0:00:02 > 0:00:05That hibiscus in Katie's hair, they put that in cocktails.
0:00:05 > 0:00:07I've got your blood on her, and I've got motive.
0:00:07 > 0:00:11- You've got nothing.- How come you've never mentioned a brother before?
0:00:11 > 0:00:14If you know something about Katie, you tell me!
0:00:14 > 0:00:15- You're hurting me.- Tell me!
0:00:15 > 0:00:17Hygiss have upped their offer.
0:00:17 > 0:00:20We need to sell. We're in trouble.
0:00:20 > 0:00:23- We're done. Evens.- Evens?- Aye.
0:00:27 > 0:00:29Jack?
0:00:33 > 0:00:40# Testator silens
0:00:40 > 0:00:48# Costestes e spiritu
0:00:48 > 0:00:56# Silentium... #
0:01:02 > 0:01:06This programme contains some scenes which some viewers
0:01:06 > 0:01:10may find upsetting and some scenes of a sexual nature
0:01:18 > 0:01:21Security guard who found her didn't see her hanging around.
0:01:21 > 0:01:25Said the car park interior was last checked around 7.30pm.
0:01:25 > 0:01:27She fell from level 3.
0:01:29 > 0:01:31Jumped or pushed?
0:01:31 > 0:01:34Helen found some nail varnish marks on the underside of the hand rail
0:01:34 > 0:01:37and some scuff marks from her boots.
0:01:37 > 0:01:40Suicide's a clear possibility, but there's no way of telling
0:01:40 > 0:01:45right now, not from the body. We've got multiple injuries...
0:01:47 > 0:01:51..most likely caused by the steel girders that she hit on the way down.
0:01:51 > 0:01:53So, because of the damage, you can't tell me
0:01:53 > 0:01:56whether she was attacked or not. Is that what you're telling me?
0:01:56 > 0:01:59Let's... just get her back to the Lyell.
0:02:04 > 0:02:08I need to know where you were last night - before you came here.
0:02:11 > 0:02:12You need to know?
0:02:12 > 0:02:14My step-daughter's out there dead somewhere
0:02:14 > 0:02:16and you want to question me?!
0:02:19 > 0:02:22I was driving, OK? I was looking for her.
0:02:22 > 0:02:24- Because...- Because she was upset.
0:02:24 > 0:02:26And did you...find her?
0:02:26 > 0:02:28What are you getting at, Jack? Hm?
0:02:29 > 0:02:31Why don't you come out and say it?
0:02:33 > 0:02:36So...did Hannah know something?
0:02:36 > 0:02:39- Did she tell you?- No!
0:02:39 > 0:02:40OK.
0:02:40 > 0:02:43Let's go back to before she went out.
0:02:43 > 0:02:45She was here, was she?
0:02:47 > 0:02:49And how did she seem? Was she OK?
0:02:49 > 0:02:51Was she nervous or frightened?
0:03:05 > 0:03:07It was Ryan.
0:03:09 > 0:03:11He was upstairs with her.
0:03:12 > 0:03:15Then something happened and she ran.
0:03:15 > 0:03:17Did he go after her?
0:03:22 > 0:03:23SHUTTER CLICKS
0:03:24 > 0:03:26These look fresh.
0:03:26 > 0:03:29You can see, look, brakes hard here
0:03:29 > 0:03:32and vehicle comes to a halt over there.
0:03:32 > 0:03:34Any evidence of a scuffle?
0:03:34 > 0:03:37No, not yet, but it's an evolving scene.
0:03:37 > 0:03:39And I think we've got a narrative emerging,
0:03:39 > 0:03:41which means Hannah wasn't here alone.
0:03:43 > 0:03:44Excuse me for a second.
0:03:48 > 0:03:51BEEPING PHONE RINGS
0:03:51 > 0:03:52PHONE RINGS
0:03:56 > 0:03:59- Hello.- Have you asked Ryan about his alibi?- Yeah.
0:03:59 > 0:04:02- Has he got an explanation?- No.
0:04:02 > 0:04:04You can't talk?
0:04:04 > 0:04:07- No.- Was he with you all of yesterday evening?
0:04:07 > 0:04:09Again...no.
0:04:09 > 0:04:11Then we've got a problem.
0:04:11 > 0:04:13Helen thinks this could be a second murder.
0:04:13 > 0:04:15She's found fresh tyre tracks at the scene
0:04:15 > 0:04:18and Ryan's alibi for Katie doesn't hold up any more.
0:04:18 > 0:04:21So what if you've been wrong and he is involved?
0:04:25 > 0:04:27We should have gone to Carter.
0:04:30 > 0:04:33So...are you going to tell me what that was all about?
0:04:53 > 0:04:55DOOR OPENS SHE GASPS
0:04:57 > 0:04:59SHE WHIMPERS
0:05:00 > 0:05:02KEYS JANGLE
0:05:04 > 0:05:06Lizzie?
0:05:06 > 0:05:08- KNOCKING - Lizzie!
0:05:10 > 0:05:12SHE WHIMPERS
0:05:12 > 0:05:13Lizzie!
0:05:18 > 0:05:21Maybe at the weekend we can all go together.
0:05:33 > 0:05:36What time are you going to be home from work tonight?
0:05:36 > 0:05:39- Can she go to Jenny's so that we can talk?- About what?!
0:05:39 > 0:05:43- Shh!- I don't want you anywhere near her!
0:05:50 > 0:05:52Come on, darling, let's go to school.
0:06:03 > 0:06:07Mark Janssen's has sent through a new, improved offer for 51% of the entire company.
0:06:09 > 0:06:11He wants you to stay on as CEO.
0:06:11 > 0:06:14- And you want to take it? - Things have changed, Christy.
0:06:14 > 0:06:17Why? Because once again you've been led by your dick.
0:06:19 > 0:06:20Tell him no.
0:06:23 > 0:06:27CT is showing extensive damage to the head and torso.
0:06:28 > 0:06:32Pelvis...numerous fractured ribs and a fracture to the skull.
0:06:42 > 0:06:44No peteccial haemorrhaging.
0:06:46 > 0:06:48Correction.
0:06:48 > 0:06:51One peteccial haemorrhage in the lower left eyelid.
0:06:55 > 0:06:58These...could be finger marks.
0:07:00 > 0:07:04- Maybe she was restrained.- Possibly.
0:07:04 > 0:07:06Look here.
0:07:14 > 0:07:16- Ligature?- One way to find out.
0:07:33 > 0:07:35OK.
0:07:35 > 0:07:37Got a laryngeal fracture.
0:07:37 > 0:07:40Hyoid bone...likewise.
0:07:42 > 0:07:45Haemorrhaging on the vocal folds too.
0:07:48 > 0:07:50Strangulation.
0:07:54 > 0:07:57There are marks on her arms where she may have been held
0:07:57 > 0:08:01and what we now think are rope marks on her neck.
0:08:01 > 0:08:04- Any sexual assault?- Again, this wasn't sexually motivated.
0:08:04 > 0:08:08I found no trace of foreign DNA on her body or clothes.
0:08:08 > 0:08:12- Have we got a time of death? - From the core body temperature and state of rigor mortis,
0:08:12 > 0:08:15we estimate a post-mortem interval of seven to nine hours.
0:08:15 > 0:08:18So with the security guard finding her just after 4:30am,
0:08:18 > 0:08:21we're looking at between 7:30-9:30 the previous evening for the murder.
0:08:21 > 0:08:24A possible sequence of events is he lures her into his car,
0:08:24 > 0:08:27she panics, she gets out, legs it,
0:08:27 > 0:08:29he skids to a halt, gets out and gives chase.
0:08:29 > 0:08:31She struggles and he strangles her
0:08:31 > 0:08:33and dumps her body over the railings.
0:08:33 > 0:08:37- Carter, your office been in touch? - About?
0:08:37 > 0:08:40They've just e-mailed some footage over.
0:08:44 > 0:08:49Apparently, this is Ryan Kelvin. Blue Ford yesterday evening.
0:08:49 > 0:08:55And again, at irregular intervals over the next half-hour.
0:08:55 > 0:08:59- What's he doing?- He's looking for Hannah.- Ryan doesn't fit.
0:08:59 > 0:09:01Not if the murders are related.
0:09:01 > 0:09:03He's got an alibi for Katie.
0:09:07 > 0:09:09What?
0:09:11 > 0:09:13Nikki?
0:09:16 > 0:09:19There is no alibi. Not any more.
0:09:46 > 0:09:49I got a call from Hannah yesterday around 6pm
0:09:49 > 0:09:51said she'd got some information.
0:09:51 > 0:09:54- "Where he was meeting Katie". - "He" being?- She didn't say.
0:09:54 > 0:09:57Just wanted to meet me outside Java nightclub at seven.
0:09:57 > 0:10:00- She didn't turn up.- After your call,
0:10:00 > 0:10:03she and Ryan had words about something or other.
0:10:03 > 0:10:05She ran, he went after her.
0:10:05 > 0:10:07You didn't know that, did you?
0:10:07 > 0:10:10There's a lot you don't know,
0:10:10 > 0:10:12but it doesn't stop you filtering evidence.
0:10:14 > 0:10:18- What time did Ryan turn up to your place last night?- Before nine.
0:10:18 > 0:10:21- About a quarter to. - So, let me get this straight,
0:10:21 > 0:10:24essentially you've all sat on information.
0:10:24 > 0:10:28- Jack was going to ask Helen to rerun the tests.- No, it's not down to her or Clarissa or Nikki.
0:10:28 > 0:10:30I take full responsibility.
0:10:30 > 0:10:33There is going to be massive fallout if Ryan is guilty,
0:10:33 > 0:10:35you do realise that?
0:10:35 > 0:10:38- CARTER:- Where is he now? - He was at mine.
0:10:38 > 0:10:42Well, I can check his clothes for signs of a scuffle with Hannah.
0:10:42 > 0:10:44His clothes have been washed.
0:11:02 > 0:11:04Get an ambulance.
0:11:09 > 0:11:12- I need people around me I can trust. - And that's not me?
0:11:12 > 0:11:15Would you have come forward if Nikki hadn't spoken out?
0:11:15 > 0:11:17- Yeah.- Don't lie to me!
0:11:17 > 0:11:19At least do me that courtesy.
0:11:19 > 0:11:21You're lucky Carter got to Ryan when he did.
0:11:25 > 0:11:31- So what do you want me to do? - You've turned us all into... little clandestine units.
0:11:31 > 0:11:35- We've ceased to be a functioning team.- Look, nothing's been proven with Ryan.
0:11:35 > 0:11:40- We don't know anything for sure. - What I do know for sure is that I need people here
0:11:40 > 0:11:44who aren't ruled by their own personal business to the detriment of everything else.
0:11:44 > 0:11:47- And everyone else! And that's not you, is it?- Clearly not.
0:11:47 > 0:11:51Well, at least you have an obvious alternative, don't you? And...
0:11:51 > 0:11:54- I hear she's very good, so... - I don't want you here right now.
0:11:54 > 0:11:57- Clear? Are you getting me this time? - Uh-huh.
0:12:05 > 0:12:06BEEPING
0:12:14 > 0:12:17- You OK?- He's an idiot.
0:12:17 > 0:12:20Abandoning every...basic principle.
0:12:20 > 0:12:23Family...messes you up.
0:12:24 > 0:12:27Anything I can do... just let me know.
0:12:27 > 0:12:29Thanks.
0:12:35 > 0:12:37BUZZER
0:12:40 > 0:12:42BUZZER
0:12:57 > 0:12:59What did Thomas say?
0:12:59 > 0:13:01That...I'm on my way out.
0:13:08 > 0:13:11I can't just walk away from him, Nikki.
0:13:11 > 0:13:13And the Lyell? What you've worked for?
0:13:13 > 0:13:15The only reason he's in the frame
0:13:15 > 0:13:18is because it fits with Carter's sex-crimes agenda.
0:13:18 > 0:13:19Not any more.
0:13:19 > 0:13:23And for once, you're not being led by the evidence, Jack.
0:13:23 > 0:13:27- What?- What is it, has Ryan got some kind of hold over you?
0:13:27 > 0:13:31- Because I just don't see how you can be so pig-headed!- Not you too, Nikki, for God's sake!
0:13:31 > 0:13:35Well, what exactly have you achieved, huh? A death that maybe could've been avoided.
0:13:38 > 0:13:41- We still don't know that for sure. - No, but if you carry on like this,
0:13:41 > 0:13:45you are going to wreck everything that you have worked for!
0:13:45 > 0:13:46Nikki! He's not guilty!
0:13:46 > 0:13:48Oh, for...!
0:14:00 > 0:14:02It's kind of like a confession,
0:14:02 > 0:14:05isn't it, you doing that to yourself?
0:14:05 > 0:14:08Anyway, here we are.
0:14:08 > 0:14:10No Jack. No Lizzie.
0:14:10 > 0:14:13They're gone, they've given up on you.
0:14:13 > 0:14:15So it's just us.
0:14:18 > 0:14:20Talk to me.
0:14:27 > 0:14:31- Nothing on his body or his clothes? - No, he's clean.
0:14:31 > 0:14:34- His car?- No trace of Hannah.
0:14:34 > 0:14:37And the tyre-tread marks at the car park crime scene don't match either.
0:14:37 > 0:14:38Great!
0:14:38 > 0:14:41Two years in Child Protection, dealing with paedophiles
0:14:41 > 0:14:44and pornography until you couldn't hack it any more.
0:14:44 > 0:14:47Your first case back, what do you get? A 15-year-old.
0:14:47 > 0:14:50- Can't be easy.- So I'm still obsessed with sex crimes
0:14:50 > 0:14:52and I'm useless at my job, is that what you're saying?
0:14:52 > 0:14:55No, I suppose I just wanted
0:14:55 > 0:14:58to apologise for making the job even harder.
0:14:58 > 0:15:00Accepted.
0:15:02 > 0:15:06Oh...Ryan Kelvin's file for the GBH,
0:15:06 > 0:15:09- is there any chance of taking a look at it?- Why?
0:15:09 > 0:15:13There might be something in his medical examination notes that relates to the killings.
0:15:27 > 0:15:30- Can I help?- Hello. Jack Hodgson...Lyell Centre.
0:15:31 > 0:15:34- Ben Morgan.- Christy Nash.
0:15:34 > 0:15:36And you're here in connection with...?
0:15:36 > 0:15:39The murders of Katie Bowman and Hannah Kennedy.
0:15:41 > 0:15:45It's your brother who's a suspect, isn't it, Mr Hodgson?
0:15:45 > 0:15:48- Our solicitor keeps us abreast of developments.- Uh-huh.
0:15:48 > 0:15:53- So now I'm wondering, is this an official visit or...? - No, purely personal.
0:15:53 > 0:15:56- CAMERA SHUTTER CLICKS Just doing what the police seem reluctant to.- Which is?
0:15:56 > 0:15:59Investigating the only other suspect in this case.
0:16:01 > 0:16:03This is private property.
0:16:03 > 0:16:06Or better still, I could put in a call to DI Carter.
0:16:06 > 0:16:09- CAMERA SHUTTER CLICKS - Or shall we simply say you're done?
0:16:14 > 0:16:17Hannah Kennedy, is she the girl who was here yesterday evening?
0:16:17 > 0:16:19What in God's name is going on?!
0:16:19 > 0:16:22She accused me of being involved in Katie's death.
0:16:22 > 0:16:26- And are you?- I can't believe you would ask me that!
0:16:26 > 0:16:29You slept with a child, Christy. I'm beginning to wonder who the hell you are.
0:16:29 > 0:16:33Janssen's deal's still on the table. We sell.
0:17:02 > 0:17:04Jack?
0:17:06 > 0:17:07Jack?
0:17:17 > 0:17:19- Jesus!- Fighting again?
0:17:19 > 0:17:21Do I ever stop?
0:17:24 > 0:17:26- We need to talk.- Do we?
0:17:31 > 0:17:33Where'd you get that?
0:17:33 > 0:17:35Kevin Longton. You remember him?
0:17:37 > 0:17:39Something's been niggling at me...
0:17:39 > 0:17:41and now I know what it is.
0:17:41 > 0:17:44That time you gave evidence against Ryan,
0:17:44 > 0:17:47this time you're putting your career on the line for him.
0:17:47 > 0:17:49It doesn't quite add up.
0:17:49 > 0:17:52With the GBH, nobody had died so there was no pathologist,
0:17:52 > 0:17:54but from the medical records,
0:17:54 > 0:17:57Longton's attacker broke his jaw with a punch...
0:17:57 > 0:17:59to the left side of the face.
0:17:59 > 0:18:03Left-sided injury suggests right-hand attack.
0:18:06 > 0:18:08Ryan's left-handed.
0:18:10 > 0:18:12- Ryan didn't throw that punch, did he?- No.
0:18:15 > 0:18:16- I did.- Argh!
0:18:18 > 0:18:20RYAN GROANS
0:18:21 > 0:18:23LONGTON GROANS
0:18:27 > 0:18:30So how come Longton didn't report you?
0:18:30 > 0:18:32He was looking down... didn't see me coming.
0:18:34 > 0:18:38It was Ryan's fight...and he insisted on taking the blame.
0:18:38 > 0:18:40He never mentioned my part in it.
0:18:41 > 0:18:44- That's your guilt.- That's my guilt.
0:18:53 > 0:18:55So what do I do?
0:19:03 > 0:19:04I get it now,
0:19:04 > 0:19:07why you've not been seeing things the way you normally do.
0:19:07 > 0:19:09How do I normally see things?
0:19:09 > 0:19:14You don't follow your heart, Jack... you follow the evidence.
0:20:06 > 0:20:09I was thinking about what you said about coming into a team.
0:20:09 > 0:20:13It's been good spending more time on the front line.
0:20:14 > 0:20:18I tell you what, it beats doing forensic sweeps on all those student theses.
0:20:18 > 0:20:20Not easy, though, these hours, not with a family.
0:20:20 > 0:20:22How old do you think my children are, Thomas?
0:20:22 > 0:20:25They've grown up and gone away.
0:20:26 > 0:20:28No, I'm on my own now.
0:20:28 > 0:20:32- A free agent.- I need to talk to you. - About?
0:20:32 > 0:20:37- Staying on.- OK, we're going over everything you've got.
0:20:37 > 0:20:40- Well, you've seen all the reports. - Er...focusing on?
0:20:40 > 0:20:43I'm only interested in Ryan Kelvin, anything that ties him in tight.
0:20:43 > 0:20:45You think we've missed something.
0:21:54 > 0:21:56THEY CHAT INDISTINCTLY
0:22:04 > 0:22:06SHE CHATS INDISTINCTLY
0:22:07 > 0:22:11- Can we get him out of here? - Just...wait a second.
0:22:11 > 0:22:15Hannah told me Katie was sleeping with someone
0:22:15 > 0:22:16and she thought she knew where.
0:22:16 > 0:22:19And so do I.
0:22:19 > 0:22:23Now, I can just walk or...
0:22:23 > 0:22:25you can give me five minutes.
0:22:25 > 0:22:27If I'm wrong...you've lost nothing.
0:22:35 > 0:22:38I've been back over all the footage from the nightclub.
0:22:42 > 0:22:45Pretty much every night Katie was there,
0:22:45 > 0:22:47she left the place around 10pm.
0:22:52 > 0:22:56She exits...and walks west out of shot.
0:22:59 > 0:23:03She then returns about an hour later.
0:23:03 > 0:23:04That's the pattern.
0:23:04 > 0:23:07She leaves for an hour and then back she comes.
0:23:07 > 0:23:09So we know she likes to get some air.
0:23:11 > 0:23:13This is the night she was killed.
0:23:13 > 0:23:17Again, she leaves the place around ten, heads west.
0:23:19 > 0:23:21Now here's where it gets interesting.
0:23:21 > 0:23:25Every time she leaves... Christy Nash does too,
0:23:25 > 0:23:28about ten minutes after, in the same direction.
0:23:28 > 0:23:31And every time she comes back, so does he,
0:23:31 > 0:23:33either a little before or a little after.
0:23:33 > 0:23:35With one exception.
0:23:35 > 0:23:37The night she died.
0:23:37 > 0:23:41- Where'd she go each time? - A hotel 50 yards along the street.
0:23:41 > 0:23:44No gold star for guessing who with, then.
0:23:54 > 0:23:58Nothing of any use forensically, the room's been occupied by other guests since.
0:23:58 > 0:24:00- We sure she went in there? - Her name's in the register.
0:24:00 > 0:24:03She paid up in cash, checked out at ten to eleven.
0:24:03 > 0:24:05So she was picked up after that between here and the club?
0:24:05 > 0:24:07- Where was Ryan Kelvin then? - It's in the records.
0:24:07 > 0:24:10His girlfriend said he was working behind the bar.
0:24:10 > 0:24:15Pretty solid alibi with a pub full of half-cut regulars to prop it up.
0:24:28 > 0:24:29You can go.
0:24:34 > 0:24:37So...what brought about the change of heart?
0:24:37 > 0:24:40Well, sometimes you just have to seize the moment.
0:24:40 > 0:24:43It was too good an offer to refuse.
0:24:43 > 0:24:45One condition.
0:24:45 > 0:24:47I don't want the position of CEO,
0:24:47 > 0:24:50not if I don't have the controlling stake.
0:24:50 > 0:24:53- Because?- Christy wants to spend more time with his family.
0:24:53 > 0:24:57No. No, I don't want to become your puppet.
0:24:57 > 0:25:00Admirably direct...for a Brit.
0:25:00 > 0:25:04If you're not interested in CEO...that's fine.
0:25:05 > 0:25:09- I imagine you'll have had your people look everything over.- Sure.
0:25:15 > 0:25:17Shall we?
0:25:30 > 0:25:32Excuse me.
0:25:49 > 0:25:51HE SIGHS
0:25:52 > 0:25:54HE SIGHS HEAVILY
0:25:55 > 0:25:56TEXT MESSAGE ALERT
0:26:46 > 0:26:47PHONE RINGS
0:26:52 > 0:26:57- Hi.- You used to work for a guy called Mark Janssen, Tracksure Securities, didn't you?
0:26:58 > 0:27:01- Why?- Guess where he's popped up?
0:27:03 > 0:27:05See you at mine. Right away.
0:28:52 > 0:28:54This is it here, thanks.
0:28:58 > 0:29:00Will you wait for me, please?
0:29:35 > 0:29:38Why would I hurt anyone?
0:29:38 > 0:29:40- What reason?- Cos if it came out about Katie,
0:29:40 > 0:29:42it'd be your career over.
0:29:42 > 0:29:44More than that, it'd be the end of your deal with Hygiss.
0:29:44 > 0:29:48- And a motive for Hannah's death? - Because of what she knew.
0:29:48 > 0:29:51- Do you have any evidence of that? - I know you slept with Katie.
0:29:51 > 0:29:56- Did you know she was underage?- She said she was 18 and she looked 18.
0:29:56 > 0:30:00- So, what, you're turning this around like you're the victim?- No!
0:30:00 > 0:30:03- No. God, no!- You like 'em young?
0:30:03 > 0:30:07- HE LAUGHS NERVOUSLY - Teenagers? Younger?!
0:30:08 > 0:30:09It wasn't sex.
0:30:15 > 0:30:20- It was...a connection. - Emotional connection?
0:30:22 > 0:30:25It's not wrong to fall in love, Christy.
0:30:27 > 0:30:28Did you fall in love with her?
0:30:30 > 0:30:33Yes.
0:30:34 > 0:30:35In a way.
0:30:35 > 0:30:39- Ignorantly and inappropriately. - And you slept with her?
0:30:39 > 0:30:41- Be careful how you answer that. - Are you ashamed of how you feel?
0:30:42 > 0:30:44Yes, I slept with her.
0:30:47 > 0:30:50OK. Did you kill her?
0:31:32 > 0:31:33PHONE RINGS
0:31:33 > 0:31:37DI Carter, please. It's Jack Hodgson.
0:31:37 > 0:31:41OK, can you get him to call me back right away on this number?
0:31:41 > 0:31:42Thank you.
0:32:13 > 0:32:15HE SIGHS
0:32:15 > 0:32:17I need a drink.
0:32:17 > 0:32:19I've got some...brandy here somewhere.
0:32:20 > 0:32:22Got no home to go to?
0:32:22 > 0:32:24BOTTLES CLINK
0:32:24 > 0:32:30Look, I, er...I need to talk to you about Jack.
0:32:32 > 0:32:35He's crossed a line, Nikki. I don't see a way back.
0:32:35 > 0:32:39And you want my blessing, do you, to replace him?
0:32:40 > 0:32:42With Helen, presumably?
0:32:42 > 0:32:44- Is that what you're asking?- Yes.
0:32:46 > 0:32:48Not for me.
0:32:50 > 0:32:52Frankly, I er...
0:32:52 > 0:32:57- I don't want to do anything that's going to risk losing your support. - I like her. She's good.
0:32:57 > 0:32:59She's great to have around.
0:33:02 > 0:33:05So there'd be a team of women with you at the top of it.
0:33:05 > 0:33:10- HE LAUGHS Clearly, that's not my intention. - No, but that's how it would be.
0:33:10 > 0:33:14- If this is your way of keeping emotion- out- of the workplace...
0:33:14 > 0:33:17Have you actually spent much time around women?
0:33:17 > 0:33:21I enjoy working with women. I...I find you more...cooperative,
0:33:21 > 0:33:23less reactive.
0:33:23 > 0:33:26An all-female environment both at work and at home.
0:33:26 > 0:33:30And there you'd be, presiding over us like the dominant silverback.
0:33:30 > 0:33:31HE LAUGHS
0:33:31 > 0:33:33HE CLEARS HIS THROAT
0:33:33 > 0:33:36OK, look...
0:33:36 > 0:33:38I understand that Jack hasn't behaved well,
0:33:38 > 0:33:40and neither have I, so...
0:33:40 > 0:33:44Nikki, it all comes down to one thing. Do we trust him?
0:33:44 > 0:33:46- Do I trust him?- Yeah?- Yes!
0:33:46 > 0:33:49- And ideally you'd want him to stay. - Yes.- Why?
0:33:49 > 0:33:50I don't know.
0:33:54 > 0:33:57Well, no, actually, if I think about it, I do.
0:34:00 > 0:34:05Sometimes I can't...block out the reality of what we do...
0:34:06 > 0:34:09..and I don't know what to do with those feelings.
0:34:11 > 0:34:14I want to work with people who get that.
0:34:14 > 0:34:16And Jack does.
0:34:17 > 0:34:21He can allow himself to be...vulnerable.
0:34:23 > 0:34:26And, OK, sometimes he loses himself a little,
0:34:26 > 0:34:30but when he comes back - and he does always come back -
0:34:30 > 0:34:35then he's with us...completely.
0:34:57 > 0:34:58TYRES SCREECH
0:35:13 > 0:35:16- Where is he?!- In here.
0:35:39 > 0:35:41Any news?
0:35:41 > 0:35:44You want to get to the hospital, SOCOs can handle the preliminaries.
0:35:44 > 0:35:51Oh, thanks, but I'm not part of the Lyell. Well, not in that way anyway.
0:35:51 > 0:35:53I'm of more use here.
0:35:53 > 0:35:56- Any thoughts?- No.
0:35:56 > 0:36:00With all due respect, I think it's time to crawl out of the tunnel.
0:36:00 > 0:36:04There's clearly no sexual motivation in this case.
0:36:05 > 0:36:08OK, so...this is the impact site.
0:36:10 > 0:36:15Close enough. We've got some paint flecks from the vehicle.
0:36:15 > 0:36:18And as you can see... blood on the ground.
0:36:19 > 0:36:23- Someone dragged him here?- I think maybe he put up a struggle.
0:36:23 > 0:36:26You see there where the undergrowth's been flattened?
0:36:47 > 0:36:52OK, he's stable. Still unconscious and ventilated.
0:36:52 > 0:36:56- Damage?- Fractured tibia and clavicle,
0:36:56 > 0:36:58his lung function's compromised at present.
0:36:58 > 0:37:00But the main concern is the head injury,
0:37:00 > 0:37:03possible hypoxic brain damage... haematoma.
0:37:03 > 0:37:05We're going to watch and wait.
0:37:05 > 0:37:09Hopefully, he'll stabilise further. Then theatre.
0:37:11 > 0:37:15An operation's not going to be good for forensics, is it? Or pathology.
0:37:15 > 0:37:18There is no pathology...mercifully.
0:37:20 > 0:37:23There is no body.
0:37:23 > 0:37:26There is, actually.
0:37:26 > 0:37:29- You understand the limits of this? - The last thing we want to do is compromise him.
0:37:29 > 0:37:32We're just want to get what we can, while we can.
0:37:39 > 0:37:41Extensive contusions to the face and neck.
0:37:41 > 0:37:43RESPIRATOR NOISE
0:37:43 > 0:37:45Likewise to the entire torso.
0:37:47 > 0:37:51From X-ray, fractured right clavicle, fractured right tibia.
0:37:58 > 0:38:00Mud and soil covering the face and head,
0:38:00 > 0:38:02possibly from where he was found.
0:38:02 > 0:38:05Not possible to see from this examination
0:38:05 > 0:38:08which injuries were caused by the impact...
0:38:09 > 0:38:12..and which by any subsequent maltreatment.
0:38:17 > 0:38:20Some bleeding from the knuckles on his right hand.
0:38:21 > 0:38:25And marks to his neck...consistent with a ligature being applied.
0:38:28 > 0:38:30Brief examination to his mouth.
0:38:45 > 0:38:47Get me some tweezers?
0:38:48 > 0:38:50MONITOR BEEPS
0:39:02 > 0:39:05- What's this?- To gag him?
0:39:07 > 0:39:09It'd take more than that. He's bitten it off deliberately?
0:39:09 > 0:39:11ALARM
0:39:13 > 0:39:15Ring theatre! Tell them we're on our way.
0:39:15 > 0:39:17Let's go. Nikki!
0:40:54 > 0:40:57- Did you talk to Helen?- About?
0:40:59 > 0:41:01- Staying.- Oh.
0:41:04 > 0:41:06And now?
0:41:08 > 0:41:10Now I feel disloyal.
0:41:12 > 0:41:14You go way back, right?
0:41:16 > 0:41:18Yeah, university.
0:41:20 > 0:41:24- We shared a house together. - Were you...?- No, just friends.
0:41:24 > 0:41:26Always friends.
0:41:27 > 0:41:30Someone I could turn to in a crisis. And her me.
0:41:30 > 0:41:32- Has it been that bad? - Sometimes, yeah.
0:41:32 > 0:41:34So when the opportunity arose, I...
0:41:34 > 0:41:37I thought someone just passing through,
0:41:37 > 0:41:41- it wouldn't matter what they knew about.- How do you mean?
0:41:45 > 0:41:49- Thomas?- Not just work crises, Nikki.
0:41:49 > 0:41:51It's Julia.
0:41:51 > 0:41:53She...
0:41:56 > 0:41:58Julia left me just before I started at the Lyell.
0:42:00 > 0:42:02Took Rosey with her.
0:42:08 > 0:42:09Sorry.
0:42:17 > 0:42:21The fragment of cloth is impregnated with alcohol.
0:42:24 > 0:42:26Have we got the results back on Katie yet?
0:42:26 > 0:42:31- Was that alcohol on her body? - Yes, it's positive.
0:42:31 > 0:42:35So it's safe to assume the bodies were wiped down to get rid of DNA.
0:42:35 > 0:42:38And presumably, the intention was to do the same with Jack.
0:42:38 > 0:42:41Conjecture.
0:42:41 > 0:42:43Well, what isn't is that alcohol wipes
0:42:43 > 0:42:46are used in every hospital and clinic.
0:42:46 > 0:42:48Even private clinics.
0:42:50 > 0:42:54- Would you mind telling me what this is about?- I have a warrant to search these premises.
0:43:22 > 0:43:25So this is what Nikki found in Jack's mouth.
0:43:25 > 0:43:29And these are the cloths we found in Cura Clinic's medical waste bin.
0:44:05 > 0:44:07That's a result.
0:44:37 > 0:44:40Have we got any footage from where the bins are?
0:44:40 > 0:44:42No cameras there, I'm afraid.
0:44:42 > 0:44:44So this is the evening Hannah died.
0:44:45 > 0:44:48There she is...6:37pm.
0:44:48 > 0:44:52- Was she a patient too? - Nothing on their records.
0:45:07 > 0:45:0918:53.
0:45:09 > 0:45:11So when did Christy leave work?
0:45:15 > 0:45:1719:16.
0:45:17 > 0:45:20- Hannah was murdered when? - 7:30-9:30pm.
0:45:22 > 0:45:24He's bang on schedule.
0:45:26 > 0:45:2920 past eight. What's he doing back?
0:45:29 > 0:45:32Over an hour unaccounted for.
0:45:40 > 0:45:42He's sleeping there.
0:45:43 > 0:45:47- That's it for the night. - HE SIGHS
0:45:52 > 0:45:54Hang on.
0:45:56 > 0:45:58Before the car park security guard found Hannah,
0:45:58 > 0:46:00he last checked the place at 7:30, didn't he?
0:46:00 > 0:46:03- Yeah.- When did his patrol end?
0:46:03 > 0:46:05- It took him 30 minutes - 8pm. - He saw nothing suspicious
0:46:05 > 0:46:08- and we know that she was killed there.- What are you getting at?
0:46:08 > 0:46:11It narrows the murder window down to between eight and nine thirty.
0:46:11 > 0:46:13Christy got back to Cura at 8:21.
0:46:13 > 0:46:15It's over five miles from the car park.
0:46:15 > 0:46:17So, could he really have killed Hannah
0:46:17 > 0:46:20and driven back to the clinic in 21 minutes?
0:46:27 > 0:46:29So are we done?
0:46:29 > 0:46:30For now.
0:46:42 > 0:46:45Look, if I'd known...
0:46:45 > 0:46:47I wouldn't have gone anywhere near her.
0:46:50 > 0:46:53We'll see how that plays in court, yeah?
0:47:02 > 0:47:05All right?
0:47:06 > 0:47:08- There you go.- Thanks.
0:47:09 > 0:47:12- So what have we got? - Footage from Cura late last night.
0:47:23 > 0:47:27- Ben Morgan! Christy's partner. - Well, what's he doing there?
0:47:27 > 0:47:31It's more where's he been, and where's he going?
0:47:31 > 0:47:32Look.
0:47:32 > 0:47:34He's carrying the medical wipes.
0:47:43 > 0:47:45They let me go.
0:47:45 > 0:47:47Cleared me.
0:47:47 > 0:47:48Of everything?
0:47:48 > 0:47:50Not everything, no.
0:47:55 > 0:47:57- So?- Janssen's pulled out of the deal.
0:47:57 > 0:48:03I can't stand to see everything we've built gone...for this.
0:48:05 > 0:48:08- Ben, I'm sorry. If I could turn the clock back, I would. - No, you wouldn't, Christy.
0:48:08 > 0:48:11You didn't do anything when you had the chance.
0:48:11 > 0:48:13You must've known she was too young.
0:48:13 > 0:48:16You tell that to the police if you want, right,
0:48:16 > 0:48:17but don't stand there and lie to me!
0:48:17 > 0:48:19Not after what I've done for you.
0:48:23 > 0:48:26Well, what exactly have you done for me, Ben?
0:48:27 > 0:48:28Ben?
0:48:30 > 0:48:33When did you first know about me and Katie?
0:48:33 > 0:48:36Did you know before I told you? Ben?
0:48:36 > 0:48:38Ben, talk to me, because what's going though my head right now
0:48:38 > 0:48:40- is terrifying.- I've done nothing.
0:48:42 > 0:48:43Tell me.
0:48:46 > 0:48:48You sure you want to know?
0:48:49 > 0:48:52- I got a phone call.- From?- Katie.
0:48:52 > 0:48:55She had...intimate footage...
0:48:55 > 0:48:57of you and her.
0:48:58 > 0:49:02So I offered her money for the phone that she'd taken it on.
0:49:02 > 0:49:04She refused.
0:49:05 > 0:49:09And what happened after that... was unintentional.
0:49:16 > 0:49:19- And Hannah and Jack Hodgson? - They were putting it together.
0:49:31 > 0:49:34This isn't me. I don't recognise this person.
0:49:37 > 0:49:38It just got away from me.
0:49:39 > 0:49:42I was just trying to protect us and make things right.
0:50:09 > 0:50:12# I wanna be the one you call every day and night
0:50:12 > 0:50:15# Are you going to be the one Who's always going to treat me right?
0:50:15 > 0:50:18# And when we get together Turning on the lights
0:50:18 > 0:50:23# Need you 100 Need you 100%. #
0:51:16 > 0:51:18KNOCKING
0:51:24 > 0:51:26Hey.
0:51:26 > 0:51:27Hi.
0:51:30 > 0:51:31How you feeling?
0:51:34 > 0:51:36Clarissa sends her love.
0:51:36 > 0:51:38Her love? Clarissa?
0:51:40 > 0:51:43Brain's functioning OK, then?
0:51:45 > 0:51:46We got him.
0:51:47 > 0:51:49Yeah, I heard.
0:51:50 > 0:51:51Hey, um...
0:51:51 > 0:51:53Come on in.
0:51:54 > 0:51:58- We'll go and have a coffee. - Are you sure?- Absolutely. We'll just wait outside?
0:52:02 > 0:52:04Thanks.
0:52:08 > 0:52:09How are you doing?
0:52:11 > 0:52:13You want me to, erm...
0:52:13 > 0:52:16How did you persuade Katie to sleep with him?
0:52:16 > 0:52:17I don't want to talk about it.
0:52:20 > 0:52:23Me and Lizzie are going to make a new start. It's over.
0:52:23 > 0:52:25Not yet it isn't.
0:52:25 > 0:52:27So...Katie makes the sex tape
0:52:27 > 0:52:32and you force her to make the call to Ben.
0:52:32 > 0:52:35From the car, the morning Hannah saw you, correct?
0:52:37 > 0:52:39Piecing it together?
0:52:39 > 0:52:41Well, I've got a lot of time to think about it.
0:52:44 > 0:52:50So, Ben reckons if it gets made public, they're ruined.
0:52:52 > 0:52:59Meantime, your old pal Mark Janssen from Hygiss has been sniffing round
0:52:59 > 0:53:03the business, and now he can make them an offer they can't refuse.
0:53:03 > 0:53:05Something like that...
0:53:05 > 0:53:08The night Katie died, you slipped out of the pub
0:53:08 > 0:53:10to see Janssen, didn't you?
0:53:10 > 0:53:13Give you that wad of cash for being a good boy, did he?
0:53:13 > 0:53:16It was a way back. A chance to work for Janssen again...
0:53:16 > 0:53:18No more being a kept man?
0:53:21 > 0:53:23Brave of you to come in here.
0:53:23 > 0:53:26Would've suited you better if I'd croaked, wouldn't it?
0:53:29 > 0:53:31What are you going to do?
0:53:33 > 0:53:34What would you do?
0:53:34 > 0:53:37Nothing. There's been enough damage.
0:53:39 > 0:53:42And there's Lizzie now to think about.
0:53:42 > 0:53:46- She needs me. - Emotional blackmail now, is it?
0:53:50 > 0:53:54Just think about that, OK?
0:54:31 > 0:54:33- Hi.- Hi.- Are you OK? You need some help?
0:54:33 > 0:54:36- You got any money?- Yep. OK?
0:54:41 > 0:54:46- Yeah.- How much is it, please? There you go, keep the change, thanks.
0:54:46 > 0:54:51Thank you. Did you get the stuff from my drawer?
0:54:51 > 0:54:55Yeah. Money's in my bag. How you feeling?
0:54:58 > 0:54:59What you up to?
0:55:01 > 0:55:06What's it look like? You've already got a good team here.
0:55:06 > 0:55:09Ah. Right.
0:55:09 > 0:55:13Which is what you were just about to tell me, Thomas.
0:55:14 > 0:55:16Not a nice speech to have to make.
0:55:18 > 0:55:21Just so you know, I would have taken the job like a shot.
0:55:23 > 0:55:29But whatever, it's...got me back where I belong and um, I'm grateful.
0:55:29 > 0:55:31Well, it's been a pleasure, as always.
0:55:33 > 0:55:35- Maybe we'll do it again one day. - Yeah.
0:55:40 > 0:55:44We should catch up, you know, properly, away from all this.
0:55:44 > 0:55:46That'd be great.
0:55:46 > 0:55:47Great.
0:55:49 > 0:55:51- See you.- See you.
0:56:12 > 0:56:14This is what Ben was after.
0:56:16 > 0:56:17Where'd you get this?
0:56:21 > 0:56:23Ryan had it.
0:56:24 > 0:56:28Yeah. He used Katie to blackmail Ben and Christy.
0:56:35 > 0:56:37You made the right call, Jack.
0:57:12 > 0:57:13Ryan?
0:57:14 > 0:57:17It's OK, love. Go back to sleep.
0:57:58 > 0:57:59Let's go.
0:58:19 > 0:58:21SIREN WAILS
0:58:30 > 0:58:37# Testator silens
0:58:37 > 0:58:45# Costestes e spiritu
0:58:45 > 0:58:56# Silentium... #