0:00:02 > 0:00:07This programme contains some scenes which some viewers may find upsetting.
0:00:07 > 0:00:09Where did we get out? Good. Did we liquidate everything?
0:00:09 > 0:00:11Great. Great result. Yeah!
0:00:11 > 0:00:13The Garner algorithm works. Yeah.
0:00:13 > 0:00:15No, no, the trip was good.
0:00:15 > 0:00:17They were impressed with our trading results.
0:00:17 > 0:00:21They're absolutely going to do some business with us. They like metals.
0:00:21 > 0:00:23Hey, look, can you make Thursday night?
0:00:23 > 0:00:26Oh, I don't know. It's for sick kids or horses or something.
0:00:28 > 0:00:30What if they were Jewish horses?
0:00:30 > 0:00:35What if they were Jewish horses with cancer? Great. Great.
0:00:35 > 0:00:37Great, I'll tell Rachel. Bye.
0:01:03 > 0:01:04Rachel?
0:01:07 > 0:01:08I'm home!
0:01:15 > 0:01:17Is there anything to eat?
0:01:35 > 0:01:36Rachel?
0:03:08 > 0:03:12CRYING
0:03:12 > 0:03:14SCREAMING
0:03:14 > 0:03:18Oh, NO!
0:03:18 > 0:03:21No, no!
0:04:03 > 0:04:05Go on, City!
0:04:08 > 0:04:10Come on, you Reds!
0:04:14 > 0:04:15Thank you.
0:04:33 > 0:04:34Mate, ready for you.
0:04:35 > 0:04:37On y va.
0:04:59 > 0:05:01Are you the one that's going to do it?
0:05:01 > 0:05:03- Sorry?- Rachel's my wife.
0:05:03 > 0:05:05My son, my beautiful son, Nathan.
0:05:05 > 0:05:08I don't want this. This postmortem, I don't want it.
0:05:08 > 0:05:11- I'm very sorry for your...- I don't want people seeing them like this.
0:05:11 > 0:05:12I don't want people looking at them.
0:05:12 > 0:05:14Cutting them apart.
0:05:14 > 0:05:16I don't want it!
0:05:16 > 0:05:18But you do want them to have justice?
0:05:32 > 0:05:38MAN AND WOMAN SPEAK IN YIDDISH
0:05:41 > 0:05:44Hey, Mousa. You OK?
0:05:44 > 0:05:46Hope your boy does good today.
0:05:46 > 0:05:48Mousa?
0:05:48 > 0:05:49Hi, David. Good food?
0:05:49 > 0:05:52- Hmmm.- My client needs more love.
0:05:52 > 0:05:54Oh, we all need more love, Mousa.
0:05:54 > 0:05:56Two months ago you were calling me three times a day
0:05:56 > 0:05:57wanting to talk contract extension.
0:05:57 > 0:06:00Two months? Time flies, eh?
0:06:00 > 0:06:02- Isaac doesn't feel appreciated.- I know.
0:06:02 > 0:06:05I've been meaning to talk to you,
0:06:05 > 0:06:07our new owners want to make some changes.
0:06:07 > 0:06:08We're going to move Isaac on.
0:06:10 > 0:06:13I come here to get him a new contract and you tell me he's out?
0:06:13 > 0:06:14It's a tough business, Mousa.
0:06:14 > 0:06:17'He needs a new environment in order to reach his potential.'
0:06:17 > 0:06:18'The fans will hate you.'
0:06:18 > 0:06:21'Oh, I don't know, Mousa. The fans are fickle.'
0:06:21 > 0:06:24'Besides, they already hate me, which frankly makes my job easier.'
0:06:24 > 0:06:25'He has to agree the move.'
0:06:25 > 0:06:27'I know. I'm hoping you'll convince him.'
0:06:27 > 0:06:29'He doesn't want to go.'
0:06:29 > 0:06:30'Mousa, hear me.'
0:06:30 > 0:06:33He's playing his last game for us today.
0:06:33 > 0:06:34The Twitter thing wasn't good.
0:06:34 > 0:06:37- Our new owners are from your part of the world.- Leicester?
0:06:37 > 0:06:41You know what I mean. Your client isn't popular in Riyadh.
0:06:45 > 0:06:47'He's popular when he scores goals.'
0:06:47 > 0:06:48'Not any more.'
0:06:59 > 0:07:02- Cheer for Daddy! - He did it, Mummy! He did it!
0:07:04 > 0:07:06He's not moving, David.
0:07:06 > 0:07:09You break our contract, we'll get the FA in to sanction you.
0:07:09 > 0:07:11- We'll take legal action. - OK, Mousa, let's not get overexcited.
0:07:11 > 0:07:13We both know that's not going to happen.
0:07:13 > 0:07:15What we need to do is work together
0:07:15 > 0:07:17to get the best possible price for the transfer.
0:07:17 > 0:07:20Your client's quite good at football, but he's an arsehole
0:07:20 > 0:07:23and we don't want to be associated with him.
0:07:43 > 0:07:45Stop! Stop! Turn it off!
0:07:51 > 0:07:53Get up, you Jew bastard.
0:07:53 > 0:07:56What did you say? What did you say?
0:07:57 > 0:07:59Say that again. Say that again!
0:07:59 > 0:08:01You heard exactly what I said.
0:08:03 > 0:08:06I didn't hear you, mate, I didn't hear you.
0:08:06 > 0:08:07Off!
0:08:23 > 0:08:25- CROWD:- # There's only one Isaac Dreyfus
0:08:25 > 0:08:28# One Isaac Dreyfus
0:08:28 > 0:08:32# There's only one Isaac Dreyfus. #
0:08:32 > 0:08:34PHONE RINGS Can you get these to the lab, please?
0:08:36 > 0:08:37Hello?
0:08:38 > 0:08:40OK. Text me the location.
0:08:40 > 0:08:42Thanks.
0:09:23 > 0:09:25- Forensic Pathologist? - Nikki Alexander.
0:09:25 > 0:09:28Very nice to meet you. I'm Detective Inspector John Leighton.
0:09:28 > 0:09:31- Hi.- The body of the deceased is over here.
0:09:31 > 0:09:33Apparently it's a young woman.
0:09:33 > 0:09:34Have you been able to identify her?
0:09:34 > 0:09:36No, unfortunately not yet.
0:09:36 > 0:09:38Her face has been badly disfigured.
0:09:38 > 0:09:41Who's the wing nut who put the blanket over the body?
0:09:41 > 0:09:44Your forensic colleague is already here.
0:09:44 > 0:09:46One of the constables felt it was wrong
0:09:46 > 0:09:48- to just leave it for everyone to see.- And you let him?
0:09:48 > 0:09:50I saw the merit in it.
0:09:51 > 0:09:53This is a crime scene. I'm confused.
0:09:53 > 0:09:55Are you meant to protect it or contaminate it?
0:09:55 > 0:09:59Son, I'd be grateful if you'd adjust your attitude a little.
0:09:59 > 0:10:00You'd be grateful?
0:10:00 > 0:10:02You think I've come down here to win your gratitude?
0:10:02 > 0:10:05Could we get a screen up, please, Detective Inspector?
0:10:08 > 0:10:10Unbelievable.
0:10:11 > 0:10:12You just ooze charm.
0:10:12 > 0:10:15Well, it's going to be hard enough to get something -
0:10:15 > 0:10:16anything - that has forensic value,
0:10:16 > 0:10:18then they put an old blanket over the body?!
0:10:18 > 0:10:20What are you doing?
0:10:21 > 0:10:22What?
0:10:22 > 0:10:24Why are you breaking his balls?
0:10:24 > 0:10:25I'm not breaking his balls.
0:10:25 > 0:10:27You're breaking his balls.
0:10:27 > 0:10:28What's wrong with you?
0:10:28 > 0:10:30I hear all this chat for a year
0:10:30 > 0:10:31about how you don't want to be the boss
0:10:31 > 0:10:33and now, suddenly, you want to be the boss!
0:10:33 > 0:10:34I don't want to be the boss.
0:10:34 > 0:10:37Then why are you acting like you want to be the boss?
0:10:37 > 0:10:39- Oh, you are so wrong.- Why am I wrong? Because you're the boss?
0:10:39 > 0:10:42We've got a job to do. Can we just get on with it?
0:10:42 > 0:10:44You don't think that sounded a wee bit bossy?
0:10:49 > 0:10:50Oh!
0:10:50 > 0:10:51Jesus.
0:10:54 > 0:10:56Put the blanket back down.
0:10:56 > 0:10:57Yep.
0:10:59 > 0:11:02You can train here until we find you a new club.
0:11:02 > 0:11:03I don't want you to worry cos...
0:11:03 > 0:11:05we'll find you a better opportunity.
0:11:20 > 0:11:21Nikki?
0:11:54 > 0:11:56I used to love the smell of fresh-cut grass when I was a kid.
0:11:58 > 0:12:00This kind of kills the nostalgia.
0:12:09 > 0:12:13- Isaac! Isaac! Can I have a photo with you, please?- Sure.
0:12:16 > 0:12:19- Did you like the game? - Yeah.- Give me five.
0:12:19 > 0:12:21Isaac!
0:12:21 > 0:12:23- You're my favourite player. - Thanks, mate.
0:12:23 > 0:12:25- What's your name?- Mahmoud.
0:12:25 > 0:12:26Yeah? What's up, Mahmoud.
0:12:28 > 0:12:30- Dad!- Isaac! Isaac!
0:12:30 > 0:12:34- Isaac! Isaac! Can I have your autograph?- Yeah, sure.
0:12:35 > 0:12:38Rubbish trucks arrive and are emptied.
0:12:38 > 0:12:40Body is dumped in the amenity, no-one sees it.
0:12:40 > 0:12:42The claws mangled her body
0:12:42 > 0:12:44when they picked it up to deposit it on the barge.
0:12:44 > 0:12:46Yeah, I can see that's what happened to her body.
0:12:46 > 0:12:47What happened to her face?
0:12:51 > 0:12:53Almost every sponsor's gone.
0:12:53 > 0:12:56Shoes, clothes, watches... no-one will renew.
0:12:56 > 0:12:58All we've got left is underwear
0:12:58 > 0:13:00and that's because the owners are Jewish.
0:13:00 > 0:13:03- Sami, could you get me a coffee? - Espresso? Two sugars?
0:13:03 > 0:13:05Perfect, and make sure Isaac's OK.
0:13:06 > 0:13:08He's a good boy. How's he getting on?
0:13:08 > 0:13:11He's getting on fine. Helpful. Thoughtful.
0:13:11 > 0:13:14- A little quiet.- He's shy. He, er, gets that from my sister.
0:13:14 > 0:13:16Mousa, I'm worried that if you don't do something...
0:13:16 > 0:13:19- Citroen?- He keeps the car to the end of the season,
0:13:19 > 0:13:20but they've killed the ad campaign.
0:13:20 > 0:13:22Don't say anything to Isaac.
0:13:22 > 0:13:24- You think he doesn't know? - Can we replace them?
0:13:24 > 0:13:28Everyone knows he's being forced out of City because of what he said.
0:13:28 > 0:13:31All the sponsors and ad buyers are talking to each other.
0:13:31 > 0:13:35What he did on Twitter was like firebombing their brand.
0:13:35 > 0:13:36He didn't mean what he said.
0:13:36 > 0:13:38You don't joke about Mohammed. Ever.
0:13:38 > 0:13:41You don't mention religion. You don't mention race.
0:13:41 > 0:13:43The only thing he should be writing on Twitter
0:13:43 > 0:13:45is how much he loves the fans.
0:13:49 > 0:13:52Yeah, I'd like to try and put a name to her as soon as possible.
0:13:52 > 0:13:55I've had tissue sent for DNA. We'll see if she's on the database.
0:13:55 > 0:13:58- And if she isn't? - It could be a struggle.
0:13:58 > 0:14:00We're taking moulds of her teeth, although some were damaged.
0:14:00 > 0:14:03We can try to identify her from the shape of her ear.
0:14:03 > 0:14:06- You can do that?- Yeah. But we'll need to match it to something.
0:14:06 > 0:14:08Do you have anything?
0:14:08 > 0:14:11No. No missing person reports. Nothing found at the scene.
0:14:11 > 0:14:13I'm relying on you.
0:14:13 > 0:14:15- I'll speak to you tomorrow. - OK. Thanks.
0:14:20 > 0:14:23- You got to the scene quickly. - I wasn't far away.
0:14:23 > 0:14:25- I had a couple of seats at the football.- Who did you go with?
0:14:25 > 0:14:27- Girl I met.- Where?
0:14:27 > 0:14:28- Pub.- Liar.
0:14:29 > 0:14:32- How did you know? - You never complained.
0:14:32 > 0:14:34If you had a date with a girl you met in a pub,
0:14:34 > 0:14:36you would be hopeful you might get lucky.
0:14:36 > 0:14:39The call to attend would have crushed that hope.
0:14:39 > 0:14:41- You would complain. - PHONE RINGS
0:14:41 > 0:14:42You could have taken me.
0:14:42 > 0:14:44I didn't know you liked football.
0:14:44 > 0:14:46Why? Because I'm in a chair?
0:14:46 > 0:14:47Chip? Shoulder?
0:14:47 > 0:14:49THEY LAUGH
0:14:49 > 0:14:50Hello?
0:14:50 > 0:14:53Yeah, OK. I'll be there. Thanks.
0:14:53 > 0:14:56We need a list of every rubbish truck and driver
0:14:56 > 0:15:00that used Smithy Environmental last night and this morning.
0:15:00 > 0:15:02I get the best seats at the football when I go,
0:15:02 > 0:15:04and the carer goes free.
0:15:04 > 0:15:07- Something to keep in mind? - I'm not your carer.
0:15:07 > 0:15:08Don't I know.
0:15:08 > 0:15:10We normally only allow immediate family.
0:15:10 > 0:15:12"Sister" isn't immediate enough?
0:15:13 > 0:15:16Her husband didn't mention that she had a sister.
0:15:16 > 0:15:18I was her sister long before she was married to him.
0:15:21 > 0:15:23I'll be her sister...
0:15:25 > 0:15:26..forever.
0:15:29 > 0:15:31You can stay as long as you'd like.
0:15:31 > 0:15:33Thank you.
0:15:35 > 0:15:37She looks very peaceful.
0:15:39 > 0:15:41They didn't...
0:15:41 > 0:15:42you know...
0:15:44 > 0:15:46..assault her sexually.
0:15:47 > 0:15:49I'll give my report to the coroner.
0:15:49 > 0:15:51Did they rape my sister?
0:15:53 > 0:15:54No.
0:15:56 > 0:15:58How did they kill her?
0:16:02 > 0:16:04Do the police have any idea who did this?
0:16:04 > 0:16:05You should speak to them.
0:16:05 > 0:16:08Actually I need to get back to work. I have a meeting.
0:16:08 > 0:16:11And Nathan? How did they kill him?
0:16:13 > 0:16:17Nathan has no marks on his body whatsoever.
0:16:17 > 0:16:20His bloods contained a fatal amount of benzodiazepine
0:16:20 > 0:16:22and a very large amount of oxycodone.
0:16:22 > 0:16:24We searched the house. We didn't find any...
0:16:26 > 0:16:28He died of a drug overdose?
0:16:28 > 0:16:30A six-year-old?
0:16:31 > 0:16:33Their son was autistic, apparently.
0:16:33 > 0:16:35And?
0:16:35 > 0:16:38Well, is benzodiazepine used to control autistic kids?
0:16:38 > 0:16:40Well, it's used for quite a few things.
0:16:40 > 0:16:42Ah! Did his mother kill him?
0:16:42 > 0:16:45Is that what this is? Murder-suicide?
0:16:45 > 0:16:48You know, she's sick of him. She's sick of her life.
0:16:48 > 0:16:51Gives him too much of the drugs. Remorse kicks in.
0:16:51 > 0:16:52You read about this a lot.
0:16:52 > 0:16:54And then she can't live with what she's done.
0:16:54 > 0:16:56Single gunshot wound to the head.
0:16:56 > 0:16:59I found firearms residue on her hands and clothes.
0:16:59 > 0:17:01Well, then, there's no question.
0:17:01 > 0:17:03Well, it doesn't mean, in and of itself, that she fired the gun.
0:17:03 > 0:17:07It was an enclosed space so there'll be residue throughout the room.
0:17:07 > 0:17:09Maybe the overdose was accidental.
0:17:09 > 0:17:10I mean, she saw no way out.
0:17:10 > 0:17:12Shall we just go through what we know?
0:17:12 > 0:17:14The entry point is here and it took very little...
0:17:14 > 0:17:16Doesn't this affect you?
0:17:16 > 0:17:18It took very little of the front of her head away.
0:17:18 > 0:17:20Has your forensics team found the slug?
0:17:21 > 0:17:22No.
0:17:22 > 0:17:25It wasn't in the bone of the skull?
0:17:25 > 0:17:26No.
0:17:27 > 0:17:30Then no. Not yet.
0:17:30 > 0:17:33There was no sign of forced entry on the ground floor.
0:17:33 > 0:17:36There was a window broken in the bedroom.
0:17:36 > 0:17:38It could have been the point of entry
0:17:38 > 0:17:40but the glass fell on the outside.
0:17:40 > 0:17:43Mr Freedman says he has no knowledge of it.
0:17:43 > 0:17:45Why isn't the Lyell Centre doing the forensics?
0:17:47 > 0:17:49I heard things about your man.
0:17:51 > 0:17:52Leave it.
0:17:53 > 0:17:55Have you found a gun?
0:17:55 > 0:17:56No.
0:17:56 > 0:17:59If Rachel was responsible, where was the gun?
0:18:00 > 0:18:04Husband comes home, he discovers bodies, is horrified.
0:18:04 > 0:18:08He can't accept that his wife might have done that, so...
0:18:08 > 0:18:10takes the gun, disposes of it.
0:18:10 > 0:18:13And then he breaks a window to make it look like someone broke in.
0:18:13 > 0:18:16Most victims know their killers. You've ruled out her husband?
0:18:16 > 0:18:18How long do you think they were dead?
0:18:18 > 0:18:22More than 36 hours. Rigor had passed, putrefaction had begun.
0:18:22 > 0:18:25Mr Freedman was away on a business trip.
0:18:25 > 0:18:28Why did he tell me that he didn't want a postmortem?
0:18:28 > 0:18:30Well, he loved his wife.
0:18:30 > 0:18:31He didn't want her body...
0:18:31 > 0:18:33- you know.- She's dead.
0:18:34 > 0:18:36His alibi stands up.
0:18:36 > 0:18:39I mean, it could have been a burglary,
0:18:39 > 0:18:41but home invasion is very rare.
0:18:41 > 0:18:43- She wasn't sexually assaulted?- No.
0:18:43 > 0:18:46Based on the entry wound, could she have pulled the trigger?
0:18:46 > 0:18:48Yes, but someone else could have as well, so it's...
0:18:48 > 0:18:51You'll have the full postmortem for me soon?
0:18:55 > 0:18:56Has her sister spoken to you?
0:18:58 > 0:18:59No.
0:18:59 > 0:19:01Well, she came to see the bodies.
0:19:01 > 0:19:03Anxious to know if we knew how she died
0:19:03 > 0:19:05or whether we had any idea who'd done it.
0:19:05 > 0:19:08Just seemed odd to ask me rather than ask you.
0:19:12 > 0:19:13Haven't identified the body.
0:19:13 > 0:19:15Face and fingertips were burnt away by acid.
0:19:15 > 0:19:17Might know something later. Bye.
0:19:19 > 0:19:21Anne?
0:19:21 > 0:19:22- John!- How are you?
0:19:22 > 0:19:25- I'm fine. How are you?- I'm good. You look absolutely great.
0:19:25 > 0:19:28- You look good.- Are you well? - I was thinking about you.
0:19:28 > 0:19:31Yeah, I was asking around about you actually. Everything OK?
0:19:31 > 0:19:33Yeah. Fine!
0:19:33 > 0:19:35I heard you got your promotion.
0:19:35 > 0:19:38- I hope you're not working too hard.- Well, you know.
0:19:39 > 0:19:44- Are you still with, er...? - No. Well, yes and no,
0:19:44 > 0:19:47but mostly no.
0:19:47 > 0:19:48And you?
0:19:48 > 0:19:50I'm, er... Yep, same.
0:19:53 > 0:19:55- See you.- Yeah, see you around.
0:20:02 > 0:20:03Bugger.
0:20:05 > 0:20:06Nikki?
0:20:06 > 0:20:09Nikki, have you seen this press release?
0:20:09 > 0:20:10I saw it.
0:20:16 > 0:20:19CHAIR SQUEAKS
0:20:24 > 0:20:26Is it wrong to like things that are familiar?
0:20:26 > 0:20:28It's not wrong, is it?
0:20:28 > 0:20:31My life has too many moving parts.
0:20:40 > 0:20:42It squeaks.
0:20:42 > 0:20:44My life?
0:20:44 > 0:20:47- The chair.- Yep.
0:20:47 > 0:20:48Needs oil to run smooth.
0:20:48 > 0:20:50Now we're talking about my life.
0:20:50 > 0:20:52Still the chair.
0:20:52 > 0:20:54It's funny how the oddest things can remind you of someone.
0:20:58 > 0:21:01I don't want anything in this room to change.
0:21:01 > 0:21:03It already has.
0:21:17 > 0:21:19When did it arrive?
0:21:19 > 0:21:21This morning.
0:21:27 > 0:21:29Mousa? I need to see you.
0:21:33 > 0:21:36You're making me so hot.
0:21:36 > 0:21:38You come that way out of the box, baby.
0:21:40 > 0:21:42Come on.
0:21:44 > 0:21:45- For Mousa?- Mm-hmm.
0:21:52 > 0:21:54How much does she want?
0:21:54 > 0:21:56120.
0:21:56 > 0:21:57For a sex tape?
0:21:59 > 0:22:01His value goes up if she sticks it on the net.
0:22:01 > 0:22:04In the note that came with it, it says she has footage
0:22:04 > 0:22:06where he beats the woman up...
0:22:06 > 0:22:09- for fun!- Beats her up?
0:22:09 > 0:22:12Not really the family man your sponsors love, is he?
0:22:12 > 0:22:14Can I just say, I don't believe my client was involved in...
0:22:14 > 0:22:18He makes jokes about religion, then he beats up a woman during sex.
0:22:18 > 0:22:21This will wipe out his transfer value.
0:22:21 > 0:22:24If people find out about this, we'll never find him another club.
0:22:24 > 0:22:27Isaac Dreyfus is toxic!
0:22:28 > 0:22:31My Chairman thinks that what Dreyfus has done
0:22:31 > 0:22:33is no different than stealing from him.
0:22:33 > 0:22:35- What can I do?- What can you do?
0:22:35 > 0:22:37I'll tell you what you do.
0:22:37 > 0:22:40You pay her the 120 grand and you find him another club.
0:22:49 > 0:22:51(Morning.)
0:22:58 > 0:23:00Morning, Papa. How are you?
0:23:00 > 0:23:03I am very well.
0:23:03 > 0:23:05Grande forme.
0:23:06 > 0:23:08Come on in French, Zara - comment ca va?
0:23:08 > 0:23:09Comment ca va?
0:23:09 > 0:23:11- Grande forme.- Grande forme.
0:23:11 > 0:23:13THEY LAUGH
0:23:15 > 0:23:17Mousa's looking for a new club.
0:23:17 > 0:23:18It's my own fault.
0:23:19 > 0:23:21Where? In England?
0:23:21 > 0:23:23France, Germany...
0:23:23 > 0:23:25It won't be the Middle East.
0:23:25 > 0:23:27What about Zara's school?
0:23:27 > 0:23:30What about the nanny? I was going to hire one this week.
0:23:30 > 0:23:32They don't stay very long anyway.
0:23:33 > 0:23:35Papa! Papa!
0:23:35 > 0:23:36Regarde ce que j'ai fait!
0:23:36 > 0:23:38Tres beau, Zara! C'est magnifique!
0:23:38 > 0:23:40- C'est qui?- C'est moi!
0:23:57 > 0:24:01Unidentified young woman. Caucasian. Mid to late 20s.
0:24:02 > 0:24:04Ligature marks around the circumference of the neck
0:24:04 > 0:24:06over the thyroid prominence.
0:24:24 > 0:24:25Thanks.
0:24:27 > 0:24:29'Can we photograph the hands? Thanks.'
0:24:34 > 0:24:35Thank you.
0:25:09 > 0:25:11- Cocaine?- Calcium carbonate.
0:25:11 > 0:25:13Does that look like a type of ryegrass to you?
0:25:13 > 0:25:16Jack, does it look as though my life has had much to do with grass?
0:25:16 > 0:25:18Can you send samples over for genetic tests?
0:25:18 > 0:25:21The clippings look to be a mix of different types.
0:25:21 > 0:25:25And check what kind of grass they use in public parks. Skips?
0:25:25 > 0:25:28They look as though they're confined to the South East.
0:25:28 > 0:25:29No hard-and-fast rule,
0:25:29 > 0:25:32but most of the drivers use Smithy Environmental Services
0:25:32 > 0:25:33when they collect in that area.
0:25:33 > 0:25:36I'm isolating the lorries that delivered first thing that morning.
0:25:36 > 0:25:39And look at the last deliveries the night before as well.
0:25:39 > 0:25:40Did you think I wouldn't?
0:25:40 > 0:25:43- Their rubbish went out on the midnight barge that night. - You're sure?
0:25:43 > 0:25:44Why don't you trust me, Jack?
0:25:47 > 0:25:51The hob was on... There was a pan out, butter in it.
0:25:51 > 0:25:52I went upstairs.
0:25:53 > 0:25:58She wasn't there so I went to check on Nathan.
0:25:58 > 0:26:00I've told you all this over and over.
0:26:00 > 0:26:03Why would I want flowers? Why do they send them?
0:26:05 > 0:26:06Give the money to a charity.
0:26:08 > 0:26:11You weren't worried you hadn't heard from her?
0:26:11 > 0:26:14I was gone for three days. I left messages. She knew I was busy.
0:26:14 > 0:26:16Did she have trouble coping with your son?
0:26:16 > 0:26:20What are you talking about? Nathan was no trouble.
0:26:20 > 0:26:22He might have been a little slower and quiet,
0:26:22 > 0:26:24but they were joined at the hip.
0:26:24 > 0:26:26We found firearms residue on her hand.
0:26:27 > 0:26:30- Do you own a firearm? - Absolutely not.
0:26:31 > 0:26:34Be ashamed of yourself for thinking that. Be ashamed.
0:26:34 > 0:26:36She loved our son.
0:26:36 > 0:26:38They hear the word "autism", I know people think like that,
0:26:38 > 0:26:39but shame on you.
0:26:45 > 0:26:46You don't like that, do you?
0:26:49 > 0:26:51- No.- You don't get it.
0:26:55 > 0:26:57You see, I think it's beautiful.
0:26:57 > 0:27:00Rachel thought it was beautiful.
0:27:00 > 0:27:02We look at Nathan and we don't see what you see.
0:27:02 > 0:27:04We get him.
0:27:04 > 0:27:05We think he's beautiful.
0:27:07 > 0:27:09Maybe your wife was overly tired.
0:27:09 > 0:27:11No.
0:27:11 > 0:27:13Did she have help?
0:27:13 > 0:27:16We had au pairs, nannies, whatever you want to call them,
0:27:16 > 0:27:18to help with Nathan.
0:27:18 > 0:27:21But none of them stayed very long. They couldn't cope, I guess.
0:27:21 > 0:27:24- The last one quit after a few weeks. - And Rachel could cope?
0:27:24 > 0:27:26Yes. She could cope. She loved our son.
0:27:28 > 0:27:30She loved him. She coped.
0:27:32 > 0:27:34How often did her sister help her?
0:27:34 > 0:27:35Rachel doesn't have a sister.
0:28:25 > 0:28:26Hello.
0:28:27 > 0:28:29Can I help you?
0:28:29 > 0:28:30HE LAUGHS
0:28:30 > 0:28:32You weren't really asking if you could help, were you?
0:28:32 > 0:28:35- Not really.- You were asking, "What are you doing in this office?"
0:28:35 > 0:28:37- Yeah.- I'm asking the same thing, but, er,
0:28:37 > 0:28:40probably without the same sort of edge.
0:28:41 > 0:28:42Thomas Chamberlain.
0:28:42 > 0:28:44Consultant Forensic Pathologist.
0:28:44 > 0:28:45Jack Hodgson.
0:28:46 > 0:28:48You're the new gaffer?
0:28:48 > 0:28:51I saw the press release.
0:28:51 > 0:28:54You're coming in to, what was it, "restore confidence in the centre".
0:28:54 > 0:28:56I didn't know we'd lost anyone's confidence.
0:28:56 > 0:28:59- I didn't write it.- Course not.
0:28:59 > 0:29:01Hodgson...? Hmm.
0:29:01 > 0:29:03What are you?
0:29:04 > 0:29:06Forensic science.
0:29:06 > 0:29:07Been at the Lyell Centre 15 months
0:29:07 > 0:29:09and accounted for 27% of its profits.
0:29:09 > 0:29:11If you say so.
0:29:11 > 0:29:12Hello.
0:29:12 > 0:29:16Clarissa Mullery, this is Thomas Chamberlain.
0:29:16 > 0:29:17Hello, Clarissa.
0:29:17 > 0:29:20Hmm. What are you?
0:29:20 > 0:29:22Are you kidding me?
0:29:22 > 0:29:23Do you know how offensive that is?
0:29:23 > 0:29:26- No, not particularly, no. - You're that insensitive?
0:29:26 > 0:29:27I don't consider myself insensitive.
0:29:27 > 0:29:29"What are you?"!
0:29:29 > 0:29:31- Do you think I'm some sort of monster?- I'm beginning to.
0:29:31 > 0:29:33Clarissa works with me.
0:29:33 > 0:29:35Forensic Examiner. That's what she is.
0:29:35 > 0:29:37That is what I do. That is not who I am. Two separate things.
0:29:37 > 0:29:39I am what I do.
0:29:39 > 0:29:42- That must make it easier to keep track of...- Clarissa Mullery.
0:29:42 > 0:29:44You are "insightful, analytical,
0:29:44 > 0:29:46and your perspicacity is
0:29:46 > 0:29:49"fundamental to the success of the Forensic Science team."
0:29:49 > 0:29:52- Who told you that? - End-of-year assessment.
0:29:53 > 0:29:55- You said that?- I didn't mean it.
0:29:56 > 0:30:00I'm confident the torso disfigurement was a result of the lifting claw.
0:30:00 > 0:30:03The disfigurement of her face and hands
0:30:03 > 0:30:05are a consequence of hydrochloric acid.
0:30:05 > 0:30:07To prevent identification?
0:30:07 > 0:30:08I can't tell you the motive,
0:30:08 > 0:30:11but it could suggest that it was a murder with forethought.
0:30:11 > 0:30:14I think that a plastic bag was put over the victim's head -
0:30:14 > 0:30:16the marks are where it was tied.
0:30:16 > 0:30:18And I observed small pinpoints,
0:30:18 > 0:30:21haemorrhages within the sclera of the eyes,
0:30:21 > 0:30:23which may be suggestive of asphyxia.
0:30:23 > 0:30:26However, I don't think that she was dead
0:30:26 > 0:30:28when the acid was poured on her face.
0:30:29 > 0:30:33The raised red lines around the acid burns...
0:30:33 > 0:30:36as well as evidence of acid burns in her mouth, throat,
0:30:36 > 0:30:37oesophagus and airways,
0:30:37 > 0:30:41suggest that she was still alive when the acid was thrown in her face,
0:30:41 > 0:30:43and she was gasping for breath.
0:30:43 > 0:30:46- How could they do this? - Practically or morally?
0:30:47 > 0:30:50Practically - I think that she was drugged and then murdered.
0:30:50 > 0:30:53The fluid in her stomach had a high diazepine concentration.
0:30:53 > 0:30:57I think that the drug was dissolved in fluid and then ingested.
0:30:57 > 0:31:01So she was knocked out, strangled, disfigured.
0:31:01 > 0:31:04I haven't had the bloods back but I'm expecting them today.
0:31:04 > 0:31:05Morally?
0:31:07 > 0:31:09Well, there is no answer, is there?
0:31:11 > 0:31:12I will do everything that I can
0:31:12 > 0:31:15to help you get the person or people who did this,
0:31:15 > 0:31:16and bring them to justice.
0:31:16 > 0:31:18- She was drugged?- Yes.
0:31:18 > 0:31:20- Was she raped?- No.
0:31:20 > 0:31:22No?
0:31:22 > 0:31:23Then why? Why?
0:31:23 > 0:31:25Why would they?
0:31:26 > 0:31:28You know the world's a desperate, tragic place
0:31:28 > 0:31:31when the fact she wasn't raped is scarier than if she was.
0:31:34 > 0:31:36- Oh, Dr Alexander?- Yes.
0:31:36 > 0:31:37Sorry to disturb you.
0:31:39 > 0:31:40Thomas Chamberlain?
0:31:40 > 0:31:43That's right. I'm replacing Professor Dalton.
0:31:43 > 0:31:45No, you're not. You're taking over from him.
0:31:50 > 0:31:55Well, actually, I'm, er, I'm taking over from you.
0:31:55 > 0:31:56I didn't want the job,
0:31:56 > 0:31:59but if you want to say that you're taking over,
0:31:59 > 0:32:01if it makes you feel better, then fine.
0:32:01 > 0:32:02Knock yourself out.
0:32:04 > 0:32:06I saw the press release.
0:32:06 > 0:32:08- We're not getting off to a good start.- No?
0:32:08 > 0:32:10The whole team seems to have
0:32:10 > 0:32:12some sort of a passive-aggressive thing going on.
0:32:12 > 0:32:14It must be very difficult to work together.
0:32:14 > 0:32:17- We don't seem to struggle. - It's just me.
0:32:17 > 0:32:19It was that word "replace".
0:32:19 > 0:32:21- I need to shower and get changed. - It wasn't the right word.
0:32:21 > 0:32:24Perhaps we could talk about it later?
0:32:24 > 0:32:26Unless you're intending to stay here and perv.
0:32:27 > 0:32:29That was not an invitation.
0:32:29 > 0:32:32Yes. Yes, I got that.
0:32:33 > 0:32:34I'm sensitive.
0:32:45 > 0:32:46Isaac. Hi.
0:32:46 > 0:32:47Hey! Come on in.
0:32:50 > 0:32:52- COMMENTARY:- It's a great strike,
0:32:52 > 0:32:54and that's a fantastic goal.
0:32:58 > 0:33:01- Isaac?- You need to speak to the people who make this, Mousa.
0:33:01 > 0:33:04I'm much faster than this!
0:33:04 > 0:33:08I'm as fast as Bale or Walcott.
0:33:08 > 0:33:10- Right?- Go on, go on.
0:33:10 > 0:33:13I mean, seriously, you've got to get them to fix that.
0:33:13 > 0:33:15They're disrespecting me, man!
0:33:15 > 0:33:17ISAAC!
0:33:17 > 0:33:18I was about to score.
0:33:20 > 0:33:21- Oh, Jack?- Hmm?
0:33:21 > 0:33:24Can you have a look at the lot number and serial number on these?
0:33:24 > 0:33:25We can check them against the EU Register
0:33:25 > 0:33:27and find out who they belonged to.
0:33:30 > 0:33:31See you.
0:33:36 > 0:33:38Yo.
0:33:38 > 0:33:39You know Ron McNally from the club?
0:33:39 > 0:33:40Yeah.
0:33:42 > 0:33:45You helped us with that Twitter stuff right?
0:33:45 > 0:33:47- I tried.- Yeah!
0:33:47 > 0:33:50I had like maybe 15,000 death threats.
0:33:50 > 0:33:52Yeah. That was funny.
0:33:52 > 0:33:54Yeah. Own goal, wasn't it?
0:33:54 > 0:33:58I don't know where my brain was on that one.
0:33:58 > 0:34:00Must have been the steroids I was taking.
0:34:02 > 0:34:04Just messing with you, Mo!
0:34:04 > 0:34:05I don't take that shit.
0:34:05 > 0:34:08Makes your bollocks shrink and turns you into a monster.
0:34:08 > 0:34:09Where's Monica?
0:34:09 > 0:34:12Interviewing nannies. Yeah, the last one quit.
0:34:12 > 0:34:15She's, er, she's picking an ugly one for me.
0:34:17 > 0:34:19What? What is it, Mo?
0:34:20 > 0:34:21You have a DVD player?
0:34:25 > 0:34:28Serial Number: FR34728.
0:34:28 > 0:34:32Lot Number: 10-15-90.
0:34:32 > 0:34:36And the lot number is 10-15-90.
0:34:36 > 0:34:40We're looking for the name of the patient who received the implants.
0:34:40 > 0:34:43The Lyell Centre. London.
0:34:43 > 0:34:47Erm, oui. Un moment.
0:34:47 > 0:34:48Nikki!
0:34:49 > 0:34:50Dr Chamberlain?
0:34:50 > 0:34:53European Register of Prostheses.
0:34:53 > 0:34:56They want to speak to a doctor.
0:34:56 > 0:34:57(They're French.)
0:34:59 > 0:35:03Oui. Hallo? Thomas Chamberlain, Docteur de pathologie.
0:35:04 > 0:35:05Vous avez le nom.
0:35:05 > 0:35:06A oui, un moment.
0:35:09 > 0:35:12Eva Liron.
0:35:13 > 0:35:16- How much does she want? - She wants 120,000.
0:35:17 > 0:35:22- Is she crazy?- Do you know her? - You saw the tape? Of course.
0:35:22 > 0:35:24She was an au pair.
0:35:24 > 0:35:27120,000?
0:35:27 > 0:35:29Don't be so stupid.
0:35:29 > 0:35:34The note says she has footage where you beat the woman up.
0:35:34 > 0:35:36Oh, yeah? Then show me!
0:35:36 > 0:35:39I've never beat up a woman.
0:35:39 > 0:35:41- Never.- I think you should pay.
0:35:42 > 0:35:46- You don't believe me? - They can do things to videos.
0:35:46 > 0:35:49And next week, hmm? How much will it be next week? 150? 200?
0:35:49 > 0:35:53We're trying to get you a new club. We've lost almost every sponsor.
0:35:53 > 0:35:56Then what? Miss a penalty? Get sent off? For a sex tape? Never.
0:35:56 > 0:35:58Beating up women doesn't raise your value in the market.
0:35:58 > 0:36:01- There's no tape of me beating up a woman.- Do you want to take a chance?
0:36:01 > 0:36:04There's no tape of me beating up a woman because I never did.
0:36:04 > 0:36:06Tu comprend ca? Never.
0:36:06 > 0:36:08You know I don't care about these things, Isaac. I really don't.
0:36:08 > 0:36:11Hey, Mo, why aren't you asking if the club is doing this
0:36:11 > 0:36:13to get rid of me? That's what you should be asking.
0:36:13 > 0:36:15Oh, that's ridiculous!
0:36:15 > 0:36:17The club wants to get rid of me and suddenly...
0:36:19 > 0:36:22- ..this shows up.- Nobody wants to see your value drop, Isaac.
0:36:22 > 0:36:24This is because of the Twitter. This is the payback.
0:36:24 > 0:36:26- I'm not going to listen to this.- Ron, wait!
0:36:26 > 0:36:30- Maybe they knock women around in Riyadh.- I don't care if... - Maybe that's how they get off.
0:36:30 > 0:36:33- What you do is your business.- Just get out of my house. All of you.
0:36:35 > 0:36:36Get out!
0:36:53 > 0:36:55Are you OK?
0:36:55 > 0:36:58Yeah. I'm fine. Everything's fine.
0:37:17 > 0:37:20MUTED: That sofa's to go. A couple of smaller sofas here...
0:37:20 > 0:37:22Rachel Freedman doesn't have a sister.
0:37:24 > 0:37:26Who was the woman that came to see her?
0:37:30 > 0:37:32She called herself Ruth.
0:37:43 > 0:37:45That's all we've got.
0:37:45 > 0:37:46Why would she come here?
0:37:48 > 0:37:50To get information.
0:37:50 > 0:37:51Well, how would she find out
0:37:51 > 0:37:54where Rachel's and Nathan's bodies were being kept?
0:37:54 > 0:37:56Adam Freedman?
0:37:56 > 0:37:57She asked him?
0:37:59 > 0:38:00She followed him.
0:38:01 > 0:38:03We're working from the theory that Eva Liron's body
0:38:03 > 0:38:06was transported to the amenity site by a rubbish truck.
0:38:06 > 0:38:08Or a skip. I think it was a skip.
0:38:08 > 0:38:11- Yeah, could be either. Both use Smithy Environmental.- It was a skip.
0:38:11 > 0:38:13The rubbish trucks in this area won't collect garden waste.
0:38:13 > 0:38:15The public parks use skips.
0:38:15 > 0:38:18- The amount of organic material around the body...- Organic material?
0:38:18 > 0:38:19- ALL:- Grass.- Right.
0:38:19 > 0:38:22..makes me think that it must have come from a large open space,
0:38:22 > 0:38:24not a private garden.
0:38:24 > 0:38:26Eva's body was in a skip covered by grass,
0:38:26 > 0:38:27which prevented its discovery.
0:38:27 > 0:38:28And possibly masked any odour
0:38:28 > 0:38:31that could have alerted someone to its presence.
0:38:31 > 0:38:33So you think the deceased died in a public park?
0:38:33 > 0:38:34No.
0:38:34 > 0:38:36Clarissa?
0:38:36 > 0:38:40This is the approximate catchment area for Smithy Environmental.
0:38:40 > 0:38:42There are more than 40 open spaces
0:38:42 > 0:38:44that we estimate could account for the volume of grass
0:38:44 > 0:38:46we saw at Smithy Environmental.
0:38:46 > 0:38:48We had to find a way to narrow the location.
0:38:48 > 0:38:49How did we do that, Clarissa?
0:38:49 > 0:38:52- We looked at the grass. - Were we surprised?
0:38:52 > 0:38:53We were surprised.
0:38:53 > 0:38:56We found that the grass we sampled was a blend of?
0:38:56 > 0:38:58Bizet perennial ryegrass,
0:38:58 > 0:38:59Verdi perennial ryegrass
0:38:59 > 0:39:03and Limousine smooth-stalked meadow grass.
0:39:03 > 0:39:06And this combination of grasses is used for?
0:39:06 > 0:39:07Professional sports pitches.
0:39:07 > 0:39:09- Ah, not parks?- No.
0:39:09 > 0:39:12And we found another substance on the blades of grass.
0:39:12 > 0:39:16- A white substance. - Calcium carbonate, which is...
0:39:16 > 0:39:19The white chalk they use to line a pitch.
0:39:20 > 0:39:22We checked the list of skips
0:39:22 > 0:39:24that had been delivered on the morning the body was found,
0:39:24 > 0:39:26and discovered that a skip came from?
0:39:26 > 0:39:28Duchess Meadows.
0:39:28 > 0:39:30And what is in Duchess Meadows?
0:39:30 > 0:39:32You're just showing off.
0:39:32 > 0:39:34It's where City have their training ground.
0:39:36 > 0:39:37You're a City fan?
0:39:37 > 0:39:39Since I was a boy!
0:39:43 > 0:39:45LOUD GUNSHOTS
0:40:10 > 0:40:12- Hey, Lucy.- Isaac!
0:40:12 > 0:40:14- Sami, you all right?- Hi.
0:40:14 > 0:40:16I need to speak to Mo.
0:40:18 > 0:40:20Hi.
0:40:20 > 0:40:21Come in.
0:40:29 > 0:40:30Pay her.
0:40:54 > 0:40:55Hi, it's Nikki.
0:40:55 > 0:40:58Bloods on the child, Nathan Freedman. Could you run them again please?
0:40:59 > 0:41:02We can get a fresh sample to you. I'd prefer that.
0:41:02 > 0:41:04Eliminate any possibility of contamination.
0:41:04 > 0:41:07Isaac would like to pay what they want to make this go away.
0:41:09 > 0:41:12They gave you details of how to make the transaction?
0:41:16 > 0:41:18Your son was difficult to control.
0:41:18 > 0:41:20He didn't react well to strangers.
0:41:21 > 0:41:23He hit out at them?
0:41:23 > 0:41:26Yeah, and might try to bite them if he was very, very scared.
0:41:26 > 0:41:30And to you? He was never very, very scared?
0:41:32 > 0:41:35Did you use any kinds of drugs to try and calm him down?
0:41:35 > 0:41:37No.
0:41:37 > 0:41:39No benzodiazepines? Painkillers?
0:41:39 > 0:41:42- No!- Well, just to take the edge off him?
0:41:42 > 0:41:43Are you mad?
0:41:43 > 0:41:45Would you give your child drugs to calm them down or shut them up
0:41:45 > 0:41:48- because you couldn't cope? - I don't have children.
0:41:48 > 0:41:50Which explains the stupidity of your question.
0:42:19 > 0:42:21HE PANTS
0:42:39 > 0:42:43- Detective Inspector. - Mr McNally.- Nice to meet you.
0:42:43 > 0:42:46I asked Bazza Numan, one of our groundsmen, to join us.
0:42:46 > 0:42:47This way.
0:42:48 > 0:42:5125 years with the police, I was.
0:42:51 > 0:42:52Can't say I enjoyed every one of them,
0:42:52 > 0:42:55but...I am proud of them.
0:42:57 > 0:42:59How often do you cut the grass?
0:42:59 > 0:43:01Every day. Training ground and stadium.
0:43:01 > 0:43:04Sometimes two or three days if it's been raining.
0:43:04 > 0:43:06Doesn't grow so fast in the winter.
0:43:06 > 0:43:07And you put it in the skip there?
0:43:07 > 0:43:09Yep. That's the way they want it done.
0:43:09 > 0:43:11Is the gate normally locked?
0:43:12 > 0:43:15If the skip pick-up is very early in the morning, they'll...
0:43:15 > 0:43:16They'll leave it open.
0:43:16 > 0:43:20- CCTV?- Not here.
0:43:20 > 0:43:22Training ground, player areas - of course.
0:43:22 > 0:43:24But...here?
0:43:48 > 0:43:49"Muriatic."
0:43:49 > 0:43:53It's just another name for hydrochloric acid, isn't it?
0:43:53 > 0:43:54I don't know, sir.
0:43:54 > 0:43:56What do you use it for?
0:43:56 > 0:43:58Clean the cement. Gets rid of grime.
0:43:58 > 0:44:00You have to wear gloves.
0:44:01 > 0:44:03May I speak with Dr Alexander, please?
0:44:09 > 0:44:10Hi. Sorry to trouble you.
0:44:10 > 0:44:12- Do you know this woman?- No, sorry.
0:44:53 > 0:44:55Could this have disfigured Eva Liron?
0:44:56 > 0:44:58The same chemical.
0:44:58 > 0:45:02Undiluted, it would be capable of inflicting the injuries we've seen.
0:45:06 > 0:45:07Hi. Sorry to trouble you, Mr Dreyfus.
0:45:07 > 0:45:11Em, would you mind signing this? For my daughter.
0:45:11 > 0:45:12Yeah, sure.
0:45:16 > 0:45:19- Thanks. Really appreciate it, mate. - You're welcome.
0:45:19 > 0:45:22Erm... Do you know this woman?
0:45:23 > 0:45:25- Why? What happened? - She was murdered.
0:45:27 > 0:45:29No. I'm sorry. I-I don't know her.
0:45:30 > 0:45:32Bye.
0:45:32 > 0:45:34The clippings are so fine, the body sinks,
0:45:34 > 0:45:37gets covered by fertilisers, nitrates -
0:45:37 > 0:45:39you know the sort of stuff, snail killer...
0:45:39 > 0:45:42- And it's in a confined space. - The chemicals in the grass
0:45:42 > 0:45:44will change the rate of decomposition of the body.
0:45:44 > 0:45:46Grass will insulate, but it'll also produce its own heat.
0:45:46 > 0:45:50Which could speed things up and cause burns and charring.
0:45:50 > 0:45:53But if there's not enough air then it will slow the process.
0:45:53 > 0:45:55We're really pinning this down(!)
0:45:58 > 0:46:00Hi. Erm, sorry to trouble you, Carlos.
0:46:00 > 0:46:02- Do you know this woman?- Si.
0:46:02 > 0:46:05She used to work for Isaac.
0:46:09 > 0:46:11Eva Liron's dead.
0:46:12 > 0:46:13Dead?
0:46:15 > 0:46:16- How did she...?- She was murdered.
0:46:18 > 0:46:20Oh, my God.
0:46:20 > 0:46:22I... I have to call Isaac.
0:46:28 > 0:46:30- Where is your husband? - He should be home soon.
0:46:30 > 0:46:33- VOICEMAIL:- 'This is Isaac. Leave a message.'
0:46:34 > 0:46:37Oh, my God. Is that... Is that Isaac Dreyfus?
0:46:37 > 0:46:38THEY WHISPER EXCITEDLY
0:46:42 > 0:46:44CAMERA CLICKS
0:46:49 > 0:46:52- I have to see Mousa. - Hey, Isaac. He's not here.
0:46:52 > 0:46:54- Where is he?- I don't know...Sami?
0:46:55 > 0:46:57At a meeting?
0:46:57 > 0:46:59- Have you tried to call him? - He's not answering his phone!
0:46:59 > 0:47:01I'll...let him know, yeah?
0:47:05 > 0:47:06MONICA: She was highly recommended.
0:47:06 > 0:47:09Her references were very good.
0:47:09 > 0:47:12I... I liked her very much.
0:47:12 > 0:47:14And then she just disappeared.
0:47:14 > 0:47:15It was strange.
0:47:15 > 0:47:17She seemed happy.
0:47:17 > 0:47:20I tried to contact her, but she never answered her phone.
0:47:20 > 0:47:22She just disappeared.
0:47:22 > 0:47:23Why didn't you call the police?
0:47:23 > 0:47:26To say what? "Our nanny quit"?
0:47:26 > 0:47:28I couldn't even get the police to come
0:47:28 > 0:47:30when I thought someone broke into our house.
0:47:34 > 0:47:35You OK?
0:47:35 > 0:47:36GIGGLING: Yes!
0:47:47 > 0:47:52- Sorry, I had to collect Zara.- Mama!
0:47:52 > 0:47:53Police?
0:47:53 > 0:47:55Detective Inspector John Leighton.
0:47:55 > 0:47:57- City fan?- Nope.
0:47:57 > 0:47:59- Dommage.- I prefer rugby.
0:48:01 > 0:48:03Are you OK to answer a few questions?
0:48:03 > 0:48:06Sweetie, why don't you go upstairs and play, OK?
0:48:09 > 0:48:10When did you last see Eva Liron?
0:48:12 > 0:48:13Um...ten days ago?
0:48:13 > 0:48:16Yeah, just... Just before the match in Newcastle.
0:48:16 > 0:48:18- And you have a clear memory of it?- Yeah, of course.
0:48:18 > 0:48:22I mean, Monica panicked when Eva didn't show up for work.
0:48:22 > 0:48:24My wife had never been to Newcastle before
0:48:24 > 0:48:26and she was going to go with me.
0:48:26 > 0:48:28But she couldn't come.
0:48:28 > 0:48:31No idea who would have wanted to do her harm?
0:48:33 > 0:48:34No.
0:48:35 > 0:48:37OK. Thank you.
0:48:40 > 0:48:42Oh, er...
0:48:42 > 0:48:46Forensics believe that her body was dumped at the training ground.
0:48:46 > 0:48:48That's why we were there today and why we were asking people
0:48:48 > 0:48:51if they'd seen Eva or knew who she was.
0:48:52 > 0:48:54Why did you pretend not to know her?
0:48:57 > 0:48:59Well, because it made me look guilty
0:48:59 > 0:49:03and, um...I'm not guilty.
0:49:04 > 0:49:05Yeah, of course.
0:49:11 > 0:49:12Do we need a solicitor?
0:49:12 > 0:49:14- No. No.- Should I call my father?
0:49:14 > 0:49:17Don't worry. We'll be good.
0:49:21 > 0:49:23Are you coming to bed?
0:49:30 > 0:49:31I slept with her.
0:49:35 > 0:49:36I slept with Eva.
0:49:40 > 0:49:42I slept with her and she made a tape.
0:49:43 > 0:49:45She was trying to get money from me.
0:49:49 > 0:49:50I'm sorry.
0:49:54 > 0:49:56How could you do this to us?
0:49:56 > 0:49:58How could you be so weak?!
0:50:02 > 0:50:05- In my bed?- No. A hotel. An away match.
0:50:05 > 0:50:06She followed you to a match?!
0:50:11 > 0:50:13- Did you...?- No! Of course not!
0:50:13 > 0:50:15I-I didn't know she was dead until today.
0:50:15 > 0:50:17I was going to pay her...
0:50:17 > 0:50:19Monica! You have to believe me!
0:50:22 > 0:50:24SHE SOBS
0:50:31 > 0:50:32Oh, baby...
0:50:40 > 0:50:42- Do you love me?- Oui.
0:50:46 > 0:50:47I'm sorry.
0:50:56 > 0:50:59Oh. Nice. Every girl should have one.
0:50:59 > 0:51:02Every girl secretly wants to be a WAG.
0:51:02 > 0:51:03Yeah. Why wouldn't you?
0:51:03 > 0:51:06Let your whole existence be defined by a bloke.
0:51:06 > 0:51:07Excuse me, please.
0:51:15 > 0:51:17Ah. Come in.
0:51:17 > 0:51:19Well, what do you think?
0:51:20 > 0:51:22I think it's, er...amazing
0:51:22 > 0:51:25and marks you out as a man of incredible taste and vision.
0:51:27 > 0:51:29- Do you think she meant that? - Absolutely.
0:51:36 > 0:51:37Right.
0:51:39 > 0:51:41Do you think Isaac Dreyfus has anything to do with it?
0:51:41 > 0:51:43I need evidence. I need motive.
0:51:43 > 0:51:45How many nannies do you know with a...?
0:51:45 > 0:51:47Breast augmentation.
0:51:47 > 0:51:48That just trips off the tongue. How many?
0:51:48 > 0:51:50- What's your point? - There isn't always one.
0:51:50 > 0:51:54- You think Eva Liron targeted him? - OK. She pursues him.
0:51:54 > 0:51:56Probably just for fun at first.
0:51:56 > 0:52:00She gets him to sleep with her. She decides, "That was easy."
0:52:00 > 0:52:02"I'd like the rest of that lifestyle as well."
0:52:02 > 0:52:05He says, "No". She threatens to blow up his life.
0:52:05 > 0:52:06He kills her.
0:52:06 > 0:52:07A bleak world-view.
0:52:07 > 0:52:09He's 26, right? For each one of those years,
0:52:09 > 0:52:11he's been told he's marvellous, special.
0:52:11 > 0:52:13He doesn't know what's right or wrong. He just does.
0:52:13 > 0:52:16- Although the cliche is attractive...- It's a cliche
0:52:16 > 0:52:17because we all know it happens.
0:52:17 > 0:52:19Now, his window of opportunity is limited
0:52:19 > 0:52:20because he travels so much.
0:52:20 > 0:52:23So I need you to be very precise about Eva Liron's time of death.
0:52:23 > 0:52:26Trying to estimate her time of death won't be easy.
0:52:26 > 0:52:28She will have died at least a week ago.
0:52:28 > 0:52:29There are no fly eggs on the body
0:52:29 > 0:52:31and there is evidence of putrefaction,
0:52:31 > 0:52:33marbling along blood vessels...
0:52:33 > 0:52:35Can we get within a day?
0:52:35 > 0:52:37I need... I need to be able to limit any alibi...
0:52:37 > 0:52:39A day is fairly exact...
0:52:39 > 0:52:40Oh, we should be able to do that.
0:52:42 > 0:52:44We presume that she was murdered at the training ground,
0:52:44 > 0:52:45but we don't know.
0:52:45 > 0:52:47The environment in the skip is moist,
0:52:47 > 0:52:49but we don't know how long it was in the skip.
0:52:49 > 0:52:51The acid will have caused a rise in temperature...
0:52:51 > 0:52:53We can play with the information we've got
0:52:53 > 0:52:56and give the Detective Inspector what he needs, can't we?
0:52:56 > 0:52:58You have the skills and resources, don't you, Dr Alexander?
0:53:00 > 0:53:01I'll be at my desk.
0:53:07 > 0:53:11Magistrate's given us a warrant to search his house.
0:53:11 > 0:53:12- Thanks for your time.- Thank you.
0:53:14 > 0:53:16Jack?
0:53:17 > 0:53:18Did I say something...?
0:53:20 > 0:53:22She doesn't "play with information" and she doesn't lie.
0:53:22 > 0:53:24Asking if she "had the skills"?
0:53:24 > 0:53:27You're lucky you can still pee standing up.
0:53:29 > 0:53:32Great leadership, by the way. Restored my confidence.
0:53:57 > 0:53:59- What's going on? - Morning, Mrs Dreyfus.
0:53:59 > 0:54:02I have a warrant to search your house.
0:54:02 > 0:54:04Sergio, you take upstairs. Peter, in there.
0:54:04 > 0:54:06James, Eddie - kitchen.
0:54:06 > 0:54:10Oh, come on! Why are you doing this? Why?
0:54:12 > 0:54:15- Monica.- Zara, come on. Let's watch TV, OK?
0:54:21 > 0:54:22Mousa!? Where are you?
0:54:22 > 0:54:24The police are here searching my house.
0:54:24 > 0:54:26Call me back.
0:54:30 > 0:54:32You're just trying to make yourself famous.
0:54:33 > 0:54:36- Huh? Is that what it is? - Yeah, it was always my dream.
0:54:48 > 0:54:50- Oh...- C'est pour moi, tout ca?- Mm-hm...
0:54:52 > 0:54:54- Hey! Stop it! - Detective Leighton! Stop that.
0:54:54 > 0:54:56Can you...? Yeah. Thanks.
0:54:56 > 0:54:59Detective Leighton, you need to see this.
0:55:06 > 0:55:08I didn't kill her.
0:55:08 > 0:55:10Are you listening? I didn't kill her.
0:55:10 > 0:55:12Monica, call your father!
0:55:13 > 0:55:15REPORTER: Isaac! Isaac!
0:55:15 > 0:55:16REPORTERS YELL
0:55:46 > 0:55:48- You know each other? - Yep.- Yeah.
0:55:48 > 0:55:49I needed to see both of you.
0:55:51 > 0:55:53His father says they didn't use drugs.
0:55:53 > 0:55:55Some families don't.
0:55:55 > 0:55:57He admitted that Nathan could be violent
0:55:57 > 0:55:58and strike out at strangers.
0:55:58 > 0:56:01Well, I don't think that the presence of benzodiazepine in Nathan's bloods
0:56:01 > 0:56:04has anything to do with his autism.
0:56:04 > 0:56:07The cocktail of anti-psychotic drugs and painkillers
0:56:07 > 0:56:09used to kill Nathan Freedman
0:56:09 > 0:56:12is the same as those found in the bloods of Eva Liron.
0:56:13 > 0:56:18It may not mean anything, but it is highly unusual.
0:56:18 > 0:56:19I can't explain it, but...
0:56:20 > 0:56:22I think you may be looking for the same killer.
0:56:25 > 0:56:27Well, we've already got a suspect.
0:57:07 > 0:57:08Mousa Rashid's dead.
0:57:08 > 0:57:12I'm not all the things you think I am.
0:57:12 > 0:57:14- I didn't kill the girl. - I'm not the one who'll judge you.
0:57:15 > 0:57:18Please! I don't know what to do. I'm so scared.
0:57:18 > 0:57:20I need more physical evidence.
0:57:20 > 0:57:22I need you two to step up.
0:57:22 > 0:57:23How have we not stepped up?
0:57:23 > 0:57:26- Leighton called. Says Jack assaulted him.- What?
0:57:26 > 0:57:30She allows herself to be photographed but leaves no DNA and no prints.
0:57:32 > 0:57:33Someone went through my files
0:57:33 > 0:57:36and photocopied a highly confidential document.
0:57:36 > 0:57:37And you think that was me?
0:57:38 > 0:57:40GUNSHOTS