0:00:02 > 0:00:06This programme contains some scenes which some viewers may find upsetting
0:00:06 > 0:00:09Chris Chandler and Kate Blair, both pronounced dead by paramedics.
0:00:09 > 0:00:12Ten years ago, a girl named Karen Myers was found in the same river
0:00:12 > 0:00:15as Dan Blair, just a mile upstream. The body was found the next day.
0:00:15 > 0:00:17- Does she know what she's doing? - She knows what she's doing.
0:00:17 > 0:00:20One explanation could be there was a fourth person in the car.
0:00:20 > 0:00:23My wife of ten years is dead. My son's in a coma.
0:00:23 > 0:00:26How dare you suggest I had anything to do with this?
0:00:26 > 0:00:27So what brings you here?
0:00:27 > 0:00:31Karen Myers. You were the last person that saw her alive.
0:00:31 > 0:00:34Dan Blair - he didn't make it.
0:00:34 > 0:00:39You are charged under common law that you murdered Kate Blair
0:00:39 > 0:00:42and your son, Daniel Blair.
0:00:42 > 0:00:43She was the primary target.
0:00:43 > 0:00:46We've been looking down the wrong end of the telescope.
0:00:49 > 0:00:57# Testator silens
0:00:57 > 0:01:05# Costestes e spiritu
0:01:05 > 0:01:14# Silentium. #
0:01:17 > 0:01:20WOMAN SCREAMS Oh, my God! They're coming! Help me!
0:01:20 > 0:01:23SHE SCREAMS They're coming! They're coming!
0:01:23 > 0:01:25- It's OK, it's OK. - Let's get her out of here.
0:01:25 > 0:01:29- Get her in the car. Dan, in the car!- Get in!
0:01:29 > 0:01:30Where are we going?
0:01:30 > 0:01:32She must've been in a hell of a state.
0:01:32 > 0:01:35They didn't even stop to pack up their stuff.
0:01:35 > 0:01:38GUNSHOTS
0:01:40 > 0:01:43The killer lifts her out of the car, keeps her wrapped up in the blanket...
0:01:43 > 0:01:46You'd only remove a body if you were sure it would incriminate you.
0:01:46 > 0:01:49Or if the victim's identity would lead straight to you.
0:01:49 > 0:01:52So where exactly was she running from?
0:02:09 > 0:02:11SHE SCREAMS
0:02:12 > 0:02:14Someone hit the brakes hard.
0:02:18 > 0:02:21And recently - the sap's still tacky.
0:02:21 > 0:02:23And there's car paint.
0:02:27 > 0:02:29So where did the car come from?
0:02:29 > 0:02:31Let's see.
0:02:31 > 0:02:34From a lane that serves a dozen or so properties,
0:02:34 > 0:02:36connects up to the main road.
0:02:36 > 0:02:38She could've escaped from any one of them.
0:02:38 > 0:02:40She could've escaped from a car, too.
0:02:40 > 0:02:42We should get back to Guillam.
0:02:46 > 0:02:48Where's our ride?
0:02:48 > 0:02:49I'll call him.
0:02:51 > 0:02:53No, I won't. No signal.
0:02:53 > 0:02:54Me neither.
0:02:59 > 0:03:01Bellemeade Farm, let's have a look.
0:03:31 > 0:03:33- DJ:- 'OK, guys, to play us out this evening,
0:03:33 > 0:03:37'here's one of my favourite tracks from 2005. Goodnight.'
0:03:37 > 0:03:39Do you think there'll be anyone there I know?
0:03:39 > 0:03:41What, you mean, like, famous?
0:03:41 > 0:03:43Yeah.
0:03:43 > 0:03:49No. They're more like...City people, maybe the odd politician.
0:03:53 > 0:03:56- Just remember what I said.- I will...
0:04:04 > 0:04:06Where the hell is he?
0:04:06 > 0:04:08There's no way we could've missed him.
0:04:08 > 0:04:11- No, one road in, one road out. - He's got to be around somewhere.
0:04:29 > 0:04:30SHE KNOCKS ON DOOR
0:05:16 > 0:05:18Nikki?
0:05:18 > 0:05:19Car coming.
0:05:37 > 0:05:40Hi. Nikki Alexander. Jack Hodgson.
0:05:40 > 0:05:42We're working on the River Malt shooting.
0:05:42 > 0:05:43ID?
0:05:47 > 0:05:50Oh. Right. Claudia Baxter.
0:05:50 > 0:05:51Has there been some new development?
0:05:51 > 0:05:55Well, we're looking for a colleague, DS Guillam. He was heading up here to speak to you.
0:05:55 > 0:05:57I'm sorry, I left the house first thing.
0:05:57 > 0:06:01Is there any chance we could use your phone? We've both got zero reception.
0:06:01 > 0:06:03Sure. Come in.
0:06:17 > 0:06:19- There you go.- Ah, thanks so much.
0:06:21 > 0:06:22Any chance of a glass of water?
0:06:22 > 0:06:24- Yes, of course.- Thank you.
0:06:24 > 0:06:26KEYPAD BEEPS
0:06:34 > 0:06:37Hi, Malcolm. It's Nikki. Where are you?
0:06:37 > 0:06:40We're at Bellemeade Farm with Claudia Baxter.
0:06:40 > 0:06:43Call on this number when you get the message.
0:06:49 > 0:06:51Malcolm?
0:06:59 > 0:07:01Is that your son?
0:07:01 > 0:07:03- Michael.- What does he do?
0:07:03 > 0:07:06Studying zoology at Leeds.
0:07:06 > 0:07:08Oh, right.
0:07:08 > 0:07:10After the shootings, he said he'd come home,
0:07:10 > 0:07:12but I didn't want to disrupt his studies.
0:07:12 > 0:07:13Malcolm?
0:07:43 > 0:07:45Did you throw a party recently?
0:07:45 > 0:07:48I had some friends down.
0:07:48 > 0:07:51I wouldn't call it a party, exactly. How did you know?
0:07:51 > 0:07:52Trained eye.
0:07:52 > 0:07:55You have tyre treads on your lawn outside
0:07:55 > 0:07:58and a load of empty booze bottles in your bin.
0:07:58 > 0:08:00That IS a trained eye.
0:08:00 > 0:08:01DOOR OPENS
0:08:03 > 0:08:06Everything all right? Did you manage to make your call?
0:08:06 > 0:08:08I did, thank you. Can't reach him.
0:08:08 > 0:08:10- Must be a misunderstanding.- Right.
0:08:10 > 0:08:13I think we should head back to the river and wait for him there.
0:08:13 > 0:08:16- Really?- Would you like a lift back down the hill?
0:08:16 > 0:08:17No, it's fine, we'll walk.
0:08:17 > 0:08:19- Are you sure? It's no... - Positive. Thanks.
0:08:26 > 0:08:27Nice to meet you.
0:08:32 > 0:08:33DOOR SHUTS
0:08:33 > 0:08:35Why are we walking?
0:08:36 > 0:08:39Guillam uses these picks. He's been here.
0:08:39 > 0:08:43- So? Probably got no answer and headed off.- Well, then, where is he?
0:08:43 > 0:08:46We would've passed him. You said it - one road up, one road down.
0:08:46 > 0:08:49I'm sure I saw someone behind that barn.
0:08:49 > 0:08:51It's a farm, it could be anyone.
0:08:57 > 0:08:59What do you want to do?
0:08:59 > 0:09:01Have another look around. Discreetly.
0:09:10 > 0:09:12- Paint on that tree was black, right? - Yeah.
0:09:16 > 0:09:17No damage this side.
0:09:17 > 0:09:19None here either.
0:09:26 > 0:09:28DOG BARKS
0:09:43 > 0:09:44It's Guillam's car.
0:09:52 > 0:09:53Oh, no.
0:09:54 > 0:09:56KNOCKING >
0:10:00 > 0:10:01GUNSHOT
0:10:01 > 0:10:03Go, go, go, go. Go!
0:10:04 > 0:10:07DOG BARKS
0:10:12 > 0:10:13Come on!
0:10:41 > 0:10:42Oh, my God!
0:10:49 > 0:10:50SHE CRIES OUT
0:10:53 > 0:10:55Nikki! Are you OK?
0:10:58 > 0:10:59Shit!
0:10:59 > 0:11:01Get up. Come on, get up.
0:11:01 > 0:11:03Come on, let's go.
0:11:18 > 0:11:19OK?
0:11:19 > 0:11:21NIKKI GROANS
0:11:56 > 0:11:57(Nothing.)
0:12:03 > 0:12:04(Nothing.)
0:12:05 > 0:12:08Shit! What have we walked into?
0:12:08 > 0:12:09OK...
0:12:09 > 0:12:13We're getting out of here. OK? Stay here a sec.
0:12:28 > 0:12:30Come on, we've got to go.
0:12:41 > 0:12:42UNDERGROWTH RUSTLES
0:12:42 > 0:12:44Shh-shh-shh. Shh.
0:12:51 > 0:12:53GUNSHOT
0:13:00 > 0:13:02GUNSHOT
0:13:41 > 0:13:43All right. Get them out.
0:13:49 > 0:13:50OK, thanks.
0:13:54 > 0:13:57We think that the fourth victim in the car - the blonde female -
0:13:57 > 0:14:01was the real target and the family were just unlucky.
0:14:01 > 0:14:04She's probably one of the girls in the freezer.
0:14:04 > 0:14:06Guillam's murder supports that.
0:14:06 > 0:14:09They died because of whatever's going on on this farm,
0:14:09 > 0:14:11not because of a messy divorce.
0:14:11 > 0:14:13Oh, Christ.
0:14:13 > 0:14:16What about Claudia Baxter? Have you picked her up yet?
0:14:16 > 0:14:17Not yet.
0:14:17 > 0:14:23The definition of "Prime Central London" is expanding by the day,
0:14:23 > 0:14:27which means that the smart money is no longer in Kensington
0:14:27 > 0:14:31or Notting Hill, but in previously second- and third-tier locations.
0:14:33 > 0:14:37Kilburn Square development embodies that paradigm shift.
0:14:37 > 0:14:39- RATTLING - Linked by...
0:14:39 > 0:14:43Linked by mainline rail, road and Tube,
0:14:43 > 0:14:46Kilburn Square is a mixed used development,
0:14:46 > 0:14:49- combining prime residential office and retail...- Simon.
0:14:53 > 0:14:56Please forgive me. It'll only take a moment.
0:14:59 > 0:15:00MURMURING
0:15:02 > 0:15:04DOOR SHUTS
0:15:08 > 0:15:10There's a dead policeman on my property!
0:15:10 > 0:15:13Which you genuinely know nothing about.
0:15:13 > 0:15:16The girls... They found the girls, Simon.
0:15:16 > 0:15:19And I'm telling you, if it comes to it, I will tell the truth.
0:15:19 > 0:15:21The truth? What do you mean?
0:15:22 > 0:15:27I mean, I had nothing to do with... with what happened to them.
0:15:27 > 0:15:29Come on, Claudia.
0:15:29 > 0:15:33We've all got our hands dirty, one way or another.
0:15:33 > 0:15:34We're all implicated.
0:15:34 > 0:15:36You won't drag me deeper into this. I won't let you.
0:15:40 > 0:15:43How much of this is news to you, Simon? I want to know.
0:15:43 > 0:15:46DOOR OPENS AND CLOSES
0:15:49 > 0:15:52He said he was sending someone to mop up.
0:15:52 > 0:15:54- I should've told you. - You bloody should have.- OK...
0:15:54 > 0:15:58- I'm sorry. I handled it badly. - Bit of an understatement, isn't it?
0:15:58 > 0:16:01OK, but what matters is what we do next. What YOU do next.
0:16:01 > 0:16:04We need to think very carefully about damage limitation.
0:16:04 > 0:16:06I'll leave that to you. I'm getting on a plane.
0:16:06 > 0:16:09That, Claudia, is the very last thing that you should do.
0:16:09 > 0:16:10For one, think of Michael.
0:16:10 > 0:16:13- I'll take him with me.- Flight speaks of guilt, which in...
0:16:13 > 0:16:14And we're not guilty?
0:16:15 > 0:16:18- Like you said. We've all got our hands dirty.- Shh.
0:16:21 > 0:16:22Some of us more than others.
0:16:22 > 0:16:26OK, I'm going to forget that you said that, for your sake.
0:16:31 > 0:16:35I remember once, we were cleaning up, back in the early days,
0:16:35 > 0:16:38a hotel suite in Marylebone, I think it was.
0:16:38 > 0:16:44Vomit, coke, fag burns and the rest, and you turned to me and you said,
0:16:44 > 0:16:50"Claudia, you want to enjoy the high life, you'd better embrace some serious low life."
0:16:52 > 0:16:55- What's going on? - We're just wrapping up.
0:17:34 > 0:17:36Jack, anything?
0:17:36 > 0:17:41Well, we've got tools and bleach and all sorts of lovely stuff up here.
0:17:41 > 0:17:44I think he was here to clean up. And...
0:17:46 > 0:17:47..car rental documents.
0:17:50 > 0:17:54What's your name? Surely, you can tell me that.
0:17:56 > 0:18:00What happened to those girls? Did you kill them?
0:18:05 > 0:18:06Here's how this goes.
0:18:08 > 0:18:10You've killed a cop.
0:18:10 > 0:18:14Which means your life from here on in will either be miserable
0:18:14 > 0:18:16or intolerable.
0:18:16 > 0:18:19Little things - your cellmate,
0:18:19 > 0:18:23the remand prison we put you in -
0:18:23 > 0:18:26they can make all the difference.
0:18:26 > 0:18:29KNOCK AT DOOR, DOOR OPENS
0:18:29 > 0:18:30Ma'am.
0:18:40 > 0:18:44The Jeep was rented by a Dutch national called Johan Kranz
0:18:44 > 0:18:48a month ago. Photo ID is a match to the suspect.
0:18:48 > 0:18:51The Dutch police say he has no record,
0:18:51 > 0:18:54but they were able to tell me he's a freelance close protection expert.
0:18:54 > 0:18:57Sounds like cover for a multitude of sins.
0:18:57 > 0:19:00Maybe protection from prosecution in this case.
0:19:00 > 0:19:03Jack thinks he was down there to clean house.
0:19:03 > 0:19:04What about Miles Blair?
0:19:06 > 0:19:10I've advised the CPS to drop the murder charges.
0:19:10 > 0:19:13Soon as they confirm, we inform him in person.
0:19:13 > 0:19:15Want me to break the news?
0:19:15 > 0:19:18No, but I appreciate the offer.
0:19:18 > 0:19:19It's my mess, so I'll clean it up.
0:19:35 > 0:19:38Simon, it's Amy. I've just seen the news.
0:20:06 > 0:20:09'Simon, it's Amy. I've just seen the news.
0:20:09 > 0:20:11'What is going on at the farm?
0:20:11 > 0:20:14'Does this have anything to do with you or with Karen?
0:20:14 > 0:20:16'Call me.'
0:20:28 > 0:20:34Well, despite a spot of turbulence, that went bloody well, I thought.
0:20:34 > 0:20:37Feng's a lock, Harbinson's a lock,
0:20:37 > 0:20:40and when he sees the numbers, I think Bowman'll bite, too.
0:20:40 > 0:20:42You told me they had someone in custody.
0:20:42 > 0:20:46Yeah, they do. The woman's ex-husband.
0:20:46 > 0:20:50- So what were they looking for at the farm?- I don't know.
0:20:51 > 0:20:55Your man. He'll keep his mouth shut?
0:20:55 > 0:20:58Oh, yeah. Him I can count on.
0:21:00 > 0:21:03Then I think we can contain this.
0:21:03 > 0:21:06So with Feng, Harbison and Bowman, plus your good self,
0:21:06 > 0:21:09I'd say we're halfway home.
0:21:09 > 0:21:10You?
0:21:11 > 0:21:14I think when the door of opportunity opens,
0:21:14 > 0:21:18there's always a feeding frenzy and there's always one greedy prick
0:21:18 > 0:21:21left out in the cold when it slams shut.
0:21:21 > 0:21:26I want it on my gravestone that guy wasn't me.
0:21:26 > 0:21:28Well, what are you saying?
0:21:28 > 0:21:31That London new-build is at a saturation point
0:21:31 > 0:21:33and I want to review the numbers again.
0:21:33 > 0:21:35But I'm counting on you coming in!
0:21:35 > 0:21:36Well, don't.
0:21:36 > 0:21:40Erich! If you walk away, they all walk away.
0:21:40 > 0:21:42You told me everything was in hand.
0:21:42 > 0:21:45And now a cop's dead and my guy's in prison.
0:21:45 > 0:21:47For life.
0:21:47 > 0:21:51I ask you to put out a fire, you start a whole new one.
0:21:51 > 0:21:56So I gotta ask - what fresh hell is waiting around the corner?
0:21:58 > 0:22:01What loose ends could still trip us up?
0:22:01 > 0:22:04And know that the last thing I want to hear
0:22:04 > 0:22:07is your "everything's fine" bullshit if it's not.
0:22:11 > 0:22:15The truth is, I spend most of my time in my flat in London.
0:22:16 > 0:22:19And the farm, it has a fair few outbuildings,
0:22:19 > 0:22:22and some of them I don't enter from January through to December.
0:22:22 > 0:22:23And?
0:22:23 > 0:22:30And someone - local, maybe - has exploited my absence.
0:22:31 > 0:22:32A local?
0:22:32 > 0:22:36Well, I'm just trying to make sense of all of this, that's all.
0:22:38 > 0:22:41I understand you had a party on Saturday night.
0:22:41 > 0:22:43It was really quite a small affair.
0:22:45 > 0:22:46Were they present?
0:22:48 > 0:22:50No.
0:22:50 > 0:22:52So who was?
0:22:52 > 0:22:54I want names, Claudia.
0:22:55 > 0:22:58No problem. I can furnish you with a list.
0:23:05 > 0:23:07Let's talk about him.
0:23:08 > 0:23:10I don't know this man.
0:23:10 > 0:23:12Then what was he doing at your property?
0:23:12 > 0:23:16Who sent him to clean up, Claudia?
0:23:16 > 0:23:19Two girls and a police officer were murdered on your farm.
0:23:19 > 0:23:23You WILL answer my questions and you WILL give me a name.
0:23:26 > 0:23:30The lady is not for talking. I need some heavyweight inducements.
0:23:30 > 0:23:33- We'll do our best. - What about DS Guillam?
0:23:33 > 0:23:38We'll do his postmortem separately to avoid cross-contamination.
0:23:38 > 0:23:40The victim is an unidentified female,
0:23:40 > 0:23:42probably in her early twenties.
0:23:42 > 0:23:46She has long blonde hair and appears to have been previously healthy.
0:23:46 > 0:23:48Facial bruising, suggesting an attack
0:23:48 > 0:23:50that happened very close to death.
0:23:50 > 0:23:56There are three gunshot wounds - to the chest, right forearm,
0:23:56 > 0:23:58and right shoulder.
0:24:05 > 0:24:08DNA will confirm that this victim was present
0:24:08 > 0:24:10when Chris Chandler and Kate Blair were shot.
0:24:10 > 0:24:12How so?
0:24:12 > 0:24:14Her bones are tinged with yellow
0:24:14 > 0:24:17consistent with a shard of bone recovered from Dan Blair's arm.
0:24:17 > 0:24:21Her arms and legs bear peri-mortem scratches.
0:24:22 > 0:24:24Similar markings to the soles of her feet.
0:24:24 > 0:24:26Looks like she was running barefoot.
0:24:26 > 0:24:30We found a shoe. Fingerprints confirm it belonged to the victim.
0:24:30 > 0:24:33The scratches could be the result of branches and thorns.
0:24:33 > 0:24:35There is a discernible odour
0:24:35 > 0:24:38of sodium hypochlorite emanating from the body.
0:24:38 > 0:24:40No doubt employed to destroy any forensics.
0:24:40 > 0:24:43Jesus Christ. What did they do to her at that farm?
0:24:45 > 0:24:48Cause of death is a bullet wound to the heart.
0:24:48 > 0:24:50The bullet breached the aorta...
0:24:56 > 0:24:57..and lodged in the spine.
0:25:00 > 0:25:02Second victim from the freezer
0:25:02 > 0:25:04also appears to have been previously healthy.
0:25:04 > 0:25:09Her neck has four coin-shaped bruises on each side.
0:25:09 > 0:25:12Cause of death could be manual strangulation.
0:25:12 > 0:25:15There are also crescent-shaped fingernail abrasions
0:25:15 > 0:25:18where she probably tried to pull her assailant's hands away.
0:25:21 > 0:25:24And petechial haemorrhages in the eyes.
0:25:24 > 0:25:26There are further coin-shaped bruises on her arms
0:25:26 > 0:25:28consistent with being restrained.
0:25:28 > 0:25:31Again, striking absence of trace evidence,
0:25:31 > 0:25:33and the same strong odour of bleach.
0:25:33 > 0:25:35There's also some evidence of vaginal trauma
0:25:35 > 0:25:37suggestive of intercourse.
0:25:37 > 0:25:40The smell of bleach is particularly strong here
0:25:40 > 0:25:42and has stained the flesh white,
0:25:42 > 0:25:44suggesting it was applied undiluted.
0:25:44 > 0:25:48He wanted to destroy any semen and DNA?
0:25:48 > 0:25:52The strangulation of the dark-haired victim could be illuminating.
0:25:52 > 0:25:53In what way?
0:25:53 > 0:25:57Did DS Guillam tell you about the Karen Myers case in 2005?
0:25:57 > 0:25:59He mentioned it, yeah.
0:25:59 > 0:26:01Karen was strangled, albeit nonfatally,
0:26:01 > 0:26:06before falling to her death not two miles from Bellemeade Farm.
0:26:06 > 0:26:09She had traces of Rohypnol in her bloodstream.
0:26:09 > 0:26:13Back then, the thinking was, she was running from a trucker's caff.
0:26:13 > 0:26:16But you think she was running from Bellemeade Farm?
0:26:16 > 0:26:20The brunette's fingerprints are on file - Natalie Day, 22,
0:26:20 > 0:26:22one conviction for cocaine possession.
0:26:22 > 0:26:25And what about the blonde?
0:26:25 > 0:26:27Ran her prints and DNA - no match.
0:26:27 > 0:26:31But there's a strong commonality with Natalie Day's DNA.
0:26:31 > 0:26:35So strong, it means one thing - they're sisters.
0:26:55 > 0:26:59SOBBING: Natalie, please. Natalie...
0:27:03 > 0:27:06SOBBING ECHOES
0:27:24 > 0:27:27The master bedroom's been stripped and wiped. Looks like a thorough job.
0:27:27 > 0:27:29Same story with the bodies.
0:27:29 > 0:27:32'They were sisters, Jack. Bella and Natalie Day.'
0:27:32 > 0:27:34Have their parents been told?
0:27:34 > 0:27:39- They're both dead. It's a mercy, in a way.- 'Yeah.'
0:27:39 > 0:27:43Well, no-one's that good. I'm going to get to work.
0:27:47 > 0:27:51Tox is back. There was Rohypnol in both sisters' bloodstreams.
0:27:51 > 0:27:52Just like Karen Myers.
0:27:52 > 0:27:55Drugs, sexual assault and murder at the parties on the farm.
0:27:56 > 0:27:57Right.
0:27:57 > 0:28:00Let's work back from the moment Bella arrives at the picnic -
0:28:00 > 0:28:02what was that, midday?
0:28:02 > 0:28:05With the Rohypnol in her system, it's possible she didn't surface till late.
0:28:05 > 0:28:09And she was still in last night's clothes - the silk, heels and hairslide tell us that.
0:28:09 > 0:28:12She either finds her sister's body or no-one will tell her where she is.
0:28:12 > 0:28:15Yeah. She freaks out, gets into a fight - hence the black eye.
0:28:15 > 0:28:19- And she runs. - She must've got quite a head start, given how far she made it.
0:28:19 > 0:28:23And the car paint shows her pursuers didn't go after her on foot.
0:28:23 > 0:28:26Claudia fed you the story about the driver just to throw you off the scent.
0:28:26 > 0:28:30The fact that she picked Miles out was just his bad luck.
0:28:33 > 0:28:35Got to make that bitch talk.
0:28:35 > 0:28:39I just took receipt of her phone and laptop -
0:28:39 > 0:28:41- they may be eloquent on her behalf. - Good.
0:28:41 > 0:28:45- Do you have Karen Myers' PM report? - Yeah.
0:29:40 > 0:29:43Amy, you didn't call me.
0:29:43 > 0:29:46We found the flowers that you left for Karen.
0:29:46 > 0:29:49What were you sorry about?
0:29:49 > 0:29:51It doesn't matter now.
0:29:51 > 0:29:55If you know anything about how Karen died, it couldn't matter more.
0:29:55 > 0:30:00- No-one tried harder to solve Karen's murder than DS Guillam, and now he's dead.- I know.
0:30:00 > 0:30:02I saw the news.
0:30:03 > 0:30:05Then help me finish what he started.
0:30:07 > 0:30:08You think it's that easy?
0:30:11 > 0:30:14The two girls in your freezer were sisters.
0:30:14 > 0:30:16But you know that already.
0:30:16 > 0:30:19Natalie and Bella Day.
0:30:19 > 0:30:21We've talked to their mates.
0:30:21 > 0:30:23They seemed to have a charmed life.
0:30:23 > 0:30:27Clothes, jewellery, Christmas in the Caribbean -
0:30:27 > 0:30:29despite both being on the dole.
0:30:30 > 0:30:34Can you shed any light on that mystery, Claudia?
0:30:34 > 0:30:36I've told you before, I don't know these girls.
0:30:38 > 0:30:42In a way, Karen was their sister, too.
0:30:44 > 0:30:48She was found dead, very close to your farm back in 2005.
0:30:50 > 0:30:55There was Rohypnol in her blood and bruises on her throat.
0:30:59 > 0:31:00Just like Natalie Day.
0:31:02 > 0:31:04Drugged. Sexually assaulted. Choked.
0:31:05 > 0:31:09Your parties led to their deaths. That means you're complicit.
0:31:11 > 0:31:13I think you have a guest, Claudia.
0:31:13 > 0:31:15A regular, long-standing guest
0:31:15 > 0:31:19whose tastes are somewhat out of the ordinary.
0:31:19 > 0:31:23Sisters. Rough sex. Choking.
0:31:25 > 0:31:29This man had a lucky escape back in '05.
0:31:29 > 0:31:33Karen fell to her death behind a transport caff
0:31:33 > 0:31:36so police thought - lorry driver.
0:31:36 > 0:31:39Maybe that near-miss was a wake-up call.
0:31:39 > 0:31:41Maybe after that,
0:31:41 > 0:31:45you always had someone like Johan Kranz around to clean up any mess.
0:31:47 > 0:31:48I don't know Johan Kranz.
0:31:50 > 0:31:51Who is he, Claudia?
0:31:53 > 0:31:56Who's the man who likes choking girls?
0:31:58 > 0:31:59I don't know.
0:32:16 > 0:32:18Amy, how lovely to see you.
0:32:18 > 0:32:20- Claudia, this is Karen.- Karen.
0:32:20 > 0:32:23- Hi.- Welcome. Enjoy yourself.
0:32:23 > 0:32:26Feel free to mingle.
0:32:26 > 0:32:28Karen, can I introduce you to someone?
0:32:28 > 0:32:32- This is Tony. Tony, this is Karen. - Hi.- Would you like a drink? - Yes, thanks.
0:32:39 > 0:32:41'I didn't say goodbye to Karen at the Tube.'
0:32:43 > 0:32:44If I had, she'd still be alive.
0:32:48 > 0:32:53It started out with tips for making cocktails, foot massages,
0:32:53 > 0:32:55some above-board escort work.
0:32:58 > 0:33:02I had two lives. The normal student life and the parties.
0:33:04 > 0:33:07Karen was always badgering me to invite her to one
0:33:07 > 0:33:09so eventually I did, just to shut her up about it.
0:33:09 > 0:33:10At Bellemeade Farm?
0:33:13 > 0:33:19A man took a shine to Karen. He was Canadian.
0:33:19 > 0:33:23And I remember because somebody assumed that he was American
0:33:23 > 0:33:25and he made this big deal of correcting them.
0:33:27 > 0:33:29I don't remember much after that.
0:33:29 > 0:33:31I mean, I was pretty out of it myself.
0:33:33 > 0:33:35But the next morning, I couldn't find Karen.
0:33:37 > 0:33:40Amy! I thought we were meeting in the lobby.
0:33:40 > 0:33:43Oh, well, I'm sure it's my mistake, but we should get a move on.
0:33:43 > 0:33:47Come on. Don't want to keep them waiting. Three-line whip.
0:33:47 > 0:33:48Amy, what's going on?
0:33:48 > 0:33:51Simon Forsyth. I'm an old friend of Amy's.
0:33:51 > 0:33:54- Amy, what are you doing? Who is this guy?- I'm sorry.
0:33:59 > 0:34:00Amy, wait!
0:34:11 > 0:34:13ENGINE STARTS
0:34:26 > 0:34:30It's a good thing I came along when I did. That's all I can say.
0:34:30 > 0:34:32You hadn't thought it through, had you?
0:34:35 > 0:34:38If you conjure up a whole new account of what happened to Karen,
0:34:38 > 0:34:40who's to say they'll believe you?
0:34:40 > 0:34:44And if they do, that's you bang to rights for perverting the course of justice.
0:34:44 > 0:34:45I know.
0:34:52 > 0:34:55Then again, what's that? Six months?
0:34:56 > 0:34:58Suspended sentence?
0:35:00 > 0:35:03It might trigger other things, Amy.
0:35:06 > 0:35:07Amy!
0:35:27 > 0:35:29SHE PANTS
0:35:53 > 0:35:56I've been through Claudia Baxter's phone and laptop.
0:35:56 > 0:36:02The woman's seriously cautious. No texts, no e-mails, just calls.
0:36:02 > 0:36:03OK.
0:36:03 > 0:36:06One number comes up regularly, building in frequency
0:36:06 > 0:36:10in the run-up to certain weekends, then dropping off for a few weeks.
0:36:10 > 0:36:14- Last weekend, for instance. - Parties take planning.
0:36:14 > 0:36:17Making one Simon Forsyth chief planner.
0:36:17 > 0:36:20MOBILE PHONE RINGS
0:36:23 > 0:36:24Nikki...
0:36:24 > 0:36:27'We need to run a check on a Simon Forsyth.'
0:36:28 > 0:36:31..He's going to freak when he sees it.
0:36:31 > 0:36:34- Hey, Amy.- Hi. - A courier left something for you.
0:36:34 > 0:36:36- Great. Thanks.- OK?- Yeah.
0:36:40 > 0:36:42I'm surprised he hasn't said anything, though.
0:36:42 > 0:36:44I'm sure he'll have something to say about it.
0:37:07 > 0:37:08SHE SIGHS
0:37:11 > 0:37:13MONITOR BEEPS
0:37:18 > 0:37:20MUTTERING
0:37:20 > 0:37:22OK, clip.
0:37:22 > 0:37:23Clip!
0:37:27 > 0:37:30Are you all right, Amy?
0:37:30 > 0:37:31Smaller clip, please.
0:37:33 > 0:37:35- Amy?- Yeah, I'm fine.
0:37:38 > 0:37:42The bullet that killed DS Guillam is a match to the Beretta
0:37:42 > 0:37:44that we recovered from Johan Kranz.
0:37:44 > 0:37:47He's going down for Guillam's murder, at least.
0:37:47 > 0:37:51- Kate and Dan Blair, Chris Chandler and Bella Day, not so much.- No.
0:37:51 > 0:37:53They were shot with an H&K,
0:37:53 > 0:37:55we haven't got it and Kranz isn't talking.
0:37:55 > 0:37:58You want to pin those four on him, cherchez le gun.
0:37:58 > 0:38:01Searched his hotel room. But beyond that, we don't know where to start.
0:38:01 > 0:38:04At the very least, you need to put him in the area at the time.
0:38:04 > 0:38:06CCTV and plate recognition could help there.
0:38:06 > 0:38:08Give me a couple of hours.
0:38:08 > 0:38:11In other news, the black paint recovered from the tree
0:38:11 > 0:38:14at the crime scene is car paint.
0:38:14 > 0:38:19Boasts a chlorinated anti-rusting agent only marketed in Germany.
0:38:19 > 0:38:24Which in the UK market boils down to VW, BMW, Mercedes and Audi.
0:38:24 > 0:38:27- I should be able to narrow it down further.- Good.
0:38:31 > 0:38:36Mr Forsythe, thanks for coming in. I'll cut to the chase.
0:38:36 > 0:38:37Do you know Claudia Baxter?
0:38:37 > 0:38:41- Yes, I do. - You can hardly deny that, can you,
0:38:41 > 0:38:44given the volume of calls between you?
0:38:44 > 0:38:48- I'm not denying it.- Then there's the singular pattern to the calls.
0:38:48 > 0:38:52A flurry at sporadic intervals, then almost no contact for weeks.
0:38:54 > 0:38:56Is there a question in there somewhere?
0:38:57 > 0:39:00What's the nature of your relationship?
0:39:00 > 0:39:03- Well, Claudia used to work for me. - 19 years ago.
0:39:03 > 0:39:07Is that really how long it is? Oh, that's shocking.
0:39:07 > 0:39:12After which, you offered her a very generous severance package.
0:39:12 > 0:39:15- It's the least I could do. - Why do you say that?
0:39:17 > 0:39:20Well, I'm the father of Claudia's son, Michael.
0:39:22 > 0:39:26And, yes, my wife knows. It's no great secret.
0:39:26 > 0:39:28Claudia and I have always remained close.
0:39:28 > 0:39:31Does that answer your question?
0:39:31 > 0:39:35It doesn't explain the feast or famine nature of your phone calls.
0:39:35 > 0:39:38Sorry. What exactly am I being accused of here?
0:39:38 > 0:39:42I don't know about accused. I'll tell you what I suspect.
0:39:44 > 0:39:47You and Claudia Baxter organised parties
0:39:47 > 0:39:50which have led to the deaths of at least three females
0:39:50 > 0:39:52as well as the River Malt victims.
0:39:53 > 0:39:56I have absolutely no idea what you're talking about.
0:39:56 > 0:40:00I'm not saying you killed them, but you know who did -
0:40:00 > 0:40:01which particular guest.
0:40:03 > 0:40:05Where were you on Saturday night?
0:40:05 > 0:40:10I was at home with my wife and daughter, and they'll back me up.
0:40:10 > 0:40:12With a lawyer present, if need be.
0:40:16 > 0:40:18MOBILE PHONE BEEPS
0:40:23 > 0:40:25SHE BREATHES HEAVILY
0:40:35 > 0:40:37MOBILE PHONE RINGS
0:40:45 > 0:40:48SHE EXHALES
0:40:48 > 0:40:49RINGING STOPS
0:41:15 > 0:41:17- Do you mind if I sit down? - No, of course not.
0:41:28 > 0:41:31LAUGHTER AND INAUDIBLE CONVERSATION
0:41:35 > 0:41:39Well, your friend's making quite an impression.
0:41:39 > 0:41:40Who is he?
0:41:40 > 0:41:42HE TUTS You know the drill, Amy.
0:41:42 > 0:41:44If a guest wants you to know their name...
0:41:44 > 0:41:47- Oh, you're such a stickler, Simon. - Well, rules are rules.
0:41:50 > 0:41:51You'll be the death of me.
0:41:54 > 0:41:56Karen?
0:41:56 > 0:41:58We're just going out for some air.
0:41:58 > 0:42:01Some country air.
0:42:01 > 0:42:04Now, how much do you need?
0:42:04 > 0:42:06KAREN GIGGLES
0:42:12 > 0:42:15MOBILE PHONE RINGS
0:42:36 > 0:42:39Amy, are you OK?
0:42:39 > 0:42:42Look, I know you want to help me, but you can't.
0:42:42 > 0:42:45Listen to me.
0:42:45 > 0:42:48Between what we know and what you know, we might have a case.
0:42:48 > 0:42:51'We might even be able to get justice for Karen.
0:42:51 > 0:42:53'That's what you want, isn't it?'
0:42:53 > 0:42:55Yeah, of course it is!
0:42:55 > 0:42:57Well, then, what are we waiting for?
0:42:59 > 0:43:03If I help you, if I do this, my life is over!
0:43:03 > 0:43:05No, you're going to get your life back.
0:43:08 > 0:43:09Where are you?
0:43:12 > 0:43:13'Amy?'
0:43:16 > 0:43:19His name's Erich Schrader.
0:43:19 > 0:43:21I treated him in his home three days ago.
0:43:21 > 0:43:23Treated him?
0:43:23 > 0:43:26Looked like he'd been attacked with a glass bottle.
0:43:26 > 0:43:27Bella Day.
0:43:27 > 0:43:29SOBBING Please!
0:43:35 > 0:43:36HE GRUNTS
0:43:36 > 0:43:39- I dug shards of glass out of his flesh.- Brown glass?
0:44:12 > 0:44:14HE SIGHS
0:44:14 > 0:44:16Care to put your shoulder to the wheel?
0:44:16 > 0:44:18Dinner somewhere decent.
0:44:18 > 0:44:20- Michelin stars.- You're on, kid.
0:44:20 > 0:44:22What we looking for?
0:44:22 > 0:44:25A carrier bag containing shards of bloody glass.
0:44:25 > 0:44:28- OK.- I need one piece of evidence that links Schrader and Bella Day.
0:44:28 > 0:44:32His blood, her fingerprints, being the dream ticket.
0:44:32 > 0:44:36That was in London Business and Finance three weeks ago.
0:44:37 > 0:44:40My mother used to collect my cuttings, God rest her soul.
0:44:43 > 0:44:46Gotta throw that tie out, don't you think?
0:44:49 > 0:44:54Johan Kranz killed a serving police officer in cold blood.
0:44:54 > 0:44:57I heard about Johan. What's it got to do with me?
0:44:57 > 0:45:01His bank records show you've used his services half a dozen times.
0:45:01 > 0:45:05- I employ several close protection people.- Why?
0:45:05 > 0:45:08I've made a few enemies over the years.
0:45:08 > 0:45:11I got in early in Russia when the Iron Curtain fell.
0:45:11 > 0:45:14Not everyone applauded my prescience.
0:45:14 > 0:45:15Let's get back to Johan Kranz.
0:45:17 > 0:45:19He worked for a lot of people, not just me,
0:45:19 > 0:45:21and I certainly didn't order him to kill a policeman.
0:45:21 > 0:45:25Are we done? I've got a plane to catch.
0:45:47 > 0:45:50Have you suffered an injury lately, Mr Schrader?
0:45:50 > 0:45:53Tripped over in my house.
0:45:53 > 0:45:56- Landed on a beer bottle for my sins. - KNOCK AT DOOR
0:45:57 > 0:46:00Dr Alexander is going to examine and document your wounds.
0:46:03 > 0:46:05SCHRADER CHUCKLES
0:46:16 > 0:46:18That's a serious wound.
0:46:20 > 0:46:24- Were you treated at a hospital? - I was treated privately.
0:46:24 > 0:46:26You mean at a private hospital?
0:46:26 > 0:46:28Private hospitals aren't that private.
0:46:28 > 0:46:30Just ask your royal family.
0:46:33 > 0:46:36You're in the financial papers, but you're not in the tabloids.
0:46:36 > 0:46:39I'm a very private person.
0:46:42 > 0:46:44The depth and shape of the wound
0:46:44 > 0:46:46don't square with you falling on a beer bottle.
0:46:46 > 0:46:48I'm sorry, Mr Schrader.
0:46:48 > 0:46:50This suggests that the bottle was already broken
0:46:50 > 0:46:52when it connected with the skin.
0:46:52 > 0:46:55Looks more like a stab wound to me.
0:46:56 > 0:46:58A broken bottle used as a weapon, perhaps.
0:47:02 > 0:47:03Can I do up my shirt now?
0:47:06 > 0:47:10Johan Kranz is facing up to six counts of murder.
0:47:10 > 0:47:12That's life without parole.
0:47:14 > 0:47:18Do you honestly think he's going to keep his mouth shut forever?
0:47:19 > 0:47:21My guess is, he'll tell us
0:47:21 > 0:47:23he was clearing up for you at Bellemeade Farm.
0:47:31 > 0:47:33HE SIGHS
0:47:33 > 0:47:36No fingerprints, and if there was DNA from Bella,
0:47:36 > 0:47:38Schrader's blood washed it off.
0:47:41 > 0:47:44This glass is not going to link him to her death.
0:47:50 > 0:47:52- We had to release him, Amy.- What?
0:47:52 > 0:47:55Bottom line - we can't tie him to the farmhouse
0:47:55 > 0:47:57or to any of the victims.
0:47:57 > 0:47:59Well, what about Karen?
0:47:59 > 0:48:03There was male DNA from the rape. They said that at the inquest.
0:48:03 > 0:48:05The sample was seriously degraded by the river.
0:48:05 > 0:48:07It's like a phone number with missing digits.
0:48:07 > 0:48:10It won't stand up in court. I'm sorry.
0:48:12 > 0:48:15I'm facing charges for perverting the course of justice.
0:48:15 > 0:48:18They've got pictures of me that will be all over the internet.
0:48:18 > 0:48:21"Sorry" isn't going to cut it, Nikki.
0:48:21 > 0:48:23Why did I listen to you?
0:48:25 > 0:48:26That bastard.
0:48:26 > 0:48:27Nikki...
0:48:32 > 0:48:33I'll be back in a minute.
0:49:03 > 0:49:05Johan Kranz could not have been responsible
0:49:05 > 0:49:07for the River Malt murders,
0:49:07 > 0:49:09cos he was in central London at the time.
0:49:09 > 0:49:11And so say at least a dozen cameras.
0:49:13 > 0:49:15You've got to be kidding.
0:49:15 > 0:49:17Looks like he was strictly there for the clean-up.
0:49:17 > 0:49:19- Different gun, different killer. - Yeah.
0:49:19 > 0:49:22Could Schrader have gone after Bella himself?
0:49:22 > 0:49:25He's a suit. You said the gunman was a crack shot.
0:49:25 > 0:49:28- Maybe he was a weekend hunter back home.- We can look into that.
0:49:33 > 0:49:35- Where is she?- Er, who?
0:49:35 > 0:49:36Amy.
0:49:38 > 0:49:39She didn't say goodbye.
0:49:41 > 0:49:43Oh, my God.
0:49:47 > 0:49:49She saw them.
0:49:49 > 0:49:52- Schrader... - Does she know where he lives?
0:49:54 > 0:49:57HE PLAYS PIANO
0:50:10 > 0:50:12- Mr Schrader... - MUSIC STOPS
0:50:14 > 0:50:18- I'll be off now, Mr Schrader. - OK. Thanks, Maria.
0:50:20 > 0:50:22Can I help you?
0:50:23 > 0:50:26It's Amy. Remember? I... I treated you.
0:50:26 > 0:50:28Oh, yeah. Sure.
0:50:28 > 0:50:30I just thought I'd check on your stitches.
0:50:36 > 0:50:37Doctor's orders?
0:50:37 > 0:50:39'Fraid so!
0:50:41 > 0:50:44Please sit down. I need to ask you some questions first.
0:50:46 > 0:50:48"Where does it hurt?"
0:50:55 > 0:50:58Do you remember a girl...
0:50:58 > 0:51:00called Karen?
0:51:00 > 0:51:01Should I?
0:51:03 > 0:51:04Yeah.
0:51:05 > 0:51:09- She was my friend. - What is this? A shakedown?
0:51:09 > 0:51:12- Do you remember her? - I can't say that I do.
0:51:16 > 0:51:17Does that help?
0:51:19 > 0:51:22Yours was the last face that she ever saw.
0:51:24 > 0:51:26Do you remember her now?
0:51:33 > 0:51:37I think you've mistaken me for someone else.
0:51:37 > 0:51:39And I think you should leave.
0:51:39 > 0:51:41Just tell me you remember her.
0:51:43 > 0:51:44That's all.
0:51:45 > 0:51:49- VOICE BREAKING: - She deserves that much, at least.
0:51:49 > 0:51:51Just some kind of acknowledgement!
0:51:52 > 0:51:54ELECTRONIC BEEPING
0:51:54 > 0:51:55No!
0:51:55 > 0:51:57No! No!
0:51:59 > 0:52:00HE PANTS
0:52:04 > 0:52:06Get out.
0:52:06 > 0:52:08Did you think you could blackmail me?
0:52:09 > 0:52:10Dumb bitch.
0:52:11 > 0:52:13What were you thinking?
0:52:13 > 0:52:15HE YELPS
0:52:15 > 0:52:17No!
0:52:17 > 0:52:19THEY GRUNT, AMY CHOKES
0:52:21 > 0:52:23SHE WHIMPERS
0:52:31 > 0:52:33Checked Schrader out.
0:52:33 > 0:52:37No military or firearms training in his very public CV.
0:52:37 > 0:52:41- Strictly Harvard Business School. - Can't say I'm surprised.
0:52:41 > 0:52:44So I switched focus to Simon Forsyth.
0:52:44 > 0:52:46Decorated officer in the Marines
0:52:46 > 0:52:48who served his last two years at Redhill Barracks.
0:52:48 > 0:52:52The same barracks where the Heckler & Kochs went missing?
0:52:52 > 0:52:54Well, surely that was years after he left?
0:52:54 > 0:52:58Seems he kept his hand in - never missed a regimental dinner.
0:52:58 > 0:53:00But he's a City boy now. Why would he want a gun?
0:53:00 > 0:53:02For his extracurricular activities.
0:53:02 > 0:53:04Parties?
0:53:04 > 0:53:06Karen Myers' death was a wake-up call.
0:53:06 > 0:53:09He wasn't going to let one get away again.
0:53:09 > 0:53:12Bringing up Forsyth's DVLA records now.
0:53:14 > 0:53:16Four cars registered to him.
0:53:18 > 0:53:21One black BMW.
0:53:21 > 0:53:23The car paint found on the tree.
0:53:27 > 0:53:30FOOTSTEPS APPROACH
0:53:33 > 0:53:35DOOR SWINGS OPEN
0:53:37 > 0:53:39- No! No! No! - What the hell did he do to you?
0:53:39 > 0:53:42- No, get away from me!- It's OK, it's OK, it's OK, he's gone.
0:53:42 > 0:53:44I'm so sorry, Amy.
0:53:44 > 0:53:46I never meant for this, you know that. Look at me.
0:53:46 > 0:53:48- Look at me! - SHE WHIMPERS
0:53:48 > 0:53:51OK, we're going to go to my car before he gets back
0:53:51 > 0:53:52and we're going to go to the police.
0:53:52 > 0:53:54- Liar!- I'm not lying.
0:53:55 > 0:53:57This has gone too far.
0:53:57 > 0:53:59What about those photos you sent me?
0:53:59 > 0:54:01He forced me to send those!
0:54:01 > 0:54:04I trusted you, Simon.
0:54:04 > 0:54:07Let's get you cleaned up and out of this damned house.
0:54:10 > 0:54:12MOBILE PHONE RINGS
0:54:17 > 0:54:18Jack...
0:54:18 > 0:54:21Nikki, we think Forsyth was the River Malt shooter.
0:54:21 > 0:54:23'He's being picked up now.
0:54:23 > 0:54:25'I'll call you back when we have more, OK?'
0:54:25 > 0:54:27- OK.- 'Bye.'
0:54:42 > 0:54:43Amy?
0:54:45 > 0:54:47Amy!
0:54:47 > 0:54:49BUZZER BEEPS
0:54:49 > 0:54:50Amy!
0:54:50 > 0:54:53BUZZER BEEPS
0:54:53 > 0:54:54Amy!
0:54:57 > 0:54:59You?
0:54:59 > 0:55:01It's Simon, right?
0:55:01 > 0:55:03Where's Schrader?
0:55:03 > 0:55:05Is everything OK?
0:55:05 > 0:55:08Yeah, she had a bit of a tumble, but she's all right.
0:55:08 > 0:55:10- Amy?- There's nothing broken.
0:55:12 > 0:55:13I'm fine, Nikki.
0:55:13 > 0:55:15Are you sure?
0:55:15 > 0:55:16She said she's fine.
0:55:16 > 0:55:18I'd still like to check her over.
0:55:20 > 0:55:22What are you doing here?
0:55:22 > 0:55:24- It wasn't him.- It's OK.
0:55:24 > 0:55:27OK, this is a personal matter that we need to resolve in private.
0:55:27 > 0:55:30We should still get you checked out. I can run you to the hospital now.
0:55:30 > 0:55:33OK, you're trespassing on private property - you need to leave.
0:55:33 > 0:55:35What are the gloves for?
0:55:36 > 0:55:38Simon?
0:55:40 > 0:55:42SHE SHRIEKS
0:55:45 > 0:55:46MUFFLED YELPING
0:55:48 > 0:55:50NIKKI GAGS AND CHOKES
0:55:58 > 0:56:00HE GRUNTS
0:56:02 > 0:56:04HE CRIES OUT
0:56:14 > 0:56:16POLICE RADIO CHATTER
0:56:31 > 0:56:32You'd better come with me.
0:56:34 > 0:56:36Amy...
0:56:55 > 0:56:56Thanks.
0:57:10 > 0:57:13Claudia Baxter, we are charging you
0:57:13 > 0:57:16with five counts of conspiracy to pervert the course of justice
0:57:16 > 0:57:18contrary to common law
0:57:18 > 0:57:21and that you did assist an offender in a murder investigation,
0:57:21 > 0:57:23contrary to the Criminal Law Act...
0:57:24 > 0:57:27MOBILE PHONE RINGS
0:57:27 > 0:57:29- Hi, Thomas.- So?
0:57:29 > 0:57:33Well, Forsyth will go down, but there's no sign of Schrader.
0:57:33 > 0:57:34No forensics?
0:57:34 > 0:57:36Nothing really probative.
0:57:37 > 0:57:39- 'I'll be back soon.' - You all right, Nikki?
0:57:39 > 0:57:42- I'm fine.- 'You sure?'
0:57:42 > 0:57:43Really.
0:57:44 > 0:57:47I physically want to hurt you.
0:57:47 > 0:57:50I'm not reneging, I'm not reneging, I'm merely...
0:57:50 > 0:57:52- What's he reneging on?- Dinner.
0:57:52 > 0:57:54- Jack!- I'm not reneging!
0:57:54 > 0:57:57One minute we're talking Michelin stars,
0:57:57 > 0:57:59now it's chicken drummers chez Jack.
0:57:59 > 0:58:01- Shameful.- Whatever.
0:58:01 > 0:58:04- Hey, I can run to more than chicken drummers.- Oh, really?
0:58:04 > 0:58:05- Yeah.- Really?
0:58:05 > 0:58:06Whoa. Stand down.
0:58:14 > 0:58:16INDISTINCT AIRPORT ANNOUNCEMENTS
0:58:25 > 0:58:27Mr Schrader?
0:58:27 > 0:58:28You dropped this.
0:58:45 > 0:58:53# Testator silens
0:58:53 > 0:59:00# Costestes e spiritu
0:59:00 > 0:59:12# Silentium. #