A Special Relationship, Part Two

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0:00:02 > 0:00:07This programme contains some scenes which some viewers may find upsetting, from the start.

0:00:07 > 0:00:11- KHAN:- But the killer dragged him over and sat him up on the bench with his arm in his jacket pocket.

0:00:11 > 0:00:12Matt Garcia, Deputy Chief of Mission.

0:00:12 > 0:00:14I've got blood on my clothes.

0:00:14 > 0:00:15Well, I'll put them in the wash.

0:00:15 > 0:00:17Dr Nikki Alexander, Dr Helen Vine.

0:00:17 > 0:00:18Hi.

0:00:18 > 0:00:20The MO's similar to Ryan Reed

0:00:20 > 0:00:21and the way she's been placed in the chair.

0:00:21 > 0:00:22Rosie.

0:00:22 > 0:00:25So what's the story there, is she living with you now?

0:00:25 > 0:00:27Just until, um... Oh, uh, Julia had the baby.

0:00:27 > 0:00:31We've picked up traces of explosives on a package addressed to you.

0:00:31 > 0:00:35Police! Don't move! Hands on your heads!

0:00:35 > 0:00:36I killed them.

0:00:36 > 0:00:37So, Fergus Weir's been charged, has he?

0:00:37 > 0:00:40We're remanding him to a secure psychiatric unit.

0:00:40 > 0:00:42SHE SPEAKS IN HER OWN LANGUAGE

0:00:42 > 0:00:43- Can I take you out?- Really?

0:00:56 > 0:00:58Matt?

0:01:08 > 0:01:10SIREN WHOOPS

0:01:13 > 0:01:15DOG PANTS

0:01:23 > 0:01:26HELICOPTER HOVERS OVERHEAD

0:01:28 > 0:01:30RADIO CHATTER

0:01:30 > 0:01:33- MALE OFFICER:- Yep, understood. - FEMALE OFFICER:- Off you go.

0:01:41 > 0:01:44HELICOPTER JUDDERS ABOVE

0:01:45 > 0:01:47- Here.- The Assistant Commissioner's on his way, sir.

0:01:47 > 0:01:49- Good. Get a decision log in place. - OK.

0:01:49 > 0:01:51Where the hell was security?

0:01:51 > 0:01:54It's just the one US diplomatic security officer on the gate - unarmed.

0:01:54 > 0:01:56- He's in hospital. - Witnesses? Please, God!

0:01:56 > 0:01:58Dr Alexander didn't actually see anything.

0:01:58 > 0:02:01A neighbour's housekeeper caught a glimpse of what she thinks

0:02:01 > 0:02:04was a Transit or Toyota Hiace, dark green or black.

0:02:04 > 0:02:05- Good.- No index.

0:02:05 > 0:02:07Good. Good, Moss.

0:02:08 > 0:02:11QUIET CHATTER OF OFFICERS

0:02:17 > 0:02:18Hey.

0:02:20 > 0:02:21Hey.

0:02:24 > 0:02:27We're not just looking at Weir as a lone agent now.

0:02:27 > 0:02:29There are more people involved in this.

0:02:32 > 0:02:33Nikki.

0:02:34 > 0:02:36Nikki, listen to me now, we need to move on this, OK?

0:02:36 > 0:02:38OK.

0:02:38 > 0:02:40OK. So...

0:02:41 > 0:02:43Uh...

0:02:43 > 0:02:46Y-You said you sat in the kitchen while Matt cooked...

0:02:46 > 0:02:47then what?

0:02:52 > 0:02:53We ate in there.

0:02:55 > 0:02:56And then...

0:02:57 > 0:03:00Then we spent some time together in here.

0:03:00 > 0:03:04And then...we went upstairs.

0:03:04 > 0:03:05To Matt's bedroom?

0:03:08 > 0:03:10You told the attending officers that you woke up in the night

0:03:10 > 0:03:12to use the bathroom.

0:03:12 > 0:03:16- Yes.- Could you, uh...show us?

0:03:18 > 0:03:22I think it was some time before five, I don't remember exactly.

0:03:22 > 0:03:25Do you remember hearing anything outside or inside the house?

0:03:25 > 0:03:27Uh...

0:03:28 > 0:03:30This bathroom?

0:03:30 > 0:03:33Uh... Yes. Um, has it been dusted here?

0:03:33 > 0:03:35Not yet.

0:03:35 > 0:03:39Right, OK. So you go inside, uh, and the door jams?

0:03:39 > 0:03:41- Yes.- And?- Um...

0:03:43 > 0:03:45I tried to shift it and when it wouldn't I called out to Matt.

0:03:45 > 0:03:49And you're sure you didn't lock it? You know, it-it's early, you're-you're half-asleep.

0:03:51 > 0:03:54TOILET FLUSHES

0:03:56 > 0:03:57NIKKI: 'Matt?'

0:03:57 > 0:04:00No, I-I never do. I live alone, so...

0:04:03 > 0:04:05Actually, there was a sound, I think.

0:04:05 > 0:04:07INDISTINCT RATTLING

0:04:10 > 0:04:11What sound?

0:04:11 > 0:04:14INDISTINCT RATTLING

0:04:14 > 0:04:15DOOR HANDLE CLICKS

0:04:15 > 0:04:18Maybe when he jammed the chair under the door handle.

0:04:18 > 0:04:21So, he watched you go into the bathroom,

0:04:21 > 0:04:22jammed the chair against the door

0:04:22 > 0:04:25and then went into the bedroom where Matt was still asleep?

0:04:26 > 0:04:28Yeah, I guess so.

0:04:35 > 0:04:36So he moves the victims...

0:04:38 > 0:04:40..either before or after he shoots them

0:04:40 > 0:04:43and then poses their bodies for some reason.

0:04:46 > 0:04:48He's already dead, isn't he?

0:04:49 > 0:04:56# Testator silens

0:04:58 > 0:05:05# Costestes e spiritu

0:05:05 > 0:05:20# Silentium

0:05:20 > 0:05:29# Testator silens... #

0:05:29 > 0:05:33He was sent a letter bomb - he was clearly on their list.

0:05:33 > 0:05:35- We should've foregrounded that. - Yeah, absolutely.

0:05:37 > 0:05:38SIGHING: OK, so question number one...

0:05:38 > 0:05:41So far the victims were shot near to where their bodies were found...

0:05:41 > 0:05:43- Nikki.- ..so why've they taken Matt elsewhere?

0:05:43 > 0:05:44- Nikki!- What?

0:05:46 > 0:05:47What are you doing?

0:05:48 > 0:05:49Being objective.

0:05:49 > 0:05:51That's not your role here.

0:05:51 > 0:05:54You're a witness. You CANNOT be part of the investigation.

0:05:55 > 0:05:57Sorry.

0:05:58 > 0:06:00Have you got to hand over the case to another lab?

0:06:00 > 0:06:03No, no, they want continuity, but for YOU...

0:06:03 > 0:06:05..you have to step aside.

0:06:05 > 0:06:06Obviously.

0:06:16 > 0:06:18- SIGHING:- It'll be all right.

0:06:22 > 0:06:23- KHAN:- Now, this guy.

0:06:34 > 0:06:36It's a... It's a Hiace, I mean, we've...

0:06:36 > 0:06:37We've got a call out on it.

0:06:38 > 0:06:41Simple as that. Security was useless.

0:06:41 > 0:06:43It's not a public building. And we had our one guy.

0:06:45 > 0:06:46Then who the hell is this then?

0:07:10 > 0:07:12Run me through the evidence against Fergus Weir again.

0:07:12 > 0:07:16- Uh, we've got the fingerprints on... - No, no. What the FBI has on him.

0:07:18 > 0:07:22We think he was responsible for a homicide in Miami earlier this year.

0:07:22 > 0:07:25The victim was an ex-marine called Niall Schwartz,

0:07:25 > 0:07:28who was stationed at the embassy in Mali at the same time

0:07:28 > 0:07:31as Ryan Reed and Helen Vine were in the country.

0:07:31 > 0:07:33- So what's the connection? - We don't know.

0:07:36 > 0:07:39You do know what psychosis is, DCI Solomon?

0:07:39 > 0:07:41I do, and his psychiatrist said he's OK to answer questions.

0:07:41 > 0:07:43Not that'll stand up in court.

0:07:43 > 0:07:46He doesn't know what day of the week it is!

0:07:46 > 0:07:48Yeah, well, neither do I. Maybe I'm mad too.

0:07:48 > 0:07:49Where's Matt Garcia?

0:07:51 > 0:07:52Where've they taken him?

0:07:53 > 0:07:57I don't know... I don't know any Matt Garcia.

0:07:57 > 0:07:59- You sent him a letter bomb, for Christ's sake!- Hey.

0:07:59 > 0:08:00F-Fergus!

0:08:03 > 0:08:06We know there are other people involved here, OK? So...

0:08:07 > 0:08:09Why's...? Why's he saying that?

0:08:09 > 0:08:13Oh, please, Fergus... Fergus, please. Just tell me.

0:08:13 > 0:08:15Yeah? Tell me where he is.

0:08:19 > 0:08:22Could we go back to when you were shut in that bathroom?

0:08:22 > 0:08:25What could you hear outside in the corridor?

0:08:27 > 0:08:29Footsteps, um...

0:08:29 > 0:08:33on the wooden floor, heading towards the bedroom.

0:08:35 > 0:08:37One person?

0:08:39 > 0:08:41To begin with.

0:08:43 > 0:08:48Then they stopped and... the pattern, the rhythm changed.

0:08:50 > 0:08:54So, was there a scuffle, or running, or...?

0:08:55 > 0:09:01No, it was like whoever it was stopped close to the bedroom,

0:09:01 > 0:09:02or maybe just inside.

0:09:05 > 0:09:07And then he moved again...

0:09:09 > 0:09:11..but this time there were two of them.

0:09:12 > 0:09:17So maybe he was moving Matt back past where I was...

0:09:17 > 0:09:19Towards the main stairs.

0:09:21 > 0:09:24Did Matt say anything? Did he shout out to you?

0:09:24 > 0:09:27MUFFLED VOICES

0:09:32 > 0:09:33Not that I heard.

0:09:35 > 0:09:37SHE INHALES DEEPLY

0:09:37 > 0:09:39CAMERA BEEPS

0:10:08 > 0:10:10CAR DOORS OPEN AND SHUT

0:10:15 > 0:10:18- Yeah?- Ah, sir... So, they've got alibis for last night,

0:10:18 > 0:10:22but the Niall Schwartz killing - are you aware they were both in the States when that happened?

0:10:22 > 0:10:24- No. - PHONE RINGS

0:10:24 > 0:10:27- Did the FBI know that? - Not that I've been told.

0:10:27 > 0:10:29HE SIGHS

0:10:32 > 0:10:33Thanks.

0:10:34 > 0:10:36So...

0:10:37 > 0:10:40This trip to the States, where d'you go, Miami?

0:10:40 > 0:10:42Uh, well, Peter was on business in Tampa,

0:10:42 > 0:10:43so he paid for us to come over.

0:10:43 > 0:10:44- What, you and Fergus?- Yeah.

0:10:44 > 0:10:47- And he-he was well enough to go? - Well, he was then, um...

0:10:47 > 0:10:50He'd been discharged from the RAF sick, but he got some treatment

0:10:50 > 0:10:52and he was OK for a while.

0:10:52 > 0:10:56- But he relapsed. That's what they do.- Right.

0:10:56 > 0:10:57Right.

0:10:58 > 0:11:00You said Peter was in Tampa,

0:11:00 > 0:11:02so-so how come you and Fergus flew to Miami?

0:11:02 > 0:11:04Oh, we got a deal on the flights.

0:11:04 > 0:11:07OK. So did you go down to Miami to meet them?

0:11:07 > 0:11:09- And then we... - No, we went up to, um...

0:11:09 > 0:11:11- Sorry. We went up to Tampa to Peter...- Uh, sorry.

0:11:11 > 0:11:13You should take this. It's Clarissa Mullery.

0:11:13 > 0:11:15Excuse me.

0:11:16 > 0:11:17- Sorry about that.- No, no...

0:11:17 > 0:11:19Ben Solomon.

0:11:19 > 0:11:21There's a book amongst Fergus Weir's possessions

0:11:21 > 0:11:23that's got a barcode in it.

0:11:23 > 0:11:27I've checked it out and it's from Clapton Library in Hackney.

0:11:27 > 0:11:30It was borrowed by a guy called Leon Novak.

0:11:30 > 0:11:32OK. Thank you.

0:11:37 > 0:11:40Do you know Leon Novak?

0:11:40 > 0:11:43Yeah, he was in Afghanistan with Fergus.

0:11:43 > 0:11:44- What, in the RAF?- Yeah.

0:11:44 > 0:11:46D-D'you know if he's still enlisted?

0:11:46 > 0:11:48No, no, he's been out a while.

0:11:48 > 0:11:51He should be in your files, he's been in trouble with you lot

0:11:51 > 0:11:53for thieving and stuff since he's been discharged.

0:11:53 > 0:11:55Why you asking?

0:11:59 > 0:12:02- Let's get a trace on this guy Novak. Get them down the station.- Yep.

0:12:05 > 0:12:08FAINT SIREN WAILS

0:12:09 > 0:12:12QUIET CHATTER BETWEEN OFFICERS

0:12:25 > 0:12:28Right, if you hang on here a second, I'll get a car to take you home.

0:12:41 > 0:12:44- PETER:- They just want what we said on tape and then they'll leave us be.

0:12:44 > 0:12:46- ELLA:- Sorry you're caught up in all of this.

0:12:46 > 0:12:49- It's OK, it's fine. - Are you going to run for the hills?

0:12:49 > 0:12:50- No!- You sure?

0:12:50 > 0:12:52Yeah, of course I'm sure.

0:12:59 > 0:13:01Dr Alexander? Ready?

0:13:05 > 0:13:07LOCK RATTLES

0:13:12 > 0:13:15SHE EXHALES DEEPLY

0:13:41 > 0:13:42LOW RATTLING

0:13:42 > 0:13:44MUFFLED VOICES

0:13:44 > 0:13:45NIKKI: 'Matt?'

0:14:39 > 0:14:42PHONE RINGS

0:14:49 > 0:14:51Hi, bunny, you on your way?

0:14:53 > 0:14:55Oh... Where are you then, Janine's?

0:14:57 > 0:15:00Right... And her mum's going to feed you, is she?

0:15:03 > 0:15:06- HE SIGHS DEEPLY - OK. No, no, no, it's fine, fine.

0:15:06 > 0:15:08Just give me a call when you want picking up, yeah?

0:15:18 > 0:15:20DOOR BEEPS

0:15:24 > 0:15:27Hey! We didn't expect to see you here today.

0:15:27 > 0:15:29Well, I just couldn't sit at home staring at walls.

0:15:29 > 0:15:32- Still no news?- No. You?

0:15:32 > 0:15:34Nothing, sorry.

0:15:34 > 0:15:36Hiya. Did you sleep?

0:15:38 > 0:15:39What you going to do?

0:15:40 > 0:15:43I don't know. Work?

0:15:43 > 0:15:45HE SCOFFS LIGHTLY

0:15:45 > 0:15:48- We've got a meeting. See you in a bit.- See you in a minute.

0:15:52 > 0:15:55We've had the explosive report back on the letter bomb.

0:15:55 > 0:15:58Gunshot residue only. No explosive.

0:15:59 > 0:16:03These are X-rays of the contents of the letter bomb that wasn't.

0:16:03 > 0:16:07We have the memory stick which we assume to be the explosive device.

0:16:07 > 0:16:08What is it then, what...? What's on it?

0:16:08 > 0:16:12Uh, probably files, documents, photos, information.

0:16:12 > 0:16:15What, so they're trying to contact Matt for some reason?

0:16:15 > 0:16:16Where does that leave us?

0:16:28 > 0:16:31Actually, we do have some additional material now

0:16:31 > 0:16:32on the Niall Schwartz homicide.

0:16:32 > 0:16:35The killing the FBI have linked to Fergus Weir.

0:16:35 > 0:16:38- Can I...?- Do it.

0:16:38 > 0:16:39Bear with me.

0:16:39 > 0:16:44So, ballistics... Schwartz was shot in Miami in the back of the head,

0:16:44 > 0:16:47obviously using a gun that wasn't used in the UK killings.

0:16:47 > 0:16:49What, so apart from being in the vicinity,

0:16:49 > 0:16:51nothing actually links Fergus to the US killing?

0:16:51 > 0:16:54The FBI are still being cagey as to what they'll give us.

0:16:54 > 0:16:57- A couple of crime scene photos, the basics.- Why?

0:16:57 > 0:16:58Well, Schwartz was a Marine,

0:16:58 > 0:17:02it's possible that there were operational matters they don't want to discuss.

0:17:02 > 0:17:03To do with Mali?

0:17:05 > 0:17:07The body was posed again.

0:17:14 > 0:17:17Why, though? Why the hell...?

0:17:17 > 0:17:19What is it? Look at the body shape.

0:17:19 > 0:17:23It's like he's in control, it's his world, he's the man.

0:17:25 > 0:17:26It's Lincoln.

0:17:28 > 0:17:30Nikki, you cannot...

0:17:30 > 0:17:32Sorry. I know I'm not meant to be involved.

0:17:32 > 0:17:35Can I borrow this? I was looking at the other scene-of-crime shots

0:17:35 > 0:17:37and I couldn't figure it out, but...

0:17:40 > 0:17:41Look at this.

0:17:43 > 0:17:44See?

0:17:46 > 0:17:49Lincoln was the first president assassinated, right?

0:17:49 > 0:17:50Yeah.

0:17:50 > 0:17:53How many other presidents were assassinated?

0:17:53 > 0:17:56Lincoln, Garfield...

0:17:56 > 0:17:58- And then?- McKinley.

0:17:58 > 0:18:00And Kennedy, of course.

0:18:00 > 0:18:02Garfield was after Lincoln, yeah?

0:18:02 > 0:18:03Get him up.

0:18:05 > 0:18:08Shot twice - once in the shoulder, once in the back.

0:18:09 > 0:18:10Garfield.

0:18:13 > 0:18:16NIKKI: Ryan Reed. THOMAS: Oh, God.

0:18:16 > 0:18:17Then McKinley.

0:18:21 > 0:18:25Two bullets - one in the abdomen, the other ricocheted

0:18:25 > 0:18:26and landed on his sleeve.

0:18:26 > 0:18:29Which explains why the bullet was placed on Helen Vine's arm.

0:18:29 > 0:18:31McKinley - Helen Vine.

0:18:32 > 0:18:33PHONE VIBRATES

0:18:33 > 0:18:35What are they trying to say with all this?

0:18:35 > 0:18:36Excuse me...

0:18:36 > 0:18:41These are political killings, aimed at the US establishment?

0:18:41 > 0:18:44That they hold the President responsible for...something.

0:18:44 > 0:18:46What? And the victims are just proxies?

0:18:46 > 0:18:48Four presidents assassinated. Three victims.

0:18:48 > 0:18:51So far.

0:18:51 > 0:18:52Kennedy.

0:18:56 > 0:19:01Shot twice - once to the neck, once to the head.

0:19:01 > 0:19:02- INGA:- We found the HiAce.

0:19:30 > 0:19:32Waiting to see what it says.

0:19:34 > 0:19:35Yeah.

0:19:37 > 0:19:39We've had sightings of Leon Novak, Sir.

0:19:39 > 0:19:41Following up on that now.

0:19:41 > 0:19:44OK. We'll need to do it as soon as possible.

0:19:44 > 0:19:47One of your patrol cars found it. They think it's wired.

0:19:47 > 0:19:50- Just the van? - No, there's someone inside it.

0:19:50 > 0:19:53PHONE VIBRATES

0:19:57 > 0:19:59Is it Matt?

0:20:08 > 0:20:11OFFICER ON RADIO: 'OK, got the go-ahead. Proceed.

0:20:11 > 0:20:14'I'm on my way. Walking towards the vehicle. Stand by.'

0:20:19 > 0:20:21I'm 40 metres away

0:20:28 > 0:20:30- OVER RADIO:- '30.' - 30, did he say?

0:20:30 > 0:20:31What's going on?

0:20:36 > 0:20:3820.

0:20:41 > 0:20:42Ten.

0:20:50 > 0:20:51I'm at the vehicle.

0:20:54 > 0:20:56No movement from the subject.

0:20:56 > 0:20:58'Stand by.'

0:21:08 > 0:21:09I've got wiring here.

0:21:09 > 0:21:12He's maybe wired the device to the rear doors.

0:21:15 > 0:21:16Side door's clear.

0:21:18 > 0:21:20'It's clear.'

0:21:20 > 0:21:21I'm going to open the door.

0:21:29 > 0:21:30I'm in.

0:21:30 > 0:21:32He's alive.

0:21:32 > 0:21:34'But he's chained to the van.'

0:21:36 > 0:21:39I haven't got anything on me that'll cut through those chains.

0:21:39 > 0:21:44OK, it's a device attached to the wheel hub.

0:21:44 > 0:21:49Six cross-head screws keeping the casing in place.

0:21:49 > 0:21:51SCREWDRIVER WHIRS

0:21:58 > 0:21:59It's a small device.

0:21:59 > 0:22:02Two charges, two detonators...

0:22:04 > 0:22:06'..with a primary power source.

0:22:06 > 0:22:09'All wiring leads back to the central unit.'

0:22:09 > 0:22:11Suspect possible collapsing circuit.

0:22:15 > 0:22:16It's on a clock!

0:22:16 > 0:22:17Nine, eight...

0:22:17 > 0:22:20- OVER RADIO: 'Get out of there!' - I wouldn't make it anyway. - 'You've got to try.'

0:22:36 > 0:22:38It's a dummy.

0:22:38 > 0:22:39There's no explosive.

0:22:40 > 0:22:42'We're OK.

0:22:42 > 0:22:44'There's no explosive.'

0:22:47 > 0:22:52- We're OK. Yeah, we're OK. - HE SIGHS AND EXHALES

0:23:00 > 0:23:05- Armed police!- Get down! Down on the floor!- Get down! Get down!

0:23:07 > 0:23:11Leon Novak, I am arresting you under the Prevention Of Terrorism Act.

0:23:11 > 0:23:15You do not have to say anything, but it may harm your defence if you do not mention when questioned

0:23:15 > 0:23:16something you later rely on in court.

0:23:56 > 0:23:58What's that?

0:23:58 > 0:24:00Uh... A book.

0:24:00 > 0:24:02Clever.

0:24:02 > 0:24:04It's a load of bollocks. Conspiracy theories.

0:24:04 > 0:24:08- Fergus is into that shit. - Did you give it to him?

0:24:08 > 0:24:11What, so, you put it in the library, and whoever borrows it gets sent to Gitmo?

0:24:11 > 0:24:14- Where were you four nights ago? - I've already told you.

0:24:14 > 0:24:15For the recording.

0:24:18 > 0:24:19At the John Radcliffe hospital in Oxford,

0:24:19 > 0:24:22sitting up all night with my sick father.

0:24:22 > 0:24:25All right. 9.36pm, night before last?

0:24:25 > 0:24:27How should I know? Why you asking?

0:24:29 > 0:24:32Oh? What? Go on - what?

0:24:32 > 0:24:35There was a football match that night, right?

0:24:35 > 0:24:37There's football most nights, isn't there?

0:24:37 > 0:24:41Man U-Leicester. I was in The Lord Bassett in Mile End.

0:24:42 > 0:24:44They had it on in there.

0:24:44 > 0:24:48But I wasn't really watching it. I was talking to Fergus.

0:24:49 > 0:24:52- Fergus was with you?- Yeah.- 9.36?

0:24:52 > 0:24:55Well, we were together earlier in the day helping

0:24:55 > 0:24:58a mate of mine move some granite blocks. Then he went off.

0:24:58 > 0:25:00- Where?- He didn't say.

0:25:00 > 0:25:04And you met up with him later in The Lord Bassett?

0:25:04 > 0:25:06- Yeah. - Did you leave together?

0:25:06 > 0:25:10No, he went before me. Would've been about 9.30.

0:25:10 > 0:25:13It was a 7.45 kick off, right,

0:25:13 > 0:25:15so the match hadn't long finished.

0:25:15 > 0:25:17Shit!

0:25:44 > 0:25:47Thomas? Can you take a look at this a second?

0:25:51 > 0:25:52I think it's pollen.

0:25:52 > 0:25:55- Where'd you find it? - It's from the detonator.

0:25:55 > 0:25:57Any idea what plant it's from?

0:25:57 > 0:25:59I'm getting it analysed.

0:25:59 > 0:26:02What I don't get is - why the fake bomb?

0:26:02 > 0:26:05- Why go to all that trouble? - Yeah.

0:26:10 > 0:26:13Leon's alibi for Fergus Weir checks out.

0:26:13 > 0:26:17Pub CCTV's got him leaving at 9.27.

0:26:17 > 0:26:20There's no way he could've been at the hotel ten minutes later -

0:26:20 > 0:26:23it's way across town.

0:26:23 > 0:26:24Right.

0:26:26 > 0:26:27Right. Hi.

0:26:27 > 0:26:30We've had some information which we think might help Fergus.

0:26:30 > 0:26:33What kind of information?

0:26:33 > 0:26:36We're thinking maybe he didn't actually pull any trigger -

0:26:36 > 0:26:40maybe he's being used in some way. I don't know.

0:26:40 > 0:26:43Thing is, he's... He's not really going to talk to me, is he? So...

0:26:45 > 0:26:47He can help you, Fergus.

0:26:50 > 0:26:52I don't have permission.

0:26:52 > 0:26:54Permission for what, Fergus?

0:26:54 > 0:26:56- From who? - I can't say any more.

0:27:02 > 0:27:04Can I speak to Peter? Alone?

0:27:04 > 0:27:07Er... O-OK...

0:27:24 > 0:27:27HE SIGHS

0:27:32 > 0:27:34She'd hate me if I told her now.

0:27:36 > 0:27:38Not for what I've done, but...

0:27:41 > 0:27:42..for lying to her.

0:27:44 > 0:27:46You know how your illness works.

0:27:46 > 0:27:50Things seem worse than they are, you lose perspective.

0:27:51 > 0:27:55I mean, she's going to love you whatever, man.

0:27:55 > 0:28:01So, if it's going to get you out of here, you know, then tell me.

0:28:05 > 0:28:07DOOR LOCK BUZZES

0:28:11 > 0:28:13He wants to go home.

0:28:13 > 0:28:17And he'll be able to now, won't he?

0:28:17 > 0:28:19Because he's innocent.

0:28:19 > 0:28:20What do you mean?

0:28:20 > 0:28:23The night that woman was murdered,

0:28:23 > 0:28:26he didn't go straight home from the pub.

0:28:26 > 0:28:30He was...with somebody else.

0:28:33 > 0:28:36- He paid for sex. - Why the hell didn't he say before?

0:28:38 > 0:28:39With a guy.

0:28:43 > 0:28:45That's the man's name and address.

0:28:49 > 0:28:50Great.

0:29:03 > 0:29:04Did you want me?

0:29:04 > 0:29:07Kew Gardens got back with results on the pollen.

0:29:07 > 0:29:12It's from a plant called Pitcarnia feliciana which, guess what,

0:29:12 > 0:29:13grows in West Africa.

0:29:13 > 0:29:17It's not like you can get it in any old garden centre.

0:29:17 > 0:29:18It's from outside the EU,

0:29:18 > 0:29:22so, you need a phytosanitary certificate to import it.

0:29:22 > 0:29:24So, what, we get a list of businesses registered

0:29:24 > 0:29:27- that have the certificate, check their addresses?- Yeah.

0:29:28 > 0:29:30Can you remember anything about where he took you?

0:29:30 > 0:29:33No. He covered my eyes.

0:29:33 > 0:29:37He said that what was on the memory stick explained everything.

0:29:37 > 0:29:40I told him that it got incinerated before I'd seen it,

0:29:40 > 0:29:42but he wouldn't have that.

0:29:42 > 0:29:45- He didn't believe me. - Why'd he send it to you?

0:29:45 > 0:29:47Because he saw an interview I did here a couple of months ago -

0:29:47 > 0:29:51I was banging on about US covert ops.

0:29:51 > 0:29:52What about them?

0:29:52 > 0:29:56Well, I said that more often than not they end up losing us

0:29:56 > 0:29:59the support of the local populations.

0:29:59 > 0:30:02What happens is the Pentagon try and boss a situation on the ground

0:30:02 > 0:30:05without consulting local communities,

0:30:05 > 0:30:08and we diplomats have to go in and smooth things over.

0:30:08 > 0:30:11There's a place for secrecy, of course there is,

0:30:11 > 0:30:13but it's all becoming habitual.

0:30:13 > 0:30:16So, he put information on a memory stick, hoping to get me on his side.

0:30:16 > 0:30:19But when I didn't respond, now I'm the great Satan.

0:30:21 > 0:30:2411.08.16... 11.08.16...

0:30:24 > 0:30:26Central numbers, here.

0:30:26 > 0:30:2811.08.16.

0:30:28 > 0:30:31To us, that's 11th August 2016. To an American....

0:30:31 > 0:30:34that's 8th November.

0:30:34 > 0:30:37I'm wondering if all the victims were in Mali on that date.

0:30:37 > 0:30:41Well, if you take the date out, use the numbers that are left,

0:30:41 > 0:30:43- what have you got?- Co-ordinates.

0:30:48 > 0:30:50Dire. Mali.

0:30:52 > 0:30:56- Genius.- Thank you.- Well...

0:30:56 > 0:30:57There's got to be something specific,

0:30:57 > 0:30:59I mean, he must have asked you...

0:30:59 > 0:31:03Like I said, he thought I'd read what he'd sent me.

0:31:03 > 0:31:06He beat the shit out of me because he thought I sat on that stuff, too.

0:31:06 > 0:31:07Sat on what stuff?

0:31:09 > 0:31:11Sat on what stuff, Matt?

0:31:14 > 0:31:18There was an incident in Mali involving the US military.

0:31:19 > 0:31:24The Pentagon did an internal inquiry, but the report has been suppressed.

0:31:28 > 0:31:31So, this is the 8th of November.

0:31:33 > 0:31:36And this is the 9th of November.

0:31:37 > 0:31:40As you can see, the streets have been wiped out.

0:31:42 > 0:31:45He wants that report released to the press. Or somebody else is going to die.

0:31:47 > 0:31:49Right.

0:31:49 > 0:31:50And the dummy bomb?

0:31:50 > 0:31:53Something to make a show, to get the world press there.

0:31:53 > 0:31:57And to let somebody else know that he was coming for them, too.

0:31:57 > 0:32:01OK, OK, I'm going to ask you what I asked Nikki.

0:32:01 > 0:32:05Your eyes were covered throughout, yeah? So, what about sounds?

0:32:07 > 0:32:09Maybe a road, but not close.

0:32:09 > 0:32:11What about his voice? Did he have an accent?

0:32:13 > 0:32:17I mean, I'm not an expert in British accents,

0:32:17 > 0:32:21but I think if I were to guess, maybe upper...

0:32:21 > 0:32:24Upper class English? You know. Traces of that.

0:32:24 > 0:32:26What makes you think that?

0:32:26 > 0:32:29Because he didn't say, "yes" or, "yeah",

0:32:29 > 0:32:32he said, "yah".

0:32:35 > 0:32:38SHE RECALS FAINT, MUFFLED VOICES

0:32:40 > 0:32:43Like, very, very English. I don't know.

0:32:43 > 0:32:45I don't know, Maybe it's the opposite.

0:32:45 > 0:32:48Maybe it wasn't even English at all.

0:32:48 > 0:32:51SHE RECALS FAINT, MUFFLED VOICES

0:32:51 > 0:32:55- WOMAN:- You sure? - MAN:- Yah, of course I'm sure.

0:32:55 > 0:32:58If you heard it again, do you think you'd recognise it?

0:32:58 > 0:33:00- It's not upper-class.- Huh?

0:33:01 > 0:33:03I heard his voice at Matt's, too.

0:33:04 > 0:33:08His accent, it's barely there,

0:33:08 > 0:33:10but it's South African.

0:33:31 > 0:33:34Is there any other information you can give me?

0:33:36 > 0:33:38No?

0:33:40 > 0:33:42Sorry.

0:33:42 > 0:33:43You sure?

0:33:45 > 0:33:47OK.

0:33:53 > 0:33:55Right.

0:33:55 > 0:33:57We OK?

0:33:57 > 0:34:00She met Peter Cilliers in a bar last Christmas.

0:34:00 > 0:34:01Did he know Fergus beforehand?

0:34:01 > 0:34:03- No. - Not even with the RAF connection?

0:34:03 > 0:34:06- Different unit, different times. - Is there a Mali connection?

0:34:06 > 0:34:09She's never been, nor has her brother or Cilliers, not to her knowledge.

0:34:09 > 0:34:10The records bear that out.

0:34:10 > 0:34:12Cilliers was born in the UK but brought up in South Africa.

0:34:12 > 0:34:14So, UK passport?

0:34:14 > 0:34:16Yeah. Been back here living since 18.

0:34:16 > 0:34:19He's been working in the water industry since leaving the RAF.

0:34:19 > 0:34:22And Fergus Weir's alibi for Helen Vine?

0:34:22 > 0:34:24That checked out.

0:34:24 > 0:34:26We traced his movements and he was with him

0:34:26 > 0:34:28on the night that Ryan Reed was killed also.

0:34:28 > 0:34:31Seriously? You've confirmed that?

0:34:31 > 0:34:33- That's absolutely confirmed? - Yeah.

0:34:33 > 0:34:35So, we've been looking at the wrong guy all this time.

0:34:35 > 0:34:37And Fergus's fingerprint on the envelope?

0:34:37 > 0:34:39They were both staying here.

0:34:39 > 0:34:42It wouldn't've been difficult for Cilliers to engineer that.

0:34:42 > 0:34:45He'd just have to ask Fergus to handle it for some reason.

0:34:45 > 0:34:49Right. Right. So he used him as a decoy. Right. Excuse me!

0:34:51 > 0:34:52Excuse me!

0:35:25 > 0:35:27What's that?

0:35:27 > 0:35:28That is an anchovy.

0:35:28 > 0:35:32They're for grown ups. You wouldn't like them.

0:35:32 > 0:35:34Rosie!

0:35:37 > 0:35:38Look at your face.

0:35:38 > 0:35:40You'd rather sit there and pretend to enjoy that

0:35:40 > 0:35:43than admit your dad was right, wouldn't you?

0:35:43 > 0:35:44They're delicious.

0:35:44 > 0:35:46- Really?- Mm-hmm. - Would you like some more?

0:35:47 > 0:35:48- I'm full.- Really?

0:35:48 > 0:35:50SHE LAUGHS

0:35:50 > 0:35:52DOORBELL CHIMES

0:35:53 > 0:35:57Oh. Hiya. How are you?

0:35:57 > 0:35:59Great. Thanks.

0:35:59 > 0:36:02Sorry. Come on in.

0:36:02 > 0:36:05For five minutes. I've just come for Rosie.

0:36:05 > 0:36:07Thanks for having her for so long.

0:36:07 > 0:36:09- Mum! - Hey!

0:36:09 > 0:36:12Oh... Oh, my love.

0:36:13 > 0:36:16There's a little girl at home who wants to see you.

0:36:16 > 0:36:19Rosie, will you just go and get your stuff?

0:36:19 > 0:36:20All right.

0:36:24 > 0:36:28Did you call Rosie before you came round?

0:36:28 > 0:36:31No. But you knew as soon as I came home that I'd come for her.

0:36:31 > 0:36:33That was the arrangement, wasn't it?

0:36:33 > 0:36:35Yes. Yeah, yeah.

0:36:35 > 0:36:39- I thought you'd want her out of your hair.- No! No, God, no.

0:36:39 > 0:36:44I just thought you might call, you know. Give us a bit of warning.

0:36:44 > 0:36:45She been OK?

0:36:47 > 0:36:49Yeah. Yeah, we've had a great time.

0:36:54 > 0:36:55Bye.

0:37:08 > 0:37:09Here you are.

0:37:09 > 0:37:11There you are. Where've you been?

0:37:11 > 0:37:13I was ringing the service bell and everything.

0:37:13 > 0:37:15Your Lordship. HE CHUCKLES

0:37:15 > 0:37:16Hot.

0:37:33 > 0:37:34I'm going to tell you something, OK?

0:37:40 > 0:37:43When you were missing, I made a promise.

0:37:45 > 0:37:47What kind of promise?

0:37:50 > 0:37:53If I'm going to carry on working like I do, then...

0:37:56 > 0:37:57You see...

0:37:59 > 0:38:01..something happened to me in Mexico.

0:38:03 > 0:38:05It was tough.

0:38:05 > 0:38:07It's taken time to get through.

0:38:09 > 0:38:15But it's really tough, in a different way, when it's happening to someone that you're close to.

0:38:17 > 0:38:19And I want good things in my life.

0:38:21 > 0:38:23As many good things as I can find.

0:38:25 > 0:38:27And...

0:38:28 > 0:38:32..I think I do want to share all that with someone.

0:38:35 > 0:38:36Someone?

0:38:37 > 0:38:39Yeah, someone.

0:38:43 > 0:38:45No, you. I want to share it with you.

0:38:45 > 0:38:46Yeah?

0:38:55 > 0:38:59- I can't move... - HE WINCES

0:39:01 > 0:39:03Wait, wait, wait, wait. Hold on a sec.

0:39:03 > 0:39:05- What are you doing?- Just...

0:39:06 > 0:39:08Matt?

0:39:11 > 0:39:14- What? - Come on!

0:39:14 > 0:39:16Absolutely not! Matt, I didn't mean...

0:39:22 > 0:39:26VOICES OUTSIDE

0:39:26 > 0:39:28You are absolutely bloody crazy.

0:39:43 > 0:39:46- Hi. - Hi. How is he?

0:39:46 > 0:39:48Is he up and about?

0:39:48 > 0:39:51Er, yeah. Sort of. Come in.

0:39:54 > 0:39:56Can I get you a coffee or...?

0:39:56 > 0:39:58Er, no. Thank you.

0:40:00 > 0:40:02Sir?

0:40:02 > 0:40:06So... Fergus Weir is innocent.

0:40:06 > 0:40:09We think he knows more, but we've had to let him go.

0:40:09 > 0:40:10Yeah, we've been updated.

0:40:10 > 0:40:12And do you know about Dire?

0:40:14 > 0:40:16It's a town in Mali.

0:40:16 > 0:40:188th of November, 2016, an area to the west of it

0:40:18 > 0:40:21wiped out in a military action of some kind.

0:40:21 > 0:40:24The Malian government blamed Islamists, but...

0:40:24 > 0:40:27..we're increasingly convinced that Washington's been keeping

0:40:27 > 0:40:31information to themselves about this, and we don't know why.

0:40:31 > 0:40:33Cilliers said something like that, more or less.

0:40:34 > 0:40:37Did you talk to the State Department directly?

0:40:37 > 0:40:39I've tried, the Commissioner's tried,

0:40:39 > 0:40:41the Home Office has tried, but we're getting stalled.

0:40:41 > 0:40:44And we've got an armed man out there threatening another killing,

0:40:44 > 0:40:46and we've no idea who he's after.

0:40:46 > 0:40:50All right. Leave it with me, I'll get Kim to chase Washington.

0:40:51 > 0:40:53Thank you.

0:40:55 > 0:40:57- After you, Sir.- Thank you.

0:41:18 > 0:41:22Why did you think I'd care about who you had sex with?

0:41:22 > 0:41:23You don't approve.

0:41:23 > 0:41:25No, that's you - you don't approve.

0:41:25 > 0:41:28You're the only one with a problem with it, nobody else.

0:41:30 > 0:41:31Just help them, Fergus.

0:41:31 > 0:41:35What are you frightened of? What do you think is going to happen?

0:41:35 > 0:41:39They will extradite me to the US, and they will lock me up

0:41:39 > 0:41:43and they will throw away the key. And that's what's will happen.

0:41:43 > 0:41:45Who told you that?

0:41:46 > 0:41:48Who told you that!

0:41:50 > 0:41:55They terrorised me, and they'll do it again.

0:41:55 > 0:41:56No question.

0:42:07 > 0:42:08PHONE RINGS

0:42:12 > 0:42:14Hello?

0:42:14 > 0:42:15- PETER:- 'Ella?'

0:42:17 > 0:42:18I'm here.

0:42:18 > 0:42:20'I want to explain.

0:42:20 > 0:42:23'Please. I'm in a call box by the park gates.

0:42:23 > 0:42:26'Can you come and meet me? Please.'

0:42:26 > 0:42:29- Now? - LINE GOES DEAD

0:42:33 > 0:42:37INAUDIBLE CONVERSATION

0:42:43 > 0:42:45ENGINE STARTS

0:42:45 > 0:42:46TYRES SCREECH

0:42:53 > 0:42:56Hey. You never got back to me. Did you chase up Washington?

0:42:56 > 0:43:00I did. And the information's classified.

0:43:00 > 0:43:01Sorry.

0:43:01 > 0:43:03But you've read it?

0:43:05 > 0:43:08No, no, this guy had a gun to my head, Kim.

0:43:08 > 0:43:10Now's not the time to stall on me.

0:43:12 > 0:43:14What's going on here?

0:43:14 > 0:43:17Have Washington misled this investigation?

0:43:17 > 0:43:19Look, I just came across the files today, OK?

0:43:19 > 0:43:23Nothing's been hidden, nobody's been misled.

0:43:23 > 0:43:26Wait, w-what is it, then? Huh? What? They withhold information?

0:43:26 > 0:43:27Is that what they did?

0:43:29 > 0:43:32A man's going to die, no doubt about it.

0:43:32 > 0:43:35Now, I don't think you've completely bought into the shit you're supposed to.

0:43:35 > 0:43:38There's still some common decency in there.

0:43:40 > 0:43:44But you toe the line now, you're going to regret this when it all comes down on your head.

0:43:46 > 0:43:51There was a cover-up. All the victims were involved in it.

0:43:52 > 0:43:56Ryan Reed was running the Malian Embassy,

0:43:56 > 0:43:58Niall Schwartz was heading up security and

0:43:58 > 0:44:02Helen Vine was running charity programmes which were given

0:44:02 > 0:44:06preferential treatment for Foreign Assistance funding, as a thank you.

0:44:08 > 0:44:12She was paid off? For what, the strike on Dire?

0:44:12 > 0:44:13Yeah.

0:44:13 > 0:44:15The targets were Islamist insurgents,

0:44:15 > 0:44:20but the intelligence was flawed and it wiped out several families.

0:44:20 > 0:44:25Fergus Weir was recruited to Africom in Djibouti.

0:44:25 > 0:44:29He was working for us, but not in logistics.

0:44:29 > 0:44:31We trained him to fly drones.

0:44:34 > 0:44:36Are you telling me he piloted that attack?

0:44:37 > 0:44:39Is that what you're telling me?

0:44:39 > 0:44:41He's the next victim, Kim.

0:44:45 > 0:44:48- You OK?- Yeah.- Good.

0:44:48 > 0:44:52PHONE RINGS

0:44:52 > 0:44:54'We're at the call box. There's no-one there.'

0:44:55 > 0:44:56Fergus?

0:44:59 > 0:45:01Fergus?

0:45:07 > 0:45:08OK. I need back up.

0:45:21 > 0:45:24I'm not going to hurt you. I'm not going to hurt you.

0:45:27 > 0:45:30I can't lie to you.

0:45:30 > 0:45:32That's what I'm fighting against.

0:45:32 > 0:45:35I've never loved you.

0:45:35 > 0:45:36There's somebody else.

0:45:38 > 0:45:40And everything I do, I do for her.

0:45:42 > 0:45:44I got into your life for Fergus.

0:45:45 > 0:45:50He's seen the report, he knows who the guilty are.

0:45:50 > 0:45:52And one by one he met with them wanting closure.

0:45:52 > 0:45:56And all I had to do was follow him and he led me to them.

0:45:56 > 0:45:59- Now you know. - Please. Please don't hurt me!

0:45:59 > 0:46:01- SHE SCREAMS - Please don't hurt me!

0:46:03 > 0:46:06Let me out! Let me out!

0:46:06 > 0:46:10SHE WAILS AND BANGS ON DOOR

0:46:10 > 0:46:12Help me! Help me!

0:46:14 > 0:46:17Help! Help!

0:46:29 > 0:46:31- Get up.- Wait...

0:46:31 > 0:46:34- Get up!- Wait, wait.

0:46:52 > 0:46:54Where the hell's he taken him, then?

0:46:54 > 0:46:57Jack found plant debris from the matting at Ella Weir's.

0:46:57 > 0:47:00You need something called a phytosanitary certificate to

0:47:00 > 0:47:02bring Pitcarnia Feliciana into this country.

0:47:02 > 0:47:05Here's a list of everyone who's got one - and their addresses.

0:47:05 > 0:47:07No Peter Cilliers?

0:47:07 > 0:47:08Not on the list.

0:47:08 > 0:47:11- PHONE RINGS - We've identified some other species.

0:47:11 > 0:47:12We've got Cape forget-me-not,

0:47:12 > 0:47:14protea, corn lily.

0:47:14 > 0:47:15- All African plants.- Yes.

0:47:15 > 0:47:18So, obviously he's somewhere, or he's been somewhere, to pick that up.

0:47:18 > 0:47:23Right. We got a sighting of him in a stolen car heading west on Tower Hill.

0:47:23 > 0:47:27Right, check garden centres and plant nurseries in that direction. Yep.

0:47:27 > 0:47:29Got something here, too, from Kim Price.

0:47:30 > 0:47:32US Defence Department files.

0:47:32 > 0:47:35People killed in the Mali attack.

0:47:35 > 0:47:37- Prints, DNA, the works. - What a surprise.

0:47:55 > 0:47:5823 victims, all Malian.

0:47:58 > 0:48:00If we're looking to a connection to Cilliers, it has to be

0:48:00 > 0:48:04someone who's been to the UK - Cilliers has never set foot in Mali.

0:48:04 > 0:48:07- Can we check travel documents and passports?- Yeah. I'm on it.

0:48:19 > 0:48:20Out.

0:48:22 > 0:48:25- Get out! - FERGUS GROANS

0:48:33 > 0:48:34Get up.

0:48:38 > 0:48:40Wait, wait. Listen!

0:48:45 > 0:48:46Get on the ground!

0:48:54 > 0:48:55Do you know who I am now?

0:48:56 > 0:48:57Huh?

0:48:59 > 0:49:00Do you know who I am?!

0:49:01 > 0:49:05OK. We've got three of them. Three people have visited the UK.

0:49:05 > 0:49:09This guy, Joseph Newham.

0:49:09 > 0:49:11And a mother and daughter.

0:49:11 > 0:49:13We've got audio files.

0:49:13 > 0:49:16WOMAN'S VOICE: 'He's going to take us tomorrow.

0:49:16 > 0:49:19- 'Call me again, yeah? Before you board?- Oui.- I can't wait.'

0:49:20 > 0:49:22What is this?

0:49:22 > 0:49:25They can pick up phone conversations on the ground.

0:49:25 > 0:49:29WOMAN: 'Je serai la. Regarde-moi. M'bi fe, mon cher.'

0:49:29 > 0:49:31LOUD NOISE ON RECORDING

0:49:33 > 0:49:36SCREAMS

0:49:36 > 0:49:37RECORDING STOPS

0:49:43 > 0:49:47Will... Will Fergus have heard this while he was flying the drone?

0:49:47 > 0:49:49Yes.

0:49:51 > 0:49:54Leila is Malian from Dire.

0:49:54 > 0:49:56Been in the UK since 2014.

0:49:56 > 0:50:01Was back in Mali with her daughter visiting family and...

0:50:01 > 0:50:03..here it is. Exporting plants.

0:50:03 > 0:50:06The daughter's mixed race.

0:50:07 > 0:50:09Is it possible she's Cillliers'?

0:50:09 > 0:50:13So, that's Cilliers' partner and that's their daughter?

0:50:13 > 0:50:15There's your motive.

0:50:15 > 0:50:16Absolutely.

0:50:16 > 0:50:17Did she have an import certificate?

0:50:17 > 0:50:20- Yes. - Are her business premises listed?

0:50:20 > 0:50:21Coming through.

0:50:24 > 0:50:27White Stable Gardens, Greenford Lane.

0:50:39 > 0:50:40Peter.

0:50:40 > 0:50:42Peter.

0:50:42 > 0:50:43We're family.

0:50:57 > 0:51:00- Wait. Listen, listen, listen! - Shut up!

0:51:09 > 0:51:14The first bullet entered the back in a downward trajectory.

0:51:15 > 0:51:17The second...

0:51:19 > 0:51:24..hit the centre of the skull, shattering the brain.

0:51:24 > 0:51:25Listen...

0:51:26 > 0:51:28Before you do this...

0:51:28 > 0:51:33Before you do this, you should know I've suffered. I've suffered.

0:51:33 > 0:51:36I've suffered. I thought I was all right before I was.

0:51:37 > 0:51:39You still don't get this, do you? Huh? Huh?!

0:51:43 > 0:51:46My family...

0:51:46 > 0:51:49..died in Dire.

0:52:07 > 0:52:09It's OK.

0:52:10 > 0:52:12I understand.

0:52:12 > 0:52:14WOMAN'S VOICE: 'Tu ne peux pas m'echapper.'

0:52:15 > 0:52:16What?

0:52:18 > 0:52:19What!

0:52:21 > 0:52:25- A woman. - 'Regarde-moi.'

0:52:25 > 0:52:28- She talks to me sometimes. - 'Tu ne peux pas.'

0:52:28 > 0:52:30She's French or something, I don't know.

0:52:30 > 0:52:32- 'Regarde-moi.' - Is she here now?

0:52:32 > 0:52:34'M'bi fe, mon cher.'

0:52:34 > 0:52:36- Yes. - 'M'bi fe, mon cher.'

0:52:36 > 0:52:37I see her.

0:52:37 > 0:52:39'M'bi fe, mon cher.'

0:52:39 > 0:52:41M'bi fe, mon cher.

0:52:41 > 0:52:45- 'M'bi fe, mon cher.' - M'bi fe, mon cher. - No, no, no...

0:52:45 > 0:52:47Who told you that?

0:52:47 > 0:52:49Mon cher... M'bi fe, mon cher.

0:52:49 > 0:52:51- 'Je t'aime.' - Je t'aime.

0:52:51 > 0:52:54Those were her last words to me.

0:52:54 > 0:52:57There's no way you could know that.

0:52:57 > 0:52:58'On a assez souffert.'

0:53:02 > 0:53:07- 'On a assez souffert.' - On a assez... On a assez souffert.

0:53:07 > 0:53:09'On a assez souffert.'

0:53:09 > 0:53:11Souffert? Souffert.

0:53:11 > 0:53:15- Assez souffert. - 'M'bi fe, mon cher. Regarde-moi.'

0:53:15 > 0:53:18On a assez souffert. I don't know.

0:53:18 > 0:53:20I don't know what it means.

0:53:22 > 0:53:24It means...

0:53:26 > 0:53:28.."we've suffered enough".

0:53:30 > 0:53:31- Armed Police!- Down on the ground!

0:53:31 > 0:53:35- Put the gun down!- Peter. Peter. - Put the weapon down, now!

0:53:35 > 0:53:38- Peter...- Down on the ground! - Peter...

0:53:38 > 0:53:40Put it down.

0:53:40 > 0:53:41Down.

0:53:43 > 0:53:45Peter, put it down.

0:53:51 > 0:53:52That's right.

0:53:55 > 0:53:57Peter...

0:54:06 > 0:54:08- No! - GUNSHOT

0:54:13 > 0:54:15PETER GASPS

0:54:37 > 0:54:40Whatever you think of me for holding on to that information,

0:54:40 > 0:54:41I was doing my job.

0:54:43 > 0:54:44Good luck with that.

0:54:46 > 0:54:47Great news about Matt.

0:54:49 > 0:54:51His chance to run for Congress?

0:54:51 > 0:54:52What he's always wanted.

0:54:55 > 0:54:56Yeah.

0:55:02 > 0:55:05So, they've appointed somebody to take my place.

0:55:06 > 0:55:08What are you going to do?

0:55:08 > 0:55:10I'm going to apply for a work permit here.

0:55:15 > 0:55:16And what about Congress?

0:55:19 > 0:55:22- Who told you about that? - Doesn't matter.

0:55:22 > 0:55:28That would mean moving back to Washington, and...

0:55:28 > 0:55:33..I'd rather be here with you. If you'll have me.

0:55:33 > 0:55:35And the wider world?

0:55:35 > 0:55:37The wider world?

0:55:37 > 0:55:40Isn't that what this is about for you?

0:55:40 > 0:55:42Making some kind of difference?

0:55:42 > 0:55:45You can't do that by going on TV

0:55:45 > 0:55:49and trying to promote a more equitable foreign policy.

0:55:49 > 0:55:51Who's going to listen to that?

0:55:51 > 0:55:55If you want to make changes, then you need to be where people

0:55:55 > 0:55:59who make decisions are. And that's Washington.

0:55:59 > 0:56:03Are you... Are you getting cold feet?

0:56:03 > 0:56:05You don't want me stay?

0:56:05 > 0:56:08No. I want you to be here more than anything.

0:56:09 > 0:56:12But not if it's this big sacrifice.

0:56:14 > 0:56:17This is a once-in-a-lifetime offer, right?

0:56:22 > 0:56:23And you have to go.

0:56:26 > 0:56:28I know it...

0:56:28 > 0:56:29..and so do you.

0:56:52 > 0:56:54It's a six-hour flight.

0:56:54 > 0:56:58It's 3,668 miles, I think.

0:56:59 > 0:57:02Wow. I guess it is.

0:57:02 > 0:57:04That's OK. It's fine. I'll come see you.

0:57:08 > 0:57:09Go on.

0:57:13 > 0:57:15No, don't go. Come back.

0:57:28 > 0:57:30Oh, Matt?

0:57:30 > 0:57:32I've got one for you, too.

0:58:04 > 0:58:07Kevin! Kevin!

0:58:07 > 0:58:09Let me go!

0:58:09 > 0:58:11This is Kevin McDowd.

0:58:11 > 0:58:13Don't touch him. He doesn't like being touched. It sets him off.

0:58:13 > 0:58:15Why did she lose control of her car?

0:58:15 > 0:58:18Any drugs at the house or in her car?

0:58:18 > 0:58:19Serena?

0:58:19 > 0:58:21It's time to take your medication.

0:58:21 > 0:58:24- I don't want to go in.- OK.

0:58:24 > 0:58:27I hate her. I hate Mum.

0:58:27 > 0:58:30I think Jacqueline McDowd was unlawfully killed.

0:58:30 > 0:58:32Why isn't the McDowd boy in custody?

0:58:32 > 0:58:34If you don't leave, I'll get my gun and shoot you!

0:58:37 > 0:58:45# Testator silens

0:58:46 > 0:58:53# Costestes e spiritu

0:58:53 > 0:59:01# Silentium. #