0:00:02 > 0:00:04Contains some scenes which some viewers may find upsetting.
0:00:04 > 0:00:06Contains some strong language.
0:00:06 > 0:00:09Drew McColl called in. His daughter seems to be missing.
0:00:09 > 0:00:11She's been there about ten to 12 hours.
0:00:11 > 0:00:13Malone was at the festival. I saw him.
0:00:13 > 0:00:19Kevin's DNA isn't a match to the DNA that we found on Lizzie's scarf.
0:00:19 > 0:00:21Who's Alan's real father?
0:00:21 > 0:00:23My real dad's in here somewhere.
0:00:23 > 0:00:25Did something happen to you?
0:00:25 > 0:00:27It's just I noticed all the locks.
0:00:27 > 0:00:29I was in an abusive relationship.
0:00:29 > 0:00:33Detective Bleymann has volunteered, despite this being his day off.
0:00:33 > 0:00:35There's someone in my room.
0:00:35 > 0:00:37SHE GRUNTS Tosh?
0:00:37 > 0:00:39- I'm glad you're OK. - I'm glad you're here.
0:00:39 > 0:00:43Soderland has been an active member of the NDA for the past ten months.
0:00:43 > 0:00:45That's the guy from last night.
0:00:45 > 0:00:47I think you are a good man.
0:00:49 > 0:00:51Is everything OK?
0:00:51 > 0:00:54The black van behind us. It's been following us all day.
0:00:54 > 0:00:55- Who is it?- I don't know
0:00:55 > 0:00:56and I don't want to find out.
0:01:23 > 0:01:26CLANGING
0:01:29 > 0:01:33DOOR CREAKS
0:01:50 > 0:01:53DOOR OPENS
0:02:09 > 0:02:13This is Agent Nielsen from E15, counterterrorism.
0:02:13 > 0:02:16DI Perez, DS McIntosh, Shetland Police.
0:02:18 > 0:02:21I'm sorry for bringing you out here in the dead of night.
0:02:21 > 0:02:24You must be wondering what this is all about.
0:02:25 > 0:02:27Oh, I imagine it's because you want me
0:02:27 > 0:02:30to stop investigating Mathias Soderland.
0:02:30 > 0:02:32That's true, yes.
0:02:32 > 0:02:35But we also know how important he is to your investigation.
0:02:35 > 0:02:37No, he's more than important.
0:02:37 > 0:02:38He's our main suspect.
0:02:38 > 0:02:42Unfortunately, he is gathering intelligence on the NDA,
0:02:42 > 0:02:45which makes him equally important to us.
0:02:47 > 0:02:48He works for you?
0:02:48 > 0:02:50That makes him sound vaguely heroic,
0:02:50 > 0:02:52in truth, he's little more than an informer.
0:02:52 > 0:02:55You do know Soderland broke into my hotel room?
0:02:55 > 0:02:56He's clearly dangerous.
0:02:56 > 0:02:59Well, in our line of work we don't always pick our allies.
0:02:59 > 0:03:02You can't ignore the fact that he may have killed a journalist.
0:03:02 > 0:03:05"May have," is our get-out-of-jail card.
0:03:05 > 0:03:07We need to look at the bigger picture.
0:03:07 > 0:03:11The NDA are dangerous, you know, and their support is growing,
0:03:11 > 0:03:13and we believe there's a faction within the NDA
0:03:13 > 0:03:15planning a campaign of terror.
0:03:15 > 0:03:18We have various possible targets, none confirmed.
0:03:18 > 0:03:20Mathias Soderland can give us details of these plans,
0:03:20 > 0:03:24so that's why it's imperative that you and DS McIntosh
0:03:24 > 0:03:26leave him be...
0:03:26 > 0:03:27..for now.
0:03:27 > 0:03:29If we don't move now we're going to lose him.
0:03:30 > 0:03:34Because once you've got what you want he's just going to disappear,
0:03:34 > 0:03:36probably with your help.
0:03:36 > 0:03:40That may be the case, or we could hand him over to you.
0:03:42 > 0:03:44And you can give me your word on that?
0:03:44 > 0:03:45With due respect, DI Perez
0:03:45 > 0:03:47is investigating a crime that has happened,
0:03:47 > 0:03:49while you're talking about a what-if situation.
0:03:49 > 0:03:53We are trying to stop potential loss of life,
0:03:53 > 0:03:56Detective Perez is dealing with a death that has already occurred.
0:03:56 > 0:03:58Which is more important?
0:03:58 > 0:04:00Surely we can come to some kind of compromise.
0:04:00 > 0:04:03It's regrettable, but we need to prioritise.
0:04:03 > 0:04:05So, you're on the first flight in the morning.
0:04:05 > 0:04:06You have a safe journey.
0:04:14 > 0:04:17I need to know if Mathias Soderland was in Shetland
0:04:17 > 0:04:19and I need to know if he was using the name Jan Hansen.
0:04:19 > 0:04:21I've got a grieving father back home
0:04:21 > 0:04:22and I'm not leaving without some answers.
0:04:22 > 0:04:24You don't have any choice.
0:04:25 > 0:04:27I have orders to take you to the airport myself.
0:04:27 > 0:04:31I'm not trying to jeopardise E15's operation.
0:04:31 > 0:04:33It's the opposite, in fact.
0:04:33 > 0:04:34Anke?
0:04:38 > 0:04:40DOOR CLOSES
0:04:40 > 0:04:43Sally McColl's mobile phone and her laptop are missing.
0:04:43 > 0:04:46Now, what if she had the same information on the NDA
0:04:46 > 0:04:48that E15 are looking for?
0:04:48 > 0:04:50I understand. I do.
0:04:52 > 0:04:54But they won't listen to mere mortals like us.
0:04:54 > 0:04:58I know. I know, I know it's a lot I'm asking for.
0:04:58 > 0:05:00Yeah.
0:05:00 > 0:05:02What if I could get what we both want?
0:05:03 > 0:05:07I might be able to get what we both want and I'll keep you out of it. SHE SIGHS
0:05:14 > 0:05:17This is the address that Hagan is sending Mathias money to.
0:05:19 > 0:05:20You know it?
0:05:21 > 0:05:23SHE SIGHS
0:05:25 > 0:05:28It's near the harbour, the NDA use it as a headquarters.
0:05:29 > 0:05:31SHE CHUCKLES
0:05:31 > 0:05:33If you do find him, his cover cannot be broken.
0:05:36 > 0:05:38And remember who you're dealing with.
0:05:38 > 0:05:41E15 was not exaggerating.
0:05:55 > 0:05:58HE SPEAKS NORWEGIAN
0:06:10 > 0:06:11Get in the car.
0:06:35 > 0:06:38So if you're going to go in there and to talk to the NDA,
0:06:38 > 0:06:39you need to be very careful.
0:06:40 > 0:06:42I mean, these guys, they try to
0:06:42 > 0:06:46look like a mainstream political party, but they're not.
0:06:46 > 0:06:49I think I've got a pretty good idea of who I'm dealing with.
0:06:49 > 0:06:51LARS SIGHS
0:06:51 > 0:06:55OK, I but think you're going to need a translator.
0:07:04 > 0:07:05OK.
0:07:07 > 0:07:09OK, let's go.
0:07:43 > 0:07:46INDISTINCT CONVERSATIONS
0:07:49 > 0:07:51Excuse me, does anybody here speak English?
0:07:55 > 0:07:57- IN NORWEGIAN:- Does anybody speak English?
0:08:03 > 0:08:05I do.
0:08:05 > 0:08:07How can I help?
0:08:07 > 0:08:10I'm looking for a Mathias Soderland. Is he here?
0:08:12 > 0:08:15I don't think I know anyone with that name.
0:08:20 > 0:08:22What's this about?
0:08:22 > 0:08:25Just tell him where he can find Mathias Soderland.
0:08:25 > 0:08:28Yeah, I already told you, I do not know a Mathias Soderland.
0:08:31 > 0:08:34How come he gets his mail delivered here?
0:08:34 > 0:08:36Perhaps we had someone with that name,
0:08:36 > 0:08:42but I can assure you he's no longer part of our organisation.
0:08:42 > 0:08:45It's just that he may have been involved in the death of a young woman,
0:08:45 > 0:08:49and if that's the case, and if you're protecting him....
0:08:49 > 0:08:50Are you threatening me?
0:08:52 > 0:08:57You shouldn't believe everything you hear or read about us.
0:08:57 > 0:09:01All we want to do is make our streets safe again.
0:09:01 > 0:09:05This is my country, it's not yours,
0:09:05 > 0:09:07and I do not have to speak to you.
0:09:07 > 0:09:12- IN NORWEGIAN:- OK. Just give me the address.
0:09:15 > 0:09:17That's all you have to do.
0:09:18 > 0:09:19Say the address.
0:09:21 > 0:09:23Sorligata 63.
0:09:25 > 0:09:27Sorligata 63.
0:09:27 > 0:09:29- IN ENGLISH:- That's not too far away from here.
0:09:48 > 0:09:49Is that the guy?
0:09:49 > 0:09:53Let's make sure! Tosh, cut him off on that street!
0:09:53 > 0:09:54Mathias, stop!
0:10:39 > 0:10:41- Lars?!- Keep going!
0:11:26 > 0:11:29SHUTTER CLICKS
0:11:35 > 0:11:37THEY PANT
0:11:39 > 0:11:40You lost him.
0:11:42 > 0:11:43Argh!
0:11:44 > 0:11:47HE PANTS
0:12:26 > 0:12:27Sir?
0:12:30 > 0:12:32I'm through here.
0:12:33 > 0:12:36SHE SIGHS
0:12:36 > 0:12:38We lost him.
0:12:41 > 0:12:42Oh, my God.
0:12:46 > 0:12:48That the man you saw in your room?
0:12:50 > 0:12:52Yeah.
0:12:52 > 0:12:53What's does the sign say, Lars?
0:12:54 > 0:12:57"Forraeder," it means traitor.
0:13:09 > 0:13:10Oh, shit.
0:13:13 > 0:13:14I knew this would happen.
0:13:16 > 0:13:18This could mean my job. You realise that?
0:13:18 > 0:13:20This was entirely my fault.
0:13:20 > 0:13:23I pushed too hard at the NDA office for the address
0:13:23 > 0:13:24and I blew his cover.
0:13:24 > 0:13:27No, they already knew he was an informer.
0:13:27 > 0:13:28- They did?- Sure.
0:13:29 > 0:13:31Otherwise why kill him?
0:13:31 > 0:13:35- Well... - SHE SIGHS
0:13:35 > 0:13:38..I doubt we'll ever know if he was your mysterious Jan Hansen now.
0:13:38 > 0:13:41Look, I still need his prints and his DNA,
0:13:41 > 0:13:43because if he killed Sally, I still need to know about.
0:13:43 > 0:13:47I have a feeling E15 won't be that helpful.
0:13:51 > 0:13:54- But, it's not just up to them. I'll see what I can do, OK?- OK.
0:13:55 > 0:13:56- Now go home, please.- OK.
0:13:58 > 0:14:00Lars.
0:14:05 > 0:14:08Tosh, I'm going to text you
0:14:08 > 0:14:11some e-mail addresses from Soderland's laptop,
0:14:11 > 0:14:14- you run a check on them as soon as you can.- Yeah, sure.- OK. ENGINE STARTS
0:14:24 > 0:14:25Lizzie.
0:14:25 > 0:14:27THOMAS MOANS
0:14:31 > 0:14:32Lizzie?
0:14:58 > 0:15:01DOOR OPENS
0:15:11 > 0:15:12- Good morning.- Morning.
0:15:14 > 0:15:15Here.
0:15:17 > 0:15:18It was on the floor.
0:15:26 > 0:15:29Em... About last night.
0:15:29 > 0:15:32I-I had far too much to drink and I'm...I'm sorry.
0:15:32 > 0:15:34No, don't... Don't apologise.
0:15:37 > 0:15:38Look, erm....
0:15:38 > 0:15:40..I really need to get ready.
0:15:40 > 0:15:42- OK.- I'm late.
0:15:46 > 0:15:48Thank you.
0:15:54 > 0:15:56SHE SIGHS
0:16:40 > 0:16:41Cassie?
0:16:45 > 0:16:47DOOR OPENS
0:16:47 > 0:16:48Jimmy, are you back?
0:16:49 > 0:16:50Yeah.
0:16:53 > 0:16:58I heard that, erm, Kevin Killick wasn't Alan's father.
0:16:58 > 0:16:59Is that right?
0:17:00 > 0:17:01Where did you hear that?
0:17:01 > 0:17:03Oh, you know what this place is like.
0:17:03 > 0:17:05Is it true?
0:17:05 > 0:17:08- You want a coffee?- No, ta.
0:17:08 > 0:17:10- Cass been OK?- Oh, yeah.
0:17:10 > 0:17:12Still hanging about with Alan.
0:17:12 > 0:17:14Well, look, if it makes you feel any better,
0:17:14 > 0:17:18we're trying to ID the last person that was seen with Sally.
0:17:18 > 0:17:19And it wisnae Alan.
0:17:19 > 0:17:22But he's still a suspect?
0:17:23 > 0:17:24Aw, Jimmy.
0:17:26 > 0:17:28You're not putting my mind at ease.
0:17:29 > 0:17:32Doesn't it bother you she might be in danger?
0:17:34 > 0:17:35I'll forget you said that.
0:17:38 > 0:17:39I'm just...
0:17:40 > 0:17:43I just want you to tell me you've got it sorted. That...
0:17:43 > 0:17:46..you know, nobody else is going to get hurt.
0:17:46 > 0:17:49You know what Cassie's like. If we tell her not to see him,
0:17:49 > 0:17:52she's only going to see him all the more.
0:17:52 > 0:17:54So, all we can do is keep an eye on it.
0:17:54 > 0:17:56Yeah. Yeah, yeah.
0:18:01 > 0:18:03Oh, God. Erm...
0:18:04 > 0:18:08Eh, Mary wants you two to come over for dinner tomorrow,
0:18:08 > 0:18:11thinks it's about time we all got together.
0:18:11 > 0:18:12And that's OK with you?
0:18:12 > 0:18:14HE LAUGHS
0:18:14 > 0:18:15About seven o'clock, all right?
0:18:15 > 0:18:17- OK.- See you.
0:18:22 > 0:18:25INDISTINCT CONVERSATION
0:18:36 > 0:18:38Alan.
0:18:38 > 0:18:39Hi.
0:18:39 > 0:18:41What's happening?
0:18:42 > 0:18:44I was just about to text you.
0:18:44 > 0:18:48Drew was wanting us to organise a memorial for Sally.
0:18:48 > 0:18:50So, I was wondering if there was anything you're wanting
0:18:50 > 0:18:52to put on the memory table.
0:18:52 > 0:18:54Why didn't you tell me sooner? I could've helped.
0:18:54 > 0:18:57Drew just decided this morning.
0:18:57 > 0:18:58Yeah, we've got some drinks.
0:18:58 > 0:19:00Cass suggested that we write some letters and put them
0:19:00 > 0:19:02in the bottles.
0:19:05 > 0:19:06That's sounds lovely.
0:19:08 > 0:19:12I've got a drawing at home, I'll bring it.
0:19:12 > 0:19:14Yeah, that'll be nice.
0:19:33 > 0:19:34Thank you.
0:19:37 > 0:19:38So, how much did she see?
0:19:41 > 0:19:43Enough to get the picture.
0:19:43 > 0:19:45SHE SIGHS
0:19:47 > 0:19:51She just doesn't understand what's going on, that's all.
0:19:51 > 0:19:52And, to be honest...
0:19:53 > 0:19:55..neither do I.
0:19:55 > 0:19:57Well, lucky it's none of your business then.
0:19:57 > 0:20:00Look, I'm speaking as a friend, Kate.
0:20:01 > 0:20:05If you carry on with Thomas you will lose Molly.
0:20:05 > 0:20:10Look, I've no intention of "carrying on" with Thomas.
0:20:10 > 0:20:12I was really drunk, Sandy, I told you.
0:20:12 > 0:20:14HE SIGHS
0:20:14 > 0:20:16Maybe you should think about the future and forget the past.
0:20:16 > 0:20:18That's what I'm trying to do.
0:20:18 > 0:20:23Because unless someone confesses, he's a suspect and always will be.
0:20:23 > 0:20:25But, Sandy, you remember his mum.
0:20:25 > 0:20:27She was unbelievably cruel to him.
0:20:27 > 0:20:29I mean, he's had shit since he was a kid.
0:20:29 > 0:20:31That doesn't mean he didn't do it.
0:20:33 > 0:20:36Can you honestly say that you are 100% sure
0:20:36 > 0:20:39he did not kill Lizzie?
0:20:39 > 0:20:42Cos if you have the slightest doubt, Kate,
0:20:42 > 0:20:44you can't have him in your life.
0:20:46 > 0:20:47It's too big a risk.
0:20:49 > 0:20:51And it's not you who'll be in danger.
0:20:52 > 0:20:53It's Molly.
0:21:06 > 0:21:09Remind me not to return your phone calls in the future.
0:21:09 > 0:21:13I'm sorry, it was very full-on over there.
0:21:13 > 0:21:14So I gather.
0:21:15 > 0:21:16They want statements from you both,
0:21:16 > 0:21:19and you'll have to go back over for the inquest - and the trial,
0:21:19 > 0:21:21if they find Soderland's killer.
0:21:21 > 0:21:22Sure, whatever they need.
0:21:22 > 0:21:24He's still a suspect?
0:21:24 > 0:21:26He is until I know any different.
0:21:26 > 0:21:28I'm still waiting for his prints and DNA.
0:21:30 > 0:21:34So, when were you going to mention Malone's hearsay file?
0:21:34 > 0:21:36Billy said that Drew gave you a copy.
0:21:36 > 0:21:38- That's not relevant.- Which part?
0:21:38 > 0:21:41The report from teachers about inappropriate language to girls
0:21:41 > 0:21:42or the statement from the friend who said
0:21:42 > 0:21:44he tried to choke her with a scarf?
0:21:44 > 0:21:45A scarf, Jimmy.
0:21:45 > 0:21:48All this stuff came out after he was arrested.
0:21:48 > 0:21:51They were just jumping on a bandwagon.
0:21:51 > 0:21:53If the CCRC had seen this
0:21:53 > 0:21:55they might have binned the whole appeal.
0:21:55 > 0:21:57It was a lynch mob mentality back then
0:21:57 > 0:22:00and it's a lynch mob mentality now.
0:22:00 > 0:22:03Well, it's not your problem any more.
0:22:03 > 0:22:06Glasgow have deployed a major investigation team.
0:22:06 > 0:22:08They want you to concentrate on Sally McColl
0:22:08 > 0:22:11and leave Lizzie Kilmuir to them.
0:22:14 > 0:22:19I know you're pissed off about it, but it's standard practice now.
0:22:19 > 0:22:22They arrive first thing tomorrow morning.
0:22:22 > 0:22:23Great..
0:22:25 > 0:22:28..a bunch of people that just think we knit jumpers up here.
0:22:30 > 0:22:33Any luck with those e-mail addresses from Soderland's laptop?
0:22:33 > 0:22:35Mostly NDA members,
0:22:35 > 0:22:39but this one, it's weird - Joe90@gmail.com.
0:22:39 > 0:22:41It's registered to a Jo Halley.
0:23:03 > 0:23:07The e-mail address Joe90@gmail.com,
0:23:07 > 0:23:09that's registered to you?
0:23:09 > 0:23:12That's my old e-mail address. I haven't used it for years.
0:23:12 > 0:23:15I got a new one when I split up with my husband.
0:23:15 > 0:23:17So, you have no idea how it would
0:23:17 > 0:23:21get into the hands of a Mathias Soderland in Bergen?
0:23:21 > 0:23:23No. I don't know him.
0:23:23 > 0:23:25Is it possible it might have been on Sally's phone?
0:23:25 > 0:23:27Maybe, if I used it by mistake.
0:23:27 > 0:23:30Has anyone hacked into your e-mail accounts?
0:23:30 > 0:23:32I don't think so.
0:23:32 > 0:23:34So, you've had no communication with him
0:23:34 > 0:23:38or anybody else involved in the Norwegian Defence Army?
0:23:38 > 0:23:39Absolutely not.
0:23:41 > 0:23:43No.
0:23:43 > 0:23:46And are you sure about what you saw at the festival?
0:23:46 > 0:23:49Sally speaking Norwegian to someone in a hoodie.
0:23:49 > 0:23:50Yes.
0:23:52 > 0:23:55- Did you know that Sally had plans to leave?- Yes.
0:23:56 > 0:23:59And Alan didn't know about that, did he?
0:23:59 > 0:24:01Sally was going away for work.
0:24:01 > 0:24:02Nothing to do with Alan.
0:24:03 > 0:24:07But he would still have felt rejected if he'd found out, I imagine.
0:24:07 > 0:24:09Maybe.
0:24:09 > 0:24:12But he was a kind person, he'd understand.
0:24:12 > 0:24:13Sally didn't know what she had.
0:24:13 > 0:24:15Was he too good for her?
0:24:15 > 0:24:17I didn't mean it like that.
0:24:19 > 0:24:22Jo, we're going to have to take your computer
0:24:22 > 0:24:24and do a forensic search of the croft.
0:24:24 > 0:24:25Is that OK with you?
0:24:25 > 0:24:27Now?
0:24:30 > 0:24:32I want to go to Sally's memorial.
0:24:32 > 0:24:33You can still do that.
0:24:33 > 0:24:36And Sally's keys? I want them back.
0:24:36 > 0:24:38I don't like the idea that somebody might copy them.
0:24:38 > 0:24:39Don't worry, Jo.
0:24:39 > 0:24:42They're safe just now, and we'll return them with your computer.
0:24:48 > 0:24:50- DREW:- Thank you all for coming.
0:24:50 > 0:24:51I appreciate it.
0:24:51 > 0:24:53As would Sally.
0:24:53 > 0:24:55As a wee girl she loved this beach.
0:24:55 > 0:24:59I remember the smell of the sea in her hair like it was yesterday.
0:24:59 > 0:25:01And when her mother was alive,
0:25:01 > 0:25:04they'd walk along there every morning together.
0:25:04 > 0:25:06They were happy memories for Sally.
0:25:06 > 0:25:10So, today I'd like you to say a prayer,
0:25:10 > 0:25:12write a message, put it in a bottle,
0:25:12 > 0:25:15and imagine Sally and her mother reunited,
0:25:15 > 0:25:17and remember...
0:25:20 > 0:25:21..how kind she was...
0:25:23 > 0:25:26- ..how funny... - HE CHUCKLES SOFTLY
0:25:26 > 0:25:28..how special.
0:25:32 > 0:25:35My girl...
0:25:38 > 0:25:39..my wee girl.
0:26:27 > 0:26:28What are you doing here?
0:26:28 > 0:26:30I just... I just want...
0:26:30 > 0:26:31I just wanted to see you.
0:26:31 > 0:26:33Now's not a good time.
0:26:33 > 0:26:37Look, what happened between us, it's not going to happen again.
0:26:37 > 0:26:40With our past it's not going to work.
0:26:40 > 0:26:44Molly's not comfortable with it and I do really need to put her first.
0:26:44 > 0:26:46- Just like you did with Lizzie.- What?
0:26:46 > 0:26:49You put her first and you sacrificed what you wanted,
0:26:49 > 0:26:51- and you're doing the same thing again with Molly.- No...
0:26:51 > 0:26:54Listen to me, just maybe
0:26:54 > 0:26:56just think about yourself every now and then.
0:26:56 > 0:26:59- Jeez, being a single parent makes it a wee bit difficult. - Oh, come on.- No, come on.
0:26:59 > 0:27:02- I that you would at least understand.- You know what? You're just like your sister.
0:27:02 > 0:27:05- What do you mean by that? - Hey, is everything OK here?- Yeah.
0:27:07 > 0:27:09- Thomas was just going. - What's he doing here?
0:27:09 > 0:27:11- No, Drew, don't, don't, don't. - Just...
0:27:11 > 0:27:12- Just go!- Really?
0:27:12 > 0:27:14Yeah, go, Thomas.
0:27:14 > 0:27:17- Just go!- Really!?
0:27:17 > 0:27:18Ah!
0:27:18 > 0:27:21Ah! Really?!
0:27:21 > 0:27:23Thomas...
0:27:23 > 0:27:24Get off me.
0:27:24 > 0:27:27Get your hands off me. Get off.
0:27:27 > 0:27:29Don't push your luck, you.
0:27:29 > 0:27:31What you playing at?
0:27:31 > 0:27:33Eh?!
0:27:33 > 0:27:35You must've known you werenae going to be welcome here.
0:27:35 > 0:27:36- Well, I do now.- Good.
0:27:38 > 0:27:39Piss off.
0:27:40 > 0:27:41Now.
0:27:43 > 0:27:44I'm serious.
0:27:45 > 0:27:46Away you go home.
0:28:41 > 0:28:42You've got a visitor.
0:28:42 > 0:28:44Alan Killick.
0:28:44 > 0:28:46Sandy's taken him into the interview room.
0:28:48 > 0:28:49Right.
0:28:53 > 0:28:58So, this is a 8mm film I got transferred.
0:28:58 > 0:29:00It's of my dad's 30th birthday party,
0:29:00 > 0:29:02the one they had on the beach.
0:29:02 > 0:29:04I thought it might've been helpful.
0:29:04 > 0:29:06It could have my biological dad on.
0:29:06 > 0:29:08Lizzie Kilmuir definitely is.
0:29:08 > 0:29:1130th birthday, so that would be...? That would make it when?
0:29:11 > 0:29:13The 5th of June, 1993.
0:29:13 > 0:29:15The week before Lizzie was killed.
0:29:16 > 0:29:17That's Lizzie.
0:29:21 > 0:29:23Is that your dad?
0:29:23 > 0:29:26Aye. That's him.
0:29:26 > 0:29:27And there's Drew McColl.
0:29:32 > 0:29:34Looks like everybody was there.
0:29:34 > 0:29:36Who's that with your mum? Do you know him?
0:29:36 > 0:29:37Nope.
0:29:39 > 0:29:40And what about him?
0:29:42 > 0:29:44Eh, nope, sorry.
0:29:54 > 0:29:56That's Kate.
0:30:03 > 0:30:05Is that Thomas Malone?
0:30:09 > 0:30:12Molly really is Lizzie's image, isn't she?
0:30:17 > 0:30:20- Can we hang onto this?- Mm-hm. - Make some copies.
0:30:20 > 0:30:23- DOOR OPENS, SHOUTING - We've got a problem -
0:30:23 > 0:30:27- it's Malone. He's been drinking all night by the sounds of it. - MALONE:- All my fucking life...
0:30:27 > 0:30:29- Do you hear me? - He wants to speak to you.- Eh?
0:30:29 > 0:30:32- I get the blame! Me!- Cheers.- Me!
0:30:32 > 0:30:37As soon as something happens, it's all my fault! Eh?
0:30:37 > 0:30:41Nobody gives a shit about me!
0:30:41 > 0:30:43Nobody!
0:30:43 > 0:30:46I'd be better off back inside.
0:30:46 > 0:30:48Because at least they knew.
0:30:48 > 0:30:51They knew the truth.
0:30:51 > 0:30:54They knew the truth!
0:30:54 > 0:30:58HITTING WALL, SHOUTING
0:30:59 > 0:31:01Do you hear me?
0:31:03 > 0:31:06HE CRIES
0:31:08 > 0:31:09You done?
0:31:11 > 0:31:13HE SIGHS
0:31:28 > 0:31:30What's going on with you and Kate Kilmuir?
0:31:34 > 0:31:36She told me she believed me.
0:31:36 > 0:31:37I know, I heard her say it.
0:31:40 > 0:31:41But now...
0:31:41 > 0:31:46..she doesn't want me anywhere near her, nor her daughter.
0:31:49 > 0:31:51Does that really surprise you, Thomas?
0:32:06 > 0:32:08You know something, eh?
0:32:11 > 0:32:12I think I'd be better off dead.
0:32:17 > 0:32:19Nobody's better off dead.
0:32:19 > 0:32:21THOMAS LAUGHS
0:32:23 > 0:32:25No, I... I would be.
0:32:48 > 0:32:50I was thinking Peter for the Hillswick run.
0:32:50 > 0:32:52Do you think that'll work?
0:32:56 > 0:32:59Janice, sorry, would you mind taking over?
0:33:04 > 0:33:06So, how is he?
0:33:08 > 0:33:10He'll be all right when he sobers up.
0:33:10 > 0:33:13- SHE SIGHS - It's all my fault.
0:33:13 > 0:33:14Why do you say that?
0:33:17 > 0:33:18I did something really stupid.
0:33:20 > 0:33:22I let...
0:33:22 > 0:33:23I let Thomas spend the night...
0:33:25 > 0:33:26..with me.
0:33:29 > 0:33:30I instantly regretted it.
0:33:33 > 0:33:38Thomas seems to think that you don't believe he's innocent any more.
0:33:39 > 0:33:41While he was sleeping he called out Lizzie's name.
0:33:44 > 0:33:48Then I went through his wallet - not sure why, but I did -
0:33:48 > 0:33:53and there was a photograph of her inside it
0:33:53 > 0:33:56with "RIP" written on it.
0:33:56 > 0:33:58Now, I know there's probably loads of reasons why
0:33:58 > 0:34:02he would do something like that, but it just really freaked me out.
0:34:03 > 0:34:10OK, look, if he comes near you again, then you call me.
0:34:10 > 0:34:12- OK? Right.- Yeah.
0:34:12 > 0:34:14I'll let you get on.
0:34:14 > 0:34:15Oh...
0:34:17 > 0:34:19There is... There's just one more thing.
0:34:19 > 0:34:24There's been some talk about Lizzie
0:34:24 > 0:34:26possibly having a thing with an older man.
0:34:28 > 0:34:31Have you got any idea who that might have been?
0:34:31 > 0:34:34Well, I always assumed it was Kevin Killick.
0:34:34 > 0:34:38He mistook me for Lizzie one time, and I always knew he fancied her.
0:34:38 > 0:34:39But...
0:34:41 > 0:34:43Yeah, the look of disappointment on his face
0:34:43 > 0:34:45when he realised it was me was priceless.
0:34:46 > 0:34:48That happened quite a few times.
0:34:48 > 0:34:51I never understood the difference.
0:34:51 > 0:34:53But they just always seemed to prefer Lizzie.
0:34:53 > 0:34:54And, em...
0:34:56 > 0:34:58..it's probably why I'm alive and she's dead.
0:35:08 > 0:35:10Molly. You have to believe me.
0:35:10 > 0:35:13- I didnae do it.- Leave me alone. - Look, no, just wait.
0:35:13 > 0:35:15Just listen to me, will you!
0:35:15 > 0:35:17I would never hurt you or your mother.
0:35:17 > 0:35:19- Never.- I don't believe you!
0:35:19 > 0:35:20You don't even know what happened.
0:35:20 > 0:35:23It was over 20 years ago. You weren't even born!
0:35:23 > 0:35:25Just go away!
0:35:26 > 0:35:27Molly?
0:35:29 > 0:35:31There's a man following me, please call the police.
0:35:31 > 0:35:32Molly!
0:35:32 > 0:35:34Just listen to me, will you!
0:35:34 > 0:35:36Please, call them now!
0:35:40 > 0:35:43- HE SIGHS - OK. It's OK.
0:35:48 > 0:35:49OK.
0:35:50 > 0:35:53I've got the background check on Jo Halley.
0:35:53 > 0:35:54No criminal record.
0:35:54 > 0:35:57She did lodge a complaint of assault against her ex-husband.
0:35:57 > 0:36:01But I've been looking at her computer - she has got dozens
0:36:01 > 0:36:04and dozens of images of Alan Killick on her photo stream.
0:36:04 > 0:36:07In fact, that's pretty much all she's got.
0:36:07 > 0:36:08What, she's obsessed?
0:36:08 > 0:36:12Well, is it worth asking if there ever was a Norwegian?
0:36:12 > 0:36:15But who booked into the hotel as Hansen?
0:36:19 > 0:36:22Yeah, I think we need to bring her in.
0:36:22 > 0:36:24Billy.
0:36:24 > 0:36:27See if you can speak to this ex-husband in person
0:36:27 > 0:36:30and find out what happened to that complaint.
0:36:43 > 0:36:46We would like to ask you a few questions
0:36:46 > 0:36:49about your relationship with Alan Killick.
0:36:50 > 0:36:52OK.
0:36:52 > 0:36:53You both get on really well.
0:36:53 > 0:36:56Why do you think that is?
0:36:56 > 0:36:58He's kind,
0:36:58 > 0:37:00funny.
0:37:00 > 0:37:01Not all men are.
0:37:01 > 0:37:04And this...closeness
0:37:04 > 0:37:06didn't cause any problems between you and Sally?
0:37:06 > 0:37:08Why would it?
0:37:08 > 0:37:10Well, it might have if she knew that you were in love with him.
0:37:10 > 0:37:13- SHE CHUCKLES SOFTLY - I never said that.
0:37:13 > 0:37:14You didn't have to.
0:37:14 > 0:37:18The question is - did he feel the same way about you?
0:37:19 > 0:37:21You'd need to ask him that.
0:37:22 > 0:37:25Well, I think that you would know if he did.
0:37:25 > 0:37:28Are you jealous of them, Jo?
0:37:28 > 0:37:30Did you tell him how you felt?
0:37:31 > 0:37:32He knows.
0:37:34 > 0:37:38Alan's different from other men I've known.
0:37:39 > 0:37:40Like your ex-husband,
0:37:40 > 0:37:42Robert Downing.
0:37:45 > 0:37:47Look, I'm sorry we have to go over this again,
0:37:47 > 0:37:50but it's really important that you tell us the truth.
0:37:50 > 0:37:51I don't know what I saw in him.
0:37:53 > 0:37:55He was violent right from the start.
0:37:59 > 0:38:03I was just desperate to be liked by someone, anyone.
0:38:04 > 0:38:08When I look back on how pathetic I was I want to throw up.
0:38:08 > 0:38:11You weren't pathetic, Jo, you were scared.
0:38:11 > 0:38:13In those circumstances you do what you have to.
0:38:13 > 0:38:16Have you seen your ex recently?
0:38:16 > 0:38:17No.
0:38:17 > 0:38:20Would I be right in saying that Alan was the first man that ever
0:38:20 > 0:38:23showed you any...
0:38:23 > 0:38:25..real affection?
0:38:25 > 0:38:27But he was in love with somebody else.
0:38:27 > 0:38:31It must have occurred to you that things might be very different
0:38:31 > 0:38:32if Sally had left.
0:38:32 > 0:38:35Maybe, but I didn't want that either.
0:38:35 > 0:38:38So, you didn't get in contact the NDA and tell them
0:38:38 > 0:38:40that Sally was investigating them?
0:38:40 > 0:38:42You really think I'd want someone to hurt Sally?
0:38:42 > 0:38:43Somebody did...
0:38:45 > 0:38:48..and I'm beginning to wonder if it was someone she knew.
0:38:49 > 0:38:52Nothing from the search of the croft.
0:38:52 > 0:38:56I'm guessing the prints and DNA will belong to Jo, Sally and Alan.
0:38:56 > 0:38:58Then what about the ex-husband?
0:38:58 > 0:39:02Well, according to court records, he claimed it was self-defence.
0:39:02 > 0:39:04He said Jo was unstable and volatile.
0:39:04 > 0:39:07Jury didn't agree, he served 18 months.
0:39:07 > 0:39:09- He was released six weeks ago. - And you believe him?
0:39:09 > 0:39:11I'm just telling you what was said at the time.
0:39:11 > 0:39:13Tosh.
0:39:13 > 0:39:15She's in love with Sally's boyfriend.
0:39:15 > 0:39:17We have to look at the possibility that she created Hansen
0:39:17 > 0:39:19in order to deflect attention,
0:39:19 > 0:39:21either from herself or from somebody else.
0:39:21 > 0:39:24Then who is the guy on the hotel CCTV?
0:39:29 > 0:39:31He's been living with his sister since he got out.
0:39:31 > 0:39:34I called her, she claims he's gone away for a break.
0:39:34 > 0:39:36She doesn't know where to.
0:39:37 > 0:39:40Yeah, no, I don't like the sound of that.
0:39:42 > 0:39:45Track him down, cos we need to talk to him.
0:39:45 > 0:39:46OK.
0:39:54 > 0:39:55Here.
0:39:57 > 0:39:59I put too much milk in it, I'm sorry.
0:40:02 > 0:40:06We just need to make sure Jo's story checks out, that's all.
0:40:06 > 0:40:08Sandy's had it in for her from the start.
0:40:10 > 0:40:12Well, if Sandy thinks the worst of her
0:40:12 > 0:40:14and you think the best of her,
0:40:14 > 0:40:18then, as usual, the truth's probably somewhere in between.
0:40:23 > 0:40:24You still not sleeping?
0:40:26 > 0:40:27I just keep thinking...
0:40:29 > 0:40:34..this job is all about how you judge people...
0:40:36 > 0:40:39..who to trust, who to believe...
0:40:39 > 0:40:42- Alison. Alison.- ..when to let your guard down, when you don't...
0:40:43 > 0:40:47What happened to you could have happened to anybody.
0:40:49 > 0:40:51You know that.
0:40:51 > 0:40:54It had nothing to do with any of the choices that you made.
0:40:57 > 0:41:00Do you really think that I would've let you go to Bergen
0:41:00 > 0:41:04if I didn't think that you could handle it?
0:41:04 > 0:41:06I just thought you were sick of the sight of me.
0:41:06 > 0:41:09I know it's easy for me to say...
0:41:10 > 0:41:12..but this time will pass.
0:41:18 > 0:41:19Thanks, I appreciate it.
0:41:20 > 0:41:21The tea..
0:41:23 > 0:41:24..not so much.
0:42:06 > 0:42:07Hey.
0:42:12 > 0:42:13Good day?
0:42:14 > 0:42:15Molly...
0:42:17 > 0:42:23..listen, I am really sorry about the other night.
0:42:23 > 0:42:26I just want you to know that you come first.
0:42:26 > 0:42:28You always will.
0:42:28 > 0:42:29- Really?- Yes.
0:42:32 > 0:42:36Look, I've told Thomas I won't be seeing him again
0:42:36 > 0:42:38and that he needs to just leave us alone.
0:42:38 > 0:42:39Well, he's not listening
0:42:39 > 0:42:42- because he's just followed me home from school.- What?
0:42:43 > 0:42:45He was waiting for me when I finished school.
0:42:47 > 0:42:49He scared me, Mum,
0:42:49 > 0:42:51- he really scared me.- Yeah.
0:43:16 > 0:43:17Thomas?
0:43:21 > 0:43:22Thomas?
0:43:22 > 0:43:24Where are you? I want to speak to you.
0:43:26 > 0:43:27Thom...
0:43:34 > 0:43:36SHE GASPS
0:43:36 > 0:43:38What are you doing here?
0:43:38 > 0:43:40What are these doing on the wall?
0:43:45 > 0:43:48You fooled me. Now, I may have fooled myself,
0:43:48 > 0:43:52but if you go anywhere near Molly again, anywhere near her,
0:43:52 > 0:43:56- I will kill you. - You're going to do what?
0:43:57 > 0:43:58Hmm?
0:44:01 > 0:44:03Get out my way!
0:44:07 > 0:44:08Kate!
0:44:10 > 0:44:14You stay away. You just stay away from me.
0:44:15 > 0:44:18- Just stay away from me and leave me alone.- Open the door.
0:44:18 > 0:44:21No! Get away and leave me alone!
0:44:26 > 0:44:27Leave me alone.
0:44:42 > 0:44:43Hey.
0:44:45 > 0:44:48Still on for dinner at Duncan's?
0:44:48 > 0:44:49Sure.
0:44:50 > 0:44:52Is everything OK?
0:44:52 > 0:44:55Got my marching orders from Alan's mum today.
0:44:55 > 0:44:57You didn't give her a call, did you?
0:44:57 > 0:44:58No, I did not.
0:44:58 > 0:45:01Cos it doesn't mean I'm going to stop seeing Alan.
0:45:01 > 0:45:03- He needs me right now, OK? - Cassie, I didn't say a word.
0:45:03 > 0:45:06Yeah, but it's what you want, isn't it?
0:45:07 > 0:45:08Yes, it is.
0:45:09 > 0:45:12Cos I don't want you being involved in this.
0:45:12 > 0:45:14We've been through this before, Dad.
0:45:14 > 0:45:17I don't believe he harmed Sally and I don't think you do either.
0:45:17 > 0:45:18I mean emotionally.
0:45:18 > 0:45:21He's all over the place, so are you.
0:45:21 > 0:45:23I told you before, it's not like that.
0:45:23 > 0:45:25Yes, but it can become like that...
0:45:26 > 0:45:28..cos stuff happens.
0:45:28 > 0:45:30SHE SIGHS Now, I want to know what happened
0:45:30 > 0:45:33to Sally before I'm comfortable with the situation.
0:45:33 > 0:45:34It's as simple as that.
0:45:34 > 0:45:36Alan has no reason to harm me.
0:45:38 > 0:45:40HE SIGHS Oh, honey.
0:45:40 > 0:45:42You know, Cassie,
0:45:42 > 0:45:45I've got a young girl who's lying in a morgue
0:45:45 > 0:45:48who probably thought something very similar.
0:45:50 > 0:45:52I'll be careful, OK?
0:45:56 > 0:45:58Aye, OK.
0:46:02 > 0:46:05LAUGHTER
0:46:08 > 0:46:10Oh.
0:46:11 > 0:46:13What? THEY CHUCKLE
0:46:13 > 0:46:16Something's coming my way, I can feel it.
0:46:16 > 0:46:19Do you know what your problem is?
0:46:19 > 0:46:23Oh, it's never a good sign when somebody starts a sentence with that.
0:46:23 > 0:46:24You just know it's not going to end well.
0:46:24 > 0:46:26Yeah, like, they're never going to say -
0:46:26 > 0:46:29- "You know what your problem is? You're totally brilliant." - I don't know.
0:46:29 > 0:46:31No, but you do know.
0:46:31 > 0:46:32You think everything has to be perfect,
0:46:32 > 0:46:34like it was with you and Fran,
0:46:34 > 0:46:37but nothing is ever going to live up to that.
0:46:37 > 0:46:40- He's got a point. - Really, you think so? I'm not sure.
0:46:40 > 0:46:42You can't get put off too easily.
0:46:42 > 0:46:43You've got to, you've got to...
0:46:45 > 0:46:48..walk over the pebbles to get to the sea.
0:46:48 > 0:46:49Oh, Mary.
0:46:49 > 0:46:52How many pebbles did you have to walk over, darling?
0:46:52 > 0:46:55Tonnes! My feet are still sore.
0:46:55 > 0:46:58DUNCAN LAUGHS
0:46:58 > 0:47:01You know, I had a blast from the past today.
0:47:01 > 0:47:05Alan Killick showed some of his home movies.
0:47:06 > 0:47:09Kevin Killick's 30th birthday party.
0:47:09 > 0:47:12God, that must have been a trip down memory lane.
0:47:12 > 0:47:14- Aye.- You were in it.- Was I?
0:47:17 > 0:47:19I don't remember, that must have been a hell of a party.
0:47:19 > 0:47:22No, it was on the beach at St Ninian's. There was loads of people there.
0:47:22 > 0:47:25There was Donna and Kevin, Drew McColl...
0:47:26 > 0:47:28..the Kilmuir sisters.
0:47:28 > 0:47:31I didn't know you and Kevin Killick were friends.
0:47:31 > 0:47:32Oh, we weren't, not really.
0:47:32 > 0:47:34No, Duncan just liked a party.
0:47:34 > 0:47:36But they were usually at your place, though.
0:47:36 > 0:47:40Well, I liked to burn the candle at both ends. Guilty, m'lord.
0:47:40 > 0:47:42CHUCKLING
0:47:42 > 0:47:44You sure you don't remember?
0:47:44 > 0:47:47Loads of people on the beach, dancing as the sun went down.
0:47:47 > 0:47:50I mean, you know, it was pretty memorable.
0:47:50 > 0:47:51I wish I did, it must have been fun.
0:47:51 > 0:47:54Right, shall we go outside and, eh, take our drinks
0:47:54 > 0:47:55and watch the sun go down, eh?
0:48:00 > 0:48:02Why were you asking about Kevin Killick's party?
0:48:04 > 0:48:06I just thought you might remember something useful.
0:48:06 > 0:48:07Why would I?
0:48:09 > 0:48:12Cos you and Lizzie seemed pretty chummy in it.
0:48:13 > 0:48:16It was a party. I barely remember the girl.
0:48:16 > 0:48:18I take it Fran wasnae there?
0:48:18 > 0:48:19Oh...
0:48:20 > 0:48:23All right, I was no angel. What are you getting at?
0:48:26 > 0:48:28Why are you getting so touchy?
0:48:28 > 0:48:31Because I didn't want to talk about all this in front of Cassie.
0:48:31 > 0:48:33She doesn't know what I was like back then.
0:48:33 > 0:48:35I'd rather it stayed that way.
0:48:35 > 0:48:38I think she probably knows you better than you think.
0:48:38 > 0:48:41Look, I'm just trying to form a picture.
0:48:41 > 0:48:43You might remember something that doesnae seem important to you,
0:48:43 > 0:48:45but it might be important to me.
0:48:48 > 0:48:51I don't remember anything about the party, to be honest.
0:48:51 > 0:48:54Lizzie might have been seeing an older man,
0:48:54 > 0:48:57so I just wondered if he was at the party.
0:48:57 > 0:48:59Do you think it was Kevin Killick?
0:48:59 > 0:49:01I'm keeping my options open.
0:49:01 > 0:49:04Well, I can assure you it wasnae me.
0:49:06 > 0:49:08Do you want a top up?
0:49:20 > 0:49:22We've got someone from Bergen wanting to talk to you
0:49:22 > 0:49:24about this Soderland investigation.
0:49:24 > 0:49:26It's the first I've heard.
0:49:26 > 0:49:27Yeah, I missed the memo as well.
0:49:30 > 0:49:32Hi.
0:49:32 > 0:49:33Lars.
0:49:33 > 0:49:36So, Anke wanted someone to take statements and I volunteered.
0:49:36 > 0:49:39Besides, I've always wanted to see Shetland.
0:49:45 > 0:49:47So, what was that stuff about earlier?
0:49:47 > 0:49:50The stuff about the party. Duncan seemed embarrassed.
0:49:50 > 0:49:52Oh, that's just cos he's flirting shamelessly in it.
0:49:52 > 0:49:54And that irritated you?
0:49:54 > 0:49:56He was a married man.
0:49:56 > 0:49:58It's not because he was married, is it?
0:49:58 > 0:50:00It's cos he was married to mum.
0:50:00 > 0:50:04You're still fighting her corner and she's been dead for years.
0:50:04 > 0:50:06What's wrong with that?
0:50:07 > 0:50:09I want you to let her go.
0:50:09 > 0:50:12I feel like it's stopping you meeting someone else.
0:50:12 > 0:50:14Well, if you're talking about Asha, you know,
0:50:14 > 0:50:17it was other stuff that got in the way, Cass.
0:50:17 > 0:50:21You know, getting old and set in my ways.
0:50:21 > 0:50:22You're not old.
0:50:22 > 0:50:25There's plenty of time, you just need to get out there.
0:50:25 > 0:50:27I'll think about it.
0:50:27 > 0:50:30Well, if you do, you can't keep Mum's old boots and scarfs in the cupboard.
0:50:30 > 0:50:33It's all getting a bit like Daphne du Maurier.
0:50:33 > 0:50:35No-one wants to be the second Mrs de Winter.
0:50:35 > 0:50:37Daphne du Maurier, is it?
0:50:37 > 0:50:38I should never have let you go to university.
0:50:38 > 0:50:40- SHE CHUCKLES - It's true, though.
0:50:40 > 0:50:42Seriously, my first big mistake.
0:50:42 > 0:50:44SHE CHUCKLES
0:50:45 > 0:50:47So, how are things going?
0:50:47 > 0:50:49I mean, with the investigation.
0:50:51 > 0:50:56There's a debate about whether or not our key witness is that reliable.
0:50:56 > 0:50:59She still maintains she saw Sally speaking Norwegian to someone.
0:50:59 > 0:51:00What if she didn't?
0:51:01 > 0:51:03Then we really screwed up.
0:51:04 > 0:51:06I think she's genuine.
0:51:06 > 0:51:08Well, I hope she is.
0:51:08 > 0:51:10It's all we've got at the moment.
0:51:14 > 0:51:17Why did you volunteer for this trip?
0:51:17 > 0:51:20You're not that interested in seeing Shetland, are you?
0:51:20 > 0:51:23No, I was just interested in seeing you again.
0:51:24 > 0:51:26You know, things were just so chaotic
0:51:26 > 0:51:29after the murder of Mathias Soderland,
0:51:29 > 0:51:32I didn't really get the chance to tell you that I wanted to stay in touch.
0:51:32 > 0:51:35- You could have phoned.- Yeah. - HE CHUCKLES
0:51:35 > 0:51:38I guess that's true.
0:51:38 > 0:51:40But I figured this would make more impact.
0:51:44 > 0:51:47I've been thinking a lot about you, Tosh.
0:51:50 > 0:51:51I should go.
0:51:55 > 0:51:57Well, where are you staying? I'll give you a lift.
0:52:00 > 0:52:03I was coming on too strong in the pub, wasn't I?
0:52:04 > 0:52:06It's not that, Lars.
0:52:06 > 0:52:09I'm just...not interested in a relationship at the moment.
0:52:10 > 0:52:13Yeah, I understand if it's moving too fast.
0:52:14 > 0:52:17I was just hoping we could stay in touch,
0:52:17 > 0:52:19give me time to grow on you.
0:52:22 > 0:52:24You should probably take a left here.
0:52:24 > 0:52:26There are roadworks this way.
0:52:27 > 0:52:30I waited for ages in the taxi from the airport.
0:52:48 > 0:52:50Can I grab you for an hour tomorrow just to take a statement?
0:52:50 > 0:52:51Of course.
0:52:52 > 0:52:54And Detective Perez as well.
0:52:54 > 0:52:56- I'll let him know.- All right.
0:52:59 > 0:53:01And maybe we could have lunch before I leave.
0:53:03 > 0:53:06Can I play that by ear?
0:53:06 > 0:53:07I've got a lot on.
0:53:07 > 0:53:09Yeah, of course.
0:53:11 > 0:53:13Something happened to me.
0:53:17 > 0:53:19It's difficult.
0:53:22 > 0:53:25It's taking time for me to trust again.
0:53:29 > 0:53:31Yeah.
0:53:33 > 0:53:34Well, I've got time.
0:53:51 > 0:53:53You going to see Drew?
0:53:53 > 0:53:55I'll see you later.
0:53:55 > 0:53:58I might not be in when you get back. I'm going to see Jo.
0:53:58 > 0:54:00OK.
0:54:01 > 0:54:03So you know...erm,
0:54:03 > 0:54:07I've told Cassie not to come in tomorrow, so don't expect her.
0:54:07 > 0:54:10Why did you do that?
0:54:10 > 0:54:12There's not enough for her to do.
0:54:12 > 0:54:13We're fine as we are.
0:54:13 > 0:54:15No, we're not.
0:54:15 > 0:54:17The council grant isn't enough. Cass was bringing money in.
0:54:17 > 0:54:19I can do that.
0:54:19 > 0:54:20I'll see you later.
0:54:20 > 0:54:23This is exactly what you did with Sally!
0:54:23 > 0:54:25Now, stop interfering with my life or I'm leaving!
0:54:25 > 0:54:26And I mean it!
0:54:29 > 0:54:32DOOR OPENS AND CLOSES
0:55:45 > 0:55:46Alexander.
0:55:46 > 0:55:48Billy.
0:55:48 > 0:55:50You're not going to like this.
0:55:51 > 0:55:55Jo Halley thinks there's someone outside her croft.
0:55:55 > 0:55:56Jo?
0:55:57 > 0:55:59- HE SIGHS - Again?
0:55:59 > 0:56:02Aye, go and take a wee look, will you?
0:56:02 > 0:56:03It's on your way home.
0:56:34 > 0:56:36ALARM BLARES
0:56:42 > 0:56:43Jo?
0:56:48 > 0:56:49Jesus!
0:56:49 > 0:56:50Jo!
0:56:57 > 0:57:00PHONE RINGS
0:57:02 > 0:57:04Sandy, everything OK?
0:57:04 > 0:57:06I'm at Jo's croft.
0:57:08 > 0:57:10The place has been turned over.
0:57:12 > 0:57:14Someone ran out when I got here.
0:57:16 > 0:57:17Is Jo OK?
0:57:19 > 0:57:20I don't know.