0:00:02 > 0:00:05This programme contains some violent scenes from the start
0:00:05 > 0:00:08and scenes which some viewers may find upsetting from the start
0:00:09 > 0:00:10It's a girl.
0:00:10 > 0:00:13Victim's Karim Benzal. Turkish national.
0:00:13 > 0:00:16The victim's mouth is sealed then chilli powder mixed with
0:00:16 > 0:00:19carbonated water is forced down his nasal passage.
0:00:22 > 0:00:24So, you haven't forgotten how then.
0:00:24 > 0:00:26No, it feels good, getting back in the saddle.
0:00:26 > 0:00:28I think Benzal was silenced.
0:00:28 > 0:00:30By the firearms division?
0:00:30 > 0:00:31Who else?
0:00:31 > 0:00:34- Armed police.- Armed police. - Armed police. Get down!
0:00:34 > 0:00:36- Hands on the table! Hands on the table!- Armed police!
0:00:36 > 0:00:37Where is he? Where's Sakir?
0:00:37 > 0:00:38What's happened?
0:00:38 > 0:00:40We've lost the witness.
0:00:40 > 0:00:42Tell me where they live. I will make them talk.
0:00:44 > 0:00:45We're too late.
0:00:45 > 0:00:47No. No!
0:00:55 > 0:01:02# Testator silens
0:01:03 > 0:01:09# Costestes e spiritu
0:01:11 > 0:01:18# Silentium. #
0:01:37 > 0:01:38Come through.
0:01:53 > 0:01:54Jack, through here.
0:01:58 > 0:02:02Bruno Lubas's fleeing prints.
0:02:02 > 0:02:04No attempt to cover his tracks.
0:02:06 > 0:02:07She's in here.
0:02:11 > 0:02:13Looks like she was already on the bed
0:02:13 > 0:02:15when the killer started shooting.
0:02:15 > 0:02:17She'd been drinking, from the bottle?
0:02:17 > 0:02:19We'll need to wait for the tox report.
0:02:19 > 0:02:21Neighbours didn't hear a thing.
0:02:23 > 0:02:24Silencer?
0:02:24 > 0:02:26Did Bruno's gun have a silencer?
0:02:28 > 0:02:32Er, it was a revolver. Looked like a Webley.
0:02:33 > 0:02:36The chamber is separate from the barrel -
0:02:36 > 0:02:39sound leaks out so a silencer is useless.
0:02:39 > 0:02:40You were sure it was a Webley?
0:02:40 > 0:02:42Sure enough.
0:02:42 > 0:02:44Oh, must've muffled the sound with something else.
0:02:44 > 0:02:47Looks like pure rage. Overkill. Venting his anger.
0:02:47 > 0:02:50Unless you have another interpretation?
0:02:51 > 0:02:52No.
0:02:55 > 0:02:57Not as much blood as I would have expected.
0:03:00 > 0:03:03Right, so he's jemmied the door.
0:03:03 > 0:03:05Just a few seconds to get up this corridor,
0:03:05 > 0:03:07couple of seconds to get in this room.
0:03:07 > 0:03:12She's been drinking, falls asleep on the bed, no chance to get away.
0:03:12 > 0:03:14Nikki. Nikki.
0:03:18 > 0:03:20Signs of a struggle.
0:03:20 > 0:03:24Oh. No obvious defence wounds.
0:03:24 > 0:03:26OK, so he smashes the lock,
0:03:26 > 0:03:29she comes out to try and stop him...
0:03:29 > 0:03:31Er, there's a struggle, the mirror cracks,
0:03:31 > 0:03:33chases her back into the bedroom at gunpoint.
0:03:33 > 0:03:35Why target Keating?
0:03:35 > 0:03:37Her address was the only one posted.
0:03:37 > 0:03:39She wasn't the officer who shot Helena Lubas.
0:03:39 > 0:03:42OK, so why would anyone post her address and only hers?
0:03:42 > 0:03:44Their IDs are confidential.
0:03:44 > 0:03:45Guv?
0:03:48 > 0:03:49What is it?
0:03:51 > 0:03:53You think your IPCC woman was behind the leak?
0:03:53 > 0:03:55Looks like I backed the wrong horse.
0:03:55 > 0:03:58Geoff! Geoff, calm down!
0:03:58 > 0:04:00Steve, calm down! Geoff!
0:04:00 > 0:04:01We just want to see her?
0:04:01 > 0:04:03Just wait there. Stay there. Stay there!
0:04:03 > 0:04:05And then we'll go.
0:04:05 > 0:04:07Oh, Jesus.
0:04:10 > 0:04:13Come on, this is a crime scene. Come on.
0:04:17 > 0:04:20All right, get him out. Come on. Let's go.
0:04:26 > 0:04:28SIREN WAILS
0:05:01 > 0:05:05What the hell happened? Where is he?
0:05:05 > 0:05:08- Someone sent Bruno her address. - What?
0:05:08 > 0:05:11- Last time I saw him, he was driving away with a gun.- A gun?
0:05:11 > 0:05:13Was it you?
0:05:13 > 0:05:15- Is that why you phoned me?- Was it?
0:05:15 > 0:05:18You think I'm stupid enough to give Bruno a name.
0:05:18 > 0:05:20I'd be throwing away my job. For what?
0:05:20 > 0:05:22I can't believe you'd even begin to think that!
0:05:22 > 0:05:24I-I-I don't...
0:05:24 > 0:05:27Julia, I have backed your family to the hilt, publicly and privately.
0:05:27 > 0:05:28I-I know...
0:05:28 > 0:05:30And now you tell me Bruno has a gun.
0:05:31 > 0:05:33- You think this is all about you? - What?
0:05:33 > 0:05:35Is that all you care about?
0:05:35 > 0:05:36That's not fair.
0:05:36 > 0:05:39I was here for you when no-one gave a shit.
0:05:39 > 0:05:41BANGING
0:05:47 > 0:05:48- Julia Lubas.- Yes.
0:05:48 > 0:05:51- I have a warrant to search your premises...- Do you want me to stay?
0:05:51 > 0:05:53Your presence is not required, you need to go.
0:05:53 > 0:05:55Can you take us through, please?
0:05:55 > 0:05:57Leave now.
0:05:57 > 0:05:58OK.
0:06:03 > 0:06:05I didn't do it, Jack.
0:06:05 > 0:06:06Unbelievable.
0:06:16 > 0:06:18If we knew where he was we would tell you!
0:06:18 > 0:06:21You've no idea where he is so you won't mind us checking your phones to verify that?
0:06:21 > 0:06:23We don't lie to police officers!
0:06:23 > 0:06:24Jack.
0:06:24 > 0:06:25Collecting evidence.
0:06:25 > 0:06:27What?
0:06:27 > 0:06:29What kind of evidence?
0:06:33 > 0:06:36You seem very at home, Jack?
0:06:36 > 0:06:38Well, talk to me.
0:06:38 > 0:06:41Before he took off, he gave this thing a good kicking.
0:06:41 > 0:06:44If this shoe print matches the ones in Keating's hall,
0:06:44 > 0:06:46we can place him at the scene.
0:06:46 > 0:06:47Do you still want to help us, Jack?
0:06:47 > 0:06:50Do you still want to find the truth about Helena?
0:06:50 > 0:06:51Can you step back, please?
0:07:16 > 0:07:19Well, good work, thanks, Jack.
0:07:19 > 0:07:21Can I have a minute with her?
0:07:21 > 0:07:22Yeah.
0:07:45 > 0:07:48CAMERA WHIRS
0:08:16 > 0:08:17Was it him? Was it Bruno Lubas?
0:08:17 > 0:08:19This is a crime scene. Who are you?
0:08:19 > 0:08:21I'm Tim Friend, I work with Jo.
0:08:21 > 0:08:23How did you get in? You can't be here, do you understand?
0:08:23 > 0:08:27- This doesn't make any sense... - Please, I need you to step out of the room.
0:08:27 > 0:08:29Yeah.
0:08:29 > 0:08:33Hang on. What doesn't make any sense?
0:08:36 > 0:08:39The fact that she would let somebody like him get the jump on her.
0:08:39 > 0:08:42She's highly trained in self-defence. She's the best.
0:08:42 > 0:08:44You don't just switch that off when you go home.
0:08:44 > 0:08:47Are you saying that you don't think that Bruno Lubas was responsible for this?
0:08:47 > 0:08:49I don't know what I'm saying.
0:09:02 > 0:09:04- I won't lie, Julia. - That's reassuring.
0:09:04 > 0:09:08There is strong evidence Bruno did this.
0:09:08 > 0:09:10No. That's impossible.
0:09:10 > 0:09:14I mean, yes, he was angry, but he would never shoot a policewoman.
0:09:14 > 0:09:17Maybe you don't know him as well as you think you do?
0:09:17 > 0:09:19Why do you say that?
0:09:19 > 0:09:21Did you know he owned a firearm?
0:09:21 > 0:09:22Of course not.
0:09:22 > 0:09:26But you're not surprised, are you, when you think about it?
0:09:28 > 0:09:31Bruno and Helena were close.
0:09:31 > 0:09:33Since she died he's...
0:09:33 > 0:09:34He's changed.
0:09:34 > 0:09:35- Yeah.- In what way?
0:09:37 > 0:09:38In every way.
0:09:38 > 0:09:42Julia, do you think he could be involved in something?
0:09:44 > 0:09:46I don't know. I don't know any more.
0:09:46 > 0:09:47Jack.
0:09:49 > 0:09:50What is it?
0:09:50 > 0:09:53We've found Bruno's abandoned van.
0:09:56 > 0:09:58Driver door not locked.
0:10:01 > 0:10:03Panicked? Abandoned ship?
0:10:04 > 0:10:07He's a fair way from Finsbury Park,
0:10:07 > 0:10:09so what's his closest port in the storm?
0:10:09 > 0:10:11Anything?
0:10:13 > 0:10:16No. He's wiped his recent destinations.
0:10:16 > 0:10:19But I know a way to access the history.
0:10:26 > 0:10:28I can't believe it.
0:10:28 > 0:10:31Do you know who did it?
0:10:31 > 0:10:32Bruno Lubas.
0:10:32 > 0:10:36I swear he looked like he was fit to explode the whole way through
0:10:36 > 0:10:37that inquest.
0:10:37 > 0:10:40How the hell did he even get hold of her address?
0:10:40 > 0:10:42It must have been that bitch Sharpe, eh?
0:10:42 > 0:10:43Shoe definitely fits.
0:10:43 > 0:10:45She was looking at dismissal at best.
0:10:45 > 0:10:47Lobbed a grenade on her way out.
0:10:47 > 0:10:51But we'll find out for definite. I promise.
0:10:51 > 0:10:53In the meantime, I want you all in a safe house.
0:10:53 > 0:10:56- Forget that.- Why? He doesn't know where we live.
0:10:56 > 0:10:57He's started something,
0:10:57 > 0:11:00who knows whether or not he wants to finish it?
0:11:00 > 0:11:03We've got no idea where he is and we're not certain who gave him
0:11:03 > 0:11:04Keating's address.
0:11:04 > 0:11:07And they could do the same to us at any time.
0:11:09 > 0:11:11I called you as soon as I heard about Jo.
0:11:13 > 0:11:16Yeah. Sorry. I forgot my phone. Sheila had me running errands,
0:11:16 > 0:11:18taking some cooking back to her mother's...
0:11:18 > 0:11:20Yeah, that's why they call them mobiles, mate.
0:11:20 > 0:11:22You can take them with you, eh?
0:11:36 > 0:11:37I told you to get a bowl.
0:11:37 > 0:11:39- I don't want a bowl. - KNOCKING
0:11:41 > 0:11:42Wait here.
0:11:45 > 0:11:47KNOCKING
0:11:51 > 0:11:52Let me in!
0:11:55 > 0:11:56Get me a phone.
0:11:56 > 0:11:58What's going on, Bruno?
0:12:02 > 0:12:04Get me a phone!
0:12:04 > 0:12:05Lisa!
0:12:05 > 0:12:09- I've got a phone. Go and sit down, Bobby.- Shut him up!
0:12:09 > 0:12:10Go and sit down.
0:12:27 > 0:12:29- You got any alcohol?- No.
0:12:29 > 0:12:31- Nothing?!- I'm sorry...
0:12:32 > 0:12:34Lisa! Police cars.
0:13:02 > 0:13:03KNOCKING
0:13:03 > 0:13:04Police! Open up!
0:13:04 > 0:13:06TOILET FLUSHES
0:13:06 > 0:13:07They're in there, get that open.
0:13:08 > 0:13:11Armed police! Armed police, clear!
0:13:11 > 0:13:13Armed police, move away from the window.
0:13:13 > 0:13:15- I haven't done anything wrong.- Move away from the window.
0:13:15 > 0:13:18- Get on the bed.- Move away.- Get on the bed now!- I haven't done anything!
0:13:18 > 0:13:21- Put your hands where I can see them. Where's Bruno Lubas?- I don't know
0:13:21 > 0:13:24- who you're on about.- Where's Bruno Lubas?- I don't know him!
0:13:24 > 0:13:27SIREN WAILS
0:13:31 > 0:13:33What do you mean you don't know him? Where is he?
0:13:33 > 0:13:35Look, I've told you it's the wrong address.
0:13:35 > 0:13:37- You've got the wrong address! - I don't think so.
0:13:37 > 0:13:40You've got the wrong person. It's just me and my brother.
0:13:40 > 0:13:41Just calm down.
0:13:41 > 0:13:43Right, what's that?
0:13:43 > 0:13:45OK, so if we dry this out,
0:13:45 > 0:13:47are we going to find his contact on that phone?
0:13:47 > 0:13:49- I don't know him. - Well, he knows you!
0:13:49 > 0:13:51- Where is he? - I have no idea who you're on about.
0:13:51 > 0:13:53- Put your hand down. - Where is he?
0:13:53 > 0:13:55- Where's my little brother? - Your brother is fine, all right?
0:13:55 > 0:13:58He's all right. Now listen, we need to search the whole flat.
0:13:58 > 0:14:01You can make this easy for us or difficult. All right?
0:14:01 > 0:14:03Please, you're scaring my little brother!
0:14:03 > 0:14:05calm down, Lisa! This is serious.
0:14:05 > 0:14:08You've got to tell me what you know, OK?
0:14:11 > 0:14:13Broken mirror, from Keating's flat, I'd wager.
0:14:13 > 0:14:15Is that Bruno's blood in the bathroom?
0:14:15 > 0:14:17- I told you I don't know him! - Stabbed, shot, what?
0:14:17 > 0:14:19- I don't know him!- Before you answer any of this, Lisa,
0:14:19 > 0:14:24you need to know that Bruno is wanted for the murder of a police officer.
0:14:24 > 0:14:26Do you understand what I'm telling you?
0:14:26 > 0:14:27Just leave me alone!
0:14:27 > 0:14:31This is serious, Lisa. You need to tell us everything you know.
0:14:31 > 0:14:32I don't know what you're on about.
0:14:32 > 0:14:34Are you taking my sister away?
0:14:34 > 0:14:37Er, we just need her help with something.
0:14:37 > 0:14:40If she helps you, will it make things better?
0:14:40 > 0:14:41It could.
0:14:47 > 0:14:49What have you got?
0:15:05 > 0:15:06Cooke!
0:15:12 > 0:15:14Oh, shit.
0:15:15 > 0:15:17Where have you been?
0:15:21 > 0:15:24They haven't told me anything.
0:15:24 > 0:15:26What the hell is going on?
0:15:26 > 0:15:28- What are we being protected from? - Sheil...
0:15:28 > 0:15:30- It's all over the news.- Listen...
0:15:30 > 0:15:33A female officer shot dead in her own home.
0:15:33 > 0:15:34Don't tell me it's Jo.
0:15:34 > 0:15:37Listen, she was killed by Helena Lubas's brother.
0:15:37 > 0:15:39- They know who did it, they'll find him.- Oh, my God.
0:15:39 > 0:15:41But why, why would he kill Jo?
0:15:41 > 0:15:44It doesn't matter. Look, he doesn't know which one of...
0:15:44 > 0:15:46Listen, I'm going to take you to a safe house.
0:15:46 > 0:15:48And what about you?
0:15:48 > 0:15:49I don't believe this.
0:15:49 > 0:15:51Our lives are in danger,
0:15:51 > 0:15:55and, and you still can't step away from your work?
0:16:01 > 0:16:02- Is Jack around?- No.
0:16:02 > 0:16:06Can you tell me if the PM on Constable Keating has been carried out?
0:16:06 > 0:16:08Can you tell me why you want to know?
0:16:08 > 0:16:11Everyone thinks I leaked their names. I didn't.
0:16:11 > 0:16:14But the more I think about it, the more it strikes me
0:16:14 > 0:16:16who might've done.
0:16:16 > 0:16:17OK, go on.
0:16:17 > 0:16:20What if one of Keating's fellow officers killed her
0:16:20 > 0:16:22then leaked the names to throw us off the scent?
0:16:22 > 0:16:24- In, say, Bruno Lubas's direction? - Why would they kill her?
0:16:24 > 0:16:26Because she had evidence, or suspicions,
0:16:26 > 0:16:28that one of her own killed Benzal?
0:16:28 > 0:16:29No, I'm sorry.
0:16:29 > 0:16:32I can't discuss Constable Keating's death with you,
0:16:32 > 0:16:34and...neither can Jack.
0:16:47 > 0:16:49Open your mouth.
0:17:05 > 0:17:08She knows more about Lubas than she's saying.
0:17:08 > 0:17:10She's scared. We need leverage.
0:17:10 > 0:17:12Three guns isn't leverage?
0:17:12 > 0:17:14Not in her world.
0:17:18 > 0:17:20HE DIALS PHONE
0:17:21 > 0:17:25Hi, I'm sending Lisa's prints now and biking a DNA sample,
0:17:25 > 0:17:28along with a bloody shard of glass from her bathroom I need you to profile.
0:17:28 > 0:17:30Can we expedite?
0:17:30 > 0:17:35Sure, just give me a minute to process these three firearms and I'll get right to it.
0:17:35 > 0:17:36Stop complaining.
0:17:39 > 0:17:41- She's 17, this girl?- Apparently.
0:17:41 > 0:17:45Christ. I had stuff stashed under my bed when I was 17
0:17:45 > 0:17:49- but nothing as exciting as that. - Define "exciting".
0:17:49 > 0:17:51Not a chance.
0:17:52 > 0:17:54- Interesting.- What?
0:17:54 > 0:17:59There's a fine red powder inside the barrel of every one of these guns.
0:18:05 > 0:18:07Gun lending?
0:18:09 > 0:18:11I know you're raising Bobby on your own
0:18:11 > 0:18:13but what about putting him in danger? Hmm?
0:18:16 > 0:18:17Did it start with a boyfriend?
0:18:17 > 0:18:19Told you that he loved you,
0:18:19 > 0:18:23just before he asked you to hold on to one of his guns?
0:18:23 > 0:18:26Suppose I was good cover.
0:18:28 > 0:18:30And what then, he upgraded you to lending?
0:18:30 > 0:18:33Look, none of them belong to me.
0:18:33 > 0:18:34I just hold on to 'em for a bit.
0:18:34 > 0:18:38Pick 'em up, drop 'em off, that's it. They're not my responsibility.
0:18:38 > 0:18:40And was Bruno a regular customer?
0:18:40 > 0:18:42I'm not saying any more.
0:18:42 > 0:18:44That is not going to cut it with me! Sit down!
0:18:44 > 0:18:46Lisa!
0:18:46 > 0:18:49Come on! You have to tell me what you know.
0:18:49 > 0:18:52We're talking about the murder of a police officer here!
0:18:52 > 0:18:55Everyone is out there looking for him.
0:18:55 > 0:18:56It's a full-scale manhunt.
0:18:56 > 0:18:57PHONE RINGS
0:18:57 > 0:18:59You understand?
0:18:59 > 0:19:00Clarissa?
0:19:02 > 0:19:04Call you back.
0:19:05 > 0:19:07KNOCKING
0:19:07 > 0:19:09Quick word?
0:19:14 > 0:19:17Right. Definitely Bruno's blood in her bathroom
0:19:17 > 0:19:20and on the shard of glass. That's not all.
0:19:20 > 0:19:23Remember we found matching unidentified female DNA
0:19:23 > 0:19:25- on Sakir and Sean Dyers' guns? - It's hers?
0:19:25 > 0:19:28If that's not leverage, I'm retiring.
0:19:34 > 0:19:37DOOR CLOSES
0:19:39 > 0:19:41I probably shouldn't say this.
0:19:41 > 0:19:44You know, in some ways - in a lot of ways -
0:19:44 > 0:19:46you're an impressive young woman.
0:19:48 > 0:19:49Hmm?
0:19:49 > 0:19:54We know your mum's inside, your dad left...a long time ago.
0:19:56 > 0:19:59Well, kids are expensive, huh?
0:19:59 > 0:20:03They need crisps, and trainers, and PlayStation 4s
0:20:03 > 0:20:06and where the hell are you supposed to get that kind of money from?
0:20:06 > 0:20:08Your options are limited.
0:20:10 > 0:20:12So the way you sell it to yourself is
0:20:12 > 0:20:16whatever happens to those guns after they leave your flat
0:20:16 > 0:20:18has got nothing to do with you.
0:20:18 > 0:20:22You just hide them in a box for a little while, yeah?
0:20:22 > 0:20:23- Yeah.- Yeah.
0:20:23 > 0:20:26Like I said, I don't know what happens after I drop them,
0:20:26 > 0:20:27and I don't want to know.
0:20:30 > 0:20:33Right, I just want to focus on two guns that DNA suggests
0:20:33 > 0:20:36passed through your hands.
0:20:36 > 0:20:39This one was used to shoot at a police officer. He survived.
0:20:39 > 0:20:41Another man, Karim Benzal, wasn't so lucky.
0:20:41 > 0:20:45He was killed with this gun, which also bears your DNA.
0:20:46 > 0:20:50That one didn't come back. Maybe, like, six weeks ago.
0:20:50 > 0:20:52Can you tell me who that is?
0:20:54 > 0:20:56Sean. Sean Dyer.
0:20:58 > 0:21:00And you knew him, what, as a gun-runner?
0:21:02 > 0:21:04Who'd he work for?
0:21:11 > 0:21:13Can I ask you to leave, please?
0:21:20 > 0:21:23Help us Lisa, and we'll help you.
0:21:23 > 0:21:25We will.
0:21:25 > 0:21:28We're looking at possession and harbouring for now,
0:21:28 > 0:21:32but we can reduce that if you're prepared to make a deal.
0:21:33 > 0:21:34What kind of deal?
0:21:34 > 0:21:38One where you don't get banged up and I throw away the key.
0:21:38 > 0:21:39What, protection?
0:21:39 > 0:21:43Yes, protection, Lisa, yes. OK?
0:21:43 > 0:21:46All right? Now I'm going to ask you one more time,
0:21:46 > 0:21:47who did Dyer work for?
0:21:49 > 0:21:51Bruno.
0:21:54 > 0:21:58Tox report's back. Blood alcohol level is...
0:21:58 > 0:22:00zero.
0:22:00 > 0:22:01Are you sure?
0:22:01 > 0:22:03Yes. I'm sure.
0:22:06 > 0:22:07You ready, Jack?
0:22:07 > 0:22:09- Let's do this.- Right.
0:22:11 > 0:22:17Lowest wound - gunshot to the right thigh.
0:22:17 > 0:22:21Would've grazed the femur. Otherwise only muscle damage.
0:22:21 > 0:22:24- And her head was next to the headboard?- Yep.
0:22:24 > 0:22:27Bullet hole number one concurs with approximate location of thigh.
0:22:27 > 0:22:32Next, lower back. Anything on the scan, Nikki?
0:22:32 > 0:22:36Passed through the peritoneum. No immediate fatal damage.
0:22:36 > 0:22:38Got it. Number two.
0:22:38 > 0:22:41Next. Upper back.
0:22:41 > 0:22:42Nikki?
0:22:44 > 0:22:46Missed the heart by... approximately 2cm.
0:22:46 > 0:22:49So, non-fatal on impact. Just.
0:22:52 > 0:22:53Number three.
0:22:53 > 0:22:55Then, shot to the left shoulder...
0:22:59 > 0:23:02..and another to the right arm, both of them flesh wounds.
0:23:09 > 0:23:12- Jack? - Nothing fatal yet?- No.
0:23:12 > 0:23:14Because there's not as much blood loss as I'd expect
0:23:14 > 0:23:16- from any of these wounds.- I know.
0:23:16 > 0:23:19Looks like the fatal wound was number six.
0:23:19 > 0:23:20Top of the head, Nikki.
0:23:24 > 0:23:27Down through the brain stem...
0:23:27 > 0:23:30coming through the neck and...
0:23:30 > 0:23:32Exited out of the lower sternum.
0:23:35 > 0:23:39Powder ring is 4cm.
0:23:39 > 0:23:41Which means we're looking at a close-range shot.
0:23:41 > 0:23:46The only bullet hole left is next to her head, not her lower sternum.
0:23:46 > 0:23:49And there's no exsanguination.
0:23:49 > 0:23:51There should be spatter on the headboard.
0:23:51 > 0:23:57There is just a small underlying pool. No spatter at all.
0:23:57 > 0:24:01If the headshot killed her, then she didn't die in this bed.
0:24:01 > 0:24:05Which is why she didn't bleed heavily on the bed.
0:24:05 > 0:24:06She was already dead.
0:24:06 > 0:24:08So where was she killed?
0:24:08 > 0:24:10I'd say she was sitting down or standing up,
0:24:10 > 0:24:13given the angle of the wound.
0:24:13 > 0:24:15Chair. Nothing.
0:24:23 > 0:24:25Heading out.
0:24:39 > 0:24:41I think I've found the bullet hole.
0:24:45 > 0:24:48But no bullet.
0:25:13 > 0:25:15I think we're in business.
0:25:22 > 0:25:24SPRAYING
0:25:40 > 0:25:42Got it.
0:25:42 > 0:25:44She was killed by the first bullet fired,
0:25:44 > 0:25:47to the top of the head, just inside the front door.
0:25:49 > 0:25:52She definitely didn't get a chance to put up a fight.
0:25:54 > 0:25:57Back spatter, definitely consistent with the gunshot wound to the head.
0:25:59 > 0:26:03- So he forced his way in... - Shot her straight away.
0:26:03 > 0:26:08..carried her into the bedroom, staged it like a crazed killer
0:26:08 > 0:26:09and cleaned up.
0:26:09 > 0:26:12Bruno knows I saw the gun. He made no attempt to hide it,
0:26:12 > 0:26:15so why would he need to stage the scene to make it look like it was him?
0:26:15 > 0:26:17We've got Bruno armed at the scene,
0:26:17 > 0:26:20we've got his shoe print and blood on the mirror - it's indisputable!
0:26:20 > 0:26:22Let's not undo the good work we've done here.
0:26:22 > 0:26:25What, so, so Bruno was fighting with himself in the hall?
0:26:25 > 0:26:27Jo Keating was dead at the front door.
0:26:27 > 0:26:30Look, we know that Bruno was here, but maybe he didn't kill Keating?
0:26:30 > 0:26:33Maybe he was baited here by someone else?
0:26:33 > 0:26:36A third person who knew that all they had to do was leak
0:26:36 > 0:26:38- her address and Bruno would come running.- Yeah, I get it,
0:26:38 > 0:26:39it's a theory.
0:26:39 > 0:26:41You can't prove a negative.
0:26:41 > 0:26:44What's to say that he didn't smash the window
0:26:44 > 0:26:47when he was setting up the stage in his frenzied state?
0:26:48 > 0:26:50What was your response time after my call?
0:26:50 > 0:26:52- Nine minutes.- Nine minutes.
0:26:52 > 0:26:54Bruno could have made it here from the cafe in five.
0:26:54 > 0:26:56Enough time for a quick kill
0:26:56 > 0:26:58but definitely not enough time to stage and clean up.
0:26:58 > 0:27:02That...has just put Bruno Lubas in the clear.
0:27:02 > 0:27:05This person wasn't agitated or emotional.
0:27:05 > 0:27:08This was a cold-blooded, efficient killer,
0:27:08 > 0:27:10someone confident with guns.
0:27:10 > 0:27:13Are you now saying you think it was one of her own team?
0:27:13 > 0:27:17Tim Friend turned up here after you'd all gone. He was agitated.
0:27:17 > 0:27:21I think he knew something. I think he knew that it wasn't Bruno Lubas.
0:27:23 > 0:27:25If the facts keep pointing to the theory...
0:27:25 > 0:27:27Ah.
0:27:27 > 0:27:33It was them. The day Sakir was taken down, they were all there.
0:27:33 > 0:27:35They had the perfect opportunity to plant the sickle.
0:27:35 > 0:27:37There were dozens of officers there.
0:27:37 > 0:27:39Even if there was a third person,
0:27:39 > 0:27:41there's nothing here to say it was the Firearms Division.
0:27:41 > 0:27:44Look, the important thing is to find Bruno,
0:27:44 > 0:27:47and if he was here and didn't kill Keating - and that's a big "if" -
0:27:47 > 0:27:50then it's possible he saw who did.
0:27:55 > 0:27:57Everything's going to be fine.
0:27:57 > 0:27:58I hope so.
0:28:04 > 0:28:06You know where I'm going to be.
0:28:06 > 0:28:08Whatever you need to prove, just do it.
0:28:43 > 0:28:46KNOCKING
0:28:54 > 0:28:56Can I help you?
0:28:56 > 0:28:58I've come to see Jo.
0:29:07 > 0:29:10Her parents will be here tomorrow.
0:29:10 > 0:29:13I didn't like the idea of her lying here alone.
0:29:16 > 0:29:19You know I've lost four guys since I've joined the Firearms Division.
0:29:19 > 0:29:22Really?
0:29:22 > 0:29:24One was killed at a bank raid.
0:29:24 > 0:29:27Two invalided out with serious injuries.
0:29:27 > 0:29:29And now Jo.
0:29:31 > 0:29:33I hear she was decorated.
0:29:35 > 0:29:38Who mourns them, eh?
0:29:38 > 0:29:44Not the public, not the press, not even members of our own force.
0:29:45 > 0:29:48Recognition is important, but it's not what matters most.
0:29:48 > 0:29:53That's not why you do what you do, is it?
0:30:34 > 0:30:36Dobrze.
0:32:15 > 0:32:18What did they say? Do they know I didn't do it?
0:32:18 > 0:32:21- No.- Did you tell them that someone was there?
0:32:21 > 0:32:22That I saw him? That he did this?
0:32:22 > 0:32:24Bruno, Bruno! They'll never believe it.
0:32:26 > 0:32:29There's 5,000 euros and a passport.
0:32:29 > 0:32:31You have to disappear.
0:32:31 > 0:32:33I can't. You need me here.
0:32:33 > 0:32:36Look, no. Is there anything else you want to tell me?
0:32:38 > 0:32:42OK, the passport's a fake and there's a car outside.
0:32:43 > 0:32:47You have to start again, Bruno, start somewhere new.
0:32:57 > 0:32:59- Come with me. - How? How? How?!
0:32:59 > 0:33:03With Mama and the cafe, it's impossible!
0:33:05 > 0:33:07I'm sorry.
0:33:11 > 0:33:15TRAIN RUMBLES OVERHEAD
0:34:10 > 0:34:12GUNSHOT
0:34:13 > 0:34:17TRAIN RUMBLES OVERHEAD
0:34:36 > 0:34:37You OK?
0:34:48 > 0:34:50That's not the gun he had in his van.
0:34:50 > 0:34:51Are you sure?
0:34:51 > 0:34:55That's a Beretta, he had a Webley.
0:34:55 > 0:34:57We're saying it's suicide, right?
0:34:59 > 0:35:03- No blood present on his hand. - What, shot himself at arm's length?
0:35:05 > 0:35:10Powder tattooing is around 5cm in diameter.
0:35:10 > 0:35:12Which means that he was shot at close range,
0:35:12 > 0:35:14but the gun wasn't pressed to his skin.
0:35:14 > 0:35:18We'll need to send a swab to Clarissa to establish GSR levels
0:35:18 > 0:35:21but in the meantime, I want to do an old school sodium rhodizonate test.
0:35:21 > 0:35:23Check for lead residue.
0:35:38 > 0:35:40No, he didn't shoot himself at all.
0:35:40 > 0:35:42If he'd pulled the trigger, the concentration of lead
0:35:42 > 0:35:46that would have covered his hand and sleeve would be turning bright pink right now.
0:35:46 > 0:35:49And that's not the gun he had in his van.
0:35:49 > 0:35:50He was set up.
0:35:50 > 0:35:52Yet another scene staged?
0:35:55 > 0:35:59POLICE RADIO CHATTER
0:36:23 > 0:36:25Mama.
0:36:25 > 0:36:28It's Bruno.
0:36:28 > 0:36:29He's dead.
0:36:29 > 0:36:32Yes, thank you, I know.
0:36:51 > 0:36:55SOBBING
0:37:19 > 0:37:20KNOCKING
0:37:36 > 0:37:38- All right.- All right.
0:37:39 > 0:37:41Are you going to ask me in?
0:37:41 > 0:37:43Yeah, sorry. Come in.
0:37:43 > 0:37:44Cheers.
0:37:52 > 0:37:54Sheila not in?
0:37:54 > 0:37:56No, she's away. Why?
0:37:56 > 0:38:00Thought you might want to know that they found Bruno Lubas.
0:38:01 > 0:38:02That's good.
0:38:02 > 0:38:04Yeah, shot himself.
0:38:04 > 0:38:05Really?
0:38:05 > 0:38:07Evil bastard, eh?
0:38:07 > 0:38:08Yeah.
0:38:10 > 0:38:14Right, you can get Sheila back, safe.
0:38:14 > 0:38:17Yeah, yeah. She'll be, she'll be glad about that.
0:38:21 > 0:38:23Do you want a drink?
0:38:23 > 0:38:25Yeah, why not? Cheers.
0:38:25 > 0:38:27Right.
0:39:02 > 0:39:04COMPUTER BEEPS
0:39:04 > 0:39:07Results of Bruno Lubas's gunshot residue.
0:39:13 > 0:39:14Only trace residue.
0:39:14 > 0:39:18On his hands. He definitely didn't pull the trigger.
0:39:18 > 0:39:22Now we just have to prove which of the Firearms Division did.
0:39:34 > 0:39:35Hi.
0:39:35 > 0:39:37Why did you call me?
0:39:37 > 0:39:38What do you want?
0:39:38 > 0:39:41Well, I just wanted you to let know that I didn't tell them anything.
0:39:41 > 0:39:43- Nothing?- Nothing.
0:39:43 > 0:39:45How close did they get?
0:39:46 > 0:39:48So they just let you go?
0:39:48 > 0:39:50Well, they've got me on possession.
0:39:50 > 0:39:51I'm out on bail.
0:39:51 > 0:39:53- And you didn't mention me?- No.
0:39:54 > 0:39:56You're sweating?
0:39:56 > 0:39:58- I'm scared.- I know.
0:39:58 > 0:40:02- Right, so what's the plan? - Don't worry about that.
0:40:02 > 0:40:04Well, who's going to be making the drops without Bruno?
0:40:04 > 0:40:06I've got plenty of people who can do it.
0:40:11 > 0:40:13I don't have to mention what harm will come to Bobby
0:40:13 > 0:40:15if I find the police at my door.
0:40:17 > 0:40:20I'm sorry, Julia, about Bruno.
0:40:29 > 0:40:32Your brother's body's still warm.
0:40:33 > 0:40:37Julia Lubas, I'm arresting you on suspicion of trafficking
0:40:37 > 0:40:38and supplying illegal firearms.
0:40:38 > 0:40:42You don't have to say anything but anything you do say...
0:40:42 > 0:40:45The red powder I found on the guns from Lisa's flat,
0:40:45 > 0:40:47it's paprika.
0:40:47 > 0:40:50I'm thinking Polish stews in commercial volumes.
0:40:50 > 0:40:52Served by the Lubas Cafe?
0:40:52 > 0:40:55Bruno Lubas had foodstuffs in the back of his van.
0:40:55 > 0:40:58Makes sense - smuggle the guns in the spices.
0:40:59 > 0:41:03Two murders, that we know of, were carried out using your guns,
0:41:03 > 0:41:05and no doubt that's just the beginning.
0:41:05 > 0:41:08So, ready to talk?
0:41:25 > 0:41:30We retrieved these guns from under Lisa's bed.
0:41:32 > 0:41:33Recognise them?
0:41:35 > 0:41:37They were stored in paprika,
0:41:37 > 0:41:41high-grade Hungarian rose paprika, which we found in your cafe
0:41:41 > 0:41:44and in the back of Bruno's van.
0:41:47 > 0:41:49Is that who you really are, Julia?
0:41:49 > 0:41:54Tough gun runner, doesn't give a shit about the wreckage? Huh?
0:41:57 > 0:42:03If you'd told us where Bruno was, he'd still be alive now.
0:42:06 > 0:42:07That's funny.
0:42:18 > 0:42:22When you moved here, your mum spent the first year cleaning, yeah?
0:42:23 > 0:42:25So you wanted a better life.
0:42:25 > 0:42:27I mean, was it worth it, Julia?
0:42:27 > 0:42:29Do you think she's still going to want the cafe
0:42:29 > 0:42:32when she finds out it's cost her two children?
0:42:34 > 0:42:37Bruno's temper got him killed. OK?
0:42:37 > 0:42:40And Helena, she should never have been there.
0:42:40 > 0:42:43Bruno should have been, she knew nothing.
0:42:43 > 0:42:46Dyer was the runner.
0:42:46 > 0:42:50Bruno only gave Dyer one gun to give to Lisa.
0:42:50 > 0:42:52To Lisa?
0:42:54 > 0:42:56She was the other side of the drop.
0:42:56 > 0:43:00She watched them shoot Helena unarmed. Then she ran.
0:43:00 > 0:43:02No-one saw her.
0:43:02 > 0:43:04Interview suspended.
0:43:04 > 0:43:05Jack?
0:43:11 > 0:43:13You know, I don't expect you to understand.
0:43:13 > 0:43:16We came from a good family.
0:43:16 > 0:43:18When we got here, we were treated like dirt.
0:43:18 > 0:43:22No, Julia. You could have done anything.
0:43:30 > 0:43:33Christ. I mean, how do we handle this?
0:43:33 > 0:43:36I've never been in this situation before.
0:43:36 > 0:43:38I'm going to have to go right to the top.
0:43:38 > 0:43:40I mean, bloody Firearms Division?!
0:43:40 > 0:43:44Lisa was there. She said that Helena didn't have a gun in her hand
0:43:44 > 0:43:45when she was shot.
0:43:45 > 0:43:48She's agreed to give a full, signed statement.
0:43:48 > 0:43:52Of course, the bloody CPS will doubt her credibility as a witness.
0:43:52 > 0:43:54The gun lending doesn't help.
0:43:54 > 0:43:56Then hopefully this will.
0:43:56 > 0:43:59I've found the source of Jo Keating's address leak.
0:44:01 > 0:44:04It came from a fake account set up on a proxy server
0:44:04 > 0:44:07on a computer within the Firearms Division base.
0:44:07 > 0:44:10I mean, effectively, a public computer -
0:44:10 > 0:44:13well, accessed by the 200 or so armed cops that work there.
0:44:13 > 0:44:15So, which one of the three was it?
0:44:17 > 0:44:19SIREN WAILS
0:44:24 > 0:44:26CID investigation. Put everything down.
0:44:26 > 0:44:28Stay where you are.
0:44:35 > 0:44:38- What have you got? - A warrant to search the premises.
0:44:38 > 0:44:41- What? Get out!- Let's see it. Let's see this warrant.
0:44:41 > 0:44:44Search the computers, lockers, check their bags,
0:44:44 > 0:44:46get the car keys out, search their cars,
0:44:46 > 0:44:50everything. Geoff get your coat, I'm taking you down the station.
0:45:16 > 0:45:19- How long you been doing this job? - Long enough.
0:45:19 > 0:45:21From where I'm standing, I'd say too long.
0:45:21 > 0:45:22Where you heading with this?
0:45:22 > 0:45:24How well do you know your team?
0:45:42 > 0:45:45And you trust them? All of them?
0:45:45 > 0:45:47With my life.
0:45:47 > 0:45:49So, what would you do if I told you that we had a new witness
0:45:49 > 0:45:53who disputes all three of your officers' statements in the Helena Lubas shooting?
0:45:53 > 0:45:55What would you say?
0:45:55 > 0:45:56I'd say you were lying.
0:45:58 > 0:45:59MOBILE PHONE RINGS
0:45:59 > 0:46:01Excuse me.
0:46:02 > 0:46:06- Jack?- 'I've just been searching Tim Friend's car.'
0:46:11 > 0:46:13- You can't do this. - Geoff, Geoff.
0:46:13 > 0:46:16- It's a lie! This whole thing is a lie!- Leave it.
0:46:16 > 0:46:19- I've lost one officer this week... - I know, mate. Come on.
0:46:19 > 0:46:21Come on. Come on.
0:46:22 > 0:46:23Hi.
0:46:23 > 0:46:25First off, I owe you an apology.
0:46:25 > 0:46:28Second, you need to get down the station right away.
0:46:28 > 0:46:30'Thanks, Jack.'
0:46:42 > 0:46:43What's that?
0:46:43 > 0:46:46It's the gun that belonged to Bruno Lubas.
0:46:46 > 0:46:48The one you took off him after you killed him.
0:46:50 > 0:46:51We found it in your car.
0:46:51 > 0:46:52I didn't kill him.
0:46:52 > 0:46:54That gun can't have been in my car.
0:46:54 > 0:46:56It's a mistake. It's impossible.
0:46:56 > 0:46:58I mean, how could you?
0:46:59 > 0:47:02Hmm, one of your own?
0:47:02 > 0:47:06I mean, nobody gets to commit four murders without making a mistake,
0:47:06 > 0:47:09not even someone from Firearms Division, eh?
0:47:09 > 0:47:11I mean, we've got everything we need.
0:47:11 > 0:47:13I told you I didn't do this.
0:47:13 > 0:47:15There was no gun in my car.
0:47:15 > 0:47:18I didn't shoot Bruno Lubas, or Jo Keating.
0:47:18 > 0:47:21You shot Helena Lubas when she was unarmed,
0:47:21 > 0:47:23according to our brand-new witness,
0:47:23 > 0:47:26and you're not going to get your hands on this one.
0:47:26 > 0:47:29Fine. I did.
0:47:30 > 0:47:33But Helena Lubas was a mistake.
0:47:33 > 0:47:35A split-second decision.
0:47:35 > 0:47:38I heard shots and I thought she was firing...
0:47:39 > 0:47:41Off the bike!
0:47:43 > 0:47:45Hands! Show me your hands!
0:47:45 > 0:47:46Drop it.
0:47:46 > 0:47:49GUNSHOTS
0:47:49 > 0:47:51Tim? Tim.
0:47:51 > 0:47:53It's a girl.
0:48:03 > 0:48:04Take this!
0:48:21 > 0:48:23You nearly had me there,
0:48:23 > 0:48:27until you got to the bit where the seriously injured Monk gets up,
0:48:27 > 0:48:30drags himself along and plants the gun.
0:48:31 > 0:48:33How low can you get?
0:48:33 > 0:48:37And then you find out about Karim Benzal and you killed him
0:48:37 > 0:48:39- to protect yourself?- No.
0:48:39 > 0:48:40- And what about Jo Keating?- No.
0:48:40 > 0:48:43She was your friend. She trusted you!
0:48:43 > 0:48:47I didn't kill Jo, or Karim Benzal, or Bruno Lubas.
0:48:47 > 0:48:49You don't get it, do you?
0:48:49 > 0:48:53I, I already told you, it was him. Monk, he had the gun.
0:48:53 > 0:48:56I'm not going to sit here and listen to any more of your lies.
0:49:27 > 0:49:31Finding Bruno Lubas's Webley in the boot of his car
0:49:31 > 0:49:35seemed pretty easy, didn't it, given how thorough he was at the scenes?
0:49:35 > 0:49:38Well, he had to make a mistake some time.
0:49:38 > 0:49:41Overconfident after his third, or rather fourth, kill.
0:49:41 > 0:49:43Where's Jack?
0:49:43 > 0:49:45Finishing off a deep search of the base. Why?
0:49:45 > 0:49:47We need to call Cooke, now!
0:49:47 > 0:49:50So, that's your route, we all clear?
0:49:50 > 0:49:54Excellent, follow me. Now, every situation must be approached
0:49:54 > 0:49:58with one thing and one thing alone in mind -
0:49:58 > 0:50:01that's how to minimise the risk of injury and loss of life.
0:50:01 > 0:50:04So to minimise your loss of life,
0:50:04 > 0:50:08we'll be starting today with soap bullets.
0:50:08 > 0:50:10All out. Training cancelled.
0:50:10 > 0:50:12Move it!
0:50:20 > 0:50:23Cooke said they've got a new witness.
0:50:23 > 0:50:26A girl who was there the day that Helena Lubas was shot.
0:50:26 > 0:50:29- There was no girl.- Cooke's saying there is. Why would he lie?
0:50:29 > 0:50:30Cos he's grasping at straws.
0:50:30 > 0:50:32If you had a problem, you should've come to me.
0:50:32 > 0:50:36I never pushed, but you always knew where I was.
0:50:36 > 0:50:41So I'm asking you to tell me now. What happened?
0:50:41 > 0:50:43What did the girl see?
0:50:43 > 0:50:45He's my friend. I can't.
0:50:45 > 0:50:46Tell me!
0:50:48 > 0:50:51MOBILE PHONE RINGS
0:50:51 > 0:50:53- Yup?- Jack?- What's up?
0:50:53 > 0:50:56- 'We've just got some results back on the Webley.'- Uh-huh?
0:50:56 > 0:50:59Metabolites from the sweat we recovered in the grooves
0:50:59 > 0:51:02show the usual - alcohol, nicotine, codeine,
0:51:02 > 0:51:05but also traces of penicillamine.
0:51:06 > 0:51:07Say again.
0:51:07 > 0:51:09Traces of penicillamine.
0:51:14 > 0:51:15Which locker's Monk's?
0:51:15 > 0:51:18- Number 13.- Lee, can you open this?
0:51:26 > 0:51:28Where is he? Monk, where is he?
0:51:28 > 0:51:31Ward just kicked us out of the training room to speak to him.
0:51:33 > 0:51:35Helena Lubas's hands were empty when Tim shot her.
0:51:37 > 0:51:40He just... He couldn't come back from that.
0:51:41 > 0:51:43Doesn't make sense.
0:51:44 > 0:51:47Where did the gun in her hand come from?
0:51:47 > 0:51:50Tim was nervous in the field, yeah? He carried a spare gun.
0:51:50 > 0:51:52- Ah.- Just in case.
0:51:52 > 0:51:57This day he found a use for it. He planted it in her hand.
0:51:57 > 0:52:00I think he's been killing ever since, to cover his tracks.
0:52:00 > 0:52:02This is not Tim.
0:52:02 > 0:52:04We're a team. First and foremost.
0:52:04 > 0:52:06Strong as the weakest link.
0:52:06 > 0:52:09None of us wanted to admit how weak Tim really was.
0:52:09 > 0:52:11Tim was never a weak link.
0:52:11 > 0:52:13I knew Jo, she was as straight as a die.
0:52:13 > 0:52:16I know Tim, I've worked with him for years.
0:52:16 > 0:52:17But I've never known you.
0:52:17 > 0:52:19That is not true.
0:52:19 > 0:52:20RATTLING
0:52:20 > 0:52:21What's that?
0:52:21 > 0:52:24You did a pretty good clean-up on Bruno's Webley,
0:52:24 > 0:52:26but not quite good enough.
0:52:26 > 0:52:28You see, we found sweat in the crevices,
0:52:28 > 0:52:31and in the sweat - penicillamine.
0:52:31 > 0:52:35It counteracts potential lead poisoning after a gunshot wound.
0:52:35 > 0:52:39Now Tim Friend, he's never been shot and I found these in your locker.
0:52:39 > 0:52:42You took the Webley from Bruno after you shot him
0:52:42 > 0:52:45and planted it in Tim's car as insurance.
0:52:45 > 0:52:47Or did you know he suspected you?
0:52:47 > 0:52:49Oh, don't be ridiculous.
0:52:49 > 0:52:53I get it. You're working your way through every member of Firearms Division
0:52:53 > 0:52:56and now it's my turn? Tell him to get out.
0:52:56 > 0:52:58You showed up at Keating's,
0:52:58 > 0:53:02venting your grief, kicking the door, fighting those tears.
0:53:02 > 0:53:06Why, that was... That was some performance, that.
0:53:06 > 0:53:09It wasn't a performance. I loved Jo.
0:53:09 > 0:53:11Oh, yeah, you loved her so much that you killed her.
0:53:11 > 0:53:14She opened the door and turned her back to let you in.
0:53:14 > 0:53:16She trusted you
0:53:16 > 0:53:20and you shot her from behind in cold blood.
0:53:20 > 0:53:21Like a coward.
0:53:21 > 0:53:24SHE was the coward!
0:53:24 > 0:53:27It's all about loyalty, Jack.
0:53:28 > 0:53:31Do you know what it feels like when your jaw shatters?
0:53:31 > 0:53:36What it's like to have your mouth wired shut for three months?
0:53:36 > 0:53:38To know that...
0:53:38 > 0:53:41that you will never feel the same man again?
0:53:41 > 0:53:43GUNSHOT
0:53:44 > 0:53:47And yet, the only thing everyone else is concerned about
0:53:47 > 0:53:52is whether scum like Helena Lubas deserved what they got.
0:53:54 > 0:53:59That brush with death brings you so much closer to life
0:53:59 > 0:54:03and you want to hold on to that as tight as you can.
0:54:10 > 0:54:12Jack Hodgson, forensics?
0:54:12 > 0:54:14It's a second chance, right?
0:54:14 > 0:54:18I wasn't going to let Karim Benzal take that from me.
0:54:18 > 0:54:21So you tortured and murdered an innocent man to protect yourself?
0:54:21 > 0:54:23To protect the team.
0:54:23 > 0:54:25Huh.
0:54:25 > 0:54:30Tim made a mistake - a human error - a split-second decision
0:54:30 > 0:54:32and Helena Lubas was the casualty of that.
0:54:32 > 0:54:34You've murdered three people in cold blood.
0:54:34 > 0:54:38And you're going to spend the rest of your second chance paying for it.
0:54:38 > 0:54:40GUNSHOTS
0:54:42 > 0:54:44Get in there now!
0:54:48 > 0:54:49All clear, stand down.
0:54:49 > 0:54:51Jack? Jack!
0:54:53 > 0:54:56Jack.
0:54:56 > 0:54:58Jack, come on, mate!
0:54:58 > 0:55:00Thank God.
0:55:00 > 0:55:02What is this?
0:55:02 > 0:55:03Training bullets.
0:55:03 > 0:55:05Made of soap.
0:55:05 > 0:55:06But why?
0:55:06 > 0:55:08I couldn't be sure.
0:55:13 > 0:55:15Jack.
0:55:18 > 0:55:22You OK, mate? You all right? Jack?
0:55:43 > 0:55:46Mama?
0:55:48 > 0:55:51Mama!
0:55:53 > 0:55:55Mama!
0:56:02 > 0:56:04Make us a wee cup of tea, would you? Thanks.
0:56:04 > 0:56:07They've reopened the Helena Lubas inquest.
0:56:07 > 0:56:08- Who says?- Sharpe.
0:56:12 > 0:56:14What the?
0:56:14 > 0:56:19We would've done balloons and a banner but there was no time.
0:56:19 > 0:56:22Oh, yeah, I get it.
0:56:56 > 0:56:58Good luck.
0:57:33 > 0:57:34GUNSHOTS
0:57:34 > 0:57:37- Get in the car! - In the car. Drive!
0:57:41 > 0:57:45Chris Chandler and Kate Blair, both pronounced dead by paramedics.
0:57:45 > 0:57:47Single entry wound to the temple.
0:57:47 > 0:57:49Two entry wounds to the throat and chest.
0:57:49 > 0:57:50What we doing here, Sarge?
0:57:52 > 0:57:54It's an old case.
0:57:54 > 0:57:59Your sister's boyfriend, Chris, did you get on with him?
0:57:59 > 0:58:01Was Chris involved in drugs?
0:58:01 > 0:58:04Chris was the straightest guy you ever met.
0:58:04 > 0:58:06We heard there was an altercation.
0:58:06 > 0:58:09My wife of ten years is dead.
0:58:09 > 0:58:12She's young. Does she know what she's doing?
0:58:12 > 0:58:15- Listen, I'm more than happy to... - She knows what she's doing.
0:58:15 > 0:58:17If we're missing a body...
0:58:17 > 0:58:20The killer must've taken it from the scene.
0:58:20 > 0:58:22We've been looking down the wrong end of the telescope.
0:58:22 > 0:58:29# Testator silens
0:58:29 > 0:58:37# Costestes e spiritu
0:58:37 > 0:58:44# Silentium. #