Part 2

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0:00:02 > 0:00:04My brother was evil. I feel guilty about what he did. I feel guilty about grieving for him.

0:00:04 > 0:00:08- Do you really think her work got her killed?- I can't prove anything.

0:00:08 > 0:00:10Who did Rachel feel compelled to confront?

0:00:10 > 0:00:12My sense was that she'd made some kind of breakthrough.

0:00:12 > 0:00:15My daughter has spina bifida.

0:00:15 > 0:00:18Are you personally going to guarantee her safety?

0:00:18 > 0:00:20Leo, what is going on? Where are you?

0:00:20 > 0:00:23Found him like this, didn't we? Together.

0:00:29 > 0:00:37# Testator silens

0:00:37 > 0:00:44# Costestes e spiritu

0:00:45 > 0:00:52# Silentium... #

0:00:59 > 0:01:00INDISTINCT CHATTER

0:01:08 > 0:01:11He wants to see you.

0:01:11 > 0:01:12Gotta go.

0:01:15 > 0:01:18DOOR UNLOCKS

0:01:22 > 0:01:24DOOR CLOSES

0:01:24 > 0:01:26Right.

0:01:26 > 0:01:28Here I am.

0:01:30 > 0:01:32I just wanted to... express my sympathy.

0:01:34 > 0:01:37I'm talking about all the unwanted attention you're getting

0:01:37 > 0:01:40from coppers, forensics and the rest.

0:01:40 > 0:01:42Must be very stressful.

0:01:42 > 0:01:45I mean, you're...under the microscope, aren't you?

0:01:47 > 0:01:50Business as usual. That's my motto.

0:01:50 > 0:01:54Looks bad, though, that woman dying like that.

0:01:54 > 0:01:57Kruger. Looks like she found something.

0:01:59 > 0:02:01Not your problem, though, is it?

0:02:01 > 0:02:03Things have changed, Daniel.

0:02:03 > 0:02:05A blind man can see that.

0:02:05 > 0:02:08And that change needs to be reflected.

0:02:15 > 0:02:19You think I can't go elsewhere for my needs, you're deluded.

0:02:25 > 0:02:26How much?

0:02:26 > 0:02:28We'll figure out the details later.

0:02:28 > 0:02:29It's the principle.

0:02:34 > 0:02:36All right.

0:02:36 > 0:02:38I'll sleep on it. How's that?

0:02:45 > 0:02:50Daniel Kessler left the Met under... something of a cloud, to put it mildly.

0:02:50 > 0:02:54He had a reputation for taking kickbacks and beating up suspects and so on,

0:02:54 > 0:02:57but he had an arrest sheet a mile long, so...

0:02:57 > 0:02:58So, chalk it up to professional enthusiasm?

0:02:58 > 0:03:00Right, until...

0:03:00 > 0:03:03this unfortunate event.

0:03:06 > 0:03:07- Christ.- Yes.

0:03:07 > 0:03:11Kessler said that he was looking for Potter in one of his known haunts

0:03:11 > 0:03:14and found him like this.

0:03:14 > 0:03:16He wasn't just murdered, he was...brutalised.

0:03:18 > 0:03:21- How did he explain this? - He said he slipped in the blood.

0:03:21 > 0:03:23Potter was one of Kessler's sources.

0:03:23 > 0:03:26And a couple of months before, he had fed him some dud intelligence

0:03:26 > 0:03:30and left Kessler with a bit of egg on his face in Old Bailey Court Number One.

0:03:30 > 0:03:32He was never charged with this?

0:03:32 > 0:03:35No. His partner corroborated the whole story, said they had found him like this.

0:03:35 > 0:03:37- DI Bridges?- DS Bridges, as was.

0:04:11 > 0:04:14Rumour has it that Kessler was the father of Bridges' child.

0:04:14 > 0:04:15Whoa.

0:04:15 > 0:04:18If true, is some leverage.

0:04:18 > 0:04:21If. The provenance of all this scandalous info is Miriam Wade.

0:04:21 > 0:04:24Yeah, well, the team of her guys at her law firm, but yes.

0:04:24 > 0:04:27What's her angle on it? She must have an angle on it.

0:04:27 > 0:04:30She thinks that Rachel Kruger and Owen had found proof

0:04:30 > 0:04:33that her brother was murdered and that's why they were killed.

0:04:33 > 0:04:35- Have you told Leo about this? - I'm just gonna ring him now.

0:04:35 > 0:04:37Maybe wait until tomorrow.

0:04:37 > 0:04:39Why?

0:04:39 > 0:04:40He's not himself.

0:04:40 > 0:04:42Can't put my finger on it.

0:04:42 > 0:04:43Try.

0:04:43 > 0:04:45He's angry about something.

0:04:45 > 0:04:49And it's not about Rachel Kruger or this case. He just thinks it is.

0:04:49 > 0:04:53Thank you very...much!

0:04:53 > 0:04:56Ashley, don't do that. See why your missus left you!

0:04:56 > 0:04:58LAUGHTER

0:04:58 > 0:05:00Who wants another drink, boys? Yeah.

0:05:00 > 0:05:02You gettin' one? Sweet.

0:05:02 > 0:05:03Here y'are, darlin'.

0:05:07 > 0:05:09Daniel.

0:05:09 > 0:05:10I don't wanna do it any more.

0:05:15 > 0:05:16I'll remortgage the house. I'll...

0:05:18 > 0:05:20I'll take out another credit card.

0:05:21 > 0:05:24When you gonna pay that credit card back, Ellis?

0:05:24 > 0:05:26When you win the lottery?

0:05:28 > 0:05:29Come here.

0:05:29 > 0:05:31I hear you, Daniel, I do.

0:05:35 > 0:05:36How much are you on?

0:05:36 > 0:05:39What, 19 grand?

0:05:40 > 0:05:4118.

0:05:41 > 0:05:4318 grand.

0:05:45 > 0:05:48You think that's what you're worth?

0:05:48 > 0:05:50Risking your life,

0:05:50 > 0:05:51hanging out with kiddie boffers,

0:05:51 > 0:05:53mopping up cum and puke,

0:05:53 > 0:05:55peering up arseholes for carving knives.

0:05:57 > 0:05:59What do footballers get paid, eh?

0:06:00 > 0:06:02What do pop stars get paid?

0:06:04 > 0:06:05What's the Home Secretary on?

0:06:08 > 0:06:09It's just us, mate.

0:06:09 > 0:06:12No-one else gives a shit.

0:06:15 > 0:06:19It's not that I'm not grateful. I am.

0:06:21 > 0:06:25You cut me in and I appreciate that, always, I do. I just...

0:06:28 > 0:06:31Don't wanna do it any more.

0:06:35 > 0:06:37Then don't.

0:06:37 > 0:06:39I respect your decision.

0:06:41 > 0:06:43Really?

0:06:43 > 0:06:44Really.

0:06:49 > 0:06:50Come here, you nutter.

0:07:02 > 0:07:04- Sorry.- Jesus Christ!

0:07:04 > 0:07:06Say no more. I'll take this reprobate home with me.

0:07:06 > 0:07:08- No, sorry... - No, it's fine, honestly.

0:07:08 > 0:07:09He can stay the night at mine

0:07:09 > 0:07:11and in the morning, me kids'll jump on his head.

0:07:11 > 0:07:12That'll teach him!

0:07:12 > 0:07:15That's a really kind offer, but there's no way I can accept.

0:07:15 > 0:07:17- OK, if you're sure.- Yeah.

0:07:17 > 0:07:20Right, come on, you. In you get, that's it.

0:07:20 > 0:07:21- Go on. - HE BURPS

0:07:21 > 0:07:22There you go. Oh, nice(!)

0:07:22 > 0:07:25Wait there.

0:07:25 > 0:07:26Sorry.

0:07:26 > 0:07:28Oi!

0:07:29 > 0:07:31I think he's ready for bed.

0:07:31 > 0:07:33Right. Er, it's upstairs on the right.

0:07:33 > 0:07:35Right, on the right.

0:07:35 > 0:07:37- Thank you. Thank you so much. - Sweet. No worries.

0:07:37 > 0:07:39Oi, come on.

0:07:39 > 0:07:41It's, er, it's Daniel, by the way.

0:07:41 > 0:07:43Oh, it's Sharon.

0:07:43 > 0:07:47Sharon, would love a quick cup of coffee, if there's one going.

0:07:47 > 0:07:48Of course.

0:07:48 > 0:07:50- He didn't!- Yes, he did.

0:07:50 > 0:07:52Ohh.

0:07:52 > 0:07:54Oh, no.

0:07:58 > 0:08:00Ellis told me about your job falling through.

0:08:00 > 0:08:02Yeah, it was a blow.

0:08:02 > 0:08:05I mean, it was the whole reason we came here in the first place.

0:08:05 > 0:08:06Pff...

0:08:06 > 0:08:09Some welcome to the Beautiful South that turned out to be.

0:08:09 > 0:08:12My own fault. We shouldn't have come without a contract.

0:08:18 > 0:08:19Ellis has settled in well.

0:08:20 > 0:08:24Yeah, that's thanks to you, I hear.

0:08:24 > 0:08:27Big change, you know. Moving down to London.

0:08:27 > 0:08:29Going from Cat C to Cat A.

0:08:29 > 0:08:31Hear you've got some right scary bastards.

0:08:32 > 0:08:36Nah, they don't scare me. It's all posture. Front.

0:08:36 > 0:08:38They're the ones who are scared.

0:08:38 > 0:08:40In their hearts, they know they're worthless.

0:08:40 > 0:08:43Still, someone's got to deal with them.

0:08:47 > 0:08:49Well...I've taken up enough of your time.

0:08:49 > 0:08:50No, no.

0:08:50 > 0:08:52Don't be silly.

0:08:52 > 0:08:54It's nice...

0:08:54 > 0:08:57to have someone to talk to.

0:08:57 > 0:08:59Oh.

0:08:59 > 0:09:01Sorry. That sounded really lame.

0:09:02 > 0:09:04No. No, it didn't.

0:09:06 > 0:09:08You probably haven't made many friends down here yet, have you?

0:09:10 > 0:09:13No. No, I haven't.

0:09:14 > 0:09:17Ahh. You're desperately homesick, aren't you?

0:09:20 > 0:09:22Oh, come on.

0:09:22 > 0:09:24Oh, Sharon.

0:09:24 > 0:09:27You know? Everyone needs someone to talk to.

0:09:27 > 0:09:29You know?

0:09:29 > 0:09:31OK, you've got Ellis, but...

0:09:31 > 0:09:34well, he strikes me as the, er...

0:09:34 > 0:09:39(NORTHERN ACCENT) ...keep-it-all-in type, you know? A man's man.

0:09:39 > 0:09:41That's a rubbish Northern accent!

0:09:42 > 0:09:45Well, on that very low note, I shall take my leave.

0:10:59 > 0:11:03Sorry about last night. Dunno what happened there.

0:11:03 > 0:11:05You let your hair down. We all did.

0:11:06 > 0:11:09Now, come on, get that down you.

0:11:09 > 0:11:11We need to go and have a word with a certain person.

0:11:13 > 0:11:16We're putting things on ice for a bit.

0:11:16 > 0:11:18All this scrutiny, we'd be mad not to.

0:11:31 > 0:11:33CLASSICAL MUSIC PLAYS

0:11:38 > 0:11:40So, I slept on it.

0:11:40 > 0:11:41Get rid of him.

0:11:41 > 0:11:45Oi, don't you talk to one of my officers like that.

0:11:47 > 0:11:49Righty-o.

0:11:59 > 0:12:02Right. Bend over.

0:12:10 > 0:12:14Only joking.

0:13:18 > 0:13:20BUZZER

0:13:25 > 0:13:29Jesus Christ. Stay with me. Come on.

0:13:30 > 0:13:31Daniel, move!

0:13:55 > 0:13:58This is my blood. And this is expirated blood.

0:13:58 > 0:14:02It's blood. I couldn't tell you yet whether it's expirated or not.

0:14:02 > 0:14:04No, I'm telling you it is.

0:14:04 > 0:14:07He coughed it up when I was clearing his airways.

0:14:07 > 0:14:09COUGHS

0:14:10 > 0:14:12Good memory for a man who's just been stabbed.

0:14:23 > 0:14:27There's a deep incision to his throat and extensive blood deposits.

0:14:27 > 0:14:29Body in a foetal position,

0:14:31 > 0:14:34consistent with victim trying to protect himself from repeated blows.

0:14:34 > 0:14:37He's just killed a prison guard - he's not the bloody victim.

0:14:37 > 0:14:41It's OK, Gordon. It's...it's not what he means.

0:14:41 > 0:14:42Any attempt made to save this man?

0:14:44 > 0:14:46Dr Ross?

0:14:46 > 0:14:51I, er, focused my efforts on Ellis Roberts. He was still alive.

0:14:51 > 0:14:53Too bloody right.

0:15:02 > 0:15:08So you were walking past the cellblock entrance and heard what?

0:15:08 > 0:15:09Screaming.

0:15:09 > 0:15:11I didn't know it was Roberts.

0:15:11 > 0:15:13Just came running.

0:15:13 > 0:15:19Johnson was holding the shank and kneeling next to Roberts' body.

0:15:19 > 0:15:21Like he was going to stab him again?

0:15:23 > 0:15:24Yeah.

0:15:24 > 0:15:26That's when I waded in.

0:15:38 > 0:15:41Detective Sergeant?

0:15:41 > 0:15:44Twist of cellophane found in a hollow in his shoe.

0:15:48 > 0:15:49I need access to Ellis Roberts' locker and his car, please.

0:15:49 > 0:15:53- Why?- What's going on? - It doesn't concern you.

0:15:53 > 0:15:55It doesn't concern me?

0:15:55 > 0:16:00I just seen that kid die right in front of my eyes,

0:16:00 > 0:16:02so don't tell me it doesn't concern me!

0:16:04 > 0:16:05Hey... What...?

0:16:07 > 0:16:10There. Take as many pictures as you want.

0:16:12 > 0:16:14Move!

0:16:19 > 0:16:21Get back here now!

0:16:47 > 0:16:49Harry?

0:16:51 > 0:16:54No! No! No!

0:16:54 > 0:16:56No! No!

0:16:56 > 0:16:58SOBBING: No!

0:17:02 > 0:17:05SHE HYPERVENTILATES

0:17:05 > 0:17:08No!

0:17:08 > 0:17:10I deserve that.

0:17:10 > 0:17:12I know I do.

0:17:17 > 0:17:21The presence of bilateral periorbital haematomas

0:17:21 > 0:17:24and...a nasal fracture

0:17:24 > 0:17:30suggests a sustained blunt-force traumatic assault to the head.

0:17:30 > 0:17:34The tramlined bruises across the arms and hands

0:17:34 > 0:17:37are consistent with the victim attempting to defend himself

0:17:37 > 0:17:40from heavy blows with some cylindrical object.

0:17:40 > 0:17:43As well as the bruises,

0:17:43 > 0:17:47x-rays show that he sustained six broken fingers -

0:17:47 > 0:17:49four on the left hand, two on the right.

0:17:51 > 0:17:53These injuries would've made it impossible

0:17:53 > 0:17:55for Johnson to hold onto the blade.

0:17:55 > 0:17:57What's your point?

0:17:57 > 0:18:01Kessler claimed that he beat Johnson to death as an act of self-defence.

0:18:01 > 0:18:04He was defending Ellis Roberts, who was still alive and bleeding heavily.

0:18:04 > 0:18:08Once Johnson was unable to hold onto the blade,

0:18:08 > 0:18:10who or what was Kessler defending them against?

0:18:11 > 0:18:13Let's move on.

0:18:15 > 0:18:18They found cocaine in Ellis's car.

0:18:18 > 0:18:20Drugs? No.

0:18:20 > 0:18:21No.

0:18:21 > 0:18:24- No, there's no way... - Sharon. Sharon, they found them.

0:18:24 > 0:18:26They found them.

0:18:26 > 0:18:27They did, I'm sorry.

0:18:29 > 0:18:32Now, look, what this means is,

0:18:32 > 0:18:34they're gonna try and build on it.

0:18:34 > 0:18:36The police.

0:18:37 > 0:18:40They'll try and pin the murders of the two prison inspectors on him.

0:18:40 > 0:18:44Yeah, I used to be a copper, I know how they tick.

0:18:44 > 0:18:46Dead men can't defend themselves.

0:18:48 > 0:18:49Now, look...

0:18:49 > 0:18:52Of course we know it's all a pack of lies, don't we?

0:18:52 > 0:18:54But we have to back him up.

0:18:54 > 0:18:56What? Who?

0:18:56 > 0:18:58- Who?- Ellis.

0:18:58 > 0:19:02Look, when they asked him where he was on Sunday night,

0:19:02 > 0:19:04he said he was home with you.

0:19:08 > 0:19:10But...he wasn't.

0:19:13 > 0:19:15There is a single slash wound to the throat

0:19:15 > 0:19:17consistent with the tangential movement

0:19:17 > 0:19:20of a sharp implement across the skin surface.

0:19:20 > 0:19:22The combination of a short blade,

0:19:22 > 0:19:25consistent with the one found at the crime scene, and a deep wound.

0:19:25 > 0:19:27A possible explanation is that the victim's head

0:19:27 > 0:19:29was drawn back to expose the throat.

0:19:33 > 0:19:36I think that we should check his forehead for fingerprints or palm prints, maybe.

0:19:36 > 0:19:39So, Johnson crept up on him from behind?

0:19:39 > 0:19:42Or Roberts trusted the killer and the attack was a surprise.

0:19:42 > 0:19:45If Roberts was in business with Johnson, he probably wasn't expecting to get stabbed by him.

0:19:45 > 0:19:47If.

0:19:47 > 0:19:48We found drugs in his car

0:19:48 > 0:19:51and Johnson controlled all the traffic going in and out of Redhill.

0:19:51 > 0:19:53What's more, Roberts had no alibi

0:19:53 > 0:19:56worthy of the name for the night of the Kruger and Owen murders -

0:19:56 > 0:19:59murders all the evidence suggests were carried out by a prison guard.

0:19:59 > 0:20:03Well, it sounds like you've solved four murders in one morning.

0:20:03 > 0:20:04That must be some sort of a record.

0:20:04 > 0:20:07OK. Let's all take a breath, shall we?

0:20:15 > 0:20:16I share your frustration.

0:20:16 > 0:20:18Do you share my doubts?

0:20:18 > 0:20:20What, about The Kessler Version? Too bloody right.

0:20:20 > 0:20:23Roberts' throat was cut from left to right and Johnson was left-handed.

0:20:23 > 0:20:24And why would he want to kill him in the first place?

0:20:24 > 0:20:26Johnson was ambidextrous, or close enough,

0:20:26 > 0:20:28and drug dealers kill each other all the time.

0:20:28 > 0:20:31Well, yes. It's a lot of niggling questions,

0:20:31 > 0:20:33all of which can, to some extent, be answered. Thanks.

0:20:33 > 0:20:36She could be right about Roberts killing Kruger and Owen.

0:20:36 > 0:20:39Maybe they were getting close to exposing Kessler's illegal activities.

0:20:39 > 0:20:42Mm. And Kessler is smart. He would know that if anything did happen to them,

0:20:42 > 0:20:43that he would be the prime suspect, so...

0:20:43 > 0:20:45So, he gets Roberts to kill them

0:20:45 > 0:20:48and then makes sure he's on every camera in Redhill when the deed is done.

0:20:48 > 0:20:50Wonderful. If only we could prove a bloody word of it.

0:20:50 > 0:20:53But the bottom line is, DI Bridges hasn't behaved unprofessionally

0:20:53 > 0:20:56and the fact that she worked with Kessler isn't grounds to try and get her removed.

0:20:56 > 0:20:58So, we're stuck with her and her belief

0:20:58 > 0:21:00that now all four murders have been solved.

0:21:00 > 0:21:02Come on, she doesn't believe that!

0:21:02 > 0:21:04He's holding a baby over her - it's bloody obvious!

0:21:13 > 0:21:15Miriam, it's Harry Cunningham.

0:21:15 > 0:21:17Look, these rumours about, er,

0:21:17 > 0:21:20Daniel Kessler being the father of Bridges' child...

0:21:21 > 0:21:27How hard would it be to, er, put them to the test?

0:21:36 > 0:21:38Would you like one of these?

0:21:38 > 0:21:40My little one won't mind.

0:21:40 > 0:21:42- Oh, that's kind, but... - Yes, please.

0:21:42 > 0:21:45- All right, then. Thanks. - No problem.

0:21:55 > 0:21:57I'll get rid of that.

0:24:20 > 0:24:22WOMAN SPEAKS IN EASTERN EUROPEAN LANGUAGE

0:24:26 > 0:24:27LAUGHTER

0:24:30 > 0:24:32WOMEN CHATTER

0:24:32 > 0:24:34GUNS COCK

0:24:57 > 0:24:59GLASS SMASHES

0:25:26 > 0:25:27BOTH SCOFF

0:25:27 > 0:25:29He just drove off?

0:25:29 > 0:25:31- Yeah.- Did you get his number?

0:25:31 > 0:25:33- No.- But you're OK?

0:25:34 > 0:25:36Could've been worse, I suppose.

0:25:37 > 0:25:39You'll, er, need to file a police report.

0:25:40 > 0:25:42- Insurance.- Sure.

0:25:42 > 0:25:44Yeah, I'll do it first thing.

0:25:45 > 0:25:48I was calling and calling and calling you.

0:25:48 > 0:25:50Your phone must be on silent.

0:26:10 > 0:26:12Here, Chris?

0:26:12 > 0:26:13Chris, come and help Daddy.

0:26:13 > 0:26:15Come on, be a good boy.

0:26:15 > 0:26:16There you go.

0:26:16 > 0:26:18Let's do Daddy's work.

0:26:18 > 0:26:21Will you hold this for me?

0:26:21 > 0:26:22Yeah? Be careful.

0:26:22 > 0:26:24That's it. You're a big boy now, ain't ya?

0:26:35 > 0:26:37Gotcha!

0:26:37 > 0:26:38Leo?

0:26:42 > 0:26:44Who said chivalry's dead?

0:26:46 > 0:26:48He's keeping her close.

0:26:49 > 0:26:51Good afternoon.

0:26:51 > 0:26:53Professor Dalton.

0:26:53 > 0:26:56Sharon's come to... view her husband's body.

0:26:57 > 0:26:59Family members only, I'm afraid.

0:26:59 > 0:27:02I won't come in. Just here for support. You OK?

0:27:05 > 0:27:07Daniel?

0:27:08 > 0:27:10Nikki Alexander.

0:27:10 > 0:27:12- Of course.- How are you doing?

0:27:13 > 0:27:18Just...wish I'd got to that cell ten seconds earlier, you know?

0:27:19 > 0:27:22Actually, on that note, we're trying to dot the I's and cross the T's

0:27:22 > 0:27:23on the forensics.

0:27:23 > 0:27:25There's no chance that I could take your palm print, is there?

0:27:25 > 0:27:27My...palm print?

0:27:30 > 0:27:32Ah, sweet.

0:27:33 > 0:27:35- Yours?- Godson.

0:27:39 > 0:27:40Don't leave it too long.

0:27:40 > 0:27:43You won't be...35 for ever.

0:27:45 > 0:27:46Good guess.

0:27:50 > 0:27:51So, come on, then.

0:27:51 > 0:27:53What is it?

0:27:53 > 0:27:54A, B, or C?

0:27:55 > 0:27:57You don't want kids.

0:27:57 > 0:27:59You're waiting for Mr Right.

0:27:59 > 0:28:03You've met Mr Right, but Mr Right's a bloody idiot

0:28:03 > 0:28:04who doesn't know what's good for him.

0:28:07 > 0:28:08Done.

0:28:08 > 0:28:11You don't have to answer that.

0:28:13 > 0:28:14Here.

0:28:14 > 0:28:15That's my lot.

0:28:17 > 0:28:18Four!

0:28:18 > 0:28:21Glutton for punishment.

0:28:21 > 0:28:22Wow.

0:28:25 > 0:28:27Ellis.

0:28:32 > 0:28:34I'm sorry, I'm sorry.

0:28:36 > 0:28:38I'm sorry.

0:28:38 > 0:28:39I'm so sorry!

0:28:39 > 0:28:41I'm so sorry.

0:28:54 > 0:28:55I'm sorry.

0:29:10 > 0:29:12Match for what?

0:29:12 > 0:29:16We found a very distinct palm print on Ellis Roberts's forehead,

0:29:16 > 0:29:19suggesting that his head was held with force.

0:29:19 > 0:29:21My palm print?

0:29:26 > 0:29:27That's right. That's it.

0:29:27 > 0:29:31Um...when I was staunching the wound, he had a spasm.

0:29:31 > 0:29:33A spasm?

0:29:33 > 0:29:35Yeah. His head started banging on the floor,

0:29:35 > 0:29:38so I, you know, tried to hold him steady.

0:29:38 > 0:29:39Could you show me?

0:29:41 > 0:29:43Yeah, course.

0:29:45 > 0:29:46So, I held the wound like this

0:29:46 > 0:29:48and his head like that.

0:29:51 > 0:29:54No. That's not it.

0:29:54 > 0:29:58You see, the palmar flexion creases tell me that the hand

0:29:58 > 0:30:02was the other way around, with the thumb up, not down.

0:30:04 > 0:30:06Yeah, that's right.

0:30:09 > 0:30:11Where's Sharon?

0:30:11 > 0:30:14Well, she was in a bad way. We put her in a car.

0:30:14 > 0:30:16What do you mean, you put her in a car? Where is she?

0:30:16 > 0:30:17She's gone.

0:30:19 > 0:30:21I think you'd better leave, too.

0:30:23 > 0:30:25What did you say to her?

0:30:25 > 0:30:26Please don't make me have to call security.

0:30:35 > 0:30:37- Hi.- Hi.

0:30:41 > 0:30:43- Are you OK?- Yeah.

0:30:43 > 0:30:45Overkill on the old wedding plans, eh?

0:30:45 > 0:30:47The wedding's off.

0:30:47 > 0:30:49He bailed.

0:30:49 > 0:30:51Gotta love the British press.

0:30:53 > 0:30:57You know, I thought when, er... when he died, the headlines would die with him.

0:30:57 > 0:30:59But it's, um... He's a myth now. He's a bogeyman.

0:31:01 > 0:31:03What did he say? Alan?

0:31:05 > 0:31:09Um, that it was about the children that we...that we planned to have.

0:31:09 > 0:31:11They cancelled the wedding.

0:31:12 > 0:31:16It's their future he was...worried about,

0:31:16 > 0:31:19the shadow they'd...grow up in.

0:31:19 > 0:31:21I'm sorry.

0:31:25 > 0:31:26I told myself this one was different.

0:31:40 > 0:31:42'I'll get rid of that.'

0:31:44 > 0:31:46Bloody hell.

0:31:47 > 0:31:49Bloody hell, indeed.

0:31:51 > 0:31:54Are you sure you're not in over your head, Dr Cunningham?

0:32:34 > 0:32:36'Emergency. Which service do you require?'

0:32:36 > 0:32:37Yeah, police!

0:32:39 > 0:32:40All clear.

0:32:43 > 0:32:46I'm sorry, I just...

0:32:46 > 0:32:48- Thanks. - Best to be safe than sorry.

0:32:50 > 0:32:52100% match.

0:32:52 > 0:32:54Daniel Kessler is Alex Bridges' father.

0:33:01 > 0:33:03So, what's the plan?

0:33:03 > 0:33:07We threaten a senior police officer with an illegally obtained DNA sample?

0:33:08 > 0:33:10We give her an opportunity to come clean.

0:33:10 > 0:33:12We don't know that she covered for him.

0:33:12 > 0:33:13Look...

0:33:14 > 0:33:18Does this really look to you

0:33:18 > 0:33:20like he slipped in the blood?

0:33:20 > 0:33:22- It's not impossible. - Given all we know.

0:33:28 > 0:33:30- I'll do it.- You'll do it?

0:33:30 > 0:33:32I'll speak to her.

0:33:32 > 0:33:34Woman to woman.

0:33:34 > 0:33:37No, stay on campus and I'll come and collect you.

0:33:39 > 0:33:42I'll explain later. It's nothing to worry about.

0:33:42 > 0:33:44Yeah.

0:33:44 > 0:33:45Love you.

0:33:45 > 0:33:46Liar.

0:33:50 > 0:33:52I think this is yours.

0:33:53 > 0:33:55Mm.

0:33:56 > 0:33:58Nice house.

0:33:58 > 0:33:59Shame you don't own it.

0:34:01 > 0:34:04I haven't met Janet, but I did drive by this morning

0:34:04 > 0:34:05and see her leave for work.

0:34:05 > 0:34:07Get out of my house!

0:34:07 > 0:34:09What are you gonna do?

0:34:09 > 0:34:10Call the cops again?

0:34:10 > 0:34:12Think they'll come?

0:34:14 > 0:34:16No.

0:34:16 > 0:34:18I don't think she's happy, Leo.

0:34:18 > 0:34:20What's changed?

0:34:21 > 0:34:25In the pictures on your phone, she seems carefree, confident.

0:34:25 > 0:34:28That special look women have when they're loved and cherished.

0:34:28 > 0:34:30What is it with you and the ladies, eh?

0:34:30 > 0:34:32Just doesn't quite pan out, does it, Leo?

0:34:32 > 0:34:34Couldn't save Rachel Kruger.

0:34:36 > 0:34:37Couldn't save Theresa.

0:34:37 > 0:34:39Couldn't save Cassie.

0:34:40 > 0:34:43Some loser ran my wife and kids over, they would die screaming,

0:34:43 > 0:34:45I can tell you.

0:34:46 > 0:34:49Sod the law, screw the consequences.

0:34:49 > 0:34:52Did you? Get even, Leo?

0:34:52 > 0:34:55Did you do right by your Theresa? Your Cassie?

0:35:02 > 0:35:04Nah.

0:35:04 > 0:35:06You did nothing, did you?

0:35:07 > 0:35:11You sat at home, moping and crying.

0:35:11 > 0:35:15Sat at home wishing you were the kind of man that could do something.

0:35:21 > 0:35:22Mm. Hm.

0:35:29 > 0:35:31I'll give you that one.

0:35:31 > 0:35:34Just that one.

0:35:34 > 0:35:35And no more.

0:35:35 > 0:35:37Ever.

0:35:48 > 0:35:50You should've called. I'm kind of in the thick of it.

0:35:50 > 0:35:52Can we talk in your office?

0:35:52 > 0:35:53About what?

0:35:53 > 0:35:55It's a private matter.

0:35:58 > 0:36:00It's about Daniel Kessler.

0:36:00 > 0:36:02Daniel Kessler is not someone you need to worry your pretty little...

0:36:02 > 0:36:05What about your husband? Does he need to worry about him?

0:36:05 > 0:36:09You accepted Kessler's account of what happened in that cell at face value,

0:36:09 > 0:36:11and you're not asking the questions you should be asking...

0:36:11 > 0:36:13- Let's get back to my husband. - In a minute.

0:36:13 > 0:36:17In 2003, you were a key witness in an inquiry into Kessler's activities,

0:36:17 > 0:36:20specifically the death of his source, Craig Potter.

0:36:20 > 0:36:22That's public knowledge. So what?

0:36:22 > 0:36:26Without your exculpatory testimony, Kessler would've faced a murder charge.

0:36:26 > 0:36:28He didn't kill Potter, we found him like that,

0:36:28 > 0:36:30and that's what I told the inquiry.

0:36:30 > 0:36:31So...what?

0:36:31 > 0:36:35So, why, as you were such a staunch defender of him then,

0:36:35 > 0:36:37can you not even bear to look at him now?

0:36:47 > 0:36:52I know that Daniel Kessler is the father of your son, Alex.

0:36:59 > 0:37:00How dare you?

0:37:00 > 0:37:03Is that what he held over you when it came to Potter's death?

0:37:03 > 0:37:04How dare you!

0:37:05 > 0:37:07Look at these pictures...

0:37:09 > 0:37:12..and tell me that's how you found him.

0:37:13 > 0:37:16- Look at them. - How did you get Alex's DNA?

0:37:16 > 0:37:18- Look at them, Andrea. - I have a right to know.

0:37:18 > 0:37:20No, you have more important things to worry about.

0:37:20 > 0:37:22If you lied about Craig Potter to save your marriage

0:37:22 > 0:37:24then the blood of Kessler's other victims is on your hands.

0:37:24 > 0:37:25What other victims?

0:37:25 > 0:37:29Oh, come on, Andrea. We both know that he killed Johnson and Roberts

0:37:29 > 0:37:31and we both know that one of the guards - probably Roberts -

0:37:31 > 0:37:33killed Kruger and Owen at his command.

0:37:33 > 0:37:36So, I have one question - is he going to get away with it again?

0:37:36 > 0:37:38Blackmailing a police officer.

0:37:38 > 0:37:42That's not the end of your career. That's prison.

0:37:43 > 0:37:46No-one deserves to die like this.

0:37:46 > 0:37:48No-one.

0:38:14 > 0:38:15Nigel, he...

0:38:17 > 0:38:19We had problems conceiving.

0:38:19 > 0:38:22We called Alex our little miracle.

0:38:23 > 0:38:24Our gift from God.

0:38:29 > 0:38:31I beg you.

0:38:31 > 0:38:33Alex is just a little boy.

0:38:35 > 0:38:37This will destroy him.

0:38:39 > 0:38:42Please.

0:38:42 > 0:38:43If there was another way,

0:38:43 > 0:38:45but there isn't.

0:38:46 > 0:38:48Is there?

0:38:50 > 0:38:53COMPUTER BEEPS.

0:38:54 > 0:38:58It's draft e-mails, it's letters, er, interview transcripts,

0:38:58 > 0:39:00- aide memoires.- Peter.

0:39:00 > 0:39:01- It's going to tell us who killed her, Leo.- Peter, slow down.

0:39:01 > 0:39:03- Just give me the headlines.- OK.

0:39:03 > 0:39:06At the beginning of last week, she got a warrant via the Home Office,

0:39:06 > 0:39:09granting access to the bank records of all the staff at Redhill.

0:39:09 > 0:39:13OK. Anything to do with the death of James Wade?

0:39:13 > 0:39:14OK...

0:39:14 > 0:39:16She wrote to the coroner,

0:39:16 > 0:39:19requesting digital copies of Wade's postmortem pictures.

0:39:19 > 0:39:21I mean, she had hard copies.

0:39:21 > 0:39:23But, Leo, she wanted to blow them up.

0:39:23 > 0:39:24Any sense of what she was looking for?

0:39:25 > 0:39:27No.

0:39:27 > 0:39:29- No, I'm sorry. I...- It's OK.

0:39:29 > 0:39:32It's OK, we can get hold of those photographs ourselves.

0:39:32 > 0:39:33What are these?

0:39:36 > 0:39:38Blanket fibres, maybe?

0:39:46 > 0:39:49Fibres are the same grey as the blanket on Benjamin Johnson's bed,

0:39:49 > 0:39:52so presumably standard Redhill issue.

0:39:52 > 0:39:55Yeah, but it's stuck to his skin with some kind of adhesive.

0:39:56 > 0:40:01Is there anything in the death report about a medical patch?

0:40:01 > 0:40:03No.

0:40:05 > 0:40:06Nothing.

0:40:18 > 0:40:20I need to give a formal statement.

0:40:21 > 0:40:23Give a statement or take a statement?

0:40:25 > 0:40:27Give a statement.

0:40:27 > 0:40:30After I pronounced Wade dead, I checked him for external injuries -

0:40:30 > 0:40:31I would have found a patch.

0:40:31 > 0:40:34Yeah, but if it was Kessler who smuggled in the patch to Wade,

0:40:34 > 0:40:38it makes sense that Kessler would have removed it before you arrived.

0:40:38 > 0:40:39Yes.

0:40:39 > 0:40:43He'd also have had a strong financial incentive to do that.

0:40:43 > 0:40:44What?

0:40:45 > 0:40:47The fentanyl can be extracted from the patches

0:40:47 > 0:40:49and converted into China White.

0:40:50 > 0:40:53That patch could be worth £1,000 in the prison market.

0:40:55 > 0:40:58I can think of another reason why Kessler would've removed the patch.

0:40:58 > 0:41:01Didn't you say all the staff knew about Wade's opiate intolerance?

0:41:01 > 0:41:05What, he supplied him the patch with the intention of poisoning him?

0:41:05 > 0:41:07Well, Wade had a bounty on his head.

0:41:07 > 0:41:10You want a prisoner taken out at Redhill, who better to go to?

0:41:10 > 0:41:12Hang on.

0:41:12 > 0:41:16Why would Wade take a drug which he knew was going to kill him?

0:41:16 > 0:41:20He was in agony with the cancer, put him in total denial.

0:41:20 > 0:41:22I think Rachel saw the adhesive residue

0:41:22 > 0:41:25as evidence of a medical patch, put it all together...

0:41:25 > 0:41:27So, who removed it and why?

0:41:27 > 0:41:29...and then, with a couple of glasses of wine inside her,

0:41:29 > 0:41:31decided to confront Kessler there and then.

0:41:33 > 0:41:35- Rachel, Rachel, stop the car! - Nick, just get off! Get off the car!

0:41:35 > 0:41:36- Stop! Stop the car.- Just get off!

0:41:43 > 0:41:45I've got a visitor for you, Daniel.

0:41:46 > 0:41:49Daniel Kessler, I'm arresting you on suspicion of the murder

0:41:49 > 0:41:51of Craig Potter in June 2003.

0:41:51 > 0:41:53You do not have to say anything, but it may harm your defence

0:41:53 > 0:41:56if you do not mention, when questioned, something which you later...

0:41:56 > 0:41:58Craig Potter.

0:41:59 > 0:42:01Potter, Potter, Potter.

0:42:03 > 0:42:04Pimp, right?

0:42:04 > 0:42:05Dead on the toilet.

0:42:05 > 0:42:07Like Elvis.

0:42:07 > 0:42:09This isn't a joke, Daniel.

0:42:09 > 0:42:10Ooh.

0:42:10 > 0:42:12Using me first name.

0:42:12 > 0:42:13Very clever.

0:42:13 > 0:42:15Make it personal.

0:42:15 > 0:42:17Cor, me guard's down now.

0:42:19 > 0:42:20What was your question again?

0:42:20 > 0:42:23I said, this isn't a joke.

0:42:23 > 0:42:24Yeah, it is.

0:42:24 > 0:42:27Bloke like Craig had a ton of enemies.

0:42:27 > 0:42:29We found him like that.

0:42:29 > 0:42:31Not according to our new eyewitness.

0:42:31 > 0:42:33- Oh, yeah?- Yeah.

0:42:33 > 0:42:36One Detective Inspector Andrea Bridges.

0:42:37 > 0:42:39She wouldn't.

0:42:39 > 0:42:41She already did.

0:42:44 > 0:42:47Kessler's been arrested for Craig Potter's murder.

0:42:47 > 0:42:50Christ, your chat with Bridges did the trick.

0:42:50 > 0:42:52I think it was the DNA test on her son that did the trick.

0:42:52 > 0:42:54If Kessler's back is up against the wall,

0:42:54 > 0:42:56he might be disposed to fill in some blanks.

0:42:58 > 0:43:00There are questions we need to put to him about Wade's death -

0:43:00 > 0:43:03questions which Rachel Kruger wanted answers to.

0:43:03 > 0:43:05Where did Nikki Alexander dig her dirt on my friend?

0:43:05 > 0:43:06Miriam Wade.

0:43:07 > 0:43:09And you didn't have a problem with that?

0:43:09 > 0:43:11Getting leverage from James Wade's sister?

0:43:11 > 0:43:13Getting the truth, as it turned out.

0:43:14 > 0:43:17You tell me your questions, I'll put 'em to him.

0:43:18 > 0:43:23Did Rachel Kruger question you about the death of James Wade?

0:43:25 > 0:43:28As the Buddha once said -

0:43:28 > 0:43:29what's in it for me?

0:43:29 > 0:43:32Depending on the quality of your answers,

0:43:32 > 0:43:35your co-operation will be noted.

0:43:39 > 0:43:40Yeah.

0:43:40 > 0:43:42Twice.

0:43:42 > 0:43:44Let's start with the second time.

0:43:44 > 0:43:46Last...

0:43:46 > 0:43:51Thursday, I got an e-mail from Kruger asking to meet urgently

0:43:51 > 0:43:53and not at Redhill.

0:43:53 > 0:43:55But we were short-handed at the prison,

0:43:55 > 0:43:57so I ended up speaking to her on the phone.

0:43:57 > 0:44:00And what was so urgent?

0:44:00 > 0:44:02She wanted to know if,

0:44:02 > 0:44:06when I'd given Wade CPR, I'd seen a...a plaster,

0:44:06 > 0:44:07a medical patch on him.

0:44:07 > 0:44:11Ellis Roberts had said he was wearing one,

0:44:11 > 0:44:12but Dr Ross said he wasn't.

0:44:12 > 0:44:14And what did you tell her?

0:44:14 > 0:44:16The truth -

0:44:16 > 0:44:18he was wearing a patch.

0:44:19 > 0:44:23Was Dr Ross ever alone with Wade's body in the cell?

0:44:27 > 0:44:29Yeah.

0:44:29 > 0:44:31Yeah, he was...

0:44:31 > 0:44:33Get out of my sight.

0:44:46 > 0:44:48The patch. Why's it so important?

0:44:48 > 0:44:50It was almost certainly the delivery mechanism

0:44:50 > 0:44:52for the fentanyl which killed Wade.

0:44:52 > 0:44:54- The fact it wasn't recovered... - Is suspicious in itself.

0:44:54 > 0:44:56Right, Kessler's telling the truth.

0:44:56 > 0:44:59If he had supplied and removed the patch, he wouldn't admit to seeing it at all.

0:44:59 > 0:45:01DOOR CLOSES

0:45:07 > 0:45:08KNOCK ON DOOR

0:45:12 > 0:45:13Oh, sorry. Um...

0:45:13 > 0:45:18I'm Professor Leo Dalton. I've been working with your father.

0:45:18 > 0:45:19Oh, right.

0:45:19 > 0:45:22Um...he's out, but he'll be home soon.

0:45:22 > 0:45:24Is he expecting you?

0:45:25 > 0:45:26Um,

0:45:26 > 0:45:29well, as a matter of fact, I'm a bit early.

0:45:32 > 0:45:34FIRE CRACKLES

0:45:40 > 0:45:42D'you want me to call him and find out where he is?

0:45:42 > 0:45:43Oh, look, don't worry.

0:45:44 > 0:45:46I'm not in a hurry.

0:45:46 > 0:45:47All right.

0:45:54 > 0:45:55Can I use the toilet?

0:45:55 > 0:45:58Er, yeah, sure. It's down there, on the left.

0:45:58 > 0:45:59Thanks.

0:46:19 > 0:46:22What are you doing?

0:46:22 > 0:46:24That's my medication!

0:46:39 > 0:46:41- Who are you?- I'm sorry.

0:46:41 > 0:46:43What's going on?

0:46:43 > 0:46:45- Julie.- Dad.

0:46:53 > 0:46:55I think you'd better leave, Professor Dalton.

0:46:55 > 0:46:58Open up your shirt.

0:47:00 > 0:47:02You must have hit that drain cover pretty hard.

0:47:04 > 0:47:05Dad, what's he talking about?

0:47:05 > 0:47:08Dad?

0:47:21 > 0:47:23Everything's going be all right, Julie.

0:47:25 > 0:47:27Everything's going be all right.

0:47:28 > 0:47:30CAMERA SHUTTER CLICKS

0:47:32 > 0:47:34I was approached anonymously by a man

0:47:34 > 0:47:36representing the families of Wade's victims.

0:47:36 > 0:47:38A man?

0:47:39 > 0:47:42All our contact was by phone.

0:47:42 > 0:47:43We never met face to face.

0:47:43 > 0:47:49But he knew all about my financial problems arising from Julie's illness.

0:47:49 > 0:47:51He offered you a fee to kill Wade?

0:47:54 > 0:47:56200,000.

0:47:58 > 0:47:59Half now...

0:48:00 > 0:48:01...half later.

0:48:04 > 0:48:07But Wade was dying anyway... and painfully.

0:48:07 > 0:48:09Yeah, I told him that.

0:48:10 > 0:48:14He said Wade was strong as an ox, he could live for another 20 years.

0:48:16 > 0:48:18That's what he said?

0:48:20 > 0:48:21"As strong as an ox"?

0:48:21 > 0:48:22What of it?

0:48:28 > 0:48:29How did, er...

0:48:30 > 0:48:34...how did you convince Wade to... put the noose round his neck?

0:48:34 > 0:48:37Thought I was allergic.

0:48:37 > 0:48:41It's just a turbo-charged aspirin.

0:48:41 > 0:48:42It'll take the edge off.

0:48:44 > 0:48:45Lay it on me, then, Doc.

0:48:52 > 0:48:53Rachel Kruger found the payments

0:48:53 > 0:48:56when she ordered the disclosure of your bank records.

0:48:56 > 0:48:59I told her they were for private consultations

0:48:59 > 0:49:02and she cut me some slack.

0:49:02 > 0:49:05200 grand for a consultation? Hope it was something serious.

0:49:05 > 0:49:09It was a wealthy private patient.

0:49:09 > 0:49:11I'll still need to see the invoice.

0:49:11 > 0:49:14Yeah, sure, it's...

0:49:14 > 0:49:15It's in my files at home.

0:49:15 > 0:49:18How about you pop it by my office first thing?

0:49:18 > 0:49:21You'd seen enough of her to know she'd see through any bullshit invoices?

0:49:22 > 0:49:24I knew if she was killed...

0:49:27 > 0:49:31..Kessler and the guards in his pocket would fall under suspicion.

0:49:33 > 0:49:36When we were talking about the payments, she took a call...

0:49:38 > 0:49:40..from her husband.

0:49:40 > 0:49:43Don't let Mum go to too much trouble, or I'll never hear the end of it.

0:49:45 > 0:49:48Sure, see you both tomorrow. Love you.

0:49:51 > 0:49:52Sorry.

0:49:54 > 0:49:56You expected her to be home alone?

0:49:58 > 0:50:00Had the shock of my life when Nick Owen opened the door.

0:51:37 > 0:51:40Did you know that Rachel had a bullet lodged in her spine

0:51:40 > 0:51:42from her days with the Military Police?

0:51:44 > 0:51:46Yes. She told me.

0:51:46 > 0:51:51So, you knew that she lived with the spectre of sudden death

0:51:51 > 0:51:53every minute of her day.

0:51:54 > 0:51:56That every time she... she kissed her daughter goodnight,

0:51:56 > 0:51:59she knew she could be saying goodbye.

0:52:01 > 0:52:04How could a doctor, of all people,

0:52:04 > 0:52:07kill someone so manifestly decent

0:52:07 > 0:52:09and courageous...

0:52:10 > 0:52:14..and worthy of whatever life she had left?

0:52:16 > 0:52:19Do you have children of your own, Professor?

0:52:24 > 0:52:26Then I'm sorry.

0:52:28 > 0:52:31There's no possible way you can understand.

0:52:41 > 0:52:44MIRIAM: Even with the cancer, he was strong as an ox.

0:53:02 > 0:53:05The police can't prove it. I certainly can't prove it.

0:53:06 > 0:53:08But I know it.

0:53:08 > 0:53:10You didn't want to be a Wade any more.

0:53:10 > 0:53:13You wanted him gone...

0:53:13 > 0:53:14before the wedding.

0:53:14 > 0:53:17And the cancer wasn't killing him fast enough, was it?

0:53:20 > 0:53:23And all you did was get two innocent people killed and...

0:53:25 > 0:53:28..now you will be a Wade

0:53:28 > 0:53:30until the day you die.

0:53:35 > 0:53:36Yes, I will.

0:53:41 > 0:53:42I know you tried.

0:53:42 > 0:53:45Tried to help Peter Kruger by feeding us Kessler.

0:53:48 > 0:53:50Got away with so many crimes he did commit,

0:53:50 > 0:53:54why not get him sent him down for one he didn't?

0:54:07 > 0:54:09I was his first.

0:54:12 > 0:54:13Practise.

0:54:14 > 0:54:19A chance to...find out what he liked and didn't like.

0:54:20 > 0:54:22Hone his tastes.

0:54:26 > 0:54:29And all my parents did was send him to see an expensive shrink...

0:54:31 > 0:54:34..and urge me to keep my top on on summer holidays.

0:54:34 > 0:54:37Like I needed persuading.

0:55:47 > 0:55:49- Hi.- Hi.

0:55:53 > 0:55:54Leo, I'm...

0:55:54 > 0:55:56I'm going to say something

0:55:56 > 0:56:00and your instinct is going to be to disbelieve it, but...

0:56:00 > 0:56:02- Well, until you say it, I... - Basically,

0:56:02 > 0:56:05I would really like you to shut up and listen.

0:56:05 > 0:56:07OK.

0:56:09 > 0:56:11Um...

0:56:12 > 0:56:17The other day, I asked you if you'd changed your mind about adopting.

0:56:19 > 0:56:21I didn't mean it.

0:56:21 > 0:56:23I was just angry.

0:56:23 > 0:56:25- But you had every right to be.- Leo.

0:56:25 > 0:56:26Sorry.

0:56:28 > 0:56:32The truth is, I've more than accepted your decision.

0:56:33 > 0:56:35The truth is,

0:56:35 > 0:56:36I don't want a child any more.

0:56:38 > 0:56:41Your loss, your terrible, terrible loss

0:56:41 > 0:56:44and the way you deal with it, your courage,

0:56:44 > 0:56:48is so much a part of you, so much a part of the man I love that...

0:56:48 > 0:56:53I know it sounds crazy, but I'm happy with our decision.

0:56:55 > 0:56:59It says everything about how much we already have,

0:56:59 > 0:57:01about...our life,

0:57:01 > 0:57:04- our wonderful, wonderful life together.- Janet...

0:57:04 > 0:57:06- So, as of now...- Janet.

0:57:08 > 0:57:10...the whole...

0:57:10 > 0:57:13question is over with.

0:57:15 > 0:57:16Settled. Finished.

0:57:16 > 0:57:18OK?

0:57:21 > 0:57:22Leo.

0:57:24 > 0:57:26I love you.

0:57:31 > 0:57:32I'm sorry, Janet.

0:57:39 > 0:57:41I'm sorry, but it's not enough.

0:57:48 > 0:57:50I just don't love you any more.

0:58:10 > 0:58:12SOBBING

0:58:12 > 0:58:16That's the girl you asked me about. And they never know how she died.

0:58:16 > 0:58:18You thought that her death was suspicious, but you didn't tell me.

0:58:18 > 0:58:20You think I did something to her. You think I hurt her.

0:58:20 > 0:58:21Is it in us? Is it in my son?

0:58:21 > 0:58:23SPEAKS LATIN

0:58:23 > 0:58:26SCREAMS

0:58:26 > 0:58:28INDISTINCT LATIN AND SCREAMS

0:58:28 > 0:58:34# Testator silens

0:58:35 > 0:58:42# Silentium

0:58:51 > 0:58:55# Silentium... #