Part Two

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0:00:02 > 0:00:04I want to be a pathologist, Nikki, but I have to go home.

0:00:04 > 0:00:06CROWD CHANTING

0:00:06 > 0:00:09Luisa went somewhere she should not have gone.

0:00:09 > 0:00:11Don't make the same mistake.

0:00:11 > 0:00:13This is my baby, Nesto.

0:00:13 > 0:00:16All these people have been taken by the cartels?

0:00:16 > 0:00:18Where is Luisa? Where have they got them?

0:00:18 > 0:00:20If we give up, if we stop...

0:00:20 > 0:00:21They'd give them back.

0:00:21 > 0:00:23Ernesto, Luisa, the others?

0:00:23 > 0:00:25I'd give my life for him.

0:00:25 > 0:00:27Eva...Eva you're confused. Nikki's at the compound.

0:00:27 > 0:00:29She was with me. She was here.

0:00:29 > 0:00:31Nikki!

0:00:31 > 0:00:37This programme contains some violent scenes and scenes which some viewers may find upsetting from the start

0:00:40 > 0:00:42SHE CRIES AND THUMPS

0:00:42 > 0:00:44PHONE VIBRATES

0:00:51 > 0:00:52Oh, don't ring off! Wait!

0:00:52 > 0:00:54Don't go!

0:00:56 > 0:00:58'Save your energy.

0:00:58 > 0:00:59'You will need it.'

0:00:59 > 0:01:00Who are you?

0:01:00 > 0:01:02Why are you doing this?

0:01:02 > 0:01:05'You'll need your oxygen, too, so stop screaming.'

0:01:06 > 0:01:08Get me out!

0:01:08 > 0:01:10Get me out of here!

0:01:10 > 0:01:12'You'll need water.

0:01:12 > 0:01:13'There's a bottle by your feet.

0:01:13 > 0:01:15'Only take sips.'

0:01:15 > 0:01:16PHONE DISCONNECTS

0:01:20 > 0:01:22Emergency services. What is it?

0:01:22 > 0:01:249-1-1.

0:01:25 > 0:01:27FAILED CALL TONE

0:01:30 > 0:01:31Oh, Jack.

0:01:31 > 0:01:33What is it?

0:01:33 > 0:01:35Oh, no, think.

0:01:36 > 0:01:380-7-5-1-7...

0:01:38 > 0:01:39FAILED CALL TONE

0:01:43 > 0:01:45I'm buried.

0:01:49 > 0:01:52Shit. Shit.

0:02:01 > 0:02:02Rewired.

0:02:11 > 0:02:12Hello.

0:02:20 > 0:02:27# Testator silens

0:02:28 > 0:02:35# Costestes e spiritu

0:02:35 > 0:02:42# Silentium. #

0:02:47 > 0:02:49Over. Down.

0:02:53 > 0:02:54Can we get it in there, OK?

0:02:54 > 0:02:55Tell me. Tell me again.

0:02:55 > 0:03:00I was driving. I looked over to Nikki, she was falling asleep.

0:03:01 > 0:03:03We were on the road to Santa Dominga and...

0:03:05 > 0:03:07Oh. Jet-lag.

0:03:08 > 0:03:09Sorry.

0:03:09 > 0:03:10Then what?

0:03:10 > 0:03:11I don't know.

0:03:15 > 0:03:16How's your head?

0:03:16 > 0:03:19He must have been hiding in the back. He must have hit me.

0:03:29 > 0:03:31I shouldn't touch.

0:03:31 > 0:03:33It's your car, you're all over it.

0:03:43 > 0:03:45Yeah, we can get some fibres off this.

0:03:45 > 0:03:47Yes.

0:03:47 > 0:03:50And then what do we do with them?

0:03:50 > 0:03:52What else can I do, Eva?

0:03:57 > 0:03:58This is my fault.

0:03:59 > 0:04:03If I had stayed home with her.

0:04:19 > 0:04:22It hasn't been used since midnight, before they left.

0:04:24 > 0:04:25It's hers?

0:04:25 > 0:04:26She's really gone, isn't she?

0:04:28 > 0:04:29Why take her?

0:04:29 > 0:04:30I don't know.

0:04:30 > 0:04:32Why take her, not Eva?

0:04:33 > 0:04:34I mean, Eva's the prize, isn't she?

0:04:34 > 0:04:36I don't know.

0:04:36 > 0:04:39Maybe they made a mistake. Maybe, maybe they thought she was Eva.

0:04:42 > 0:04:43What do they want?

0:04:45 > 0:04:48- What do they want? I asked you a question!- I don't know!

0:04:50 > 0:04:52They don't want you here.

0:04:52 > 0:04:53They don't want anyone to help us.

0:04:55 > 0:04:56That's better.

0:04:56 > 0:04:59See, you always find the right thing to say in the end, don't you?

0:04:59 > 0:05:00How do you do it?

0:05:00 > 0:05:05Your childhood sweetheart is kidnapped, murdered, God knows what.

0:05:05 > 0:05:08All this shit swirling around you

0:05:08 > 0:05:10and you walk through it untouched.

0:05:10 > 0:05:13- The eye of the storm.- Really?

0:05:13 > 0:05:15- You know that, do you? - No. Nobody does.

0:05:15 > 0:05:18Nobody knows you, not really. You make sure of that.

0:05:18 > 0:05:19You're angry.

0:05:19 > 0:05:22What have I got to be angry about?

0:05:22 > 0:05:25Luisa's father, on the other hand, I imagine he's very angry.

0:05:25 > 0:05:30I mean, you...you let her go out there day after day, right?

0:05:31 > 0:05:33She called you that day.

0:05:33 > 0:05:34She needed you. Where were you?

0:05:37 > 0:05:38Did you love her?

0:05:40 > 0:05:41I mean, really?

0:05:41 > 0:05:44Or was she just another member of the fan club?

0:05:49 > 0:05:51I'm sorry.

0:05:51 > 0:05:52No, no. I'm sorry for you.

0:05:54 > 0:05:56For Dr Alexander.

0:05:56 > 0:05:58She wanted to be a part of something.

0:05:59 > 0:06:00Now she is.

0:06:13 > 0:06:14No!

0:06:14 > 0:06:17650 by 850.

0:06:17 > 0:06:21Roughly 2,300. Oh, shit.

0:06:21 > 0:06:24So, 1,270 litres of air.

0:06:26 > 0:06:28Only 21% is oxygen.

0:06:28 > 0:06:30267 litres.

0:06:30 > 0:06:33Say, at rest, a person consumes 0.35...

0:06:34 > 0:06:39763 minutes, that's 13 hours. I've been in here...

0:06:41 > 0:06:43..maybe two hours.

0:06:43 > 0:06:44So, 11 hours.

0:06:45 > 0:06:47But the box isn't empty.

0:06:47 > 0:06:48I'm in here.

0:06:48 > 0:06:51The average volume of the human body is...

0:06:51 > 0:06:53That's 13 litres less oxygen.

0:06:54 > 0:06:5635 minutes less.

0:06:56 > 0:06:58Can't panic.

0:06:58 > 0:06:59Wasting air.

0:06:59 > 0:07:01Slow breaths.

0:07:01 > 0:07:03SHE CRIES OUT

0:07:09 > 0:07:10Where's your friend?

0:07:12 > 0:07:13The pretty one.

0:07:14 > 0:07:15Prick.

0:07:17 > 0:07:19If you know something...

0:07:19 > 0:07:21How can I know? I'm in here.

0:07:21 > 0:07:23You know where Luisa Herrera is.

0:07:23 > 0:07:25Sure.

0:07:25 > 0:07:26She's in the ground.

0:07:28 > 0:07:34You know, if Dr Alexander doesn't come back,

0:07:34 > 0:07:36I might just put something else in this needle.

0:07:36 > 0:07:38No, you won't.

0:07:38 > 0:07:39She would...

0:07:40 > 0:07:41..but you wouldn't.

0:07:46 > 0:07:48This isn't good for us, either.

0:07:50 > 0:07:52We want to find her, too, but we're stretched.

0:07:53 > 0:07:5737 students were kidnapped from a college in Culiacan last week.

0:07:57 > 0:07:58You have a lot to deal with.

0:07:59 > 0:08:01A lot to turn a blind eye to.

0:08:04 > 0:08:05Have they been in touch?

0:08:05 > 0:08:07Have there been any demands?

0:08:07 > 0:08:09No. Not yet.

0:08:09 > 0:08:11Do you think they will?

0:08:11 > 0:08:12She's a foreigner, she has money.

0:08:15 > 0:08:17Or maybe they've already got what they want.

0:08:20 > 0:08:23We've got nothing. Nothing, Thomas. Don't even know if she's still...

0:08:23 > 0:08:24I'm at Heathrow, Jack.

0:08:24 > 0:08:26I'm on my way. I'll be there in less than 18 hours.

0:08:26 > 0:08:27What do the Foreign Office say?

0:08:27 > 0:08:30The embassy in Mexico City has been instructed

0:08:30 > 0:08:31to prioritise Nikki's case...

0:08:31 > 0:08:35- But?- There's some hostage situation, oil workers in the Gulf of Mexico.

0:08:35 > 0:08:37But they've promised they'll get people up to you soon.

0:08:37 > 0:08:38What does soon mean?

0:08:38 > 0:08:3924 hours.

0:08:39 > 0:08:4024 hours?

0:08:40 > 0:08:42Be positive, Jack.

0:08:42 > 0:08:45When they realise they've got the wrong person, they'll send her home.

0:08:45 > 0:08:49# Sheila take a, Sheila take a bow

0:08:49 > 0:08:54# Boot the grime of this world in the crotch, dear

0:08:54 > 0:08:57# And don't go home tonight

0:08:57 > 0:09:02# Come out and find the one that you love and who loves you... #

0:09:02 > 0:09:03She was taken here?

0:09:03 > 0:09:07Yes. These are all the known cartel safe houses,

0:09:07 > 0:09:08including the one you were sent to.

0:09:08 > 0:09:11Gustavo and his men had all the main roads blocked within minutes,

0:09:11 > 0:09:14so we work on that presumption, that they had an hour and

0:09:14 > 0:09:16a half to take her wherever they were taking her.

0:09:16 > 0:09:20We'll work in a 60km zone, south along the coast,

0:09:20 > 0:09:21inland to the east.

0:09:21 > 0:09:23- Why not north?- Because they knew we'd be coming from there.

0:09:23 > 0:09:26They sent us to that fake tip-off.

0:09:26 > 0:09:28We have to make rational presumptions.

0:09:28 > 0:09:30We cannot search everywhere.

0:09:30 > 0:09:32That still leaves all these...

0:09:32 > 0:09:35We found 4X4 tyre tracks leading off the road.

0:09:35 > 0:09:36There's nobody around.

0:09:36 > 0:09:38Not that we can see, anyway.

0:09:38 > 0:09:41The only obvious skid marks match the tread pattern from Eva's car.

0:09:41 > 0:09:43And nothing to pin down the vehicle they took Nikki in?

0:09:43 > 0:09:46There were other tyre tracks about 20 metres behind Eva's car,

0:09:46 > 0:09:51but the tread pattern is FS-470,

0:09:51 > 0:09:53which suggests a late-model saloon, not a 4X4.

0:09:53 > 0:09:54So, we've got...

0:09:54 > 0:09:56Very little.

0:09:57 > 0:09:58Sorry.

0:09:58 > 0:10:00This isn't your fault, Jack.

0:10:00 > 0:10:02I'll check those tread patterns, OK?

0:10:04 > 0:10:05TEXT ALERT

0:10:15 > 0:10:16RINGING

0:10:21 > 0:10:22Who are you?

0:10:23 > 0:10:25What have you done with her?

0:10:30 > 0:10:31Jack...

0:10:31 > 0:10:33Nikki?

0:10:34 > 0:10:36Nikki?!

0:10:36 > 0:10:37Jesus!

0:10:37 > 0:10:39Nikki, where are you? I'll come and get you.

0:10:39 > 0:10:42- Jack... - Nikki, thank God you're safe.

0:10:42 > 0:10:44How did... How did you...?

0:10:44 > 0:10:46SHE SOBS

0:10:46 > 0:10:47Nikki, are you OK?

0:10:47 > 0:10:48Can you talk?

0:10:48 > 0:10:49No.

0:10:51 > 0:10:52Nikki, are you hurt?

0:10:52 > 0:10:55No, I...

0:10:55 > 0:10:56Just tell me where you are.

0:10:58 > 0:11:00Nikki, is there... Is there someone there with you?

0:11:00 > 0:11:01No.

0:11:01 > 0:11:03Can you tell me where you are?

0:11:03 > 0:11:04What can you see?

0:11:05 > 0:11:07Nothing.

0:11:07 > 0:11:09Any detail, the room you're in, anything at all.

0:11:09 > 0:11:11I'm not in a room, Jack.

0:11:11 > 0:11:12So where are you?

0:11:12 > 0:11:14I'm under the ground.

0:11:14 > 0:11:16What?

0:11:16 > 0:11:17Buried.

0:11:17 > 0:11:19What?

0:11:19 > 0:11:20In some sort of box.

0:11:20 > 0:11:22Under the ground.

0:11:22 > 0:11:23Do you understand?

0:11:24 > 0:11:26Help me, please.

0:11:26 > 0:11:28I'm panicking.

0:11:28 > 0:11:29I'm running out of air...

0:11:29 > 0:11:31It's OK, Nikki.

0:11:31 > 0:11:33It's OK, we're going to find you.

0:11:33 > 0:11:34How will you find me?

0:11:34 > 0:11:36I'm going to die in here, Jack.

0:11:36 > 0:11:37No. No, you're not.

0:11:37 > 0:11:39Don't lie to me.

0:11:39 > 0:11:42Don't tell me things that you can't know, can't do.

0:11:42 > 0:11:43Listen...

0:11:44 > 0:11:47- If I don't make it out of here, Jack...- No, stop it, Nikki!

0:11:47 > 0:11:48Stop it.

0:11:50 > 0:11:53Did you text me your number?

0:11:53 > 0:11:54No.

0:11:54 > 0:11:56The phone they left me, it doesn't call out.

0:11:56 > 0:11:59Then somebody else did, Nikki. Somebody texted me your number.

0:11:59 > 0:12:00They want me to talk to you.

0:12:01 > 0:12:03Do you understand?

0:12:03 > 0:12:05If they wanted you dead, why let me talk to you?

0:12:05 > 0:12:07He called me on this phone.

0:12:07 > 0:12:09Did you recognise his voice?

0:12:09 > 0:12:13Sounded like his voice was altered, it sounded electronic.

0:12:13 > 0:12:15Why would they take me?

0:12:15 > 0:12:19We'll know that soon. Whatever it is they ask, we'll do it.

0:12:19 > 0:12:22Is there anything else you can tell me?

0:12:22 > 0:12:23Oh, my God, Eva...

0:12:23 > 0:12:24Is she OK?

0:12:24 > 0:12:26Is she buried, too, somewhere?

0:12:26 > 0:12:27Oh, my God. Did they kill her?

0:12:27 > 0:12:30Nikki, no. We found her, she has a bump on her head,

0:12:30 > 0:12:31she's going to be fine.

0:12:31 > 0:12:33You mustn't worry about anybody else, OK?

0:12:33 > 0:12:35I was asleep in the car, and then...

0:12:37 > 0:12:38I don't remember.

0:12:40 > 0:12:41I woke here.

0:12:41 > 0:12:43In the dark.

0:12:43 > 0:12:44Do you have food?

0:12:46 > 0:12:48No. Water.

0:12:48 > 0:12:51I don't think it's water that's the problem, Jack.

0:12:51 > 0:12:54This box, this thing you're in, how big is it?

0:12:54 > 0:12:58I've got about nine hours, Jack, maybe ten.

0:12:58 > 0:13:00The box is wood, slats.

0:13:00 > 0:13:05- Give me everything.- I've reckoned 850 by 650 by 2,300.

0:13:05 > 0:13:06Do you know how deep you are?

0:13:06 > 0:13:09Too deep to push up. I tried.

0:13:09 > 0:13:11Some dirt fell through. It was cold.

0:13:11 > 0:13:13Was the earth dry?

0:13:13 > 0:13:17It's not sand. It's not clay. It's dry earth.

0:13:17 > 0:13:18Like the whole of this damn country!

0:13:18 > 0:13:20OK, what's in it? Can you taste it?

0:13:20 > 0:13:21What?

0:13:21 > 0:13:23Taste it!

0:13:31 > 0:13:32It tastes metallic.

0:13:32 > 0:13:34More metal than mineral?

0:13:35 > 0:13:38It's got a lovely bouquet, Jack, but I prefer the '74.

0:13:39 > 0:13:40Metal.

0:13:40 > 0:13:42Maybe iron?

0:13:42 > 0:13:43And salt.

0:13:43 > 0:13:46Salt...so maybe near the sea. Some kind of salt flats, maybe.

0:13:46 > 0:13:47Nikki?

0:13:47 > 0:13:48Oh, my God!

0:13:48 > 0:13:49RUMBLING

0:13:49 > 0:13:50SHE SCREAMS

0:13:50 > 0:13:51Are you OK?

0:13:51 > 0:13:52Nikki?

0:13:52 > 0:13:54Nikki, are you OK?

0:13:54 > 0:13:56Nikki!

0:13:56 > 0:13:57Nikki, are you OK?

0:13:57 > 0:13:59RUMBLING SUBSIDES

0:14:00 > 0:14:01I'm OK.

0:14:01 > 0:14:03What was that?

0:14:03 > 0:14:04I don't know.

0:14:04 > 0:14:06It hasn't happened before.

0:14:06 > 0:14:08It might be an industrial site.

0:14:08 > 0:14:10If it happens again, record the time.

0:14:10 > 0:14:11Maybe we can build up a pattern.

0:14:11 > 0:14:13If we're relying on that...

0:14:13 > 0:14:14No, we're not. We're not.

0:14:16 > 0:14:20Everyone is out looking for you - the police, the army,

0:14:20 > 0:14:21the British Embassy.

0:14:21 > 0:14:23There's helicopters everywhere.

0:14:26 > 0:14:28Jack...

0:14:28 > 0:14:31I've got your number. I'm going to track it.

0:14:32 > 0:14:35The phone's been tampered with. I don't think it will track.

0:14:35 > 0:14:36We'll find you.

0:14:36 > 0:14:38I will find you.

0:14:38 > 0:14:40I'll call you every half-hour, OK?

0:14:40 > 0:14:41No, don't.

0:14:41 > 0:14:43The battery. My air...

0:14:43 > 0:14:46Only call if you've got something to tell me.

0:14:47 > 0:14:49Nikki...

0:14:50 > 0:14:52..you're not alone.

0:14:53 > 0:14:56I'm in a wooden box, under the earth, Jack.

0:15:00 > 0:15:01I'm quite alone.

0:15:03 > 0:15:04SHE HANGS UP

0:15:11 > 0:15:12PHONE RINGS

0:15:14 > 0:15:17- Nikki? - If you tell anyone, she'll die.

0:15:17 > 0:15:20If you discuss anything I tell you, you will never find her.

0:15:20 > 0:15:23No police, no army, no authorities.

0:15:23 > 0:15:25We have people everywhere, we'll know.

0:15:25 > 0:15:27Who are you?

0:15:27 > 0:15:28What do you want?

0:15:28 > 0:15:29Money?

0:15:29 > 0:15:32I can get money. If it's not a crazy number, I can get it to you quickly.

0:15:32 > 0:15:33Just tell me how much.

0:15:33 > 0:15:34How much can you get?

0:15:34 > 0:15:35Maybe 100,000.

0:15:35 > 0:15:37Is that all?

0:15:37 > 0:15:38Is that what she's worth to you?

0:15:38 > 0:15:41No, no, no, no, no, no. I can get more, I can get more.

0:15:41 > 0:15:44I just need to figure out how. There isn't much time.

0:15:44 > 0:15:47Maybe if you'll get her out of there, then...

0:15:47 > 0:15:48It's not money, pendejo.

0:15:48 > 0:15:51Then what is it?! Tell me!

0:15:51 > 0:15:54If you want to see her again, you do exactly what we tell you.

0:15:54 > 0:15:56HANGS UP

0:15:56 > 0:15:57No. Wait, wait.

0:15:57 > 0:15:59Shit!

0:15:59 > 0:16:00Shit!

0:16:00 > 0:16:01'Gustavo, listen...'

0:16:01 > 0:16:02Are you all right?

0:16:02 > 0:16:03'I spoke to her, to Nikki.'

0:16:03 > 0:16:05You spoke to her?

0:16:05 > 0:16:06She's underground somewhere, in a box.

0:16:15 > 0:16:16HE SPEAKS SPANISH

0:16:18 > 0:16:19What is it? What have you found?

0:16:19 > 0:16:21Just wait. It might be nothing.

0:16:21 > 0:16:23HE SPEAKS SPANISH

0:16:26 > 0:16:28Tell me. What's there? What's happening?

0:16:29 > 0:16:31What is it? What can you see?

0:16:33 > 0:16:34It's a wooden box.

0:16:35 > 0:16:37Come on. Please, please.

0:16:41 > 0:16:42Is she OK?

0:16:44 > 0:16:46Forget it.

0:16:46 > 0:16:47- It's not her.- What do you mean?

0:16:47 > 0:16:48Is it a body?

0:16:48 > 0:16:50It's no-one.

0:16:50 > 0:16:51It's guns.

0:16:58 > 0:17:00PHONE RINGS

0:17:04 > 0:17:06I told you.

0:17:06 > 0:17:07You won't find her.

0:17:07 > 0:17:09You piece of shit.

0:17:10 > 0:17:13We'll go, we'll leave this place. Whatever...whatever you say.

0:17:16 > 0:17:17What do you want?

0:17:17 > 0:17:22There's a man being held at the Regional Police Headquarters.

0:17:22 > 0:17:23You have access to that man.

0:17:23 > 0:17:25Get him out.

0:17:25 > 0:17:26Deliver him to us.

0:17:26 > 0:17:27El Buitre.

0:17:27 > 0:17:29Or she will die in there.

0:18:32 > 0:18:34SHE CRIES OUT

0:19:01 > 0:19:02Oh, my God.

0:19:21 > 0:19:22SHE WHIMPERS

0:19:35 > 0:19:37Oh, God. I hate spiders.

0:19:39 > 0:19:41PHONE VIBRATES

0:19:43 > 0:19:44Hello?

0:19:44 > 0:19:46Nikki, are you OK?

0:19:46 > 0:19:47No, wait...

0:19:48 > 0:19:49Nikki?

0:19:49 > 0:19:51Jack, I've got to get out of here now.

0:19:51 > 0:19:52I know, I know, Nikki. I know.

0:19:52 > 0:19:55No, I mean right now, Jack!

0:20:00 > 0:20:02Any luck with tracking this phone?

0:20:02 > 0:20:03You were right about the phone, it's hacked.

0:20:03 > 0:20:06Eva says they've found ones like it in cartel safe-houses.

0:20:06 > 0:20:08Have they contacted you?

0:20:08 > 0:20:09We're negotiating.

0:20:09 > 0:20:11You're what?

0:20:11 > 0:20:12How much do they want?

0:20:12 > 0:20:15Don't you worry about it, we're nearly there.

0:20:15 > 0:20:16And if you're not?

0:20:16 > 0:20:17If you can't...

0:20:20 > 0:20:22You've looked, haven't you, Jack?

0:20:22 > 0:20:23Looked at what?

0:20:23 > 0:20:28Come on, Jack. I know you. The last of the Boy Scouts.

0:20:28 > 0:20:31You've searched on the internet, haven't you?

0:20:31 > 0:20:34101 death-defying escapes.

0:20:35 > 0:20:37All right, but you're not going to like it.

0:20:38 > 0:20:41We don't know how deep you are, so it's a one-shot thing.

0:20:43 > 0:20:45You've got to break through the top of the box somehow.

0:20:45 > 0:20:47You've got to get your feet up, kick through it,

0:20:47 > 0:20:50enough space to let the earth in, enough to get your head out...

0:20:50 > 0:20:51Go on.

0:20:51 > 0:20:53Then you wait.

0:20:53 > 0:20:55Let the box start to fill with earth.

0:20:55 > 0:20:58You've got to wait as long as you can.

0:20:58 > 0:21:01Then cover your face with whatever you've got, anything at all,

0:21:01 > 0:21:03so that the earth doesn't suffocate you as you push up.

0:21:04 > 0:21:05And that's it?

0:21:05 > 0:21:07Keep going up.

0:21:07 > 0:21:09Don't stop.

0:21:09 > 0:21:10Because I've got no way back down.

0:21:12 > 0:21:14The box will be full of earth.

0:21:15 > 0:21:16I see what you mean.

0:21:17 > 0:21:19It is a one-shot thing.

0:21:21 > 0:21:23It's not going to come to that, though, Nikki.

0:21:23 > 0:21:25Jack...

0:21:25 > 0:21:27I don't want to be buried.

0:21:27 > 0:21:29You're not. We're getting you out!

0:21:29 > 0:21:30No, that's not what I mean.

0:21:33 > 0:21:34When I die...

0:21:35 > 0:21:37..whenever it is,

0:21:37 > 0:21:39make sure I'm cremated, OK?

0:21:40 > 0:21:42In my will, it says that I want to be buried

0:21:42 > 0:21:44beside my mother.

0:21:44 > 0:21:45Well, I don't.

0:21:45 > 0:21:47I don't want to be under the ground.

0:21:47 > 0:21:48Please.

0:21:49 > 0:21:51I promise you,

0:21:51 > 0:21:54when the time comes,

0:21:54 > 0:21:57and you and I, Clarissa and Thomas are sitting in adjoining

0:21:57 > 0:22:01armchairs in the Sunnyview Nursing Home TV room

0:22:01 > 0:22:04and I look down and your custard cream lies, unnibbled,

0:22:04 > 0:22:06in your cold dead hand...

0:22:06 > 0:22:08SHE LAUGHS

0:22:08 > 0:22:09..I will burn you. I promise.

0:22:12 > 0:22:15Listen, Jack, I've been thinking.

0:22:15 > 0:22:19Javier Rodriguez, the farm worker I did the postmortem on...

0:22:21 > 0:22:23It's possible that he was kept here.

0:22:23 > 0:22:25I mean, like this.

0:22:25 > 0:22:27And the chemical that was in his body...

0:22:27 > 0:22:28Did we get a fix on it?

0:22:28 > 0:22:33No, but Clarissa should have the sample back by now.

0:22:33 > 0:22:34Maybe I'm not the only one here.

0:22:35 > 0:22:36Oh, my God.

0:22:38 > 0:22:39Luisa...

0:22:39 > 0:22:40Nikki, stop.

0:22:40 > 0:22:45I need you to think back through every case you've ever done...

0:22:45 > 0:22:47Every case?

0:22:47 > 0:22:49I'm sorry, you've got something better to do?

0:22:49 > 0:22:53You've come across this toxin before - you know you have.

0:22:53 > 0:22:54I'm calling Clarissa now.

0:22:54 > 0:22:56I'll call you back when I've spoken to her. OK?

0:22:56 > 0:22:59I'm sorry for being such a coward, Jack.

0:22:59 > 0:23:02Ah, yeah. You've got a yellow streak a mile wide.

0:23:02 > 0:23:03Everyone says it.

0:23:05 > 0:23:06I'm afraid...

0:23:08 > 0:23:10..of what was going to happen to me.

0:23:14 > 0:23:16I killed a scorpion, Jack.

0:23:16 > 0:23:19Well, give a donation to the RSPCA when you get home.

0:23:21 > 0:23:23I'm hanging up now.

0:23:36 > 0:23:38They've made contact.

0:23:38 > 0:23:40Nikki's kidnappers.

0:23:40 > 0:23:41What did they say?

0:23:46 > 0:23:47I think they're watching me.

0:23:48 > 0:23:50They seem to know everything I do.

0:23:51 > 0:23:54I think there's someone within the compound...

0:23:54 > 0:23:55So, you think we were set up?

0:23:56 > 0:23:58What, Luisa?

0:23:58 > 0:23:59- Ernesto, too?- Maybe.

0:24:01 > 0:24:04There are two calls from Luisa's phone that are still unexplained.

0:24:04 > 0:24:05One to Gustavo...

0:24:05 > 0:24:08He did explain. He never got it, he was on a flight.

0:24:08 > 0:24:09The flight had landed by then.

0:24:09 > 0:24:12I checked. It landed 15 minutes before.

0:24:13 > 0:24:15Gustavo and Luisa, they were...

0:24:15 > 0:24:16You were the only one who knew about them,

0:24:16 > 0:24:19the only one who'd seen them together.

0:24:19 > 0:24:22They were together. They were happy. They...

0:24:24 > 0:24:26What? Eva, please...

0:24:28 > 0:24:31They had a fight, an argument.

0:24:31 > 0:24:34It was just before he left for Hermosillo.

0:24:34 > 0:24:36I don't know what it was about.

0:24:37 > 0:24:38This is stupid.

0:24:40 > 0:24:41You said two calls?

0:24:41 > 0:24:44Someone called Luisa from a public call box in San Lorenzo.

0:24:44 > 0:24:46The call we think sent her to the farm.

0:24:46 > 0:24:49Now, if they were all taken by the same kidnappers...

0:24:51 > 0:24:53You're right, this is stupid.

0:24:55 > 0:24:56What do they want?

0:24:56 > 0:25:01Jack, I've lost one son, maybe two.

0:25:01 > 0:25:04If there was anything I could have done, could do,

0:25:04 > 0:25:09to get them back, to have them here, at home,

0:25:09 > 0:25:10I'd do it.

0:25:11 > 0:25:13Anything.

0:25:13 > 0:25:16Give them what they want, Jack.

0:25:16 > 0:25:18No-one will blame you.

0:25:18 > 0:25:20This is not your fight.

0:25:22 > 0:25:24WEAKLY: There was a child...

0:25:25 > 0:25:26..a girl.

0:25:29 > 0:25:30Who did the postmortem?

0:25:32 > 0:25:33It wasn't me.

0:25:34 > 0:25:35Was it Harry?

0:25:37 > 0:25:38Oh, no, it was Leo.

0:25:40 > 0:25:41We can ask Leo...

0:25:44 > 0:25:46What am I talking about?

0:25:47 > 0:25:48Leo's dead.

0:25:49 > 0:25:50Oh, God.

0:25:52 > 0:25:54SHE HYPERVENTILATES

0:26:57 > 0:26:59She's not like the others.

0:27:00 > 0:27:02She doesn't belong here.

0:27:04 > 0:27:05I'm sorry.

0:27:06 > 0:27:08Wait, Jack.

0:27:08 > 0:27:09Nikki's coming home.

0:27:10 > 0:27:11She has to.

0:27:12 > 0:27:13She's coming home.

0:27:19 > 0:27:21PHONE RINGS

0:27:33 > 0:27:34Oh, shit. Luisa's phone?

0:27:38 > 0:27:39Eight missed calls.

0:27:40 > 0:27:41I know that number.

0:27:42 > 0:27:43Call box.

0:27:47 > 0:27:49PHONE ALERT

0:27:55 > 0:27:56This is Nikki Alexander.

0:27:57 > 0:28:00I'm a doctor,

0:28:00 > 0:28:02a pathologist from England,

0:28:02 > 0:28:06working for the British Home Office.

0:28:06 > 0:28:08I've been doing some work with the Reunited Project.

0:28:09 > 0:28:11It's possible I'm not going to live through this...

0:28:13 > 0:28:15..but there are some things I want to say.

0:28:19 > 0:28:22Jack...

0:28:22 > 0:28:24I know you've been doing everything you can.

0:28:25 > 0:28:26I know you're frantic,

0:28:26 > 0:28:28I know you'll feel like you failed...

0:28:30 > 0:28:32..but your voice has kept me sane in here, you know.

0:28:34 > 0:28:35Clarissa...

0:28:38 > 0:28:39..I never thanked you enough.

0:28:41 > 0:28:43I never told you how loved you are.

0:28:46 > 0:28:48Thomas,

0:28:48 > 0:28:50I'm sorry I've caused so much fuss.

0:28:52 > 0:28:54I know I drive you crazy,

0:28:54 > 0:28:56but I respect you so much.

0:29:00 > 0:29:03I know you all wonder sometimes why I've never settled down.

0:29:05 > 0:29:08Why I've never focused on my own life,

0:29:08 > 0:29:09a family maybe...

0:29:11 > 0:29:12But this has been my family.

0:29:14 > 0:29:16Your lives,

0:29:16 > 0:29:17their lives...

0:29:19 > 0:29:21..it's the only decent family I've ever known.

0:29:24 > 0:29:26Jack, Clarissa, Thomas,

0:29:26 > 0:29:28you are my family.

0:29:30 > 0:29:32I love you.

0:29:50 > 0:29:51PHONE RINGS

0:29:51 > 0:29:52VOICEMAIL ANSWERS IN SPANISH

0:29:54 > 0:29:56HE SPEAKS SPANISH

0:29:58 > 0:29:59Hey, she's dead.

0:30:01 > 0:30:02Luisa muerta.

0:30:02 > 0:30:03You understand me?

0:30:03 > 0:30:06You sent her to that farm.

0:30:06 > 0:30:08I need to know what you told her.

0:30:19 > 0:30:20'Where have you been?'

0:30:20 > 0:30:22San Lorenzo. I wanted to check something.

0:30:22 > 0:30:24I've been thinking about you and

0:30:24 > 0:30:27that girl you were seeing a while back. Amy, right?

0:30:27 > 0:30:28Anna? All right...

0:30:28 > 0:30:30What's your problem?

0:30:30 > 0:30:31She was nice..

0:30:31 > 0:30:33What makes you so sure you can do any better?

0:30:33 > 0:30:35What? What are you talking about?

0:30:36 > 0:30:38Men...is what I'm talking about.

0:30:39 > 0:30:43You think you're romantics, but you're not.

0:30:43 > 0:30:44You're obsessives.

0:30:45 > 0:30:48You fix on something and nothing else exists.

0:30:50 > 0:30:51It's brutal.

0:30:53 > 0:30:54A man put you in there.

0:30:56 > 0:30:58What does he think he'll achieve?

0:30:58 > 0:31:00I'm not alone.

0:31:00 > 0:31:03There's 30,000 of us under this earth.

0:31:03 > 0:31:04That's a whole city

0:31:04 > 0:31:06A city lost.

0:31:08 > 0:31:09We're breathing dirt.

0:31:11 > 0:31:12You've got time, Nikki.

0:31:15 > 0:31:17Six hours.

0:31:17 > 0:31:19And then what?

0:31:19 > 0:31:22It starts in the liver and then the brain.

0:31:22 > 0:31:24The cells start to break down.

0:31:24 > 0:31:26- Autolysis. - Nikki...

0:31:26 > 0:31:30The first to arrive will be the Phoridae, coffin flies.

0:31:30 > 0:31:32They can burrow through two feet of earth.

0:31:32 > 0:31:35And the Nicrophorus, the carrion beetles.

0:31:35 > 0:31:39And then the ones that feed on the others will join the feast,

0:31:39 > 0:31:41the spiders and millipedes and mites,

0:31:41 > 0:31:44the insect fauna specific to the region...

0:31:44 > 0:31:45Nikki!

0:31:45 > 0:31:47Oxygen escapes through the slats.

0:31:48 > 0:31:50I haven't got six hours, have I?

0:31:50 > 0:31:52Jack, how much time have I got?

0:31:56 > 0:31:57You've got time.

0:32:00 > 0:32:01You called me.

0:32:01 > 0:32:03You said San Lorenzo... PHONE CHIMES

0:32:03 > 0:32:04What's that?

0:32:05 > 0:32:06It's them, isn't it?

0:32:08 > 0:32:09Nikki, I'm going to call you back, OK?

0:32:15 > 0:32:17- I'm here. - You're late.

0:32:17 > 0:32:19He was meant to get his insulin shot an hour ago.

0:32:19 > 0:32:21Why haven't you done what we told you?

0:32:21 > 0:32:22You must know time is running out for her.

0:32:22 > 0:32:23It takes planning.

0:32:23 > 0:32:25I can't just break in there and bust the guy out...

0:32:25 > 0:32:28Get him out.

0:32:28 > 0:32:30- We'll tell you what to do then. - LAPTOP ALERT

0:32:37 > 0:32:39Shit! Shit!

0:33:29 > 0:33:31What are you going to do with that?

0:33:31 > 0:33:34I want to be able to protect myself. Look what happened to Nikki.

0:33:35 > 0:33:37I don't know.

0:33:37 > 0:33:39I don't know what I'm going to do.

0:33:44 > 0:33:45What do you want from me?

0:33:45 > 0:33:46What do they want from you?

0:33:46 > 0:33:48The cartel?

0:33:48 > 0:33:49They haven't said anything.

0:33:52 > 0:33:54You know, don't you?

0:33:56 > 0:33:58It's you.

0:33:58 > 0:33:59Me? What's me?

0:33:59 > 0:34:01I've been to San Lorenzo.

0:34:01 > 0:34:03You didn't check out that call box, did you? I did.

0:34:03 > 0:34:06I know why Luisa went to the farm that day.

0:34:06 > 0:34:08She was told the farmers had been threatened and robbed.

0:34:08 > 0:34:10- By the Navajas... - Ah, come on!

0:34:10 > 0:34:13The men who demanded the money wore yellow shirts.

0:34:15 > 0:34:17Yes.

0:34:17 > 0:34:20That's what you and Luisa fought about, wasn't it?

0:34:20 > 0:34:23She knew what you were doing, she knew about the corruption.

0:34:29 > 0:34:30Who said that?

0:34:31 > 0:34:32That's why she went to the farm?

0:34:32 > 0:34:34Are you sure?

0:34:34 > 0:34:35Go on. Deny it.

0:34:35 > 0:34:37OK, we did fight.

0:34:38 > 0:34:39The night before I left.

0:34:39 > 0:34:42She kept saying that I couldn't see what was in front of me,

0:34:42 > 0:34:43that I was blind.

0:34:44 > 0:34:46Some of my own men, she said.

0:34:46 > 0:34:48Working with the cartel?

0:34:48 > 0:34:49I told her she was crazy.

0:34:50 > 0:34:52She went to get proof at the farm.

0:34:52 > 0:34:54That's why the cartel took her.

0:34:55 > 0:34:57So that she couldn't tell me what she'd found out.

0:34:58 > 0:34:59She's gone because of me.

0:35:01 > 0:35:05You know, the cartel want me to get him out.

0:35:06 > 0:35:08The prisoner, El Buitre.

0:35:08 > 0:35:09And if I don't do it...

0:35:12 > 0:35:16Look, she's only got a few hours of air left.

0:35:16 > 0:35:19What does it matter, one more or one less of them?

0:35:19 > 0:35:21Nikki matters.

0:35:21 > 0:35:23Right, she saves lives.

0:35:23 > 0:35:24No, this is not the way.

0:35:24 > 0:35:26I'm not asking you, man.

0:35:26 > 0:35:28It's my choice, my decision,

0:35:28 > 0:35:29my fault.

0:35:32 > 0:35:34You're not going to get him out of there with that gun.

0:35:37 > 0:35:39Look, the police are terrified of El Buitre,

0:35:39 > 0:35:41of what he'll bring down on them,

0:35:41 > 0:35:43but they can't just let him go.

0:35:43 > 0:35:47But, if he were to die in there, now that would be their worst nightmare.

0:35:47 > 0:35:48I don't understand.

0:35:48 > 0:35:51I'm saying...there's a better way.

0:36:00 > 0:36:02RINGING

0:36:02 > 0:36:05Nikki, you're not going to hear from me for an hour or so.

0:36:05 > 0:36:06You're not to worry, OK?

0:36:06 > 0:36:07I'm going to get you out of there.

0:36:07 > 0:36:09What are you going to do?

0:36:10 > 0:36:11Jack?

0:36:25 > 0:36:27I don't like it any more than you do.

0:36:57 > 0:36:58- GUARD:- Espera!

0:37:01 > 0:37:03Right, it's a fit. He's hypoglycaemic.

0:37:03 > 0:37:05He's had a bad reaction to the insulin.

0:37:05 > 0:37:07What else has he taken today?

0:37:07 > 0:37:08Give me that blanket. Quickly.

0:37:08 > 0:37:09Give him sugar.

0:37:09 > 0:37:12Don't be daft, he's having a seizure. It could choke him.

0:37:12 > 0:37:14We need emergency care. Do you want him to die in your jail cell?

0:37:14 > 0:37:16Call an ambulance.

0:37:16 > 0:37:18We're losing him here, we're losing him. Shit!

0:37:18 > 0:37:20He's gone into insulin shock. It's a coma. Get me a stretcher.

0:37:26 > 0:37:28ALARM BLARES

0:37:47 > 0:37:48Elevator, elevator!

0:37:51 > 0:37:53Go, go! Let's go, let's go!

0:38:03 > 0:38:04No, no, no, no, no. Out, out, out.

0:38:04 > 0:38:05He's dangerous.

0:38:08 > 0:38:09HE SPEAKS SPANISH

0:38:22 > 0:38:23REPLIES IN SPANISH

0:38:23 > 0:38:24What's he saying?

0:38:24 > 0:38:26He's saying, hit him.

0:38:26 > 0:38:27Just do it.

0:38:38 > 0:38:39HE SPEAKS SPANISH

0:38:48 > 0:38:49He's no use to us dead.

0:38:52 > 0:38:53- Jack?- Wait.

0:38:57 > 0:38:59Come on, come on, come on come on, come on.

0:39:03 > 0:39:05Come on. Don't you die.

0:39:07 > 0:39:09Here he comes, here he comes.

0:39:10 > 0:39:11PHONE CHIMES

0:39:13 > 0:39:14OK. Take us here.

0:39:16 > 0:39:18About a half an hour away.

0:39:18 > 0:39:20He said they'd know when we got him out.

0:39:20 > 0:39:22They've got people in the police, don't they?

0:39:22 > 0:39:23The cartel are everywhere.

0:39:23 > 0:39:24We're all running out of time.

0:39:31 > 0:39:33Here they come.

0:39:41 > 0:39:43Where's Nikki? I don't see her.

0:39:50 > 0:39:54We saved your life so you can go on killing for the cartel.

0:39:54 > 0:39:56I kill for anyone.

0:39:56 > 0:39:58The cartel, the police.

0:39:58 > 0:39:59Whoever pays me.

0:40:00 > 0:40:03And no-one does it as good as me.

0:40:11 > 0:40:14Hey, wait. Wait, where is she? Where's Nikki?!

0:40:14 > 0:40:17Wait, where are you going? What, are they're bringing her back? Where?

0:40:17 > 0:40:19- I don't know.- Where is she? Are they going to bring her out?

0:40:21 > 0:40:23Jesus. Shit.

0:40:23 > 0:40:25No. No, no, no, no, no, no, no.

0:40:25 > 0:40:26Jack. Jack!

0:40:26 > 0:40:30No, no, no. Where is she? Nikki? I gave you him, where's my friend?

0:40:30 > 0:40:31Wait!

0:40:32 > 0:40:34Jesus Christ!

0:40:34 > 0:40:36What just happened?

0:40:36 > 0:40:37There was no exchange, was there?

0:40:37 > 0:40:39He didn't even know what I was talking about!

0:40:41 > 0:40:42Why kill him?

0:40:45 > 0:40:47He's dead, and all their crimes die with him.

0:40:50 > 0:40:51They've got what they want.

0:40:52 > 0:40:53It won't be long now, Nikki.

0:40:54 > 0:40:56What have you done?

0:40:56 > 0:40:57We're going to get you out of there.

0:40:59 > 0:41:00We're going home.

0:41:02 > 0:41:04PHONE DISCONNECTS

0:41:07 > 0:41:08Is she?

0:41:10 > 0:41:11Is she coming home?

0:41:13 > 0:41:15She's got an hour or two of air left, maybe.

0:41:15 > 0:41:18Possibly less, as the carbon dioxide builds up.

0:41:18 > 0:41:20Let's go.

0:41:20 > 0:41:21The police will be here soon.

0:41:29 > 0:41:30What have I done?

0:41:36 > 0:41:37VOICES SHOUT IN SPANISH

0:41:41 > 0:41:42It's amazing.

0:41:42 > 0:41:44Jack, Gustavo, it's amazing.

0:41:45 > 0:41:48They were left on the side of the road 30 minutes ago.

0:41:48 > 0:41:49My baby.

0:41:49 > 0:41:50Nikki?

0:41:51 > 0:41:53It won't be long, Jack.

0:41:53 > 0:41:55I'm sure of it. Luisa, too.

0:41:55 > 0:41:56This is incredible.

0:42:12 > 0:42:15MUSIC: Sheila Take A Bow by The Smiths

0:42:21 > 0:42:22PHONE VIBRATES

0:42:22 > 0:42:23SHE GASPS

0:42:28 > 0:42:30PHONE VIBRATES

0:42:30 > 0:42:31SHE GASPS

0:42:36 > 0:42:38Oh, no, no, no, no, no.

0:42:39 > 0:42:40Please!

0:42:40 > 0:42:41Just get me out!

0:42:56 > 0:42:58They get El Buitre...

0:42:59 > 0:43:01..and Ernesto walks free.

0:43:03 > 0:43:06Ernesto walks free.

0:43:19 > 0:43:21'I've lost one son,

0:43:21 > 0:43:22'maybe two.

0:43:22 > 0:43:25'If there was anything I could do'

0:43:25 > 0:43:27to get them back, I'd do it.

0:43:27 > 0:43:28Anything.

0:43:28 > 0:43:29Eva.

0:43:33 > 0:43:36Eva! Eva!

0:43:36 > 0:43:38'Jack, this doesn't make sense.'

0:43:38 > 0:43:40She made a deal with them, Gustavo.

0:43:40 > 0:43:42She gives them El Buitre, they give her her son back.

0:43:44 > 0:43:46- EVA:- Father Cadena, the priest of Chilapa,

0:43:46 > 0:43:48he knows people in the cartel.

0:43:48 > 0:43:51He's acted as an intermediary for us in the past.

0:43:51 > 0:43:53- Nesto?- Mama.

0:43:53 > 0:43:55I had access to the prisoner,

0:43:55 > 0:43:58she had to find a way to get me to do it. Don't you see?

0:43:58 > 0:44:03You wanted something, and you found something to give them in return.

0:44:03 > 0:44:06They get El Buitre, and Ernesto walks free.

0:44:06 > 0:44:07Eva?

0:44:07 > 0:44:09Eva, are you there?

0:44:09 > 0:44:10Eva, stop, please.

0:44:10 > 0:44:13I know what you did and I know why.

0:44:13 > 0:44:15Please, stop. Eva?

0:44:15 > 0:44:16'Nikki is OK.'

0:44:16 > 0:44:18Tell me where she is, please!

0:44:18 > 0:44:20'I'm going to make this right.

0:44:20 > 0:44:21'It's all going to be all right.'

0:44:21 > 0:44:24Where is she, Eva? Where did you bury her.

0:44:24 > 0:44:25She doesn't have much time.

0:44:25 > 0:44:27I only did what I had to do.

0:44:27 > 0:44:29- Eva! - You think you know what it's like...

0:44:29 > 0:44:30Stop! Please, stop!

0:44:31 > 0:44:32EVA SCREAMS FRANTICALLY

0:44:33 > 0:44:35Eva! Eva!

0:44:35 > 0:44:37Eva, what's happening?

0:44:47 > 0:44:48Eva!

0:44:50 > 0:44:52Eva...Eva.

0:44:52 > 0:44:53Oh, God.

0:44:53 > 0:44:54Eva?

0:44:55 > 0:44:57Eva, where is she?

0:44:57 > 0:44:59Oh, my God. Eva?

0:44:59 > 0:45:02Eva, wake up and tell me where she is!

0:45:02 > 0:45:04Oh, Jesus.

0:45:04 > 0:45:05Oh, Jesus.

0:45:05 > 0:45:07'I'd give my life for him.'

0:45:07 > 0:45:09I'd give all our lives for him.

0:45:13 > 0:45:14Nikki?

0:45:14 > 0:45:16Are they coming, Jack?

0:45:16 > 0:45:18I'm running out of air, I can feel it.

0:45:21 > 0:45:23I don't know how much more I can take...

0:45:24 > 0:45:25Nikki, listen.

0:45:25 > 0:45:30When you were with Eva, when you fell asleep in the car,

0:45:30 > 0:45:32do you remember exactly where you were?

0:45:32 > 0:45:33Why are you asking me this?

0:45:35 > 0:45:37Aren't they...aren't they coming?

0:45:37 > 0:45:41Please, did you see anything by the road, any landmarks,

0:45:41 > 0:45:43before you passed out?

0:45:43 > 0:45:45What do you mean, "passed out"?

0:45:45 > 0:45:47I'm scared, Jack.

0:45:47 > 0:45:49What's happening?

0:45:49 > 0:45:50Please tell me the truth.

0:45:50 > 0:45:52I need the truth.

0:45:56 > 0:45:57It wasn't the cartel that took you.

0:45:59 > 0:46:00It was Eva.

0:46:00 > 0:46:02To get Ernesto back.

0:46:02 > 0:46:03No.

0:46:03 > 0:46:04It was a man who called.

0:46:04 > 0:46:06Yeah, I've got her phone.

0:46:06 > 0:46:08There's an application on it that changes your voice,

0:46:08 > 0:46:10it costs, like, a dollar.

0:46:10 > 0:46:12Eva's dead, Nikki. They killed her.

0:46:13 > 0:46:14But we're coming to find you.

0:46:14 > 0:46:18Now we know it was her that took you, we will find you.

0:46:22 > 0:46:24Nikki?

0:46:25 > 0:46:26Nikki?

0:46:30 > 0:46:31Nikki, are you there?

0:46:31 > 0:46:33What's happening, Nikki?

0:46:33 > 0:46:35I'm going to get out of here, Jack.

0:46:36 > 0:46:37Like you told me.

0:46:39 > 0:46:41No, Nikki! Wait, please.

0:46:44 > 0:46:46Please, not yet. Not yet. Wait.

0:46:56 > 0:46:59Nikki, are you there? What's happening?

0:47:14 > 0:47:15Nikki, are you there?

0:47:22 > 0:47:23I can't do it.

0:47:28 > 0:47:29I'm not strong enough.

0:47:32 > 0:47:33Don't you give up, Nikki.

0:47:34 > 0:47:36Don't give up.

0:47:37 > 0:47:41What you do isn't about death, is it?

0:47:41 > 0:47:44It's about the value we place on a life.

0:47:44 > 0:47:45That's what I've learnt from you...

0:47:45 > 0:47:47Look at the pupae.

0:47:47 > 0:47:49..Clarissa, Jack and Thomas.

0:47:49 > 0:47:53You only get this in cases of extreme contamination.

0:47:55 > 0:47:57Industrial levels.

0:47:57 > 0:47:58I found something that seemed to correspond.

0:47:58 > 0:48:02A chemical compound developed for industrial R&D.

0:48:02 > 0:48:04It sometimes goes under different trade names.

0:48:04 > 0:48:06- Nikki?- It still has some limited industrial application,

0:48:06 > 0:48:09but it's so carcinogenic, it's restricted to laboratory usage.

0:48:09 > 0:48:11Tetracynadine.

0:48:11 > 0:48:12What?

0:48:12 > 0:48:14Tetracynadine.

0:48:14 > 0:48:16Berricane. It's marketed under different names.

0:48:16 > 0:48:17What is?

0:48:17 > 0:48:21The chemical we found in Javier Rodriguez' liver.

0:48:21 > 0:48:22It's an industrial chemical.

0:48:22 > 0:48:26Find where they're using Tetracynadine, Jack,

0:48:26 > 0:48:28you'll find me.

0:48:28 > 0:48:29There's one right here, here and here.

0:48:29 > 0:48:31These are small-scale facilities.

0:48:31 > 0:48:33We're looking for something much bigger.

0:48:33 > 0:48:34This is a heavy-duty chemical,

0:48:34 > 0:48:36- it would have to be licensed, controlled...- Like what?

0:48:36 > 0:48:39It's used in ore extraction, mining.

0:48:39 > 0:48:41There's a copper mine, right here.

0:48:41 > 0:48:43It's too far. She wouldn't have had time to get Nikki there

0:48:43 > 0:48:45- and get back...- How can you be sure of that?

0:48:45 > 0:48:47I can't! I can't be sure about anything.

0:48:48 > 0:48:50What about manufacturing, plastics?

0:48:50 > 0:48:53It was used in transmission fluid for the automobile industry,

0:48:53 > 0:48:55- but they stopped... - What about old cars? Trucks?

0:48:55 > 0:48:57There's a scrapyard right here, near Novelda. It's huge.

0:48:57 > 0:48:59It's inside the search area.

0:48:59 > 0:49:00I know the scrapyard.

0:49:01 > 0:49:02Nesto...

0:49:02 > 0:49:03We went there.

0:49:03 > 0:49:05To Novelda.

0:49:05 > 0:49:07- What?- It was years ago, I remember.

0:49:07 > 0:49:09Her windshield was cracked, so we went to find a new one.

0:49:10 > 0:49:11She knew the guy.

0:49:13 > 0:49:15We know where you are, Nikki. We're coming to get you.

0:49:15 > 0:49:16Where? Where is it?

0:49:16 > 0:49:18There's a scrapyard.

0:49:18 > 0:49:20The Tetracynadine, it's leaking out of old transmission units.

0:49:20 > 0:49:22Are you sure, Jack?

0:49:22 > 0:49:24The level of contamination we're talking about,

0:49:24 > 0:49:26there's only one possible site.

0:49:26 > 0:49:29The rumbling sound you're hearing, there's a car crusher.

0:49:29 > 0:49:31It's the place, I'm sure of it.

0:49:31 > 0:49:34You're going to be home in London for the weekend.

0:49:34 > 0:49:36Forecast is for eight degrees and drizzle.

0:49:36 > 0:49:38Sounds beautiful, Jack.

0:49:51 > 0:49:54We're here. Tell me if you can hear this.

0:49:54 > 0:49:56Nikki!

0:49:56 > 0:49:57Nikki!

0:50:00 > 0:50:01OK, stay with me.

0:50:02 > 0:50:03You stay with me.

0:50:07 > 0:50:09Stay with me. We're coming for you.

0:50:09 > 0:50:11We're coming. Nikki!

0:50:12 > 0:50:13Nikki!

0:50:53 > 0:50:54I can't find...

0:50:56 > 0:50:57HEAVY MACHINERY OPERATING

0:51:07 > 0:51:09OK. OK.

0:51:17 > 0:51:18Gustavo.

0:51:19 > 0:51:21Gustavo!

0:51:21 > 0:51:22Over here!

0:51:22 > 0:51:24Get someone to move this truck.

0:51:25 > 0:51:26Come on.

0:51:26 > 0:51:28Push it.

0:51:28 > 0:51:30Push!

0:51:33 > 0:51:35Can you hear us, Nikki?

0:51:35 > 0:51:37You're close. I know it.

0:51:37 > 0:51:39We're coming for you.

0:51:41 > 0:51:43Come on.

0:51:43 > 0:51:44We're coming, Nikki. Cover your eyes!

0:51:51 > 0:51:52Nikki!

0:51:52 > 0:51:54Nikki!

0:51:54 > 0:51:55Nikki?

0:51:55 > 0:51:56Nikki?

0:52:09 > 0:52:10Where are you?

0:52:11 > 0:52:13Have you found them, Jack?

0:52:14 > 0:52:15Have you found them?

0:52:15 > 0:52:17You're not here?

0:52:17 > 0:52:18Are they alive, Jack?

0:52:18 > 0:52:20Yes, they're alive, but, Nikki...

0:52:22 > 0:52:23I don't understand.

0:52:26 > 0:52:27Oh, Nikki.....

0:52:27 > 0:52:29Luisa...

0:52:29 > 0:52:30is she there?

0:52:32 > 0:52:33What have you done?

0:52:38 > 0:52:39What have you done?!

0:52:39 > 0:52:42The Tetracynadine that was in Javier's body...

0:52:44 > 0:52:46..kills insects,

0:52:46 > 0:52:48any invertebrate life...

0:52:49 > 0:52:51There was a scorpion,

0:52:51 > 0:52:52so it's not where I am...

0:52:54 > 0:52:55..but I'm glad...

0:52:55 > 0:52:57No, no, no.

0:52:59 > 0:53:00No, Nikki, no. You could have...

0:53:00 > 0:53:02How many are there, Jack?

0:53:03 > 0:53:05Oh, my God.

0:53:05 > 0:53:0720, 30.

0:53:07 > 0:53:08And they're alive?

0:53:08 > 0:53:10Yes, they're alive.

0:53:10 > 0:53:11Luisa?

0:53:11 > 0:53:14Yes, she's alive. She's with Gustavo now.

0:53:30 > 0:53:32No, wait.

0:53:32 > 0:53:33Wait, wait, wait.

0:53:33 > 0:53:34Wait, the air.

0:53:34 > 0:53:36- The air shouldn't have...- It's OK.

0:53:38 > 0:53:40It's OK, Jack.

0:53:40 > 0:53:41Really.

0:53:43 > 0:53:44It's all going to be OK.

0:53:45 > 0:53:47Nikki, I didn't tell you...

0:53:47 > 0:53:48PHONE BEEPS

0:54:06 > 0:54:07It's a nice place.

0:54:09 > 0:54:11'No tornadoes.'

0:54:11 > 0:54:12No tornadoes.

0:54:12 > 0:54:13'No volcanoes.'

0:54:13 > 0:54:14No volcanoes.

0:54:20 > 0:54:21I'm coming, Mum...

0:55:04 > 0:55:06Wait, wait, wait.

0:55:06 > 0:55:07Wait, the air.

0:55:17 > 0:55:19Nikki, I didn't tell you this, but you should...

0:55:19 > 0:55:21WEAKLY: I shouldn't be alive.

0:55:30 > 0:55:31There must be air.

0:55:43 > 0:55:45Well, I have to be at the dig in the morning.

0:55:45 > 0:55:47We're excavating Cahitas.

0:55:48 > 0:55:50Burial mounds on the coast.

0:55:50 > 0:55:513,000 years old.

0:55:54 > 0:55:56I'm not underground.

0:55:58 > 0:56:00SHE GROANS WITH EFFORT

0:56:00 > 0:56:02THUMPING

0:56:06 > 0:56:07MORE GROANING

0:56:15 > 0:56:18SHE CONTINUES TO GROAN WITH EFFORT

0:56:22 > 0:56:24WOOD CREAKS AND SNAPS

0:58:31 > 0:58:34# Is it wrong to want to live on your own?

0:58:34 > 0:58:38# No, it's not wrong but I must know

0:58:38 > 0:58:46# How can someone so young sing words so sad?

0:58:47 > 0:58:50# Sheila take a, Sheila take a bow

0:58:50 > 0:58:54# Boot the grime of this world in the crotch, dear

0:58:54 > 0:58:58# And don't go home tonight... #