0:00:02 > 0:00:09This programme contains scenes which some viewers may find upsetting
0:00:09 > 0:00:11- I appreciate you coming, Dr Alexander.- Jack?
0:00:11 > 0:00:14TV: 'The body is believed to be female, but that is unconfirmed.'
0:00:14 > 0:00:18Caitlin was pursued, shot, and then re-dressed by the killer.
0:00:18 > 0:00:22The man who shot the deer and found the body, what's his name?
0:00:22 > 0:00:25Niall Wallace has over 20 firearms registered in his name.
0:00:25 > 0:00:27When he was a kid, he was prime suspect
0:00:27 > 0:00:30in the shooting of his dad, Pete Wallace.
0:00:30 > 0:00:33Do you have a New York themed bar or restaurant around here?
0:00:35 > 0:00:38- Try that again and I'll give you a show, pal!- Mike, that's enough.
0:00:40 > 0:00:43A little bird tells me that you're heading up to the Grand Prix
0:00:43 > 0:00:47- to shake down an oil worker?- Is that a problem?- Not now, it's not.
0:00:47 > 0:00:50You were the last person to see the victim alive
0:00:50 > 0:00:52before she runs into the night, bleeding.
0:00:52 > 0:00:55Some bloke came by this afternoon.
0:00:55 > 0:00:57- Who?- I dunno.
0:00:57 > 0:01:00Just spoke to him on the intercom. He didn't come up.
0:01:00 > 0:01:02We're dealing with a highly organised,
0:01:02 > 0:01:04sexually motivated killer.
0:01:04 > 0:01:06We need to search that forest.
0:01:09 > 0:01:12See, you're not selling me a watertight alibi here, Niall.
0:01:12 > 0:01:14Skinner's only been in the UK for a year.
0:01:14 > 0:01:17Puts Skinner in the clear, that's what.
0:02:34 > 0:02:36Barbara Cheung.
0:02:46 > 0:02:47She never made it back to London.
0:02:50 > 0:02:55Laing and MacNeil's favourite pathologist, Dr Jenkins, is here.
0:03:01 > 0:03:05- Dr Andrew Jenkins... - Dr Nikki Alexander. Jack Hodgson.
0:03:06 > 0:03:10- Hello.- Yes, I've read some of... Well, several of your papers.
0:03:10 > 0:03:15- I'm glad to make your acquaintance. - Thank you.
0:03:15 > 0:03:18Although, I will confess I was... surprised to learn
0:03:18 > 0:03:20that DS Ross had recruited from so far afield.
0:03:21 > 0:03:25- And when I say "surprised"... - You mean "offended"?
0:03:25 > 0:03:27Well, let's settle for "disappointed".
0:03:33 > 0:03:35- VOICE MAIL: - 'Hi, you've reached Sarah's phone.
0:03:35 > 0:03:38'Leave a message and I'll get back to you.'
0:03:38 > 0:03:40PHONE BEEPS
0:03:42 > 0:03:45I'm going to go and look for her. Can you stay for a bit?
0:03:47 > 0:03:48Sure.
0:03:50 > 0:03:53THUNDER RUMBLES
0:03:56 > 0:03:59RAIN PATTERS
0:04:00 > 0:04:01DOOR SLAMS
0:04:07 > 0:04:09MOBILE RINGS FAINTLY
0:04:15 > 0:04:17MOBILE RINGS
0:04:26 > 0:04:27Jack?
0:04:30 > 0:04:32She might be the oldest yet.
0:04:32 > 0:04:35The cuffs must've slipped off as the body decomposed.
0:04:36 > 0:04:39- Anything we didn't see with Caitlin? - Funny you should ask.
0:04:39 > 0:04:42Something we didn't see with Caitlin and we're still not seeing.
0:04:44 > 0:04:46No jewellery.
0:04:46 > 0:04:48Not a ring.
0:04:48 > 0:04:50Not a necklace. Not a bracelet.
0:04:50 > 0:04:52Trophies.
0:04:52 > 0:04:54Exactly.
0:05:14 > 0:05:16SHEEP BLEAT NEARBY
0:05:22 > 0:05:24Niall?
0:05:25 > 0:05:26NIALL!
0:05:28 > 0:05:30Have you heard the news?
0:05:32 > 0:05:33About the bodies?
0:05:35 > 0:05:38- Where've you been all night? - Where do you think I've been, eh?
0:05:41 > 0:05:45- Might be my last chance. - What...? Why are you saying that?
0:05:48 > 0:05:51They're going to pin this on me sure as day follows night.
0:05:51 > 0:05:53But...you haven't done anything?
0:05:55 > 0:05:58- Was that a question?- No.
0:05:59 > 0:06:02You sure? Cos that sounded like a question.
0:06:02 > 0:06:04Niall, please...
0:06:06 > 0:06:08You can't even look at me.
0:06:08 > 0:06:10You don't...
0:06:10 > 0:06:12I know that you're innocent!
0:06:12 > 0:06:15And I know that you never killed your dad!
0:06:15 > 0:06:19No matter what you think, I never told the police you did!
0:06:19 > 0:06:20Niall!
0:06:20 > 0:06:22NIALL!
0:06:46 > 0:06:49Come to bed. Just for an hour.
0:06:50 > 0:06:53I don't want to scare you, Tania, but...
0:06:55 > 0:06:59..until this is over, you keep the doors locked and this close by. OK?
0:07:01 > 0:07:04- You are scaring me. - Not without good reason.
0:07:05 > 0:07:08The doors. The gun.
0:07:10 > 0:07:14- Is that taken on board? - Yes, it's taken on board...?
0:07:19 > 0:07:20I'm sorry.
0:07:27 > 0:07:30SHE SIGHS
0:07:32 > 0:07:36WATER TRICKLES
0:07:39 > 0:07:40- PHONE RINGS - Chamberlin?
0:07:40 > 0:07:43- Thomas, it's Nikki.- How's Scotland?
0:07:43 > 0:07:45I need your help.
0:07:45 > 0:07:47Two bodies checked in here this morning.
0:07:47 > 0:07:50- It's me that needs you. Today. - I'm sorry, but they'll have to wait.
0:07:50 > 0:07:52That's not your call, Nikki.
0:07:52 > 0:07:55We found seven more bodies in the forest last night.
0:07:57 > 0:08:00With Caitlin that's eight. I want to send you four.
0:08:00 > 0:08:03I'm sure they have more than adequate...
0:08:03 > 0:08:04Not in Kirkhaven, they don't.
0:08:04 > 0:08:09Look, this killer was free to keep on killing because nobody cared.
0:08:09 > 0:08:11I want us to see this through,
0:08:11 > 0:08:14and I really need your help to do that.
0:08:16 > 0:08:18SHOUTING, CAMERA SHUTTERS CLICK
0:08:21 > 0:08:23We cannot say anything at this time.
0:08:23 > 0:08:25We will hold a press conference later
0:08:25 > 0:08:28and answer your questions then. Thank you.
0:08:28 > 0:08:30CLAMOUR
0:08:32 > 0:08:36Of the eight bodies recovered so far, this is the best preserved
0:08:36 > 0:08:39and, pending identification, will be known as Victim B.
0:08:39 > 0:08:43Victim B is wearing a denim jacket buttoned all the way up.
0:08:56 > 0:09:01It looks like the victim might have been shot from behind at close range
0:09:01 > 0:09:05with an expanding bullet, and then re-dressed.
0:09:06 > 0:09:09We saw the re-dressing signature with Caitlin's murder.
0:09:09 > 0:09:14Dr Jenkins? Have you come across these hallmarks before?
0:09:14 > 0:09:18No. No. I think I would've remembered.
0:09:18 > 0:09:21"Chased". "Re-dressed"? What does it add up to?
0:09:21 > 0:09:24I think it adds up to a woman-hating sadist
0:09:24 > 0:09:26who masks his inadequacies with guns
0:09:26 > 0:09:29and possibly, other military paraphernalia.
0:09:29 > 0:09:33OK, that's quite the theory, but why? Why does he do it?
0:09:33 > 0:09:34Power.
0:09:35 > 0:09:39He chains them up like slaves, hunts them like animals,
0:09:39 > 0:09:41and then re-dresses their bodies like dolls.
0:09:41 > 0:09:42What are the common factors?
0:09:42 > 0:09:45Power. Control.
0:09:45 > 0:09:47Specifically, control over women
0:09:47 > 0:09:49that probably eludes him in everyday life.
0:09:49 > 0:09:52Quite the profiler for a pathologist.
0:09:52 > 0:09:55I've picked up a few things here and there.
0:09:55 > 0:09:56Mainly from guys like you.
0:09:59 > 0:10:00Carry on.
0:10:06 > 0:10:10Looks like she was shot in the lower right calf...
0:10:12 > 0:10:15Bringing down a target with a maiming shot is a military technique.
0:10:15 > 0:10:18Yes, it is. But the fatal shot is typically administered to the head.
0:10:18 > 0:10:21Well, you can't cover up a gunshot wound to the face.
0:10:21 > 0:10:22So...?
0:10:22 > 0:10:25So, if the re-dressing element is important to him,
0:10:25 > 0:10:28then it might explain the discrepancy.
0:10:29 > 0:10:33A fatal shot to the chest, he can work with. Zip up. Button over.
0:10:35 > 0:10:38During transportation, I noticed that three of the other seven bodies
0:10:38 > 0:10:42had similar injuries. All to the rear of the lower right leg.
0:10:44 > 0:10:46Dr Alexander?
0:10:46 > 0:10:49Two days ago, DS Ross questioned a Niall Wallace
0:10:49 > 0:10:52- in connection with Caitlin's murder. - What tied Wallace in?
0:10:52 > 0:10:55He hand-modified the bullet that killed her.
0:10:55 > 0:10:57As a teenager, he was a suspect,
0:10:57 > 0:11:01only a suspect, in the murder of his father.
0:11:01 > 0:11:02I like him already(!)
0:11:02 > 0:11:05His father bled to death after being shot
0:11:05 > 0:11:07in the back of the leg in Macroom Forest.
0:11:11 > 0:11:14- Trip down memory lane, coming back here...- A happy one?
0:11:14 > 0:11:16Overall? No.
0:11:18 > 0:11:20I mean, her phone was in her car,
0:11:20 > 0:11:22and the keys just left in the ignition.
0:11:22 > 0:11:25Just put it all down, sir. That's what the form's for.
0:11:35 > 0:11:37Same MO.
0:11:38 > 0:11:41Good enough for me. Let's bring him in.
0:11:43 > 0:11:46Well, I'll need to get on with the next postmortem,
0:11:46 > 0:11:49so if there anyone else you want to attend instead, then...
0:11:50 > 0:11:53No, no need. I'll attend.
0:11:55 > 0:11:57You interview Wallace?
0:11:57 > 0:11:59OK.
0:12:10 > 0:12:14CHAINS CLANK
0:12:27 > 0:12:31FLIES BUZZ, WET CRUNCHING
0:12:31 > 0:12:33SIRENS APPROACHING
0:12:38 > 0:12:39ENGINE APPROACHING
0:12:39 > 0:12:41SIREN STOPS
0:12:41 > 0:12:43WET CRUNCHING
0:12:43 > 0:12:46WET SQUELCHING
0:12:46 > 0:12:50Partial muddy shoe print in the back here. It rained last night.
0:12:52 > 0:12:55Assailant lies in wait, grabs her from behind.
0:12:55 > 0:12:57And takes her. But where?
0:13:05 > 0:13:07This was broken with force.
0:13:07 > 0:13:10THUNDER RUMBLES, RAIN PATTERS
0:13:11 > 0:13:14'He's trying to get her in the back of his car...'
0:13:14 > 0:13:16DULL THUD
0:13:16 > 0:13:18'She's grabbing at anything she can...'
0:13:19 > 0:13:22THUNDER RUMBLES
0:13:24 > 0:13:27- You haven't seen her or heard from her all night?- No.
0:13:27 > 0:13:29Is it normal for her to stay out?
0:13:29 > 0:13:31No. What is it? Have you found something?
0:13:31 > 0:13:35If it's not normal, why didn't you call the police till this morning?
0:13:35 > 0:13:38Because we had a row, OK? Now, what's this about?
0:13:38 > 0:13:40We need something with Sarah's DNA.
0:13:40 > 0:13:43Sir, if there's a chance she's been abducted we have to move fast.
0:13:46 > 0:13:48Look, there's something I need to tell you.
0:13:59 > 0:14:01Oh!
0:14:01 > 0:14:03Showing someone a graphic image of their dead father?
0:14:03 > 0:14:06Well, congratulations, Sergeant, that's a new low(!)
0:14:06 > 0:14:09Well, you know, we can't rest on our laurels, Sophie.
0:14:10 > 0:14:13You know what I think, Niall...
0:14:13 > 0:14:16All those poor lasses out in Macroom Forest,
0:14:16 > 0:14:19they would still be here now, if it wasn't for your bastard father.
0:14:21 > 0:14:22Watching your dad die.
0:14:22 > 0:14:26That gave you an even bigger thrill than you expected, didn't it?
0:14:26 > 0:14:30Seeing the old man running scared, bleeding out.
0:14:30 > 0:14:31At your mercy.
0:14:32 > 0:14:34Felt great. Powerful.
0:14:34 > 0:14:37You're the big man, at last.
0:14:39 > 0:14:41And like a cold beer on a hot day,
0:14:41 > 0:14:44you couldn't stop at one, could you?
0:14:44 > 0:14:47With Dad gone, you needed fresh victims.
0:14:49 > 0:14:51And with all those...
0:14:51 > 0:14:55those nasty hormones all raging through your blood...
0:14:56 > 0:14:59..they had to be female, Niall, eh?
0:14:59 > 0:15:01They had to be female victims.
0:15:04 > 0:15:06The brief I had back then...
0:15:08 > 0:15:10He told me to say I was home when Dad was shot.
0:15:12 > 0:15:13That was a lie?
0:15:14 > 0:15:17I WAS in the forest that afternoon.
0:15:23 > 0:15:24GUNSHOT
0:15:24 > 0:15:27GUNSHOT ECHOES
0:15:29 > 0:15:31RUSTLING
0:15:35 > 0:15:38This "man in the military fatigues", how old was he?
0:15:39 > 0:15:41Mid-thirties, maybe.
0:15:41 > 0:15:43"Mid-thirties, maybe". What else?
0:15:43 > 0:15:46Come on, what else? Anything else about him?
0:15:46 > 0:15:51- No.- No. So the man ran away. Then what?
0:15:52 > 0:15:54I remember I was spooked.
0:15:54 > 0:15:56So, I decided to go home.
0:15:56 > 0:15:57RATTLING
0:15:58 > 0:16:00HE CRIES OUT
0:16:01 > 0:16:04There were other folk in the wood that day.
0:16:04 > 0:16:06Not a word about this man in military fatigues.
0:16:06 > 0:16:10- It's not a wood, it's a forest. - There is no evidence that he is anything more
0:16:10 > 0:16:13than a figment of your guilty conscience!
0:16:13 > 0:16:16I saw him, you prick!
0:16:16 > 0:16:19- You understand that? - OK, Niall...- I saw him.
0:16:19 > 0:16:21Now would be a great time to sit back down
0:16:21 > 0:16:24and apologise to Sergeant MacNeil.
0:16:24 > 0:16:26Apologise, my arse.
0:16:29 > 0:16:32CHAIR SCRAPES
0:16:39 > 0:16:42I hear they sweated you hard about your dad.
0:16:42 > 0:16:44Held you to the wire, eh?
0:16:44 > 0:16:46Questioned you all night?
0:16:47 > 0:16:49And yet you never once mentioned this man.
0:16:49 > 0:16:54How many times? My brief told me to say that I was at home.
0:16:54 > 0:16:56- Your brief told you to lie?- Yes.
0:16:56 > 0:16:59Oh, I would love to meet this ex-brief of yours. Wouldn't you, Ms Dalglish?
0:17:01 > 0:17:04Well, good luck. Cos he's dead.
0:17:04 > 0:17:06Isn't that convenient(!)
0:17:10 > 0:17:13He took her to Macroom Forest and told her to run.
0:17:13 > 0:17:15Bound and blindfolded?
0:17:15 > 0:17:17She said he took the blindfold off,
0:17:17 > 0:17:21started chasing her through the trees. Firing at her.
0:17:21 > 0:17:24- And she never went to the police? - I think she was ashamed.
0:17:24 > 0:17:27- Why?- When she told me about her stripping,
0:17:29 > 0:17:34I was shocked. I had to know if that was the extent of...
0:17:35 > 0:17:38- ..you know, what she'd done. - And it wasn't?
0:17:40 > 0:17:44She'd gone with a punter. Just the once, she said.
0:17:44 > 0:17:47- And you were less than understanding?- It was a shock, that's all.
0:17:47 > 0:17:52- More of a shock than the fact that she was raped and almost killed? - No, of course not!- Easy, Jack.
0:17:52 > 0:17:54She lived with this for years.
0:17:54 > 0:17:57Finally worked up the courage to tell you,
0:17:57 > 0:18:00and you threw it in her face?
0:18:12 > 0:18:14INDISTINCT TWOWAY RADIO CHATTER
0:18:16 > 0:18:17Sir?
0:18:19 > 0:18:23A woman went missing last night and, get this,
0:18:23 > 0:18:27- her husband says she was abducted five years ago and taken to Macroom Forest.- The same woman?
0:18:27 > 0:18:30Sarah O'Keefe. We found her car outside her flat this morning,
0:18:30 > 0:18:34- key in the ignition, phone still in her bag. Doesn't look good.- "We"?
0:18:35 > 0:18:37Me and Jack Hodgson.
0:18:39 > 0:18:42You want to join me for round two with Niall Wallace?
0:18:42 > 0:18:45I'll raise a priority alert for this Sarah O'Keefe.
0:18:45 > 0:18:47I'll see you in there.
0:18:50 > 0:18:52- Good on you.- Sorry.
0:18:54 > 0:18:57Please, step back! CLAMOUR
0:18:57 > 0:18:59We cannot answer your questions at this time.
0:18:59 > 0:19:03We believe that a Miss Sarah O'Keefe has been abducted
0:19:03 > 0:19:05and we would ask that anybody who can help us
0:19:05 > 0:19:08with our enquiries should call our helpline.
0:19:08 > 0:19:09I can say no more than that at this time.
0:19:09 > 0:19:12DISTORTED BREATHING
0:19:24 > 0:19:27- Where's Sarah O'Keefe? What have you done with her?- Who?
0:19:27 > 0:19:29She's the one that got away, Niall!
0:19:29 > 0:19:31You had to fix that before we came for you, didn't you?
0:19:31 > 0:19:32- Where is she?- What?
0:19:34 > 0:19:36She's got a little boy, 18 months! He wants his mummy!
0:19:36 > 0:19:38- Niall, do you want a break? - He's just had a break!
0:19:38 > 0:19:41- Where were you last night?- Hunting.
0:19:46 > 0:19:47I don't know this woman.
0:19:47 > 0:19:50- Bullshit! Where is she?! - I DON'T KNOW HER, ALL RIGHT?!
0:19:52 > 0:19:53Just get me out of here, all right?!
0:19:58 > 0:20:00This is your last chance, Niall.
0:20:00 > 0:20:03This is your last chance to buy a bit of goodwill.
0:20:03 > 0:20:07Bit of remorse goes a long way with the judge. Isn't that right, Sophie?
0:20:11 > 0:20:13We need to search his farm again.
0:20:16 > 0:20:20Well, sir, it's our patch.
0:20:20 > 0:20:22My men know that farm inside out.
0:20:22 > 0:20:25I can handle the search and you can stay here where you need to be.
0:20:25 > 0:20:27I'll decide "where I need to be".
0:20:27 > 0:20:30Thank you. Sergeant.
0:20:40 > 0:20:44CLANKING, MUFFLED YELLS
0:20:44 > 0:20:46SHE SCREAMS
0:20:51 > 0:20:54- Can I ask you something?- What?
0:20:54 > 0:20:56When you were based down here, do you remember any cases
0:20:56 > 0:20:59- Dr Jenkins worked where the re-dressing signature was present? - No.
0:20:59 > 0:21:01The first time I asked you why you'd recruited me
0:21:01 > 0:21:04and not Dr Jenkins you hinted at a prior conflict.
0:21:04 > 0:21:05I'm not sure now is the best time.
0:21:05 > 0:21:08Well, was the conflict recent or when you worked down in Kirkhaven?
0:21:10 > 0:21:13I really need you to give me a straight answer, Jason.
0:21:16 > 0:21:17Come here.
0:21:23 > 0:21:25Look, Laing and MacNeil aren't bad cops,
0:21:25 > 0:21:28but they like to cut corners when cases don't stick.
0:21:28 > 0:21:31- And Jenkins goes along with that? - It's been known, all right?
0:21:31 > 0:21:34Now, I need to go. It's all hands on deck to find Sarah O'Keefe.
0:21:34 > 0:21:35And you better talk to Jack.
0:21:35 > 0:21:39Something about this case disagrees with him and he needs to deal with it or go home.
0:21:39 > 0:21:41Well, that's a bit harsh. Not to say ungrateful.
0:21:41 > 0:21:43He just gave Sarah's husband a bollocking
0:21:43 > 0:21:46after he told us how she was abducted. That's harsh.
0:22:01 > 0:22:02So, what have we got?
0:22:02 > 0:22:06Searched the farm twice, sir. No sign of Sarah O'Keefe.
0:22:06 > 0:22:08The cellar and some of the barns are padlocked.
0:22:08 > 0:22:11SOCOs are on their way. They'll have the tools to breach them.
0:22:11 > 0:22:13Right, I'm just going to have a wee look around.
0:22:16 > 0:22:17Right you are, sir.
0:22:19 > 0:22:20GUNSHOT
0:22:21 > 0:22:22BOLTS CLUNK
0:22:24 > 0:22:25GUN COCKS
0:22:27 > 0:22:29FOOTSTEPS APPROACH
0:22:32 > 0:22:34GUNSHOT
0:22:34 > 0:22:36CASING TINKLES ON GROUND
0:22:38 > 0:22:41I lifted a clear set of prints from the broken wiper
0:22:41 > 0:22:44and they match prints from Sarah O'Keefe's hairbrush.
0:22:44 > 0:22:47She ripped that wiper off fighting for her life for a second time.
0:22:47 > 0:22:49GUNSHOT, CASING DROPS
0:22:49 > 0:22:51Are you OK?
0:22:51 > 0:22:54I'll be fine when we find Sarah alive and well.
0:22:54 > 0:22:56I hear you tore a strip off her husband?
0:22:56 > 0:22:59Yeah. I went back and apologised.
0:22:59 > 0:23:01GUNSHOT
0:23:01 > 0:23:03BOLTS CLUNK, CASING DROPS
0:23:05 > 0:23:08What is it about this case that's affecting you so much?
0:23:09 > 0:23:13This man preyed on the most vulnerable women he could find,
0:23:13 > 0:23:16then hunted them down like vermin.
0:23:17 > 0:23:19What is there not to be affected by?
0:23:20 > 0:23:22GUNSHOT
0:23:22 > 0:23:24- We've seen worse. - BOLTS CLUNK
0:23:24 > 0:23:26Not worse.
0:24:27 > 0:24:28Jack...
0:24:32 > 0:24:34What is it?
0:24:52 > 0:24:54All right.
0:24:57 > 0:24:59When I was 16, I met a girl called Katie...
0:25:03 > 0:25:06- That's how the best stories start, isn't it?- Go on.
0:25:08 > 0:25:12She just turned up at our school in the middle of term...
0:25:14 > 0:25:17She was different. Pretty wild.
0:25:17 > 0:25:21Funny. Didn't give a shit about the rules...
0:25:23 > 0:25:26And we dated for about a year,
0:25:26 > 0:25:28and, er...
0:25:28 > 0:25:31and then she got expelled for dishing out Es
0:25:31 > 0:25:33at the Christmas carol service.
0:25:34 > 0:25:36HE CHUCKLES
0:25:39 > 0:25:41Oh, dear. Yeah...
0:25:43 > 0:25:46Anyway, my parents laid down the law.
0:25:49 > 0:25:50No more Katie?
0:25:52 > 0:25:55Broke my heart,
0:25:55 > 0:25:56but, yeah,
0:25:56 > 0:25:59I dumped her.
0:26:02 > 0:26:05She couldn't get into another school,
0:26:05 > 0:26:07then fell in with a really bad crowd.
0:26:09 > 0:26:11Her parents kicked her out.
0:26:12 > 0:26:14What happened to her?
0:26:17 > 0:26:21She died of a heart attack a week before her 19th birthday.
0:26:22 > 0:26:26Heroin-and-coke speedballs. Yeah...
0:26:32 > 0:26:33Found her body in an underpass.
0:26:37 > 0:26:41They say...she was trying to get warm.
0:26:47 > 0:26:52HE SIGHS
0:26:52 > 0:26:57I didn't speak to my parents for six months.
0:27:00 > 0:27:02But it was me that I couldn't forgive.
0:27:05 > 0:27:06Still can't.
0:27:14 > 0:27:16You said she was wild, right?
0:27:19 > 0:27:22So, maybe that's just who she was.
0:27:22 > 0:27:23Maybe...
0:27:24 > 0:27:27..Katie was just hard-wired to be that way...
0:27:29 > 0:27:32..and not even Jack Hodgson
0:27:32 > 0:27:35would have been able to keep her on course?
0:27:50 > 0:27:53Body is that of a young female.
0:27:53 > 0:27:58Decomposition rates, factoring in temperature and soil conditions,
0:27:58 > 0:28:03collectively suggest the victim died three-and-a-half to four years ago.
0:28:08 > 0:28:10Three false teeth.
0:28:10 > 0:28:12The kind a patient wears while a permanent bridge is made.
0:28:12 > 0:28:16So, it seems our victim had a temporary bridge installed
0:28:16 > 0:28:18right before she was abducted.
0:28:18 > 0:28:21We're probably only talking a few days, a week at the most.
0:28:21 > 0:28:24But then, after that, it would seem logical,
0:28:24 > 0:28:26she missed a follow-up appointment.
0:28:26 > 0:28:29To have the permanent bridge put in its place, yes.
0:28:29 > 0:28:31I'll phone around Kirkhaven dentists.
0:28:32 > 0:28:33We may get an ID.
0:28:36 > 0:28:39Dr Jenkins. Ross.
0:28:39 > 0:28:43- Sir.- No sign of Sarah, but we've nailed Niall to the wall for good.
0:28:43 > 0:28:47- Nailed him? Nailed him, how? - "Nailed him how, SIR"!- Sir.
0:28:52 > 0:28:54- Broken wiper.- That's not all.
0:28:54 > 0:28:55Pat.
0:28:56 > 0:29:00Hairs. Exact visual match for Sarah's long brown hair.
0:29:00 > 0:29:01Compelling.
0:29:04 > 0:29:06- Any sign of a Winchester .308?- No.
0:29:06 > 0:29:08It's just that all the victims were killed with one
0:29:08 > 0:29:11and it's pretty much the only model of rifle Niall Wallace doesn't own.
0:29:11 > 0:29:14So, he was smart enough not to use a gun registered in his name.
0:29:14 > 0:29:17- I mean, we know he's forensically sharp, right?- Right.
0:29:17 > 0:29:20And, obviously, he's got a second location where he's keeping Sarah.
0:29:20 > 0:29:24- THAT'S where the Winchester will be. - Now, all we need to do is find it.
0:29:24 > 0:29:26- Find what? - That second location, sir.
0:29:28 > 0:29:29I just said that.
0:29:33 > 0:29:34Well done, sir.
0:29:38 > 0:29:41Are you any closer to sourcing the white paint flakes in Caitlin's hair?
0:29:41 > 0:29:45Not yet, but we've managed to identify one of the deceased
0:29:45 > 0:29:49from her dental records. Sending you over the details, now.
0:29:51 > 0:29:54HE RATTLES DOOR
0:29:54 > 0:29:56HE KNOCKS
0:29:59 > 0:30:01HE KNOCKS
0:30:01 > 0:30:02< THUDDING
0:30:09 > 0:30:10Jerome.
0:30:11 > 0:30:13Jerome?
0:30:14 > 0:30:18- Hi, Jack.- This is Nikki. We work together.- Hi.
0:30:18 > 0:30:22Listen, Jack, I'm sorry if my mother seemed defensive the other night.
0:30:22 > 0:30:24- That's fine.- She knew you had had her best interests at heart
0:30:24 > 0:30:28- when you offered to drive Amy home. - Yeah, don't worry about it.
0:30:28 > 0:30:31Wasn't so pleased to lose one of our best assets, though.
0:30:31 > 0:30:35- What do you mean?- Apparently, Amy took your advice and went home to Mummy.
0:30:35 > 0:30:37Thank God.
0:30:39 > 0:30:41High horses.
0:30:41 > 0:30:43- What's that? - You should try getting off them.
0:30:43 > 0:30:46- He means, thank God she's safe. - It's fine, I get it.
0:30:46 > 0:30:48You walk in a place like this
0:30:48 > 0:30:51and all you see is women getting exploited, right?
0:30:51 > 0:30:54- It's the guys who are the real suckers.- How's that?
0:30:54 > 0:30:57Because they pay through the nose, and for what?
0:30:57 > 0:30:58To see some girl's tits and arse?
0:30:58 > 0:31:01I mean, what's the girl lost? A bit of dignity, maybe.
0:31:01 > 0:31:04She's not even fully naked.
0:31:04 > 0:31:06The way I see it, it's the girls that are in charge.
0:31:06 > 0:31:09Until someone drags them into their van and rapes and murders them?
0:31:09 > 0:31:11Who says that only happens to pole dancers?
0:31:11 > 0:31:14What about this latest girl who's gone missing?
0:31:14 > 0:31:16Sorry, but we're in something of a hurry.
0:31:16 > 0:31:19- What does the name Magda Borek mean to you?- I own this bar.
0:31:19 > 0:31:22If you have any questions, address them to me.
0:31:22 > 0:31:25Happily. It was you we came to see.
0:31:30 > 0:31:32Yes, I paid for Magda's dental work.
0:31:33 > 0:31:36- Why?- She worked here.
0:31:36 > 0:31:40And all your girls enjoy a comprehensive health package, do they? Give me a break!
0:31:44 > 0:31:47Magda slipped and fell and was all for suing me.
0:31:47 > 0:31:52We reached an agreement, I'd pay for her dental bills, and she'd move on.
0:31:52 > 0:31:55That's interesting. Meredith Caine, who did the reconstructive work,
0:31:55 > 0:31:58believed it was the result of a physical assault.
0:31:58 > 0:32:02And looking at the photos Dr Caine took of Magda's jaw, so do I.
0:32:02 > 0:32:03I'm telling you, she fell.
0:32:05 > 0:32:08If you're implying a punter hit her and I covered it up, forget it.
0:32:09 > 0:32:12I'd have the police here in a heartbeat.
0:32:15 > 0:32:17- What?- Here's the bottom line -
0:32:17 > 0:32:21at least two girls who worked for you wound up dead in Macroom Forest.
0:32:21 > 0:32:25- You going to tell me that's just a coincidence?- Well, it is.
0:32:25 > 0:32:27And you can't prove otherwise.
0:32:28 > 0:32:31That's a very strange thing to say, Stella.
0:32:34 > 0:32:39Stella, in the days after that bridge was installed,
0:32:39 > 0:32:42Magda was abducted and killed.
0:32:42 > 0:32:45- Please, be honest with us. If somebody hit her...- How many times?!
0:32:47 > 0:32:50She fell over coming off stage.
0:32:50 > 0:32:53She blamed the lighting and the floor tiles and was talking legal action.
0:32:55 > 0:32:58Maybe I'm a mug, maybe it was scare tactics,
0:32:58 > 0:33:03but I didn't fancy some vast compensation claim so I paid up.
0:33:03 > 0:33:05And now I'm paying again.
0:33:07 > 0:33:10REPORTERS SHOUT, CAMERAS CLICK
0:33:10 > 0:33:12HELICOPTER WHIRS OVERHEAD
0:33:14 > 0:33:18The good news is that hairs we found in Niall Wallace's vehicle
0:33:18 > 0:33:19are a DNA match for Sarah O'Keefe.
0:33:19 > 0:33:21The bad news, he is still not talking.
0:33:21 > 0:33:25It's up to us to find Sarah and we only have hours to do it.
0:33:25 > 0:33:28If she is alive, she likely has no access to water.
0:33:28 > 0:33:32This is a picture of Sarah leaving her apartment block.
0:33:32 > 0:33:35This picture was taken on the night she was abducted...
0:33:35 > 0:33:38Now, we've searched every corner of the Wallace estate,
0:33:38 > 0:33:41so he must have her at another location. Where?
0:33:41 > 0:33:44To find that out, you're going to have to scour
0:33:44 > 0:33:46every aspect of his life.
0:33:46 > 0:33:48Because her life depends on it.
0:33:48 > 0:33:51Get out. Find out. Anyone got any questions, please?
0:33:52 > 0:33:53Good.
0:33:56 > 0:33:58SHE YELLS, PIPES CLANK
0:34:00 > 0:34:03CLANKING
0:34:12 > 0:34:15SHE PANTS
0:34:15 > 0:34:17CLANKING
0:34:17 > 0:34:20SHE YELLS, PIPES CLANKING
0:34:23 > 0:34:26CLANKING
0:34:26 > 0:34:28CLUNKING
0:34:28 > 0:34:31SHE PANTS AND GASPS
0:34:39 > 0:34:40Oh!
0:34:40 > 0:34:42SHE SIGHS
0:34:42 > 0:34:45SHE PANTS
0:34:54 > 0:34:56SHE SCREAMS
0:34:56 > 0:34:58SEAGULLS CRY
0:35:06 > 0:35:09I had Clarissa clean up the CCTV of Sarah leaving her flat.
0:35:09 > 0:35:13Now, in Sarah's driving licence photo, she's got long hair.
0:35:13 > 0:35:16Some of the hair recovered from her hairbrush is also long.
0:35:16 > 0:35:19But on the night she was abducted, her hair's much shorter,
0:35:19 > 0:35:21- almost bobbed.- Exactly.
0:35:21 > 0:35:24You think that the longer hair was taken from Sarah's hairbrush
0:35:24 > 0:35:26and planted in Niall's jeep?
0:35:26 > 0:35:29Yeah. And my money's on Laing doing the planting.
0:35:31 > 0:35:34Do the timings work? Did Laing have access to the evidence?
0:35:34 > 0:35:37Yes, to both. I checked the hairbrush into the evidence locker
0:35:37 > 0:35:40and went straight to tell Laing about Sarah's probable abduction.
0:35:40 > 0:35:43I was surprised he was sitting out the interview with Niall.
0:35:43 > 0:35:47So was DS MacNeil. He invited Laing in twice, and twice he refused.
0:35:47 > 0:35:51- Yeah, he didn't want to be trapped in an interview room.- Then he went off to search Niall's farm.
0:35:51 > 0:35:53When I offered to assist he knocked me back...
0:35:53 > 0:35:57He couldn't plant evidence and break the wiper with you breathing down his neck...
0:35:57 > 0:36:00One question. Why is he planting evidence at all?
0:36:00 > 0:36:02And why the hell would he frame an innocent man,
0:36:02 > 0:36:05knowing that he was sentencing Sarah to death?
0:36:05 > 0:36:06No idea.
0:36:10 > 0:36:13What if Dr Jenkins has an inkling about Laing?
0:36:13 > 0:36:16No. You'll never get him to break ranks with Laing and MacNeil.
0:36:16 > 0:36:17No. Not without leverage.
0:36:20 > 0:36:23Where's the Collator's Office in Kirkhaven station?
0:36:27 > 0:36:29MUSIC: "Slave To Love" by Bryan Ferry
0:36:34 > 0:36:36DOOR OPENS
0:36:38 > 0:36:40You told me it was urgent.
0:36:40 > 0:36:42They found Magda's dental bridge
0:36:42 > 0:36:45and, Christ knows how, but they know I paid for it.
0:36:45 > 0:36:46What happened, Stella?
0:36:46 > 0:36:49Jerome said he'd caught her using,
0:36:49 > 0:36:52tried to confiscate the drugs, but she resisted...
0:36:52 > 0:36:53And he hit her in self-defence?
0:36:53 > 0:36:57More likely she saw through his knight-in-shining-armour act and paid the price.
0:36:57 > 0:37:00I don't know. That's why I covered her dental bills.
0:37:00 > 0:37:02Because I didn't know!
0:37:07 > 0:37:09What?
0:37:09 > 0:37:11Oh, God forbid, Stella!
0:37:12 > 0:37:14No...
0:37:14 > 0:37:15No way.
0:37:15 > 0:37:16Forget it.
0:37:16 > 0:37:19Don't tell me the thought hasn't crossed your mind!
0:37:19 > 0:37:22It hasn't crossed my mind. No way!
0:37:22 > 0:37:24I mean, you've got someone, right?
0:37:24 > 0:37:27- Yes, I've got "someone". I took care of that.- What do you mean?
0:37:28 > 0:37:31I took precautions to protect us.
0:37:31 > 0:37:33- But if Jerome did this... - He didn't!
0:37:33 > 0:37:34If he did, and the truth gets out...
0:37:34 > 0:37:38There's no "if" here, Simon. Jerome's just not capable of...
0:37:38 > 0:37:41Of what? Eh?!
0:37:43 > 0:37:44I wish I shared your confidence...!
0:37:55 > 0:37:58- Hello.- Do me a favour and just swing by Jerome's place,
0:37:58 > 0:38:00- see if he's in, OK?- Jerome?
0:38:00 > 0:38:03- Jerome Nelson.- 'What, do you want me to give him some money?'
0:38:03 > 0:38:07- No. Just keep an eye on him, that's all.- 'What's up? Is he in trouble?'
0:38:07 > 0:38:10- No, it's probably...probably nothing.- Aye, it's done.
0:38:37 > 0:38:40MOBILE RINGS
0:38:41 > 0:38:43PHONE BEEPS
0:38:43 > 0:38:45He's on the move.
0:38:45 > 0:38:47You want me to stop him?
0:38:50 > 0:38:51Sir?
0:38:51 > 0:38:55No. Follow him. Follow him, and speak to nobody but me. Clear?
0:38:55 > 0:38:58- I'm not sure I am.- How many times have I covered your arse, Mike?
0:38:58 > 0:39:00Eh, how many times?
0:39:00 > 0:39:02Jesus! No need for that.
0:39:02 > 0:39:05I'm sorry. Call me when he gets where he's going. OK?
0:39:06 > 0:39:08Yeah. Will do.
0:39:08 > 0:39:10PHONE BEEPS
0:39:25 > 0:39:29Gunshot wound to the chest. No corresponding bullet hole in her clothes.
0:39:29 > 0:39:31She was re-dressed just like the forest victims.
0:39:31 > 0:39:35But this happened here in Kirkhaven six years ago.
0:39:35 > 0:39:38What was the official version of events?
0:39:39 > 0:39:41Classic murder-suicide.
0:39:43 > 0:39:47Danielle Farley, a 21-year-old prostitute shot by her pimp,
0:39:47 > 0:39:48Darren Mounsey,
0:39:48 > 0:39:51also found dead at the scene from a gunshot wound to the head.
0:39:51 > 0:39:52Not a lick of jewellery.
0:39:52 > 0:39:56But she's got pierced ears and ring marks on her fingers...
0:39:56 > 0:39:58Trophies from his first kill.
0:39:58 > 0:40:00Prostitutes make easy prey. Smart place to start.
0:40:02 > 0:40:03Turn the page.
0:40:13 > 0:40:16I knew that Jenkins had seen the re-dressing before!
0:40:16 > 0:40:17So, why did he deny it?
0:40:22 > 0:40:24Danielle Farley's murder was solved.
0:40:24 > 0:40:29- Her pimp, Darren Mounsey... - Shot her before shooting himself. Yes, I've read your report.
0:40:29 > 0:40:32There's your answer. There's no connection. There can't be.
0:40:32 > 0:40:34This wasn't a murder-suicide, this was a double murder
0:40:34 > 0:40:39and I have no doubt that the Macroom Forest killer was responsible. Do you?
0:40:41 > 0:40:43I've made my position perfectly clear.
0:40:43 > 0:40:45Well, allow me to do the same.
0:40:47 > 0:40:48Darren Mounsey.
0:40:48 > 0:40:51As you are aware, almost all gunshot suicides
0:40:51 > 0:40:53are a product of a contact shot
0:40:53 > 0:40:55which leaves muzzle burn or close-range shots
0:40:55 > 0:40:59which leave stippling and fouling. I'm seeing neither. Are you?
0:41:02 > 0:41:04Nor is there any spatter on the right hand
0:41:04 > 0:41:06with which he supposedly pulled the trigger.
0:41:06 > 0:41:10All this suggests that he was shot from further away by a third party.
0:41:10 > 0:41:14Well, let's just call it a professional difference of opinion.
0:41:14 > 0:41:17That certainly sounds better than "wilfully covering up a double murder".
0:41:24 > 0:41:28Danielle and Darren worked as informants for Laing and MacNeil.
0:41:31 > 0:41:33MacNeil has a temper.
0:41:33 > 0:41:36I assumed he'd fallen out with them, shot them.
0:41:37 > 0:41:40Laing was trying to clean up his mess.
0:41:40 > 0:41:42By staging a murder-suicide?
0:41:45 > 0:41:48Are you saying that MacNeil wasn't at the scene?
0:41:48 > 0:41:49Mmm. Just Laing.
0:41:52 > 0:41:55'Poor guy spent his life clearing up after MacNeil...
0:42:00 > 0:42:02'It was a crude effort.
0:42:02 > 0:42:05'The gun, a Walther P38, was placed in Darren's open right hand,
0:42:05 > 0:42:09'turned out he was left-handed.
0:42:10 > 0:42:12'And while Darren's prints were on the handle,
0:42:12 > 0:42:14'they weren't on the trigger.'
0:42:14 > 0:42:16And you went along with it?
0:42:20 > 0:42:23Yeah, I appeased my conscience. I kept the gun.
0:42:24 > 0:42:26It's clean.
0:42:26 > 0:42:28I swabbed for DNA and prints at the time.
0:42:44 > 0:42:47WIND HOWLS
0:43:09 > 0:43:12METAL CLATTERS
0:43:12 > 0:43:15SHE WHIMPERS
0:43:18 > 0:43:21SHE WHIMPERS AND GASPS
0:43:21 > 0:43:23SHE SCREAMS
0:43:25 > 0:43:28MUFFLED SCREAMS
0:43:28 > 0:43:31PLEADING, YELLING, CLANKING
0:43:52 > 0:43:54SHE PANTS
0:43:54 > 0:43:57SHE WHIMPERS
0:43:57 > 0:43:59SHE GASPS
0:43:59 > 0:44:01GUNSHOT
0:44:02 > 0:44:04GUNSHOT
0:44:10 > 0:44:12SHE SOBS
0:44:17 > 0:44:18SHE GASPS
0:44:19 > 0:44:23HE CHUCKLES, SHE WHIMPERS
0:44:25 > 0:44:27SHE CRIES
0:44:45 > 0:44:47ENGINE REVS
0:44:59 > 0:45:02Work. Sorry.
0:45:04 > 0:45:08RUMBLING
0:45:14 > 0:45:16I knew you couldn't identify me.
0:45:16 > 0:45:18But that's not the reason I took you.
0:45:18 > 0:45:20I took you because you're the only one that got away.
0:45:20 > 0:45:22SHE SHRIEKS
0:45:22 > 0:45:24The only one.
0:45:24 > 0:45:27SCREAMS ECHO
0:45:46 > 0:45:48VAN RUMBLES
0:45:54 > 0:45:55SHE PANTS
0:46:02 > 0:46:04GUNSHOT, SHE SCREAMS
0:46:07 > 0:46:10Sir, we've made a link between the Macroom Forest bodies
0:46:10 > 0:46:14and a double shooting that took place here in Kirkhaven back in 2009.
0:46:14 > 0:46:17- A link?- The re-dressing signature is present,
0:46:17 > 0:46:20as well as the removal of the victim's jewellery.
0:46:20 > 0:46:23We've also recovered the gun used in the 2009 shooting.
0:46:23 > 0:46:27- It bears traces of male DNA. - Male DNA that's a very close match to your own.
0:46:30 > 0:46:32MOBILE VIBRATES
0:46:36 > 0:46:40CLARISSA: I can shed more light on the paint flakes from Caitlin's hair.
0:46:40 > 0:46:43There's an unusual anti-bacterial chemical coagulant,
0:46:43 > 0:46:46which makes it likely the paint's from a meat-packaging plant
0:46:46 > 0:46:50- or a dairy farm building. - OK, that helps...
0:46:50 > 0:46:54And I've lifted a print from the material used to blindfold Magda Borek.
0:46:54 > 0:46:56Do you have a match?
0:46:56 > 0:47:00Yes. A Stella Nelson, formerly known as Maxine Clay,
0:47:00 > 0:47:03owner of the Manhattan Bar in Kirkhaven.
0:47:03 > 0:47:06I have just e-mailed you her mug shot if that helps.
0:47:12 > 0:47:15Who is Stella Nelson, born Maxine Clay, to you?
0:47:20 > 0:47:23Stella Nelson is the mother of my son.
0:47:27 > 0:47:29Where is Sarah O'Keefe? Where has he taken her?
0:47:29 > 0:47:32- If I knew, I would tell you... - Jack!
0:47:38 > 0:47:42PANTING
0:47:43 > 0:47:45GUNSHOT
0:47:54 > 0:47:55Run.
0:47:59 > 0:48:00RUN!
0:48:01 > 0:48:03SHE PANTS
0:48:04 > 0:48:07WIND BLOWS, GRASS RUSTLES
0:48:09 > 0:48:11Screw you.
0:48:14 > 0:48:16HE YELLS
0:48:23 > 0:48:26DISTORTED SHRIEK
0:48:27 > 0:48:29LAING: 'My son is a troubled soul.'
0:48:29 > 0:48:32MUSIC DROWNS AUDIO
0:48:39 > 0:48:42If anyone can make him talk, it's me.
0:48:51 > 0:48:54Has Jerome ever worked at an abattoir or a dairy farm?
0:48:56 > 0:48:58HE SIGHS
0:49:00 > 0:49:05Stella's brother used to work at Young's dairy farm.
0:49:05 > 0:49:07Out on the B20?
0:49:07 > 0:49:09Did Jerome ever go there?
0:49:09 > 0:49:12I'm sure he did, but they closed it down years ago.
0:49:12 > 0:49:14Keys.
0:49:17 > 0:49:20You need to start talking. Now.
0:49:23 > 0:49:24< DOOR SLAMS
0:49:30 > 0:49:32You can't run from DNA.
0:49:33 > 0:49:35Stella proved Jerome was mine.
0:49:37 > 0:49:39Her silence came at a price.
0:49:39 > 0:49:41The Manhattan Bar.
0:49:44 > 0:49:47Well, down payment anyway.
0:49:51 > 0:49:52HE SNIFFLES
0:49:52 > 0:49:54Next time I saw Jerome again,
0:49:54 > 0:49:56I was married with a daughter...
0:49:59 > 0:50:00But no son.
0:50:00 > 0:50:02You reconnected?
0:50:06 > 0:50:08It was an insane risk...
0:50:10 > 0:50:12..I knew it, but...
0:50:13 > 0:50:14..he was mine.
0:50:16 > 0:50:17My flesh and blood.
0:50:18 > 0:50:20'I started to take him hunting.'
0:50:23 > 0:50:24That was a mistake.
0:50:27 > 0:50:28GUNSHOT
0:50:28 > 0:50:30'The more he saw of me, the more he resented
0:50:30 > 0:50:32'it hadn't been me that raised him.'
0:50:32 > 0:50:34Blamed his mum and what she'd been.
0:50:36 > 0:50:38He was just full of hate.
0:50:38 > 0:50:40I mean, CONSUMED by it...
0:50:40 > 0:50:43running his mum down every other minute.
0:50:43 > 0:50:44RAIN PATTERS
0:50:44 > 0:50:48'And one day I'd...had enough.'
0:50:48 > 0:50:51Plus my wife was pregnant, so...
0:50:52 > 0:50:54..I knocked it on the head.
0:50:54 > 0:50:57Did you tell Jerome about the pregnancy?
0:50:59 > 0:51:00He was devastated.
0:51:02 > 0:51:04He...
0:51:05 > 0:51:06..guilt-mongered me into...
0:51:08 > 0:51:09..taking him out one last time.
0:51:24 > 0:51:25GUNSHOT
0:51:25 > 0:51:27HE GASPS
0:51:33 > 0:51:38'He told me Peter Wallace was an accident and I just wanted to believe him.'
0:51:38 > 0:51:40Jerome!
0:51:41 > 0:51:43No, it SUITED you to believe him!
0:51:44 > 0:51:48Turning him in would've meant your wife finding out.
0:51:50 > 0:51:52But now Jerome had you over a barrel.
0:51:52 > 0:51:56And he could call you any time he got into trouble, right?
0:52:00 > 0:52:02Take your jacket off.
0:52:04 > 0:52:05Walk forward.
0:52:07 > 0:52:08Keep walking.
0:52:11 > 0:52:13Stop.
0:52:16 > 0:52:17Take your blindfold off.
0:52:24 > 0:52:25Look at me.
0:52:31 > 0:52:32Run.
0:52:33 > 0:52:35GUNSHOT
0:52:38 > 0:52:39'I thought Danielle was a one-off.'
0:52:41 > 0:52:44'I tried to keep an eye on him after that.'
0:52:44 > 0:52:45GUNSHOT
0:52:47 > 0:52:50'I had no idea he'd gone on to kill other girls.'
0:52:50 > 0:52:51I swear.
0:52:52 > 0:52:56You need to make this right, sir. As much as you ever can.
0:52:58 > 0:52:59Sarah!
0:52:59 > 0:53:01SARAH!
0:53:06 > 0:53:07(Oh, Jesus Christ!)
0:53:16 > 0:53:18< Jack!
0:53:23 > 0:53:25Stop-stop-stop!
0:53:35 > 0:53:36Sarah!
0:53:36 > 0:53:37Sarah!
0:53:41 > 0:53:42Sarah...?
0:53:44 > 0:53:46- SOFTLY:- Sarah. Sarah?
0:53:49 > 0:53:52We're going to get you out of here, OK?
0:53:52 > 0:53:54..She's alive! Get some help, though!
0:53:55 > 0:53:57- SOFTLY: - ..All right. Just...stay there.
0:53:57 > 0:54:00HE PANTS
0:54:15 > 0:54:16- Stop that!- What?- Stop it!
0:54:16 > 0:54:18- I need to talk to you! - What the hell are you doing?!
0:54:22 > 0:54:24- Don't you talk to me like that! - Shut up! Come here!
0:54:24 > 0:54:28Give me that jewellery. I didn't have any business giving it to you in the first place.
0:54:28 > 0:54:31- It's going to get us in a lot of trouble.- Why? Did you steal it?
0:54:31 > 0:54:35- Well, you could say that... - You worthless piece of shit!
0:54:37 > 0:54:42Who are you to insult anyone? I mean, seriously, look at yourself.
0:54:42 > 0:54:45What do you think people see? Hmm?
0:54:45 > 0:54:46A businesswoman?! A boss?!
0:54:46 > 0:54:48A proud, single mum?!
0:54:48 > 0:54:50No! They see a whore!
0:54:50 > 0:54:54A worthless old, withered whore.
0:54:54 > 0:54:56So, what does that make me, eh?!
0:54:56 > 0:54:58I feel BAD!
0:54:59 > 0:55:01I hurt all those girls cos I just wanted to hurt YOU!
0:55:01 > 0:55:03Hurt me? Why?
0:55:05 > 0:55:07Caitlin... Oh, my God!
0:55:07 > 0:55:08He's right...
0:55:08 > 0:55:10SHE WHIMPERS
0:55:10 > 0:55:13- "Right?" Who's right? - Get away from me!
0:55:13 > 0:55:16- Mum! Who's right? Someone been pouring poison in your ear?- Jerome!
0:55:19 > 0:55:22Jerome, if anyone deserves your anger, it's me not her.
0:55:23 > 0:55:25Jerome, please.
0:55:25 > 0:55:27Please, put it down.
0:55:27 > 0:55:30HE PANTS
0:55:31 > 0:55:34Jerome, you do the right thing
0:55:34 > 0:55:36and I'll always be there for you.
0:55:36 > 0:55:40I'll be the dad you always wanted.
0:55:40 > 0:55:41Deserved.
0:55:46 > 0:55:47Do you mean that?
0:55:49 > 0:55:50I do.
0:55:53 > 0:55:55JEROME GROANS
0:55:55 > 0:55:58HE PANTS
0:56:12 > 0:56:13Simon...?
0:56:19 > 0:56:20Laing.
0:56:20 > 0:56:21Laing!
0:56:22 > 0:56:24GRUNTING, GUNSHOT
0:56:24 > 0:56:27Don't move! Stay down, sir! Stay down!
0:56:27 > 0:56:29BOLTS CLANK, SHELLS DROP
0:56:29 > 0:56:31ALL PANT
0:57:10 > 0:57:11Any luck IDing Caitlin?
0:57:15 > 0:57:18Looks like she'll just be "Caitlin" for ever...
0:57:19 > 0:57:23Her daughter will never know
0:57:23 > 0:57:25that she didn't just abandon her,
0:57:25 > 0:57:28she couldn't come home.
0:57:57 > 0:58:00BIRDSONG
0:58:13 > 0:58:15SILENCED GUNSHOTS
0:58:15 > 0:58:17ENGINE REVS
0:58:25 > 0:58:28It was a drunken shag, not Wuthering Heights!
0:58:28 > 0:58:31Mum, did you hear what I said? He's evil. You can't be with him!
0:58:31 > 0:58:34OK, we're all impressed. But maybe put the knife down?
0:58:34 > 0:58:36SHE SCREAMS