0:00:02 > 0:00:07This programme contains some scenes which some viewers may find upsetting.
0:00:07 > 0:00:10Just tell me! I'd tell you! This is my home!
0:00:18 > 0:00:21CAR ALARM BLARES
0:00:32 > 0:00:35We've got a suspect fleeing the scene.
0:00:35 > 0:00:37Tony Hamilton, married bloke she was seeing.
0:00:37 > 0:00:40Her mate says she was pregnant with his baby.
0:00:40 > 0:00:42She was pregnant?
0:00:42 > 0:00:44"Was" being the operative word.
0:00:44 > 0:00:47I want the bastard for murder if she dies
0:00:47 > 0:00:49but first we need evidence she was pushed...
0:00:49 > 0:00:51She's not going to die.
0:00:51 > 0:00:54Look, DI Porter, I think the less you tell me now, the better.
0:01:02 > 0:01:04Hi Suzie.
0:01:04 > 0:01:06I'm Dr Alexander.
0:01:06 > 0:01:08Nikki.
0:01:35 > 0:01:38If this hurts, tell me and I'll stop.
0:01:39 > 0:01:41Don't worry.
0:01:41 > 0:01:43Can't feel a thing.
0:02:15 > 0:02:18- How's your mum? Is she all right? - She's good thank you.
0:02:18 > 0:02:19That's it.
0:02:21 > 0:02:22Just turn around and sit down.
0:02:22 > 0:02:24There you go.
0:02:30 > 0:02:32Thanks. Oh!
0:02:32 > 0:02:35Don't worry, I'll get your bag for you. There you are.
0:02:35 > 0:02:36Thank you.
0:02:43 > 0:02:51# Testator silens
0:02:51 > 0:02:59# Costestes e spiritu
0:02:59 > 0:03:07# Silentium. #
0:03:11 > 0:03:13Nikki...?
0:03:14 > 0:03:16Scott! Wow.
0:03:16 > 0:03:18Hello.
0:03:18 > 0:03:19Auckland five years,
0:03:19 > 0:03:22Sydney three years, Manila four years,
0:03:22 > 0:03:25er...Bangkok nine years, and London...
0:03:25 > 0:03:27- two weeks.- Two weeks?
0:03:27 > 0:03:28What brought you home?
0:03:28 > 0:03:30Er, my mum. She, er, she died.
0:03:30 > 0:03:33- Oh, I'm sorry.- No.
0:03:33 > 0:03:36Listen, do, do you want to get a coffee or something?
0:03:36 > 0:03:38- Yeah.- Yeah?
0:03:38 > 0:03:40Guy with the duffel coat, hood up, rain or shine,
0:03:40 > 0:03:43- always sat at the back. - Oh, God. Him. "Weapons."
0:03:43 > 0:03:46SHE GASPS That's it. Weapons! Genius.
0:03:46 > 0:03:48- OK. My turn.- Go easy on me.
0:03:48 > 0:03:51No chance. Professor Roach.
0:03:53 > 0:03:56I mean, we were heading off round the world together then,
0:03:56 > 0:04:00one tutorial with the battle-axe later, we're not.
0:04:00 > 0:04:02Suddenly you had to get on with your life.
0:04:03 > 0:04:06The Institute of Pathologists would not wait.
0:04:11 > 0:04:15I mean, what ever happened to Roach? Do you still see her?
0:04:15 > 0:04:19We came up against each other in court. Got messy.
0:04:19 > 0:04:20Who won?
0:04:22 > 0:04:24See, you were always formidable.
0:04:24 > 0:04:26I don't feel very formidable...
0:04:26 > 0:04:29- Even then. 21 going on 41... - Shut up.
0:04:31 > 0:04:33- It was a turn-on, actually. - OK, enough.
0:04:33 > 0:04:36PHONE NOTIFICATION
0:04:36 > 0:04:38It's work.
0:04:38 > 0:04:39Do this again?
0:04:55 > 0:04:58SHE GETS UP
0:04:58 > 0:05:00DOOR CLOSES
0:05:07 > 0:05:10CAR ALARM BLARES
0:05:13 > 0:05:15You made me jump.
0:05:26 > 0:05:28ID, please.
0:05:28 > 0:05:30- Thank you very much. - Need these?
0:05:30 > 0:05:34Nice gaff - and soon to be on the market.
0:05:34 > 0:05:35You going to put in an offer?
0:05:35 > 0:05:37I might dust down the old decks.
0:05:37 > 0:05:39IMITATES DJ SCRATCHING RECORDS
0:05:41 > 0:05:43The deceased is Max Walsh, a record producer and DJ,
0:05:43 > 0:05:45- hence the... - IMITATES DJ SCRATCHING RECORDS
0:05:45 > 0:05:48- No, me neither. - You own a set of decks?
0:05:48 > 0:05:50Oh, brought the ruckus back in the day.
0:05:50 > 0:05:52OK. Photographic evidence, please.
0:05:52 > 0:05:54Nah. Why are you in such a jolly mood?
0:05:54 > 0:05:55Oh, just ran into an old friend.
0:05:55 > 0:05:58- Male or female? - Male, as it happens.
0:05:58 > 0:06:02"As it happens." Defensive. Very interesting.
0:06:02 > 0:06:04- DS Calvin Jones. Nikki Alexander. - Hi.
0:06:04 > 0:06:06All right? Erm, just down here.
0:06:11 > 0:06:12It looks like suicide,
0:06:12 > 0:06:15but, as he was semi-famous, I just want to cover the bases.
0:06:17 > 0:06:18Who was that?
0:06:18 > 0:06:21Sophia Haddon, Walsh's PA. She found the body.
0:06:24 > 0:06:25So, what've we got?
0:06:25 > 0:06:28Blood distribution's confined to the bath, ie he wasn't moved
0:06:28 > 0:06:31after he was cut, and no signs of a struggle.
0:06:34 > 0:06:36Wow, this was no cry for help.
0:06:36 > 0:06:38- No?- No.
0:06:38 > 0:06:42You've got to cut through the tendons to reach the arteries,
0:06:42 > 0:06:44and they're more likely to clot than bleed out.
0:06:44 > 0:06:47- So how did he manage it? - Where there's a will...
0:06:47 > 0:06:49I'll have a better answer when I've cleaned him up.
0:07:02 > 0:07:05Here we go. One knife short.
0:07:05 > 0:07:09So, no forced entry at front or back doors which have multiple locks.
0:07:09 > 0:07:11Everything points to suicide?
0:07:11 > 0:07:14Right down to the turned-over photographs downstairs.
0:07:14 > 0:07:16Morphine sulphate.
0:07:16 > 0:07:19Typically used in the management of chronic pain.
0:07:19 > 0:07:20The PA says Walsh recently
0:07:20 > 0:07:22got the all clear after the removal of a tumour.
0:07:22 > 0:07:25- But if he was in remission... - Why wasn't that a happy ending?
0:07:31 > 0:07:33See you later.
0:07:37 > 0:07:39David.
0:07:40 > 0:07:42Why don't you try and get him out today?
0:07:42 > 0:07:44Nothing too ambitious -
0:07:44 > 0:07:47just see if you can get him to do something useful.
0:07:47 > 0:07:49Define "useful."
0:07:50 > 0:07:52- I'll do my best, OK?- Thank you.
0:07:52 > 0:07:54Have a good day.
0:07:55 > 0:07:57'Come here.
0:07:57 > 0:07:59'Steady. Steady.
0:07:59 > 0:08:00'Wa-hay!
0:08:02 > 0:08:03'Perfect timing.'
0:08:16 > 0:08:20Just turn that off, Dad. How about we resurrect the pool?
0:08:21 > 0:08:23It's her birthday tomorrow.
0:08:24 > 0:08:26Would've been her birthday.
0:08:28 > 0:08:30Is that a "no", then?
0:08:32 > 0:08:34(OK.)
0:08:39 > 0:08:41You know, I could've gone to Uni last year.
0:08:41 > 0:08:44- So, why didn't you?!- Cos I wanted to be here when you got out of prison!
0:08:44 > 0:08:45Well, you should've gone.
0:09:00 > 0:09:04The body is that of a 42-year-old male identified as Max Walsh.
0:09:07 > 0:09:09On the right arm
0:09:09 > 0:09:12there's an L-shaped incision along the length of the ulnar artery
0:09:12 > 0:09:15that completely severs the tendons of the finger flexors.
0:09:19 > 0:09:24And the same L-shaped incision is also present on the left arm.
0:09:24 > 0:09:26And that's...weird?
0:09:26 > 0:09:30In the context of self-inflicted wrist wounds, yes.
0:09:30 > 0:09:33After cutting the tendons in one arm,
0:09:33 > 0:09:36he wouldn't be able to grip the knife to cut the other.
0:09:36 > 0:09:38So, one of the cuts should be shallow and messy?
0:09:40 > 0:09:43Yeah. But they're as deep and precise as each other.
0:09:51 > 0:09:53There's some sort of adhesive substance
0:09:53 > 0:09:55in the hair of the left armpit.
0:10:01 > 0:10:02Hmm.
0:10:02 > 0:10:03Right armpit's clean.
0:10:05 > 0:10:06I'll take samples.
0:10:09 > 0:10:10Thomas.
0:10:31 > 0:10:32What?
0:10:32 > 0:10:34Is it possible he put that there himself?
0:10:34 > 0:10:35No.
0:10:35 > 0:10:37Not that far down.
0:10:37 > 0:10:39Gag reflex would have kicked in.
0:10:39 > 0:10:42Most likely it was placed there after he died.
0:10:42 > 0:10:43Making this murder.
0:10:53 > 0:10:54Nikki?
0:10:56 > 0:10:59SHE TYPES
0:10:59 > 0:11:00Is this a case you worked on?
0:11:00 > 0:11:02Irene Dawes. A retired nurse.
0:11:02 > 0:11:05- When?- Found dead in the bath three months ago.
0:11:05 > 0:11:08My findings at the inquest argued for suicide.
0:11:09 > 0:11:11But now you've got your doubts?
0:11:11 > 0:11:14She was holding a quartz nurse's watch and it's set to the same time.
0:11:14 > 0:11:17And Irene also had cancer.
0:11:19 > 0:11:20Christ.
0:11:20 > 0:11:23The killer either knows the details of Irene's suicide and copied them...
0:11:24 > 0:11:26..or he killed her, too.
0:11:28 > 0:11:30What does your gut tell you?
0:11:32 > 0:11:34My gut tells me I've missed a murder.
0:11:34 > 0:11:37I was called out to the death of Irene Dawes
0:11:37 > 0:11:38just over three months ago.
0:11:38 > 0:11:41She'd been dying a slow, painful death.
0:11:41 > 0:11:43So suicide wasn't a stretch?
0:11:43 > 0:11:45No.
0:11:45 > 0:11:47But her son didn't buy it. He's a Catholic priest.
0:11:47 > 0:11:49And he remained unconvinced even when we found
0:11:49 > 0:11:52searches about morphine fatality in her web history.
0:11:52 > 0:11:54What was in those blister packs?
0:11:54 > 0:11:55Morphine sulphate tablets.
0:11:55 > 0:11:58Which Max Walsh was also taking.
0:11:58 > 0:11:59Exactly.
0:11:59 > 0:12:01And this?
0:12:01 > 0:12:03Did he want the hands to bisect the watch,
0:12:03 > 0:12:05does the time mean something to him?
0:12:05 > 0:12:06Pass.
0:12:06 > 0:12:08But there's another commonality.
0:12:08 > 0:12:11At both scenes, there were pictures of relatives turned face-down.
0:12:11 > 0:12:13Textbook suicide hallmark.
0:12:13 > 0:12:17If that's his thing, faking suicides, there could be other killings we haven't linked yet.
0:12:17 > 0:12:20Or that weren't even investigated as murders.
0:12:20 > 0:12:22Making this the work of a serial killer.
0:12:22 > 0:12:24Both victims were terminally ill.
0:12:26 > 0:12:28Maybe he sees killing as an act of mercy.
0:12:28 > 0:12:30Who was the DS on it?
0:12:30 > 0:12:32DI Pamela Rankin.
0:12:34 > 0:12:36You know her?
0:12:36 > 0:12:37OF her.
0:12:38 > 0:12:40How did a suicide get a DI?
0:12:40 > 0:12:43Irene's son has some friends in the force.
0:12:43 > 0:12:44- HE SIGHS - Right.
0:12:44 > 0:12:46AlL right, I'll call Rankin tomorrow.
0:12:46 > 0:12:48- Tomorrow?- This has to be handled...
0:12:48 > 0:12:49You're going to have to talk to her...
0:12:49 > 0:12:52I'm not telling a DI she missed a murder until we're sure.
0:12:52 > 0:12:53Then we'll make sure.
0:13:26 > 0:13:28MESSAGE TONE
0:13:35 > 0:13:37KNOCK AT WINDOW
0:13:40 > 0:13:44- You OK?- Yeah.- You know, the watches stuff's compelling, but it doesn't prove Dawes was murdered.
0:13:44 > 0:13:47I know what you're doing, and I appreciate it.
0:13:47 > 0:13:49But I've got to face this, and I've got to find out what I missed.
0:13:49 > 0:13:51Course you do.
0:13:51 > 0:13:52You're Nikki.
0:13:53 > 0:13:54Sleep tight.
0:14:06 > 0:14:09KEY TURNS IN LOCK
0:14:22 > 0:14:23SHE SIGHS
0:14:29 > 0:14:31THUD IN NEXT ROOM
0:14:33 > 0:14:34THUD IN NEXT ROOM
0:14:38 > 0:14:40THUDS CONTINUE
0:14:54 > 0:14:56SLAMS WINDOW SHUT
0:14:57 > 0:14:59MESSAGE TONE
0:16:07 > 0:16:08Shit!
0:16:17 > 0:16:20MACHINERY WHIRS
0:16:24 > 0:16:26Excuse me.
0:16:29 > 0:16:31Dr Alexander.
0:16:31 > 0:16:32Father Dawes.
0:16:33 > 0:16:36Is there somewhere we can talk?
0:16:39 > 0:16:41Not now. Erm...
0:16:41 > 0:16:42I have an appointment.
0:16:44 > 0:16:45Be back at one, Gary.
0:16:45 > 0:16:48Two minutes. Please.
0:16:49 > 0:16:51I may have a chance to re-examine your mother's death.
0:16:52 > 0:16:54What good would that do?
0:16:54 > 0:16:56I don't know...yet.
0:16:56 > 0:16:58But last time we met, you were adamant
0:16:58 > 0:17:01that she hadn't taken her own life, that I'd got it wrong.
0:17:01 > 0:17:02Is that still your view?
0:17:05 > 0:17:06Yes.
0:17:06 > 0:17:10Nothing's happened in the interim to make you doubt it?
0:17:10 > 0:17:12Nothing.
0:17:12 > 0:17:14Anyway, what does it matter?
0:17:14 > 0:17:17Because if I go down this road, I want your blessing.
0:17:21 > 0:17:23- Why?- I want you on side.
0:17:26 > 0:17:30And, to be frank, it makes things easier if we need to exhume.
0:17:34 > 0:17:36No.
0:17:36 > 0:17:38- What?- It's too late.
0:17:38 > 0:17:40The death certificate said suicide.
0:17:40 > 0:17:43- Death certificates can be changed. - But God's judgment cannot.
0:17:45 > 0:17:48- My mother is now by His side or not. - I'm confused.
0:17:48 > 0:17:50You never believed it WAS suicide.
0:17:50 > 0:17:54And now we might get a chance to prove it, you won't cooperate?
0:17:54 > 0:17:56This isn't official, is it?
0:17:56 > 0:17:57It's just a hunch.
0:18:22 > 0:18:24So how do you think you're faring, Tony?
0:18:26 > 0:18:27As a free man?
0:18:29 > 0:18:30Fine.
0:18:30 > 0:18:34I'm going to need a longer answer than "fine," I'm afraid.
0:18:34 > 0:18:38My son and my wife are helping me to adjust.
0:18:38 > 0:18:40You sound like you're reading from a script.
0:18:40 > 0:18:44Telling me what I want to hear cos you want me off your back.
0:18:45 > 0:18:46TONY SIGHS
0:18:46 > 0:18:48How did you get here today?
0:18:50 > 0:18:51My son drove me.
0:18:51 > 0:18:53Like last week.
0:18:53 > 0:18:56And the week before, and the week before that.
0:18:57 > 0:18:58Lydia's working.
0:18:58 > 0:19:01- She's got a very demanding job. - What does she do?
0:19:01 > 0:19:02She's a lawyer.
0:19:02 > 0:19:05She's not using her work as an excuse to avoid you?
0:19:07 > 0:19:10In six months, she's never accompanied you once, you barely mention her.
0:19:10 > 0:19:14- What am I supposed to think? - It's none of your business. - It IS my business, Tony...
0:19:15 > 0:19:18..because it relates to the issue of your reacclimatisation.
0:19:18 > 0:19:19TONY SCOFFS
0:19:19 > 0:19:21Is that even a bloody word?
0:19:21 > 0:19:24She files for divorce soon as you're arrested, then takes you back when you're released?
0:19:24 > 0:19:26You know we lost our daughter.
0:19:26 > 0:19:28Do you talk about that with your wife?
0:19:28 > 0:19:31Is that something you...share? Help each other with?
0:19:36 > 0:19:40The terms of your parole mean that after today we meet only bi-monthly.
0:19:40 > 0:19:42But that decision...
0:19:42 > 0:19:44is at my discretion.
0:19:45 > 0:19:47What do you mean?
0:19:47 > 0:19:49I mean if I feel you're hiding something - and I do...
0:19:50 > 0:19:52..you'll be back here next week.
0:19:55 > 0:19:59My wife, she tries, she does, she wants to want me around, but I...
0:20:01 > 0:20:02..disgust her.
0:20:02 > 0:20:04And how does that make you feel?
0:20:05 > 0:20:06Angry?
0:20:09 > 0:20:10Sometimes.
0:20:10 > 0:20:12What about Suzie Banks?
0:20:13 > 0:20:15Do you feel anger toward her?
0:20:17 > 0:20:18CRASH
0:20:18 > 0:20:20CAR ALARM BLARES
0:20:21 > 0:20:22Tony.
0:20:24 > 0:20:25Since your release...
0:20:26 > 0:20:29..have you tried to contact Suzie Banks?
0:20:33 > 0:20:35No.
0:20:35 > 0:20:36Of course not.
0:20:43 > 0:20:44Nikki.
0:20:46 > 0:20:48Been trying to get hold of you.
0:20:55 > 0:20:56DI Rankin.
0:20:56 > 0:20:59I've just had Father Dawes on the phone
0:20:59 > 0:21:02asking why we're re-examining the death of his mother.
0:21:02 > 0:21:06I had to come clean and say I had no bloody clue what he was on about,
0:21:06 > 0:21:08which made me look great.
0:21:08 > 0:21:10- Really professional. - I'm sorry.
0:21:10 > 0:21:11Oh, no worries, seriously.
0:21:11 > 0:21:15It's not like he sits on every local authority panel going,
0:21:15 > 0:21:20runs outreach programmes, and is a decorated army chaplain to boot.
0:21:20 > 0:21:22It's not like he's a fully paid-up friend of the force,
0:21:22 > 0:21:25and all-round do-gooding pain in the arse...
0:21:25 > 0:21:27Yeah, I think you've made your point.
0:21:28 > 0:21:30Nikki.
0:21:30 > 0:21:32And I don't want an apology.
0:21:32 > 0:21:34I want an explanation.
0:21:36 > 0:21:39He was so certain that his mother hadn't taken her own life.
0:21:39 > 0:21:41And?
0:21:41 > 0:21:44And I wanted to know if he still felt the same way.
0:21:44 > 0:21:47Yeah, but it's not your job to ask those questions. It's mine.
0:21:47 > 0:21:50I suppose I didn't remember you asking too many questions
0:21:50 > 0:21:51first time round.
0:21:55 > 0:21:57Irene Dawes committed suicide.
0:21:57 > 0:21:59The fact that you have a case with vaguely similar hallmarks
0:21:59 > 0:22:01doesn't mean shit, are we clear?
0:22:01 > 0:22:03I'd call them remarkably similar.
0:22:03 > 0:22:04Are we clear?!
0:22:04 > 0:22:05Yes, we're clear.
0:22:06 > 0:22:09And you'd better remember which team you play for, DS Jones.
0:22:22 > 0:22:23SHE SIGHS
0:22:26 > 0:22:28Have you thought this through?
0:22:28 > 0:22:32If you prove Irene Dawes's death was murder, not suicide,
0:22:32 > 0:22:34there'll be far-reaching consequences.
0:22:34 > 0:22:36- Yes, there will.- And likely as not, no good will come of it.
0:22:36 > 0:22:40Not for her, not for her family, and not for the Lyell.
0:22:42 > 0:22:44Bottom line - you worked with the evidence you had,
0:22:44 > 0:22:46and your conclusions were sound.
0:22:47 > 0:22:49You're saying I turn a blind eye
0:22:49 > 0:22:51to protect the reputation of the Lyell?
0:22:51 > 0:22:52More your own.
0:22:52 > 0:22:54If it turns out you got it wrong with Irene Dawes,
0:22:54 > 0:22:57that you missed a murder...
0:22:57 > 0:22:58HE SIGHS
0:22:58 > 0:22:59..every case you've given evidence
0:22:59 > 0:23:02in that was remotely controversial will be fair game.
0:23:02 > 0:23:05Fresh meat for new appeals, quite possibly successful ones.
0:23:05 > 0:23:07I can't believe I'm hearing this!
0:23:07 > 0:23:09I'm prepared to hold up my hand and say I got it wrong,
0:23:09 > 0:23:11and all I ask is that you have my back!
0:23:11 > 0:23:14- And I do.- Bullshit! You just told me you don't!
0:23:17 > 0:23:19If you don't call the coroner, I will.
0:23:21 > 0:23:22MESSAGE TONE
0:23:22 > 0:23:24(Shit.)
0:23:35 > 0:23:37What are you doing?
0:23:38 > 0:23:41I'm just here to see my parole officer. Same as you.
0:23:41 > 0:23:42You're lying.
0:23:42 > 0:23:44Relax, Tony. Relax.
0:23:44 > 0:23:45You stay away from me.
0:23:45 > 0:23:47Here, Dad!
0:23:47 > 0:23:49- Get back in the car. - No, what's going on?
0:23:51 > 0:23:53You must be David.
0:23:53 > 0:23:55I've heard a lot about you.
0:23:55 > 0:23:56What?
0:23:56 > 0:23:58- Get back in the car. - No, hold on a minute.
0:24:00 > 0:24:01Stay away.
0:24:02 > 0:24:04Come on. I'll drive.
0:24:10 > 0:24:12She's adorable.
0:24:15 > 0:24:17And you want to know who Mum is.
0:24:17 > 0:24:18Right.
0:24:18 > 0:24:22Er, she was a nurse at Bangkok Infirmary.
0:24:22 > 0:24:25I was her boss - deputy supervisor of ER.
0:24:25 > 0:24:27Good for you.
0:24:27 > 0:24:30Well, yeah, and no. I mean, we're not exactly on speaking terms.
0:24:32 > 0:24:34I'm sorry.
0:24:34 > 0:24:37No, no, look, you're in the middle of something, don't worry.
0:24:40 > 0:24:42A problem shared...
0:24:42 > 0:24:44Do you want to talk about it?
0:24:47 > 0:24:49BRAKES SCREECH
0:24:53 > 0:24:55Dad!
0:24:55 > 0:24:56Hey!
0:24:56 > 0:24:59DOOR SLAMS
0:24:59 > 0:25:01- You going to tell me who that man was? - WATER RUNS
0:25:01 > 0:25:03Somebody you was inside with? Who was he?
0:25:03 > 0:25:05I don't want to talk about it.
0:25:05 > 0:25:07You don't want to talk about it, you never do.
0:25:12 > 0:25:13His name's Carmichael.
0:25:13 > 0:25:14OK.
0:25:15 > 0:25:17Did you know him well?
0:25:20 > 0:25:22In prison, I was a target.
0:25:23 > 0:25:27Because of what I was supposed to have done, and because I had money.
0:25:27 > 0:25:28Carmichael protected me.
0:25:28 > 0:25:30What does that mean?
0:25:30 > 0:25:33- Doesn't matter. - Of course it matters!
0:25:33 > 0:25:36Dad, you weren't supposed to be in there, you were innocent.
0:25:36 > 0:25:39What? Don't you feel...angry about it? About any of it?
0:25:39 > 0:25:43- All the people that let you down, all the people that betrayed you? - No-one betrayed me.
0:25:43 > 0:25:46Your so-called expert lawyers that were meant to prove your innocence,
0:25:46 > 0:25:49never mind the ones that backed up the police lies. I mean...
0:25:49 > 0:25:51Don't you want to see them pay?
0:25:52 > 0:25:53No.
0:25:53 > 0:25:55OK, then what about Suzie Banks?
0:25:57 > 0:25:59You know, I don't care that she ended up in a wheelchair. She lied.
0:25:59 > 0:26:02She told the police that you pushed her out of that...
0:26:02 > 0:26:03- She had her reasons.- Dad!
0:26:03 > 0:26:05You went to prison, right? You lost everything.
0:26:05 > 0:26:08She had her reasons. I didn't say it justified what she did.
0:26:10 > 0:26:13Well, that's...good. That's good to know.
0:26:14 > 0:26:17She must... She must have really been something.
0:26:27 > 0:26:30What if whoever killed Walsh had access to, or knowledge of,
0:26:30 > 0:26:32the details of Irene's suicide?
0:26:32 > 0:26:34I mean, that's not impossible, right?
0:26:34 > 0:26:37- No, it's not, but...- I mean, you said there was no evidence
0:26:37 > 0:26:39that Irene Dawes was force-fed those tablets.
0:26:39 > 0:26:44I mean, no vomit or saliva or restraining injuries to her wrists?
0:26:44 > 0:26:46No bruising to the mouth and tongue either.
0:26:46 > 0:26:48But she died of morphine overdose.
0:26:49 > 0:26:50Conclusion?
0:26:52 > 0:26:54She took those pills voluntarily.
0:26:54 > 0:26:56You were right first time. Suicide.
0:26:58 > 0:27:00- I don't know...- Another one?
0:27:01 > 0:27:02My shout.
0:27:02 > 0:27:03Least I can do.
0:27:03 > 0:27:05- Same?- Er, yeah, thanks.
0:27:09 > 0:27:12PHONE RINGS
0:27:14 > 0:27:15Nikki's phone.
0:27:15 > 0:27:18Oh, wait a sec, I'll just get her.
0:27:18 > 0:27:20It's for you, obviously.
0:27:22 > 0:27:23Hi.
0:27:25 > 0:27:26Bad time?
0:27:26 > 0:27:27Er, no.
0:27:28 > 0:27:30I think you'll want to see this.
0:27:30 > 0:27:32'OK. Five minutes.'
0:27:32 > 0:27:33OK. Bye.
0:27:34 > 0:27:36- Got to run?- Yeah. Call you later. Sorry.
0:27:38 > 0:27:39Nikki, wait.
0:27:42 > 0:27:45Maybe this is nuts, but do you think it's coincidence
0:27:45 > 0:27:46that you attended both scenes?
0:27:46 > 0:27:48What do you mean?
0:27:48 > 0:27:51I mean, if this IS foul play - two victims, one killer...
0:27:52 > 0:27:55I mean, what are the odds of you getting the call twice?
0:27:55 > 0:27:59Well, if someone's active on our patch, it's not that much of a stretch.
0:27:59 > 0:28:00Like I said, nuts.
0:28:09 > 0:28:12Ah. Lunch date?
0:28:12 > 0:28:13What is it I'll want to see?
0:28:13 > 0:28:17Tox shows presence of morphine in Walsh's blood.
0:28:17 > 0:28:18Enough to incapacitate him?
0:28:18 > 0:28:19Probably.
0:28:19 > 0:28:22Well, Walsh did have morphine sulphate pills in his fridge.
0:28:22 > 0:28:25If he'd ingested them, we'd have found them in his stomach contents.
0:28:25 > 0:28:27The morphine's in his blood, but not his stomach?
0:28:27 > 0:28:28Correct.
0:28:28 > 0:28:31If it got there intravenously, the needle would've woken him,
0:28:31 > 0:28:32and we'd have a struggle.
0:28:32 > 0:28:34Killer had that covered.
0:28:34 > 0:28:36The substance in Walsh's underarm hair
0:28:36 > 0:28:39is a local anaesthetic called Lidocaine.
0:28:40 > 0:28:43ELECTRIC RAZOR WHIRS
0:28:46 > 0:28:48There. Needle mark.
0:28:50 > 0:28:52Redness suggests it was made close to death.
0:28:52 > 0:28:55Found more traces of the spray on the bed sheets
0:28:55 > 0:28:57and the arm of his T-shirt.
0:28:57 > 0:28:58Time of death?
0:28:58 > 0:29:00Midnight to 4am.
0:29:00 > 0:29:02Right, let's assume Walsh was asleep.
0:29:02 > 0:29:05The killer gains entry, somehow...
0:29:05 > 0:29:09And applies the anaesthetic so he won't feel the needle.
0:29:09 > 0:29:11The anaesthetic takes care of the needle,
0:29:11 > 0:29:13the needle delivers the morphine.
0:29:15 > 0:29:16How long till he's out cold?
0:29:16 > 0:29:18Five minutes, ten at the most.
0:29:18 > 0:29:20That's why we've got no defensive wounds.
0:29:20 > 0:29:23And why he can transport Walsh to the bath without waking him.
0:29:23 > 0:29:26Killer's forensically aware and physically strong.
0:29:26 > 0:29:27No drag marks on the body.
0:29:27 > 0:29:28None on the carpet, either.
0:29:28 > 0:29:30No signs of a struggle at all.
0:29:30 > 0:29:34He stops the clocks and the breath in their throats.
0:29:34 > 0:29:36A veritable angel of death.
0:29:36 > 0:29:38And Irene Dawes?
0:29:38 > 0:29:40Did he inject her, too?
0:29:41 > 0:29:43Only one way to find out.
0:29:47 > 0:29:48Who's in charge here?
0:29:48 > 0:29:50- Let me through!- Sorry. Sorry.
0:29:50 > 0:29:53I'm so sorry, Father, this really had nothing to do with me.
0:30:10 > 0:30:14Body is embalmed, and in relatively intact condition.
0:30:15 > 0:30:19Her son saw the embalming as a sign of her loss of faith.
0:30:19 > 0:30:21A concern with body over soul.
0:30:22 > 0:30:24Nikki?
0:30:32 > 0:30:34ELECTRIC RAZOR WHIRS
0:30:52 > 0:30:54ELECTRIC RAZOR WHIRS
0:31:00 > 0:31:01Nothing.
0:31:12 > 0:31:14HE SIGHS
0:31:25 > 0:31:26Needle mark.
0:31:26 > 0:31:27Still partly reddened.
0:31:27 > 0:31:28Meaning?
0:31:28 > 0:31:31Meaning it was inflicted right before death,
0:31:31 > 0:31:32never had a chance to heal.
0:31:33 > 0:31:36We'll test for the anaesthetic spray we found on Walsh.
0:31:44 > 0:31:45Nikki?
0:31:52 > 0:31:53(Oh, my God.)
0:31:53 > 0:31:54Nikki, wait up.
0:31:57 > 0:31:58Nikki?
0:32:01 > 0:32:04- Remember when I told you about the watches at both scenes?- Mm-hmm.
0:32:04 > 0:32:08- You said something like, "Of course you're going to pursue a link. You're Nikki."- Yes?
0:32:08 > 0:32:10- You were certain of it. Because you know me.- Yeah.
0:32:10 > 0:32:13Well, what happens if the killer also knows me?
0:32:13 > 0:32:15Was just as certain that I'd look for a link? Banked on it, in fact.
0:32:15 > 0:32:17What are you talking about?
0:32:17 > 0:32:18I don't know.
0:32:18 > 0:32:21That they wanted me to make a mistake, a critical error.
0:32:21 > 0:32:23And my God, they succeeded. I missed a murder!
0:32:23 > 0:32:24- Hold on.- Maybe that's what this is all about!
0:32:24 > 0:32:26What, two people murdered to make you look bad?
0:32:26 > 0:32:28How would they know when you're on call?
0:32:28 > 0:32:30I've worked the same shift for two years.
0:32:30 > 0:32:32All right, or the borders of your jurisdiction?
0:32:32 > 0:32:34- It's on the bloody Lyell Centre website!- All right.
0:32:34 > 0:32:35SHE BREATHES HEAVILY
0:32:35 > 0:32:37Maybe you just made an innocent mistake, yeah?
0:32:37 > 0:32:39God knows we all do from time to time...
0:32:39 > 0:32:41Someone's been in my flat. I'm sure of it.
0:32:41 > 0:32:42What?
0:32:42 > 0:32:44Oh, forget it.
0:32:44 > 0:32:45Nikki...
0:32:45 > 0:32:46Wait!
0:32:46 > 0:32:48Tell me, then.
0:32:49 > 0:32:52SHE BREATHES FRANTICALLY
0:32:54 > 0:32:56CAR BLEEPS UNLOCKED
0:32:56 > 0:32:58CAR DOOR SLAMS
0:33:00 > 0:33:01Hello.
0:33:01 > 0:33:03- Hiya.- How'd it go?
0:33:03 > 0:33:05I couldn't get what I wanted.
0:33:05 > 0:33:07Total waste of time.
0:33:07 > 0:33:08Got stuck in traffic.
0:33:17 > 0:33:19CAR DOOR SLAMS
0:33:30 > 0:33:32What do you want?
0:33:34 > 0:33:35Get in, you pillock.
0:33:38 > 0:33:40LIGHT SWITCH CLICKS
0:33:50 > 0:33:51THUD IN NEXT ROOM
0:33:51 > 0:33:52SHE GASPS
0:34:06 > 0:34:07THUD
0:34:23 > 0:34:25WINDOW THUDS
0:34:38 > 0:34:40DOOR CREAKS
0:34:44 > 0:34:46DOOR SLAMS SHE GASPS
0:35:05 > 0:35:07DOOR CREAKS
0:35:29 > 0:35:31KEY TURNS IN LOCK
0:35:34 > 0:35:36SHE SIGHS
0:35:46 > 0:35:48SHE SIGHS
0:35:57 > 0:35:59KNOCK AT DOOR
0:36:12 > 0:36:13Scott.
0:36:13 > 0:36:15Hi.
0:36:15 > 0:36:16I was in the neighbourhood,
0:36:16 > 0:36:18wasn't sure what you were cooking, so, um...
0:36:21 > 0:36:22Are you OK?
0:36:23 > 0:36:26SHE SIGHS Yeah.
0:36:27 > 0:36:28Hey!
0:36:39 > 0:36:41CONSTRUCTION TOOLS CLANK
0:36:44 > 0:36:45Scott?
0:36:53 > 0:36:54Scott?
0:37:51 > 0:37:54Something happened at Dad's parole meeting, didn't it?
0:37:54 > 0:37:56Whatever it is, you can tell me.
0:37:56 > 0:37:58What would be the point?
0:38:02 > 0:38:03You don't care about him.
0:38:03 > 0:38:05That's not true.
0:38:05 > 0:38:08Mum, you divorced him before he was even found guilty.
0:38:08 > 0:38:10- I had no choice.- Mmm.
0:38:11 > 0:38:14- No, of course you didn't. - Not if I wanted to keep my job.
0:38:14 > 0:38:16Then you should have told them where to stick it.
0:38:16 > 0:38:20No job, no school fees,
0:38:20 > 0:38:23no mortgage payments, no roof over our heads...
0:38:25 > 0:38:28I had to shore things up for us...
0:38:28 > 0:38:29and that meant...
0:38:30 > 0:38:32..stepping away from your dad for a while.
0:38:45 > 0:38:47If you think it was easy for me, you're wrong.
0:38:56 > 0:38:57We are going to get back.
0:39:04 > 0:39:06Clarissa.
0:39:06 > 0:39:08Can you check this for prints and DNA?
0:39:08 > 0:39:11Sure. What's its provenance?
0:39:11 > 0:39:13My flat.
0:39:13 > 0:39:15I'll explain later, but...can we keep this between us?
0:39:15 > 0:39:17OK. Sure.
0:39:19 > 0:39:24- Where's Jack?- Back at Walsh's - looking for links to Irene Dawes.
0:39:25 > 0:39:27Nikki.
0:39:27 > 0:39:30Want to get a coffee or something?
0:39:30 > 0:39:31Maybe later.
0:39:58 > 0:39:59Jones?
0:40:05 > 0:40:07Flyer for a cancer support group.
0:40:09 > 0:40:11Walsh had cancer. We know that.
0:40:11 > 0:40:12Look at the address.
0:40:13 > 0:40:15St Stephen's Church Hall.
0:40:15 > 0:40:17St Stephen's is Father Dawes' church.
0:40:17 > 0:40:21If he knew Max Walsh - changes everything.
0:40:21 > 0:40:24He was an army chaplain. It's basic medical training, right?
0:40:24 > 0:40:27He'd know how to administer the morphine.
0:40:39 > 0:40:41You've got a nerve coming here.
0:40:41 > 0:40:45I'm sorry. But I need access to your mother's medical records
0:40:45 > 0:40:47going back two years.
0:40:47 > 0:40:48Digging up her body wasn't enough?
0:40:48 > 0:40:52We're looking for a link between Irene and a recently deceased male.
0:40:52 > 0:40:54We believe that this man was murdered
0:40:54 > 0:40:56and the scene staged to resemble suicide.
0:40:59 > 0:41:01And my mother?
0:41:01 > 0:41:05Well, you always insisted that she didn't commit suicide.
0:41:05 > 0:41:08What did you think happened if it wasn't foul play?
0:41:09 > 0:41:12Did anyone befriend Irene in the weeks before her death?
0:41:12 > 0:41:13I don't know.
0:41:16 > 0:41:17In the last months...
0:41:19 > 0:41:20..we didn't talk.
0:41:22 > 0:41:27She got caught up in a ridiculous lawsuit...and it came between us.
0:41:27 > 0:41:29What kind of lawsuit?
0:41:29 > 0:41:34A chemicals factory in Stratford had been...supposedly polluting the air,
0:41:34 > 0:41:36causing a higher incidence of cancer.
0:41:36 > 0:41:39There was no evidence to prove the case -
0:41:39 > 0:41:42pure...opportunism on the lawyers' part.
0:41:43 > 0:41:44Did they win?
0:41:44 > 0:41:46As far as I know, it's still dragging on.
0:41:48 > 0:41:51Instead of her making her peace with God,
0:41:51 > 0:41:55my mother wasted her time seeking compensation she could never spend.
0:41:57 > 0:41:58I could never understand it.
0:42:01 > 0:42:03And then she came clean.
0:42:03 > 0:42:05About what?
0:42:05 > 0:42:07Why she needed the money.
0:42:11 > 0:42:13She wanted to approach...
0:42:14 > 0:42:16..Dignitas.
0:42:18 > 0:42:19So she can end her life.
0:42:19 > 0:42:22- Remember Harold Shipman?- What, the doctor who killed his patients?
0:42:22 > 0:42:25Felt like he killed one, then got a taste for it.
0:42:25 > 0:42:27Father Dawes helps his mum out of her misery,
0:42:27 > 0:42:31but instead of feeling guilty or grief-stricken he feels...merciful.
0:42:31 > 0:42:33Empowered.
0:42:34 > 0:42:36What the hell are you doing here?
0:42:36 > 0:42:40Anthony Dawes, I need you to come with me and answer some questions.
0:43:18 > 0:43:20Are you sure you won't come?
0:43:22 > 0:43:24Dad...
0:43:24 > 0:43:26Did she ever come and visit you?
0:43:26 > 0:43:29I mean, like, just...just once.
0:43:32 > 0:43:33It's her birthday.
0:43:36 > 0:43:38You know, if she hadn't have done it...
0:43:38 > 0:43:42we could've... we could've gone back, you know.
0:43:42 > 0:43:44We could've.
0:44:14 > 0:44:15Dad, let's go.
0:44:19 > 0:44:22All right, I'm leaving! I mean it!
0:44:24 > 0:44:27CAR HORN SOUNDS
0:44:33 > 0:44:35HE LAUGHS
0:44:39 > 0:44:41Ready...steady...
0:44:41 > 0:44:42wahey!
0:44:45 > 0:44:48Does the name Max Walsh mean anything to you?
0:44:48 > 0:44:50No.
0:44:50 > 0:44:52Who is he?
0:44:52 > 0:44:56He attended a cancer support group, in your church hall.
0:45:00 > 0:45:03The hall's rented out to various entities.
0:45:03 > 0:45:05I have no dealings with them whatsoever,
0:45:05 > 0:45:07beyond collecting payment.
0:45:08 > 0:45:11But the hall's effectively part of the church.
0:45:11 > 0:45:13You share a car park.
0:45:13 > 0:45:14So?
0:45:14 > 0:45:17So...no-one attending a support group
0:45:17 > 0:45:20ever wandered into your church?
0:45:20 > 0:45:22Approached you in the car park for some kind words?
0:45:22 > 0:45:24That's never happened?
0:45:26 > 0:45:28I didn't say that.
0:45:28 > 0:45:30- Hello?- Well, you kind of did.
0:45:30 > 0:45:32You said, "no dealings whatsoever".
0:45:38 > 0:45:40The clock stopped cos the battery was removed
0:45:40 > 0:45:43and put back the wrong way.
0:45:43 > 0:45:48But...I recovered a thumbprint that scored a match on the database -
0:45:48 > 0:45:52retired pathologist, er, Belinda Roach.
0:45:53 > 0:45:54What?
0:45:54 > 0:45:56Do you know her?
0:46:03 > 0:46:05She taught me at the Institute of Pathologists.
0:46:05 > 0:46:09- OK. We need to go to Thomas with this, now. - Please, just let me process this.
0:46:09 > 0:46:13Sorry, Nikki. You've got to tell me what's going on.
0:46:13 > 0:46:15To say you haven't been yourself lately
0:46:15 > 0:46:17would be a bloody understatement.
0:46:23 > 0:46:26Ten years ago we came up against each other in court.
0:46:26 > 0:46:28Me for the CPS, her for the defence.
0:46:28 > 0:46:31- And what was the case? - Attempted murder.
0:46:31 > 0:46:34A young woman was pushed from a high building after a struggle.
0:46:34 > 0:46:36CAR ALARM BLARES
0:46:36 > 0:46:39She had coin-shaped bruises on her arms and shoulder and
0:46:39 > 0:46:41the accused's prints were all over her.
0:46:42 > 0:46:45He said that he was trying to stop her from throwing herself out.
0:46:45 > 0:46:47Did she present as a likely suicide?
0:46:48 > 0:46:51Suspect was her boss and ex-lover.
0:46:51 > 0:46:53They'd had a fling which ended with her getting pregnant.
0:46:53 > 0:46:56The bruising on her arms, scratches on him,
0:46:56 > 0:46:58overwhelming signs of a struggle
0:46:58 > 0:47:01all added up to pushing and not pulling.
0:47:01 > 0:47:04But Professor Roach disagreed?
0:47:04 > 0:47:07She also made explicit reference in court to having taught me.
0:47:07 > 0:47:09Cited my youthful tendency to be
0:47:09 > 0:47:11"overly certain and play the lone wolf".
0:47:11 > 0:47:13Professional!
0:47:13 > 0:47:15I hope you gave as good as you got?
0:47:15 > 0:47:17Oh, I did.
0:47:17 > 0:47:20I chastised her for breaching the teacher-student compact,
0:47:20 > 0:47:23I characterised her as "eccentric" and her evidence as the fruits
0:47:23 > 0:47:27of a mind clearly divorced from sound rational judgment.
0:47:27 > 0:47:30Somehow the word "eccentric" stuck.
0:47:30 > 0:47:34The CPS lawyer used it repeatedly when trashing her evidence.
0:47:34 > 0:47:36Even the judge called her eccentric.
0:47:36 > 0:47:39Next day a reporter found Roach in the pub at lunchtime
0:47:39 > 0:47:40and that was it.
0:47:40 > 0:47:42Eccentric and drunk.
0:47:42 > 0:47:45We got our guilty verdict and Roach got fed to the vultures.
0:47:47 > 0:47:49Oh, my God.
0:47:49 > 0:47:52OK. Let's get some perspective.
0:47:55 > 0:47:57Just let me speak to her.
0:47:57 > 0:48:00I owe her that much. I need you to trust me.
0:48:00 > 0:48:03No, Nikki, you need to trust us.
0:48:03 > 0:48:06If you tell Thomas, he will tell DS Jones. It's over.
0:48:06 > 0:48:09I can't destroy her twice, not until I know I'm right.
0:48:09 > 0:48:10Please.
0:48:31 > 0:48:33Jack.
0:48:35 > 0:48:37Nikki.
0:48:37 > 0:48:39- What are you doing here? - I just came to see you.
0:48:39 > 0:48:43- How did you know where I worked? - Well, you told me.- No, I didn't.
0:48:43 > 0:48:46OK, we'll, er, agree to disagree, shall we?
0:48:46 > 0:48:48What is it, Nikki? What's happened?
0:48:48 > 0:48:51You don't work in the ER at Bangkok Infirmary, do you?
0:48:51 > 0:48:52Oh, you've been checking up on me?
0:48:52 > 0:48:55Time well spent, as it turns out.
0:48:55 > 0:48:56Why did you lie to me?
0:48:57 > 0:48:59Because...
0:48:59 > 0:49:02Because the truth is pretty embarrassing.
0:49:02 > 0:49:05I did work at the hospital, but I was a porter.
0:49:05 > 0:49:06A lowly shit-shoveller.
0:49:06 > 0:49:08What else have you lied about?
0:49:08 > 0:49:10- Oh, Nikki...- Do you know what? I need to be somewhere.
0:49:10 > 0:49:12Right now.
0:49:15 > 0:49:18- How can I help? - I know DI Porter's retired,
0:49:18 > 0:49:21but I need to speak to him about a case we worked on in 2005.
0:49:23 > 0:49:26Sorry to tell you, but, um, Murray died last year.
0:49:28 > 0:49:30Do you mind telling me how?
0:49:30 > 0:49:32Why?
0:49:32 > 0:49:34Call it professional curiosity.
0:49:35 > 0:49:38Inquest inconclusive. But it was likely he drowned.
0:49:41 > 0:49:43Thank you.
0:50:05 > 0:50:07CAR LOCKING SYSTEM BLEEPS
0:50:10 > 0:50:12SHE RINGS DOORBELL
0:50:42 > 0:50:43Belinda?
0:50:47 > 0:50:48What do you want?
0:51:22 > 0:51:24Better come in.
0:51:40 > 0:51:44A thumbprint belonging to you was lifted from my flat.
0:51:48 > 0:51:51From my kitchen clock, to be precise.
0:51:51 > 0:51:54The time was set at 2:45.
0:51:54 > 0:51:57As it was on watches recovered from these two crime scenes,
0:51:57 > 0:51:59both of which I attended.
0:52:08 > 0:52:10I checked the transcript.
0:52:10 > 0:52:142:45 was when I finished rebutting your evidence, the end of the third sitting.
0:52:14 > 0:52:16The moment you THINK I betrayed you.
0:52:16 > 0:52:18- SHE SCOFFS - It was ten years ago.
0:52:18 > 0:52:22Do you honestly think I remember what time you finished giving your half-arsed evidence?
0:52:22 > 0:52:23Are you completely out of your mind?
0:52:23 > 0:52:27So you don't blame me - for this? For what happened to you? Any of it?
0:52:27 > 0:52:29Oh, I didn't say that.
0:52:29 > 0:52:31I do blame you, Nikki.
0:52:31 > 0:52:34You didn't just betray me, you ruined me.
0:52:34 > 0:52:38Even now you don't grasp the consequences of what you did.
0:52:38 > 0:52:39Well, enlighten me.
0:52:39 > 0:52:41I wouldn't waste my breath.
0:52:41 > 0:52:45Well, suddenly the idea you'd recall what time I gave evidence doesn't seem so crazy.
0:52:45 > 0:52:46- Three convictions! - GLASS SMASHES
0:52:46 > 0:52:50Three convictions resting on my testimony, two of them murders,
0:52:50 > 0:52:52quashed on appeal following the Hamilton case.
0:52:52 > 0:52:57That's three guilty men walking the streets. That is on you!
0:52:57 > 0:53:00You didn't just trash me when you called me eccentric -
0:53:00 > 0:53:02you trashed my work!
0:53:02 > 0:53:05Let's get back to your thumbprint in my kitchen.
0:53:05 > 0:53:07I'm here to give you a chance to explain it!
0:53:16 > 0:53:19Someone's trying to set me up. Frame me.
0:53:19 > 0:53:23- The only thing is, are you going to fall for it?- Oh, you'll have to do better than that.
0:53:23 > 0:53:25GATE RATTLES OUTSIDE
0:53:30 > 0:53:32Hang on.
0:53:36 > 0:53:40FRONT DOOR OPENS AND CLOSES
0:54:12 > 0:54:13Belinda?
0:54:44 > 0:54:45Belinda!
0:55:18 > 0:55:19(Oh, my God.)
0:55:21 > 0:55:23NIKKI GASPS Belinda?
0:55:35 > 0:55:37(Oh, God.
0:55:39 > 0:55:43(Three. Four. Five. Six. Seven. Eight. Nine...)
0:55:43 > 0:55:44Nikki?
0:55:47 > 0:55:49NIKKI PANTS IN DISTRESS
0:55:49 > 0:55:52No! No!
0:55:56 > 0:55:59Nikki?
0:55:59 > 0:56:01Someone's trying to frame me, it's obvious!
0:56:01 > 0:56:05I am arresting you on the suspicion of the murder of Belinda Roach.
0:56:05 > 0:56:08- JACK:- So we just abandon her? Is that it?
0:56:08 > 0:56:09- Screw that.- Jack.
0:56:09 > 0:56:11Jack, we keep our heads.
0:56:11 > 0:56:14Someone was following me, tailgating me. Was it you?
0:56:14 > 0:56:15Did I FOLLOW you?
0:56:15 > 0:56:16- LYDIA:- He is angry.
0:56:16 > 0:56:19And when he was 15 and people wrote "baby killer" on his school bag
0:56:19 > 0:56:23he was even worse. But you weren't here to see that, or deal with it.
0:56:23 > 0:56:26I've seen him before. Here with Father Dawes.
0:56:26 > 0:56:29I don't know where he is. I really don't.
0:56:29 > 0:56:32- JACK:- Suspected of a dozen kills but only convicted of one.
0:56:32 > 0:56:34He's involved somehow, which means you're not safe.
0:56:34 > 0:56:36KNOCK AT DOOR
0:56:36 > 0:56:38Nikki...
0:56:38 > 0:56:39Nikki!
0:56:39 > 0:56:41SHE SCREAMS