0:00:02 > 0:00:04This programme contains some violent scenes
0:00:04 > 0:00:06and some scenes which some viewers may find upsetting
0:00:06 > 0:00:09- You've got a motive.- I wouldn't hurt her.- Ali, you should see this.
0:00:09 > 0:00:12We've had a walk-in, a couple. Their daughter went missing. Ruth Tresize.
0:00:12 > 0:00:15She was friends with Lorna Katz. They were at school together.
0:00:15 > 0:00:18My husband was physically abusing our daughter.
0:00:18 > 0:00:19I slapped her. Once.
0:00:19 > 0:00:20So you said.
0:00:20 > 0:00:23It's Kieran Vale again for DI Ashton.
0:00:23 > 0:00:26I'm at a place where Lorna and Ruth and I used to hang out.
0:00:28 > 0:00:29How did you find out where I live?
0:00:29 > 0:00:31I followed you from your office.
0:00:31 > 0:00:34I didn't protect my daughter as I should.
0:00:34 > 0:00:36Not even from my husband.
0:00:36 > 0:00:39Aaron Logan's got an alibi for Ruth and Lorna.
0:00:39 > 0:00:40Kieran Vale has, an' all.
0:00:40 > 0:00:43Look, we're going to make this right, like we did before. Come on.
0:00:43 > 0:00:44And we're going to sort it now.
0:00:44 > 0:00:46I need you to do something for me, yeah?
0:00:48 > 0:00:50Aaron Logan.
0:00:50 > 0:00:52Is that who they're after?
0:00:52 > 0:00:54You didn't tell her, did you?
0:00:54 > 0:00:56No, but I didn't say that it wasn't him, either,
0:00:56 > 0:01:00so I'm worried that it's kind of like I've confirmed it, isn't it?
0:01:06 > 0:01:14# Testator silens
0:01:14 > 0:01:21# Costestes e spiritu
0:01:21 > 0:01:28# Silentium. #
0:01:43 > 0:01:46We're going to need everything, I'm afraid.
0:02:11 > 0:02:13She's not well enough to be interviewed.
0:02:13 > 0:02:16Well, she's been seen by the psychs and they've OK'd it.
0:02:16 > 0:02:17Well, that's absurd.
0:02:17 > 0:02:18Is that a qualified opinion?
0:02:18 > 0:02:19After what's just happened?
0:02:19 > 0:02:22Well, someone told her that Aaron Logan was a suspect.
0:02:22 > 0:02:25She'll have known that anyway, won't she? She's always known it.
0:02:25 > 0:02:28What, for Lorna Katz and Kieran Vale? No.
0:02:28 > 0:02:31There's no leak here, not with my team, so it has to be with yours.
0:03:16 > 0:03:17He's a lucky boy.
0:03:18 > 0:03:20Another inch and she'd have punctured his lung.
0:03:22 > 0:03:24Something that doesn't make sense to me,
0:03:24 > 0:03:26for an innocent man,
0:03:26 > 0:03:27how come he was running?
0:03:27 > 0:03:29He wasn't running.
0:03:29 > 0:03:30He had his passport with him!
0:03:30 > 0:03:32I'll tell you what's happened here.
0:03:32 > 0:03:34You couldn't pin anything on him, so you tell a lot of shit to some
0:03:34 > 0:03:37- psycho bitch hoping that she'll take care of things!- Stop it, Ben!
0:03:37 > 0:03:39Innocent people don't run, Ben.
0:03:39 > 0:03:41- What kind of world do you live in? - Ben...
0:03:41 > 0:03:43No, he was being targeted again.
0:03:43 > 0:03:45You people have never let him alone!
0:03:47 > 0:03:48You did this!
0:03:48 > 0:03:50Look at him! Go on, look at him!
0:03:56 > 0:03:58'I don't want to fight this.
0:03:58 > 0:04:00'You want to talk this through with me before you go on?
0:04:00 > 0:04:01'No.
0:04:01 > 0:04:04'I know what I did. I was of sound mind when I did it,
0:04:04 > 0:04:06'and I'd do it again.
0:04:06 > 0:04:08'Did you know Aaron Logan was a suspect
0:04:08 > 0:04:10'for Lorna and Kieran's deaths?
0:04:13 > 0:04:14'Ali?'
0:04:16 > 0:04:18How did you know where he'd be?
0:04:18 > 0:04:20I knew where he worked.
0:04:20 > 0:04:22He got a job there when he left school.
0:04:22 > 0:04:25What, so you've stayed in touch, have you, over the years?
0:04:25 > 0:04:27Not since Ruth, no.
0:04:28 > 0:04:32So, you went to the restaurant, what, more in hope than expectation?
0:04:32 > 0:04:34'And he wasn't there.
0:04:34 > 0:04:35'No, but his brother was.
0:04:37 > 0:04:40'Someone told you Aaron was a suspect, didn't they?
0:04:40 > 0:04:41'The pathologist.
0:04:44 > 0:04:45'Dr Alexander?
0:04:45 > 0:04:49'I called at her house and I asked her to confirm it
0:04:49 > 0:04:53'and she met me a few days later and I asked her again.
0:04:53 > 0:04:54'And did she?
0:04:57 > 0:04:58'Did she confirm it?
0:04:59 > 0:05:02'Not in words, no, but she told me in other ways.
0:05:03 > 0:05:05- 'What do you mean? - Her reaction.
0:05:06 > 0:05:08'I don't understand.
0:05:08 > 0:05:11'I read her face.'
0:05:11 > 0:05:13She didn't need to actually say anything.
0:05:15 > 0:05:18And I read Aaron Logan, too, didn't I?
0:05:18 > 0:05:19Eventually.
0:05:20 > 0:05:23Can I just check, you're not actually next of kin any more,
0:05:23 > 0:05:24are you, Mr Tresize?
0:05:24 > 0:05:26We're still married, legally.
0:05:26 > 0:05:28Look, what she did is so out of character...
0:05:28 > 0:05:31Well, there have been mental health issues in the past, I believe?
0:05:31 > 0:05:33Relatively minor issues, yes.
0:05:33 > 0:05:35Depression, understandably.
0:05:36 > 0:05:39What's going to happen to her? Will she be charged?
0:05:39 > 0:05:40Yeah.
0:05:40 > 0:05:42And her state of mind, will that be taken into account?
0:05:42 > 0:05:44Well, that's for the courts and the DPP to decide.
0:05:47 > 0:05:49Why don't you go home?
0:05:49 > 0:05:50I'm OK.
0:05:51 > 0:05:53You, you shouldn't have to deal with all this stress.
0:05:55 > 0:05:56I'm fine.
0:05:57 > 0:05:58Hey, come on.
0:06:00 > 0:06:01We let him down.
0:06:03 > 0:06:04I don't mean now.
0:06:06 > 0:06:07I mean, after your mum died.
0:06:09 > 0:06:11He was just a kid.
0:06:11 > 0:06:13There was never anybody more loyal than you.
0:06:13 > 0:06:14Yeah, to you.
0:06:16 > 0:06:20He should've come to live with us after he left the care home.
0:06:22 > 0:06:23I was so stupid.
0:06:24 > 0:06:27I wanted you without any baggage.
0:06:27 > 0:06:28Don't do this.
0:06:28 > 0:06:29Do you know what's worse?
0:06:30 > 0:06:32The more they went after him,
0:06:32 > 0:06:33the more I thought maybe he had done all this.
0:06:35 > 0:06:40Loner, can't hold on to a woman or find anything in his life.
0:06:41 > 0:06:43Well, it fits, doesn't it?
0:06:45 > 0:06:48Except...except it doesn't.
0:06:48 > 0:06:50Hey, hey. Come on.
0:06:51 > 0:06:52Sh, sh.
0:06:58 > 0:07:02Allowing a victim's mother access into your home. Was that ethical?
0:07:02 > 0:07:03I didn't let her in.
0:07:03 > 0:07:05But you talked to her.
0:07:05 > 0:07:08Look, she turned up on my doorstep, OK? We talked.
0:07:08 > 0:07:10She was struggling. All I did was empathise.
0:07:10 > 0:07:13No, what you did was overstep your role.
0:07:13 > 0:07:16Do you have any idea how it must feel to lose a child
0:07:16 > 0:07:17and have no closure?
0:07:17 > 0:07:18Do you?
0:07:18 > 0:07:21- No wonder the woman's falling apart. - Nikki, leave it...
0:07:21 > 0:07:23OK, yes, she put me on the spot, but she pretty much knew
0:07:23 > 0:07:25everything already - or suspected it.
0:07:25 > 0:07:26How?
0:07:26 > 0:07:28How should I know?
0:07:28 > 0:07:30No-one ever told her that Aaron Logan was a suspect,
0:07:30 > 0:07:31not now, not even...
0:07:35 > 0:07:38Not even when Ruth disappeared. So, how?
0:07:38 > 0:07:40It's a community. The people know one another.
0:07:40 > 0:07:41The kids went to the same school.
0:07:41 > 0:07:44I mean, you honestly think that things stay secret?
0:07:44 > 0:07:45And you...you mention ethics, you know.
0:07:45 > 0:07:48What's unethical about trying to help someone with their loss?
0:07:48 > 0:07:51Yes, showing them their loved ones in the chapel of rest,
0:07:51 > 0:07:53THAT is what you're supposed to do - not invite them into your
0:07:53 > 0:07:55home and let them cry into your gin.
0:07:55 > 0:07:57I've told you, I didn't let her in!
0:07:57 > 0:07:59Look, mistakes may have been made on both sides here.
0:07:59 > 0:08:01Oh, ever the diplomat, Thomas.
0:08:01 > 0:08:03Kieran Vale's calls went unanswered, your officers didn't even
0:08:03 > 0:08:05notice Ben Logan leaving the restaurant.
0:08:05 > 0:08:07Because they were looking for Aaron, not Ben.
0:08:07 > 0:08:10Nonetheless, I suggest if we want to take out our frustrations on
0:08:10 > 0:08:14something, then let's take them out on finding the killer.
0:08:21 > 0:08:23Hey...hey!
0:08:23 > 0:08:24The police are watching me.
0:08:24 > 0:08:26No, they're not, man. They've got nothing on you.
0:08:26 > 0:08:28You're the victim in all this.
0:08:28 > 0:08:30Whatever, I'm out of here.
0:08:30 > 0:08:31Hey, Aaron...
0:08:52 > 0:08:55Can we rerun the fish debris? Only, this time, focus on
0:08:55 > 0:08:57Chris Tresize rather than Aaron Logan?
0:08:57 > 0:08:59Just because the debris doesn't match Logan's clothing
0:08:59 > 0:09:00doesn't make him innocent.
0:09:00 > 0:09:03It simply means THAT evidence doesn't incriminate him.
0:09:03 > 0:09:04I'm aware of that.
0:09:06 > 0:09:09Erm, it'd be worth checking out Ben Logan, too, Aaron's brother.
0:09:09 > 0:09:10He would've known the Tresizes a little.
0:09:10 > 0:09:13They were living together, were they, the brothers?
0:09:13 > 0:09:16- No, Ben was living with Sarah, but...- So there's no evidence against him?
0:09:16 > 0:09:17No, but belt and braces.
0:09:17 > 0:09:19What else have we got?
0:09:21 > 0:09:24Anyway, this, er, this potential witness.
0:09:25 > 0:09:27Have we managed to trace the call?
0:09:27 > 0:09:28Pre-pay mobile.
0:09:28 > 0:09:30Shit. It has to be her.
0:09:39 > 0:09:41OK, so where's the camera?
0:09:43 > 0:09:45There.
0:09:46 > 0:09:47Uh-huh.
0:09:54 > 0:09:55OK...
0:09:57 > 0:09:59..she was standing somewhere around here.
0:09:59 > 0:10:02This is the only place she could see the assault from.
0:10:02 > 0:10:03OK.
0:10:04 > 0:10:05Jack...
0:10:09 > 0:10:11..I just have to say that
0:10:11 > 0:10:14Nikki Alexander's really dropped me and my team in it.
0:10:15 > 0:10:18No, I know you don't like me saying that.
0:10:21 > 0:10:23I don't think it's Nikki that your bosses are going
0:10:23 > 0:10:25to be interested in.
0:10:25 > 0:10:29Your boys staking out that restaurant were napping on the job.
0:10:30 > 0:10:31Put me in my place.
0:10:57 > 0:10:59She was eating something, wasn't she?
0:10:59 > 0:11:00Yeah.
0:11:07 > 0:11:08Why don't you go get your head down for a bit?
0:11:10 > 0:11:11I've gotta go.
0:11:11 > 0:11:13Where?
0:11:13 > 0:11:15Aaron?
0:11:15 > 0:11:16Aaron!
0:11:30 > 0:11:31'A few moments after she left,
0:11:31 > 0:11:36'I went out to look for her,
0:11:36 > 0:11:37'but I didn't see which way she went.'
0:11:48 > 0:11:51'Chris went after her,
0:11:51 > 0:11:55'but he couldn't find her...
0:11:57 > 0:12:02'..and he came back about half an hour later,
0:12:02 > 0:12:04'soaking wet.
0:12:04 > 0:12:05'It had started raining.
0:12:05 > 0:12:06SHE CRIES
0:12:11 > 0:12:15'And he came back about half an hour later,
0:12:15 > 0:12:17'soaking wet.
0:12:17 > 0:12:19'It had started raining.'
0:12:57 > 0:13:00Ali, I want to ask you something about that New Year.
0:13:00 > 0:13:04You said that Chris went out on his own soon after Ruth had gone.
0:13:04 > 0:13:06He went looking for her.
0:13:06 > 0:13:07Yeah.
0:13:09 > 0:13:13You said in your statement that he came back around half an hour
0:13:13 > 0:13:17later and he was soaking wet.
0:13:17 > 0:13:20And the forensic report says that his clothes were still damp
0:13:20 > 0:13:21the next morning.
0:13:21 > 0:13:22Yeah.
0:13:22 > 0:13:23It had started raining.
0:13:25 > 0:13:28What if he wasn't wet from the rain?
0:13:28 > 0:13:29What if it was river water?
0:13:30 > 0:13:31He was angry with her.
0:13:31 > 0:13:33He went after her...
0:13:34 > 0:13:35Ali.
0:13:35 > 0:13:36OK.
0:13:36 > 0:13:37Ali, why are you running away?
0:13:49 > 0:13:50HE SNORTS
0:14:27 > 0:14:28Are you hungry?
0:14:32 > 0:14:33Let's get inside and eat.
0:14:39 > 0:14:40Come on, inside.
0:14:49 > 0:14:51Come on, Josh.
0:14:51 > 0:14:52Let's get you something to eat.
0:15:01 > 0:15:03Go on, wash up. And no TV, OK?
0:15:12 > 0:15:14DOORBELL RINGS
0:15:40 > 0:15:41SHE GASPS
0:15:46 > 0:15:49- 'Hi.'- Hi, I had a call from you?
0:15:49 > 0:15:52Yeah, we've processed the prints on the sandwich wrapper.
0:15:52 > 0:15:55No match with anything on the PNC - but we've got
0:15:55 > 0:15:57a hit with the Immigration database.
0:15:57 > 0:16:00'A woman called Stella Tuffour, a Ghanaian.'
0:16:00 > 0:16:02She's outstayed her visa,
0:16:02 > 0:16:04which is maybe why she didn't want to give her name.
0:16:04 > 0:16:06'OK. Have you got a current address for her?'
0:16:17 > 0:16:18Ms Tuffour?
0:16:19 > 0:16:20Stella?
0:16:23 > 0:16:25Police.
0:16:26 > 0:16:28Police? Can we get Jack here?
0:16:40 > 0:16:43I've got a solicitor working on the case.
0:16:43 > 0:16:44You need to speak to her.
0:16:44 > 0:16:46This isn't an immigration matter.
0:16:47 > 0:16:50Someone made a 999 call, and we believe it was you.
0:16:52 > 0:16:53You have the wrong person.
0:16:55 > 0:16:58Well, we have you on CCTV the day before yesterday,
0:16:58 > 0:17:01walking along the river, and, er, your fingerprints are on
0:17:01 > 0:17:02a sandwich wrapper we found there.
0:17:03 > 0:17:05So?
0:17:05 > 0:17:06So, I walked there.
0:17:06 > 0:17:08Doesn't mean I made any calls.
0:17:08 > 0:17:10Did you witness something, Stella?
0:17:11 > 0:17:14See something you just felt you had to report?
0:17:14 > 0:17:15No.
0:17:15 > 0:17:17PHONE BEEPS
0:17:17 > 0:17:20- STELLA ON RECORDING:- 'There was a man. He had like a dark hoodie.
0:17:20 > 0:17:22'He was hitting somebody. Another man.
0:17:22 > 0:17:24'He, he was dragging him down to the river.'
0:17:27 > 0:17:28That's you.
0:17:28 > 0:17:30No.
0:17:30 > 0:17:31That's your voice, isn't it?
0:17:31 > 0:17:33No!
0:17:33 > 0:17:34Hi.
0:17:34 > 0:17:35Hi, Jack.
0:17:45 > 0:17:46So, what happened to your front door?
0:17:48 > 0:17:51The lock broke. I haven't had time to fix it.
0:17:54 > 0:17:55You got kids?
0:17:56 > 0:17:58A son. He's at a neighbour's.
0:18:00 > 0:18:02How come you're shaking, Stella?
0:18:04 > 0:18:06Has someone been here? Have they frightened you?
0:18:08 > 0:18:09No-one's been here.
0:18:12 > 0:18:14Was it this man?
0:18:14 > 0:18:16Has he been to your flat?
0:18:16 > 0:18:17Or has he spoken to you?
0:18:19 > 0:18:21Did he threaten you? Did he threaten your son?
0:18:23 > 0:18:25He did, didn't he?
0:18:25 > 0:18:26What did he say?
0:18:26 > 0:18:28Did he say he was watching you?
0:18:30 > 0:18:32Did he tell you not to speak to us?
0:18:32 > 0:18:33Stella...
0:18:35 > 0:18:37..look, we can protect you, OK?
0:18:37 > 0:18:38No-one is going to get to you.
0:18:43 > 0:18:48And, erm, we can help you with your immigration status, as well.
0:18:48 > 0:18:50Or we can make things more difficult there.
0:18:51 > 0:18:53We just need you to help us.
0:18:57 > 0:18:59I've never seen this man before in my life.
0:19:10 > 0:19:11Come through.
0:19:15 > 0:19:16Any luck?
0:19:16 > 0:19:18No. We'll let her stew on it.
0:19:18 > 0:19:20If we have to, we'll get Immigration on to her.
0:19:20 > 0:19:22She'll open up then.
0:19:22 > 0:19:23Well, Jack's found something.
0:19:23 > 0:19:25Boot print.
0:19:25 > 0:19:28We can discount Aaron Logan, can't we? He's in hospital.
0:19:28 > 0:19:31No, he just discharged himself a couple of hours ago.
0:19:31 > 0:19:32Did he now?
0:19:35 > 0:19:36There you go.
0:20:02 > 0:20:04CLANKING
0:20:31 > 0:20:32TRAIN RATTLES
0:20:38 > 0:20:42OK, so let's say Aaron Logan discharges himself from hospital,
0:20:42 > 0:20:44he heads straight for Stella,
0:20:44 > 0:20:46because he knows she's seen him attacking Kieran.
0:20:46 > 0:20:48PHONE RINGS But why not kill her, too?
0:20:48 > 0:20:50He found another way to shut her up?
0:20:50 > 0:20:52What about Chris Tresize?
0:20:52 > 0:20:53There's just no evidence there.
0:20:53 > 0:20:56What have we got on Aaron that's concrete, though?
0:20:56 > 0:20:58Either way, people have been targeted because
0:20:58 > 0:20:59they knew something.
0:20:59 > 0:21:02Except, maybe, Kieran Vale.
0:21:02 > 0:21:04Well, surely, if he knew something, he would've told me.
0:21:04 > 0:21:05He tried to. He called you.
0:21:05 > 0:21:07I know, I mean within the interview.
0:21:07 > 0:21:10Maybe he was hiding what evidence he had for some reason.
0:21:10 > 0:21:13Or he didn't realise that he had it then.
0:21:13 > 0:21:17How would the killer know that Kieran was on to something, hm?
0:21:17 > 0:21:20Well, Kieran used to go out with Lorna, so maybe the killer
0:21:20 > 0:21:23thought that she'd told Kieran something.
0:21:23 > 0:21:28What, so you think Lorna was on to him, got frightened and, what?
0:21:28 > 0:21:29Sent that through to Kieran,
0:21:29 > 0:21:32intending to meet him in the morning, tell him what was on her mind?
0:21:32 > 0:21:35Two witnesses, Aaron stops them both from talking.
0:21:35 > 0:21:36So, where was this taken?
0:21:36 > 0:21:38Yeah, what the hell is it?
0:21:38 > 0:21:40- CARL:- Er, update on Ben Logan.
0:21:40 > 0:21:43He had alibis for Ruth, Lorna and Kieran.
0:21:43 > 0:21:46He was working at the bar on each occasion.
0:21:46 > 0:21:47OK.
0:21:47 > 0:21:49So, Aaron loses his mother.
0:21:49 > 0:21:51He finds solace in Ruth Tresize.
0:21:51 > 0:21:53Maybe she threatens to leave him.
0:21:53 > 0:21:54Mmm...
0:21:54 > 0:21:55Supposition.
0:21:55 > 0:21:57Well, she was underage.
0:21:57 > 0:22:00Maybe she threatened to go to the police about their relationship.
0:22:00 > 0:22:02She spooked him, he snapped.
0:22:02 > 0:22:05- CLARISSA:- This is the partial print from Stella's door,
0:22:05 > 0:22:08and this is from Kieran's crime scene.
0:22:08 > 0:22:13Different boots, but the same size range as Aaron Logan.
0:22:13 > 0:22:15Didn't we look for a match before with Aaron's boots
0:22:15 > 0:22:16and there was nothing?
0:22:16 > 0:22:18So, he's got more than one pair of boots.
0:22:26 > 0:22:27Aaron?
0:22:30 > 0:22:32Aaron!
0:22:35 > 0:22:36Aaron!
0:22:38 > 0:22:39Oh.
0:22:51 > 0:22:53SIREN BLARES
0:23:01 > 0:23:03TRAIN RATTLES
0:23:21 > 0:23:23- BEN'S VOICE:- 'You don't give a shit about us.
0:23:24 > 0:23:26'All you care about is sticking that needle in your arm.
0:23:27 > 0:23:28'Don't you?'
0:23:49 > 0:23:50Yeah, I like that.
0:23:50 > 0:23:51Keep that on the menu.
0:23:51 > 0:23:53Yeah, that's great. All good.
0:23:55 > 0:23:56Take over for us, will you?
0:23:59 > 0:24:01Er, the police have been round again looking for Aaron.
0:24:01 > 0:24:04They're down at his boat as well. He's not there.
0:24:04 > 0:24:05Where is he?
0:24:07 > 0:24:09He's scared.
0:24:09 > 0:24:11Every time he puts his head up they're after him.
0:24:15 > 0:24:16What?
0:24:18 > 0:24:20What?
0:24:20 > 0:24:21Look, I know him, OK?
0:24:23 > 0:24:24And I know that...
0:24:24 > 0:24:25You know what?
0:24:25 > 0:24:27Well, I don't know anything, actually!
0:24:27 > 0:24:29Neither of us do.
0:24:29 > 0:24:30That's the problem.
0:24:31 > 0:24:33Right, think about it.
0:24:34 > 0:24:36He knew Ruth Tresize,
0:24:36 > 0:24:37he was sleeping with Lorna,
0:24:37 > 0:24:39and he must've met that guy, her friend.
0:24:39 > 0:24:42- Maybe this is... - No, absolutely not. No way!
0:24:46 > 0:24:48He isn't capable of something like this.
0:24:48 > 0:24:50He hasn't got it in him.
0:26:14 > 0:26:18Me and Chris didn't have much of a marriage, and that was
0:26:18 > 0:26:22kind of in contrast to what was going on with Ruth.
0:26:22 > 0:26:23How do you mean?
0:26:25 > 0:26:29We were dead from the waist down,
0:26:29 > 0:26:30but with Ruth...
0:26:35 > 0:26:39Alison was saying to me previously that Ruth was becoming sexualised.
0:26:40 > 0:26:42Oh.
0:26:42 > 0:26:44And how were you with that?
0:26:44 > 0:26:46- Fine.- And Chris?
0:26:48 > 0:26:49He found it difficult.
0:26:50 > 0:26:53He thought she was sleeping around.
0:26:53 > 0:26:55Hence his anger with her that night.
0:26:59 > 0:27:01I've been thinking about Aaron.
0:27:03 > 0:27:05Did I get that so wrong?
0:27:08 > 0:27:10I had a dream.
0:27:10 > 0:27:12Chris's face that morning.
0:27:12 > 0:27:16He had her scarf in his hands...
0:27:16 > 0:27:18What, in the dream or in reality?
0:27:18 > 0:27:19Both.
0:27:20 > 0:27:23He said he'd found it in the river and I believed him.
0:27:23 > 0:27:25He, he was in the water with it.
0:27:28 > 0:27:32But, none of us know for sure, do we?
0:27:32 > 0:27:33Not really.
0:27:35 > 0:27:37He could've planted it.
0:27:37 > 0:27:38Why would he do that?
0:27:38 > 0:27:41When he went to look for her, he was angry.
0:27:44 > 0:27:45What if you're right...
0:27:48 > 0:27:49..and he caught her and...
0:27:54 > 0:27:57..she ended up in the river?
0:27:57 > 0:27:58OK.
0:28:00 > 0:28:02Now listen,
0:28:02 > 0:28:06unless you have evidence or something concrete
0:28:06 > 0:28:07to back this up...
0:28:07 > 0:28:11If you go to the house,
0:28:11 > 0:28:14he used to have all sorts of her stuff there.
0:28:14 > 0:28:15You might find something.
0:28:17 > 0:28:22Ah, maybe I'm wrong about everything I think and say, but...
0:28:25 > 0:28:28..but you're right, he had the opportunity to hurt her.
0:28:30 > 0:28:31Yes.
0:28:32 > 0:28:33What are you people on?
0:28:35 > 0:28:39She's had an idea out of nowhere and convinced herself it's the truth.
0:28:39 > 0:28:41You really need to calm down.
0:28:41 > 0:28:45Look, our lives ended the night Ruth walked out of here.
0:28:45 > 0:28:47We're both of us stuck in our own private hell,
0:28:47 > 0:28:49but have you any idea how any...?
0:28:49 > 0:28:51Boss? Got a sec?
0:29:44 > 0:29:47These, er, photographs on your wall.
0:29:47 > 0:29:49This one, for instance. What were you doing there?
0:29:52 > 0:29:54Looking for things you might have missed
0:29:54 > 0:29:55that would lead me to my daughter.
0:29:55 > 0:29:57How would you know where to look?
0:29:57 > 0:29:58Why this sewer?
0:30:00 > 0:30:02Because it was online, everywhere.
0:30:04 > 0:30:07Pictures of it and of police all over it.
0:30:07 > 0:30:09It wasn't difficult to find.
0:30:09 > 0:30:12- Where were you the night Lorna was murdered?- I've already told you.
0:30:12 > 0:30:13Well, tell me again.
0:30:13 > 0:30:16Whatever I say, you won't believe me, so no comment.
0:30:16 > 0:30:18The maps in your study. What were they for?
0:30:24 > 0:30:26You'd dropped the case.
0:30:26 > 0:30:30In your eyes, in DCI Ross's eyes, she was just a missing person.
0:30:30 > 0:30:32If I wanted to find out what happened,
0:30:32 > 0:30:33I've had to do my own digging.
0:30:33 > 0:30:36So, you followed river courses?
0:30:36 > 0:30:37After Lorna, yes.
0:30:37 > 0:30:39But wasn't that to do with trying to find Ruth?
0:30:39 > 0:30:42It was about trying to find evidence.
0:30:42 > 0:30:43Any evidence of any kind.
0:30:45 > 0:30:49After Lorna died, it was plain to me, even if it wasn't to you,
0:30:49 > 0:30:52that her murder may have been related to Ruth's disappearance.
0:30:53 > 0:30:57And if you weren't going to take that seriously and act on it,
0:30:57 > 0:30:59then somebody else had to.
0:30:59 > 0:31:00Did you kill Lorna?
0:31:00 > 0:31:02- For God's sake. - Did you kill Ruth?
0:31:02 > 0:31:05Jesus Christ, are you seriously asking me that?!
0:31:05 > 0:31:06My own daughter!
0:31:11 > 0:31:15It is reasonable, isn't it, that he'd be searching for Ruth?
0:31:15 > 0:31:19- What, by trawling rivers and sewers three years after she disappeared? - PHONE RINGS
0:31:21 > 0:31:22Hi?
0:31:22 > 0:31:24'Hello. That photo...'
0:31:24 > 0:31:27That photo? What photo?
0:31:27 > 0:31:29The one Lorna sent Kieran.
0:31:29 > 0:31:32So, we've played with the image, got a 3-D version of it.
0:31:32 > 0:31:37You can just about make out something. Water and a gradient.
0:31:37 > 0:31:40And something that looks like a steel rope.
0:31:40 > 0:31:41'What kind of steel rope?'
0:31:41 > 0:31:43The kind you find in boatyards.
0:31:43 > 0:31:45We found boatyards not far from where Kieran died.
0:31:45 > 0:31:48We think the photo Lorna sent Kieran might have sent him there.
0:31:48 > 0:31:51Maybe he recognised it or remembered where it was taken.
0:31:51 > 0:31:53What, so you think he was there looking for something
0:31:53 > 0:31:55- to do with Ruth's death?- Yeah.
0:31:55 > 0:31:56And he found it.
0:32:48 > 0:32:50This is it. This is the place.
0:32:50 > 0:32:52Teenage hang-out?
0:33:15 > 0:33:17- Here.- What are we looking at?
0:33:17 > 0:33:18This has got to be it.
0:33:20 > 0:33:21Ruth?
0:33:30 > 0:33:32CAMERA SHUTTER CLICKS
0:33:42 > 0:33:43There was a body here.
0:33:43 > 0:33:45Definitely?
0:33:46 > 0:33:51This discolouration here looks like tissue fat from decomposition.
0:33:55 > 0:33:56Hair clip.
0:34:06 > 0:34:07Here.
0:34:12 > 0:34:16We've found what we believe to be a grave of sorts.
0:34:19 > 0:34:21There's no body,
0:34:21 > 0:34:24but we think it may be where Ruth's body was stored
0:34:24 > 0:34:26until fairly recently.
0:34:29 > 0:34:30Does Ali know?
0:34:31 > 0:34:32No, not yet.
0:34:36 > 0:34:37Do you know this place?
0:34:37 > 0:34:38No.
0:34:38 > 0:34:39Never been there?
0:34:41 > 0:34:42No.
0:34:44 > 0:34:45Is this it?
0:34:46 > 0:34:47Yes.
0:34:49 > 0:34:51Are you sure you've found the right place?
0:34:54 > 0:34:56Are you sure it's Ruth?
0:34:56 > 0:34:58We're confirming that right now.
0:34:59 > 0:35:03Can I ask you about Aaron Logan and Ruth?
0:35:05 > 0:35:08Did they spend a lot of time together when they were kids?
0:35:09 > 0:35:13It was Ali's thing to have him at the house, not Ruth's.
0:35:13 > 0:35:15He was in care, right?
0:35:15 > 0:35:17What was that? What, did she feel sorry for him?
0:35:20 > 0:35:21Yeah.
0:35:22 > 0:35:25He visited occasionally, at weekends or whatever.
0:35:28 > 0:35:32His brother used to drop him off and then Ali would take him
0:35:32 > 0:35:33back to the home.
0:35:40 > 0:35:42Can I ask,
0:35:42 > 0:35:45isn't it possible you're barking up the wrong tree
0:35:45 > 0:35:46here with Aaron...
0:35:48 > 0:35:50..like you are with me?
0:35:55 > 0:35:59Nikki, that inspection pit, there's soil from another source in it.
0:35:59 > 0:36:01We're doing a mineral analysis.
0:36:01 > 0:36:02Great.
0:36:02 > 0:36:03And the hair clip we found...
0:36:03 > 0:36:06Do we know if Ruth was wearing one like that when she went missing?
0:36:06 > 0:36:09Yes, we do. Think it wise to update Ashton?
0:36:09 > 0:36:10And don't forget to tell her
0:36:10 > 0:36:13we've got loads of prints - fingers this time - from the red sofa.
0:36:13 > 0:36:15Remind her I'm running them.
0:36:15 > 0:36:16I know.
0:36:29 > 0:36:31You're letting him go?
0:36:31 > 0:36:35What can we hold him on, some photos and maps?
0:36:35 > 0:36:36Everything he said checks out.
0:37:22 > 0:37:25These are the fingermarks from the red sofa at the boathouse.
0:37:25 > 0:37:27I mean, there are loads over the years.
0:37:27 > 0:37:29We've got old marks from Ruth and Kieran.
0:37:31 > 0:37:32And she was there, too?
0:37:35 > 0:37:36And look who else.
0:37:37 > 0:37:39Whoa. What was she doing there?
0:37:50 > 0:37:51PHONE RINGS
0:37:54 > 0:37:55Hello?
0:37:55 > 0:37:56'I've got nowhere to go, Ben.'
0:37:56 > 0:37:58I can't talk right now.
0:37:58 > 0:38:00Have you seen the papers?
0:38:00 > 0:38:01They've found a grave.
0:38:06 > 0:38:07Hang on.
0:38:07 > 0:38:08Where are you?
0:38:12 > 0:38:14OK. All right, all right.
0:38:32 > 0:38:33ENGINE STARTS
0:38:39 > 0:38:40I don't know.
0:38:40 > 0:38:42I don't know how it got there!
0:38:42 > 0:38:44You have clearly been to that boatyard.
0:38:44 > 0:38:45No.
0:38:45 > 0:38:46You've been on that sofa.
0:38:46 > 0:38:49- No.- So how did your fingerprint get there?
0:38:49 > 0:38:52I've done nothing wrong.
0:38:52 > 0:38:53It's where your daughter's body was hidden.
0:38:56 > 0:38:57No.
0:38:58 > 0:38:59No.
0:38:59 > 0:39:01What were you doing there, Ali?
0:39:01 > 0:39:02No!
0:39:02 > 0:39:04No! No!
0:39:04 > 0:39:06No!
0:39:09 > 0:39:10Get them out!
0:39:44 > 0:39:45CAR LOCK BEEPS
0:39:58 > 0:40:00Turn your phone off. The police will trace it.
0:40:00 > 0:40:01I've got another one.
0:40:03 > 0:40:04What is this place?
0:40:06 > 0:40:09Sarah was going to buy it for us to do up.
0:40:09 > 0:40:11Somewhere to live when the baby arrives.
0:40:12 > 0:40:13You'll be OK here for a while.
0:40:15 > 0:40:16Does Sarah know we're here?
0:40:16 > 0:40:19No! We...we have to keep her away from all this.
0:40:20 > 0:40:21It's too much for her.
0:40:22 > 0:40:23Yeah.
0:40:27 > 0:40:28Listen...
0:40:32 > 0:40:35..what if you went to the police, right now?
0:40:35 > 0:40:37You think I'm guilty?
0:40:37 > 0:40:38No, God no. Course not.
0:40:40 > 0:40:42But how long can this go on for?
0:40:42 > 0:40:45Sooner or later, they'll find you or you'll have to give yourself up.
0:40:45 > 0:40:47- I've done nothing wrong. - I know. That's what I'm saying...
0:40:47 > 0:40:50They'll never believe that, Ben. They'll just keep coming for me!
0:41:01 > 0:41:02Look, I...
0:41:02 > 0:41:04I've never really been there for you, have I?
0:41:06 > 0:41:07Not even when Mum died.
0:41:09 > 0:41:11But we're going to put that right.
0:41:11 > 0:41:13Now, OK?
0:41:20 > 0:41:21Come here.
0:41:45 > 0:41:47PHONE RINGS
0:41:59 > 0:42:00Chris Tresize.
0:42:00 > 0:42:02'Yeah, it's DI Ashton.'
0:42:02 > 0:42:04I need you to come into the station.
0:42:05 > 0:42:07I'm not coming anywhere.
0:42:07 > 0:42:10Well, we have found Ali's fingerprint near where
0:42:10 > 0:42:11we think Ruth's body was buried.
0:42:13 > 0:42:14What are you saying?
0:42:16 > 0:42:18What were Ali's fingerprints doing there?
0:42:18 > 0:42:20'I'm hoping you can help me with that.'
0:42:23 > 0:42:24CALL DISCONNECTS
0:42:40 > 0:42:42I'm not here to hurt anybody.
0:42:42 > 0:42:44You compromise me and I'll kill you.
0:42:44 > 0:42:46I know you, Aaron.
0:42:46 > 0:42:47You don't have it in you.
0:42:52 > 0:42:54How did you know where I was?
0:42:54 > 0:42:57They've found where they think Ruth's body was kept.
0:42:59 > 0:43:01Ali's fingerprints were there, too.
0:43:02 > 0:43:03Her prints...?
0:43:03 > 0:43:06Why? She had something to do with Ruth's death?
0:43:06 > 0:43:07No. No way.
0:43:07 > 0:43:08But you know something, right?
0:43:11 > 0:43:13- You must know. - What are you talking about?
0:43:15 > 0:43:18I thought Ali might've been sleeping with other men,
0:43:18 > 0:43:21but I didn't know who or where she went to do that.
0:43:21 > 0:43:23Here.
0:43:23 > 0:43:25Look at that.
0:43:30 > 0:43:31She was sleeping with your brother.
0:43:31 > 0:43:33I think maybe I knew.
0:43:33 > 0:43:34I just didn't want to believe it.
0:43:36 > 0:43:37No.
0:44:27 > 0:44:30We have a warrant to search the premises.
0:44:30 > 0:44:31Where's Aaron? Hm?
0:44:33 > 0:44:35PHONE RINGS
0:44:44 > 0:44:46Hello.
0:44:46 > 0:44:47I'm going to the police.
0:44:48 > 0:44:50I can't run away from this for ever, can I?
0:44:51 > 0:44:53'Will you meet me and come with me?'
0:44:53 > 0:44:55Yeah.
0:45:24 > 0:45:25We don't need her.
0:45:33 > 0:45:37We've found a place where we think Ruth Tresize's body's been kept.
0:45:37 > 0:45:41So, I need to ask you, the alibi you gave Aaron for Ruth's murder,
0:45:41 > 0:45:42was it accurate?
0:45:42 > 0:45:44Cos you said that he was with you at that time.
0:45:44 > 0:45:46Yes.
0:45:46 > 0:45:47Likewise with Lorna Katz?
0:45:47 > 0:45:49On both occasions, he was with you?
0:45:49 > 0:45:52Yes. I've said yes. What more do you want me to say?!
0:45:52 > 0:45:55Clarissa, how long before we get the DNA on the grave site?
0:45:55 > 0:45:57Couple of days, if we're lucky.
0:45:58 > 0:46:02These prints, I think there's more wear on the inner sole.
0:46:02 > 0:46:03Can you see?
0:46:06 > 0:46:10Obviously, I have an unorthodox gait myself, so maybe I'm more sensitive
0:46:10 > 0:46:16to this, but I think this guy walks with a bias towards his inner foot.
0:46:16 > 0:46:18So, you think the foot rolls in?
0:46:18 > 0:46:20Yeah.
0:46:21 > 0:46:23Can we access some medical records?
0:46:41 > 0:46:42Can I have a word?
0:46:47 > 0:46:49I've just spoken with Thomas and Clarissa.
0:46:49 > 0:46:51It looks like the killer had talipes.
0:46:51 > 0:46:54These are the bootprints from the Lorna scene and Stella's,
0:46:54 > 0:46:55and this is them amalgamated.
0:46:55 > 0:46:59They match up, pretty much, to make one print from one individual.
0:46:59 > 0:47:00So, sorry, talipes?
0:47:00 > 0:47:01Club foot.
0:47:01 > 0:47:04Surgery in children can pretty much correct it.
0:47:04 > 0:47:06You wouldn't necessarily notice it in the way that somebody walked,
0:47:06 > 0:47:08but it would still leave a bias.
0:47:08 > 0:47:10Which is what there is here. The foot's turned inwards.
0:47:10 > 0:47:13So, this is the killer's bootprint? You're sure of that?
0:47:13 > 0:47:16Two matching prints left at two scenes?
0:47:16 > 0:47:18They checked Aaron's medical records and it's not him.
0:47:18 > 0:47:20He has no history of this.
0:47:20 > 0:47:21So, who does?
0:47:36 > 0:47:38- BEN'S VOICE:- 'You think you're going to go, do you?
0:47:40 > 0:47:43'Nobody ever leaves me.'
0:47:59 > 0:48:02Sarah, those alibis you gave Aaron.
0:48:04 > 0:48:06Was Ben with you then, too?
0:48:06 > 0:48:08Yes. I already said this.
0:48:08 > 0:48:09On both occasions?
0:48:12 > 0:48:13Sorry, what is this?
0:48:13 > 0:48:16When Lorna Katz died, was he with you all of the time?
0:48:21 > 0:48:26Er, he had to go out late that night to meet some people who wanted...
0:48:28 > 0:48:30People from the brewery.
0:48:30 > 0:48:32Why didn't you mention that before?
0:48:32 > 0:48:34Well, I didn't think it mattered.
0:48:34 > 0:48:39Like, you know, you asked was I with Ben that night - yes, I was.
0:48:39 > 0:48:40What time did he get back?
0:48:41 > 0:48:43I'm sorry, why are you asking me questions about Ben?
0:48:43 > 0:48:45Please, it's important.
0:48:47 > 0:48:49I don't know.
0:48:49 > 0:48:51Er, I was asleep.
0:48:51 > 0:48:53Late.
0:48:53 > 0:48:57And what about the night when Ruth went missing?
0:48:57 > 0:48:58That was years ago.
0:48:58 > 0:49:02It's in the file. You were here watching New Year fireworks
0:49:02 > 0:49:03and Aaron was with you.
0:49:03 > 0:49:05And was Ben there, too?
0:49:05 > 0:49:07Was he? Was he there all night?
0:49:08 > 0:49:09Sarah?
0:49:11 > 0:49:14And at the time of Kieran's death, was he here, like you said?
0:49:17 > 0:49:18Talipes.
0:49:20 > 0:49:22- JACK:- You know what that is, don't you?
0:49:22 > 0:49:24The killer may have that condition.
0:49:24 > 0:49:26They might have had an operation to put it right,
0:49:26 > 0:49:28but they probably still have aches and pains because of it.
0:49:31 > 0:49:33Do you know anyone like that?
0:49:35 > 0:49:36Sarah?
0:49:47 > 0:49:48Hey.
0:49:50 > 0:49:53You're making the right decision, giving yourself up.
0:49:53 > 0:49:55What happened with you and Ali? Were you sleeping with her?
0:49:55 > 0:49:56Who told you this shit?
0:49:56 > 0:49:58Just tell me what happened, man!
0:49:58 > 0:50:00Did Ruth know about you and Ali?
0:50:00 > 0:50:01Did you kill Ruth?
0:50:06 > 0:50:07What did you do?
0:50:27 > 0:50:30- Ben's mobile?- Yes, we've still got a trace. This way!
0:50:39 > 0:50:41You ruined my life, Aaron!
0:50:41 > 0:50:43You don't understand, Aaron.
0:50:43 > 0:50:45Why did you do it?
0:50:45 > 0:50:46Tell me!
0:50:50 > 0:50:52Tell me!
0:50:52 > 0:50:53Tell me!
0:50:53 > 0:50:55Ruth was going to tell Sarah, man.
0:50:55 > 0:50:57All she had to do was to promise to say nothing.
0:50:58 > 0:51:01What, Lorna and Kieran, you killed them, too?
0:51:01 > 0:51:04All this about protecting me was bullshit.
0:51:04 > 0:51:05It's always been about you!
0:51:07 > 0:51:08I would have fixed this.
0:51:08 > 0:51:09What, like you did with Mum?
0:51:09 > 0:51:11- She never cared about you, man.- No.
0:51:11 > 0:51:14- Mum was going to abandon us both, just like Sarah would've done.- No.
0:51:14 > 0:51:16Like Lorna did to you.
0:51:22 > 0:51:24Take him.
0:51:24 > 0:51:26Aaron, stop.
0:51:26 > 0:51:27Stop. Stop.
0:51:31 > 0:51:32Stop.
0:51:33 > 0:51:34Where is she?
0:51:34 > 0:51:36Where's Ruth?
0:51:36 > 0:51:37Where have you buried her?
0:51:40 > 0:51:43What I don't get is why he moved the body.
0:51:43 > 0:51:45Well, the owners of the boatyard had sold the place.
0:51:45 > 0:51:48Maybe he got spooked it would've been found.
0:51:48 > 0:51:50What about Lorna?
0:51:50 > 0:51:52Did she find him in the act of moving the body?
0:51:52 > 0:51:54Ashton says Ben's not talking.
0:51:55 > 0:51:56Guess we'll never know.
0:51:56 > 0:51:59Remember me saying there were soil samples on the side of
0:51:59 > 0:52:02- the inspection pit that didn't originate from there?- Yeah.
0:52:02 > 0:52:06So, what if...he takes care of Lorna, then he goes,
0:52:06 > 0:52:11digs the new grave and comes back to the boatyard to get Ruth's body?
0:52:12 > 0:52:16But he uses the same tool, whatever it was, to lift the grill.
0:52:16 > 0:52:18So the soil in the pit could've come from that tool, from where
0:52:18 > 0:52:19- the body's been moved to?- Yeah.
0:52:19 > 0:52:21Is soil analysis back?
0:52:21 > 0:52:25Yeah. And it's got diatoms in it, so it's from a flood plain.
0:52:26 > 0:52:30There's fly ash in it, too, and other pollution hydrocarbons.
0:52:30 > 0:52:32Which suggests what?
0:52:32 > 0:52:34That it's near a railway line and a road.
0:52:34 > 0:52:36And pollen content...
0:52:36 > 0:52:38Classic wet grass meadow.
0:52:42 > 0:52:45So, where do we find an area near the River Lea
0:52:45 > 0:52:47that fits that profile?
0:52:49 > 0:52:52OK, OK.
0:52:52 > 0:52:53How about this?
0:52:54 > 0:52:56Here's the road.
0:52:56 > 0:52:57Here's the railway line.
0:52:57 > 0:53:00- Isn't that where Chris Tresize lives?- Mm-hm.
0:53:01 > 0:53:03Would he really be that perverse?
0:53:03 > 0:53:04Burying her there?
0:53:04 > 0:53:07Her father would look out on her, wouldn't he?
0:53:08 > 0:53:09Without even realising it.
0:53:58 > 0:53:59Something here.
0:54:06 > 0:54:08This has been recently dug over.
0:54:57 > 0:54:58You've found her?
0:55:00 > 0:55:01Yeah.
0:55:06 > 0:55:07Ah...
0:55:09 > 0:55:11SHE STARTS TO WAIL
0:55:12 > 0:55:14HER WAILING INTENSIFIES
0:55:35 > 0:55:36This geezer's right up my arse!
0:55:39 > 0:55:40Arrrrgh!
0:55:40 > 0:55:42So, you think this was a professional job?
0:55:42 > 0:55:43If it was, he was having a bad day.
0:55:43 > 0:55:44GUNSHOTS
0:55:44 > 0:55:48Ricky's dead. He was murdered this morning, and he's after me, too.
0:55:48 > 0:55:50I think he's done what he said he was going to do, Paul.
0:55:50 > 0:55:51And now it's all going to come out.
0:55:51 > 0:55:53I need to speak to Becky and she's blocked me.
0:55:53 > 0:55:54It's about her dad.
0:55:54 > 0:55:56I know what I did was wrong.
0:55:56 > 0:55:57I do.
0:55:57 > 0:55:59But I don't deserve to die for it.
0:55:59 > 0:56:01Becky, please. Come on, wake up.
0:56:01 > 0:56:02Becky, what have you done?
0:56:02 > 0:56:09# Testator silens
0:56:09 > 0:56:17# Costestes e spiritu
0:56:17 > 0:56:25# Silentium. #