0:00:02 > 0:00:05- This is a human bone. Where did you get this? - It's not about me. It's my mum.
0:00:05 > 0:00:07They came from Arnold Mears.
0:00:07 > 0:00:09- I thought he was in prison. - He is.
0:00:11 > 0:00:12You know why you're here, Annie?
0:00:12 > 0:00:17He said there were more bodies than the three he'd been tried for
0:00:17 > 0:00:18and he wanted to tell me where they were.
0:00:18 > 0:00:21NIKKI: And you never told the police?
0:00:21 > 0:00:22Helen Karamides has been accused
0:00:22 > 0:00:25of retaining tissue samples from dead infants.
0:00:25 > 0:00:27I've brought you something.
0:00:27 > 0:00:30It's some research. I'd like your opinion on it.
0:00:30 > 0:00:33MEARS: You take such an interest in me, Doctor.
0:00:33 > 0:00:37Is that professional? Or personal?
0:00:40 > 0:00:48# Testat ore silence
0:00:48 > 0:00:55# Vos teste se spiritu
0:00:55 > 0:01:02# Silencio... #
0:01:09 > 0:01:11CAMERA CLICKING
0:01:24 > 0:01:26Who the hell is that?
0:01:35 > 0:01:37- NIKKI: You took your time. - HARRY: Yeah.
0:01:37 > 0:01:40I tend to be a bit busy at 5.30 am.
0:01:40 > 0:01:43What's the, er...plumber's mate still doing here?
0:01:43 > 0:01:44Long story.
0:01:53 > 0:01:56HARRY: Right, so this plumber's guy collects body parts?
0:01:56 > 0:01:57NIKKI: His mother does.
0:01:57 > 0:01:59Sorry, obviously, no, the plumber guy mother collects body parts.
0:01:59 > 0:02:03Annie Farmer was Arnold Mears's appropriate adult.
0:02:03 > 0:02:07Arnold Mears? I thought appropriate adults were for juveniles with absent parents.
0:02:07 > 0:02:11Well, apparently under the Mental Health Act, it's standard procedure.
0:02:11 > 0:02:14When the police arrested Mears, he was obviously disturbed
0:02:14 > 0:02:16and someone classified him as vulnerable.
0:02:16 > 0:02:18Vulnerable?
0:02:18 > 0:02:20HARRY: So, what do you think you've got here?
0:02:20 > 0:02:22NIKKI: I've only just started examining them, but four individuals.
0:02:22 > 0:02:25Approximately 15 bones each.
0:02:25 > 0:02:26And Mears went down for how many?
0:02:26 > 0:02:29Three counts of murder. All women under 20.
0:02:29 > 0:02:31Right, so these four making seven?
0:02:31 > 0:02:33- 12. - 12.
0:02:33 > 0:02:36Mears told Annie that he's killed 12 girls altogether.
0:02:36 > 0:02:39And you believe him and her, for that matter?
0:02:39 > 0:02:42I don't know. But it's worth finding out more, isn't it?
0:02:42 > 0:02:46I can send samples for DNA comparison with the missing persons database.
0:02:46 > 0:02:47- This is police business. - I know.
0:02:47 > 0:02:52But Annie says that if we get the police involved, then Mears will stop talking
0:02:52 > 0:02:54and we'll never know the final figure.
0:02:54 > 0:02:57Apparently, he calls these hand bones his souvenirs.
0:02:57 > 0:03:02Then when she's collected all of them, he'll tell her where the rest of the bodies are.
0:03:02 > 0:03:03Right.
0:03:03 > 0:03:06She's been digging up these bones for five years, Harry.
0:03:06 > 0:03:08So, the idea is that...
0:03:08 > 0:03:12once she's collected a kind of full house in this game of finger bingo,
0:03:12 > 0:03:13then he will come clean
0:03:13 > 0:03:16and reveal the whereabouts of the rest of these bodies?
0:03:16 > 0:03:18Come on. He's just playing a game with her, isn't he?
0:03:18 > 0:03:20Maybe you're right.
0:03:23 > 0:03:26But if you won't help, he will destroy my mum.
0:03:26 > 0:03:28PHONE RINGS
0:03:29 > 0:03:30Hello?
0:03:32 > 0:03:33What?
0:03:34 > 0:03:36When?
0:03:36 > 0:03:39MAN TALKING ON POLICE RADIO
0:03:55 > 0:03:58She came to see me last night.
0:04:00 > 0:04:02I didn't think she...
0:04:02 > 0:04:04What happened?
0:04:06 > 0:04:08Er...nothing really. We talked.
0:04:10 > 0:04:11She was angry.
0:04:11 > 0:04:14At me, I thought.
0:04:15 > 0:04:19She gave me a package containing some research material.
0:04:20 > 0:04:23I didn't open it.
0:04:32 > 0:04:35What was she looking at on the computer?
0:04:38 > 0:04:39SHE GASPS
0:04:39 > 0:04:42Good morning, Dr whoever you are.
0:04:42 > 0:04:44SHE SIGHS
0:04:44 > 0:04:48I, er...sort of hope it's you, Leo,
0:04:48 > 0:04:51and I sort of hope it isn't.
0:04:51 > 0:04:57Because if it is someone else, then you'll only be interested in the what,
0:04:57 > 0:04:59not the why.
0:04:59 > 0:05:02The dosage. The temperature. The alcohol.
0:05:03 > 0:05:05I could save you the trouble.
0:05:07 > 0:05:11But if it isn't someone else, Leo, then you might as well know
0:05:11 > 0:05:14that in the cabinet over there are all the tissue samples
0:05:14 > 0:05:19you...correctly allege I retained without proper permission.
0:05:21 > 0:05:22I wrote to tell her
0:05:22 > 0:05:26that the Institute was opening disciplinary proceedings against her.
0:05:28 > 0:05:29GLASS CLINKS
0:05:34 > 0:05:36SHE GASPS
0:05:38 > 0:05:41Yes, I ducked out of asking bereaved parents
0:05:41 > 0:05:44if I could section the brains of their dead infants.
0:05:47 > 0:05:50Yes, it was improper and unethical.
0:05:50 > 0:05:53But I knew, in the very fibre of my bones,
0:05:53 > 0:05:57that only a thorough practical study of infant brain tissue
0:05:57 > 0:05:59could shed light on why some infants die,
0:05:59 > 0:06:01not necessarily because they've been shaken
0:06:01 > 0:06:04but for some reason we don't yet understand,
0:06:04 > 0:06:06causing untold misery to some parents
0:06:06 > 0:06:12and in a few cases, unspeakably cruel miscarriages of justice.
0:06:14 > 0:06:17Maybe some pathologist will carry on my work.
0:06:19 > 0:06:21Maybe even you, Leo.
0:06:21 > 0:06:23SHE GASPS
0:06:23 > 0:06:30So, I've counted out 80 nitrazepam at ten milligram each.
0:06:31 > 0:06:35I intend to ingest them with, what, at least 500 millilitres of Scotch.
0:06:37 > 0:06:42So, what is the correct salutation in these circumstances?
0:06:44 > 0:06:47Cheers?
0:06:50 > 0:06:51Good health?
0:06:55 > 0:06:57Or just good night and good luck?
0:06:57 > 0:06:59Please turn it off, will you?
0:06:59 > 0:07:00BUTTON CLICKS
0:07:38 > 0:07:43Catherine Morrison. Harriet Green. Louise Alsop. Why do they sound so familiar?
0:07:43 > 0:07:45Arnold Mears's victims.
0:07:47 > 0:07:49Arnold Mears?
0:07:49 > 0:07:53Mm, the guy who killed several girls a few years ago.
0:07:53 > 0:07:55Helen was the pathologist on the case.
0:08:01 > 0:08:03What?
0:08:04 > 0:08:06I'll get some paint, do it up nice.
0:08:07 > 0:08:11Like a proper bedroom again.
0:08:12 > 0:08:14Maybe I should go and see him one last time.
0:08:14 > 0:08:17No.
0:08:17 > 0:08:18That's...that's all over with now.
0:08:18 > 0:08:22- Maybe he could help us. - Help us? What with?
0:08:24 > 0:08:26You didn't tell him about Tina, did you?
0:08:29 > 0:08:30Course not.
0:08:37 > 0:08:40So, these bones you're talking about are evidence of...of crimes,
0:08:40 > 0:08:42- of multiple crimes. - Yes.
0:08:42 > 0:08:43Why haven't you shown them to the police?
0:08:43 > 0:08:46- Annie Farmer asked me not to. - Oh, come on.
0:08:46 > 0:08:48- I was about to, and then you called...
0:08:48 > 0:08:50ZIPPING
0:08:54 > 0:08:57This is not your fault, Leo.
0:08:57 > 0:08:59Is this the letter you wrote her?
0:09:00 > 0:09:03- Yes. - She hasn't opened it.
0:09:06 > 0:09:08She had opened this.
0:09:08 > 0:09:10Which is odd.
0:09:10 > 0:09:14"And, this once known, shall soon return,
0:09:14 > 0:09:15"And bring ye to the place
0:09:15 > 0:09:19"where thou and Death Shall dwell at ease."
0:09:19 > 0:09:21- Paradise Lost. - Is it?
0:09:21 > 0:09:25- Who sent her that? - I think I can tell you.
0:09:25 > 0:09:29WOMAN: I can confirm that a body has left the home of Dr Helen Karamides,
0:09:29 > 0:09:33the pathologist at the centre of the shaken baby controversy.
0:09:33 > 0:09:34We have no details at the moment
0:09:34 > 0:09:38but it is not believed that the police regard this death as suspicious.
0:09:38 > 0:09:40May we have a comment, please?
0:09:40 > 0:09:43A respected colleague of ours has passed away.
0:09:43 > 0:09:44It's too soon to comment.
0:09:44 > 0:09:46Is it connected to the court case?
0:09:46 > 0:09:49Is it true that she was about to be struck off?
0:09:49 > 0:09:51NIKKI: I have nothing to say.
0:09:51 > 0:09:54Dr Alexander, what has happened here?
0:09:54 > 0:09:56NIKKI: No comment.
0:10:41 > 0:10:44KARAMIDES: 1st July, 2011.
0:10:44 > 0:10:47Interview between Helen Karamides and Arnold Mears.
0:10:49 > 0:10:52MEARS: Good morning, Doctor.
0:10:52 > 0:10:55KARAMIDES: I'd like to go back to your family, Arnold.
0:10:55 > 0:11:00Hm. You think the boy's unhappy because he's poor?
0:11:00 > 0:11:04No brothers and sisters. You didn't have a mother.
0:11:04 > 0:11:06- I did have a mother. Of course I did.
0:11:06 > 0:11:07In a biological sense.
0:11:07 > 0:11:10But how well did you know her?
0:11:10 > 0:11:11KNOCK AT DOOR
0:11:11 > 0:11:13KARAMIDES: What was she like?
0:11:13 > 0:11:19MEARS: You take such an interest in me, Doctor. Is that professional?
0:11:19 > 0:11:21Or personal?
0:11:21 > 0:11:24Of course, I forget.
0:11:24 > 0:11:27You're intimate with all your patients.
0:11:28 > 0:11:32- KARAMIDES: I don't have patients. - MEARS: Oh, yes, you do.
0:11:32 > 0:11:35MEARS: Dead ones.
0:11:42 > 0:11:44Slight yellowing of the eyes.
0:11:47 > 0:11:50Spider nevus on the right hand.
0:11:55 > 0:11:57On both hands.
0:11:57 > 0:11:59Some reddening of the palms.
0:12:05 > 0:12:09MEARS: Do you think I'm mental, Doctor?
0:12:09 > 0:12:13- I think you're ill. - So, it's not my fault?
0:12:13 > 0:12:16It's very difficult to prove that sort of thing.
0:12:17 > 0:12:20Would you like to look inside my brain?
0:12:20 > 0:12:23You could prove it then, couldn't you?
0:12:23 > 0:12:25KARAMIDES: Perhaps.
0:12:25 > 0:12:27MEARS: There I'd be,
0:12:27 > 0:12:31sitting there on a shelf in your laboratory, in a glass jar.
0:12:31 > 0:12:34My poor damaged brain
0:12:34 > 0:12:38looking down on you for eternity.
0:12:45 > 0:12:48- Did you feel anything? - MEARS: When?
0:12:48 > 0:12:50KARAMIDES: When...
0:12:50 > 0:12:53KARAMIDES: With the women.
0:12:53 > 0:12:56- You mean when I cut them? - Yes.
0:12:58 > 0:13:00MEARS: Did I feel anything?
0:13:03 > 0:13:04Do you?
0:13:04 > 0:13:07KARAMIDES: Well, that's different. I'm a scientist.
0:13:07 > 0:13:10Didn't you wonder what they felt?
0:13:10 > 0:13:14Do laboratory animals have feelings, Dr Karamides?
0:13:14 > 0:13:16You regard yourself as a scientist?
0:13:16 > 0:13:19I like that.
0:13:19 > 0:13:21You and I are the same.
0:13:21 > 0:13:27Like two little peas in a pod, with one small difference.
0:13:27 > 0:13:29KARAMIDES: And what's that?
0:13:29 > 0:13:32MEARS: You do the postmortems.
0:13:32 > 0:13:35I do the pre-mortems.
0:13:35 > 0:13:37MEARS LAUGHS
0:13:41 > 0:13:43HE SIGHS
0:13:46 > 0:13:48Some enlargement to the liver.
0:13:50 > 0:13:521,850 grams.
0:13:55 > 0:13:57Microscopic changes are consistent
0:13:57 > 0:14:03with the external indicators of liver disease seen on the initial examination.
0:14:11 > 0:14:13All right, Arnold?
0:14:28 > 0:14:30PHONE RINGS
0:14:45 > 0:14:47PHONE RINGS
0:14:49 > 0:14:51Mum.
0:14:51 > 0:14:53PHONE RINGS
0:14:56 > 0:14:58No.
0:14:58 > 0:15:00PHONE RINGS
0:15:04 > 0:15:06DIALLING TONE
0:15:11 > 0:15:13TONE STOPS
0:15:14 > 0:15:18Helen Karamides was utterly determined to prove her theory.
0:15:18 > 0:15:21There's a mass of material. There's MRI scans.
0:15:21 > 0:15:24Er...statistical analyses.
0:15:24 > 0:15:27Clinical reports. And most intriguingly of all...
0:15:27 > 0:15:31she was very, very interested in Arnold Mears.
0:15:31 > 0:15:35She interviewed him for 40 hours.
0:15:35 > 0:15:37- She could not keep away from him. - Why?
0:15:37 > 0:15:39Judging by her PM reports on his victims,
0:15:39 > 0:15:41she was formulating a theory about Mears's personality.
0:15:41 > 0:15:44She thought that he lacked affect - had no difference
0:15:44 > 0:15:46between pain and pleasure -
0:15:46 > 0:15:48but that he wanted to find out.
0:15:48 > 0:15:50- He experimented on his victims? - Karamides thought so.
0:15:50 > 0:15:55But then she made the most interesting discovery of all.
0:15:55 > 0:15:57Take a look at this.
0:16:00 > 0:16:03This is a scan of Arnold Mears's brain.
0:16:03 > 0:16:05- Wow. Look at that. - Scarring.
0:16:05 > 0:16:08- On a massive scale. - I've never seen anything quite like it.
0:16:08 > 0:16:12Where did he get injuries like this? Fighting? Prison?
0:16:13 > 0:16:15Childhood?
0:16:15 > 0:16:18She thought he was a shaken baby.
0:16:18 > 0:16:20That's why she was interviewing him.
0:16:20 > 0:16:24Trying to find out about his childhood, trying to get inside his head.
0:16:24 > 0:16:26He obviously got inside...
0:16:26 > 0:16:28hers.
0:16:44 > 0:16:47And you've examined these remains?
0:16:47 > 0:16:49Just a preliminary study, yes.
0:16:49 > 0:16:52But the cuts and scratches on the distal bones are clearly visible.
0:16:52 > 0:16:53Indicating?
0:16:53 > 0:16:56That Annie Farmer's story is probably true.
0:16:56 > 0:16:59That they were hacked off by a blade of some kind.
0:16:59 > 0:17:02- They were still alive? - Impossible to say.
0:17:02 > 0:17:04Well, their suffering's over now, thank God.
0:17:04 > 0:17:07Though not the agony their families went through.
0:17:07 > 0:17:10But you've brought that one stage closer to resolution.
0:17:11 > 0:17:13What are you going to do?
0:17:13 > 0:17:16Our job, I hope. The way it should have been done in the first place.
0:17:16 > 0:17:21The original team were so keen to put Mears away, they stopped at three bodies.
0:17:21 > 0:17:24Didn't push him any further. Understandable, I suppose.
0:17:24 > 0:17:27But a case isn't over till it's over.
0:17:27 > 0:17:29I'll be in touch. Thanks very much.
0:17:32 > 0:17:36- You will be sensitive, won't you? - Sensitive?
0:17:36 > 0:17:38Well, it's just that Annie Farmer told me all this in confidence.
0:17:38 > 0:17:41Mrs Farmer should have gone to the police a long time ago.
0:17:41 > 0:17:44But as I was trying to explain, she didn't feel she was able to.
0:17:44 > 0:17:46STROUD: Try telling that to the families.
0:17:46 > 0:17:48Concealing evidence is a serious offence.
0:17:48 > 0:17:53Dr Alexander feels, we all think, that Mrs Farmer acted from the best motives.
0:17:53 > 0:17:55I'll do what I can.
0:17:55 > 0:17:59But our priority has got to be finding where Mears buried these poor women.
0:17:59 > 0:18:00Of course.
0:18:08 > 0:18:10MOP SWEEPING THE FLOOR
0:18:18 > 0:18:20H264.
0:18:20 > 0:18:22Open up.
0:18:22 > 0:18:24DOOR BUZZES
0:18:24 > 0:18:26STROUD: "So pondering,
0:18:26 > 0:18:30"and from his armed peers Forth stepping opposite,
0:18:30 > 0:18:32"halfway he met His daring foe,
0:18:32 > 0:18:35"at this prevention more Incensed...
0:18:35 > 0:18:38"and thus securely him defied."
0:18:38 > 0:18:41Huh. What's all that about?
0:18:42 > 0:18:44It's from Book VI.
0:18:44 > 0:18:46The very heart of the poem.
0:18:46 > 0:18:51Where the Son of God charges Satan and his legions, drives them into hell.
0:18:51 > 0:18:52Fascinating.
0:18:52 > 0:18:56You read that to those girls before you hacked their hands off?
0:18:56 > 0:18:58No.
0:18:58 > 0:19:00I read it to myself.
0:19:00 > 0:19:02What can I do for you?
0:19:03 > 0:19:05You went down for three murders.
0:19:05 > 0:19:08But there were more, weren't there?
0:19:10 > 0:19:11It's all a bit of a blur.
0:19:11 > 0:19:14You don't remember how many women you killed?
0:19:15 > 0:19:17I've got a medical condition.
0:19:17 > 0:19:20Something wrong with my brain.
0:19:20 > 0:19:25I tried to get my head around it, but there's something wrong with my brain.
0:19:25 > 0:19:27Well, let me help you.
0:19:27 > 0:19:31We have evidence that you murdered as many as seven young women.
0:19:31 > 0:19:35I'm offering you the chance to tell us where they are.
0:19:35 > 0:19:37- Seven, you say? - At least.
0:19:37 > 0:19:39Mm.
0:19:42 > 0:19:45No, I'm sorry. Nothing's coming.
0:19:45 > 0:19:47Maybe you made a mistake.
0:19:47 > 0:19:50Oh, we have scientific evidence.
0:19:51 > 0:19:52What evidence?
0:19:52 > 0:19:57Bones. From the hands of at least four individuals.
0:20:00 > 0:20:03You've been talking to Annie Farmer.
0:20:03 > 0:20:05PHONE RINGS
0:20:07 > 0:20:10PHONE RINGS AND STOPS
0:20:18 > 0:20:20PHONE RINGS
0:20:21 > 0:20:22PHONE RINGS
0:20:22 > 0:20:24DIALLING TONE
0:20:26 > 0:20:28PHONE RINGS
0:20:29 > 0:20:31PHONE RINGS
0:20:32 > 0:20:35PHONE RINGS
0:20:35 > 0:20:38DIALLING TONE
0:20:38 > 0:20:40ANNIE: Hello?
0:20:40 > 0:20:43You're not answering my calls, Annie.
0:20:43 > 0:20:45Are you bored of me?
0:20:45 > 0:20:48No. No, of course not.
0:20:48 > 0:20:50Have you found someone else to talk to?
0:20:50 > 0:20:52What?
0:20:52 > 0:20:55MEARS: I had a visit from a policeman.
0:20:55 > 0:20:59I told you what would happen if you talked to them.
0:20:59 > 0:21:01I didn't talk to the police, I swear.
0:21:01 > 0:21:05The policeman mentioned your name. He was very specific.
0:21:05 > 0:21:07We've known each other a long time, Annie.
0:21:07 > 0:21:10I would hate to think we couldn't trust each other any more.
0:21:10 > 0:21:13You can. You can. You can trust me.
0:21:13 > 0:21:15I do hope so.
0:21:15 > 0:21:20Because if I thought I couldn't, we wouldn't have our little chats.
0:21:20 > 0:21:24Just when you were about to get exactly what you wanted.
0:21:25 > 0:21:27Am I?
0:21:27 > 0:21:29Yes.
0:21:30 > 0:21:34Do you want to visit me today? We can talk about Tina.
0:21:35 > 0:21:37Really?
0:21:37 > 0:21:39Yes.
0:21:39 > 0:21:41Just tell me who you were talking to.
0:21:41 > 0:21:44Then we can have our chat.
0:21:47 > 0:21:48Dr Alexander.
0:21:48 > 0:21:51Nikki, Nikki Alexander.
0:21:52 > 0:21:54FOOTSTEPS
0:21:54 > 0:21:56HARRY: Everything all right?
0:21:56 > 0:21:59Just a couple more questions, if you wouldn't mind.
0:21:59 > 0:22:00- Of course. - For Dr Alexander.
0:22:02 > 0:22:06- It's about Annie Farmer. - What about her?
0:22:06 > 0:22:09I've spoken to the governor of the secure unit where Mears is being held.
0:22:09 > 0:22:14Mrs Farmer has visited him 31 times in the last three years.
0:22:14 > 0:22:16Now, that's almost once a month.
0:22:16 > 0:22:18I told you, she feels she's got to.
0:22:18 > 0:22:21And I've checked with the other prisons where Mears has been held,
0:22:21 > 0:22:22and there's a similar pattern.
0:22:22 > 0:22:24She can't stop. That's the point.
0:22:24 > 0:22:30Now, I'd say that was a pretty full diary, even for a wife or a partner.
0:22:30 > 0:22:32What are you implying?
0:22:32 > 0:22:36I just need to be sure we're not dealing with a romantic obsession here.
0:22:36 > 0:22:37What?
0:22:37 > 0:22:39She's a lonely woman. It wouldn't be the first time.
0:22:39 > 0:22:42I don't think that Annie's like that.
0:22:42 > 0:22:43Maybe she just enjoys the attention.
0:22:43 > 0:22:47What, you're saying that she digs up bones to make herself look important?
0:22:47 > 0:22:51Oh, he was her moment of glory. She wants to hang on to it.
0:22:51 > 0:22:54- Have you been to see him? - Obviously, I've re-interviewed him.
0:22:54 > 0:22:57Did you tell him about Annie?
0:22:57 > 0:23:00DOGS BARK AND WHINE NEARBY
0:23:04 > 0:23:06I'm back, Mum.
0:23:08 > 0:23:10Mum?
0:23:12 > 0:23:14Mum.
0:23:31 > 0:23:33HE SIGHS
0:23:33 > 0:23:36Does she seem familiar?
0:23:37 > 0:23:39It's difficult.
0:23:42 > 0:23:45Do you think you remember her?
0:23:58 > 0:24:00Yes.
0:24:01 > 0:24:02I remember her.
0:24:02 > 0:24:04SHE SOBS
0:24:19 > 0:24:21- What's the matter? - Mum's gone to him.
0:24:21 > 0:24:22Are you sure?
0:24:22 > 0:24:24He rang when I was there. I know it was him.
0:24:24 > 0:24:28They've got a code, a signal he uses when he wants her.
0:24:28 > 0:24:29She ignored it.
0:24:29 > 0:24:32- So? - He rang back after I'd gone out.
0:24:32 > 0:24:34- How do you know? - Because I just know.
0:24:34 > 0:24:37And this time she's taken Tina's picture with her.
0:24:37 > 0:24:39Who's Tina?
0:24:39 > 0:24:41- My sister. - Your sister?
0:24:41 > 0:24:44She left home when she was 16.
0:24:44 > 0:24:47Walked out one morning after her and Mum had a row, and that was that.
0:24:47 > 0:24:51You think that Mears has got something to do with her disappearance?
0:24:51 > 0:24:54No, I don't. I think she's just out there somewhere.
0:24:54 > 0:24:58I tried to tell Mum this, but it's almost like she wants it to be true.
0:24:58 > 0:25:00To end the not knowing.
0:25:00 > 0:25:03She thinks it's fate that took her to Mears. God's will.
0:25:03 > 0:25:07Andy, the best people to help your mum now are the police.
0:25:07 > 0:25:11No. I told you, didn't I? If the police find out, he'll punish her.
0:25:11 > 0:25:14You don't know his power. He's poison. He can make her do anything he likes.
0:25:14 > 0:25:17Andy, the police are already involved.
0:25:19 > 0:25:21They've spoken to Mears.
0:25:21 > 0:25:24And they will help your mum, I promise you.
0:25:27 > 0:25:29I'm sorry.
0:25:29 > 0:25:31We had to do tell them, no choice.
0:25:32 > 0:25:34But...
0:25:34 > 0:25:36I trusted you.
0:25:38 > 0:25:41Mum trusted you.
0:25:44 > 0:25:48I took you to her. I...I thought you'd help us.
0:25:48 > 0:25:51These are human bones, evidence of terrible crimes.
0:25:51 > 0:25:54I'm talking about my mum.
0:25:56 > 0:25:57He knows.
0:25:59 > 0:26:02You've given her away.
0:26:02 > 0:26:04He'll find a way to kill her now.
0:26:07 > 0:26:10I'll never forgive you.
0:26:16 > 0:26:18DOOR CLICKS AND BEEPS
0:26:19 > 0:26:23ANNIE: Where is she?
0:26:24 > 0:26:26Please.
0:26:26 > 0:26:28Tell me, please.
0:26:28 > 0:26:30Where did you bury her?
0:26:32 > 0:26:34I'm not finished.
0:26:35 > 0:26:37Tell me.
0:26:37 > 0:26:39SHE GASPS
0:26:39 > 0:26:41Please tell me where she is!
0:26:41 > 0:26:44A little goodbye kiss. Go on.
0:26:44 > 0:26:46Tell me. Please.
0:26:48 > 0:26:50GUARD: Come on, come on.
0:26:52 > 0:26:55MEARS LAUGHS
0:27:04 > 0:27:06Oh, please.
0:27:10 > 0:27:12SHE GASPS AND SOBS
0:27:21 > 0:27:24Yep.
0:27:24 > 0:27:28You're quite sure? She's not still in the building somewhere?
0:27:28 > 0:27:30OK. Thanks.
0:27:30 > 0:27:33- She's already left the prison.
0:27:33 > 0:27:35Probably gone home.
0:27:36 > 0:27:39- Leo? - Yep.
0:27:41 > 0:27:43I'm worried about Annie Farmer.
0:27:43 > 0:27:45- Why? - Her son's just come to see me.
0:27:45 > 0:27:48And he's convinced that Mears is going to punish her for talking to me.
0:27:48 > 0:27:51How? He's in prison.
0:27:53 > 0:27:55Look what happened to Helen Karamides.
0:28:00 > 0:28:02Mum?
0:28:02 > 0:28:05Where are you? Look, call me.
0:28:05 > 0:28:07Call me. Please.
0:28:21 > 0:28:23- Harry? - What?
0:28:23 > 0:28:25The DNA results from the bones have come through.
0:28:25 > 0:28:27They've all been identified from the missing persons database.
0:28:27 > 0:28:29Good.
0:28:29 > 0:28:31- Arnold Mears's DNA is all over them. - Very good.
0:28:38 > 0:28:41Hang on. Look at this.
0:28:45 > 0:28:47DNA from the bit of cloth.
0:28:47 > 0:28:50- And that's not Mears's. - Contamination.
0:28:51 > 0:28:53But it's very close.
0:28:54 > 0:28:57And whoever it is, they're not on the national database.
0:28:57 > 0:29:00Probably borrowed someone's handkerchief some time
0:29:00 > 0:29:02and then used it later to wrap the bone.
0:29:02 > 0:29:03Mears lived alone.
0:29:03 > 0:29:07He was a loner. The police argued he was the classic solitary killer.
0:29:07 > 0:29:10But maybe someone helped him.
0:29:10 > 0:29:11An accomplice? A family member?
0:29:11 > 0:29:13It's possible, isn't it?
0:29:13 > 0:29:15You heard that policeman.
0:29:15 > 0:29:17The original team was so desperate to put Mears away
0:29:17 > 0:29:20that they stopped at three bodies.
0:29:20 > 0:29:24If they didn't follow that up, then maybe they missed this, too.
0:29:44 > 0:29:47- Mr Gladwyn? - Yes?
0:29:47 > 0:29:50Hi. My name's Nikki Alexander. I'm a forensic pathologist.
0:29:50 > 0:29:53- I wondered if I could talk to you? - What about?
0:29:53 > 0:29:54About Arnold Mears.
0:29:56 > 0:29:59- I don't think so. - Mr Gladwyn!
0:29:59 > 0:30:02Annie Farmer's been visiting him in prison and now she's gone missing.
0:30:02 > 0:30:05I need your help.
0:30:05 > 0:30:07Do you remember Annie Farmer?
0:30:09 > 0:30:13The things that poor woman had to listen to.
0:30:13 > 0:30:16The foulest things.
0:30:17 > 0:30:20And the tone of his voice as he said them.
0:30:20 > 0:30:23What she was doing there I'll never understand.
0:30:23 > 0:30:24It was hard enough for us.
0:30:24 > 0:30:28Two of my lads asked to be taken off the case.
0:30:29 > 0:30:30But he loved it.
0:30:32 > 0:30:34Couldn't wait to confess.
0:30:34 > 0:30:37Every last detail.
0:30:37 > 0:30:42We've discovered some new forensic evidence, which raises some questions.
0:30:43 > 0:30:46Did you ever suspect that he had an accomplice?
0:30:48 > 0:30:50An accomplice?
0:30:50 > 0:30:52Another Arnold Mears?
0:30:54 > 0:30:55God forbid.
0:30:56 > 0:30:58Did you think that there might have been more victims?
0:31:01 > 0:31:03I tried to kill him, you know.
0:31:04 > 0:31:07He admitted that he'd killed three girls.
0:31:09 > 0:31:13He told us what he'd done to them, the things they said, how they died.
0:31:14 > 0:31:17He enjoyed seeing the look on our faces.
0:31:17 > 0:31:19Did you ask him if he'd killed any others?
0:31:19 > 0:31:25Of course, but he just smiled his stupid smile and started reciting poetry.
0:31:26 > 0:31:29I called a break, told my DC to go and get some coffee,
0:31:29 > 0:31:33I put my fingers round his neck and started strangling him.
0:31:33 > 0:31:37- What happened? - The DC came back, pulled me off.
0:31:37 > 0:31:39Mears just laughed.
0:31:40 > 0:31:42He'd won.
0:31:42 > 0:31:44I felt soiled.
0:31:44 > 0:31:49We were just glad to put him away and forget about him.
0:31:53 > 0:31:56And I suggest you do the same.
0:32:16 > 0:32:18Can I help?
0:32:18 > 0:32:20Is there anything in here about Arnold Mears's family background?
0:32:20 > 0:32:22Why are you interested?
0:32:22 > 0:32:25DNA suggests he might have had an accomplice, a family member.
0:32:25 > 0:32:26The police would have mentioned it.
0:32:26 > 0:32:28What happens if they didn't know about it?
0:32:28 > 0:32:32I think he might have bluffed them.
0:32:32 > 0:32:35Apparently, he was so graphic when they were questioning him,
0:32:35 > 0:32:37they just wanted to put him away.
0:32:37 > 0:32:39But maybe he was protecting someone,
0:32:39 > 0:32:43distracting them so that they never asked the right questions.
0:32:43 > 0:32:44And?
0:32:44 > 0:32:48Well, whoever he is, this accomplice might still be out there
0:32:48 > 0:32:51and Mears might be sending Annie to him.
0:32:51 > 0:32:54Well, during her interviews, Helen asked several times about the family.
0:32:54 > 0:32:56But he was always very evasive.
0:32:56 > 0:32:59She was convinced that he'd been abused as a child
0:32:59 > 0:33:00so she carried on the investigation.
0:33:00 > 0:33:03Looks like his mother died in childbirth.
0:33:05 > 0:33:07No siblings.
0:33:07 > 0:33:09He was brought up by his father.
0:33:09 > 0:33:11Still alive?
0:33:11 > 0:33:13Er...yes.
0:33:17 > 0:33:19CROWS CAW
0:33:19 > 0:33:21NURSE: It won't take long, will it?
0:33:21 > 0:33:23It's just he gets very tired.
0:33:23 > 0:33:25It's just a quick swab, that's all.
0:33:31 > 0:33:33Mr Mears?
0:33:34 > 0:33:36Mr Mears?
0:33:39 > 0:33:43Mr Mears, I'm Nikki Alexander. I'm a pathologist.
0:33:43 > 0:33:45This is my colleague, Harry Cunningham.
0:33:45 > 0:33:47Hm.
0:33:47 > 0:33:49Did someone tell you we were coming?
0:33:49 > 0:33:51Yes. Ha-ha.
0:33:51 > 0:33:55We want to ask you some questions about your son, Arnold.
0:33:57 > 0:34:00Don't...don't tell him I'm here, will you?
0:34:00 > 0:34:02Don't worry. We won't.
0:34:02 > 0:34:06- When did you last see him? - It wasn't my fault.
0:34:06 > 0:34:08What wasn't your fault?
0:34:08 > 0:34:10Anybody would have loved her.
0:34:10 > 0:34:13She was...
0:34:13 > 0:34:15so beautiful. Huh!
0:34:17 > 0:34:19She went away.
0:34:19 > 0:34:21Did you help your son, Mr Mears?
0:34:21 > 0:34:23Eh? Yeah, of course I did!
0:34:23 > 0:34:26I did everything I could for the boy!
0:34:26 > 0:34:27HE COUGHS
0:34:27 > 0:34:29But he had...
0:34:29 > 0:34:32Satan here inside of him!
0:34:32 > 0:34:33COUGHING
0:34:35 > 0:34:38But you won't...you won't tell him I'm here, will you?
0:34:38 > 0:34:41For God's sake, for God...
0:34:41 > 0:34:43I'm sorry.
0:34:43 > 0:34:45I'm so sorry.
0:34:45 > 0:34:49Can we take the swab, Mr Mears?
0:34:49 > 0:34:51Yes.
0:34:55 > 0:34:57- What do you think? - I don't know.
0:34:57 > 0:35:00It doesn't seem very likely, does it? But if not him, then who?
0:35:00 > 0:35:02The DNA will confirm it.
0:35:02 > 0:35:05Yes, but that will take time and meanwhile, we have no idea where Annie is.
0:35:05 > 0:35:08And if he wasn't the accomplice, then...?
0:35:08 > 0:35:12Hang on a minute. Excuse me. How long has Mr Mears been a resident here?
0:35:12 > 0:35:15Well, he was here when I started, about seven years ago.
0:35:15 > 0:35:18- Has he always been this frail? - For as long as I've known him.
0:35:18 > 0:35:19Has he ever gone out much?
0:35:19 > 0:35:23- Outside the home, do you mean? - Staying with family, that sort of thing.
0:35:23 > 0:35:26He's never been beyond the seat at the bottom of the garden.
0:35:26 > 0:35:30Any further than that, and he wouldn't be able to find his way back again.
0:35:31 > 0:35:32Thanks.
0:35:37 > 0:35:41Look at this. Arnold Mears, aged nine years and three months,
0:35:41 > 0:35:45admitted to hospital with severe concussion on 10th May, 1957.
0:35:45 > 0:35:48An accident while playing, is what it says here.
0:35:48 > 0:35:51But the police suspected that the father might be responsible.
0:35:51 > 0:35:54Well, he may or may not have beaten him up when he was a kid, but...
0:35:54 > 0:35:55It wasn't the father.
0:35:55 > 0:35:57- He wasn't Mears's accomplice. - HARRY: No.
0:35:57 > 0:36:00- Any another members of the family? - There don't appear to be any.
0:36:00 > 0:36:04- Where did the accident happen? - The hospital was in Ladbroke Grove.
0:36:04 > 0:36:07No home address.
0:36:07 > 0:36:11Mr Mears appears to have been a verger at St Chad's.
0:36:13 > 0:36:15That's a church down the road.
0:36:15 > 0:36:17If I remember rightly, there's an entry in Helen's diary.
0:36:17 > 0:36:20Yes, here we are.
0:36:20 > 0:36:23She went there three days before she died.
0:36:23 > 0:36:25Did she find anything out?
0:36:25 > 0:36:27Who knows?
0:36:29 > 0:36:33"...let each His adamantine coat gird well,
0:36:33 > 0:36:36"and each Fit well his helm,
0:36:36 > 0:36:41"grip fast his orbed shield, Borne even or high,
0:36:41 > 0:36:46"for this day will pour down, If I conjecture aught, no drizzling shower
0:36:46 > 0:36:51"But rattling storm of arrows barbed with fire."
0:37:06 > 0:37:09Excuse me.
0:37:09 > 0:37:11Have you been coming to this church for a long time?
0:37:11 > 0:37:13Many years.
0:37:13 > 0:37:16You don't remember someone called Arnold Mears, do you?
0:37:16 > 0:37:18You might know his name. He's in prison now.
0:37:18 > 0:37:21I think his father was the verger here some time ago.
0:37:21 > 0:37:23Everybody knows about Arnold Mears.
0:37:23 > 0:37:25Did you know him personally?
0:37:25 > 0:37:27I met him when he was a child.
0:37:27 > 0:37:31- Later? - I wasn't here then.
0:37:31 > 0:37:33Did you know if he had any brothers or sisters?
0:37:33 > 0:37:38Not that I've heard of. He...he was a lonely child.
0:37:38 > 0:37:40So...so I've heard.
0:37:41 > 0:37:42Thanks.
0:37:42 > 0:37:44Why are you asking all these questions?
0:37:45 > 0:37:47I'm doing some research.
0:37:47 > 0:37:52To try to find out why he did what he did?
0:37:52 > 0:37:54Yes.
0:37:54 > 0:37:58Well, there was another woman here last week asking the same questions.
0:37:58 > 0:38:02- Yes, she was a colleague of mine. - I...I told her then everything I know.
0:38:02 > 0:38:08I mean, he used to play here when his father was working.
0:38:12 > 0:38:16Apparently, he had a terrible accident when he was nine.
0:38:16 > 0:38:19Do you know if that happened here?
0:38:20 > 0:38:23In the crypt, I believe.
0:38:27 > 0:38:30NIKKI: Do you know if he was mistreated as a child?
0:38:32 > 0:38:35I heard that he had no love from his father.
0:38:37 > 0:38:39I used to feel sorry for him.
0:38:40 > 0:38:44It...it's probably why he did all those dreadful things.
0:38:44 > 0:38:47It still doesn't excuse what he did, though, does it?
0:38:49 > 0:38:51God can redeem any sinner.
0:38:51 > 0:38:54No matter how grave the sin.
0:39:09 > 0:39:11NIKKI SIGHS
0:39:12 > 0:39:14Thank you for your help.
0:39:14 > 0:39:15PHONE RINGS
0:39:15 > 0:39:16Oh, I'm so sorry.
0:39:17 > 0:39:21I need to take this call. I'll go up.
0:39:21 > 0:39:24- Right. - Thanks.
0:39:24 > 0:39:26BOY: Mum!
0:39:28 > 0:39:29Mum!
0:39:29 > 0:39:31Mum!
0:39:31 > 0:39:33Mum!
0:39:33 > 0:39:35LEO: Nikki.
0:39:35 > 0:39:37I've got some news.
0:39:37 > 0:39:39Have they found Annie?
0:39:39 > 0:39:41No. No, it's Mears.
0:39:41 > 0:39:44He's decided to reveal where the remaining bodies are.
0:39:45 > 0:39:47- Right. - On one condition.
0:39:47 > 0:39:50What's that?
0:39:50 > 0:39:52He reveals them to you.
0:39:56 > 0:39:58Nikki?
0:39:58 > 0:40:00Yes. I'm here.
0:40:05 > 0:40:07STROUD: Don't make physical contact.
0:40:07 > 0:40:11Don't give him anything or accept anything from him.
0:40:11 > 0:40:13And don't tell him any personal details.
0:40:13 > 0:40:17You don't have to do this, Nikki. No one's going to think the worse of you.
0:40:17 > 0:40:20It's OK. Is there anything else?
0:40:20 > 0:40:22Yeah, ear piece.
0:40:23 > 0:40:26Won't that make him suspicious?
0:40:26 > 0:40:28We won't be able to communicate with you, otherwise.
0:40:28 > 0:40:30Don't worry. I'll be fine.
0:40:31 > 0:40:33Good luck.
0:40:33 > 0:40:35Thanks.
0:40:51 > 0:40:55- Mr Mears, I'm Dr... - Dr Nikki Alexander. Yeah.
0:40:55 > 0:40:58I know all about you. I did invite you, didn't I?
0:40:59 > 0:41:00Yes. You did.
0:41:00 > 0:41:04Did your bring your pencil and paper, like a good girl?
0:41:04 > 0:41:06No, of course you haven't.
0:41:06 > 0:41:07Your friends next door
0:41:07 > 0:41:09will have taken care of all the clerical details, won't they?
0:41:09 > 0:41:11MEARS CHUCKLES
0:41:11 > 0:41:14I hear you want to tell me where the bodies of your other victims are buried.
0:41:14 > 0:41:18MEARS: Oh, you're in a hurry. You got somewhere to go?
0:41:18 > 0:41:21It's all right, you're perfectly safe.
0:41:21 > 0:41:23I can't harm you.
0:41:23 > 0:41:25STROUD: He's taking control.
0:41:25 > 0:41:27Doesn't matter if he tells her where the bodies are buried, does it?
0:41:27 > 0:41:30All right. Let's talk about Annie Farmer.
0:41:30 > 0:41:31HE LAUGHS
0:41:31 > 0:41:34Annie? Annie?
0:41:34 > 0:41:38Annie's gone, I'm afraid, and, er...she won't be coming back.
0:41:38 > 0:41:39Where have you sent her?
0:41:39 > 0:41:42I've sent her to find her long-lost daughter.
0:41:44 > 0:41:47- No, you haven't. - No, I haven't.
0:41:47 > 0:41:48You've no idea where Tina is.
0:41:48 > 0:41:51I was just being polite.
0:41:51 > 0:41:54Trying to give her what she wanted.
0:41:54 > 0:42:00To tell you the truth, I was getting a bit bored with Annie.
0:42:01 > 0:42:03- So, you're getting rid of her? - Mm.
0:42:04 > 0:42:07Were you bored with Dr Karamides?
0:42:08 > 0:42:10Dr Karamides killed herself.
0:42:11 > 0:42:13- Nothing to do with me. - I think it was.
0:42:13 > 0:42:17Why are you so concerned? She a friend of yours?
0:42:17 > 0:42:19She was a colleague.
0:42:19 > 0:42:20Mm. Really?
0:42:20 > 0:42:24I saw you outside her house, on television.
0:42:25 > 0:42:27Yes, I attended the scene of her death.
0:42:27 > 0:42:30In a professional capacity?
0:42:30 > 0:42:33- Yes. - You looked upset.
0:42:33 > 0:42:37How did she look? Peaceful?
0:42:37 > 0:42:39Yes.
0:42:40 > 0:42:41Liar.
0:42:42 > 0:42:46It was pills and booze, wasn't it? What a way to die, eh?
0:42:46 > 0:42:51Face down in a pool of your own stomach contents. Hm.
0:42:51 > 0:42:52HE CHUCKLES
0:42:52 > 0:42:57Dr Karamides used to come and visit me quite often.
0:42:57 > 0:43:00I think she was half in love with me.
0:43:02 > 0:43:03Oh.
0:43:03 > 0:43:09Some women probably do find you interesting. Exciting.
0:43:10 > 0:43:13Do you?
0:43:16 > 0:43:17No.
0:43:17 > 0:43:19Then why are you here?
0:43:19 > 0:43:21You invited me.
0:43:21 > 0:43:24Well, maybe if you got to know me a bit better,
0:43:24 > 0:43:28you might come and visit me out of more than politeness.
0:43:30 > 0:43:31Maybe I would.
0:43:33 > 0:43:35How often would you visit me?
0:43:35 > 0:43:37Once a month?
0:43:38 > 0:43:41It would have to be more than that.
0:43:43 > 0:43:46It'd be nice to have something to look forward to.
0:43:47 > 0:43:48OK.
0:43:48 > 0:43:51More than that, if you like.
0:43:51 > 0:43:53We could talk about important things.
0:43:54 > 0:43:57What made you happy, what made you sad.
0:43:58 > 0:44:00Intimate things.
0:44:03 > 0:44:05They'd never let us.
0:44:05 > 0:44:08- Change the subject, Nikki. - What's she playing at?
0:44:08 > 0:44:10Wait. Wait.
0:44:10 > 0:44:11MEARS: They would,
0:44:11 > 0:44:13if it was about the bodies.
0:44:16 > 0:44:17I could give you them,
0:44:17 > 0:44:19one at a time.
0:44:19 > 0:44:23So, that would make 12 visits.
0:44:23 > 0:44:25At least.
0:44:27 > 0:44:30You're lying.
0:44:30 > 0:44:34I may not be an educated man, Dr Alexander, but I'm not stupid.
0:44:34 > 0:44:37You lie to me again, I'll leave
0:44:37 > 0:44:40and that'll be the end of your precious Annie.
0:44:40 > 0:44:43- I don't like the way this is going. - I think she knows what she's doing.
0:44:43 > 0:44:46Let's talk about your work.
0:44:47 > 0:44:49Do you like it?
0:44:49 > 0:44:50NIKKI: Yes.
0:44:50 > 0:44:52Cutting up bodies. Mm, so do I.
0:44:52 > 0:44:53MEARS CHUCKLES
0:44:53 > 0:44:59Sometimes I cut them up before they were dead. That was always the fun bit.
0:44:59 > 0:45:03You had it easier, though. Someone got rid of yours.
0:45:03 > 0:45:07I had to get rid of mine all by myself. That was always the difficult bit.
0:45:07 > 0:45:10You managed, though, all by yourself.
0:45:10 > 0:45:12Or did you have someone to help you?
0:45:17 > 0:45:21Well, listen, it's been lovely having this chat with you and the rest of the team,
0:45:21 > 0:45:24but I think this conversation is over.
0:45:24 > 0:45:25He's told us nothing.
0:45:25 > 0:45:28Come on! Come on!
0:45:31 > 0:45:34Don't you walk away from me!
0:45:35 > 0:45:37I went to St Chad's today.
0:45:37 > 0:45:41That must have been a strange place to grow up.
0:45:41 > 0:45:45A little boy all by himself. Can't have been much of a childhood.
0:45:45 > 0:45:48- I was happy enough. - That's not what I heard.
0:45:48 > 0:45:49- Who from? - An old lady I met there.
0:45:49 > 0:45:51She said she felt sorry for you.
0:45:51 > 0:45:53Well, I'm glad somebody does.
0:46:07 > 0:46:09MAN: Arnold!
0:46:09 > 0:46:11THE GATE CREAKS
0:46:12 > 0:46:14MAN: Where are you?
0:46:26 > 0:46:28I know you're in here!
0:46:37 > 0:46:40MAN: You can stay in here.
0:46:58 > 0:47:00I'm sorry.
0:47:03 > 0:47:05Don't leave me here.
0:47:05 > 0:47:07I promise to be good.
0:47:07 > 0:47:10- Did your father beat you, Arnold? - Ha-ha! What?
0:47:10 > 0:47:14Dr Karamides said she found scarring on your brain. Is that how you got it?
0:47:14 > 0:47:17My dad? He wouldn't dare. Is that the best you've got?
0:47:17 > 0:47:19Get me out of here.
0:47:19 > 0:47:23- Why did you bring this today? - Well, you can't be too careful.
0:47:23 > 0:47:27Last time I left it in my cell, I found a cop with his nose in it.
0:47:27 > 0:47:30No, leave it alone!
0:47:30 > 0:47:32I said, don't touch it!
0:47:42 > 0:47:46NIKKI: To my dearest Arnold, from his loving Mother.
0:47:46 > 0:47:48I thought she died when you were born.
0:47:51 > 0:47:53Was it your mother who beat you?
0:47:53 > 0:47:56My mum loved me.
0:47:56 > 0:47:58Mum! Where are you?
0:47:59 > 0:48:02Mum! Mum!
0:48:02 > 0:48:04But they sent her away.
0:48:04 > 0:48:05Why?
0:48:05 > 0:48:09When my Dad got her pregnant.
0:48:09 > 0:48:11She was 13.
0:48:11 > 0:48:13They said she was a slut!
0:48:13 > 0:48:15Wouldn't let her see me!
0:48:16 > 0:48:18But she wanted to.
0:48:18 > 0:48:22My mum, she loved me! She's the only one that ever did!
0:48:22 > 0:48:25So, how did you damage your brain? Who did that to you?
0:48:25 > 0:48:28I did!
0:48:28 > 0:48:29I did!
0:48:29 > 0:48:31I did!
0:48:31 > 0:48:32- I did! - Mears!
0:48:32 > 0:48:34ALARM WAILS
0:48:34 > 0:48:36I did!
0:48:37 > 0:48:40- Hold him! - Stop! Stop it!
0:48:40 > 0:48:43Arnold! Arnold!
0:48:43 > 0:48:45Where is she?
0:48:46 > 0:48:48Where's Annie?
0:49:08 > 0:49:11PHONE RINGS
0:49:11 > 0:49:14Hello?
0:49:14 > 0:49:16Nikki.
0:49:16 > 0:49:17Where?
0:49:27 > 0:49:29BIRDSONG
0:50:56 > 0:50:57Go away!
0:51:02 > 0:51:03I'm not here to hurt you.
0:51:03 > 0:51:05Are you the police?
0:51:07 > 0:51:09No, I'm looking for my daughter.
0:51:09 > 0:51:11Who sent you?
0:51:13 > 0:51:15Arnold Mears.
0:51:16 > 0:51:19Arnold?
0:51:19 > 0:51:21My son?
0:51:24 > 0:51:26I tried to help him.
0:51:27 > 0:51:29I wanted to, after what had happened to him.
0:51:29 > 0:51:32That's why I came back.
0:51:33 > 0:51:35You protected him.
0:51:36 > 0:51:38It wasn't his fault.
0:51:38 > 0:51:41Where is she?
0:51:41 > 0:51:42She's here.
0:51:42 > 0:51:44Where?
0:51:44 > 0:51:46I kept her.
0:51:47 > 0:51:49I couldn't let her go.
0:51:49 > 0:51:55She was the last one and he...he hadn't finished with her.
0:51:57 > 0:51:59I didn't know what else to do.
0:51:59 > 0:52:01She was still alive!
0:52:01 > 0:52:04- Tina! - She's all right.
0:52:04 > 0:52:06I gave her food. Water.
0:52:06 > 0:52:08I...I cherished her.
0:52:11 > 0:52:15I knew one day someone would come.
0:52:22 > 0:52:24She's waiting for you.
0:52:28 > 0:52:30(Up there.)
0:52:50 > 0:52:52Mum!
0:52:53 > 0:52:55Where...
0:53:05 > 0:53:07Tina.
0:53:14 > 0:53:16Tina.
0:53:21 > 0:53:23Mum!
0:53:24 > 0:53:26Oh!
0:53:28 > 0:53:30SHE LAUGHS
0:53:44 > 0:53:46Mum?
0:53:46 > 0:53:48MOBILE JINGLES
0:53:58 > 0:54:01Tina's come back to us.
0:54:01 > 0:54:02SHE GIGGLES
0:54:11 > 0:54:14Mum, that's...that's not Tina.
0:54:15 > 0:54:17Shh, shh.
0:54:17 > 0:54:21God has sent her back to me.
0:54:39 > 0:54:42Annie?
0:54:43 > 0:54:44Are you OK?
0:55:14 > 0:55:16- WOMAN: You're all right. - Mears' last victim.
0:55:16 > 0:55:18Soon get you sorted out.
0:55:20 > 0:55:22Hm.
0:55:23 > 0:55:25I'm not sure it is.
0:55:27 > 0:55:30HARRY: At least Annie's alive.
0:55:53 > 0:55:55- LEO: Well done. - What for?
0:55:55 > 0:55:58Mears has come clean about the remaining bodies.
0:56:00 > 0:56:02It's over.
0:56:50 > 0:56:53THE ALARM WAILS
0:57:09 > 0:57:11Hold it. Stop.
0:57:16 > 0:57:18Yeah, we got something.
0:58:06 > 0:58:08RONSON: So, he kills Mum,
0:58:08 > 0:58:11waits an hour or so, kills daughter,
0:58:11 > 0:58:15and at some point finds time to knock a great big hole in the son's skull, too.
0:58:15 > 0:58:17- Stop! Stop there! - No!
0:58:17 > 0:58:19JOEL: Please, Kev, just let me in!
0:58:19 > 0:58:21He's off again now.
0:58:21 > 0:58:23He knows your body better than you do.
0:58:23 > 0:58:24LEO: You knew Justine.
0:58:24 > 0:58:26DEBORAH: Joel? Joel?
0:58:26 > 0:58:29HARRY: She wasn't just left. She was arranged.
0:58:29 > 0:58:37# Testat ore silence
0:58:37 > 0:58:44# Vos teste se spiritu
0:58:44 > 0:58:51# Silencio... #
0:58:52 > 0:58:56Subtitles by Red Bee Media Ltd