0:00:03 > 0:00:07All you need to remember...
0:00:07 > 0:00:10is that I am not going anywhere.
0:00:12 > 0:00:14And neither are you!
0:00:14 > 0:00:18We've had some trouble, that's no secret.
0:00:18 > 0:00:21We've all read the papers, and the bank's not making life easier.
0:00:21 > 0:00:26Why would they? We are going to get through this.
0:00:29 > 0:00:33This place...is my life.
0:00:33 > 0:00:36It's my name on the label.
0:00:36 > 0:00:41- So let me make it clear - from the horse's mouth.- Horse's arse!
0:00:41 > 0:00:43LAUGHTER You're not wrong.
0:00:43 > 0:00:47But at least I'm YOUR horse's arse!
0:00:47 > 0:00:51So with your help, the help of Kenny Barber and his union - YOUR union...
0:00:51 > 0:00:53CHEERING AND APPLAUSE
0:00:53 > 0:00:58..we are going to fight for this place. AWA! Yeah!
0:00:58 > 0:01:02CHANTING AND CHEERING
0:01:14 > 0:01:17You squeeze me and squeeze me till there's nothing left, Kenny.
0:01:17 > 0:01:19Don't you sell us out, you greedy bastard.
0:01:19 > 0:01:21Do you know what kind of a fight I'm in?
0:01:21 > 0:01:24- I'm trying to keep this company alive!- They made YOU rich!
0:01:26 > 0:01:3130% pay cut or 30% job losses, you tell your membership!
0:01:34 > 0:01:37You're just dressing it up to sell...aren't you?
0:01:41 > 0:01:43I'm trying to save it, Kenny!
0:01:43 > 0:01:44CROWD SHOUTS AND CHEERS
0:01:51 > 0:01:54- Mr Briggs, this way.- Hello, Annette.
0:01:55 > 0:01:57- Evening, Michael.- John.- Any luck?
0:01:57 > 0:02:01I'm trying to stop them, but they're going to print with the story.
0:02:01 > 0:02:04- They say it's in the public interest.- Prurient bastards!
0:02:04 > 0:02:07I'm not going to keep you a secret any more.
0:02:08 > 0:02:12- They say you trade on a family image.- Can we get an injunction?
0:02:12 > 0:02:15The QC thinks it's unlikely.
0:02:15 > 0:02:17It's Kenny Barber and his union behind this.
0:02:17 > 0:02:20You're just dressing it up to sell, aren't you?
0:02:22 > 0:02:25This is a gentlemanly bout - no hits whilst on the floor,
0:02:25 > 0:02:28there are absolutely no elbows, do you understand?
0:02:28 > 0:02:30- BELL RINGS - Separate into your corners.
0:02:30 > 0:02:33You know Peter Hornsby from the bank.
0:02:33 > 0:02:35And Emmett Schwartzman from Wetherby Capital.
0:02:37 > 0:02:40CROWD CHEERS AND SHOUTS
0:02:40 > 0:02:43Mr Schwartzman is interested in the brand.
0:02:43 > 0:02:47Well, Hornsby thinks it's an old-fashioned brand, don't you, Hornsby?
0:02:47 > 0:02:49That's why the bank turned the taps off.
0:02:50 > 0:02:54I'm sure Mr Hornsby and Mr Schwartzman have had a good chat about it.
0:02:54 > 0:02:55I never said that brand was...
0:02:55 > 0:02:58Don't make any difference at this point, does it, Hornsby?
0:02:58 > 0:03:01As long as the price is right, you can say whatever you want.
0:03:05 > 0:03:07- Have you seen my offer?- Hmm?
0:03:23 > 0:03:26I'm not going to let you rape my company the way you raped
0:03:26 > 0:03:27those care homes you bought.
0:03:38 > 0:03:40CROWD JEERS AND BOOS
0:03:45 > 0:03:47HE GASPS
0:03:55 > 0:03:57KLAXON BLARES
0:04:00 > 0:04:02BELL RINGS
0:04:02 > 0:04:04CROWD CHEERS
0:04:17 > 0:04:19You like that?
0:04:33 > 0:04:34Pathologist?
0:04:35 > 0:04:36Forensics.
0:04:36 > 0:04:38Victim.
0:04:41 > 0:04:47# Testator silens
0:04:49 > 0:04:57# Costestes e spiritu
0:04:57 > 0:05:02# Silentium. #
0:05:09 > 0:05:11He hit the corner of the table as he fell.
0:05:11 > 0:05:14Instinctively puts his hand to his head, it's bleeding.
0:05:14 > 0:05:17He transfers the blood to his hand so when he falls again
0:05:17 > 0:05:19he leaves it on the carpet.
0:05:21 > 0:05:23He's trying to get to the door.
0:05:23 > 0:05:25I guess it's plausible.
0:05:25 > 0:05:29- I try not to guess. - Isn't that a relief(?)
0:05:29 > 0:05:34His name's John Briggs, owns the candy company. Well, used to own it.
0:05:34 > 0:05:3765 years old - good shape!
0:05:37 > 0:05:39He's had some help.
0:05:41 > 0:05:44- Big night?- Car accident.
0:05:44 > 0:05:48KNOCK AT DOOR Not yet. Don't want to contaminate the scene.
0:05:48 > 0:05:51Paramedics thought it was a heart attack.
0:05:51 > 0:05:53- Police think it's a crime scene? - Mmm.
0:05:53 > 0:05:55- You do?- Yes.
0:05:56 > 0:05:59Lots of people unplug telephones in their hotel rooms.
0:05:59 > 0:06:03He owns a big company - he's used to giving instructions, not doing things himself.
0:06:03 > 0:06:06Why doesn't he tell reception not to disturb him?
0:06:06 > 0:06:08He could have, he didn't.
0:06:10 > 0:06:14Old man gets on his hands and knees, crawls under the desk,
0:06:14 > 0:06:19unplugs the line. Why does he try to make a call? He knows it's unplugged.
0:06:21 > 0:06:26He forgot? He's having a heart attack, he panics, he forgets.
0:06:26 > 0:06:29He's having a heart attack, he panics, he forgets.
0:06:30 > 0:06:31Plausible.
0:06:33 > 0:06:34Where is the photographer?
0:06:44 > 0:06:47I tried to call you last night.
0:06:47 > 0:06:48How did the dinner go?
0:06:48 > 0:06:49Did they make a deal?
0:06:51 > 0:06:53I should have been there, Annette!
0:06:53 > 0:06:55Why did he exclude me?
0:06:55 > 0:06:57I left messages for him, he's never called me back!
0:07:00 > 0:07:02Your brother's dead, Phillip.
0:07:04 > 0:07:07They found his body in his hotel room this morning.
0:07:10 > 0:07:11I'm sorry.
0:07:18 > 0:07:19I need to contact his daughter.
0:07:26 > 0:07:28- Cocaine?- Talcum powder.
0:07:28 > 0:07:30- Sure?- Want a taste?
0:07:32 > 0:07:35- That's great, thanks.- Good morning.
0:07:35 > 0:07:37Detective Sergeant Seetha Gold.
0:07:37 > 0:07:40- This is DC Gus Cook.- Nikki Alexander.- Forensics?- No, that's...
0:07:40 > 0:07:43- Jack Hodgson.- Nice face(!)
0:07:43 > 0:07:46- Sorry.- Oh, no problem.
0:07:46 > 0:07:50- So was he staying in the room by himself?- According to reception.
0:07:50 > 0:07:53God, hotel deaths are a pig, aren't they?
0:07:53 > 0:07:55Next of kin, all that guilt, would he have been all right
0:07:55 > 0:07:58- if he'd stayed at home?- No sign of forced entry.
0:07:58 > 0:08:01- Oh, I love these!- No!
0:08:01 > 0:08:05- It's a crime scene.- I'll decide if it's a crime scene!
0:08:05 > 0:08:07- Drug use? - No...- No paraphernalia.
0:08:09 > 0:08:11- I'll know more later.- Kinky sex?
0:08:13 > 0:08:17- Now I know what counts as kinky. - Found by the chambermaid?- Yeah.
0:08:17 > 0:08:21- Blunt trauma injury to the head. - He fell.- I'll know more later.
0:08:23 > 0:08:26- The victim is...- John Briggs, yes. Already on the web.
0:08:26 > 0:08:31One of you on retainer or do you tip them off a la carte?
0:08:31 > 0:08:34- You're not really insinuating that one of us...- Of course not.
0:08:34 > 0:08:36It'll be the chambermaid or the girls on reception.
0:08:36 > 0:08:37Not a policeman?
0:08:39 > 0:08:43I'm just trying to break the ice. It's broken!
0:08:43 > 0:08:47OK, so we have an old, white man,
0:08:47 > 0:08:49dead in a six-star hotel room,
0:08:49 > 0:08:53no sign of forced entry, no drug paraphernalia. Why are we here?
0:08:53 > 0:08:56- It's a murder. - Of course it is.
0:08:56 > 0:08:58What do you think?
0:08:58 > 0:09:01- She'll know more later. - Are you insinuating something?
0:09:01 > 0:09:03I'm not insinuating at all.
0:09:03 > 0:09:05You're a doctor - you won't go out on a limb,
0:09:05 > 0:09:08you'll wait for a consensus and then agree.
0:09:08 > 0:09:10- Now we know why his face looks like that!- I like you.
0:09:10 > 0:09:14I won't be able to definitively establish cause of death until...
0:09:14 > 0:09:17- After the postmortem, OK. - Well, I hope so. No guarantees.
0:09:17 > 0:09:19So what part of what I said was wrong?
0:09:21 > 0:09:23We're making cuts across the board.
0:09:23 > 0:09:25There's no escaping it, Professor Dalton.
0:09:25 > 0:09:28The Lyle Centre will need to change or die.
0:09:30 > 0:09:32Apt choice of words.
0:09:32 > 0:09:34I'm sorry?
0:09:34 > 0:09:36Oh, yes, I see what you mean.
0:09:48 > 0:09:52- Are you all right?- Oh, yeah.
0:09:52 > 0:09:55Bad meeting. Funding review.
0:09:55 > 0:09:59- Down.- Never gets reviewed up. I've worked here
0:09:59 > 0:10:03for a long time. I... I thought I was doing a good job.
0:10:03 > 0:10:05You're not fishing for compliments, are you?
0:10:07 > 0:10:10You sit there and you listen to the review and everything,
0:10:10 > 0:10:12EVERYTHING is quantified, measured.
0:10:12 > 0:10:15Like a postmortem, I suppose.
0:10:15 > 0:10:17You are! You're looking for compliments!
0:10:17 > 0:10:22And at one point they called the way I did things "old fashioned"!
0:10:23 > 0:10:26We've got state-of-the-art equipment!
0:10:26 > 0:10:29You're not doing a good job, you're doing a brilliant job.
0:10:29 > 0:10:32- You're one of the most amazing doctors I've ever met.- Stop it!
0:10:32 > 0:10:35- Really. Insightful, diligent. - They thought, given the skills and equipment we have,
0:10:35 > 0:10:37that we should be doing more.
0:10:37 > 0:10:40We're down a senior member of staff. They know that, right?
0:10:40 > 0:10:44It's not so much the amount that we do, but the way that we do it.
0:10:46 > 0:10:50No, they thought that the way I run things was old-fashioned
0:10:50 > 0:10:55and unimaginative, that is the cold, hard truth.
0:10:56 > 0:11:00You're considerate, good with families and imaginative,
0:11:00 > 0:11:03- then there are technical skills. - Nikki, stop it, seriously.
0:11:03 > 0:11:06I AM being serious! There's no-one better than you!
0:11:06 > 0:11:09No-one I could learn as much from, no-one I'd prefer to work with.
0:11:10 > 0:11:12Really?
0:11:12 > 0:11:14See how much better you feel?
0:11:14 > 0:11:17- See, I knew you were winding me up! - No, I'm not, Leo!
0:11:17 > 0:11:20We're just too embarrassed to say the nice things that we think.
0:11:20 > 0:11:21Or to hear them.
0:11:22 > 0:11:25They told me that the Lyle Centre needed to change or die.
0:11:25 > 0:11:28- Harry knew that - probably why he left.- That's rubbish!
0:11:28 > 0:11:30Harry was offered a full professorship in New York.
0:11:30 > 0:11:34As much as I love you, if they'd offered it to me, I'd be calling Virgin Atlantic!
0:11:34 > 0:11:36Well, that really cheers me up(!)
0:11:36 > 0:11:38No, what I'm trying to say is that it's nothing to do with you
0:11:38 > 0:11:41and everything to do with him. End of.
0:11:43 > 0:11:44OK.
0:11:45 > 0:11:47So?
0:11:48 > 0:11:49So?
0:11:50 > 0:11:54We change. Well, we're not going to die, are we?
0:11:54 > 0:11:58We change, Leo. There's nothing to be afraid of, everything changes.
0:12:00 > 0:12:01We change.
0:12:02 > 0:12:04How are we going to change?
0:12:06 > 0:12:07No idea.
0:12:26 > 0:12:28- WOMAN:- Can I help you?
0:12:30 > 0:12:32Swipe card entry to the rooms.
0:12:32 > 0:12:36Hotel employees use their ID cards. We'll need the electronic records.
0:12:36 > 0:12:38- We can compile a list of suspects based on access.- Jack.
0:12:38 > 0:12:40I'll also need any CCTV covering reception
0:12:40 > 0:12:42- and access points to the upper floors.- Jack.
0:12:42 > 0:12:46- Presumably there's a phone record for calls in and out of the room.- Jack!
0:12:46 > 0:12:48- Yeah?- I admire your enthusiasm.
0:12:48 > 0:12:51I wouldn't call it enthusiasm, it's just normal.
0:12:51 > 0:12:54- Enthusiasm was a euphemism.- Was it?
0:12:54 > 0:12:56I'm the detective and you're the scientist.
0:12:56 > 0:12:59- I tell you what to do, not the other way round. Have you got it?- Got it.
0:12:59 > 0:13:01Good.
0:13:01 > 0:13:04- You know, I thought you were more... robust.- Robust?
0:13:04 > 0:13:06- Yeah, it's a euphemism.- For what?
0:13:06 > 0:13:08Not an arsehole.
0:13:09 > 0:13:11Now I'm an arsehole.
0:13:13 > 0:13:15That's good we cleared that up.
0:13:15 > 0:13:18You get to work with me. Lucky boy!
0:13:39 > 0:13:43Creams, lotion, soap, everything.
0:14:04 > 0:14:05Try the telephone.
0:14:08 > 0:14:09Television remote.
0:14:12 > 0:14:14JACK SIGHS
0:14:25 > 0:14:26Bed.
0:14:34 > 0:14:36Bag 'em.
0:14:50 > 0:14:51I didn't know you'd be here.
0:14:52 > 0:14:55I thought I should be. We're family.
0:15:03 > 0:15:06I'm... I'm sorry about your father.
0:15:07 > 0:15:08Thank you.
0:15:10 > 0:15:14- He'd been trying to reach out to you over the last few months.- I know.
0:15:17 > 0:15:19Your father left explicit instructions
0:15:19 > 0:15:21in the event of his death.
0:15:21 > 0:15:25He left his shareholding in the family trust to you.
0:15:27 > 0:15:29You run the company.
0:15:29 > 0:15:34Why? I don't know anything about the company.
0:15:34 > 0:15:38- Why would he do this?- It's his final insult to me, isn't it?
0:15:38 > 0:15:42I've drawn up a document appointing your uncle, Phillip, as chairman
0:15:42 > 0:15:43and chief executive.
0:15:43 > 0:15:48The funds set aside for you and your sister in the trust will be
0:15:48 > 0:15:52- released upon the sale of the company.- My sister?
0:15:52 > 0:15:57- I didn't know about a sister. Did my father remarry?- No!
0:15:57 > 0:15:59- I wasn't speaking to you. - Not that I'm aware of.
0:16:01 > 0:16:02Just here.
0:16:09 > 0:16:12It's important that we effect the transition of leadership quickly.
0:16:12 > 0:16:15Your father was in the middle of selling the company.
0:16:15 > 0:16:19We don't want any delay in concluding the agreement. They might withdraw the offer.
0:16:19 > 0:16:24I also need your signatures on the documents with Wetherby Capital.
0:16:24 > 0:16:25They're the buyer.
0:16:31 > 0:16:33That company was his life.
0:16:35 > 0:16:37Do you want to sell the company, Phillip?
0:16:37 > 0:16:42Absolutely. I mean, it's the right thing. It's the only thing to do.
0:16:44 > 0:16:48- And I sign here and it puts Phillip in charge?- That's right.
0:17:01 > 0:17:04I haven't seen him in 19 years.
0:17:04 > 0:17:0719 - I counted them on the train.
0:17:07 > 0:17:10He never spoke about the business, never involved me.
0:17:12 > 0:17:16You've worked here all your life. He knew you wanted to sell.
0:17:16 > 0:17:17Why am I here?
0:17:19 > 0:17:21Why has he put me here?
0:17:50 > 0:17:54It's me. There's a photo of me in the paper. What's this about?
0:17:56 > 0:17:57Just call me back.
0:18:15 > 0:18:16Phillip.
0:18:17 > 0:18:20- I'm very sorry.- Thank you.
0:18:20 > 0:18:22But you don't have to pretend, Michael.
0:18:22 > 0:18:26- Schwartzman called, sends his condolences.- That was good of him.
0:18:28 > 0:18:31The headlines could damage the value of the company.
0:18:31 > 0:18:34You need to sign the heads of agreement right away.
0:18:34 > 0:18:36He's put his daughter in charge.
0:18:36 > 0:18:37His daughter?!
0:18:39 > 0:18:42- I didn't know...- I thought you knew everything, Michael -
0:18:42 > 0:18:44everything about everyone.
0:18:53 > 0:18:55You contacted his daughter?
0:18:55 > 0:18:58Well, I had to. Corporate governance.
0:19:00 > 0:19:01Then how much does she know?
0:19:01 > 0:19:04Well, Mr Briggs was going to tell her
0:19:04 > 0:19:07but she never responded to any of his messages.
0:19:07 > 0:19:08I don't know how to handle it.
0:19:09 > 0:19:11Will she sign?
0:19:16 > 0:19:17Do you think he suffered?
0:19:18 > 0:19:20Sorry?
0:19:20 > 0:19:22In your professional opinion.
0:19:22 > 0:19:24Do you think he suffered?
0:19:24 > 0:19:25I don't know.
0:19:26 > 0:19:28I don't know either.
0:19:29 > 0:19:32I can't decide if there's any point in knowing.
0:19:32 > 0:19:35I mean, the suffering's over now. For him.
0:19:38 > 0:19:40Have you lost a parent?
0:19:40 > 0:19:41Both.
0:19:41 > 0:19:43Snap. I'm an orphan.
0:19:45 > 0:19:48Mind you, I lost him a long time ago.
0:19:50 > 0:19:53Or rather, he lost me.
0:19:57 > 0:20:00I don't feel anything. Is that strange?
0:20:01 > 0:20:02Not so strange.
0:20:04 > 0:20:05Did you? Feel?
0:20:07 > 0:20:08Eventually.
0:20:12 > 0:20:13Peace.
0:20:14 > 0:20:16So deceptive.
0:20:18 > 0:20:21It almost looks as though he might be...
0:20:21 > 0:20:22good.
0:20:28 > 0:20:30- Hi.- Hi. How did you get in?
0:20:30 > 0:20:32Loading bay. Door is locked.
0:20:32 > 0:20:35- They lock it for a reason. - Really? Not just to be awkward?
0:20:36 > 0:20:39- You read that?! - I'm done with it. Do you want it?
0:20:39 > 0:20:42Reading that is like sniffing glue. Why would I want it?
0:20:42 > 0:20:44Filling myself in on Briggs.
0:20:44 > 0:20:46Quicker than asking the detectives.
0:20:46 > 0:20:50- Apparently, "we're doing everything in our power".- I already knew that.
0:20:50 > 0:20:54- He had a taste for escort girls. - Is that right?
0:20:54 > 0:20:56There's a photo of a girl coming into the hotel lobby.
0:20:56 > 0:20:59Apparently, she was going to visit him.
0:21:02 > 0:21:03Have the police found her?
0:21:05 > 0:21:09How do you think they got that photo? They didn't know he was going to die.
0:21:09 > 0:21:12Private detective following him? Extortion? What do you think?
0:21:12 > 0:21:16- Do you like conspiracy theories? - I wouldn't say I like them.
0:21:16 > 0:21:21- From his bathroom.- Oh, thanks. - When's the post-mortem?
0:21:21 > 0:21:24- This afternoon. Why? - My theory is falling apart.
0:21:24 > 0:21:27- To be fair, it wasn't really built on very much.- Cheers(!)
0:21:27 > 0:21:28Does Detective Gold know?
0:21:28 > 0:21:30She wasn't really a believer in the first place.
0:21:30 > 0:21:34- No, I think you were the only one that was.- Cash tap is closing fast.
0:21:34 > 0:21:38I have to get "budget sign-off" on every test I want to run.
0:21:38 > 0:21:41A sure sign they're letting this one go cold.
0:21:41 > 0:21:43No evidence of murder, that's what Gold's saying.
0:21:43 > 0:21:46Two sets of towels used. Organic material on his sheets.
0:21:46 > 0:21:49I'm sure there was someone in that room with him.
0:21:49 > 0:21:51Doesn't mean that he was murdered.
0:21:51 > 0:21:54The guy lives in Surrey, he has a driver, but stays in a hotel.
0:21:54 > 0:21:57- A lover?- A hooker. - How does that get you to murder?
0:22:01 > 0:22:05- Do you know how bad you look?- Yeah.
0:22:05 > 0:22:08I'm guessing that's why your security guard wouldn't let me in.
0:22:08 > 0:22:11Sometimes it's best to let a very thin theory go, particularly
0:22:11 > 0:22:13if there's no science to support it.
0:22:13 > 0:22:16There was absolutely nothing on the phone jack. No finger prints.
0:22:16 > 0:22:18- Nothing organic.- Nothing?
0:22:19 > 0:22:21well, that SUPPORTS your theory.
0:22:21 > 0:22:23Somebody's DNA should be on it, even if it is
0:22:23 > 0:22:28- the guy who's installed the phone. - Unless you consciously decided to wipe it.- And that's what you think?
0:22:28 > 0:22:32There were no fingerprints on the furniture, the TV remote,
0:22:32 > 0:22:34- any of the flat surfaces. - Get something off the sheets?
0:22:34 > 0:22:36Possibly, but it won't prove intent,
0:22:36 > 0:22:38not the sort I'm after anyway.
0:22:40 > 0:22:44Your theory's not falling apart. It is just not getting anywhere.
0:22:48 > 0:22:52They have to get under the desk to unplug the phone.
0:22:52 > 0:22:55They get down on their hands and knees. It's carpet.
0:22:55 > 0:22:59The last person to touch the carpet would have been the one to unplug the phone.
0:22:59 > 0:23:01I've got to go.
0:23:01 > 0:23:04Did you really not think about sampling the carpet for DNA?
0:23:04 > 0:23:05Of course I did.
0:23:19 > 0:23:23- I'm very sorry to hear about your father.- What do you do?
0:23:25 > 0:23:29I work with the media. Helping with image and brand.
0:23:29 > 0:23:31My name is Michael Trenter.
0:23:31 > 0:23:34- I was your father's adviser for the sale of the company.- I see.
0:23:35 > 0:23:39Will you make lots of money when the company is sold?
0:23:39 > 0:23:42I think I need to update you on where we are with the bank,
0:23:42 > 0:23:45and the kind of pressure your father was under.
0:25:14 > 0:25:16The heart is enlarged and diseased,
0:25:16 > 0:25:19although not beyond what might be expected in a man of his age.
0:25:19 > 0:25:22And we found high levels of histamines in the heart.
0:25:22 > 0:25:24Oedema in the larynx and glottis,
0:25:24 > 0:25:26causing restriction to the airways,
0:25:26 > 0:25:29dilation of the peripheral blood vessels in the arms and legs,
0:25:29 > 0:25:32all contributing to the strain on the heart, leading me
0:25:32 > 0:25:36to believe that the most likely cause of death is anaphylaxis.
0:25:36 > 0:25:39- Shock caused by an allergic reaction.- Shock.
0:25:39 > 0:25:42- Were their elevated levels of MCT? - Yes.
0:25:42 > 0:25:45Allergen specific immunoglobulin E?
0:25:45 > 0:25:47Just trying to help.
0:25:47 > 0:25:50- He died of an allergic reaction? - Yes.
0:25:50 > 0:25:54A lack of oxygen to the organs would have caused shock to the heart, stopping it.
0:25:54 > 0:25:58- But the underlying reason is anaphylaxis.- Something he ate?
0:25:58 > 0:25:59Possibly. Probably.
0:25:59 > 0:26:02I'll run tests on the stomach contents, allergy tests on the body.
0:26:02 > 0:26:06- How much will that cost?- You'll need to speak to Professor Dalton.
0:26:06 > 0:26:09What are these marks?
0:26:09 > 0:26:12Hyperpigmented macular skin markings,
0:26:12 > 0:26:15possibly as a result of blunt trauma injury.
0:26:15 > 0:26:19And it appears that he might not have been whipped in the past...
0:26:19 > 0:26:23- Whipped?!- Yes.- I looked at the carpet at the crime scene.
0:26:23 > 0:26:26- Ran some tests. - Who authorised the tests?
0:26:26 > 0:26:28There's not enough probable cause for me...
0:26:28 > 0:26:32- How did the newspaper get the photograph of the escort girl? - Can you let me finish?
0:26:32 > 0:26:34To feel comfortable making additional expenditure.
0:26:34 > 0:26:37- Do you know who she is?- They could just be making a story up.
0:26:37 > 0:26:38They don't like Briggs.
0:26:38 > 0:26:40He threatened to sue one of the tabloids last year
0:26:40 > 0:26:43and they've had their shock troops on hurting him ever since.
0:26:43 > 0:26:46- It might be worth following up.- To what end? Can we place at the scene?
0:26:46 > 0:26:49It would help if we knew who wish she was.
0:26:49 > 0:26:53I don't have any finger prints or DNA on any of the flat surfaces in the room.
0:26:53 > 0:26:56- None on the telephone itself. - You've got no evidence.
0:26:56 > 0:26:59When did a lack of evidence become evidence?
0:26:59 > 0:27:02- Are you saying he died of an allergy?- Allergic reaction.
0:27:02 > 0:27:04Well, that's bad luck. Not a crime!
0:27:04 > 0:27:05Is the phone plug was wiped,
0:27:05 > 0:27:07then it must show intent to prevent detection.
0:27:07 > 0:27:10We found the unknown DNA on the carpet by the phone jack.
0:27:10 > 0:27:12It would be useful
0:27:12 > 0:27:15if you found the unknown escort girl the newspapers are banging on about.
0:27:33 > 0:27:36Sorry to disturb you.
0:27:41 > 0:27:44Did my father really want to sell this?
0:27:46 > 0:27:50He wanted to protect it, so he was willing to let it go.
0:27:53 > 0:27:56I don't really care much for the money.
0:27:56 > 0:27:59I only cared about what he thought.
0:27:59 > 0:28:02That doesn't make much sense, does it?
0:28:02 > 0:28:04Not if you haven't seen him in 19 years.
0:28:06 > 0:28:08Did you know my father well?
0:28:10 > 0:28:12Yes.
0:28:12 > 0:28:14Yeah, yeah, I guess I did.
0:28:14 > 0:28:15I didn't.
0:28:20 > 0:28:22Did he speak about me?
0:28:23 > 0:28:24Yes.
0:28:25 > 0:28:27To lots of people?
0:28:28 > 0:28:29To me.
0:28:34 > 0:28:35Did he think I'd let him down?
0:28:39 > 0:28:41He thought he let you down.
0:28:47 > 0:28:50Wouldn't it have been nice if he had told me that before he died?
0:28:58 > 0:28:59Did he tell you why?
0:29:04 > 0:29:07- You know she's not my sister?- Yes.
0:29:20 > 0:29:22I have her phone number.
0:29:27 > 0:29:29How, how?
0:29:29 > 0:29:31She contacted your father...
0:29:33 > 0:29:35..five months ago.
0:29:37 > 0:29:41And...what did my father tell her about me?
0:29:41 > 0:29:43I'm not sure, exactly.
0:29:54 > 0:29:55Gentlemen.
0:29:55 > 0:29:59So, er, I don't get the fancy restaurant?
0:29:59 > 0:30:01Too common, am I?
0:30:04 > 0:30:06Sorry I'm late.
0:30:06 > 0:30:08- What are you drinking? - Sparkling water for me.
0:30:13 > 0:30:16So you've, er, dragged me out on a miserable night,
0:30:16 > 0:30:19taken me to a shithole of a public house to be served by foreigners.
0:30:19 > 0:30:22So I'm clutching at straws that there might be
0:30:22 > 0:30:25something at the end of all this that makes it worth my while.
0:30:25 > 0:30:28Bit more than a glass of fizzy water, eh?
0:30:31 > 0:30:34Shall we play Let's Make A Deal, Mr Schwartzman? You can start.
0:30:34 > 0:30:36I've come to listen to you.
0:30:38 > 0:30:39Can you hear that?
0:30:40 > 0:30:43That's my sensible brain telling me to go home.
0:30:43 > 0:30:45No point staying further.
0:30:46 > 0:30:49Oh, sorry about your brother, Phillip.
0:30:50 > 0:30:52No, you're not.
0:30:53 > 0:30:54He's right. I'm not.
0:30:54 > 0:30:57Nasty piece of work, that one.
0:30:59 > 0:31:04He was a nasty, mean little man lurking behind the "family brand".
0:31:06 > 0:31:09Bollocks. Serial shagger.
0:31:10 > 0:31:13Sounds as though he died like he lived.
0:31:13 > 0:31:16Still, at least we won't be getting humped by him again.
0:31:18 > 0:31:21So, you think about what makes my members happy
0:31:21 > 0:31:22and give me a call, eh?
0:31:23 > 0:31:24Gentlemen.
0:31:27 > 0:31:29Is he coming back?
0:31:29 > 0:31:31What do we know about him?
0:31:31 > 0:31:33What do we know we can use, Michael?
0:31:42 > 0:31:44Miss Briggs?
0:31:44 > 0:31:45I'm going to head home.
0:31:45 > 0:31:48You can call me Geraldine.
0:31:49 > 0:31:51Do you need anything, Geraldine?
0:31:53 > 0:31:58Er, did Phillip know about my sister?
0:32:00 > 0:32:05John told him she was a love child who had tracked him down.
0:32:05 > 0:32:06But that's all he knows.
0:32:08 > 0:32:09A love child?
0:32:10 > 0:32:11OK.
0:32:12 > 0:32:14- Good night.- Night.
0:32:30 > 0:32:32It's OK.
0:32:34 > 0:32:36Have you seen what they're saying about me?
0:32:37 > 0:32:40You've got to make them stop.
0:32:41 > 0:32:43Why don't we take a walk?
0:32:52 > 0:32:54I think the best thing is you go away for a while.
0:32:54 > 0:32:58I'm in every newspaper as the escort girl linked to John Briggs.
0:32:58 > 0:33:01If I go away, they're going to start thinking that I killed him.
0:33:01 > 0:33:04It's the story of the moment. It'll soon pass.
0:33:05 > 0:33:09Besides, you need to go away. To get over your grief.
0:33:09 > 0:33:13- Right. Well, I'm going to need some money.- Of course you do.
0:33:13 > 0:33:14Wait! I didn't do anything.
0:33:14 > 0:33:17If they start saying things, you've got to tell them the truth.
0:33:17 > 0:33:21No-one needs to say anything. You are a secret.
0:33:21 > 0:33:24You do realise that, Deanna? A family secret.
0:33:25 > 0:33:28You know, it's a Pandora's box.
0:33:28 > 0:33:30There are certain questions it would be better not to ask
0:33:30 > 0:33:33and others it would be better not to answer.
0:33:33 > 0:33:36- Silence really is golden. - Yeah. It's going to need to be...
0:33:36 > 0:33:37Leave it with me.
0:33:38 > 0:33:43Why don't you go some place with a beach until this has passed? OK?
0:33:43 > 0:33:44Don't speak to anyone.
0:33:45 > 0:33:48When Pandora opened her box, all the evil escaped.
0:33:48 > 0:33:51- And you know what was left? - You're messing with me, right?- Hope.
0:33:53 > 0:33:58That's you, Deanna. For Geraldine Briggs, that's you.
0:34:27 > 0:34:31- Morning.- Morning. Seen this?
0:34:33 > 0:34:35Some journalist has got an inside track.
0:34:37 > 0:34:40- Somebody needs to talk less.- Yeah.
0:34:40 > 0:34:44How would you go about ascertaining a deadly allergen in someone
0:34:44 > 0:34:46who has already proved it to be...
0:34:46 > 0:34:48- well, you know...deadly?- Briggs?
0:34:48 > 0:34:51Definitely a victim of anaphylaxis.
0:34:51 > 0:34:55- I want to isolate the allergen. - Do you need to?
0:34:55 > 0:35:00Well, something is not right. I think it's possible it's foul play.
0:35:00 > 0:35:04- Instinct?- Not just mine.- The other detectives?- No. Forensic bloke.
0:35:06 > 0:35:10- "Forensic bloke"?- Well, scientist.
0:35:10 > 0:35:13- Ha, ha! The one who lost the fight? - I guess.
0:35:14 > 0:35:16"But you should see the other guy!"
0:35:16 > 0:35:19Actually, I think the other guy came out of it OK.
0:35:20 > 0:35:23- Any good?- Jury's out.
0:35:24 > 0:35:27See if you can narrow down the potential allergens.
0:35:27 > 0:35:29Speak to the relatives, family, work colleagues.
0:35:29 > 0:35:33They may know something, particularly if the allergy was potentially deadly.
0:35:33 > 0:35:36- OK.- And then when you've narrowed down the list...
0:35:37 > 0:35:38..We can test the body.
0:35:52 > 0:35:54So he wasn't murdered by an escort girl?
0:35:54 > 0:35:57No. An allergic reaction.
0:35:57 > 0:36:01The escort girl sounded so much more exotic.
0:36:01 > 0:36:05- I'd wondered if you might know what caused it.- He couldn't eat nuts.
0:36:05 > 0:36:08Couldn't have peanut butter. Ironic, isn't it?
0:36:09 > 0:36:13You know, one of our biggest sellers is Brigg's Balls. Peanut butter.
0:36:13 > 0:36:17It was the first product he couldn't actually quality control.
0:36:17 > 0:36:22- You know, our first ad campaign was "Lick our balls".- Funny(!)
0:36:22 > 0:36:24Well, my brother was a churchgoer.
0:36:24 > 0:36:27Had a living relationship with God, whatever that means,
0:36:27 > 0:36:28so the ad shocked him.
0:36:30 > 0:36:33It took me months to convince him to go with it.
0:36:33 > 0:36:37We ran an ad in the magazine Nuts. Whole page. One issue.
0:36:38 > 0:36:40Then pulled it.
0:36:40 > 0:36:44We got more press from pulling it because it damaged
0:36:44 > 0:36:47the family image of the business than we would be able to afford.
0:36:48 > 0:36:50Genius.
0:36:50 > 0:36:53You know, they actually study it in advertising courses.
0:36:53 > 0:36:55Something to be proud of.
0:36:55 > 0:36:59Do you have any idea of where he had dinner that night before he died?
0:37:18 > 0:37:21MOBILE PHONE RINGS
0:37:25 > 0:37:26Hello?
0:37:26 > 0:37:29- Deanna?- 'Who's this?'
0:37:32 > 0:37:33It's...your mother.
0:37:37 > 0:37:38Oh, er...
0:37:40 > 0:37:44'Sorry. I don't really know what to say.'
0:37:44 > 0:37:47'I would like to meet you. Would you like to meet me?'
0:38:00 > 0:38:02Yeah, I would... I'd like it a lot.
0:38:02 > 0:38:04Great.
0:38:05 > 0:38:07Well...can you come now?
0:38:07 > 0:38:11OK. OK. Well, let's meet at the Briggs building.
0:38:11 > 0:38:14Yeah, I can see you there.
0:38:14 > 0:38:17OK. I'll see you soon.
0:38:17 > 0:38:19- OK.- 'Bye.'
0:38:20 > 0:38:21Bye.
0:39:04 > 0:39:06KNOCKS ON DOOR
0:39:06 > 0:39:07Sorry.
0:39:08 > 0:39:10When do you need me?
0:39:11 > 0:39:12Soon.
0:39:12 > 0:39:14Um...
0:39:14 > 0:39:15Very soon.
0:39:17 > 0:39:18As soon as you can.
0:39:18 > 0:39:19Yeah, I'll be right there.
0:39:21 > 0:39:22Sorry about that.
0:39:23 > 0:39:26Are you going to invite me to interview with you?
0:39:26 > 0:39:29- Of course, when I get it down to a shortlist.- How is it going?
0:39:30 > 0:39:31Slowly.
0:39:31 > 0:39:34We'll put the gastric fluid through the sieve
0:39:34 > 0:39:38and then we'll test the blood for specific antibodies to nuts.
0:39:46 > 0:39:49And how are you getting on?
0:39:49 > 0:39:50Fine.
0:39:54 > 0:39:56Not too much on?
0:39:56 > 0:39:58No.
0:40:02 > 0:40:04Nothing.
0:40:13 > 0:40:16I'm sure it's been difficult without Harry.
0:40:17 > 0:40:18Who's Harry?
0:40:20 > 0:40:23I miss him too.
0:40:23 > 0:40:25No-one I interview comes close.
0:40:25 > 0:40:27- Leo...- I can't help but compare.
0:40:27 > 0:40:29We agreed to move on.
0:40:29 > 0:40:31- We did.- So move on.
0:40:33 > 0:40:34I am.
0:40:35 > 0:40:37Not fast enough.
0:40:38 > 0:40:41Nothing. No indication of allergen.
0:40:58 > 0:41:01- Jack?- Yes.- Leo Dalton.
0:41:01 > 0:41:04- Professor Leo Dalton? - That's right.
0:41:04 > 0:41:06Holy shit.
0:41:06 > 0:41:10Sorry. It's just this is a great honour for me.
0:41:10 > 0:41:12Well, that's very kind.
0:41:12 > 0:41:14When I was at university at Imperial,
0:41:14 > 0:41:16we studied several of your cases,
0:41:16 > 0:41:19and that paper you wrote 20 years ago, assessing the benefits
0:41:19 > 0:41:22of amalgamating forensic pathology with the other forensic sciences -
0:41:22 > 0:41:28very interesting to see how allied the separate disciplines are, how they reinforce each other.
0:41:28 > 0:41:31You're always being called a forward thinker in lectures.
0:41:31 > 0:41:33So, do you actually do science any more?
0:41:33 > 0:41:36Work in the lab, get your hands dirty,
0:41:36 > 0:41:41- or are you stuck in an office pushing papers?- Oh, no, I get my hands dirty.
0:41:41 > 0:41:44You're a legend! I stand here talking to a legend.
0:41:45 > 0:41:48I don't quite know what to say.
0:41:48 > 0:41:52Probably better not to say anything, you can only go downhill.
0:41:52 > 0:41:54- You know what I mean.- Absolutely.
0:41:54 > 0:41:59- You don't read this, do you?- Me? No.- Nor do I. You don't mind if I...?
0:41:59 > 0:42:00Of course.
0:42:00 > 0:42:03- Hiya.- Hi.- You two have met?
0:42:03 > 0:42:04It's nothing he ate.
0:42:07 > 0:42:10How he came into contact with it may help us understand
0:42:10 > 0:42:13- whether it was an accident or not. - Feels like or not.
0:42:13 > 0:42:16Does science really feel, Jack?
0:42:16 > 0:42:20Test everything he may have come into contact with in his hotel room,
0:42:20 > 0:42:24- sheets, towels, soaps. - I'll get started right away, Professor Dalton.
0:42:26 > 0:42:27Professor Dalton.
0:42:29 > 0:42:31He's a nice lad.
0:42:32 > 0:42:34I like him.
0:42:34 > 0:42:35Ah.
0:43:02 > 0:43:05- Thanks very much, we will be in touch.- Thanks.
0:43:13 > 0:43:17Dr Alexander, Mr Hodgson, am I closing this file?
0:43:17 > 0:43:21The fact that they haven't found the allergen does not mean that it wasn't an unlawful death.
0:43:21 > 0:43:25No, of course not. But we are not able to do anything about it, are we?
0:43:25 > 0:43:30- Jack, it could have been a tragic accident.- He was profoundly allergic to nuts.- He was allergic.
0:43:30 > 0:43:32I'm more inclined to think it was a result of multiple insults.
0:43:32 > 0:43:35- Are you saying he had heart disease? - Common at his age.
0:43:35 > 0:43:37- The phone, lack of prints... - A reasonable theory.
0:43:37 > 0:43:42- It's more than that.- Not much more. - Bed sheets?- Briggs' DNA.
0:43:42 > 0:43:46- Only Briggs? - Someone was in that room with him.
0:43:46 > 0:43:49- That alone doesn't mean anything. - Why haven't they come forward?
0:43:49 > 0:43:52- Do I have a suspect?- No.- No.
0:43:53 > 0:43:55We agree on something.
0:43:55 > 0:43:58Dr Alexander is right to push for scientific facts,
0:43:58 > 0:44:01But here's what my gut says. The sweets which he liked so much...
0:44:01 > 0:44:05- Peanut butter ones?- ..were put out in an open bowl to try
0:44:05 > 0:44:07and lead the forensic pathologist astray in the hope that even if
0:44:07 > 0:44:10anaphylaxis was identified as the cause of death,
0:44:10 > 0:44:14its allergen source as a premeditated act of murder would not be discovered.
0:44:16 > 0:44:19That is something I hadn't considered.
0:44:20 > 0:44:21Professor Dalton?
0:44:23 > 0:44:25I'm just...listening.
0:44:25 > 0:44:28Have you checked the sweets for DNA or prints?
0:44:28 > 0:44:31It hasn't been authorised and it may have been contaminated.
0:44:33 > 0:44:36You have a possible suspect you haven't found or spoken to.
0:44:36 > 0:44:38How can you close the file?
0:44:47 > 0:44:49Is that the incident room?
0:44:51 > 0:44:54Yeah, that woman that you're looking for, her name is Deanna Collier.
0:44:57 > 0:44:59Yeah, I know where you can find her.
0:45:11 > 0:45:13Deanna?
0:45:39 > 0:45:43I never wanted to lose you, you have to believe me.
0:45:43 > 0:45:44I believe you.
0:45:46 > 0:45:49I was made to let you go...
0:45:49 > 0:45:52and I am so glad you've come back.
0:46:06 > 0:46:10- Do you think Jack Hodgson is selling stories to the press?- No.
0:46:13 > 0:46:14At least...
0:46:16 > 0:46:18..I hope not.
0:46:18 > 0:46:20Is that "no" or is that "I hope not"?
0:46:22 > 0:46:25Let's stick with no... I hope not.
0:46:43 > 0:46:44- Now try.- Thank you.
0:46:49 > 0:46:53Day after a day of salacious stories in the press about Briggs and the company.
0:46:53 > 0:46:56None of which is true and I am trying to work with editors.
0:46:56 > 0:46:59It doesn't matter if it's true, it's damaging.
0:46:59 > 0:47:03It reduces the company's ability to meet its obligations.
0:47:03 > 0:47:05It not impacting on the sales.
0:47:06 > 0:47:10We won't be able to extend you any further time on the restructuring.
0:47:11 > 0:47:13We have seven days,
0:47:13 > 0:47:17at which time I'm afraid we will ask that you be put into administration.
0:47:32 > 0:47:37- Why isn't Geraldine here? - She's got to sign. She has to sign.
0:47:37 > 0:47:41- Somebody has to explain it to her. - Where is she?
0:47:41 > 0:47:43She's with her daughter.
0:47:43 > 0:47:46I didn't know she had a daughter.
0:48:05 > 0:48:07- Detective Sgt Gold.- Hello.
0:48:07 > 0:48:11We are looking for this woman, we believe her name is Deanna Collier.
0:48:11 > 0:48:14We had a phone call to say we might be able to find her here.
0:48:17 > 0:48:20- I am Deanna.- She's my daughter.
0:48:22 > 0:48:28I was looking for my birth mother... I had tried when I was a teenager
0:48:28 > 0:48:29but I didn't get very far.
0:48:29 > 0:48:32I knew that I had been a church adoption,
0:48:32 > 0:48:37I knew vaguely the area and the date. I narrowed it down.
0:48:37 > 0:48:41I wrote letters, one was to Mr Briggs and then Annette contacted me.
0:48:46 > 0:48:49He didn't want anyone else in the firm to know.
0:48:49 > 0:48:50He wanted it kept private.
0:48:52 > 0:48:54Mr Briggs loved her...
0:48:55 > 0:48:57He loved her like a daughter.
0:49:01 > 0:49:02Granddaughter?
0:49:02 > 0:49:05We have got Briggs' DNA, it should turn up as a familiar match.
0:49:05 > 0:49:08- She doesn't think she touched anything.- She remembers?
0:49:09 > 0:49:14It's his granddaughter. No, it's confirmed.
0:49:14 > 0:49:16Anybody want anything?
0:49:16 > 0:49:18- No.- No thanks.
0:49:19 > 0:49:20That's peculiar.
0:49:26 > 0:49:27Got to go.
0:49:27 > 0:49:31Cheers, mate, see you at the weekend.
0:49:32 > 0:49:34- Want a coffee? - Tea, please.
0:49:44 > 0:49:45What?
0:49:46 > 0:49:47Nothing.
0:49:50 > 0:49:52You could use some arnica.
0:49:52 > 0:49:56- Do you mind me asking how you really got your...?- I like to fight.
0:49:56 > 0:49:59- Sport.- I see. A beginner then?
0:50:08 > 0:50:12- What do you think you're doing? - Being a good daughter.
0:50:12 > 0:50:13You look nervous,
0:50:13 > 0:50:16why don't you go somewhere with a beach
0:50:16 > 0:50:18while I pour a little hope back into my mother?
0:50:20 > 0:50:21You're making a mistake.
0:50:21 > 0:50:24- Am I? Doesn't feel like it. - You'll get found out.
0:50:24 > 0:50:26You worrying about me or you?
0:50:33 > 0:50:36Pleased to meet you, come this way.
0:50:42 > 0:50:46- You are a union hotel? - Allied Workers Alliance.- Everyone?
0:50:46 > 0:50:48Front of house, cleaning and housekeeping.
0:50:48 > 0:50:52You know that photo of Deanna Collier, the one the newspapers were all using?
0:50:52 > 0:50:54It was taken in the lobby of your hotel.
0:50:54 > 0:50:58- That employee is no longer with us.- What, AWA?- Yes, I'm not worried.
0:50:59 > 0:51:02Gross misconduct, they won't cause any trouble.
0:51:02 > 0:51:04Perhaps they already have.
0:51:04 > 0:51:08- Have we got the printout of the swipe card entry to the room? - Yes, I'll get it for you.
0:51:14 > 0:51:15She's going in.
0:51:19 > 0:51:20And leaving.
0:51:25 > 0:51:28Briggs leaving for dinner.
0:51:28 > 0:51:29And then...
0:51:31 > 0:51:33..we found this.
0:51:43 > 0:51:47- What do you need, Philip?- A little support, Michael. Too much to ask?
0:51:48 > 0:51:50- Where did she come from?- Who?
0:51:50 > 0:51:53That girl. Geraldine's daughter.
0:51:54 > 0:51:58I heard John was looking for her, she tracked him down...
0:51:58 > 0:52:00- So they were both looking for each other?- Hmm.
0:52:00 > 0:52:02Convenient.
0:52:02 > 0:52:04So she suddenly appears out of nowhere.
0:52:06 > 0:52:09I'm going to find out about her. Everything about her.
0:52:09 > 0:52:12If there is anything I can do to help, just let me know.
0:52:12 > 0:52:16This company should be mine. My brother built it up.
0:52:17 > 0:52:20I should be making the decisions, not her.
0:52:20 > 0:52:22Because of that girl.
0:52:22 > 0:52:24Do we want to sell the company, Philip?
0:52:26 > 0:52:28Just stay focused on that.
0:52:29 > 0:52:31- I pay you too much. - Nice talking to you, Philip.
0:52:47 > 0:52:51- I'm Philip.- Oh, I don't think we've met. I'm Deanna.
0:52:51 > 0:52:52Geraldine's daughter.
0:52:54 > 0:52:55Yeah.
0:52:55 > 0:52:56Family secret.
0:52:59 > 0:53:01Every family has secrets.
0:53:01 > 0:53:05They lie to each other and to themselves. Don't they?
0:53:07 > 0:53:10My brother had plenty of secrets,
0:53:10 > 0:53:12we are particularly good at them in this family.
0:53:15 > 0:53:16You're John's brother.
0:53:18 > 0:53:23Do you think the long-lost granddaughters of poor people
0:53:23 > 0:53:25bother to track them down?
0:53:25 > 0:53:26Philip!
0:53:34 > 0:53:36I don't want you to speak to my daughter,
0:53:36 > 0:53:39be alone with her try to develop any kind of relationship with her.
0:53:56 > 0:53:58BOTH LAUGH
0:54:07 > 0:54:11You know, when I lost you, my father gave me this bracelet...
0:54:13 > 0:54:17..as though it may somehow replace...
0:54:19 > 0:54:23There's a charm for all of my memories.
0:54:23 > 0:54:26All the places I've been and all the things I've seen.
0:54:29 > 0:54:31And I'd like to give these memories to you.
0:55:32 > 0:55:33Come quick!
0:56:05 > 0:56:07You think it was an accident?
0:56:40 > 0:56:42SHE SOBS
0:56:52 > 0:56:56Two deaths in one week, that's a lot of bad lot for one family.
0:56:56 > 0:56:59- What sort of mood was Deanna in when she left you?- Laughing.
0:56:59 > 0:57:00Did you argue?
0:57:00 > 0:57:03There are no more obstacles, Philip Briggs wants to get this done.
0:57:03 > 0:57:06- We need stability. - That's not going to happen.
0:57:06 > 0:57:08- Wasn't it a dark family secret? - Not any more.
0:57:10 > 0:57:12Your man Cook leaked stories to the press.
0:57:12 > 0:57:14If you can't prove it, keep your mouth shut.
0:57:14 > 0:57:16We all have to work together.
0:57:16 > 0:57:17Uh!
0:57:17 > 0:57:20You can't fight them. They make up stories,
0:57:20 > 0:57:22if they can't find a newspaper they put it on the internet.
0:57:22 > 0:57:26- Clarissa Mullery.- How do you know Jack Hodgson?- I work with him.
0:57:26 > 0:57:28We need to find out where Deanna died.
0:57:28 > 0:57:32We are trying to triangulate the last known position of her mobile phone.
0:57:32 > 0:57:35- Shit, I'm wrong.- What do we do if floods?- Run.
0:57:37 > 0:57:44# Testator silens
0:57:45 > 0:57:52# Costestes e Spiritu
0:57:52 > 0:58:00# Silencium. #
0:58:02 > 0:58:04Subtitles by Red Bee Media Ltd