:56:25Oh! What, what about this...um...Asha?
0:56:25 > 0:56:29HE SIGHS
0:56:29 > 0:56:30Yeah...
0:56:32 > 0:56:35I think that might be just a wee bit too difficult.
0:56:38 > 0:56:39It's always difficult, Jimmy.
0:56:42 > 0:56:44- See you later.- See you.
0:57:11 > 0:57:14KEYPAD TONES
0:57:14 > 0:57:16RINGING TONE
0:57:20 > 0:57:22Hi, Asha.
0:57:23 > 0:57:25It's me... It's Jimmy.
0:57:26 > 0:57:28I was, um...
0:57:28 > 0:57:31I was just wondering how you are.
0:57:32 > 0:57:34Oh, I'm glad to hear that...
0:57:34 > 0:57:37CONVERSATION FADES
0:57:37 > 0:57:40WATER LAPS