A Special Relationship, Part One

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0:00:02 > 0:00:06This programme contains some violent scenes from the start,

0:00:06 > 0:00:10and some scenes which some viewers may find upsetting

0:00:10 > 0:00:13The Middle East's long been a thorn in the side of American politics.

0:00:13 > 0:00:16Recently, the signs from Washington have pointed to a more assertive

0:00:16 > 0:00:17approach to diplomacy in the region.

0:00:17 > 0:00:20Here with me now is the US Ambassador, Jonathan Kraft.

0:00:20 > 0:00:23Ambassador, can I start by asking you -

0:00:23 > 0:00:27why has the US administration been so intent on escalating

0:00:27 > 0:00:30a disagreement into a full-scale military crisis?

0:00:30 > 0:00:34Well, I think first of all we need to define escalating...

0:00:36 > 0:00:38Thank you, sir. Good job.

0:00:39 > 0:00:42Your car's waiting outside.

0:00:42 > 0:00:44You not coming too?

0:00:44 > 0:00:46I'll catch up with you in the morning, if that's OK?

0:01:23 > 0:01:24Sir.

0:01:24 > 0:01:25Hey.

0:01:25 > 0:01:27Did you e-mail me those briefing notes?

0:01:27 > 0:01:29For the Sky interview?

0:01:31 > 0:01:32Yeah.

0:01:32 > 0:01:34No, Kelly didn't want to bother you tonight.

0:01:34 > 0:01:36Do you want me to send them over?

0:01:36 > 0:01:38Yeah, I'll take a look before I turn in.

0:01:42 > 0:01:45Ryan? Ryan?

0:01:47 > 0:01:48GUNSHOT WITH SILENCER

0:01:52 > 0:01:54GUNSHOT

0:01:58 > 0:02:05# Testator silens

0:02:08 > 0:02:15# Costestes e spiritu

0:02:15 > 0:02:26# Silentium

0:02:30 > 0:02:36# Testator silens... #

0:02:55 > 0:02:56Here's Thomas

0:02:57 > 0:02:58Thank you.

0:03:03 > 0:03:04Sorry, sir.

0:03:05 > 0:03:07What's with all this?

0:03:07 > 0:03:09- It's something to do with the US Embassy.- The embassy?

0:03:09 > 0:03:12Yeah. Victim's their Political Section Chief -

0:03:12 > 0:03:14guy called Ryan Reed.

0:03:14 > 0:03:16Ben Solomon. Counter-terrorism Command.

0:03:16 > 0:03:18Thomas Chamberlain, Head of the Lyell.

0:03:18 > 0:03:19Why the hold up?

0:03:20 > 0:03:22Jurisdiction.

0:03:23 > 0:03:26The embassy's got their legal people all over it.

0:03:26 > 0:03:28US Government victim, UK soil.

0:03:28 > 0:03:32Hey, we're still awaiting confirmation from Washington, OK?

0:03:32 > 0:03:33Sorry.

0:03:35 > 0:03:37Who's Cinderella?

0:03:37 > 0:03:39Um...FBI.

0:03:39 > 0:03:41Been here since the small hours.

0:03:43 > 0:03:46He was shot down there, right? So, what'd he do, move himself?

0:03:46 > 0:03:48If we don't move soon,

0:03:48 > 0:03:51there'll be nothing left of this bloody crime scene.

0:03:51 > 0:03:53Matt Garcia, Deputy Chief of Mission.

0:03:53 > 0:03:55Assistant Commissioner Khan.

0:03:55 > 0:03:58Sorry, our State Department's still talking with your Home Office.

0:03:58 > 0:04:01No, no, this is a national security issue.

0:04:01 > 0:04:03We're moving on this now. Let's go.

0:04:06 > 0:04:08Your country, your crime scene.

0:04:50 > 0:04:55Entry...and exit.

0:04:55 > 0:04:56Single shot.

0:04:56 > 0:04:59And another bullet wound to the right shoulder.

0:04:59 > 0:05:01What's with the Nelson? What's he reaching for?

0:05:01 > 0:05:03Let's have a look, shall we?

0:05:06 > 0:05:07CAMERA SHUTTER CLICKS

0:05:16 > 0:05:17Nothing.

0:05:20 > 0:05:24Two bullet wounds - one to the shoulder and one to the back.

0:05:24 > 0:05:28CT scan shows that there are no bullets left in the body.

0:05:28 > 0:05:30Nikki, could you give me a hand?

0:05:36 > 0:05:39Minimal powder burns next to the entry wound.

0:05:39 > 0:05:41We'll check his clothing.

0:05:41 > 0:05:43Some partial contact bruising too.

0:05:43 > 0:05:44Thank you.

0:05:44 > 0:05:48All suggests the barrel of the gun was held close to his back.

0:05:48 > 0:05:50He wouldn't have been able to move from where

0:05:50 > 0:05:51he was shot to where he was found.

0:05:51 > 0:05:53He would've bled out too quickly.

0:05:53 > 0:05:55So the killer dragged him over and sat him

0:05:55 > 0:05:58up on the bench with his arm in his jacket pocket?

0:05:58 > 0:06:00What was he doing in that area? It's not where he lives, is it?

0:06:00 > 0:06:02- Must have been visiting somebody. - PHONE RINGS

0:06:02 > 0:06:04We have apartments for embassy staff near there.

0:06:04 > 0:06:05It's Jack.

0:06:05 > 0:06:06I'll put him through.

0:06:06 > 0:06:08Right, let's turn him.

0:06:08 > 0:06:10All right, well... It was definitely a motorbike.

0:06:10 > 0:06:14We got traces of what looks like four-stroke in the tarmac...

0:06:14 > 0:06:17Paintwork...

0:06:18 > 0:06:21..orange in colour - might be able to get a trace on that,

0:06:21 > 0:06:28and the gunman was most likely wearing bike leathers.

0:06:28 > 0:06:30Anything on CCTV?

0:06:30 > 0:06:31No.

0:06:31 > 0:06:32Nothing directly from the scene.

0:06:32 > 0:06:35I thought London was the most spied-on population in the world.

0:06:35 > 0:06:38We're looking at a terror attack with possibly more planned,

0:06:38 > 0:06:40so we need to move fast on this.

0:06:40 > 0:06:42Security Service personnel are on their way

0:06:42 > 0:06:44- here now for a briefing.- OK.

0:06:46 > 0:06:48The bullet penetrated the tarmac,

0:06:48 > 0:06:51suggesting he was shot close to the ground.

0:06:51 > 0:06:53That bullet has been retrieved.

0:06:53 > 0:06:57There's also some blood pooling in this area, too.

0:06:57 > 0:07:01On the right shoulder we have an exit wound down by the left ribs,

0:07:01 > 0:07:04so that bullet could have penetrated

0:07:04 > 0:07:07his lungs, heart, possibly the aorta.

0:07:09 > 0:07:11Follicle disruption to the scalp, too.

0:07:11 > 0:07:16OK. So, he was lying face down to the ground for the first shot,

0:07:16 > 0:07:18then the gunman grabbed him

0:07:18 > 0:07:21by the hair to lift his head up before shooting him again.

0:07:21 > 0:07:25Heavy blood pooling ahead of the body is consistent with

0:07:25 > 0:07:27that theory.

0:07:27 > 0:07:31So the gun was being held in this direction.

0:07:49 > 0:07:51Et voila.

0:07:51 > 0:07:52Second bullet retrieved.

0:07:56 > 0:07:58HUBBUB OF VOICES

0:08:07 > 0:08:09INDISTINCT, ECHOING VOICES

0:08:53 > 0:08:56- This lab's a private company, isn't it?- Yes.

0:08:56 > 0:08:59Have they got security clearance for this?

0:08:59 > 0:09:01Yes, Dr Chamberlain's organised all of that.

0:09:01 > 0:09:04It's a postmortem briefing, that's all we're doing here.

0:09:04 > 0:09:05I'm heading up the enquiry,

0:09:05 > 0:09:08DCI Solomon is handling the investigation on the ground.

0:09:08 > 0:09:10- You're in safe hands.- OK.

0:09:10 > 0:09:12Obviously I'm not going to contradict what the ambassador

0:09:12 > 0:09:14just said. Come on, guys!

0:09:14 > 0:09:17So, yes, the Special Relationship remains just that.

0:09:18 > 0:09:19Madeleine?

0:09:19 > 0:09:21Has the ambassador...

0:09:22 > 0:09:25So are you guys sure, 100%, this a terrorist attack?

0:09:25 > 0:09:27Not 100%.

0:09:27 > 0:09:30Inga Meyer, Intelligence Service.

0:09:30 > 0:09:35Mr Reed was a high-profile member of embassy staff who appears to

0:09:35 > 0:09:37have been deliberately targeted,

0:09:37 > 0:09:40so, yes, a terrorist attack is the most likely scenario. However,

0:09:40 > 0:09:44we can't rule out a lone wolf and no group has claimed responsibility

0:09:44 > 0:09:47yet, so we'd like to be sure before we raise any more flags.

0:09:47 > 0:09:50OK, on that - there's something significant, I think. Shall I?

0:09:50 > 0:09:51Go ahead.

0:09:51 > 0:09:55So we've found traces of semen on Mr Reed's belt.

0:09:55 > 0:09:58And we found evidence of sexual activity,

0:09:58 > 0:10:00during our initial examination.

0:10:00 > 0:10:02There's a partial,

0:10:02 > 0:10:04latent fingerprint on another part of the belt, too.

0:10:04 > 0:10:07- Ryan's?- No. So...

0:10:07 > 0:10:11..find this person and maybe you can piece together his final

0:10:11 > 0:10:12movements - at the very least.

0:10:12 > 0:10:16We can check it against our UK database but obviously we don't have access to anything US.

0:10:16 > 0:10:18I'll have to discuss that with the State Department.

0:10:18 > 0:10:19You can't just action it yourself?

0:10:19 > 0:10:21I'm afraid it's a political decision.

0:10:21 > 0:10:23Well, I suggest you move quickly this time.

0:10:23 > 0:10:25- I'll make it happen.- Thank you.

0:10:25 > 0:10:27So, anything else from the postmortem?

0:10:27 > 0:10:29Erm, congested lungs.

0:10:29 > 0:10:32Some bladder distention. Nothing striking.

0:10:32 > 0:10:36OK. For our American friends here the Home Office has issued a DSMA

0:10:36 > 0:10:39notice requesting the media not to report on this at present.

0:10:39 > 0:10:42Requesting? The British press?

0:10:42 > 0:10:44We're confident they'll comply.

0:10:54 > 0:10:55BUZZER

0:10:55 > 0:10:56Hello. Name, please?

0:10:56 > 0:10:58- Ella Weir.- Thank you.

0:10:58 > 0:10:59DOOR LOCK BUZZES

0:11:19 > 0:11:21He turned up wanting his old bed back.

0:11:21 > 0:11:24Normally that would have been A&E, but we know him, so...

0:11:27 > 0:11:29- Can I?- Mm-hm.

0:11:36 > 0:11:37Hey.

0:11:37 > 0:11:38Hey.

0:11:40 > 0:11:42Why didn't you call me?

0:11:42 > 0:11:44Fergus hasn't been taking his meds.

0:11:44 > 0:11:46He told me he was.

0:11:48 > 0:11:49It's cool.

0:11:49 > 0:11:51I'm taking them now.

0:11:51 > 0:11:54We're going with the lorazepam as before

0:11:54 > 0:11:56but the docs have upped his mirtazapine.

0:11:56 > 0:11:57Little bit of self harming, too.

0:11:57 > 0:11:59It's OK.

0:11:59 > 0:12:01- Oh, Fergus.- It's OK.

0:12:04 > 0:12:07I'm OK now. Promise.

0:12:16 > 0:12:18- Can you give me two seconds?- Yeah.

0:12:18 > 0:12:20Ben Solomon...

0:12:22 > 0:12:25I've got to go see Ryan's wife and kids.

0:12:25 > 0:12:28Oh, gosh. The police will tell them, won't they?

0:12:28 > 0:12:31No, I think it's important that I do it.

0:12:37 > 0:12:41"Age determination using bone structures of the skull."

0:12:42 > 0:12:44You read my research paper?

0:12:44 > 0:12:47No. I'm more of a John Grisham guy myself.

0:12:47 > 0:12:48I just googled you.

0:12:50 > 0:12:51Oh, right.

0:12:53 > 0:12:55Right.

0:12:55 > 0:12:59Well, I haven't written much since - too caught up in the practical,

0:12:59 > 0:13:01which I love, by the way.

0:13:01 > 0:13:03I'm not a slumming academic -

0:13:03 > 0:13:05wouldn't want to give you that impression.

0:13:07 > 0:13:10So, Deputy Chief of Mission is what?

0:13:10 > 0:13:14I run the embassy - the ambassador does the politics.

0:13:14 > 0:13:16This kind of thing is way out there -

0:13:16 > 0:13:21usually it's just endless trade delegations and receptions.

0:13:21 > 0:13:23You should come see for yourself sometime.

0:13:23 > 0:13:25Sir, they've found the bike.

0:13:45 > 0:13:48I won't be in your house forever.

0:13:48 > 0:13:50You're my brother. You can stay as long as you want.

0:13:52 > 0:13:54Bet Peter doesn't say that.

0:13:55 > 0:13:56He doesn't live here,

0:13:56 > 0:13:59so it doesn't matter what he thinks or anyone else.

0:13:59 > 0:14:01Besides, Peter cares a lot about you.

0:14:04 > 0:14:07He's just trying to get on the right side of you.

0:14:24 > 0:14:26I got blood on my clothes.

0:14:26 > 0:14:28I'll put them in the wash.

0:14:29 > 0:14:31Listen, work've been chasing me.

0:14:31 > 0:14:34Are you going to be all right here on your own?

0:14:37 > 0:14:38I shouldn't leave you, should I?

0:14:38 > 0:14:40I'm all right.

0:14:40 > 0:14:43I'd say if I wasn't. OK?

0:14:44 > 0:14:45OK.

0:15:05 > 0:15:06DOOR LOCK CLICKS

0:15:24 > 0:15:27He dumped it out in the Lee Valley - then burnt it out.

0:15:27 > 0:15:29He did a pretty good job.

0:15:29 > 0:15:30We'll be lucky to get anything off it.

0:15:30 > 0:15:32You checked ownership?

0:15:32 > 0:15:34No, we didn't think we'd bother.

0:15:34 > 0:15:36He's kidding.

0:15:36 > 0:15:39It was stolen two days ago from Treby Street, Mile End -

0:15:39 > 0:15:41that's the East London area.

0:15:41 > 0:15:42Did that help at all?

0:15:44 > 0:15:45No CCTV.

0:15:46 > 0:15:48- Thanks.- Welcome.

0:15:53 > 0:15:55- Did Kim apologise?- For what?

0:15:55 > 0:15:58- Slowing you guys down earlier. - Not a dickey bird.

0:16:00 > 0:16:01Right, well, let me.

0:16:01 > 0:16:03Something like this, we have to defer to Washington

0:16:03 > 0:16:06and right now they're hard-wired to want to control everything

0:16:06 > 0:16:08everywhere, so...

0:16:10 > 0:16:11Matt Garcia?

0:16:32 > 0:16:33Fergus.

0:16:37 > 0:16:38Shit!

0:17:02 > 0:17:06Terry Lefoe? CID. Can you come with us, please?

0:17:06 > 0:17:08We'd like to talk to you about Ryan Reed.

0:17:13 > 0:17:15Is she refusing to cooperate?

0:17:15 > 0:17:17Of course she's refusing to cooperate.

0:17:17 > 0:17:18We're talking about a US victim here.

0:17:18 > 0:17:23Even so, there's protocol - you can't just arrest her in the street.

0:17:23 > 0:17:25She shouldn't even be here!

0:17:25 > 0:17:27I want to talk to her alone.

0:17:32 > 0:17:34- I get it.- I have diplomatic immunity, sir.

0:17:34 > 0:17:36I said I get it, Terry.

0:17:36 > 0:17:39But so what? Are you really going to refuse to

0:17:39 > 0:17:41cooperate in the homicide of one of our own?

0:17:41 > 0:17:43You know nothing, tell them that.

0:17:43 > 0:17:46Look, I know they've gone in hard here - ridiculously so, but..

0:17:46 > 0:17:50- But!- We're supposed to have a mutually beneficial relationship

0:17:50 > 0:17:53with the UK agencies. You clam up now, how's that going to play?

0:17:57 > 0:17:59They think you were with him last night.

0:17:59 > 0:18:01Why would I have been with him last night?

0:18:01 > 0:18:02Terry.

0:18:19 > 0:18:23OK, he's got a wife and kid and you don't want what you

0:18:23 > 0:18:26had going with him getting out there. I understand that, but this

0:18:26 > 0:18:28is a potential terrorist attack,

0:18:28 > 0:18:30so this is how it's going to go. I'm insisting

0:18:30 > 0:18:35they let you go - but they get to interview you - at the embassy,

0:18:35 > 0:18:36Kim'll sit in.

0:18:36 > 0:18:38That way, whatever happens, they can't touch you.

0:18:40 > 0:18:42That's the best I can do.

0:18:48 > 0:18:51Thank you. Thanks.

0:18:51 > 0:18:53Can you open your mouth, please?

0:18:55 > 0:18:57So when did you last see Ryan?

0:18:58 > 0:19:02He called in to my office yesterday morning around 11

0:19:02 > 0:19:04to plan for the Secretary of State's visit.

0:19:04 > 0:19:06You think I had something to do with his death, don't you?

0:19:06 > 0:19:08Why would I?

0:19:08 > 0:19:11He told his wife he was away on embassy business

0:19:11 > 0:19:14but it appears he had sex in the hours before his death -

0:19:14 > 0:19:17and he was heading towards yours when he was attacked.

0:19:17 > 0:19:18So...

0:19:20 > 0:19:22I've already got you on his belt.

0:19:24 > 0:19:27How long you been seeing one another, Terry?

0:19:29 > 0:19:30Only three months.

0:19:31 > 0:19:33OK.

0:19:33 > 0:19:36OK. Right. Now, take us through yesterday.

0:19:37 > 0:19:42I was here until about three in the afternoon, then..

0:19:42 > 0:19:46..in the evening I went to the theatre with people from Legal.

0:19:46 > 0:19:51So, between work and the theatre - what's that, like, three hours?

0:19:51 > 0:19:52What did you do then?

0:19:55 > 0:19:57You met up with him then, too, didn't you?

0:20:00 > 0:20:04I would never do anything to hurt him.

0:20:08 > 0:20:14Was he anxious about something, do you know? Had anyone threatened him?

0:20:16 > 0:20:19There was a guy outside my apartment a couple of nights ago.

0:20:19 > 0:20:21Ryan thought maybe he was being watched.

0:20:21 > 0:20:25But then he always did - he always thought he was being watched.

0:20:25 > 0:20:28Diplomats usually are.

0:20:28 > 0:20:29Who did he think it was?

0:20:29 > 0:20:31No idea.

0:20:31 > 0:20:34Some other country's spook just letting him know they were there.

0:20:34 > 0:20:36Did you see him, Terry - this guy?

0:20:37 > 0:20:38Yeah.

0:20:38 > 0:20:43Yeah. Uh, in his 30s, maybe. Caucasian.

0:20:43 > 0:20:44Biker's jacket?

0:20:46 > 0:20:47You see his face?

0:21:37 > 0:21:40OK, thanks. Bye. Right. Her alibi checks out.

0:21:40 > 0:21:42Security at her apartment confirms she was at home

0:21:42 > 0:21:44when the attack happened.

0:21:44 > 0:21:47I can get you access to Ryan's home computer and private cell -

0:21:47 > 0:21:49we can check out his office equivalents.

0:21:49 > 0:21:52- Presumably you've got every agent in London on this?- Totally.

0:21:52 > 0:21:55We'll need to look at surveillance cameras between the TV studios

0:21:55 > 0:21:57and where he was attacked..

0:21:57 > 0:22:01Yeah, thanks. You know we're pretty hot on basic policing.

0:22:01 > 0:22:03I'll call you later.

0:22:06 > 0:22:09Um, before you guys go - do you know a Dr Helen Vine?

0:22:10 > 0:22:12- From Medicafrica?- Yeah.

0:22:12 > 0:22:15She's here this evening doing a private talk

0:22:15 > 0:22:16for an invited audience.

0:22:16 > 0:22:20It's probably not the best time to ask, but I was wondering if you...

0:22:20 > 0:22:22Uh. Well, we...

0:22:22 > 0:22:25Well, we've covered the pathology for now. I'll have to

0:22:25 > 0:22:28wait for the tox report, but if you wanted to go along?

0:22:30 > 0:22:32OK. Sure.

0:22:33 > 0:22:34Great.

0:22:34 > 0:22:36Do you know what it's about?

0:22:36 > 0:22:38Well, she's...

0:22:40 > 0:22:42INDISTINCT VOICES

0:22:44 > 0:22:46ECHOING VOICE

0:22:55 > 0:22:56Can I take your order, please?

0:22:59 > 0:23:04Um... Yes. Can I have a...a sandwich?

0:23:04 > 0:23:06- Cheese sandwich, please. - Yeah, of course.

0:23:22 > 0:23:25# Picture this, freezing cold weather

0:23:25 > 0:23:28# You got clouds on your lids and you'd be on the skids

0:23:28 > 0:23:31# If it weren't for your job at the garage

0:23:31 > 0:23:33# If you could only oh-oh

0:23:33 > 0:23:36# Picture this, a sky full of thunder

0:23:37 > 0:23:40# Picture this, my telephone number

0:23:40 > 0:23:43# One and one is what I'm telling you

0:23:43 > 0:23:45# Get a pocket computer

0:23:45 > 0:23:49# Try to do what you used to do, yeah. #

0:23:50 > 0:23:52What are the FBI doing in our clean room?

0:23:52 > 0:23:55They are making sure Jack's getting down to it.

0:23:55 > 0:23:56They know he's a slacker.

0:23:56 > 0:23:58Crack that whip.

0:23:58 > 0:24:00- Anything from the bike?- Not a lot.

0:24:00 > 0:24:02Just a bit of seed in the tyres.

0:24:02 > 0:24:04Which I'm trying to identify as we speak.

0:24:04 > 0:24:06PHONE VIBRATES

0:24:06 > 0:24:07Sorry.

0:24:07 > 0:24:09Hi, Darling. No, no, no.

0:24:09 > 0:24:12Leaving soon. You OK there for a bit? ..I don't know.

0:24:12 > 0:24:14About half an hour.

0:24:14 > 0:24:15..OK, darling. Bye.

0:24:17 > 0:24:18Rosie

0:24:18 > 0:24:21So what's the story there? Is she living with you now?

0:24:21 > 0:24:23No, no, just until...

0:24:23 > 0:24:24Julia had the baby last night.

0:24:24 > 0:24:26- Another girl.- That's nice.

0:24:26 > 0:24:28- Everything OK?- It will be.

0:24:28 > 0:24:31Difficult birth, so they've kept her in for a bit.

0:24:31 > 0:24:33And you're in a knot.

0:24:33 > 0:24:34Me? No.

0:24:36 > 0:24:38Well, actually, yeah.

0:24:40 > 0:24:43Yeah, it's bloody strange.

0:24:43 > 0:24:48They have their family now and my daughter's going to be a part of it.

0:24:48 > 0:24:51Not quite got used to that yet - but I will.

0:24:54 > 0:24:56CHAMBER MUSIC PLAYS

0:25:32 > 0:25:33Excuse me.

0:25:38 > 0:25:41- Wow.- Hi.- You look terrific.- Thanks.

0:25:44 > 0:25:46- For you, madame?- Yeah?- Yeah, great.

0:25:46 > 0:25:49There's some people I'd love you to meet.

0:25:53 > 0:25:57Yeah, I did a placement there when I first qualified, out in Montana.

0:25:57 > 0:25:59Long time ago now.

0:25:59 > 0:26:00The amazing Montana.

0:26:00 > 0:26:01Ooh, Helen.

0:26:01 > 0:26:03Excuse us. Come here.

0:26:03 > 0:26:06I want you to meet a friend of mine. Dr Nikki Alexander, Dr Helen Vine.

0:26:06 > 0:26:08- Great to meet you.- Hi.

0:26:08 > 0:26:11- Will you excuse me for a second? - Yeah.

0:26:11 > 0:26:12I've read some of your books.

0:26:12 > 0:26:15Ooh, a fan.

0:26:15 > 0:26:16Oh, well, maybe you didn't like them.

0:26:16 > 0:26:19No, no, they were incredibly informative.

0:26:19 > 0:26:21Great.

0:26:21 > 0:26:23So what do you do?

0:26:23 > 0:26:24- I'm a pathologist.- Really?

0:26:24 > 0:26:25Ms Vine?

0:26:25 > 0:26:29Can I...? We're starting up a programme training

0:26:29 > 0:26:32pathologists for developing countries.

0:26:32 > 0:26:37You want to hook up later - just the two of us - grab a drink somewhere?

0:26:37 > 0:26:38Sure.

0:26:38 > 0:26:40I might have some work for you.

0:26:40 > 0:26:42- Ms Vine, please.- Excuse me.

0:26:43 > 0:26:45Talk to you later.

0:27:01 > 0:27:02BUZZER

0:27:07 > 0:27:12..having to somehow deal with a kind of simultaneous grief.

0:27:12 > 0:27:15That's like the whole of Liverpool suffering an emotional meltdown...

0:27:15 > 0:27:17- So?- Thanks for the introduction. She wants to meet up later.

0:27:17 > 0:27:20But I'm talking about that happening year in, year out.

0:27:20 > 0:27:24- Just the two of you?- Mm. - You must be giving off something.

0:27:26 > 0:27:28Helen can be very predatory.

0:27:28 > 0:27:30..the thick of it.

0:27:30 > 0:27:32Oh, yeah, my life's a ball, believe me.

0:27:32 > 0:27:34LAUGHTER

0:27:34 > 0:27:35It sure is.

0:27:36 > 0:27:38Let's go. Come on.

0:27:38 > 0:27:39Come on.

0:27:42 > 0:27:44Rosie?

0:27:48 > 0:27:49Rosie?

0:27:54 > 0:27:56KNOCK ON DOOR

0:27:56 > 0:27:57Rosie?

0:28:12 > 0:28:14I genuinely had no idea.

0:28:14 > 0:28:17No. Can I get you a drink?

0:28:17 > 0:28:18Yes, please.

0:28:25 > 0:28:26Sweet.

0:28:29 > 0:28:31What about their mum?

0:28:31 > 0:28:33We got divorced a couple of years ago.

0:28:33 > 0:28:35She's there, I'm here, and mercifully

0:28:35 > 0:28:37the Atlantic runs between us.

0:28:37 > 0:28:39And the kids?

0:28:39 > 0:28:43- Danny's travelling...- Thanks. - ..and Kelly's at Yale.

0:28:43 > 0:28:44Your old alma mater.

0:28:46 > 0:28:47Who told you that?

0:28:50 > 0:28:52Do I look that entitled to you?

0:28:52 > 0:28:53I googled you back.

0:28:57 > 0:28:58You just reminded me.

0:28:58 > 0:29:00I have, for you,

0:29:00 > 0:29:02first edition, signed copy.

0:29:04 > 0:29:05John Grisham.

0:29:05 > 0:29:06Wow, you weren't kidding.

0:29:08 > 0:29:10You think this is my kind of thing?

0:29:10 > 0:29:12I absolutely don't think it's your kind of thing.

0:29:12 > 0:29:14But then, if you didn't like it,

0:29:14 > 0:29:17- you'd have to see me again to give it back to me.- Oh, yeah?

0:29:17 > 0:29:20- Not a cunning plan, is it? - No, not now you've told me it.

0:29:22 > 0:29:23KNOCK ON DOOR

0:29:28 > 0:29:30Sorry, can I get a minute?

0:29:30 > 0:29:32Sure.

0:29:32 > 0:29:33I'll....

0:29:33 > 0:29:37- You'll be downstairs, right?- Sorry. Sorry...- I'll be right down.

0:29:37 > 0:29:39Don't worry.

0:29:43 > 0:29:48We've picked up traces of explosives on a package addressed to you.

0:29:50 > 0:29:51To me!

0:29:52 > 0:29:56We got X-rays and photos before UK bomb disposal destroyed it.

0:29:56 > 0:29:58It had a memory stick device inside it.

0:30:00 > 0:30:02There's a second envelope, too.

0:30:02 > 0:30:07Looks like the same source - same post mark, same address label.

0:30:07 > 0:30:09- But this one, this one's good?- Yeah.

0:30:09 > 0:30:13No explosives, nothing - just this strip of paper inside it.

0:30:14 > 0:30:16That make any sense to you?

0:30:18 > 0:30:20No.

0:30:20 > 0:30:23We got this fingerprint, too - on a corner of the envelope.

0:30:27 > 0:30:30Right, listen, with everything that's going on,

0:30:30 > 0:30:32I think we get the Lyell to take a look.

0:30:32 > 0:30:33- I'm on it.- Thanks.

0:30:46 > 0:30:47Rosie?

0:31:07 > 0:31:12Hiya. You all right? Mum's not here.

0:31:12 > 0:31:14You knew that, didn't you?

0:31:16 > 0:31:19I wanted to see the baby but she said no.

0:31:19 > 0:31:21I'm not allowed to go to the hospital.

0:31:24 > 0:31:25Sweetheart.

0:31:28 > 0:31:29Look.

0:31:31 > 0:31:33Mummy loves you - you know she loves you -

0:31:33 > 0:31:36nothing's going to change that.

0:31:36 > 0:31:38- Why's she ignoring me, then? - I don't know.

0:31:38 > 0:31:41- Maybe she's tired. Maybe the baby...- Erin.

0:31:42 > 0:31:44She's called Erin.

0:31:44 > 0:31:45Erin.

0:31:47 > 0:31:49Well, maybe Erin's a bit grouchy.

0:31:50 > 0:31:53There's a million reasons but whatever it is it won't be

0:31:53 > 0:31:55because she doesn't want to see you.

0:31:59 > 0:32:00You mad at me for coming here?

0:32:04 > 0:32:05Of course not.

0:32:35 > 0:32:37Can I see the wine list, please?

0:32:37 > 0:32:38Certainly, madam.

0:33:32 > 0:33:34Matt Garcia had a letter bomb sent to his address.

0:33:34 > 0:33:36Did bomb disposal send that through to you?

0:33:36 > 0:33:39Yeah, not much left of it, we're passing it on to an explosives expert for analysis.

0:33:39 > 0:33:43What about the second envelope with the numbers on it? Had a fingerprint?

0:33:43 > 0:33:46Yeah, no match with UK or the US databases.

0:33:46 > 0:33:48- You think they might be related? - I don't know.

0:33:48 > 0:33:50Never say never. Anyway, I wouldn't have called you in

0:33:50 > 0:33:54- but there's a possible US Embassy connection here, too.- Where's the cavalry?- Hopefully, no need.

0:33:54 > 0:33:56Please, God. Please, God.

0:33:56 > 0:34:00Boss, this is the room, and this is the manager, Mrs Peraki.

0:34:00 > 0:34:03They've tried contacting Ms Vine, but she isn't answering her mobile.

0:34:03 > 0:34:04Good work, Moss.

0:34:05 > 0:34:07How many people have been in here since last night?

0:34:07 > 0:34:09Just the maid and me.

0:34:09 > 0:34:14There's nothing inside the room - everything's normal - but here...

0:34:16 > 0:34:17..it looks like blood

0:34:20 > 0:34:22Certainly does.

0:34:39 > 0:34:40Yeah.

0:34:40 > 0:34:44Yeah, I need a general call putting out for a Helen Vine.

0:34:44 > 0:34:46- You got cameras in the corridor?- No.

0:34:46 > 0:34:48- Not up here.- What a shame.

0:34:52 > 0:34:56Can you see about getting these lights switched off for me, please?

0:34:56 > 0:34:57Thank you.

0:36:23 > 0:36:25I met her at the embassy.

0:36:26 > 0:36:27She knows Matt Garcia.

0:36:27 > 0:36:29Has he been informed?

0:36:29 > 0:36:30Yeah.

0:36:30 > 0:36:32- And the Home Office, are they aware? - Yeah.

0:36:34 > 0:36:39This wasn't indiscriminate, was it? She was targeted.

0:36:39 > 0:36:41So she knew him? Did she know him?

0:36:41 > 0:36:45How did he get in to her room?

0:36:45 > 0:36:47Maybe through a window, maybe through a door.

0:36:47 > 0:36:49- Was it forced?- No.

0:36:49 > 0:36:50Maybe she just opened it up to him.

0:36:50 > 0:36:52Somebody knocks, you open up, right?

0:36:52 > 0:36:54Why the hell would he risk moving her in here?

0:36:54 > 0:36:56Why not just pose her in her room?

0:36:56 > 0:37:00From the blood trail, it looks like she managed to get away from him out

0:37:00 > 0:37:02into the corridor - but he caught her up and dragged her in here.

0:37:02 > 0:37:04The MO's similar to Ryan Reed -

0:37:04 > 0:37:07and the way she's been placed in the chair.

0:37:07 > 0:37:10What about this magazine?

0:37:10 > 0:37:12Some sort of listings thing. Most of the rooms have them.

0:37:12 > 0:37:14It's the same guy, right?

0:37:18 > 0:37:20Look at this.

0:37:22 > 0:37:23Hasn't been fired.

0:37:23 > 0:37:24This one has.

0:37:27 > 0:37:28Right through her body.

0:37:30 > 0:37:31She'd had a pacemaker fitted -

0:37:31 > 0:37:34we've been able to examine that, details are on the table behind you.

0:37:34 > 0:37:38Shows abnormal heart activity starting last night, 9.33pm.

0:37:38 > 0:37:40Is that the time of death, then?

0:37:40 > 0:37:41No.

0:37:41 > 0:37:45Activity ceases completely at 9.36.

0:37:45 > 0:37:46Sir.

0:37:46 > 0:37:48What have we got?

0:37:48 > 0:37:51We've got a blunt force trauma injury to the head

0:37:51 > 0:37:53and defence wounds to both hands.

0:37:53 > 0:37:57A bullet entered here just below the xiphisternum, perforating

0:37:57 > 0:37:59the aorta - hence the massive blood loss,

0:37:59 > 0:38:00puncturing the lumbar vertebrae.

0:38:00 > 0:38:03The MO's the same, so, well, we're looking at the same killer.

0:38:03 > 0:38:05Possibly a serial killer.

0:38:05 > 0:38:07And the connection between the victims?

0:38:07 > 0:38:12Well, apart from their US Embassy connections and citizenship,

0:38:12 > 0:38:13I don't know.

0:38:13 > 0:38:16Some bladder fibrosis - quite advanced.

0:38:18 > 0:38:20Didn't Ryan Reed suffer from bladder inflammation, too?

0:38:20 > 0:38:23Yeah, not specifically fibrosis though, was it?

0:38:23 > 0:38:26- Have you checked his cytology yet? - I'll look at the slides.

0:38:35 > 0:38:38This is one of the bullets used to kill Helen Vine -

0:38:38 > 0:38:40and this one's from Ryan Reed.

0:38:40 > 0:38:42- The same gun?- Yes.

0:38:42 > 0:38:43Right. So the same killer.

0:38:43 > 0:38:46Well, no, the weapon can be fired by anyone, I think you'll find.

0:38:46 > 0:38:48So it's not necessarily the same killer.

0:38:48 > 0:38:50Right, right, OK, well, that's him, whoever he is.

0:38:50 > 0:38:53OK, we drop the DSMA notice and we go public..

0:38:53 > 0:38:54That's not going to happen.

0:38:54 > 0:38:56We've got to get that face out there.

0:38:56 > 0:38:58Washington won't be happy with that.

0:38:58 > 0:38:59Why not?

0:38:59 > 0:39:03Because until somebody claims responsibility we don't have an enemy to rail against.

0:39:03 > 0:39:05And admitting that our people are getting picked off in London,

0:39:05 > 0:39:09and we don't have a clue who's doing it, makes this Administration look weak.

0:39:09 > 0:39:10Unbelievable.

0:39:10 > 0:39:12So what will Washington be happy with?

0:39:15 > 0:39:18Finding out who did this.

0:39:18 > 0:39:20Back to basics, then - how did he get in?

0:39:23 > 0:39:24Here's Helen Vine.

0:39:25 > 0:39:26So before then.

0:39:28 > 0:39:30Right, so what am I looking for?

0:39:30 > 0:39:32Well. Biker's jacket.

0:39:38 > 0:39:40Whoa, whoa, whoa.

0:39:41 > 0:39:42What about him?

0:39:46 > 0:39:48OK, let's sync the cameras.

0:39:48 > 0:39:51Come on - come on, give me this guy.

0:39:51 > 0:39:53Is that him?

0:39:54 > 0:39:55Can you zoom in?

0:39:58 > 0:39:59Bring up the e-fit.

0:39:59 > 0:40:00Sure.

0:40:02 > 0:40:03That's him.

0:40:04 > 0:40:05Is there any more?

0:40:13 > 0:40:14He's not going to pay by card?

0:40:20 > 0:40:21Got him.

0:40:56 > 0:40:57SHE GASPS

0:41:11 > 0:41:13Armed police, don't move!

0:41:15 > 0:41:16- Armed police!- Get down.

0:41:16 > 0:41:17- Get down!- Now!

0:41:17 > 0:41:20- Get down now!- Hands on your head.

0:41:22 > 0:41:25Get down on your knees. I said, get down on your knees!

0:41:33 > 0:41:36Got the toxicology back on Helen Vine.

0:41:36 > 0:41:37Yeah.

0:41:37 > 0:41:39She was taking praziquantel.

0:41:39 > 0:41:42- Which is...- Which is used to treat something called schistosomiasis,

0:41:42 > 0:41:45an infection caused by a parasitic worm.

0:41:45 > 0:41:46You get it all over the tropics -

0:41:46 > 0:41:49South America, Asia, the Middle East, mostly Africa.

0:41:49 > 0:41:50And the bladder fibrosis?

0:41:50 > 0:41:52Is a symptom.

0:41:52 > 0:41:55- Ryan Reed has got a little bit of fibrosis, too.- Really?

0:41:55 > 0:41:56Less advanced than Helen Vine's.

0:41:56 > 0:41:58But they travelled to a similar location,

0:41:58 > 0:42:01- picked up the same infection.- Maybe.

0:42:02 > 0:42:03We need his records.

0:42:05 > 0:42:07Well, we're searching your house

0:42:07 > 0:42:10and I'm going to need to interview you, OK?

0:42:10 > 0:42:11OK.

0:42:11 > 0:42:13Sir. Ella's boyfriend. Peter Cilliers.

0:42:13 > 0:42:15- Thank you for coming.- It's fine.

0:42:19 > 0:42:21I've been told Fergus is unwell, mentally.

0:42:21 > 0:42:23Yeah, he has psychosis.

0:42:25 > 0:42:27Right - well, he wants you in there with him

0:42:27 > 0:42:30and I've OK'd that, so... I'll let you know as soon as.

0:42:32 > 0:42:33All right?

0:42:35 > 0:42:36No, I can't. I can't go in there.

0:42:36 > 0:42:38I... I can't.

0:42:51 > 0:42:54Fergus, there's been a change of plan. Ella's not feeling

0:42:54 > 0:42:57so good, so Peter's going to sit here with you instead, all right?

0:42:57 > 0:42:59He's what we call your appropriate adult.

0:42:59 > 0:43:02- You happy with that?- Yeah.

0:43:02 > 0:43:05Before we begin, my client suffers from mental illness, so I wish it

0:43:05 > 0:43:08to be noted that in my opinion this interview should not be going ahead.

0:43:08 > 0:43:09Noted.

0:43:09 > 0:43:13Your man's ex-RAF, discharged for psychiatric reasons.

0:43:13 > 0:43:14He just flipped out, no warning.

0:43:14 > 0:43:16No Islamist connection?

0:43:16 > 0:43:19No, nor far-right as far as we can tell.

0:43:19 > 0:43:21What were you doing here last night, Fergus?

0:43:25 > 0:43:27What?

0:43:27 > 0:43:28Were you looking for this woman?

0:43:32 > 0:43:34I'm showing Mr Weir exhibit V11.

0:43:34 > 0:43:35PHONE VIBRATES

0:43:38 > 0:43:42- Hey.- Matt, Do you have access to Ryan Reed's medical records?

0:43:42 > 0:43:43I think so. Why?

0:43:43 > 0:43:46Well, Helen Vine was taking medication for

0:43:46 > 0:43:49some kind of parasitic infection and we think Ryan

0:43:49 > 0:43:51was infected, too. You only get this thing in the tropics.

0:43:51 > 0:43:54Now, we know Helen was based somewhere in Africa.

0:43:54 > 0:43:55Can we place Ryan there, too?

0:43:55 > 0:44:00Yeah, Helen's charity works out of West Africa - Mali, I think.

0:44:00 > 0:44:01And Ryan...

0:44:01 > 0:44:03..I'll have to check, but I'm pretty sure

0:44:03 > 0:44:05he did a stint at the US Embassy - second part of last year.

0:44:05 > 0:44:08So he would have been there at the same time as Helen Vine?

0:44:08 > 0:44:10Yeah. He would have. Let me confirm that

0:44:10 > 0:44:13and I'll let Solomon know. Excuse me.

0:44:13 > 0:44:19Well, we've got you on CCTV leaving the hotel at 7.37pm.

0:44:19 > 0:44:22Where did you go after that, Fergus?

0:44:22 > 0:44:24If he wasn't there, how could he have anything to do with this?

0:44:24 > 0:44:26Mr Weir may have returned at a later time.

0:44:26 > 0:44:29Is that what you did, Fergus? About 9.30?

0:44:31 > 0:44:32US people....

0:44:33 > 0:44:36..they made a commitment. Years ago.

0:44:40 > 0:44:41Right, OK.

0:44:43 > 0:44:44So how about this man?

0:44:46 > 0:44:49This is Exhibit R3.

0:44:49 > 0:44:53It's on the Statue of Liberty - "Give me your tired, your poor,

0:44:53 > 0:44:57"your huddled masses yearning to breathe free,

0:44:57 > 0:45:02"the wretched refuse from your teeming shore."

0:45:03 > 0:45:05Not anymore, though. Not now.

0:45:07 > 0:45:08KNOCK ON DOOR

0:45:08 > 0:45:10We'll take a pause here, please.

0:45:11 > 0:45:16We're pausing the interview at 15.32.

0:45:16 > 0:45:18DCI Solomon is leaving the room.

0:45:18 > 0:45:20You OK? Can I get you something?

0:45:28 > 0:45:2915.33.

0:45:29 > 0:45:31DCI Solomon is back in the room.

0:45:31 > 0:45:33Ever been to Mali, Fergus?

0:45:37 > 0:45:39What about a charity called Medicafrica?

0:45:39 > 0:45:41Ever had dealings with them?

0:45:41 > 0:45:44No? All right.

0:45:44 > 0:45:48Monday night at 11.30pm - can you tell me exactly where you were, please, Fergus?

0:45:48 > 0:45:50ECHOING: Regardez moi.

0:45:50 > 0:45:51Tell them, man.

0:45:53 > 0:45:57Sorry, Fergus, can you look at me?

0:45:57 > 0:45:59M'bi fe, mon cher, mon Africain.

0:46:01 > 0:46:04Fergus, can you look at me? Fergus, look at me! That's it!

0:46:04 > 0:46:06Why did you pose those bodies?

0:46:06 > 0:46:10Fergus, what the hell is that all about? Fergus, please.

0:46:10 > 0:46:12Look at this man. Did you kill him?

0:46:12 > 0:46:14ECHOING VOICE CONTINUES SPEAKING IN FRENCH

0:46:14 > 0:46:19This woman? Did you kill her? What about this man?

0:46:19 > 0:46:21Why did you kill them, Fergus?

0:46:21 > 0:46:23- This woman, you killed her, right? - DCI, come on.

0:46:23 > 0:46:24This man, you killed him, too?

0:46:24 > 0:46:25I killed them.

0:46:26 > 0:46:27I killed them.

0:46:27 > 0:46:29I killed them.

0:46:30 > 0:46:31I killed them.

0:46:33 > 0:46:34I killed them all.

0:46:34 > 0:46:36Get him out of there.

0:46:40 > 0:46:41- Hi.- Hey.

0:46:42 > 0:46:44Kim, good morning. Come through?

0:46:44 > 0:46:47- Can I make you coffee?- No, fine, thank you.- I'd love one, thank you.

0:46:59 > 0:47:03So, Fergus Weir confessed but he had no connection to the embassy,

0:47:03 > 0:47:08he never met Ryan or Helen, hasn't even set foot in Mali.

0:47:08 > 0:47:12But it was his fingerprint on the letter bomb -

0:47:12 > 0:47:15on the accompanying mail, anyway.

0:47:15 > 0:47:18What are you saying - he was targeting me, too?

0:47:18 > 0:47:20You ever been to Mali?

0:47:20 > 0:47:21I've never been to Africa.

0:47:21 > 0:47:26I guess you get dodgy parcels from cranks and douchebags all the time.

0:47:26 > 0:47:28Douchebags!

0:47:28 > 0:47:30Just trying to make you feel at home.

0:47:30 > 0:47:32That's very kind of you.

0:47:34 > 0:47:36Look, if people are trying to blow me up,

0:47:36 > 0:47:39I'd might as well not waste what time I have left here, so...

0:47:40 > 0:47:41..can I take you out?

0:47:42 > 0:47:44Really?

0:47:44 > 0:47:47Well, yeah, you're unbelievably easy on the eye,

0:47:47 > 0:47:49you've a brain the size of Canada

0:47:49 > 0:47:52and for some reason I feel like I've known you for years.

0:47:52 > 0:47:56Nikki, Matt? Would you join us?

0:48:00 > 0:48:01Is that a no?

0:48:08 > 0:48:10Sorry.

0:48:10 > 0:48:12So Fergus Weir's been charged, has he?

0:48:12 > 0:48:13Yeah, and assessed.

0:48:13 > 0:48:15He's too sick for prison, we're remanding him

0:48:15 > 0:48:17to a secure psychiatric unit.

0:48:17 > 0:48:18Something that's concerning me.

0:48:18 > 0:48:21- The second package sent to Mr Garcia... - PHONE VIBRATES

0:48:21 > 0:48:23Sorry.

0:48:23 > 0:48:26There's a list of numbers but we can't identify their meaning.

0:48:26 > 0:48:29You think this is the guy, right? The threat's been neutralised.

0:48:29 > 0:48:31Yeah, but there are questions.

0:48:31 > 0:48:35His print was on the letter bomb but not in Helen Vine's hotel room

0:48:35 > 0:48:37or in the place Ryan Reed was murdered.

0:48:37 > 0:48:38No DNA, either.

0:48:40 > 0:48:42That was my team leader in Washington.

0:48:42 > 0:48:44They have something on Weir, too.

0:48:44 > 0:48:46- The FBI do?- It's definitive.

0:48:46 > 0:48:48I'm sorry, I can't share the specifics here,

0:48:48 > 0:48:51it's classified Can I take you through it?

0:48:51 > 0:48:52Please.

0:49:34 > 0:49:36- Whoa - fancy pants.- Hey.

0:49:38 > 0:49:39Hop in.

0:49:39 > 0:49:41Thanks.

0:49:56 > 0:49:58This is where Fancy Pants lives.

0:50:19 > 0:50:21Do you live like this in Washington?

0:50:21 > 0:50:26I wish. No, the embassy has places, properties all over the city.

0:50:26 > 0:50:29- This is where they put the Deputy Chief of Mission.- Wow.

0:50:29 > 0:50:34I know, the American dream is alive and well and living in Hampstead.

0:50:34 > 0:50:35Look at me - Lord Snotty.

0:50:35 > 0:50:37SHE CHUCKLES

0:50:37 > 0:50:38- Snooty.- Hmm?

0:50:40 > 0:50:42You have a maid?

0:50:42 > 0:50:43Yeah, I have a maid.

0:50:43 > 0:50:45Any more questions?

0:50:45 > 0:50:47- Indian food or Italian food?- Thai.

0:50:47 > 0:50:49You hungry?

0:50:49 > 0:50:51Rugby or football?

0:50:51 > 0:50:52I mean rugby or soccer?

0:50:52 > 0:50:53Cricket.

0:50:53 > 0:50:55Red or white?

0:50:55 > 0:50:57White, please.

0:50:57 > 0:50:59Democrat or Republican?

0:50:59 > 0:51:02Democrat, or it's a deal breaker, right?

0:51:02 > 0:51:04Although I have to tell you,

0:51:04 > 0:51:08the old battle lines, they don't really exist anymore.

0:51:08 > 0:51:12There's the current administration and then everybody else.

0:51:12 > 0:51:13And where are you?

0:51:15 > 0:51:18I like to put in an honest innings.

0:51:18 > 0:51:19Play with a straight bat?

0:51:21 > 0:51:24Yeah, just be real.

0:51:24 > 0:51:28And what's that exactly? What is real?

0:51:28 > 0:51:31God, you even do scientific analysis of chitchat?

0:51:31 > 0:51:34Well, I like to know what people mean.

0:51:35 > 0:51:37I don't like things to be vague.

0:51:37 > 0:51:42OK, well, what about now for a start?

0:51:42 > 0:51:46I mean, I'm here with you and that feels pretty real to me.

0:51:50 > 0:51:51Smoothy.

0:51:53 > 0:51:55What happened to Fancy Pants?

0:51:55 > 0:51:56DOOR LOCK BUZZES

0:51:58 > 0:52:00Thank you.

0:52:05 > 0:52:07They treating you OK?

0:52:16 > 0:52:18Are you going to tell them where you were, Fergus?

0:52:21 > 0:52:24You've got to tell them where you were when that woman was killed.

0:52:29 > 0:52:31Will you tell me?

0:52:34 > 0:52:37Peter said you didn't know what you were saying.

0:52:37 > 0:52:38Stop it.

0:52:43 > 0:52:44I told the truth.

0:52:46 > 0:52:50I know you don't want to believe that, but I did.

0:52:53 > 0:52:54There were others.

0:53:02 > 0:53:05I had an idea you lived in some compound.

0:53:05 > 0:53:08Doughnuts and burgers and never talk to the locals.

0:53:08 > 0:53:11- C'mon.- Where were you before here?

0:53:11 > 0:53:12Bangkok.

0:53:12 > 0:53:15You sure this all right? I mean, we can go out for dinner.

0:53:15 > 0:53:18- No, this is great. - You haven't tasted it yet.

0:53:20 > 0:53:22You don't use peanut oil?

0:53:22 > 0:53:23Canola.

0:53:23 > 0:53:25Has a neutral flavour.

0:53:25 > 0:53:26Who told you that?

0:53:26 > 0:53:27I read it in a cook book.

0:53:27 > 0:53:29Most of what I know I read.

0:53:29 > 0:53:31All theory, no practice.

0:53:31 > 0:53:32Which reminds me.

0:53:34 > 0:53:35- You read it already?- Yeah.

0:53:35 > 0:53:37I liked it, actually.

0:53:37 > 0:53:38Kind of surprised myself.

0:53:38 > 0:53:40Guessed the ending, though.

0:53:40 > 0:53:41- No, you didn't.- I did.

0:53:45 > 0:53:48Mm. This is delicious.

0:53:50 > 0:53:52Well, thank you.

0:53:52 > 0:53:56We have to indulge, right? I was gifted this pretend life, and...

0:53:58 > 0:53:59Well, not everybody gets the chance.

0:54:01 > 0:54:03So what do you want to do this evening?

0:54:03 > 0:54:04What are the options?

0:54:04 > 0:54:05I figured we could go into Hampstead.

0:54:05 > 0:54:07Maybe take a walk on the Heath.

0:54:07 > 0:54:09You don't have to entertain me.

0:54:09 > 0:54:11Is that so?

0:54:11 > 0:54:13No. This is perfect.

0:54:14 > 0:54:17If I'd known you were this relaxed I would have gotten take-out.

0:54:21 > 0:54:23You have a...just a little...

0:54:23 > 0:54:28- Oh, sorry. - No, it's on the other side

0:54:28 > 0:54:29Here?

0:54:31 > 0:54:32You're kidding, yeah?

0:55:24 > 0:55:26ECHOING WOMAN'S VOICE: Regardez moi.

0:55:26 > 0:55:27Regardez moi.

0:55:39 > 0:55:41Regardez moi.

0:55:41 > 0:55:43Regardez moi!

0:55:43 > 0:55:45SHE CONTINUES SPEAKING FRENCH

0:56:46 > 0:56:47TOILET FLUSHES

0:56:50 > 0:56:51MUFFLED THUD

0:57:11 > 0:57:12Shit.

0:57:16 > 0:57:20Matt? I seem to have locked myself in the bathroom.

0:57:21 > 0:57:22MUFFLED FOOTSTEPS

0:57:25 > 0:57:26MUFFLED THUDS

0:57:29 > 0:57:30MUFFLED GROANS

0:57:33 > 0:57:35Matt?

0:57:48 > 0:57:50Matt?

0:57:52 > 0:57:53Matt?

0:57:55 > 0:57:56TYRES ON GRAVEL

0:58:00 > 0:58:01Matt?

0:58:16 > 0:58:22# Testator silens

0:58:25 > 0:58:32# Costestes e spiritu

0:58:32 > 0:58:40# Silentium. #