0:00:02 > 0:00:06This programme contains scenes which some viewers may find upsetting.
0:00:06 > 0:00:10Paul can have the life he wants.
0:00:11 > 0:00:13I ain't doing that again.
0:00:13 > 0:00:16You want people here knowing what you did?
0:00:18 > 0:00:20David Sellers, 31.
0:00:21 > 0:00:23Someone's tried to clean up.
0:00:23 > 0:00:26Where were you that day, between 7 and 10pm?
0:00:26 > 0:00:29Oh, right. Yeah.
0:00:29 > 0:00:31Pull another lifer in for it.
0:00:31 > 0:00:32I'm outside flat 63.
0:00:32 > 0:00:36The warden, Ryan White, there's blood in his bathroom.
0:00:36 > 0:00:37Better get down here.
0:00:37 > 0:00:42How can we contribute unless we know who and what we're dealing with?
0:00:42 > 0:00:45I know you're Joe Sherringham.
0:00:45 > 0:00:50- He's out, Sylvie. - I was going to call you.
0:00:54 > 0:00:56Fire crews found a body in the kitchen.
0:00:56 > 0:00:58We're just waiting for the Fire investigators.
0:00:58 > 0:01:00This isn't Joe Sherringham.
0:01:01 > 0:01:03No, but this is.
0:01:03 > 0:01:06I can tell you who killed Joe.
0:01:08 > 0:01:11We need to take Sylvie to the building in the woods.
0:01:16 > 0:01:24# Testator silens
0:01:24 > 0:01:32# Costestes e spiritu
0:01:32 > 0:01:40# Silentium. #
0:02:16 > 0:02:20Impact abrasion to the upper right cheek.
0:02:20 > 0:02:21It's almost circular.
0:02:22 > 0:02:24Bruising to the surrounding area.
0:02:24 > 0:02:27Also to the knuckles of his right hand.
0:02:29 > 0:02:31Thomas.
0:03:01 > 0:03:04MUFFLED SHOUTS FROM CELLS
0:03:08 > 0:03:10Raise your arms.
0:03:13 > 0:03:16SCANNER BLEEPS
0:03:16 > 0:03:18Turn around.
0:03:27 > 0:03:28Clear.
0:03:30 > 0:03:34So, what did Ted Blake tell us dead that he couldn't when he was alive?
0:03:34 > 0:03:37Puncture wound made by a small blunt object.
0:03:37 > 0:03:40We haven't been able to match it with anything in the house,
0:03:40 > 0:03:42and it wasn't made by the murder weapon.
0:03:42 > 0:03:44Bruising on the knuckles of his right hand,
0:03:44 > 0:03:46but we didn't find any matching bruises on Joe.
0:03:46 > 0:03:50We think Jack was right, there was someone with him at the scene.
0:03:50 > 0:03:54So you're suggesting there was a fight between Ted and this third person?
0:03:54 > 0:03:59This is the likely spread of the fire from the set point outside the kitchen door, OK?
0:04:03 > 0:04:04Body's here.
0:04:06 > 0:04:10Here it comes. Open Sesame.
0:04:10 > 0:04:11Kaboom.
0:04:11 > 0:04:14Now, the extent of Ted Blake's burns would require
0:04:14 > 0:04:17higher temperatures than those caused by an accelerant.
0:04:17 > 0:04:19He also had a distinctive crescent-shaped burn
0:04:19 > 0:04:21on the palm of his right-hand.
0:04:21 > 0:04:24From Joe Sherringham's front doorknob, on the outside.
0:04:24 > 0:04:27- So the house was already on fire when Ted opened the door?- Yes.
0:04:27 > 0:04:29The sudden increase in oxygen created the fireball.
0:04:29 > 0:04:30Hence the flash burns.
0:04:33 > 0:04:35So there was a fight.
0:04:35 > 0:04:37Ted tried to go back inside.
0:04:39 > 0:04:41He was trying to save Joe Sherringham?
0:04:47 > 0:04:51INDISTINCT SHOUTS FROM PRISON
0:04:54 > 0:04:59SEAGULLS CALL
0:05:27 > 0:05:31SIRENS SOUND
0:05:31 > 0:05:33- Nikki.- 'It's happening.'
0:05:33 > 0:05:35Mitchell wants us to drive up together,
0:05:35 > 0:05:38we meet Marcus at the scene of Craig Blake's murder.
0:05:40 > 0:05:41Sasha?
0:05:44 > 0:05:46I'm on my way.
0:05:46 > 0:05:50Ben. Not working today? I think Mandy's expecting you.
0:05:50 > 0:05:54Er... I'll go in later, I'm just here to see Sasha.
0:05:54 > 0:05:58- Dr Blackburn.- Oh. All right.
0:06:00 > 0:06:03I have to be somewhere. Can we... Can we do this later?
0:06:03 > 0:06:07- Hey. Was the other night real? - You shouldn't have come here.
0:06:07 > 0:06:09Not now, you mean.
0:06:11 > 0:06:14I won't embarrass you, I just need to know.
0:06:14 > 0:06:16Yes, it was real.
0:06:19 > 0:06:25Well, hang on a minute. What are we afraid of? What else matters?
0:06:25 > 0:06:30- I have to go. This isn't fair. - What am I supposed to do?
0:06:32 > 0:06:34You are in my head every minute.
0:06:34 > 0:06:39- I see you, I smell you, my heart's going, my head's gone.- Please!
0:06:39 > 0:06:40Hey!
0:06:42 > 0:06:44I can't do this now.
0:07:03 > 0:07:06INDISTINCT CHATTER ON POLICE RADIO
0:07:13 > 0:07:14Right. Everything is in place.
0:07:14 > 0:07:18Chadwell is here to tell us about the current murders. Nothing else.
0:07:18 > 0:07:20He's never confessed to anything.
0:07:20 > 0:07:21You're both across the forensics.
0:07:21 > 0:07:26He says anything that differs from the trial transcripts, I need to know.
0:07:26 > 0:07:28Are we sure about this?
0:07:28 > 0:07:30I want him to talk.
0:07:30 > 0:07:33This is my choice. I want to know.
0:07:33 > 0:07:35I'm going to bring him out now.
0:07:35 > 0:07:38He's not going to get anywhere near you, OK?.
0:07:38 > 0:07:42Don't meet his eye or speak to him directly. Understand?
0:07:48 > 0:07:51Today is about Chadwell inflicting maximum pain.
0:07:51 > 0:07:54He's going to tell lies, he's going to sow doubt to get attention.
0:07:54 > 0:07:57It will glorify him and you're letting him do it.
0:08:01 > 0:08:02Open it up.
0:08:19 > 0:08:21- JACK:- Nikki.
0:08:23 > 0:08:24Sylvie.
0:08:38 > 0:08:42Craig always wanted to know what we got up to here.
0:08:42 > 0:08:46Came on his bike. Green, I think.
0:08:46 > 0:08:49- Can you remember, Sylvie? - Chadwell.
0:08:51 > 0:08:55You're here to answer our questions, nothing else, or it ends now.
0:09:03 > 0:09:07I'd been here with other boys.
0:09:07 > 0:09:09Joe was a late addition.
0:09:10 > 0:09:12We were experimenting.
0:09:14 > 0:09:18SASHA: And you persuaded Craig, ten years old.
0:09:18 > 0:09:20Not much, actually.
0:09:20 > 0:09:24I didn't need to. He was curious.
0:09:24 > 0:09:26He wanted to know.
0:09:35 > 0:09:39CHILDREN'S VOICES ECHO
0:09:53 > 0:09:58Joe and I brought him in. Me there, and Joe over there.
0:09:58 > 0:10:02Joe showed Craig one of his girlie mags.
0:10:02 > 0:10:05We were going to introduce him to one of our games,
0:10:05 > 0:10:08but Craig got upset.
0:10:08 > 0:10:10And he didn't want to play any more.
0:10:10 > 0:10:14- That's when he tried to leave and you stopped him.- Yes.
0:10:14 > 0:10:15Craig was scared.
0:10:15 > 0:10:20Yes. Started to cry. Kept saying he was going to tell his mum.
0:10:20 > 0:10:22SASHA: And did that make you angry?
0:10:22 > 0:10:25I don't like people crying.
0:10:26 > 0:10:28And he was such a baby.
0:10:28 > 0:10:31- So you tied him with wire and then attacked him with a knife?- Yes.
0:10:31 > 0:10:35Why the face? Why did you attack his face after you killed him?
0:10:36 > 0:10:39I just wanted him gone.
0:10:39 > 0:10:41We're getting nowhere.
0:10:42 > 0:10:44Did you influence someone to kill Joe Sherringham?
0:10:44 > 0:10:47No, no, Superintendent, that's not why we're here.
0:10:47 > 0:10:49He's enjoying this. Please, let's stop it.
0:10:51 > 0:10:54New information, now, or you're back in the van.
0:10:54 > 0:10:57Don't you want to know the most important thing about your boy?
0:10:59 > 0:11:01May I?
0:11:08 > 0:11:10He was here.
0:11:10 > 0:11:12Yes, you said Craig was on the floor.
0:11:12 > 0:11:14Not Craig. Connor.
0:11:17 > 0:11:21Connor was standing right here...
0:11:21 > 0:11:23watching.
0:11:27 > 0:11:29You see, Connor was in my little group.
0:11:29 > 0:11:32He took part in some of our games.
0:11:34 > 0:11:36Didn't you know, Sylvie?
0:11:41 > 0:11:43No, how could you?
0:11:45 > 0:11:46He was late that day.
0:11:46 > 0:11:49But he could see that we had Craig in here,
0:11:49 > 0:11:52showing him the magazines, trying to get him to join in.
0:11:52 > 0:11:56And then Connor was gone.
0:11:56 > 0:11:59Connor ran away and left us to it.
0:11:59 > 0:12:03And now he is angry.
0:12:05 > 0:12:08Trying to kill the people that made him ashamed.
0:12:16 > 0:12:20INDISTINCT CONVERSATION
0:12:53 > 0:12:55Hello, mate.
0:12:56 > 0:12:57Fancy a chat?
0:13:05 > 0:13:09None of my business how long it's been going on, all that.
0:13:09 > 0:13:11But this has to stop.
0:13:12 > 0:13:15None of it is your business.
0:13:17 > 0:13:21- Have you thought about what'll happen to Sasha?- She's fine.
0:13:21 > 0:13:22I don't think that's true.
0:13:22 > 0:13:25I don't think you're facing things. Think about her.
0:13:25 > 0:13:28Does it make you feel you're better than me,
0:13:28 > 0:13:31helping Sasha out with them creeps, following her around the place?
0:13:31 > 0:13:36I mean, I know why you're there.
0:13:36 > 0:13:39It's her. Am I right?
0:13:42 > 0:13:45It can go wrong for people like us.
0:13:45 > 0:13:47Very quickly, Ben.
0:13:49 > 0:13:51HE SIGHS
0:14:43 > 0:14:47- Where's Mum?- She's fine. She'll be home shortly.
0:14:50 > 0:14:53Why am I here? Did she see him?
0:14:53 > 0:14:57Yeah. She was very brave.
0:14:57 > 0:15:01I just need to clarify a couple of things.
0:15:01 > 0:15:07Can you describe the relationship you had with Marcus Chadwell and Joe Sherringham?
0:15:07 > 0:15:11- All this came out in the trial. - I know.
0:15:11 > 0:15:13Well, I knew them from school.
0:15:13 > 0:15:17Erm, they lived close to us.
0:15:17 > 0:15:23Marcus wanted me to be his friend, but I didn't like him. No-one did.
0:15:23 > 0:15:25He had this weird hold over other kids,
0:15:25 > 0:15:26so I stayed away.
0:15:26 > 0:15:28And your brother?
0:15:28 > 0:15:31I didn't want Craig to have anything to do with Marcus.
0:15:31 > 0:15:34- But he wouldn't listen. - How do you mean?
0:15:34 > 0:15:36Well, he looked up to older boys.
0:15:36 > 0:15:40He just wanted to be cool, show me he didn't need me.
0:15:40 > 0:15:43Marcus saw that, befriended him.
0:15:46 > 0:15:48Craig was just a kid.
0:15:48 > 0:15:51- Where were you the day that Craig died?- Why are you asking me this?
0:15:51 > 0:15:55Marcus suggested you were at that building in the woods.
0:15:55 > 0:15:57Jesus Christ.
0:15:57 > 0:15:58I was at the park.
0:15:58 > 0:16:00He claims you saw that Craig was with them
0:16:00 > 0:16:03- and you left without saying anything.- That's not true.
0:16:03 > 0:16:06If you had been there, you'd never forgive yourself, would you, Connor?
0:16:06 > 0:16:08All that guilt turning to anger.
0:16:08 > 0:16:11You'd want to hurt him the first chance you got, I understand that.
0:16:11 > 0:16:14- Did Mum hear him see this?- Yeah. - And you let him do that to her?
0:16:14 > 0:16:18You have no proof I did anything Marcus Chadwell told you, have you?
0:16:18 > 0:16:21Craig, my dad, now me. Can't you...?
0:16:26 > 0:16:29Can't you see what he's doing?
0:16:31 > 0:16:33HE EXHALES
0:16:38 > 0:16:41I'd like to take a swab of your DNA, Connor.
0:16:41 > 0:16:44- This is a joke.- Is that your dad's?
0:16:44 > 0:16:46- What, this?- Mm.
0:16:46 > 0:16:50- No. Why would it be? - Have a look?
0:16:58 > 0:17:00Thanks, Connor.
0:17:13 > 0:17:17Oh! Jack, I thought you'd never ask.
0:17:17 > 0:17:22- You're already taken.- Meh. - Look for Ted Blake's skin or blood.
0:17:22 > 0:17:23Where are you with the screwdriver?
0:17:23 > 0:17:29I got DNA from the handle, I'm cleaning up the profile now. You OK?
0:17:29 > 0:17:32Yeah. If it works, I want you to check for a match.
0:17:32 > 0:17:34Right, Ted Blake. I'm on it.
0:17:34 > 0:17:36Not Ted. His son, Connor.
0:17:38 > 0:17:42- 'Hello, this is Ben. I'm not here right now, but you know what to do.' - BEEP
0:17:42 > 0:17:44Ben, it's me.
0:17:44 > 0:17:47Look, I'm sorry about earlier, it was just a bad time.
0:17:49 > 0:17:51I want to talk.
0:17:52 > 0:17:56I'm worried about you. Call me, OK?
0:18:03 > 0:18:05Tell us about David Sellers.
0:18:08 > 0:18:10He was a lifer, friend of Joe's.
0:18:10 > 0:18:12Yeah. No, I've never seen him before.
0:18:12 > 0:18:15I've no idea what you're talking about.
0:18:15 > 0:18:16I think you do.
0:18:16 > 0:18:19I think you realised he'd found out about Joe Sherringham's new identity.
0:18:19 > 0:18:22I think you forced him to tell him where Joe lived
0:18:22 > 0:18:24- and then you killed him.- No. - After that, you visited your dad.
0:18:24 > 0:18:27You knew that he would want Joe dead, too.
0:18:27 > 0:18:29All those years of grief after what Joe did your brother.
0:18:29 > 0:18:32So you both went to Joe's, only Ted changed his mind.
0:18:32 > 0:18:35- He tried to stop you. Is that when you hit him?- No, that's not right.
0:18:35 > 0:18:39We found traces of your dad's blood on your signet ring.
0:18:39 > 0:18:42So with your dad quiet, you killed Joe Sherringham,
0:18:42 > 0:18:43lit a fire to cover your tracks.
0:18:43 > 0:18:47We searched your house. Forensics found lighter fluid on your clothes.
0:18:47 > 0:18:49- I didn't murder him. - Then explain it all to me, Connor.
0:18:49 > 0:18:50He was already dead!
0:18:59 > 0:19:02Joe Sherringham came to my dad's house.
0:19:02 > 0:19:04Told him who he was and where he lived.
0:19:05 > 0:19:09Then dad came to me. Drunk and crying.
0:19:11 > 0:19:14- He could never have done it on his own.- Done what?
0:19:16 > 0:19:22- What was the plan, Connor? - It was to hurt him. Set fire to him.
0:19:22 > 0:19:26Kill him and then cover up the tracks.
0:19:26 > 0:19:29We got to Sherringham's flat.
0:19:29 > 0:19:31And Dad started sobering up
0:19:31 > 0:19:34and saying he couldn't go through with it.
0:19:34 > 0:19:38You couldn't leave him. Not now.
0:19:38 > 0:19:40Not after what he did to your little brother.
0:19:40 > 0:19:43Dad was pulling me back, so I hit him.
0:19:43 > 0:19:47I took the lighter fluid but the front door was already open.
0:19:47 > 0:19:49I went in.
0:19:49 > 0:19:52I saw Joe in the kitchen.
0:19:54 > 0:19:57He was covered in blood.
0:19:57 > 0:20:01He weren't moving. I panicked.
0:20:01 > 0:20:06I lit the fire in the hall to cover our tracks.
0:20:06 > 0:20:08And then you ran.
0:20:08 > 0:20:09Except Dad wouldn't.
0:20:11 > 0:20:15I was dragging him away, but he couldn't leave Joe in there.
0:20:15 > 0:20:16He ran back to the house.
0:20:20 > 0:20:22He opened the front door and...
0:20:24 > 0:20:25Boom.
0:20:29 > 0:20:31That was it.
0:20:33 > 0:20:35And you didn't stay to help him.
0:20:36 > 0:20:37You tried to save yourself.
0:20:37 > 0:20:40- Mum needed me, I couldn't just... - You ran!
0:20:41 > 0:20:45Just like you did that day in the woods when Craig died.
0:20:45 > 0:20:47Marcus was telling the truth.
0:20:49 > 0:20:52You and him did things to each other in that wood,
0:20:52 > 0:20:54and then one day, you saw Craig with him.
0:20:54 > 0:20:57Wanting to be like you.
0:20:57 > 0:21:00And you knew what was going to happen to him.
0:21:04 > 0:21:08And you didn't get your little brother out of there.
0:21:08 > 0:21:10You ran.
0:21:10 > 0:21:12Left him to the wolves.
0:21:22 > 0:21:26This wasn't about revenge.
0:21:26 > 0:21:30This was about your guilt, wasn't it?
0:21:30 > 0:21:32I wanted to kill Joe Sherringham.
0:21:34 > 0:21:38I wanted him to suffer. Just like Craig did.
0:21:38 > 0:21:40But he was dead when I got there, I swear.
0:21:49 > 0:21:52We'll charge him with arson, conspiracy and manslaughter.
0:21:52 > 0:21:55Not murder? You think he's telling the truth?
0:21:55 > 0:21:58Sherringham was already dead when he got there?
0:21:58 > 0:22:01Let's wait for the results from the screwdriver.
0:22:01 > 0:22:04If it's Connor's DNA, we'll know he's lying.
0:22:36 > 0:22:42Ben just popped out. He shouldn't be long. You're welcome to wait.
0:22:44 > 0:22:49- Thought you were out. I couldn't find you.- I was out back.
0:22:53 > 0:22:58- Do a little dance for me.- What? - Then I'll show what I've got here.
0:23:00 > 0:23:03Oh, you made a DNA match, didn't you? On the screwdriver?
0:23:03 > 0:23:08- Do the dance first. - What's the name? What's the name?
0:23:08 > 0:23:12He already did ten years for a double murder. Name's Bennet Walker.
0:23:12 > 0:23:16Oh, you little diamond!
0:23:16 > 0:23:19You know the dance I mean.
0:23:19 > 0:23:21- Riverdance.- Later.
0:23:23 > 0:23:26You're not answering your phone.
0:23:33 > 0:23:37- Are you high? Are you using again? - Don't be stupid.
0:23:40 > 0:23:42Let go, please.
0:23:48 > 0:23:50Is this coke?
0:23:52 > 0:23:55You promised if you ever came that close,
0:23:55 > 0:23:59- you promised you would find me first.- You weren't there.
0:23:59 > 0:24:02- Were you?- I promised I would be, I swore to you.
0:24:02 > 0:24:05You know your licence, this puts you straight back inside.
0:24:05 > 0:24:06Well, turn me in them.
0:24:06 > 0:24:09Get your cop mates, right now, and I'm out your hair forever.
0:24:09 > 0:24:13You can't destroy yourself just because of this.
0:24:13 > 0:24:15- Cos you're afraid. - I'm not afraid.
0:24:15 > 0:24:18Everything you have fought for, everything,
0:24:18 > 0:24:21it is so much more important than me.
0:24:23 > 0:24:25You don't get it.
0:24:25 > 0:24:29There is only you.
0:24:30 > 0:24:34What have I got to do to make you feel that?
0:24:38 > 0:24:40You have to let me go.
0:24:42 > 0:24:44We'll help you.
0:24:44 > 0:24:49- "We"? "We"?! - You need help, Ben.
0:24:49 > 0:24:52You can't take me like this, huh?
0:24:52 > 0:24:54Am I not turning you on?
0:24:54 > 0:24:58You think I'm messed up? Look what you do. Look at you.
0:24:58 > 0:25:00No, you've made your choice.
0:25:00 > 0:25:02You'd rather spend your time helping psychos.
0:25:02 > 0:25:07You've chosen them instead of us. What is wrong with you?
0:25:07 > 0:25:09What's going on in there?
0:25:29 > 0:25:33PHONE VIBRATES
0:25:39 > 0:25:41Jack, hi.
0:25:49 > 0:25:53INDISTINCT CHATTER
0:25:53 > 0:25:56What you looking at?
0:25:56 > 0:25:59What, you got a problem? Nice car.
0:26:01 > 0:26:04- Clear out, now. - Put your hands on me!
0:26:04 > 0:26:07GRUNTING
0:26:07 > 0:26:09What do you want? What, you want some?
0:26:09 > 0:26:13ALL SHOUTING AT ONCE
0:26:13 > 0:26:17- SIRENS APPROACH - Leave him, leave him. Let's go!
0:26:17 > 0:26:20ENGINE STARTS TYRES SCREECH
0:26:22 > 0:26:25DNA on the screwdriver is a match, and we already established
0:26:25 > 0:26:28the puncture wounds on Joe Sherringham correspond, too.
0:26:28 > 0:26:31So, Bennet Walker, both murders.
0:26:31 > 0:26:34Different implement, same style of attack.
0:26:34 > 0:26:36Victims knew each other. I'd say yes.
0:26:36 > 0:26:39We've got the address, get a tactical team down there.
0:26:39 > 0:26:41One of yours, isn't he?
0:26:41 > 0:26:43Killed two dealers outside a club, baseball bat.
0:26:43 > 0:26:45Anything else we should know?
0:26:49 > 0:26:55I've just heard. Sasha, are you OK?
0:26:55 > 0:26:59- Do you want to sit down? - No. No, I'm fine.
0:27:08 > 0:27:12SHE SOBS
0:27:38 > 0:27:40POLICE RADIO CHATTER
0:27:46 > 0:27:48'Bennet Walker is not at his home address.'
0:27:48 > 0:27:50We've got it under observation.
0:27:50 > 0:27:51Left early, didn't say why.
0:27:51 > 0:27:54I'm checking his work space, personal effects...
0:27:54 > 0:27:55Sasha.
0:27:58 > 0:27:59What's happening?
0:27:59 > 0:28:04- Police want to talk to me about Ben. - They suspect he killed someone.
0:28:06 > 0:28:09No. No. Do you believe them?
0:28:11 > 0:28:13Do they know about you two?
0:28:18 > 0:28:20I want to help you.
0:28:20 > 0:28:24I don't care about what happened. I just want you to be OK.
0:28:25 > 0:28:26Sasha.
0:28:27 > 0:28:29What do I tell them?
0:28:31 > 0:28:33Just tell them the truth, Oliver.
0:28:38 > 0:28:40Nikki.
0:28:44 > 0:28:48I-I've been in a relationship with Ben Walker.
0:28:48 > 0:28:50I was with him today.
0:28:50 > 0:28:52Does anyone know this yet?
0:28:53 > 0:28:57Well, you have to tell them now. Do you understand?
0:28:57 > 0:28:59Yes. I'm going to.
0:28:59 > 0:29:01Tell them!
0:29:08 > 0:29:10INAUDIBLE CONVERSATION
0:29:36 > 0:29:38Where is he, Dr Blackburn?
0:29:38 > 0:29:40I've said, I don't know.
0:29:43 > 0:29:47I'm allowed to press you for the truth. You understand that, right?
0:29:47 > 0:29:50- Of course.- Where would he go?
0:29:51 > 0:29:53He's using cocaine, he's drinking.
0:29:53 > 0:29:55If he doesn't know that you're after him,
0:29:55 > 0:29:59he's probably fallen into offence parallelling behaviour.
0:29:59 > 0:30:00In plain English.
0:30:03 > 0:30:05If you break out of rehabilitation choices,
0:30:05 > 0:30:08you revert to old, destructive habits.
0:30:08 > 0:30:11It's a way of regaining control,
0:30:11 > 0:30:15- to prove that you haven't been brainwashed.- Including murder?
0:30:15 > 0:30:19I'm talking about self-destructive habits.
0:30:19 > 0:30:22Because you don't believe that Ben Walker is a killer. This time.
0:30:22 > 0:30:26- I never said that. - His DNA is on the murder weapon.
0:30:26 > 0:30:31His profile, the manner of these murders, it doesn't make sense.
0:30:31 > 0:30:34Do you know you have tracking software on your mobile phone?
0:30:40 > 0:30:44My guess is that Ben put it there. He was stalking you.
0:30:44 > 0:30:49You see, I believe YOU are what connects the two victims.
0:30:49 > 0:30:52However unwittingly, I believe you led Ben to David Sellars
0:30:52 > 0:30:53and Joe Sherringham.
0:30:53 > 0:30:58You've already told us he wanted you to stop working with those people, correct?
0:30:58 > 0:30:59He hated your job, didn't he?
0:31:01 > 0:31:04And we know what drove Ben's first two murders, two drug dealers,
0:31:04 > 0:31:06ten years ago, jealous rage.
0:31:12 > 0:31:15I don't hold you responsible for what he's done.
0:31:15 > 0:31:18Your own opinion of your conduct?
0:31:19 > 0:31:21That's your business, Dr Blackburn.
0:31:35 > 0:31:39- Do you think she's been protecting him?- No.
0:31:39 > 0:31:42- No, do you?- No.
0:31:42 > 0:31:45- What was she thinking? - She wasn't. Got in over her head.
0:31:45 > 0:31:48- Is that an excuse? - I don't know.
0:31:48 > 0:31:50- CAR LOCK BLEEPS - Can't help who you love, can you?
0:31:55 > 0:31:58ECHOING DISTORTED MUSIC: Boogie Nights
0:32:40 > 0:32:43Why have I got a feeling I'm not going to like this?
0:32:45 > 0:32:49Both victims were attacked in this distinct style, the face targeted.
0:32:49 > 0:32:52Like there was a desire not just to kill, but to obliterate them.
0:32:52 > 0:32:56- So there's something personal about this kind of hostility?- Right.
0:32:56 > 0:33:00But Ben Walker and Joe Sherringham never served or did probation together,
0:33:00 > 0:33:03- they never even met. - Do we know that for sure?- No.
0:33:05 > 0:33:09- But Sasha Blackburn would. - Nikki, she's suspended.
0:33:09 > 0:33:10She also knows the case in detail.
0:33:10 > 0:33:13Style of attack, psychological motive,
0:33:13 > 0:33:16- it's central to these killings. - They've got a prime suspect.
0:33:16 > 0:33:18Look, I'm not saying that Ben Walker didn't do this.
0:33:18 > 0:33:21- His DNA is all over the murder weapon.- ONE of the murder weapons.
0:33:21 > 0:33:23The police want him for BOTH murders.
0:33:23 > 0:33:26All we have at this moment are similarities. Conjecture.
0:33:26 > 0:33:27It's not enough.
0:33:29 > 0:33:31POLICE RADIO CHATTER
0:33:44 > 0:33:46- Is Max OK?- Yeah, he's fine.
0:33:46 > 0:33:48How long is he going to be there?
0:33:50 > 0:33:52He's just there as a precaution.
0:33:54 > 0:33:56Why don't you just say it, Mum?
0:33:56 > 0:33:59Everything you ever thought about me is true.
0:33:59 > 0:34:02Do you think I take pleasure in this?
0:34:02 > 0:34:05You always said that I'd end up hurting you or Dad.
0:34:05 > 0:34:07- We wanted you to be happy. - You wanted me married.
0:34:07 > 0:34:11And you chose a job to drive your husband away, to drive us away.
0:34:12 > 0:34:14And this man?
0:34:14 > 0:34:17The one the policeman in the hall is trying to protect us from.
0:34:23 > 0:34:26You can stay here as long as you...
0:34:27 > 0:34:30As long as you need, darling.
0:34:30 > 0:34:31DOORBELL RINGS
0:34:37 > 0:34:38How are you?
0:34:38 > 0:34:40- CREAKING - I can hear you out there, Mum.
0:34:40 > 0:34:42FOOTSTEPS RECEDE
0:34:44 > 0:34:45Have they arrested him?
0:34:47 > 0:34:50You're up to speed on the case details.
0:34:50 > 0:34:51I want a professional opinion.
0:34:53 > 0:34:57Both David and Joe received these blows to the face after death.
0:34:57 > 0:35:00Seems like a deliberate targeting, mutilation,
0:35:00 > 0:35:02something very personal about the hostility.
0:35:02 > 0:35:04Yeah, the face represents a person,
0:35:04 > 0:35:06destroy the face, destroy the person.
0:35:06 > 0:35:08You supervised Ben Walker and Joe Sherringham.
0:35:08 > 0:35:12- Did their paths ever cross?- No, they were in different facilities. Why?
0:35:12 > 0:35:16I suppose I don't think you're reckless enough to believe
0:35:16 > 0:35:20Ben Walker's innocent just because you were in a relationship with him.
0:35:20 > 0:35:22You're still not certain Ben Walker did it, are you?
0:35:22 > 0:35:26It's very hard to fake your way through 12 years of tests
0:35:26 > 0:35:29and therapy. Take Marcus Chadwell, for example.
0:35:29 > 0:35:33A straightforward, psychopathic personality type.
0:35:33 > 0:35:37Plenty of people are and have successful jobs in business,
0:35:37 > 0:35:39politics.
0:35:39 > 0:35:45What makes a psychopath a killer is almost always childhood trauma.
0:35:45 > 0:35:50Abuse, parental neglect. But none of that happened to Ben.
0:35:50 > 0:35:53His issues are to do with addiction, rage, but these...
0:35:56 > 0:36:00The focus, the will, the...need to obliterate.
0:36:00 > 0:36:01I don't know.
0:36:03 > 0:36:05These are something else.
0:36:10 > 0:36:11Why are you doing this?
0:36:14 > 0:36:16There's already enough evidence to arrest Ben.
0:36:16 > 0:36:20Because, pathologically, there are still things that don't make sense.
0:36:20 > 0:36:25And I need to make sense of them. Psychoanalyse that how you want.
0:36:26 > 0:36:27CAR LOCK BLEEPS
0:36:31 > 0:36:33ENGINE STARTS
0:36:40 > 0:36:43Why are they after me?
0:36:44 > 0:36:47Don't-don't run. You'll make it worse.
0:36:47 > 0:36:51They want me for David and Joe Sherringham. They want ME!
0:36:51 > 0:36:52Right?
0:36:52 > 0:36:57Did you track my phone? Did you follow me?
0:36:57 > 0:36:59Is that what they're saying?
0:36:59 > 0:37:02Your DNA's found on the screwdriver that killed Joe.
0:37:04 > 0:37:07Right. Right.
0:37:07 > 0:37:08You have to stop this now.
0:37:08 > 0:37:11- It's too late.- Ben, please.
0:37:11 > 0:37:14I am NOT going back inside again, I'm not!
0:37:17 > 0:37:18Just listen!
0:37:31 > 0:37:35- OFFICER:- Bennet Walker has just made contact with Sasha Blackburn.
0:37:35 > 0:37:36I've checked the house,
0:37:36 > 0:37:38there's no sign of him in the immediate vicinity.
0:38:05 > 0:38:08Sasha came into the workshop yesterday.
0:38:08 > 0:38:11- While you were at the centre. - You never said.
0:38:11 > 0:38:14Did you know something's going on with her and Ben?
0:38:14 > 0:38:16No, there isn't.
0:38:16 > 0:38:17There isn't.
0:38:17 > 0:38:20- You think she's some angel. - Mandy, stop.
0:38:24 > 0:38:25Ben.
0:38:25 > 0:38:29- No, you're all right, Mandy. Don't be afraid of me.- Please.
0:38:29 > 0:38:32- Whatever you've done... - Have I got this wrong?- It's OK.
0:38:32 > 0:38:34Tell me I've got this wrong.
0:38:34 > 0:38:37Do we go to the police now, is that what we have to do?
0:38:40 > 0:38:42It's Sasha.
0:38:42 > 0:38:44Why you killed them.
0:38:44 > 0:38:47- Why you go to the centre. Cos she's there.- Oliver.
0:38:47 > 0:38:49No, no. No. It's just talk.
0:38:49 > 0:38:52You set me up. My screwdriver...
0:38:52 > 0:38:54Christ, I see it now.
0:38:55 > 0:38:59- You had me trusting you. - You need to trust me now.
0:38:59 > 0:39:01Please don't do that.
0:39:01 > 0:39:02I'm sorry, I'm calling the police.
0:39:02 > 0:39:04Yeah, do it. Do it, bring 'em.
0:39:04 > 0:39:05PHONE DIALS
0:39:06 > 0:39:08Mandy. Mandy...
0:39:08 > 0:39:09Aargh!
0:39:17 > 0:39:19MANDY WHIMPERS
0:39:29 > 0:39:31MANDY GASPS
0:39:39 > 0:39:42Yeah, yeah. It's me and my wife, we've been attacked. Er...
0:39:42 > 0:39:45I think she might be dead.
0:39:48 > 0:39:51Yeah. Yeah, please come, as quickly as you can.
0:40:10 > 0:40:11SIREN WAILS
0:40:16 > 0:40:17SIRENS APPROACH
0:40:28 > 0:40:29Hello?
0:40:29 > 0:40:31Check upstairs.
0:40:31 > 0:40:32Through there.
0:40:41 > 0:40:45Please. Help her.
0:40:47 > 0:40:50Victim is Mandy Bright, wife of Oliver Bright, also attacked.
0:40:50 > 0:40:52Looks like she got in Walker's way.
0:40:56 > 0:40:59Right. Managed to get a statement out of Bright.
0:40:59 > 0:41:02He said Walker tried to attack him, drunk or high.
0:41:02 > 0:41:04They tried to calm him down, he grabbed the knife,
0:41:04 > 0:41:08started attacking Oliver. Wife tried to intervene, Ben went berserk.
0:41:08 > 0:41:11Knocked her out with a chopping board, started stabbing.
0:41:11 > 0:41:14Oliver tried to stop him, got thrown against the table here.
0:41:14 > 0:41:18Walker was about to attack him again, then suddenly fled.
0:41:18 > 0:41:20Blood trail.
0:41:20 > 0:41:21Ends at the back door.
0:41:23 > 0:41:27Catch him. Please! He's a monster.
0:41:27 > 0:41:31I want the ambulance escorted and 24-hour protection on him
0:41:31 > 0:41:33- until we find Walker. - Gov.
0:41:40 > 0:41:42- There you go.- Thanks. - Sugar, no milk.
0:41:45 > 0:41:48Does this mean I don't have to go to school for the whole day?
0:41:48 > 0:41:50- TV: 'In other news...'- Mum!
0:41:50 > 0:41:53'Police are on the lookout for a man in connection a double knife attack
0:41:53 > 0:41:55'earlier today in which a woman was fatally stabbed
0:41:55 > 0:41:57'and her husband injured.
0:41:57 > 0:41:59'Police have stressed that, if spotted,
0:41:59 > 0:42:02'Bennet Walker should not be approached under any circumstances.'
0:42:04 > 0:42:07Laceration near the vertex of the skull.
0:42:07 > 0:42:10Blunt force trauma matches the chopping board found next to her.
0:42:12 > 0:42:15- Is that what killed her? - Immobilised her, at least.
0:42:15 > 0:42:19Multiple stab wounds, five, six, seven to the face.
0:42:19 > 0:42:22Consistent with the kitchen knife collected at the scene.
0:42:22 > 0:42:25- Only seven wounds to the face?- Mm.
0:42:26 > 0:42:29And none around the eyes.
0:42:29 > 0:42:32- They're more uniform than the other attacks.- Shallower.
0:42:32 > 0:42:36Haven't penetrated the skull, facial bone.
0:42:36 > 0:42:40- Much less force was used.- Because it had nothing to do with jealousy.
0:42:41 > 0:42:43She just got in the way.
0:42:49 > 0:42:50PHONE DIALS
0:42:53 > 0:42:57Hi. Could Mandy Bright have moved after being attacked?
0:42:57 > 0:43:01Negative, disabling blows, she would have fallen where she stood.
0:43:02 > 0:43:04Hmm.
0:43:09 > 0:43:10You've gone quiet on us, Jack.
0:43:10 > 0:43:13There's a bubble pattern in the blood.
0:43:13 > 0:43:15- CHAMBERLAIN:- Aerated. Chest wound.
0:43:15 > 0:43:17Mandy couldn't have got near the door
0:43:17 > 0:43:21'and Oliver had injuries to his arm and forehead.'
0:43:21 > 0:43:24It's Ben Walker's, he'll be bleeding heavily.
0:43:24 > 0:43:25Yep.
0:43:29 > 0:43:30Yeah, this is Snow.
0:43:30 > 0:43:34I'm going to need a sweep of the area immediately, around the Brights' house.
0:43:58 > 0:44:01- Clarissa.- Multitasking now, Nikki.
0:44:01 > 0:44:04Oliver Bright never mentioned Ben Walker was injured.
0:44:04 > 0:44:08Defending himself in a knife attack, maybe he just didn't realise.
0:44:08 > 0:44:12He missed his attacker sustaining a deep chest wound? Is that likely?
0:44:12 > 0:44:14It's not impossible. Where's this going?
0:44:14 > 0:44:16The wounds on Sellars and Sherringham.
0:44:16 > 0:44:19As we know, made with extreme agitated force.
0:44:22 > 0:44:23Mandy Bright's wounds.
0:44:23 > 0:44:25Not so tightly grouped, not nearly so forceful,
0:44:25 > 0:44:29and none around the eyes, as if they'd been deliberately avoided.
0:44:29 > 0:44:33As if he was forcing himself to inflict them, no anger, no rage.
0:44:33 > 0:44:34Why?
0:44:34 > 0:44:36To match Sellars and Sherringham.
0:44:36 > 0:44:39Ben Walker's already the suspect, he'd have no reason to do that.
0:44:39 > 0:44:41Oliver Bright volunteered at the Origins Centre,
0:44:41 > 0:44:44he knows Sasha and he knows all the victims.
0:44:44 > 0:44:46It's circumstantial, it's not enough.
0:44:46 > 0:44:48Oliver Bright's a lifer, what's the name of his original victim?
0:44:48 > 0:44:51Downloading the post mortem files now.
0:44:55 > 0:44:57Have you caught him yet?
0:44:57 > 0:44:59We'll tell you when there's news.
0:44:59 > 0:45:03- You're fine here. - Is it just one of you?
0:45:03 > 0:45:06- PC Nelson's taking over in 15 minutes, OK?- OK.
0:45:08 > 0:45:10This shouldn't be too uncomfortable.
0:45:32 > 0:45:34The wounds on Sellars and Sherringham, as we know,
0:45:34 > 0:45:36were made with extreme agitated force.
0:45:36 > 0:45:39This is the reconstructed fracture sequence of a murder victim
0:45:39 > 0:45:4114 years ago.
0:45:41 > 0:45:44Forensics performed a CT scan of the injuries but at the time,
0:45:44 > 0:45:46they couldn't model fracture sequences,
0:45:46 > 0:45:47so they couldn't have seen this.
0:45:49 > 0:45:52It gives us a narrative, the sequencing of the blows.
0:45:53 > 0:45:55These were targeted.
0:45:55 > 0:45:58Watch the increasing force around the eyes.
0:46:00 > 0:46:03Almost identical to the patterns found on Sherringham and Sellars.
0:46:05 > 0:46:07- Who is this?- Charles Moore.
0:46:07 > 0:46:10Killed with a tyre wrench in a road rage attack.
0:46:10 > 0:46:11By who?
0:46:13 > 0:46:14Oliver Bright.
0:46:14 > 0:46:17- He got ten years for the murder. - Oliver Bright? No, no, no.
0:46:17 > 0:46:19You convinced us that the killer's victims
0:46:19 > 0:46:22meant something personal to him, anger, jealousy.
0:46:22 > 0:46:23This is a road rage attack, random.
0:46:23 > 0:46:27- He knows Ben Walker, Sasha, he knew David Sellars.- Joe Sherringham.
0:46:27 > 0:46:32Now his wife has been killed. He's connected. To all of them.
0:46:36 > 0:46:38OK. All right, we'll talk to him.
0:46:46 > 0:46:52Shit! Come on, let's go! Check the other corridor. This is Snow.
0:46:52 > 0:46:55Oliver Bright is not on the ward, repeat, Bright has left the ward.
0:46:55 > 0:47:00You think Oliver did this? That doesn't make any sense.
0:47:00 > 0:47:04Could Oliver have hidden his true reasons for killing Charles Moore?
0:47:04 > 0:47:07'He would have had to mask his symptoms from the start,'
0:47:07 > 0:47:10the psychometrics, assessments, all my work with him.
0:47:10 > 0:47:11But is it possible?
0:47:13 > 0:47:16His rehabilitation wouldn't have been addressing the reasons he killed.
0:47:16 > 0:47:18So he wouldn't have been getting any better
0:47:18 > 0:47:20but he could have been getting worse.
0:47:20 > 0:47:21Oliver knew the recent victims.
0:47:21 > 0:47:25These are intensely directed, personal attacks,
0:47:25 > 0:47:29- his murder was random, a stranger. - What if it wasn't random?
0:47:29 > 0:47:31What if he DID know Charles Moore?
0:48:01 > 0:48:03Ben. Ben, can you hear me?
0:48:04 > 0:48:06Mitchell, I've found Walker,
0:48:06 > 0:48:09- garden half a mile from the crime scene.- He set me up.
0:48:10 > 0:48:15My screwdriver...on the dead guy. He killed his own wife.
0:48:15 > 0:48:17He killed them all.
0:48:19 > 0:48:23Just make sure Sasha's still OK.
0:48:24 > 0:48:25Mum.
0:48:25 > 0:48:29- I'll be a couple of hours. Ben's been attacked.- Sasha, no. - DOORBELL RINGS
0:48:29 > 0:48:31It's not him, Mum. He's not guilty.
0:48:31 > 0:48:33- PHONE BUZZES - Oh, it's the police again.
0:48:33 > 0:48:35Don't go, please!
0:48:35 > 0:48:36GASPING
0:48:40 > 0:48:42PHONE CONTINUES BUZZING
0:48:50 > 0:48:51BUZZING STOPS
0:48:51 > 0:48:53Who else is here?
0:49:04 > 0:49:06Please let them go.
0:49:29 > 0:49:31SIRENS APPROACH
0:49:39 > 0:49:42We think Oliver Bright is in the house.
0:49:42 > 0:49:46We've lost contact with the officer inside, and Sasha too. Stay back.
0:49:46 > 0:49:48Let's go.
0:49:51 > 0:49:54- I can protect you. You see that now.- Yes.
0:49:55 > 0:49:59Yeah, I can see you, Oliver, you're here for me.
0:49:59 > 0:50:00Of course. Always.
0:50:00 > 0:50:02- You can protect me. - I do protect you.
0:50:02 > 0:50:07- Then we don't need anyone else here, do we?- Sasha.- Mum.
0:50:07 > 0:50:09We can let them go.
0:50:11 > 0:50:16- Can't we? We can be alone. - Just me and you.
0:50:20 > 0:50:25- How can we be together, tell me, how can we do that?- We are. Now.
0:50:25 > 0:50:28- That's why I came. - Can we leave here?
0:50:28 > 0:50:31- Just you and me. - No. No, there are police.
0:50:31 > 0:50:33Don't worry about the police, we have each other.
0:50:33 > 0:50:35- Officer down.- Go.
0:50:36 > 0:50:40- OLIVER:- 'Where do we go? There's nowhere.'
0:50:40 > 0:50:43- Are you pretending now? - No, no, I won't pretend.
0:50:46 > 0:50:50I know why you killed Charles Moore, I know the truth, Oliver.
0:50:52 > 0:50:55Charles took your mum away.
0:50:55 > 0:50:57I showed him who was strong.
0:50:59 > 0:51:02- He shouldn't have hurt you. - No.
0:51:03 > 0:51:06But you shouldn't have hurt him.
0:51:10 > 0:51:13- No.- You don't like hurting people, do you?
0:51:15 > 0:51:19You, you want to protect people.
0:51:19 > 0:51:21- People who need you.- Yes.
0:51:22 > 0:51:24You don't need that.
0:51:26 > 0:51:29You're not going to hurt anyone here, are you?
0:51:29 > 0:51:32- BANGING OUTSIDE - Mum!
0:51:32 > 0:51:34- Mum, get out! Go, go!- No!
0:51:37 > 0:51:40Leave us alone! Stay back!
0:51:42 > 0:51:44Watch your step here.
0:51:48 > 0:51:51- Are you OK? What about Sasha? - I don't know!
0:52:02 > 0:52:04You said we'd be together.
0:52:07 > 0:52:10You're scaring me now, Oliver.
0:52:11 > 0:52:14You don't hurt people you love.
0:52:14 > 0:52:18You wanted to leave me. Why?
0:52:18 > 0:52:20Why?
0:52:22 > 0:52:27Killing Charles Moore didn't bring your mum back. Did it?
0:52:29 > 0:52:34Joe. David. Killing them, it's not going to make me be with you.
0:52:35 > 0:52:37You know that I'm strong.
0:52:39 > 0:52:41And you can stop this.
0:52:43 > 0:52:45We can help you, please.
0:52:47 > 0:52:50- No.- I don't need you.
0:52:52 > 0:52:57I don't need you, Oliver. I'm not your mum.
0:52:57 > 0:53:01I don't want you to protect me, I want you to stop.
0:53:01 > 0:53:02- I love you.- No.
0:53:04 > 0:53:08You just chose me because I tried to help you.
0:53:10 > 0:53:13No. No.
0:53:23 > 0:53:25I don't love you.
0:53:25 > 0:53:27I just try to help people.
0:53:30 > 0:53:32POLICE RADIO CHATTER
0:53:35 > 0:53:37OFFICER: I've got movement.
0:53:39 > 0:53:41Go, go!
0:53:41 > 0:53:43Move in!
0:53:45 > 0:53:48- You OK? You all right?- Armed police! - You sure?
0:53:51 > 0:53:52Where's Max, where's my mum?
0:53:52 > 0:53:54We've got them, they're safe, we've got them all.
0:53:54 > 0:53:56All right, look after her.
0:54:09 > 0:54:10Premises clear!
0:54:23 > 0:54:25Looks like he cut his own throat.
0:56:03 > 0:56:04WINDOW COVER SLAMS
0:56:04 > 0:56:07I was in the area so I thought I'd pop by and see how you're doing.
0:56:07 > 0:56:09All change.
0:56:11 > 0:56:13Hi.
0:56:13 > 0:56:16- Tea?- No, thanks.- Please.
0:56:20 > 0:56:21How's he coping?
0:56:23 > 0:56:25We'll be OK.
0:56:25 > 0:56:28What about the new place?
0:56:28 > 0:56:31It's nice, it's light, airy.
0:56:32 > 0:56:34- WHISPERS:- It's a shoebox.
0:56:34 > 0:56:37But it'll do the job. Till I get a job.
0:56:42 > 0:56:44What about everything else?
0:56:46 > 0:56:48I have to find out, don't I?
0:56:53 > 0:56:54MURMUR OF CONVERSATION
0:57:53 > 0:57:54Armed police!
0:57:56 > 0:57:59Single gunshot wound to the head through the eye.
0:57:59 > 0:58:01- Sure you're ready for this? - Definitely.
0:58:01 > 0:58:05I want to talk to you about Helena Lubas.
0:58:05 > 0:58:10The Helena Lubas in the school photo? Big smiles, cute ponytail.
0:58:10 > 0:58:13Or the one whose boyfriend shot my colleague in the face?
0:58:13 > 0:58:16The victim's mouth is sealed, then chilli powder mixed with
0:58:16 > 0:58:18carbonated water is forced down his nasal passage.
0:58:18 > 0:58:21A form of torture associated with drug cartels.
0:58:21 > 0:58:25- What is it, what's happened? - We've lost the witness.
0:58:25 > 0:58:31# Testator silens
0:58:31 > 0:58:40# Costestes e spiritu
0:58:40 > 0:58:50# Silentium. #