0:00:02 > 0:00:09This programme contains some scenes which some viewers may find upsetting.
0:00:09 > 0:00:12- 'Thanks, Nikki, much appreciated.' - The conviction is quashed.
0:00:12 > 0:00:14A guilty man was released yesterday. I'm not looking for anybody else.
0:00:15 > 0:00:19- What are you doing? Get off! - Did you write this?
0:00:19 > 0:00:21You come after me and mine again, and I promise you,
0:00:21 > 0:00:23I'll come after you and yours.
0:00:23 > 0:00:26Same place as Daniel Harris and Michael Freeman.
0:00:26 > 0:00:27Remind you of anything?
0:00:27 > 0:00:31ON THE FLOOR NOW! ON THE FLOOR! Hands behind your head!
0:00:31 > 0:00:33Byron Lee. No passport, birth certificate,
0:00:33 > 0:00:36previous convictions, driving licence, nothing.
0:00:36 > 0:00:38- This guy doesn't exist. - So, who is he, then?
0:00:38 > 0:00:40So, am I being removed for political reasons or
0:00:40 > 0:00:41because of the DI's displeasure?
0:00:41 > 0:00:42Shall we say the former?
0:00:42 > 0:00:45He's got previous for sexual assault. Callum Jordan.
0:00:45 > 0:00:48Should've worn a condom, Callum. DNA. Yours. On the body.
0:00:48 > 0:00:51I can't make it up. I can't make Bennetto be innocent.
0:00:51 > 0:00:53- I don't want that. - No, but you need it.
0:00:53 > 0:00:54The night?
0:00:56 > 0:00:58You said spend the night.
0:00:58 > 0:01:00The police are on me back, the press are after me family.
0:01:00 > 0:01:03- You said you'd sort it. - I am sorting it, David.
0:01:03 > 0:01:05We've got another body. Charlie Masham.
0:01:08 > 0:01:09Nikki!
0:01:59 > 0:02:00All units in position.
0:02:10 > 0:02:12How much longer are you going to wait?
0:02:18 > 0:02:21- Tell me what they know. - She's told you...- Again!
0:02:21 > 0:02:24- I've told you it all.- She's not keeping anything back, David.
0:02:24 > 0:02:25- Again!- David...- Again!- David!
0:02:25 > 0:02:29- The drugs, the gun... - What else?- Nothing.
0:02:29 > 0:02:32- David, put the gun down. - Right, get up. We're going. Get up!
0:02:32 > 0:02:35- You don't know what you're doing, David.- Shut your mouth.
0:02:36 > 0:02:39- We've got activity.- They're watching.- Shut your mouth!- David.
0:02:39 > 0:02:40Shut up! SHUT UP!
0:02:40 > 0:02:42NIKKI PANTS, PHONE RINGS
0:02:42 > 0:02:45At least hear what they've got to say.
0:02:49 > 0:02:52David, listen. You're never going to make it out of here.
0:02:52 > 0:02:56The first chance they get, they'll take the shot. Now, they want to negotiate. They're trying.
0:02:56 > 0:02:59OK, so, think, think about it. Take the call.
0:03:05 > 0:03:07PHONE RINGS
0:03:09 > 0:03:11David? It's Rachel Klein.
0:03:12 > 0:03:13I'm not going back to prison.
0:03:13 > 0:03:14Look.
0:03:14 > 0:03:17You know me, we go way back.
0:03:17 > 0:03:20You'll be heard, David, all right?
0:03:20 > 0:03:23We'll take our time.
0:03:23 > 0:03:24Come on, there's no need
0:03:24 > 0:03:27for anyone else to get hurt cos of what you've done.
0:03:27 > 0:03:29"What I've done"?
0:03:29 > 0:03:31What I've... What have I done?
0:03:31 > 0:03:34What have I done? What have I done?
0:03:34 > 0:03:35What have I done?!
0:03:35 > 0:03:37DEAD TONE, SHE SIGHS
0:03:39 > 0:03:40Brilliant.
0:03:45 > 0:03:48HELICOPTER OVERHEAD
0:04:07 > 0:04:08What's going on, David?
0:04:11 > 0:04:13What are you looking at?
0:04:13 > 0:04:17Daniel's not here. He was meant to be here now.
0:04:17 > 0:04:18He's not here.
0:04:22 > 0:04:25David, listen to me... Listen, listen.
0:04:25 > 0:04:27Come on. Don't do that.
0:04:27 > 0:04:31Hey, David, it's me, listen to me carefully.
0:04:31 > 0:04:34Do you remember last night, you told me
0:04:34 > 0:04:38that you were going to give me the gun. Do you remember that?
0:04:38 > 0:04:43Well, that's why you asked me here. So that you could give me the gun.
0:04:43 > 0:04:45Is that what we're saying to the police?
0:04:45 > 0:04:49Yeah. Exactly. Now, Nikki has nothing to do with this,
0:04:49 > 0:04:52so you don't need to put her into danger.
0:04:52 > 0:04:56All you need to do is just give me the gun, OK,
0:04:56 > 0:04:59and that way no-one is going to try and shoot you,
0:04:59 > 0:05:00no-one's going to hurt you.
0:05:00 > 0:05:03OK. I will sort it out. I promise you.
0:05:03 > 0:05:05Everywhere I turn, there's something else.
0:05:05 > 0:05:07I know.
0:05:07 > 0:05:09It just has to stop.
0:05:09 > 0:05:12It's OK. OK?
0:05:12 > 0:05:13Come on.
0:05:15 > 0:05:17Everything's going to be OK.
0:05:23 > 0:05:25OK. That's good.
0:05:25 > 0:05:28SHE GASPS
0:05:34 > 0:05:36David? What are you doing?
0:05:38 > 0:05:40Subject visible.
0:05:44 > 0:05:47- He's going to fire. - Take the shot.- No!
0:05:50 > 0:05:52Subject down. He's down.
0:05:52 > 0:05:54I've lost visual.
0:05:54 > 0:05:56Stay down. Stay down.
0:05:56 > 0:05:57HE SCREAMS
0:05:57 > 0:05:59He's down!
0:06:02 > 0:06:04HE GASPS
0:06:04 > 0:06:06SIRENS WAIL
0:06:12 > 0:06:14You OK?
0:06:14 > 0:06:15Yeah. Thank you.
0:06:15 > 0:06:18No, I'm...I'm sorry.
0:06:18 > 0:06:20Why don't you ever listen?
0:06:20 > 0:06:23- Hey...- Hmm? I told you! - Look, now's not the time.
0:06:23 > 0:06:26SOCOs need organising in Bennetto's flat. Forensic sweep.
0:06:28 > 0:06:29Well, go on.
0:06:36 > 0:06:37I'll see you later.
0:06:39 > 0:06:41- Well?- I'm OK.- You think?
0:06:50 > 0:06:52INAUDIBLE
0:07:00 > 0:07:01Dad?
0:07:12 > 0:07:14I'm very sorry for your loss.
0:07:14 > 0:07:15It's your fault.
0:07:16 > 0:07:20You got him out - you put him back on the streets.
0:07:20 > 0:07:22Charlie'd still be alive!
0:07:30 > 0:07:32Was it quick?
0:07:46 > 0:07:49Have you ever lost anybody?
0:07:49 > 0:07:50Yes.
0:07:52 > 0:07:53Could you cry?
0:07:55 > 0:07:57Shock can freeze you up.
0:07:58 > 0:08:02It's like a safe mode, so we can still function.
0:08:02 > 0:08:03Is that what happened to you?
0:08:07 > 0:08:10CAMERA SHUTTER CLICKS
0:08:19 > 0:08:23CAMERA SHUTTER CLICKS
0:08:49 > 0:08:52The other three victims had exit and entry wounds
0:08:52 > 0:08:54but, er, no bullets recovered.
0:08:54 > 0:08:57- So, you can match that to Bennetto's gun?- I can run tests.
0:08:57 > 0:08:59So, well, we've got him.
0:08:59 > 0:09:01Do we have a time of death yet?
0:09:01 > 0:09:03Around 8pm.
0:09:03 > 0:09:05So, we released Bennetto yesterday around three.
0:09:05 > 0:09:08Charlie Masham leaves his father's house around six.
0:09:08 > 0:09:10Bennetto picks him up somehow, kills him somewhere,
0:09:10 > 0:09:13- and then dumps him somewhere else? - Are you sure the body was moved?
0:09:13 > 0:09:16There was hardly any blood at the scene, so, yeah.
0:09:16 > 0:09:18Which means a vehicle was involved.
0:09:18 > 0:09:20Again, like Byron Lee. A transit-type again?
0:09:20 > 0:09:22Maybe, but there were no tyre tracks this time.
0:09:22 > 0:09:25- Cameras?- No.- At least we've got an ID on the victim this time.
0:09:25 > 0:09:27- Any progress with that? - I sent mug shots through.- Right.
0:09:27 > 0:09:30Well, anything else you can do would be gratefully received.
0:09:30 > 0:09:32Why didn't he dump THIS one in the same marshland area
0:09:32 > 0:09:34as the other three victims?
0:09:34 > 0:09:38Maybe he was disturbed. Maybe he couldn't get clear access.
0:09:39 > 0:09:41Nikki's here for a meeting.
0:09:43 > 0:09:44Give us five minutes.
0:09:50 > 0:09:53- So, what do you want to do with Callum Jordan?- Let him go.
0:09:54 > 0:09:56- Really?- No, I thought I'd just wind you up.
0:09:56 > 0:09:59You loved it when I looked like a twat, didn't you?
0:09:59 > 0:10:02Well, not any more. From now on, when I say jump, you say...?
0:10:02 > 0:10:05"Off what cliff?
0:10:05 > 0:10:06"Ma'am."
0:10:08 > 0:10:10The Home Office are calling for an inquiry.
0:10:10 > 0:10:13You can't expect anything else, can you? You help get him released,
0:10:13 > 0:10:16- then this happens.- It was the court's decision, not mine.
0:10:16 > 0:10:19Whatever. There will be an inquiry, I'll make sure of that.
0:10:19 > 0:10:21To what end? To scapegoat me?
0:10:21 > 0:10:24This whole thing begins and ends with YOU, Nikki.
0:10:24 > 0:10:27You're planning to announce that to the public, are you? The inquiry?
0:10:27 > 0:10:30- You're damn right I am.- Which will drag the Home Secretary into it,
0:10:30 > 0:10:33thereby guaranteeing this whole thing will run and run.
0:10:33 > 0:10:34So, what instead? Do nothing?
0:10:34 > 0:10:36The press won't stay quiet for long.
0:10:36 > 0:10:38DI Klein's holding a press conference later.
0:10:38 > 0:10:41- For what reason?- To appeal for information. How about I tag along?
0:10:41 > 0:10:42- Can I say something...?- To...?
0:10:42 > 0:10:44To formally announce that Nikki's contrite
0:10:44 > 0:10:49and that disciplinary measures are in train. No mention of an inquiry.
0:10:49 > 0:10:51That way, we give them something to chew on
0:10:51 > 0:10:54- but do nothing to escalate the crisis.- Does the little woman get a say in this?- No.
0:10:54 > 0:10:57Agreed. But you announce that she's suspended.
0:10:57 > 0:11:00- That's my call.- The minister... - My call, Richard.
0:11:02 > 0:11:04My centre, my decision.
0:11:04 > 0:11:06There'll be no suspension, no sacking,
0:11:06 > 0:11:09not without a proper INTERNAL investigation.
0:11:12 > 0:11:13On your head be it.
0:11:17 > 0:11:20Didn't my partner, Jason... Didn't he phone for me?
0:11:20 > 0:11:23Strangely enough, we're not a hotel, sir.
0:11:23 > 0:11:26- Be complaining about the state of the beds if you were.- Right. Come on.
0:11:31 > 0:11:36You didn't tell Jason, did you? What I said, paying for it?
0:11:36 > 0:11:40That's for me to know and you to find out. Go on. Off you go.
0:11:45 > 0:11:47- Police sent this over.- What is it?
0:11:47 > 0:11:51From Byron Lee, or whatever his name is. From where he was staying.
0:11:51 > 0:11:53Thought it might help you piece together his ID.
0:11:53 > 0:11:56- It's police work, that.- OK.
0:12:37 > 0:12:39CAMERA SHUTTERS CLICKING
0:12:47 > 0:12:50CAMERA SHUTTERS CLICKING, SHOUTING
0:12:50 > 0:12:53CLAMOUR
0:13:05 > 0:13:06Do you know these boys?
0:13:08 > 0:13:09Should we?
0:13:12 > 0:13:14- Yes or no.- No.
0:13:18 > 0:13:19How about this?
0:13:23 > 0:13:27- Is this the gun that Davey's supposed to have used?- Mmm.
0:13:27 > 0:13:31- A Browning Hi-Power 9mm. - You know about guns?
0:13:31 > 0:13:35Nope, but I know this one, and it's not Davey's.
0:13:35 > 0:13:41It's my dad's. He was in the Marines. 3 Commando. Falklands.
0:13:41 > 0:13:44He got it off a prisoner of war.
0:13:45 > 0:13:48His own...little bit of Goose Green.
0:13:48 > 0:13:50He told me mum he'd got rid of it.
0:13:50 > 0:13:53- Right, so, when would this have been?- Years ago.
0:13:53 > 0:13:57So, how come David had it? Would your father have given it to him?
0:13:57 > 0:14:02No, no way. He wouldn't give Davey the time of day.
0:14:04 > 0:14:07He'd have hidden it.
0:14:07 > 0:14:09One in the eye for authority and all that.
0:14:09 > 0:14:11PHONE VIBRATES
0:14:17 > 0:14:18Excuse me.
0:14:26 > 0:14:28I heard, mate. I'm really sorry.
0:14:28 > 0:14:32- You still feeling loyal because... - You want him locked up.
0:14:32 > 0:14:35Yeah, well, that or...no more. Gone, dead, I don't care which.
0:14:35 > 0:14:39If you want to help, the offer's still on the table.
0:14:57 > 0:15:00Walker? Wouldn't trust him as far as I could throw him.
0:15:03 > 0:15:07"Deal in facts, don't get emotionally involved." Your mantra, right?
0:15:09 > 0:15:13OK, fact. Bennetto's DNA wasn't on Byron's body.
0:15:13 > 0:15:15Could've been wearing a condom.
0:15:15 > 0:15:18Not just in the semen, but in any other way. There was no contact.
0:15:18 > 0:15:22I'll bet you that we'll get the same results from Charlie Masham.
0:15:23 > 0:15:28"Dear Martha"? Do 19-year-olds still write love letters?
0:15:28 > 0:15:30Don't they just text their requirements?
0:15:33 > 0:15:34SOS?
0:15:34 > 0:15:36- ABBA?- Huh?
0:15:36 > 0:15:39Just trying to lighten the mood. Go on, give us a song.
0:15:39 > 0:15:42Maybe later. The O is lower case, so maybe towns?
0:15:42 > 0:15:45I don't know something on something...
0:15:45 > 0:15:47Stoke on... Shipston-on-Stour.
0:15:47 > 0:15:51- Stourport-on-Severn. - Where?- Sorry, bit classy for you.
0:15:53 > 0:15:57Byron had a biopsy or he'd donated bone marrow, didn't he?
0:15:57 > 0:16:00OK, so...you want to get on to the bone marrow register
0:16:00 > 0:16:03- and local transplant centres? - Local to where?
0:16:03 > 0:16:05Anywhere with "SOS" in the name.
0:16:06 > 0:16:09How much Lorazepam was Bennetto prescribed when he left prison?
0:16:09 > 0:16:1260 milligrams total. Why?
0:16:12 > 0:16:15I just finished the tox screen on Charlie Masham.
0:16:15 > 0:16:18Add what was found in his system to the amount found in Byron Lee's
0:16:18 > 0:16:20and it's way higher than 60 milligrams.
0:16:20 > 0:16:23So, he saw a GP and got another prescription.
0:16:23 > 0:16:26- Not according to his medical notes. - You want me to double-check that?
0:16:26 > 0:16:30- Thanks. What's all this?- Klein wanted us to work on ID'ing Byron.
0:16:30 > 0:16:33After the bullet comparison, please. Prioritise that.
0:16:37 > 0:16:40Where were you yesterday between 3pm and 8pm?
0:16:40 > 0:16:42What? When he wasn't murdering rent boys?
0:16:42 > 0:16:46Does this pretty boy mean anything to you?
0:16:46 > 0:16:49Oh, wow! He does, doesn't he?
0:16:49 > 0:16:51Go on, then, who is he?
0:16:51 > 0:16:54- You don't have to answer that. - Peter Masham's son.
0:16:54 > 0:16:57Yeah. Now, he had the bullet still in him.
0:16:57 > 0:17:00What's the betting that'll match your daddy's gun?
0:17:00 > 0:17:02- Actually, I have information... - Mr Walker, please.
0:17:02 > 0:17:06It's relevant to the investigation. Do you want it or not?
0:17:10 > 0:17:12Listen. I don't want to waste your time,
0:17:12 > 0:17:14especially with upstairs looking on.
0:17:14 > 0:17:16If you've got something to say, say it.
0:17:16 > 0:17:18OK, he told me yesterday that he found the gun at his father's.
0:17:18 > 0:17:20He didn't know what to do with it.
0:17:20 > 0:17:23He knew that if you people got to know, he would be in deep trouble.
0:17:23 > 0:17:25Right, so, don't tell me, so you went to the flat
0:17:25 > 0:17:28so he could give it to you, to give to us. Bollocks!
0:17:28 > 0:17:31Dr Alexander came across the gun before we could make the exchange.
0:17:31 > 0:17:34Next thing, here comes the sheriff and her posse.
0:17:34 > 0:17:36No, but why didn't he say something at the time
0:17:36 > 0:17:38- when I phoned the flat?- Come on.
0:17:38 > 0:17:41He's got...he's got snipers eyeing him through their sights,
0:17:41 > 0:17:44he's shitting himself. You... You want a rational explanation?
0:17:46 > 0:17:48You could've told me this earlier. Why didn't you?
0:17:48 > 0:17:50I don't remember you asking.
0:18:24 > 0:18:26HE COCKS GUN
0:18:26 > 0:18:27GUNSHOT
0:18:27 > 0:18:29HUSHED MURMURS
0:18:29 > 0:18:30Ladies and gentlemen.
0:18:33 > 0:18:34Thank you.
0:18:34 > 0:18:37As most of you already know, I'm DI Rachel Klein.
0:18:37 > 0:18:40On my right, Assistant Commissioner Simon Riley
0:18:40 > 0:18:43and Dr Thomas Chamberlain of the Lyell Centre.
0:18:43 > 0:18:45To begin with, I want to confirm that David Bennetto
0:18:45 > 0:18:50has been rearrested in connection with the murders of both...
0:18:50 > 0:18:53- Byron Lee and Charles Masham. - CAMERA SHUTTERS CLICK
0:19:20 > 0:19:24OK, any questions before I ask Dr Chamberlain to read his statement?
0:19:24 > 0:19:27Remember, we're looking at reaching out to the public
0:19:27 > 0:19:29for information on these murders.
0:19:29 > 0:19:30Yes, Patrick?
0:19:30 > 0:19:33Dr Alexander and Greg Walker, did they know Bennetto was guilty?
0:19:33 > 0:19:35Sorry, I couldn't possibly answer that.
0:19:35 > 0:19:36This lady on the second row here?
0:19:36 > 0:19:40- My son was murdered...- Are we looking at a serial killer now? - Potentially...
0:19:40 > 0:19:44- Were mistakes made because of institutionalised homophobia in the police?- My son!
0:19:44 > 0:19:50MY SON was killed because I knew who Bennetto is, and WHAT he is.
0:19:50 > 0:19:53- Mr Masham...- His appeal was a farce.
0:19:53 > 0:19:57His lawyers employed a tame pathologist to make him look innocent.
0:19:57 > 0:20:01You turned a killer loose and now two young men,
0:20:01 > 0:20:04their whole lives in front of them...
0:20:04 > 0:20:06they've gone.
0:20:06 > 0:20:08And where is Dr Alexander, eh?
0:20:10 > 0:20:12- Hiding away? - If you'll let me explain...
0:20:12 > 0:20:15No. No. No. You should be ashamed, really.
0:20:15 > 0:20:16You should be ashamed.
0:20:24 > 0:20:28That's the bullet fired from Bennetto's father's gun. OK?
0:20:34 > 0:20:38And THIS is the one recovered from Charlie Masham's body.
0:20:45 > 0:20:47Striations don't match.
0:20:50 > 0:20:52I think you might be interested in this too.
0:20:59 > 0:21:01Shit.
0:21:15 > 0:21:18Two things. Clarissa checked with medical records,
0:21:18 > 0:21:20just got an e-mail back.
0:21:20 > 0:21:22Bennetto didn't file a prescription for more Lorazepam
0:21:22 > 0:21:25so, he couldn't have drugged Byron Lee with what he had.
0:21:26 > 0:21:30- And?- And the bullet that killed Charlie Masham
0:21:30 > 0:21:33didn't come from Bennetto's gun.
0:21:35 > 0:21:38- You're sure?- Positive.
0:21:43 > 0:21:46- I'd first like to clarify... - Why was she there, at his flat?
0:21:46 > 0:21:48PHONE VIBRATES, CAMERAS CLICK
0:21:50 > 0:21:53If you'll allow me to, Mr Masham, I will explain.
0:21:53 > 0:21:56- Yeah, will you hell(!) - Dr Alexander had already been removed from the case.
0:21:56 > 0:21:58Her presence at Mr Bennetto's flat was entirely...
0:21:58 > 0:22:01If she was off the case, why was she there with Greg Walker?
0:22:01 > 0:22:04What were they cooking up? Dr Chamberlain?
0:22:04 > 0:22:07- Sorry, what was your question? - What were they cooking up?
0:22:07 > 0:22:10My son would still be alive if Bennetto hadn't walked out of that court.
0:22:10 > 0:22:12I deserve some answers!
0:22:12 > 0:22:15You know you're hiding something.
0:22:15 > 0:22:17I'm sorry. You'll have to, er, excuse me for a few minutes.
0:22:17 > 0:22:19SHOUTING AND CLAMOUR
0:22:19 > 0:22:21Hey! Hey! Hey!
0:22:21 > 0:22:22I'll explain.
0:22:22 > 0:22:25How many more young men are going to die?
0:22:25 > 0:22:28- He could've bought more Lorazepam on the streets?- You can't prove that.
0:22:28 > 0:22:30- OK, the gun. - It's not the same weapon.
0:22:30 > 0:22:32- He could have hidden another somewhere.- Conjecture.
0:22:32 > 0:22:35Oh, what, a legal expert now, are we?
0:22:35 > 0:22:39There's absolutely nothing to place Bennetto at either areas of marshland.
0:22:39 > 0:22:41Tyre tracks there don't match Jill's car. They're van tyres.
0:22:41 > 0:22:44He didn't have access to one. I've checked all the hire companies.
0:22:44 > 0:22:47Why not hold him for possession of the handgun, let us keep digging.
0:22:47 > 0:22:49What, the handgun that isn't his?
0:22:49 > 0:22:50Who let you in?
0:22:50 > 0:22:53- It wasn't his gun, Rachel. - He was still in possession of it.
0:22:53 > 0:22:54You saw him hand it to me, right?
0:22:54 > 0:22:58- That was his intention all along. - Oh, piss off, Greg!- Nikki?
0:22:58 > 0:23:00No, you shouldn't even be in here.
0:23:00 > 0:23:03- He handed it to me, right? - Will you back off?- Yes or no?
0:23:03 > 0:23:05- Yes.- Yes.
0:23:05 > 0:23:07So, here's the bottom line.
0:23:07 > 0:23:11You drove an innocent, mentally ill man to attempt suicide by cop.
0:23:11 > 0:23:14- Oh, come on!- Then you had him shot for waving a mobile phone.
0:23:14 > 0:23:18- For Christ's sake!- Now, what you have does not stand up.
0:23:26 > 0:23:29Is that right? Huh? Eh?
0:23:29 > 0:23:33- Ow!- Did Bennetto give him the gun? - What? You think I'm lying now?
0:23:34 > 0:23:36He is working you, Nikki.
0:23:36 > 0:23:39- Get off.- OK, enough.
0:23:40 > 0:23:41You're on your own.
0:23:50 > 0:23:52Come in.
0:23:59 > 0:24:01- You want a drink or something? - No. Thanks.
0:24:05 > 0:24:06I'm really sorry.
0:24:06 > 0:24:08Shall we get this over with?
0:24:13 > 0:24:15Do what you want with them.
0:24:15 > 0:24:17He deserves what he gets.
0:24:24 > 0:24:26- No, honestly.- Take it.
0:24:30 > 0:24:32This is just between us, right?
0:24:47 > 0:24:48DOOR SLAMS
0:24:48 > 0:24:49SHE SIGHS
0:24:51 > 0:24:54Charlie Masham. The killer must've been disturbed
0:24:54 > 0:24:56or else he didn't have access to the marshes without being seen or...
0:24:56 > 0:24:58- I told YOU that. - Well, no, it was Dr Alex...
0:25:01 > 0:25:05Whatever. Look, the thing is, he's got a ritual.
0:25:05 > 0:25:08The cutting, THEN the shooting.
0:25:08 > 0:25:11It's getting to the root of that, why he does what he does.
0:25:11 > 0:25:13Because, obviously, he wants to shag other blokes
0:25:13 > 0:25:15and he can't come to terms with it.
0:25:15 > 0:25:17And why? Because his father was a knob. There you go.
0:25:17 > 0:25:19Is that enough psychology for you?
0:25:21 > 0:25:23SHE SIGHS
0:25:24 > 0:25:26- Release him.- You what?
0:25:26 > 0:25:29Well, we're not going to get anything out of him in here,
0:25:29 > 0:25:31not with Walker standing guard.
0:25:31 > 0:25:33Put him under surveillance.
0:25:34 > 0:25:35OK.
0:25:35 > 0:25:37FOOTSTEPS RETREATING
0:25:39 > 0:25:42DOOR CLANKS, HINGES CREAK
0:26:04 > 0:26:08OK. That's as far as we go for now. I've, er, got another client to see.
0:26:17 > 0:26:21OK. Come on, you're OK, David.
0:26:21 > 0:26:23Come on, you're OK, man.
0:26:29 > 0:26:31Listen, er, don't go back to your dad's tonight.
0:26:31 > 0:26:35Yeah, the press will be all over it. OK, get a hotel.
0:26:38 > 0:26:40Take it, David.
0:26:42 > 0:26:44- David, take it.- Thank you.
0:26:55 > 0:26:57CAR DRIVES AWAY
0:26:57 > 0:26:59SIRENS IN DISTANCE
0:26:59 > 0:27:01ARGUING VOICES NEARBY
0:27:09 > 0:27:11Here.
0:27:18 > 0:27:20How are we doing?
0:27:22 > 0:27:24PHONE RINGS
0:27:28 > 0:27:30PEN SCRATCHES, ANSWERPHONE BEEPS
0:27:30 > 0:27:34- WALKER: - 'Hey, I...got your message. Yeah, er, lunch would be great.
0:27:34 > 0:27:37'I'll see you there. I've, er, got a meeting nearby, so, um...'
0:27:37 > 0:27:39Hi?
0:27:39 > 0:27:40Hi.
0:27:42 > 0:27:45VOICES NEARBY, KIDS YELLING OUTSIDE
0:28:10 > 0:28:11DOOR SLAMS
0:28:25 > 0:28:27OK.
0:28:28 > 0:28:29He's moving.
0:28:37 > 0:28:40INAUDIBLE
0:29:02 > 0:29:05TRAIN RUMBLES NEARBY
0:29:15 > 0:29:18INDISTINCT RAIL ANNOUNCEMENTS
0:29:43 > 0:29:46TRAIN CLATTERS
0:30:10 > 0:30:12METAL FENCE JINGLES
0:30:20 > 0:30:23TRAIN ROARS
0:30:29 > 0:30:31HE PANTS
0:30:35 > 0:30:37'Ma'am, we've lost him.'
0:30:37 > 0:30:38Oh, shit!
0:30:38 > 0:30:40SHE SIGHS
0:30:47 > 0:30:49Not eating?
0:30:50 > 0:30:52Not got the stomach for it.
0:30:53 > 0:30:54Downside of the job, huh?
0:31:01 > 0:31:04Listen, I forced your hand at the Lyell Centre, yesterday?
0:31:04 > 0:31:06Is that what this is about?
0:31:06 > 0:31:08Nikki, you knew he was going to hand the gun over.
0:31:08 > 0:31:10No, you told him that at the time.
0:31:10 > 0:31:12But it was the intention from the beginning.
0:31:14 > 0:31:15You got here early, did you?
0:31:17 > 0:31:21- Sorry?- To make sure you weren't seen being dropped off.
0:31:22 > 0:31:24Your wife, presumably?
0:31:25 > 0:31:26And child?
0:31:29 > 0:31:32- I don't do this, Greg. I really... - I was going to tell you.
0:31:32 > 0:31:35I just didn't want you to panic and run.
0:31:35 > 0:31:38- Like I'm not going to do that now? - Before you jump to conclusions...
0:31:38 > 0:31:42We're separated, and we were separated before I met you, so...
0:31:42 > 0:31:45- So, why didn't you tell me before? - Because...
0:31:45 > 0:31:49I suppose I'm still working some things out in my own mind.
0:31:49 > 0:31:50What things?
0:31:50 > 0:31:53Walking out on them.
0:31:54 > 0:31:58- How Bella is dealing with that. - Your daughter?
0:31:58 > 0:32:00- Yeah.- Adopted?
0:32:00 > 0:32:03Yeah. Well, I saw her for breakfast this morning.
0:32:03 > 0:32:06And her mum picked us up and dropped me off, so...
0:32:10 > 0:32:12- Listen, we were trying for kids and...- You know what...
0:32:12 > 0:32:15- No, please, let me explain. We had IVF and...- I...
0:32:15 > 0:32:18OK, which was my fault. Because of me.
0:32:18 > 0:32:19Then we went through an adoption,
0:32:19 > 0:32:23all that upset and the stress of that, and then me walking out.
0:32:23 > 0:32:26Well, I guess I just...
0:32:26 > 0:32:27I am...
0:32:27 > 0:32:28I have a lot of guilt.
0:32:34 > 0:32:35It would've been nice to know.
0:32:37 > 0:32:38Yeah.
0:32:54 > 0:32:58Thanks for standing by me with the Home Office.
0:32:58 > 0:33:00You're welcome. It won't just stop with you, you know?
0:33:00 > 0:33:03If you fall, they'll come after the Lyell.
0:33:05 > 0:33:09- Ah, so, I am a firewall.- Come and have a look at this a second?
0:33:13 > 0:33:14It's THESE marks.
0:33:21 > 0:33:22Did you notice this before?
0:33:22 > 0:33:24No. Same on Charlie Masham.
0:33:33 > 0:33:35Look at his eye.
0:33:35 > 0:33:37What does that tell you?
0:33:38 > 0:33:40Asphyxiation.
0:33:41 > 0:33:43They were suffocated.
0:33:46 > 0:33:48I thought previous PM reports were shipped out.
0:33:48 > 0:33:51Yeah, I kept copies though, thank God!
0:33:53 > 0:33:55Was this cause of death, do you think?
0:33:55 > 0:33:58Asphyxiation? Shooting? It's impossible to tell.
0:33:58 > 0:34:00Right...
0:34:00 > 0:34:03these are the murders that Bennetto was convicted of.
0:34:03 > 0:34:05And that he was acquitted of.
0:34:06 > 0:34:08Daniel Harris and Michael Freeman.
0:34:08 > 0:34:11Where's his face?
0:34:11 > 0:34:13Here.
0:34:13 > 0:34:14MONITOR BEEPS
0:34:16 > 0:34:18Here we go.
0:34:23 > 0:34:24Yeah, the same.
0:34:24 > 0:34:26What caused it?
0:34:26 > 0:34:29Don't know.
0:34:29 > 0:34:34- Some sort of mask maybe, a vent mask?- They're padded.
0:34:34 > 0:34:36Sure, but apply a lot of downward pressure,
0:34:36 > 0:34:39- it's going to bruise... - How come Dr Bell missed this?
0:34:39 > 0:34:41I did, too, to begin with.
0:34:44 > 0:34:48More than one set of marks too. Look, it's repeated.
0:34:50 > 0:34:51So, starve the victim of oxygen,
0:34:51 > 0:34:55take him to the brink of unconsciousness, and bring him back.
0:34:58 > 0:34:59Do you want to tell Klein?
0:35:03 > 0:35:06We ran an ESDA test on Byron Lee's notebook
0:35:06 > 0:35:08and I think we may have traced him.
0:35:08 > 0:35:10Brian Lowe is a runaway.
0:35:10 > 0:35:15Left home in Southend when he was 14. Not been heard from since.
0:35:16 > 0:35:18Well, could be anybody.
0:35:18 > 0:35:21Byron Lee. Brian Lowe. Same initials.
0:35:21 > 0:35:23Dr Alexander wants a word.
0:35:23 > 0:35:25We've got something else for you.
0:35:29 > 0:35:32- He donated bone marrow, right? - Possibly.
0:35:32 > 0:35:35We've got a lead to ID him, but the hospitals won't talk to me.
0:35:35 > 0:35:37- Can you call them?- Sure.
0:35:37 > 0:35:41All four victims were asphyxiated before they were killed,
0:35:41 > 0:35:43and I think asphyxiation changes the whole thing.
0:35:43 > 0:35:47- How?- Well, we thought that Bennetto's motive was sexual, right?
0:35:47 > 0:35:51- Getting some degree of sexual pleasure from this?- And?
0:35:51 > 0:35:54I don't think that this guy was killing for those reasons.
0:35:54 > 0:35:57What he gets off on is taking them to the brink of death
0:35:57 > 0:35:59over and over again.
0:35:59 > 0:36:03It's having ultimate control, that's what's giving him his kicks.
0:36:03 > 0:36:05Their sexual orientation isn't at the heart of this...
0:36:05 > 0:36:07So, what's with masturbating over them...
0:36:07 > 0:36:11He does that after death, after controlling them, after killing them.
0:36:12 > 0:36:14No...!
0:36:14 > 0:36:16Think about it.
0:36:16 > 0:36:19Byron was the only victim whose body exhibited signs of recent sex
0:36:19 > 0:36:21and he was selling himself.
0:36:21 > 0:36:24None of the other victims were interfered with sexually.
0:36:25 > 0:36:27OK, it's a theory.
0:36:27 > 0:36:29But it doesn't mean Bennetto couldn't have done this.
0:36:30 > 0:36:32I'm very grateful, thanks. Bye.
0:36:34 > 0:36:40- So?- Brian Lowe had a sister a couple of years younger than him called Martha.
0:36:40 > 0:36:44Figures. The girl in the photo. He was writing to her.
0:36:44 > 0:36:46She was diagnosed with Hodgkin's lymphoma
0:36:46 > 0:36:48when he was about 14 years old.
0:36:48 > 0:36:51- He donated bone marrow to her. - Hence the scars on his lower back.
0:36:51 > 0:36:54- But she died a few months later. - So, how come he was writing to her?
0:36:54 > 0:36:56Don't know.
0:36:58 > 0:37:02Maybe, maybe not for real. Not TO her, not the way you mean.
0:37:02 > 0:37:06Like he took her death really badly and just...disappeared.
0:37:06 > 0:37:10- Parents have been looking for him ever since.- Right.
0:37:11 > 0:37:12Klein should be told.
0:37:13 > 0:37:14I'll do it.
0:37:53 > 0:37:55DOORBELL RINGS
0:38:00 > 0:38:02DOORBELL RINGS
0:38:08 > 0:38:09Can I come in?
0:38:09 > 0:38:10Sure.
0:38:13 > 0:38:17OK, I bow to your greater insight.
0:38:17 > 0:38:21Greg Walker is somewhat economical with the truth.
0:38:21 > 0:38:23- Personally, anyway. - Want to go into detail?
0:38:23 > 0:38:26No. It's not a big deal.
0:38:26 > 0:38:29Not such a blue-eyed boy any more, hey? That's a shame.
0:38:29 > 0:38:31- You don't mean that. - What gave you that idea(?)
0:38:36 > 0:38:38Thomas told me about Byron...
0:38:38 > 0:38:40- Police work.- Hmm?
0:38:40 > 0:38:42Tracing him. Should've been Klein and her team.
0:38:42 > 0:38:45- If she was more competent? - You two still at war?
0:38:45 > 0:38:47It's not of my making.
0:38:47 > 0:38:51Course not, you've been fully objective all along(!)
0:38:51 > 0:38:52Oh, come on!
0:38:52 > 0:38:56I'm just saying, that maybe it's time to bury the hatchet,
0:38:56 > 0:38:58and not in her head.
0:39:02 > 0:39:05So, have you told Klein about Byron's real identity?
0:39:05 > 0:39:09- No.- Why not?- Because...
0:39:09 > 0:39:12- Jack?- Because...
0:39:12 > 0:39:15what's she going to do, go round his mum and dad's and tell them,
0:39:15 > 0:39:17"Hooray, we've found your missing kid!
0:39:17 > 0:39:19"But, oh, he's dead. Shot in the head."
0:39:20 > 0:39:22They're better off not knowing.
0:39:22 > 0:39:25We have to be objective, don't we? Your words.
0:39:25 > 0:39:28- Yup. But this is different.- Is it?
0:39:29 > 0:39:30Give your evidence, Jack.
0:39:30 > 0:39:34It's up to others what they do with it. You're not responsible.
0:39:58 > 0:40:01I think the police have made a huge mistake, right from the start.
0:40:01 > 0:40:05They've assumed that the victims were targeted because of their sexuality.
0:40:05 > 0:40:06Well, they were all gay.
0:40:06 > 0:40:09Sexual violence isn't about the sexual preference
0:40:09 > 0:40:11- or even sexual pleasure, is it? - I don't know.
0:40:11 > 0:40:14We've found evidence of torture, asphyxiation.
0:40:16 > 0:40:19This guy almost killed them over and over again
0:40:19 > 0:40:22and then revived them over and over again.
0:40:22 > 0:40:24- He played with them.- Right.
0:40:24 > 0:40:27So, I don't think that it's necessarily about him being gay -
0:40:27 > 0:40:31- or even anti-gay - that's not what the motivation was.- So, what?
0:40:33 > 0:40:36- Power? Control?- Yes.
0:40:36 > 0:40:39- So, then why target gay men? - Was Charlie Masham gay?
0:40:39 > 0:40:42What he did was target young men.
0:40:42 > 0:40:43OK, same question.
0:40:43 > 0:40:45Well, I think back to when I was that age,
0:40:45 > 0:40:48and I was like pretty much everyone else.
0:40:48 > 0:40:51I wanted fun however it came, I wanted as many highs as I could get,
0:40:51 > 0:40:53and that makes you vulnerable, doesn't it?
0:40:53 > 0:40:56Sure, but there are plenty of women at weekends out there,
0:40:56 > 0:40:59drunk, wandering the streets - why does he not target them?
0:40:59 > 0:41:02Because his problem is with men, and not with women.
0:41:02 > 0:41:05THAT'S what's at the root of this.
0:41:05 > 0:41:08Am I describing David Bennetto?
0:41:08 > 0:41:09I don't know.
0:41:10 > 0:41:12HE CLEARS HIS THROAT
0:41:14 > 0:41:18I mean, look, I'm no psychologist but...
0:41:18 > 0:41:22David's father controlled the people around him,
0:41:22 > 0:41:24in his family, through fear.
0:41:24 > 0:41:27He would pick on whoever was vulnerable.
0:41:27 > 0:41:29Through violence, the threat of violence...
0:41:29 > 0:41:31never knowing what is coming next.
0:41:31 > 0:41:35And that takes away your self-respect,
0:41:35 > 0:41:38any control you feel you have over your own life.
0:41:39 > 0:41:42And, I think, sometimes that can make people...
0:41:42 > 0:41:45do things that they hate themselves for
0:41:45 > 0:41:48- in order to get that control back. - So, you think Bennetto...?
0:41:48 > 0:41:51What? Having power over another human being,
0:41:52 > 0:41:55being able to decide how and when they die,
0:41:55 > 0:41:57that's the ultimate control.
0:41:58 > 0:42:01And it must be... must be a massive hit.
0:42:01 > 0:42:04Must feel like you're on the very cusp of existence.
0:42:06 > 0:42:09But that's not David.
0:42:09 > 0:42:14And that's not because he's your client, and that's what you're supposed to say?
0:42:15 > 0:42:18It's because I know he's innocent.
0:42:18 > 0:42:19And so do you.
0:42:25 > 0:42:27Here.
0:42:34 > 0:42:37ENGINE STOPS, HANDBRAKE CRANKS
0:42:38 > 0:42:41Better she doesn't know, isn't it?
0:42:41 > 0:42:43Carries on living in hope.
0:42:47 > 0:42:49You and me?
0:42:52 > 0:42:53You.
0:42:57 > 0:42:58Thanks(!)
0:43:15 > 0:43:17INAUDIBLE
0:43:23 > 0:43:25INAUDIBLE
0:43:27 > 0:43:29SHE SIGHS
0:43:42 > 0:43:43DOOR CLOSES
0:43:43 > 0:43:45- Did you close the curtains?- No.
0:43:47 > 0:43:48(Stay here.)
0:43:51 > 0:43:53How much did he pay you, mate?
0:43:54 > 0:43:57Get upstairs! Jacob, take Mummy's bag!
0:43:57 > 0:44:00Davey! David get off!
0:44:00 > 0:44:02Davey!
0:44:04 > 0:44:06Davey! Stop it!
0:44:06 > 0:44:07Davey, look at me!
0:44:07 > 0:44:09David, look at me! Look at me!
0:44:09 > 0:44:11Calm down. Calm down, please.
0:44:11 > 0:44:13Can I have the police, please?
0:44:14 > 0:44:16HE GROANS
0:44:16 > 0:44:18SHE GASPS
0:44:27 > 0:44:28You've heard?
0:44:28 > 0:44:30Yeah.
0:44:30 > 0:44:32They've just picked him up at his sister's.
0:44:32 > 0:44:38Klein won't let it go. No other suspect, still just Bennetto.
0:44:38 > 0:44:39You've changed your tune.
0:44:39 > 0:44:42I'm doing what she should've done. Just focused on the evidence.
0:44:47 > 0:44:50No prints, no DNA.
0:44:50 > 0:44:52- Sorry?- Nowhere.
0:44:52 > 0:44:55Everything's circumstantial - nothing forensic.
0:44:55 > 0:44:57No smoking gun,
0:44:57 > 0:44:59literally or otherwise.
0:45:01 > 0:45:02DRAWER OPENS
0:45:02 > 0:45:03DRAWER SLAMS
0:45:06 > 0:45:08Here we go.
0:45:08 > 0:45:10Bodies.
0:45:10 > 0:45:12In the marshland. Riverside.
0:45:12 > 0:45:15One of them, Bennetto's lover.
0:45:15 > 0:45:17So, he's really tied into it.
0:45:17 > 0:45:19The other one, Michael Freeman,
0:45:19 > 0:45:22so Bennetto goes down for five years.
0:45:22 > 0:45:23You get him out of prison,
0:45:23 > 0:45:26because the evidence doesn't entirely stack up.
0:45:26 > 0:45:30- Thank you.- Then what? CCTV.
0:45:30 > 0:45:33He's in Byron's street the day he's murdered.
0:45:36 > 0:45:39And then, the gun and the Lorazepam.
0:45:39 > 0:45:43So, OK, either it is him and he's got a fantastic lawyer,
0:45:43 > 0:45:46or it's all massively coincidental, every tiny bit of it.
0:45:46 > 0:45:48Or the evidence is planted.
0:45:52 > 0:45:56What if it's all staged, all make-believe, everything we see,
0:45:56 > 0:45:59everything we think we know -
0:45:59 > 0:46:01the Lorazepam, Bennetto on CCTV...
0:46:01 > 0:46:05- Explains the coincidences. - And the next logical question is?
0:46:05 > 0:46:08Who staged it? It would have to be someone who knew him incredibly well.
0:46:08 > 0:46:10They'd have to know where he'd been, where he was planning to go,
0:46:10 > 0:46:14- what kind of things he did in his spare time... - What medication he was on.
0:46:15 > 0:46:18- Someone he met in prison? - His sister? Brother-in-law?
0:46:18 > 0:46:20There is one other person.
0:46:23 > 0:46:25Oh, come on.
0:46:25 > 0:46:26HE CHUCKLES
0:46:26 > 0:46:29OK, yeah, a woman scorned, but...
0:46:29 > 0:46:33- Why not?- Because, if it was him, he'd already got away with it.
0:46:33 > 0:46:37Bennetto was already banged up, why would he get him released?
0:46:37 > 0:46:40Because, with Bennetto locked up,
0:46:40 > 0:46:42he couldn't kill - not with the same MO -
0:46:42 > 0:46:46that would be like running up a flag to say Bennetto's innocent.
0:46:46 > 0:46:48That the wrong man was convicted.
0:46:48 > 0:46:51Exactly! But with Bennetto back on the streets,
0:46:51 > 0:46:53Walker could indulge again.
0:46:53 > 0:46:56He has control fantasies.
0:46:56 > 0:47:02He wants to dominate, to take people to the brink of death,
0:47:02 > 0:47:05and then, when he's had enough, he takes their lives.
0:47:05 > 0:47:08What about the siege? Walker saved Bennetto's life.
0:47:08 > 0:47:12Yeah, because he needed a patsy and he needed him alive and free.
0:47:12 > 0:47:14And targeting Charlie Masham?
0:47:14 > 0:47:16Well, that tied Bennetto right back into it.
0:47:16 > 0:47:19Bennetto had a motive to go for Charlie -
0:47:19 > 0:47:21he wanted to get back at Peter Masham - Walker knew it!
0:47:21 > 0:47:24It's all a set-up, an invention!
0:47:24 > 0:47:28You must feel like you're right on the cusp of existence.
0:47:28 > 0:47:31- Huh? - That's what Greg Walker said to me.
0:47:31 > 0:47:33Like a confession.
0:47:36 > 0:47:39Deal in facts. I thought we agreed.
0:47:41 > 0:47:43OK, facts.
0:47:45 > 0:47:48There were two sources of semen on Byron Lee's body.
0:47:48 > 0:47:50- One we know came from... - Callum Jordan.
0:47:50 > 0:47:52- And the other?- No trace.
0:47:52 > 0:47:55Yes. But that sample contained absolutely no sperm.
0:47:55 > 0:47:57So, the donor was infertile.
0:47:57 > 0:48:00Greg Walker couldn't have kids. They had to adopt.
0:48:00 > 0:48:02What time was Byron Lee killed?
0:48:02 > 0:48:04- Sometime between 6 and 8pm. - And Charlie?
0:48:04 > 0:48:08Similar time frame. Why? Where was Walker then?
0:48:08 > 0:48:09Did you see him either of those days?
0:48:12 > 0:48:14Yeah. Both.
0:48:14 > 0:48:17And both times, at the same bar.
0:48:17 > 0:48:19He was late the first time, and the second...
0:48:19 > 0:48:20Time?
0:48:21 > 0:48:23Nine-ish.
0:48:23 > 0:48:26So, there was time to dispose of Charlie's body and then get to you.
0:48:28 > 0:48:31If he'd just used a gun to kill Charlie...
0:48:32 > 0:48:35..then there'd be gunshot residue on his hands.
0:48:51 > 0:48:53- I've already run the tests! - So, run them again!
0:48:53 > 0:48:55Bennetto's not your man, Rachel.
0:48:57 > 0:48:59So, what are you telling me?
0:48:59 > 0:49:02I've spent the last six years barking up the wrong tree?
0:49:02 > 0:49:05Uniform have been to Walker's flat and office. He's not there.
0:49:05 > 0:49:07I've put out an all-vehicle alert.
0:49:11 > 0:49:13OK, so, where else would he go?
0:49:39 > 0:49:44Just help me, David. I've stood by you and I'm on your side.
0:49:44 > 0:49:46- Who knew you were taking Lorazepam? - Why?
0:49:46 > 0:49:48Please, just answer.
0:49:48 > 0:49:51- Jill and Mark.- And Greg? - Yeah, course.
0:49:51 > 0:49:54Remember that time you got caught on CCTV in Byron's street?
0:49:54 > 0:49:56- Yeah.- Whose idea was it for you to go down that road?
0:49:56 > 0:49:58Greg said that he dropped you off.
0:49:58 > 0:50:00So, did you just walk and find yourself in the street
0:50:00 > 0:50:03or did he tell you which way to go?
0:50:03 > 0:50:04He told me.
0:50:04 > 0:50:07How did you meet Greg? Did he come to you?
0:50:07 > 0:50:09Yeah.
0:50:10 > 0:50:13When Daniel died, I got arrested, he said he'd represent me.
0:50:13 > 0:50:16- He got me out.- So, when Michael Freeman was murdered
0:50:16 > 0:50:18- you were already a suspect?- Yeah.
0:50:18 > 0:50:21- Which would have made you easier to frame.- What you talking about?
0:50:23 > 0:50:27Look, this is going to be really difficult for you to hear,
0:50:27 > 0:50:31but all the evidence against you has been planted.
0:50:31 > 0:50:33Now, we need to find Greg, right away.
0:50:33 > 0:50:36He's not at home or at his office. You know him really well,
0:50:36 > 0:50:38so we thought that you might know where he might've gone.
0:50:38 > 0:50:41- What you saying? - Where else would he go?
0:50:41 > 0:50:44- I don't know.- Well, think! - I said, I don't know, didn't I!
0:51:19 > 0:51:21SHE KNOCKS SOFTLY
0:51:23 > 0:51:26FOOTSTEPS APPROACH
0:51:38 > 0:51:40He played me.
0:51:41 > 0:51:43He played me, too.
0:51:43 > 0:51:45No. You didn't put the wrong man away.
0:51:46 > 0:51:48No.
0:51:53 > 0:51:54They're moving me.
0:51:56 > 0:51:58I can forget about DCI now.
0:51:58 > 0:52:00Desk job, regular hours.
0:52:03 > 0:52:05Yeah, right. Who gives a shit(?)
0:52:07 > 0:52:10Why's she bothered about being promoted now?
0:52:10 > 0:52:12That surely, that's not the priority.
0:52:13 > 0:52:14Because...
0:52:23 > 0:52:25Anyway,
0:52:25 > 0:52:27once I've put this to bed they can shove the job.
0:52:27 > 0:52:29SHE SNIFFLES
0:53:01 > 0:53:04There's no paperwork at his office for a Transit van.
0:53:04 > 0:53:07And there's nothing registered in his wife's name either.
0:53:07 > 0:53:11- You did an all-ports? Circulated details?- Ma'am.
0:53:14 > 0:53:18There is one other way we can get to him. Maybe.
0:53:20 > 0:53:23- Does he know you're onto him?- No.
0:53:23 > 0:53:25- You're sure?- Yeah. - Not the slightest inkling?
0:53:25 > 0:53:27No.
0:53:28 > 0:53:29So, call him.
0:53:29 > 0:53:32Keep him on the phone long enough to trace his mobile signal.
0:53:43 > 0:53:45OK.
0:53:46 > 0:53:49KEYPAD TONES
0:53:53 > 0:53:55MOBILE RINGS
0:53:59 > 0:54:01KEYPAD TONE
0:54:02 > 0:54:03- Nikki, hi.- Hi.
0:54:05 > 0:54:07I, er... I hoped you'd call.
0:54:07 > 0:54:08Where are you?
0:54:13 > 0:54:14Can we meet?
0:54:14 > 0:54:15When?
0:54:15 > 0:54:17Now. Tonight?
0:54:19 > 0:54:21I don't think so.
0:54:21 > 0:54:23I'm, um... I'm tired, Nikki.
0:54:25 > 0:54:26You worked it out yet?
0:54:26 > 0:54:28Sorry?
0:54:28 > 0:54:30Cos you're the only one who could have.
0:54:34 > 0:54:35Yeah.
0:54:36 > 0:54:38I worked it out.
0:54:38 > 0:54:39Good.
0:54:41 > 0:54:43KEYPAD TONE
0:54:43 > 0:54:45HE SIGHS
0:55:00 > 0:55:02MOBILE VIBRATES
0:55:08 > 0:55:10David.
0:55:11 > 0:55:14Listen. You'll get compensation money.
0:55:14 > 0:55:18Just make sure you get a good solicitor.
0:55:18 > 0:55:19It's over now.
0:55:20 > 0:55:21We're free.
0:55:21 > 0:55:23Is that it?
0:55:25 > 0:55:27KEYPAD TONE
0:55:37 > 0:55:39BIRDSONG
0:55:42 > 0:55:44SIRENS APPROACHING
0:55:49 > 0:55:52ENGINES REV
0:55:55 > 0:55:57SIRENS STOP
0:55:57 > 0:55:59Greg?
0:56:01 > 0:56:02Out the van.
0:56:06 > 0:56:08Out the van, Greg?
0:56:24 > 0:56:26Hands above your head, where we can see 'em.
0:56:30 > 0:56:33Hands above your head, where we can see them!
0:56:36 > 0:56:38GUNSHOTS No, don't! It's what he wants...
0:56:38 > 0:56:41HE CHOKES AND GASPS
0:56:43 > 0:56:44You, with me!
0:56:48 > 0:56:50All right. Clear!
0:56:54 > 0:56:56Has he got a pulse?
0:56:57 > 0:56:59Bring him back. I want him alive.
0:57:02 > 0:57:04NIKKI PANTS
0:57:08 > 0:57:10HE GASPS
0:57:13 > 0:57:16SHE PANTS
0:57:16 > 0:57:18TROLLEY CLATTERS
0:57:25 > 0:57:27I was right, wasn't I?
0:57:30 > 0:57:31I was right.
0:57:34 > 0:57:36SHE SOBS
0:58:15 > 0:58:19The victim is an unidentified female in her early twenties.
0:58:19 > 0:58:22Victim has a broken nose that's partially healed.
0:58:22 > 0:58:25From the bruising, it looks like the breakage was sustained
0:58:25 > 0:58:26roughly a week before her death.
0:58:26 > 0:58:30I'm trying to ID a young woman, recently deceased.
0:58:30 > 0:58:33Well, well! Look what the cat dragged in. DI Laing.
0:58:33 > 0:58:35Somewhere here, he's made a mistake.