Episode 3

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0:00:02 > 0:00:04Thomas Malone, convicted in 1994 for the murder of Lizzie Kilmuir.

0:00:04 > 0:00:07Her body was found inside a kiln on Unst.

0:00:07 > 0:00:09Why did you go after Malone in the first place?

0:00:09 > 0:00:12A witness came forward putting him on the Unst ferry

0:00:12 > 0:00:13the day Lizzie went missing.

0:00:13 > 0:00:15All I know is that if I hadn't spoken up,

0:00:15 > 0:00:17that pervert Malone might have got away with it.

0:00:17 > 0:00:19Drew McColl called in. His daughter seems to be missing.

0:00:19 > 0:00:21It looks like she was strangled.

0:00:21 > 0:00:23He did it then, and he's done it again.

0:00:23 > 0:00:26He's laughing at us, Jimmy! He's laughing at all of us!

0:00:28 > 0:00:30I was able to cross-reference Sally's movements

0:00:30 > 0:00:33with security footage from Norway two minutes after she arrived.

0:00:33 > 0:00:34Hagan.

0:00:34 > 0:00:36Norway called. They've found Hagan.

0:00:36 > 0:00:37I thought I'd nip home and grab a bag.

0:00:37 > 0:00:39As long as you're up to it...

0:00:39 > 0:00:41The sample of DNA we took from Allan Killick,

0:00:41 > 0:00:43it's a partial match for the DNA found on the scarf

0:00:43 > 0:00:45used to strangle Lizzie Kilmuir.

0:00:45 > 0:00:47He wasn't even born when Lizzie was murdered.

0:00:47 > 0:00:49No, I said a partial match.

0:00:49 > 0:00:51We have to find out who that DNA belongs to, Jimmy.

0:02:17 > 0:02:20It is bad enough you dig Kevin up in the first place

0:02:20 > 0:02:23without coming here and asking me a question like that.

0:02:23 > 0:02:25It'll be a mistake.

0:02:25 > 0:02:27No mistake.

0:02:27 > 0:02:28It must be.

0:02:29 > 0:02:35Kevin's DNA isn't a match to the DNA that we found on Lizzie's scarf,

0:02:35 > 0:02:37which means that it isn't a match to Allan either.

0:02:37 > 0:02:39They're not related.

0:02:41 > 0:02:42Donna...

0:02:44 > 0:02:45..who's Allan's real father?

0:02:49 > 0:02:51How is that your business?

0:02:51 > 0:02:55Because whoever he is, he's now a suspect in Lizzie Kilmuir's murder.

0:03:02 > 0:03:04A man.

0:03:04 > 0:03:05Aye. I'd worked that out.

0:03:05 > 0:03:07That's all I can tell you.

0:03:12 > 0:03:13It was stupid, OK?

0:03:13 > 0:03:17Some rigger from down south I met one night in The Claymore.

0:03:17 > 0:03:19I was drinking. A lot.

0:03:20 > 0:03:22I'm sure you can guess the rest.

0:03:22 > 0:03:24Did you get a name?

0:03:24 > 0:03:26I might have done but I was in no fit state to remember.

0:03:29 > 0:03:31Did you try and trace him?

0:03:32 > 0:03:34Why would I?

0:03:34 > 0:03:35He's the father of your son.

0:03:36 > 0:03:39You never met my husband.

0:03:39 > 0:03:41Didn't take much to light his fuse.

0:03:41 > 0:03:44More often than not, that's when the fists came out.

0:03:49 > 0:03:51If he'd even thought Allan was another man's child,

0:03:51 > 0:03:54he would have made damn sure Allan paid for it, too.

0:03:57 > 0:04:00Is there nothing that you can tell me that would help me

0:04:00 > 0:04:01to trace this guy?

0:04:04 > 0:04:06I remember he was kind.

0:04:19 > 0:04:21You'll have to tell him.

0:04:23 > 0:04:24Donna.

0:04:25 > 0:04:28Allan's going to find out who his dad is sooner or later.

0:04:28 > 0:04:30It's better if it comes from you.

0:04:30 > 0:04:31I'll need time.

0:04:32 > 0:04:34I can give you the morning.

0:04:40 > 0:04:43- SANDY:- You must be kidding. - No, we have to find him.

0:04:43 > 0:04:45How? We don't have a name. We don't have an address.

0:04:45 > 0:04:49All we know is that he worked on the rigs 30 years ago.

0:04:50 > 0:04:53Billy? The Claymore pub?

0:04:53 > 0:04:54Closed down in the '90s.

0:04:54 > 0:04:57Right, do you remember anybody who used to work there

0:04:57 > 0:04:59that we could still talk to?

0:04:59 > 0:05:01Jim Orr. He was the barman.

0:05:02 > 0:05:04Jim Orr, start with him.

0:05:05 > 0:05:08If we're lucky, maybe he'll remember who this guy was.

0:05:08 > 0:05:10Oh, it'll take some feat of memory, that.

0:05:10 > 0:05:12What did Donna Killick say?

0:05:12 > 0:05:17Well, apparently Allan Killick is the product of a one-night stand.

0:05:17 > 0:05:20- Who's the lucky bloke? - She says she can't remember.

0:05:21 > 0:05:24But for the time being we have to take her word for it.

0:05:24 > 0:05:26What about Hagan?

0:05:26 > 0:05:29Tosh is seeing Bergen Police this morning.

0:05:30 > 0:05:31And Tosh can handle it?

0:05:33 > 0:05:34Sure.

0:05:34 > 0:05:37- KNOCK ON DOOR BILLY:- Call from the hospital.

0:05:37 > 0:05:38And?

0:05:38 > 0:05:40Benny Ray's been attacked.

0:05:59 > 0:06:01- WOMAN:- DI Perez didn't travel with you?

0:06:01 > 0:06:02TOSH: He had to stay on Shetland.

0:06:02 > 0:06:05But he said you might have an idea where Hagan is.

0:06:05 > 0:06:08Hagan, he has a hunting cabin in Voss.

0:06:08 > 0:06:11We think that's where he's hiding out.

0:06:11 > 0:06:13You mean, no-one's checked?

0:06:13 > 0:06:15I'm not sure how it is on Shetland, DS McIntosh,

0:06:15 > 0:06:19but here we try not to waste resources chasing other forces' suspects.

0:06:19 > 0:06:21Of course. Understood.

0:06:21 > 0:06:24However, Detective Bleymann has volunteered to drive you to Voss...

0:06:26 > 0:06:27..despite this being his day off.

0:06:29 > 0:06:31Don't worry about her, she's not always like that -

0:06:31 > 0:06:34just stressed because we are merging departments.

0:06:35 > 0:06:36- Lars.- Tosh.

0:06:36 > 0:06:39- Your name is Tosh? - It's more of a nickname.

0:06:40 > 0:06:43- Sorry about your day off. - No, no, don't be.

0:06:45 > 0:06:46I have no life.

0:07:14 > 0:07:17Jesus Christ, Benny. Who did this to you?

0:07:17 > 0:07:18Take a guess.

0:07:18 > 0:07:20Malone?

0:07:20 > 0:07:22Jumped me at the garage last night.

0:07:24 > 0:07:26Now, why would Thomas Malone attack you, Benny?

0:07:30 > 0:07:32OK. What time did it happen?

0:07:32 > 0:07:34Just before midnight.

0:07:34 > 0:07:35Was there anybody else there?

0:07:35 > 0:07:38Malone's too smart to pull a stunt like this in front of witnesses.

0:07:41 > 0:07:42What you doing here?

0:07:43 > 0:07:44Benny called me.

0:07:46 > 0:07:48Oh, is that right?

0:07:48 > 0:07:49Just here for moral support.

0:07:50 > 0:07:53Right, when you're feeling up to it, I'll get somebody from the station

0:07:53 > 0:07:56- to come down and take your statement.- He's not giving a statement.

0:07:57 > 0:07:58Why not?

0:07:58 > 0:08:00Fear of reprisal.

0:08:00 > 0:08:03If it wasn't for me, you wouldn't even know about this.

0:08:03 > 0:08:06Without a statement, without witnesses, you're tying my hands.

0:08:09 > 0:08:10Right. I'll talk to Malone.

0:08:21 > 0:08:22What's going on?

0:08:24 > 0:08:28Just wondering why Benny would chose to call you before he called us.

0:08:28 > 0:08:29Me and Benny go back.

0:08:30 > 0:08:32That's what's worrying me.

0:08:32 > 0:08:34Sorry if you feel you were passed over, Jimmy.

0:08:34 > 0:08:37But the fact remains that Malone assaulted an innocent man.

0:08:37 > 0:08:40- He's hardly innocent. - Benny's turning his life around.

0:08:40 > 0:08:42Yeah, he also tried to bury Thomas Malone alive last week.

0:08:44 > 0:08:47Now, look, I know how you feel about Malone

0:08:47 > 0:08:49but this isn't your case any more.

0:08:50 > 0:08:52You had your chance over 23 years ago...

0:08:53 > 0:08:55..and you blew it.

0:09:32 > 0:09:33- LARS:- Hello?

0:09:40 > 0:09:43Apne opp! Det er politiet!

0:09:48 > 0:09:50All right. Stay here.

0:09:50 > 0:09:52I'm going to go round the back and check the shore, OK?

0:09:52 > 0:09:54OK.

0:09:57 > 0:09:58Hello?

0:10:40 > 0:10:42Ikke ror deg.

0:10:43 > 0:10:44Snu deg!

0:10:45 > 0:10:47- I don't...- Snu deg!

0:10:48 > 0:10:51I don't know what you're saying.

0:10:51 > 0:10:52Turn around.

0:10:59 > 0:11:00What are you doing here?

0:11:02 > 0:11:05I'm DS McIntosh. Shetland Police.

0:11:07 > 0:11:09I'm looking for Andreas Hagan.

0:11:10 > 0:11:12This is Detective Lars Bleymann.

0:11:17 > 0:11:18Dumb bitch.

0:11:19 > 0:11:21Lucky I didn't shoot you in the back.

0:11:31 > 0:11:34LOUD KNOCK AT DOOR DI PEREZ: Thomas!

0:11:34 > 0:11:36KNOCKING PERSISTS

0:11:36 > 0:11:37Thomas. Open up!

0:11:39 > 0:11:41Err...the door's open.

0:11:43 > 0:11:45Where were you last night?

0:11:46 > 0:11:48- Er...I was here.- Really?

0:11:48 > 0:11:52Cos Benny Ray said you were over at his garage and you attacked him.

0:11:52 > 0:11:54- What? He said that? - Oh, aye, he said that.

0:11:56 > 0:11:58- Well, he's lying. - Why would he lie?

0:11:58 > 0:12:01The same reason he lied about seeing me on the ferry

0:12:01 > 0:12:02the day Lizzie died...

0:12:02 > 0:12:04The man just doesn't like me.

0:12:08 > 0:12:10Do you want to go back to prison?

0:12:10 > 0:12:12Cos that's where this is heading.

0:12:12 > 0:12:14The whole island wants to see you back inside and right now

0:12:14 > 0:12:16I'm struggling to disagree with them.

0:12:16 > 0:12:19- There's me thinking that we were pals, eh?- Did you?

0:12:19 > 0:12:21I was prepared to give you the benefit of the doubt.

0:12:21 > 0:12:23But after the stunt you pulled at Benny's, that's done.

0:12:24 > 0:12:27You step out of line one more time,

0:12:27 > 0:12:29I'll drive you back to prison myself.

0:12:34 > 0:12:37You make such a big noise about being innocent...

0:12:37 > 0:12:39That's because I am innocent.

0:12:39 > 0:12:42No. Innocent people don't go around breaking other people's fingers.

0:12:48 > 0:12:53- HAGAN:- So, you came all the way to Norway to talk to me about Sally McColl.

0:12:54 > 0:12:56Sally was murdered, Mr Hagan.

0:12:58 > 0:13:01And the reason I came all the way out here is because you refused

0:13:01 > 0:13:03our requests for a formal interview.

0:13:19 > 0:13:20I'm on vacation.

0:13:22 > 0:13:23Right.

0:13:24 > 0:13:29Tell me - your choice to come here or did Forst Energy insist?

0:13:33 > 0:13:35What do you want?

0:13:35 > 0:13:37Sally McColl was investigating you before she died.

0:13:37 > 0:13:40She was writing a story on a cover-up - your cover up -

0:13:40 > 0:13:42of the Forst Energy rig accident.

0:13:47 > 0:13:50The inquiry concluded that the incident

0:13:50 > 0:13:51was caused by a crew member.

0:13:51 > 0:13:53Danny Hamilton wasn't to blame.

0:13:53 > 0:13:55But the report says otherwise.

0:13:57 > 0:13:59Were you worried Sally was about to publish her article?

0:14:03 > 0:14:05No.

0:14:05 > 0:14:09On the contrary. I wanted her to publish it, so we could sue her.

0:14:13 > 0:14:15Where were you on the night she died?

0:14:16 > 0:14:18Were you at the Shetland folk festival?

0:14:19 > 0:14:22We have a witness who saw Sally talking to a Norwegian man.

0:14:25 > 0:14:26That wasn't me.

0:14:27 > 0:14:30The last time I saw her was in Bergen, three weeks ago.

0:14:33 > 0:14:36- You sure about that?- Yes, I'm sure.

0:14:36 > 0:14:37Sally was in Bergen last week.

0:14:39 > 0:14:41I want you to leave now.

0:14:41 > 0:14:43- I have more questions. - Then talk to my lawyer.

0:14:47 > 0:14:49DI PEREZ: Well, it sounds like you touched a nerve.

0:14:49 > 0:14:51- TOSH:- Didn't get me very far, though.

0:14:51 > 0:14:53And nothing that could force an arrest.

0:14:53 > 0:14:55What's your gut on Hagan?

0:14:55 > 0:14:58Well, he's got motive to kill Sally and his alibi is weak, but...

0:14:59 > 0:15:00But what?

0:15:00 > 0:15:04When I told him Sally was in Bergen last week, he kind of freaked out.

0:15:04 > 0:15:06- Why would that freak him out?- Dunno.

0:15:06 > 0:15:09But if she wasn't here to see him, why was she here?

0:15:09 > 0:15:11Does that matter?

0:15:11 > 0:15:13I'd like to know.

0:15:13 > 0:15:15OK, well, see what you can find out.

0:15:19 > 0:15:23Any chance you could get me access to the CCTV from Bergen airport?

0:15:24 > 0:15:25Yeah, sure.

0:15:31 > 0:15:35- ALLAN:- All those years and he wasn't even my real dad.

0:15:35 > 0:15:36ERIN: Was he a good dad, though?

0:15:38 > 0:15:41He was never a good man, far from it. He was a bastard.

0:15:42 > 0:15:44Spent most of my childhood living in fear.

0:15:47 > 0:15:48There were good days, too?

0:15:49 > 0:15:52Every Friday he used to get off early from work

0:15:52 > 0:15:55and pick up a Chinese on his way home

0:15:55 > 0:15:57and we'd sit in front of the TV for a few hours.

0:15:57 > 0:16:00Before he got too drunk, he was almost fun.

0:16:05 > 0:16:07Do you know what I've just realised?

0:16:08 > 0:16:09We've got four dads between us!

0:16:11 > 0:16:13- Yeah, you've got the best two. - What makes you so sure?

0:16:13 > 0:16:15Well, one of mine's dead

0:16:15 > 0:16:17and the other might have killed Lizzie Kilmuir.

0:16:17 > 0:16:19OK, fair enough.

0:16:24 > 0:16:28Look, whoever your real dad is...

0:16:28 > 0:16:29..doesn't change who YOU are.

0:16:35 > 0:16:37Our parents don't define us.

0:16:55 > 0:16:58- DI PEREZ: Did you get anything from the barman? SANDY:- Nothing useful.

0:16:58 > 0:17:01Jim Orr's memory of his time at The Claymore is hazy.

0:17:01 > 0:17:03So he didn't remember Donna Killick, then?

0:17:03 > 0:17:06Doesn't remember anything. I got the feeling he took his wages in beer.

0:17:06 > 0:17:12OK, back in the '90s, most of the oil workers were recruited through two agencies.

0:17:12 > 0:17:15- Best get on to them. - And say what?

0:17:15 > 0:17:18"Is there any chance one of your clients got a woman up the duff

0:17:18 > 0:17:19"back in the day?"

0:17:22 > 0:17:24Just find him, Sandy.

0:17:26 > 0:17:28What happened with Drew?

0:17:28 > 0:17:30Nothing. Why?

0:17:30 > 0:17:32He's just left a message on my phone.

0:17:32 > 0:17:34A five-minute drunken rant.

0:17:34 > 0:17:36He didn't make much sense but the gist of it is,

0:17:36 > 0:17:38you're wrecking his life.

0:17:38 > 0:17:40Well, I think he's being a wee bit overdramatic.

0:17:40 > 0:17:41You see, that's what I'm worried about.

0:17:41 > 0:17:44Drew has never expressed an emotion in his life. Not before this!

0:17:44 > 0:17:46So, what happened at the hospital?

0:17:48 > 0:17:51Benny Ray says Malone attacked him.

0:17:51 > 0:17:53Drew was with him at the hospital.

0:17:53 > 0:17:56I felt he was interfering, so we had some words.

0:17:56 > 0:17:58Did Malone attack Benny?

0:17:58 > 0:18:01- Aye, I think so.- OK, I'm worried about Drew. Find him.

0:18:01 > 0:18:03Make sure he's OK.

0:18:09 > 0:18:12- LARS:- We think Sally landed round about now.

0:18:14 > 0:18:15There.

0:18:16 > 0:18:18What about arrivals?

0:18:20 > 0:18:21There, look, see - there she is.

0:18:24 > 0:18:26Do you recognise that logo?

0:18:30 > 0:18:32Rask Tur.

0:18:32 > 0:18:35- It means fast ride. - Taxi company.- Hmm.

0:18:36 > 0:18:38PHONE VIBRATES

0:18:40 > 0:18:42Hallo?

0:18:44 > 0:18:47Greit. Jeg er pa vei.

0:18:48 > 0:18:51I'm sorry. I have to go. It's an emergency.

0:18:53 > 0:18:55- Is everything OK? - Yeah, yeah, sure, don't worry.

0:19:38 > 0:19:41- Hi.- Any chance you speak English?

0:19:41 > 0:19:43Yes, a little.

0:19:43 > 0:19:47I'm looking for information on this woman. Her name's Sally McColl.

0:19:47 > 0:19:52I spoke with a taxi driver who said he'd brought her here from the airport last Tuesday afternoon.

0:19:52 > 0:19:54I don't recognise her.

0:19:54 > 0:19:57She was a journalist. I think she might have been working on a story.

0:19:57 > 0:20:00Maybe she met someone here? Someone who worked in the oil industry?

0:20:01 > 0:20:03If you could just take another look.

0:20:04 > 0:20:06She doesn't need another look.

0:20:06 > 0:20:07The woman wasn't here.

0:20:08 > 0:20:10Taxi driver said she was.

0:20:11 > 0:20:13Then he made a mistake.

0:20:13 > 0:20:15Maybe I could ask around?

0:20:39 > 0:20:41KNOCK AT DOOR

0:20:43 > 0:20:45Drew!

0:21:24 > 0:21:25Drew!

0:21:27 > 0:21:29Drew!

0:21:29 > 0:21:30Drew, what the hell are you doing, man?

0:21:32 > 0:21:33What's it to you?

0:21:33 > 0:21:35Come on out of the water.

0:21:35 > 0:21:37You don't think much of me, do you?

0:21:38 > 0:21:42- Well, I think you're grieving. I think you're in a lot of pain. - I mean as a cop.

0:21:42 > 0:21:44You don't think I was up to the job.

0:21:44 > 0:21:46You think I had to go and frame your wee pal.

0:21:46 > 0:21:48Drew, come on back to the car.

0:21:48 > 0:21:51- Fine where I am.- You'll freeze. - Good.

0:21:53 > 0:21:55Drew, did anybody ever tell you you're a pain in the arse?

0:21:57 > 0:21:59The wife used to say that.

0:21:59 > 0:22:01Said I was too stubborn for my own good.

0:22:02 > 0:22:03I wish she was here.

0:22:05 > 0:22:07She would've found a way to make sense of all this

0:22:07 > 0:22:09cos I sure as hell can't.

0:22:10 > 0:22:12I know how you feel.

0:22:12 > 0:22:14Trust me, I do.

0:22:16 > 0:22:19And there's nothing I can say that's going to make this any easier.

0:22:19 > 0:22:21You can arrest Malone.

0:22:21 > 0:22:23- Drew, I'm not sure he did it. - You're not sure?

0:22:25 > 0:22:27That how you work, Jimmy?

0:22:27 > 0:22:29It's all about how you feel?

0:22:29 > 0:22:33Give me one piece of evidence that even suggests Malone is innocent.

0:22:35 > 0:22:36There's another suspect out there.

0:22:40 > 0:22:43The DNA and the scarf isn't a match for Kevin.

0:22:43 > 0:22:44Allan's got a different father.

0:22:45 > 0:22:47Who?

0:22:47 > 0:22:49Donna says she cannae remember.

0:22:53 > 0:22:55Come on.

0:22:58 > 0:23:01Come on, eh?

0:23:18 > 0:23:21- I told you I can't help. - Please. It's important.

0:23:21 > 0:23:23No. You're going to get me fired.

0:23:23 > 0:23:25- You remember her, don't you?- No.

0:23:25 > 0:23:27She was murdered last week.

0:23:29 > 0:23:32She came here, didn't she?

0:23:32 > 0:23:34- Yes.- Did she meet with someone?

0:23:38 > 0:23:40His name is Mati.

0:23:40 > 0:23:43I don't know his other name. They just call him Mati.

0:23:43 > 0:23:45He's in the NDA.

0:23:46 > 0:23:50Norske Forsvaret Haeren. Norwegian Defence Army.

0:23:51 > 0:23:53Far right. Like, er, fascists.

0:23:55 > 0:23:56Why was Sally meeting with him?

0:23:56 > 0:24:00Mati got angry and said he was going to kill her.

0:24:00 > 0:24:01Then he threw her out of the bar.

0:24:02 > 0:24:04Where can I find this Mati?

0:24:04 > 0:24:06He hasn't been here since.

0:24:06 > 0:24:08Can you get me his address?

0:24:08 > 0:24:11Are you stupid? I don't want to end up like your friend.

0:24:49 > 0:24:51Stay there.

0:25:04 > 0:25:05Take a look at this.

0:25:07 > 0:25:09What's that?

0:25:09 > 0:25:12Proof that Malone was more than just a good suspect.

0:25:12 > 0:25:13That goes back years.

0:25:13 > 0:25:17Social work reports, interviews with teachers, neighbours, friends.

0:25:17 > 0:25:20And all of them agree that Malone was dangerous.

0:25:20 > 0:25:22So why wasn't it used in court?

0:25:22 > 0:25:25Hearsay. It was inadmissible.

0:25:25 > 0:25:26But it doesn't mean it's not true.

0:25:31 > 0:25:33When are you going to believe me, Jimmy?

0:25:57 > 0:25:59- Kate?- Thomas?- Er...

0:26:01 > 0:26:03I saw you through the window.

0:26:03 > 0:26:06Listen, about the phone...

0:26:06 > 0:26:08Look, it's fine. See, good as new.

0:26:11 > 0:26:14- Can I buy you a drink anyway, or...? - Yeah.

0:26:14 > 0:26:15What do you want?

0:26:17 > 0:26:20Look, Thomas is going to have a drink with us.

0:26:20 > 0:26:22He's not joining me.

0:26:22 > 0:26:24- He's a creep.- Molly!

0:26:30 > 0:26:32Wait... Thomas!

0:27:01 > 0:27:03Seals giving you hell, were they?

0:27:17 > 0:27:19How was Allan?

0:27:24 > 0:27:25He told you, then?

0:27:26 > 0:27:27Of course he did.

0:27:31 > 0:27:32How is he feeling about that?

0:27:33 > 0:27:36- Don't do that.- Don't do what?

0:27:37 > 0:27:40That thing you do when you pretend we're having a normal conversation

0:27:40 > 0:27:42when really you're just working.

0:27:42 > 0:27:44You want to know how Allan feels? Go and talk to him.

0:27:44 > 0:27:46I'm not your spy, Dad.

0:27:49 > 0:27:50Fine.

0:27:55 > 0:27:58PHONE RINGS

0:28:02 > 0:28:03Tosh.

0:28:03 > 0:28:07- TOSH:- Last time Sally McColl was here, she met with a Norwegian called Mati.

0:28:07 > 0:28:10He's part of some far-right group based here in Bergen

0:28:10 > 0:28:13and I have a witness who saw him threaten to kill her.

0:28:13 > 0:28:15I'm wondering if maybe she was doing a story on them.

0:28:15 > 0:28:19I don't remember any mention of far-right groups in her file.

0:28:19 > 0:28:23- What about the name Mati?- I don't know, I'd need to go back and check.

0:28:23 > 0:28:25OK, well, call me if you find anything.

0:28:42 > 0:28:45- Hey!- What are you doing here?

0:28:45 > 0:28:47I just wanted to say sorry for before.

0:28:47 > 0:28:50There was just a little problem with my grandfather.

0:28:50 > 0:28:52I'm sorry. Is he OK?

0:28:52 > 0:28:56Sure. He's in a hospital, his mind is not so good.

0:28:58 > 0:29:01Anyway, I went back to the office to check on the airport CCTV

0:29:01 > 0:29:03and I found Sally again on the way back.

0:29:04 > 0:29:08If you're not too busy right now, I could show you what I found...

0:29:08 > 0:29:09..maybe over a drink.

0:29:12 > 0:29:15- Sure.- Yeah?- Why not?

0:29:18 > 0:29:21This is just before she boarded her flight back to Shetland.

0:29:21 > 0:29:23She's right there, see?

0:29:25 > 0:29:28- Do you see that? - What am I looking at?

0:29:28 > 0:29:30There is some interaction, right?

0:29:31 > 0:29:34- You think I'm an idiot?- No.

0:29:34 > 0:29:38I appreciate you bringing it to me. I'm just not sure it's significant.

0:29:38 > 0:29:40It looks like she just asked her the time.

0:29:43 > 0:29:46But, now that you're here...

0:29:46 > 0:29:49..maybe you could fill me in on the NDA.

0:29:50 > 0:29:51Why are you interested in them?

0:29:52 > 0:29:56I think Sally might have been doing a story on a group here in Bergen.

0:29:58 > 0:30:02Ten years ago, groups like the NDA, they were nowhere.

0:30:02 > 0:30:06But now, they have organisation, they have money.

0:30:06 > 0:30:09They've gained support, become mainstream.

0:30:10 > 0:30:13We think that they're behind a number of attacks

0:30:13 > 0:30:15on immigrant communities.

0:30:15 > 0:30:18But we are monitoring these groups, you know, gathering names,

0:30:18 > 0:30:20so we can identify major players.

0:30:20 > 0:30:21Then there's a list?

0:30:21 > 0:30:23HE CHUCKLES

0:30:23 > 0:30:25What?

0:30:25 > 0:30:26Do you ever stop working?

0:30:28 > 0:30:29What else is there to do?

0:30:31 > 0:30:35Lots. Drink, dance, have fun.

0:30:41 > 0:30:42It's not your scene?

0:30:43 > 0:30:45Something like that.

0:30:52 > 0:30:55- What is it with this country? - Hmm?- You're all like super models.

0:30:55 > 0:30:56Makes me feel like a Hobbit.

0:30:56 > 0:30:58You haven't heard?

0:30:58 > 0:31:00Norway's a multicultural paradise right now.

0:31:00 > 0:31:02Everyone is welcome here,

0:31:02 > 0:31:03especially Hobbits.

0:31:05 > 0:31:08So, erm...by the way,

0:31:08 > 0:31:09what is your real name?

0:31:11 > 0:31:12Alison.

0:31:14 > 0:31:16Yeah, I think I prefer Tosh.

0:31:17 > 0:31:18Me too.

0:31:35 > 0:31:37PHONE RINGS

0:31:38 > 0:31:41- Sir?- Looks as though you were right...

0:31:41 > 0:31:42You found something?

0:31:42 > 0:31:45It's fragments mostly.

0:31:45 > 0:31:48Research notes, interview transcripts, articles.

0:31:48 > 0:31:52But if you put them all together,

0:31:52 > 0:31:56then it looks as though Sally was looking to do an article

0:31:56 > 0:31:59on the Scandinavian far right.

0:31:59 > 0:32:01Any mention of Mati?

0:32:01 > 0:32:03No, there's none that I can see.

0:32:03 > 0:32:07I mean, I did find a profile on the NDA in her notes.

0:32:07 > 0:32:09You think that's why she was killed?

0:32:09 > 0:32:13Um... Hagan still has motive and opportunity,

0:32:13 > 0:32:16but we can't rule it out.

0:32:16 > 0:32:18BANGING

0:32:20 > 0:32:21Tosh, can you hear me?

0:32:28 > 0:32:29Hello?

0:32:31 > 0:32:33There's someone in my room....

0:32:35 > 0:32:37SHE GRUNTS Tosh?

0:32:40 > 0:32:43SHE GROANS Tosh, are you there?

0:32:43 > 0:32:46Yeah, I'm here. I'm fine.

0:32:46 > 0:32:47What happened?

0:32:47 > 0:32:49Someone broke into my room.

0:32:49 > 0:32:51OK. Get out of there. Get out of there now,

0:32:51 > 0:32:53go downstairs, go somewhere public.

0:32:53 > 0:32:56I'll phone through and get some help for you, OK?

0:33:02 > 0:33:04LIFT DINGS

0:33:11 > 0:33:14SHE EXHALES

0:33:27 > 0:33:32Listen if you're worried about something, you need to tell me.

0:33:32 > 0:33:34If you could just keep an eye on Cassie, that'll be great.

0:33:34 > 0:33:36Is it about Allan Killick?

0:33:37 > 0:33:38I just need your help.

0:33:43 > 0:33:45Well, why didn't you just say?

0:33:45 > 0:33:48- HE CHUCKLES - Go on. You'll miss your flight.

0:33:48 > 0:33:49I'll see you.

0:34:01 > 0:34:03DOORBELL RINGS

0:34:23 > 0:34:26I'm heading into town. I wondered if you wanted to come.

0:34:26 > 0:34:27Not up for it.

0:34:29 > 0:34:30You all right?

0:34:31 > 0:34:33I saw Perez yesterday.

0:34:34 > 0:34:36Anything you want to tell me?

0:34:37 > 0:34:39Nothing I can think of.

0:34:48 > 0:34:50Right then.

0:34:50 > 0:34:52Call me when you're feeling more yourself.

0:34:59 > 0:35:02ENGINE STARTS

0:35:22 > 0:35:24You found me, then.

0:35:24 > 0:35:26- Are you OK?- Yeah. Thanks.

0:35:27 > 0:35:29Anke take care of you?

0:35:29 > 0:35:31Sent some uniforms to the hotel.

0:35:33 > 0:35:34Look, I'm fine, really.

0:35:34 > 0:35:37They reckon it was just a thief chancing his arm.

0:35:38 > 0:35:39I'm glad you're OK.

0:35:41 > 0:35:43I'm glad you're here.

0:35:45 > 0:35:49I spent the flight reading up on the NDA.

0:35:49 > 0:35:51I found this from a couple of years ago.

0:35:51 > 0:35:55It's an arson attack on a current-affairs magazine in Oslo.

0:35:56 > 0:35:59Nobody was charged for it, but they were about to do

0:35:59 > 0:36:01an expose on the NDA.

0:36:01 > 0:36:03The NDA did this?

0:36:03 > 0:36:04No, they couldn't prove it.

0:36:04 > 0:36:07But if Sally was trying to dig the dirt on these guys,

0:36:07 > 0:36:09then that would've made her a target.

0:36:10 > 0:36:13So we need to talk to this guy, Mati.

0:36:17 > 0:36:19Sorry, it's out of the question.

0:36:33 > 0:36:35So we just need to look at the list.

0:36:35 > 0:36:38Not just any list - an important list,

0:36:38 > 0:36:39a very sensitive list.

0:36:41 > 0:36:43I hear you're trying to merge departments.

0:36:43 > 0:36:45I'm trying to, yes.

0:36:45 > 0:36:47It's not an easy task, is it?

0:36:47 > 0:36:49- SHE SIGHS - It is not.

0:36:49 > 0:36:51The last thing in the world you need really

0:36:51 > 0:36:53is a couple of foreign cops getting in your way.

0:36:53 > 0:36:54Mm-hm.

0:36:56 > 0:36:59The sooner you let us see the list, the sooner we're out of your hair.

0:37:23 > 0:37:24Allan?

0:37:32 > 0:37:34Allan?

0:37:41 > 0:37:43- Allan? - DOOR OPENS

0:37:43 > 0:37:44Just coming.

0:37:46 > 0:37:48Hi.

0:37:48 > 0:37:49The office is locked up.

0:37:49 > 0:37:51Aye, I know.

0:37:51 > 0:37:54- Are you having a clear out? - No, my mum likes to tell everyone

0:37:54 > 0:37:57that she doesn't keep anything, but I know her better that that.

0:37:57 > 0:37:59She's just as sentimental as the rest of us.

0:38:03 > 0:38:04Come on. You can give us a hand.

0:38:10 > 0:38:12My real dad's in here somewhere.

0:38:16 > 0:38:18Can't we just access the database?

0:38:18 > 0:38:21No, Anke prefers it like this.

0:38:21 > 0:38:23Fascism must be popular in Norway.

0:38:23 > 0:38:25This is not all far right.

0:38:25 > 0:38:28We monitor Muslim radicals, anarchists,

0:38:28 > 0:38:32left-wing activists, hackers.

0:38:32 > 0:38:34Anyone we consider to be a potential threat.

0:38:36 > 0:38:37What was this guy's name again?

0:38:37 > 0:38:40- Mati.- Mathias Mati Soderland,

0:38:40 > 0:38:44active in far-right groups for the past five years.

0:38:44 > 0:38:46He's based here in Bergen.

0:38:48 > 0:38:50OK, I'll go tell Anke.

0:38:56 > 0:38:57SHE CHUCKLES

0:38:57 > 0:38:59Look at you in your wee kilt.

0:38:59 > 0:39:02My mum bought me that for a friend's wedding.

0:39:02 > 0:39:03It itched like mad.

0:39:07 > 0:39:10- DOOR OPENS - There's my mum.

0:39:10 > 0:39:12Let's put it back, put everything back.

0:39:12 > 0:39:14- DOOR OPENS - Quick, come on, hurry up.

0:39:22 > 0:39:23What are you doing in here?

0:39:24 > 0:39:26It's my house too.

0:39:26 > 0:39:29- What are doing with that? - Watch what you're doing.

0:39:29 > 0:39:30Let me help.

0:39:30 > 0:39:33Leave it! Get your hands off.

0:39:34 > 0:39:35I should go.

0:39:35 > 0:39:37- Aye, you should.- No, she can stay.

0:39:37 > 0:39:39I'll see you tomorrow, OK?

0:39:41 > 0:39:43You had no right to talk to her like that.

0:39:43 > 0:39:44My house, I'll talk as I please.

0:39:47 > 0:39:49What are you thinking?

0:39:49 > 0:39:51Sally isn't even in the ground

0:39:51 > 0:39:53and you're running around with a new girl.

0:39:53 > 0:39:55Look, Cass is a friend.

0:39:55 > 0:39:56She's Perez's daughter.

0:39:56 > 0:40:00- So?- So being around her is just drawing attention to yourself.

0:40:00 > 0:40:04Look, the only person that Perez is interested in here is you.

0:40:05 > 0:40:06What do you mean about that?

0:40:06 > 0:40:10Whoever my father was, well, he was close to Lizzie before she died.

0:40:10 > 0:40:12And this "Rigger from England" story that's...

0:40:12 > 0:40:14that's not fooling anyone.

0:40:14 > 0:40:15Get out!

0:40:19 > 0:40:21DOOR CLOSES

0:40:21 > 0:40:24SHE SIGHS

0:40:28 > 0:40:30Mati Soderland. Born in Bergen,

0:40:30 > 0:40:324th of September, 1989.

0:40:34 > 0:40:37Soderland has been an active member of the NDA for the past ten months.

0:40:37 > 0:40:39That's the guy from last night.

0:40:39 > 0:40:40He was the one in my room.

0:40:43 > 0:40:44So what do we know about him?

0:40:44 > 0:40:46A history of assault on women.

0:40:46 > 0:40:50Two years ago he was charged with rape and attempted murder.

0:40:50 > 0:40:52And he's still walking free?

0:40:52 > 0:40:54The charges were dropped.

0:40:55 > 0:40:56So what now?

0:40:57 > 0:40:59Eh, give the mug-shot to Sandy,

0:40:59 > 0:41:01see if he can get Jo to identify him.

0:41:01 > 0:41:05If he was charged, you'd still have his prints on file, right?

0:41:06 > 0:41:07We'll get them, yeah.

0:41:09 > 0:41:11And in the meantime?

0:41:13 > 0:41:14We'll need his address.

0:41:14 > 0:41:16Yep, OK.

0:41:28 > 0:41:30SHE KNOCKS ON DOOR

0:41:30 > 0:41:31Thomas?

0:41:35 > 0:41:37Thomas?

0:41:37 > 0:41:38OK.

0:41:43 > 0:41:44Hello.

0:41:44 > 0:41:45How you doing?

0:41:46 > 0:41:48- Come in.- Thanks.

0:41:50 > 0:41:53Molly had no right to speak to you in that way, she's just...

0:41:53 > 0:41:56- It's fine. - SHE SIGHS

0:41:58 > 0:42:00Is that water cold?

0:42:00 > 0:42:03Aye, the generator's gone off again.

0:42:03 > 0:42:04Well, how are you cooking?

0:42:08 > 0:42:10HE CHUCKLES

0:42:10 > 0:42:13Right, that's it. Come on, let's go.

0:42:13 > 0:42:14- Look, Kate, it's fine.- No.

0:42:14 > 0:42:17Now, you can put a wash on at mine,

0:42:17 > 0:42:19and we'll get some proper food in you. Come on.

0:42:19 > 0:42:21- Are you sure?- Get your coat on.

0:42:21 > 0:42:22OK.

0:42:34 > 0:42:35Mrs Soderland?

0:42:35 > 0:42:36Yes.

0:42:36 > 0:42:38Eh, do you speak English?

0:42:38 > 0:42:40Yes, I do. A little.

0:42:40 > 0:42:43I'm DI Perez, this is DS Macintosh,

0:42:43 > 0:42:45we're from the Shetland Police...

0:42:48 > 0:42:51..and we're looking for your son Mati.

0:42:51 > 0:42:53SHE SIGHS

0:42:53 > 0:42:59Mati, he... He hasn't lived here for a good number of years. Ah.

0:42:59 > 0:43:00Do you know where he is now?

0:43:00 > 0:43:02No.

0:43:02 > 0:43:04Not even a contact address?

0:43:04 > 0:43:05No, I'm afraid not.

0:43:05 > 0:43:10My son and I haven't talked in many years.

0:43:13 > 0:43:16- Would you like to come inside? - Uh-huh. Thank you.

0:43:16 > 0:43:17Please.

0:43:24 > 0:43:27Mati and I are different people.

0:43:27 > 0:43:31He-he took after his father, you see,

0:43:31 > 0:43:37and, unfortunately, he left when Mati was young

0:43:37 > 0:43:39and I was no substitute.

0:43:39 > 0:43:42So, as soon as he was old enough...

0:43:43 > 0:43:46..Mati left home.

0:43:46 > 0:43:48Oh, for the oil industry?

0:43:48 > 0:43:51No, he worked on cargo ships.

0:43:51 > 0:43:53But then something happened.

0:43:53 > 0:43:55He lost his job, so he stopped going to sea,

0:43:55 > 0:43:57stopped coming home.

0:43:59 > 0:44:01Was Mati interested in politics?

0:44:05 > 0:44:08Was he involved with the NDA?

0:44:08 > 0:44:13All I can say is that he began to hold some very extreme views.

0:44:13 > 0:44:15Ugly, ugly ideas.

0:44:15 > 0:44:18Mrs Soderland, we are investigating the murder

0:44:18 > 0:44:20of a young woman in Shetland...

0:44:22 > 0:44:25..and we have reason to believe that she and Mati

0:44:25 > 0:44:28may have had an argument recently.

0:44:29 > 0:44:33And you think Mati killed this woman?

0:44:34 > 0:44:36Would that surprise you?

0:44:39 > 0:44:40No.

0:44:50 > 0:44:51Thank you.

0:45:17 > 0:45:20Yeah, I keep it the same. No idea why.

0:45:25 > 0:45:27He was always called Mati?

0:45:27 > 0:45:31Yes, he never liked Mathias.

0:45:45 > 0:45:46Sir?

0:45:52 > 0:45:54Do you mind if we have a look through this?

0:46:13 > 0:46:15- Mrs Soderland? - Yes?- Is this Mati?

0:46:16 > 0:46:19Yes, that's him with his father.

0:46:22 > 0:46:24Tosh.

0:46:27 > 0:46:29His father is Andreas Hagan?

0:46:29 > 0:46:31Yes.

0:46:32 > 0:46:35Why was Sally McColl running around Bergen meeting with Hagan's son?

0:46:35 > 0:46:39I don't know. There's only one way to find out.

0:46:39 > 0:46:43PHONE RINGS

0:46:43 > 0:46:44Anke?

0:46:44 > 0:46:47We don't have Mati Soderland's prints.

0:46:47 > 0:46:49But he was arrested, processed and charged -

0:46:49 > 0:46:51they must have taken them.

0:46:51 > 0:46:53Of course. That's procedure.

0:46:53 > 0:46:56Right, well, so where are they, then?

0:46:56 > 0:46:58Maybe they're lost or were mixed up.

0:46:58 > 0:47:02OK. Well, thanks anyway.

0:47:02 > 0:47:03Is everything OK?

0:47:07 > 0:47:09Let's go see Hagan.

0:48:01 > 0:48:03KNOCK ON WINDOW, SHE GASPS

0:48:14 > 0:48:17He isn't the same man your boss showed me the other day.

0:48:17 > 0:48:19No. This is another guy.

0:48:19 > 0:48:23- What happened to the other man? - We're looking at them both.

0:48:23 > 0:48:26Is there any chance this was the one you saw talking to Sally

0:48:26 > 0:48:28at the festival?

0:48:32 > 0:48:33I don't know.

0:48:35 > 0:48:37Before, I thought it was the other man but maybe it was this one.

0:48:37 > 0:48:40- It's hard to remember. - Were you even at the festival?

0:48:42 > 0:48:44Sorry.

0:48:44 > 0:48:46All this is...

0:48:46 > 0:48:50It's as frustrating for me as it is for you.

0:48:52 > 0:48:54You think this Malone killed her.

0:48:55 > 0:48:57It wasn't Malone I saw with her.

0:49:02 > 0:49:04Why don't you take another look?

0:49:07 > 0:49:10How does this thing even work?

0:49:12 > 0:49:14You're kidding.

0:49:14 > 0:49:15No.

0:49:15 > 0:49:18You don't know how to use a washing machine?

0:49:18 > 0:49:19Not one like this.

0:49:19 > 0:49:23My mother had one, but that was about 20 year ago.

0:49:23 > 0:49:26This thing looks like it was built by NASA.

0:49:26 > 0:49:28So no laundries in prison neither?

0:49:28 > 0:49:32- Some do. Some send all the washing out to other prisons, too.- Uh-huh.

0:49:32 > 0:49:36- Friday was laundry day. It was a waste of time.- Why?

0:49:36 > 0:49:39You always ended up getting somebody else's kit back.

0:49:39 > 0:49:41Even their underwear?

0:49:41 > 0:49:43- DOOR OPENS - Especially underwear.

0:49:43 > 0:49:46- Well, it's not all bad, then? - It's not funny, y'know?

0:49:46 > 0:49:48What the hell is this?

0:49:50 > 0:49:52What is he doing here?!

0:49:52 > 0:49:56Molly. Molly.

0:49:56 > 0:49:59Molly, please. Come back. Come back here.

0:50:02 > 0:50:04Molly!

0:50:04 > 0:50:07Molly, come back. Where are you going, Molly?

0:50:18 > 0:50:19CAR HORN TOOTS

0:50:28 > 0:50:29Molly?

0:50:31 > 0:50:33You OK, Molly?

0:50:33 > 0:50:36You all right? Hey, what's happened?

0:50:38 > 0:50:41Hey, it's OK.

0:50:54 > 0:50:56I didn't do it.

0:50:56 > 0:50:59Killing journalists is just not my style.

0:51:02 > 0:51:04Is it your son Mati's style?

0:51:10 > 0:51:12Why did he meet Sally McColl?

0:51:14 > 0:51:16I took care of everything.

0:51:18 > 0:51:20Made sure there were no loose ends.

0:51:20 > 0:51:23Once she couldn't find anything on the accident,

0:51:23 > 0:51:25she started to look into me instead.

0:51:27 > 0:51:31OK, so that's how she found Mati?

0:51:31 > 0:51:34Last time we met,

0:51:34 > 0:51:37she said that if I didn't tell her the truth about the accident,

0:51:37 > 0:51:39she'd expose Mati and....

0:51:39 > 0:51:42Embarrassing for you.

0:51:43 > 0:51:46More than embarrassing.

0:51:46 > 0:51:47It's not only me.

0:51:47 > 0:51:51Poor Nina would not have coped if everyone knew.

0:51:51 > 0:51:54So how long has Mati been NDA?

0:51:55 > 0:51:58Nina warned me years ago that he was getting involved but...

0:52:00 > 0:52:02..I thought it was only a phase.

0:52:02 > 0:52:06What did you say when Sally threatened to expose your son?

0:52:06 > 0:52:08I warned her to be careful.

0:52:09 > 0:52:13It doesn't look like she took your advice.

0:52:13 > 0:52:14She did track down Mati.

0:52:16 > 0:52:19- Then he threatened to kill her. - Mati wouldn't hurt anyone.

0:52:19 > 0:52:21Or at least not the Mati I knew.

0:52:23 > 0:52:25Did he ever visit you in Shetland?

0:52:25 > 0:52:26No.

0:52:27 > 0:52:29He saw me as the enemy.

0:52:30 > 0:52:34A corporate vampire, draining the lifeblood of this proud nation.

0:52:36 > 0:52:40So if he had been at that festival,

0:52:40 > 0:52:44you wouldn't have necessarily have known about it?

0:52:48 > 0:52:51Look, Mr Hagan,

0:52:51 > 0:52:55the best thing you can do is to help us track down Mati,

0:52:55 > 0:52:58because then we can eliminate him as a suspect.

0:53:07 > 0:53:10Even though Mati hates me,

0:53:10 > 0:53:14he has no problem taking my money.

0:53:15 > 0:53:17This is where I send it.

0:53:20 > 0:53:22If you find him, tell him....

0:53:26 > 0:53:28Tell him his father loves him.

0:53:50 > 0:53:53So why did you stay?

0:53:53 > 0:53:55After Lizzie, I mean.

0:53:57 > 0:53:59Didn't you want to leave?

0:54:01 > 0:54:03I wanted to.

0:54:03 > 0:54:05Mm-hm?

0:54:05 > 0:54:06But I...

0:54:06 > 0:54:09I felt that if I went I would be abandoning her.

0:54:10 > 0:54:12Aye.

0:54:15 > 0:54:18What about you? Why did you come back?

0:54:23 > 0:54:24Shetland is my home.

0:54:26 > 0:54:28It's not been that for a long time.

0:54:31 > 0:54:33To prove a point.

0:54:36 > 0:54:39To look everyone in the eye.

0:54:42 > 0:54:44And to let them know I'm a...

0:54:44 > 0:54:46I'm a good man.

0:54:52 > 0:54:54I'll get some more wine.

0:54:55 > 0:54:57I think you are a good man.

0:54:59 > 0:55:00No. No...

0:55:15 > 0:55:17I'm not going in there.

0:55:17 > 0:55:20Whatever's going on between you and your mum,

0:55:20 > 0:55:22you need to talk.

0:55:51 > 0:55:53Molly?

0:56:20 > 0:56:25- I'll give Lars a call. See if he can meet at Soderland's tomorrow.- OK.

0:56:34 > 0:56:37Tosh, let's take a walk.

0:56:42 > 0:56:44What's going on?

0:56:44 > 0:56:47The black van behind us, it's been following us all day.

0:56:48 > 0:56:50- Who is it?- I don't know.

0:56:50 > 0:56:52And I don't want to find out.

0:57:07 > 0:57:08Go left.