0:00:02 > 0:00:05I trust you most of all. I miss you.
0:00:03 > 0:00:05- CW.- Martha Costello.
0:00:05 > 0:00:08- Are you looking to move?- Well, I'm bloody lonely. I want a friend.
0:00:08 > 0:00:11Prosecute, and you'll walk into silk.
0:00:11 > 0:00:13- What are you doing in Oxford, sir? - College reunion.
0:00:13 > 0:00:15Pastures new, sir.
0:00:15 > 0:00:17Does Billy need to know about this?
0:00:17 > 0:00:19A white ribbon around a Clive Reader brief?
0:00:19 > 0:00:22- It's just another job for you. - No, it really isn't.
0:00:22 > 0:00:25- This isn't supposed to happen - falling for a solicitor.- No.
0:00:25 > 0:00:28Your upstairs and your downstairs need to have a talk, sir.
0:01:03 > 0:01:07Positive discrimination - is that it? I mean, do women get more...?
0:01:07 > 0:01:11Martha Costello got silk because she's an outstanding advocate.
0:01:11 > 0:01:12- I wasn't...- Yes, you were.
0:01:18 > 0:01:20We treat each application on its merits.
0:01:20 > 0:01:25You've always been very skilled at saying nothing whilst appearing to say something.
0:01:25 > 0:01:26Let me be very clear, then.
0:01:26 > 0:01:31I'm really not allowed to discuss what was said about your application.
0:01:34 > 0:01:35I'm applying again.
0:01:35 > 0:01:38And, in the interests of natural justice,
0:01:38 > 0:01:41I want to know if there's some kind of blackballing going on.
0:01:41 > 0:01:43I can't comment.
0:01:43 > 0:01:45No reasons given, no feedback,
0:01:45 > 0:01:49I mean, where else in the law would that be regarded as just?
0:01:49 > 0:01:51Or reasonable?
0:01:52 > 0:01:53Wednesbury reasonable.
0:01:53 > 0:01:55Are you threatening us?
0:01:55 > 0:01:59A judicial review of a decision to reject an excellent silk application.
0:01:59 > 0:02:02Now, that would be all over the press.
0:02:02 > 0:02:04Talk to your senior clerk.
0:02:04 > 0:02:06I haven't told him I'm applying.
0:02:06 > 0:02:07Well, I can see why.
0:02:13 > 0:02:16Why did the oyster leave the party early?
0:02:16 > 0:02:17What?
0:02:17 > 0:02:19Because he pulled a mussel.
0:02:19 > 0:02:24Senior members of the Bar don't sleep with their pupils.
0:02:27 > 0:02:28How did you...?
0:02:28 > 0:02:33As I said, I can see why you're leaving your clerk out of it this time round.
0:02:55 > 0:02:57What's that?
0:02:59 > 0:03:02- Miss?- What are you watching?
0:03:02 > 0:03:05We were just going to give it to you, miss. Right, Jake?
0:03:05 > 0:03:07I need a pupil.
0:03:07 > 0:03:10Er, there aren't any. We're interviewing next week.
0:03:10 > 0:03:12Grab a notebook. Come with me.
0:03:15 > 0:03:18Go for it, Beth. It's fine.
0:03:21 > 0:03:22"Beth"?
0:03:22 > 0:03:24How old do you think "Beth" is, Jake?
0:03:29 > 0:03:33Hello. I'm Tavishi Gupta, CPS solicitor.
0:03:34 > 0:03:37I need clearance for a legal visit.
0:03:37 > 0:03:40Yeah, well, better late than never, Martin.
0:03:40 > 0:03:42And you owe me one, remember.
0:03:44 > 0:03:46He doesn't want me prosecuting.
0:03:46 > 0:03:50- Will that mean there'll be a problem?- No, he's my clerk. He doesn't dictate what work I do.
0:03:50 > 0:03:52Right.
0:03:52 > 0:03:56- 12 turning into three - that'll help us get home on the conspiracy.- How?
0:03:56 > 0:04:00There's 12 students at the restaurant. They all smash it up, nine of them leave.
0:04:00 > 0:04:03- Leaving the three defendants. - Who have what in common?
0:04:03 > 0:04:04They're all new members of the club.
0:04:04 > 0:04:08You used to have to eat a hot chilli for every year the club had been in existence.
0:04:08 > 0:04:10That was getting a bit dangerous, so now, instead...
0:04:10 > 0:04:13Sexually assault the waitress, steal her knickers, ruin her life.
0:04:13 > 0:04:16Induction rite, which means it was a plan, an agreement to do something.
0:04:16 > 0:04:18Which makes it a conspiracy.
0:04:19 > 0:04:21Mr Cowdrey's got a con, sir.
0:04:21 > 0:04:24- What, in here?- Yeah.- Well, can't he have it in one of the...
0:04:24 > 0:04:26Not really. Sir.
0:04:29 > 0:04:30Drink?
0:04:30 > 0:04:32- You were at Oxford?- Yeah.
0:04:32 > 0:04:34- Right.- What?
0:04:34 > 0:04:36- Well, you know.- No, I don't.
0:04:36 > 0:04:40- You might feel...- Ask around. Find out what my politics are.
0:04:40 > 0:04:42- Night, Clive.- You off home?
0:04:42 > 0:04:43- Yeah.- No con?
0:04:43 > 0:04:46No, it's my first day sitting tomorrow.
0:04:52 > 0:04:54You'll be fine. Just write it all down.
0:04:54 > 0:04:56And don't speak.
0:05:08 > 0:05:10It wasn't me.
0:05:11 > 0:05:12Right.
0:05:15 > 0:05:17- Well, where were you?- Pub.
0:05:19 > 0:05:21- With lots of your mates?- Mm-hm.
0:05:23 > 0:05:25You're all over the shop.
0:05:25 > 0:05:27Prints were on the counter.
0:05:27 > 0:05:29I've been there before, innit.
0:05:29 > 0:05:32Glass in your trainers matches the glass from the shop.
0:05:32 > 0:05:35- I walked home that way.- What, on your way back from the pub?- Mm.
0:05:35 > 0:05:39- Yeah, about half a mile out of your way?- Mm.
0:05:43 > 0:05:44The cut on your hand.
0:05:46 > 0:05:48What's another cut?
0:05:51 > 0:05:54So, er, not guilty, then?
0:05:54 > 0:05:56Not guilty.
0:05:57 > 0:06:00Do you always wear that baseball cap when you go shopping?
0:06:14 > 0:06:16Between a quarter and a third off.
0:06:16 > 0:06:19No, not on attempted murder. You don't get nothing off.
0:06:19 > 0:06:22You see, I don't think this is attempted murder.
0:06:22 > 0:06:25This is a section 18 wounding. That's GBH, Ricky.
0:06:25 > 0:06:26- Tell them that.- I'm gonna try.
0:06:28 > 0:06:33In simple terms, you intended on breaking all his fingers
0:06:33 > 0:06:36but you weren't going for his head. Am I right?
0:06:36 > 0:06:37Don't push me.
0:06:37 > 0:06:39Am I right, Ricky?
0:06:41 > 0:06:45What? You can get them to drop the murder if I roll over on the GBH?
0:06:45 > 0:06:48No. You answer my question and I'll answer yours.
0:06:55 > 0:06:59It depends who the prosecution is and it depends who our judge is.
0:06:59 > 0:07:01No, pleading to GBH, you mean.
0:07:01 > 0:07:03It means they will have to give you credit.
0:07:03 > 0:07:05Does the devil get credit?
0:07:08 > 0:07:09Yes, he does.
0:07:14 > 0:07:17Maybe we should explore why you get angry.
0:07:17 > 0:07:18Oh, yeah.
0:07:18 > 0:07:21Let's do that.
0:07:21 > 0:07:23Why do I lose it? Why does Ricky Armitage go mental on you?
0:07:23 > 0:07:26You want to explore that? Come on then, let's explore, bitch!
0:07:26 > 0:07:28It's all right.
0:07:35 > 0:07:37Tell me about your girlfriend.
0:07:41 > 0:07:43He dissed her.
0:07:43 > 0:07:44Who did?
0:07:45 > 0:07:48- The man in the shop, you dozy bint. Who else?- And what did he say?
0:07:48 > 0:07:51He called her a whore.
0:07:51 > 0:07:54And were you were there when he said it?
0:07:54 > 0:07:56No. Alexa, my girlfriend, she was there.
0:07:56 > 0:07:57She come home and told me.
0:07:57 > 0:07:59So that's the trigger.
0:08:03 > 0:08:05I can help you.
0:08:05 > 0:08:07Bollocks.
0:08:08 > 0:08:09You got that?
0:08:11 > 0:08:14'His girlfriend is vulnerable
0:08:14 > 0:08:17'and there are care proceedings in the family court for his daughter.'
0:08:17 > 0:08:18He's got a child?
0:08:18 > 0:08:21Get the solicitor to find out what's happening.
0:08:21 > 0:08:25- Why didn't you ask Ricky? - Well...I want to know first.
0:08:25 > 0:08:28- Are you off home then, miss?- I might see if someone fancies a drink.
0:08:28 > 0:08:30Mr Reader, maybe?
0:08:30 > 0:08:31Uh, Mr Reader, maybe.
0:08:33 > 0:08:36- What's she like, the victim? - She's good, Izzy.
0:08:36 > 0:08:38Robust.
0:08:38 > 0:08:41Will she be intimidated by the line-up against her? Of course.
0:08:41 > 0:08:43Line-up?
0:08:43 > 0:08:46Three silks. All privately paid, all very pukka.
0:08:46 > 0:08:48I'm hoping it'll backfire.
0:08:49 > 0:08:53You still haven't answered my question - about not liking the boys.
0:08:53 > 0:08:56I hate them and everything they stand for. Does that matter?
0:08:56 > 0:08:59Well, I think it does a bit. It's important not to get personal.
0:08:59 > 0:09:02PHONE RINGS Sorry.
0:09:03 > 0:09:05George.
0:09:05 > 0:09:07Hi.
0:09:07 > 0:09:09Oh, right. Erm, yeah, OK.
0:09:10 > 0:09:12Yeah, I'll see you in a bit.
0:09:15 > 0:09:19Sorry, that was this, er, solicitor woman. She's on her way here now.
0:09:22 > 0:09:24Listen, she, er...
0:09:24 > 0:09:28She fancies me quite a lot. It's a bit stalker-y, actually.
0:09:28 > 0:09:32Anyway, the thing is, she gets insanely jealous.
0:09:32 > 0:09:34So...
0:09:34 > 0:09:35Would you mind?
0:09:37 > 0:09:38Leaving?
0:09:38 > 0:09:40Would that be...?
0:09:58 > 0:09:59Clive!
0:10:02 > 0:10:05- Who was that?- CPS solicitor.
0:10:05 > 0:10:06Gave me a very strange look.
0:10:06 > 0:10:08Really? Good con?
0:10:08 > 0:10:12Four pages of form,
0:10:12 > 0:10:14lots of it for violence.
0:10:16 > 0:10:19Crack and smack are his drugs of choice.
0:10:19 > 0:10:22Abused as a child by his uncle when he was four.
0:10:22 > 0:10:24About as damaged as you can get.
0:10:24 > 0:10:26Oh, and he says he's the devil.
0:10:26 > 0:10:28High self-esteem, at least.
0:10:28 > 0:10:30George is coming.
0:10:30 > 0:10:35- Shall I hide under the table? - She doesn't know I'm prosecuting. She'd hate it if she knew.
0:10:35 > 0:10:37- So just don't... - No, no, no. Course not.
0:10:37 > 0:10:39Hi.
0:10:39 > 0:10:40- Hi.- Hello.
0:10:41 > 0:10:44So, erm, what are you doing in Oxford, Clive?
0:10:46 > 0:10:47Sexual assault.
0:10:47 > 0:10:49Oh, and...and who are you for?
0:10:49 > 0:10:52Do you mind if we don't talk about it?
0:10:52 > 0:10:55It makes me feel really uneasy,
0:10:55 > 0:10:58casually discussing... this kind of crime.
0:10:58 > 0:11:01No, I completely understand.
0:11:01 > 0:11:04Shall I...shall I get a bottle?
0:11:10 > 0:11:13My God, you'd want her on your side in a fight.
0:11:13 > 0:11:15Every time.
0:11:16 > 0:11:18So...
0:11:18 > 0:11:19Clive.
0:11:22 > 0:11:24Ready?
0:11:24 > 0:11:25What for?
0:11:25 > 0:11:27Number of past girlfriends?
0:11:27 > 0:11:29What? Oh, God!
0:11:29 > 0:11:31Between ten and 20? More than Nick Clegg?
0:11:31 > 0:11:34Define girlfriend. What is this?
0:11:34 > 0:11:37- Any weird obsessions?- Like?
0:11:37 > 0:11:40Train spotting, Star Trek, really big diggers.
0:11:40 > 0:11:41None.
0:11:41 > 0:11:42Julie Andrews - yes or no?
0:11:42 > 0:11:46- Well...- She can run properly, she can throw and her hair is short.
0:11:46 > 0:11:50- What are you saying?- Well, sometimes with the upper-class English male,
0:11:50 > 0:11:52when it comes down to it, the ideal girl...is a boy.
0:11:52 > 0:11:55She's not really my type.
0:11:55 > 0:11:56Good.
0:11:56 > 0:11:59Just getting a few things clear before...
0:12:00 > 0:12:02Before?
0:12:02 > 0:12:03Before.
0:12:07 > 0:12:09You're a very dangerous woman.
0:12:09 > 0:12:12You have no idea.
0:12:12 > 0:12:13Tell me.
0:12:17 > 0:12:18Show me.
0:12:54 > 0:12:56Jake?
0:12:56 > 0:12:59Yeah. Listen, I need you to, er, to come to The Lamb.
0:12:59 > 0:13:01No, no, no.
0:13:01 > 0:13:04Table by the bar, my jacket - I want you to bring it to me.
0:13:04 > 0:13:06I'm in the disabled toilet.
0:13:06 > 0:13:09No. I can't...I can't leave.
0:13:09 > 0:13:10Jake. Jake?
0:13:10 > 0:13:14Listen to me. Shut up and just do it, all right?
0:13:14 > 0:13:16Thanks.
0:13:18 > 0:13:20Bloody hell.
0:13:24 > 0:13:25Last night.
0:13:25 > 0:13:27Sir?
0:13:27 > 0:13:30It's really very important that Billy doesn't find out.
0:13:31 > 0:13:32About?
0:13:33 > 0:13:35The business in the toilet?
0:13:35 > 0:13:37What business in the toilet?
0:13:37 > 0:13:39Good man.
0:13:42 > 0:13:44What business in the toilet, sir?
0:13:44 > 0:13:45OK.
0:13:45 > 0:13:48Jake, I was on my own in there.
0:13:50 > 0:13:51Yes.
0:13:51 > 0:13:54There was nobody with me, at any stage, doing anything.
0:13:54 > 0:13:58Did you rip your shirt yourself, sir?
0:13:58 > 0:13:59No.
0:13:59 > 0:14:01George Duggan...
0:14:01 > 0:14:03- Wasn't there.- You've got it.
0:14:03 > 0:14:05I've got it. (And Billy hasn't.)
0:14:06 > 0:14:08Where's the pants?
0:14:09 > 0:14:11What?
0:14:11 > 0:14:14Your three defendants are arrested at the scene.
0:14:14 > 0:14:16Your case is they assault the waitress
0:14:16 > 0:14:19and take the pants off her to use them as what, a kind of trophy?
0:14:19 > 0:14:22She gets away, they stay put, the police arrest them.
0:14:22 > 0:14:24So, where's the pants, Clive?
0:14:26 > 0:14:28See, if I were defence counsel...
0:14:28 > 0:14:29Yes. I know.
0:14:29 > 0:14:33The only thing to leave that pub was the waitress.
0:14:33 > 0:14:34So, one more time...
0:14:34 > 0:14:36I know, Martha.
0:14:36 > 0:14:37Just saying.
0:14:37 > 0:14:39God, whose side are you on?
0:14:39 > 0:14:41Well, it's defending. It's what I do.
0:14:41 > 0:14:44Of course. You'd hammer my lying toerag of a waitress
0:14:44 > 0:14:45into the witness box, wouldn't you,
0:14:45 > 0:14:47on behalf of those...poor students.
0:14:47 > 0:14:50And where does Billy stand on you prosecuting?
0:14:50 > 0:14:54Oh, what, that's an argument? Billy doesn't like it, so it must be wrong? Come on, Martha.
0:14:58 > 0:15:01You do this once and once only.
0:15:02 > 0:15:04You lose George Duggan's work over this
0:15:04 > 0:15:07and I will stuff so much white ribbon down your cakehole
0:15:07 > 0:15:11that it'll be coming out of your arsehole at the same time,
0:15:11 > 0:15:14like the mother of all tapeworms.
0:15:14 > 0:15:16Do you understand?
0:15:21 > 0:15:22Anyway, erm, good luck.
0:15:27 > 0:15:30And you stay out of Miss Duggan's downstairs.
0:16:44 > 0:16:45Still rowing?
0:16:46 > 0:16:47Ed?
0:16:48 > 0:16:50Ed Marmor!
0:16:50 > 0:16:52- How the hell are you?- Good. My God!
0:16:52 > 0:16:54Fine.
0:16:54 > 0:16:57- So what are you...?- I'm over for a conference - terrorism and the law.
0:16:57 > 0:16:59Marmor on Terror. I bought it.
0:16:59 > 0:17:00- Did you read it?- No!
0:17:00 > 0:17:02ED LAUGHS
0:17:02 > 0:17:03Professor Ed.
0:17:03 > 0:17:05Yeah.
0:17:05 > 0:17:07- God, look at us. Prime of life.- Yeah.
0:17:07 > 0:17:09A couple of big shots.
0:17:09 > 0:17:12Marston Street seems like...ages ago.
0:17:12 > 0:17:14- Best year of my life.- Yeah?
0:17:14 > 0:17:16You know the hardest thing?
0:17:16 > 0:17:21- It took me years after to belong in the real world. Everything was disappointing after that.- Ed.- What?
0:17:21 > 0:17:25- Shut up.- Absolutely.
0:17:25 > 0:17:28You can't repeat the past. Hey, who said that?
0:17:28 > 0:17:31Someone says it to Gatsby. Gatsby doesn't agree.
0:17:31 > 0:17:33- So, how long are you, um...? - Rest of the week.
0:17:33 > 0:17:37- Oh, excellent. Listen, we should... - Shoot the breeze?
0:17:42 > 0:17:43Last night.
0:17:45 > 0:17:48- Tell me what happened. - You know what happened.
0:17:55 > 0:17:57I want to hear it from you.
0:18:02 > 0:18:04I got a razor and jumped.
0:18:05 > 0:18:07Jumped?
0:18:07 > 0:18:11In the safety net so people don't kill themself off the landing, yeah?
0:18:11 > 0:18:15I went in it, just me and my sharp.
0:18:15 > 0:18:16And I started cutting.
0:18:18 > 0:18:20I was bouncing about and cutting. It was amazing.
0:18:20 > 0:18:23And they couldn't get at me.
0:18:23 > 0:18:25And how did they stop you?
0:18:25 > 0:18:29Some big-arse officer jumped in there with me.
0:18:31 > 0:18:33And did you try and hurt him?
0:18:33 > 0:18:35No, it wasn't about him.
0:18:44 > 0:18:46Can I see?
0:19:00 > 0:19:04You weren't really trying to hurt yourself either, were you, Ricky?
0:19:04 > 0:19:05Why are you here?
0:19:05 > 0:19:09Because you're my client.
0:19:16 > 0:19:18Do you love her, Alexa?
0:19:20 > 0:19:22Or did you just smash up the shop because
0:19:22 > 0:19:25you're an angry man with what, no heart, no feelings?
0:19:25 > 0:19:27RICKY SNORTS
0:19:30 > 0:19:32HE SIGHS
0:19:45 > 0:19:46All rise.
0:20:01 > 0:20:05I think possibly counsel should see Your Honour in chambers?
0:20:10 > 0:20:13It's a small world, the criminal Bar. It happens.
0:20:13 > 0:20:14Can't see there's a problem.
0:20:14 > 0:20:18Hang on. So, prosecuting counsel is applying to join the chambers,
0:20:18 > 0:20:21of which the judge is head, and nobody's supposed to know,
0:20:21 > 0:20:22yet defence counsel does know.
0:20:22 > 0:20:26I mean, I'm sorry, but this is doing my head in.
0:20:26 > 0:20:27Your Honour.
0:20:27 > 0:20:29We rise above.
0:20:29 > 0:20:32We're all capable of conducting ourselves in a professional manner
0:20:32 > 0:20:35and leaving anything personal at the court door.
0:20:35 > 0:20:36And it's a plea, isn't it?
0:20:36 > 0:20:39You're dropping the attempted murder?
0:20:39 > 0:20:41We can't prove intent.
0:20:41 > 0:20:42There.
0:20:42 > 0:20:45Look how grown-up we're all being.
0:20:45 > 0:20:47Oh, er, one thing - the defendant must be happy.
0:20:57 > 0:20:59Are you being nice to me?
0:20:59 > 0:21:02Don't know what you mean.
0:21:03 > 0:21:07Would you have offered this deal if I wasn't a vote that you need?
0:21:07 > 0:21:09All rise.
0:21:11 > 0:21:16Tricky thing is impressing you... and impressing him.
0:21:30 > 0:21:33MEN CHATTER/CLIVE WHISTLES
0:21:43 > 0:21:44What is this?
0:21:44 > 0:21:47A stranger walks in and you all go quiet?
0:21:52 > 0:21:54What?
0:21:56 > 0:21:58Are we in a pub on Dartmoor?
0:22:00 > 0:22:02You all look like a bunch of crows.
0:22:02 > 0:22:04It's a murder.
0:22:04 > 0:22:06Sorry?
0:22:06 > 0:22:09A murder of crows, I think you'll find.
0:22:23 > 0:22:24OK, Izzy.
0:22:26 > 0:22:28I'm here just to say hello.
0:22:28 > 0:22:32And they're here because they're entitled to be and because...
0:22:32 > 0:22:35Actually, why don't you tell her?
0:22:35 > 0:22:38To make sure you don't coach the witness.
0:22:39 > 0:22:43They're really here because they think they can intimidate you.
0:22:43 > 0:22:45But of course they can't.
0:22:45 > 0:22:47Because I'm going to rip them to shreds.
0:23:10 > 0:23:12Tom...McFarland.
0:23:12 > 0:23:15Just wanted to say, whatever happens,
0:23:15 > 0:23:18I know you're just doing your job. Hard feelings won't come into it.
0:23:23 > 0:23:24Well done.
0:23:28 > 0:23:30You OK?
0:23:30 > 0:23:32Fine.
0:23:37 > 0:23:40All three defendants in the dock, together with nine others,
0:23:40 > 0:23:45have pleaded guilty to causing £17,000's worth of damage to the White Hart pub.
0:23:45 > 0:23:48Now, it's a lot of damage, it's a lot of money,
0:23:48 > 0:23:52but it's just property.
0:23:52 > 0:23:57These three are also charged with conspiracy to commit a truly nasty
0:23:57 > 0:24:02and deeply humiliating sexual assault on a 19-year-old girl.
0:24:02 > 0:24:05Now, conspiracy...is an agreement.
0:24:05 > 0:24:09They agreed to assault Izzy Calvin,
0:24:09 > 0:24:10their waitress that night.
0:24:10 > 0:24:12And what did they do?
0:24:12 > 0:24:16They forced her down onto a table, they pulled her skirt up from behind,
0:24:18 > 0:24:22they dragged her knickers down and they took them off her.
0:24:24 > 0:24:27Now, pause. Imagine you're Izzy.
0:24:30 > 0:24:31It's dark.
0:24:31 > 0:24:36You're being forcibly held down, your pants have been ripped off.
0:24:36 > 0:24:39There are three men doing this and they're all very drunk.
0:24:39 > 0:24:41What's going to happen next?
0:24:41 > 0:24:43What else can it be?
0:24:43 > 0:24:46Izzy...believed that she was going to be raped.
0:24:46 > 0:24:49Your Honour, um...
0:24:49 > 0:24:51Jury out.
0:25:02 > 0:25:05I understand your zeal as a prosecutor, Mr Reader.
0:25:05 > 0:25:08The convert is noisier than those who have always belonged.
0:25:10 > 0:25:14But I'm most anxious the jury don't get the wrong end of the stick.
0:25:16 > 0:25:18What would Your Honour like me to do?
0:25:24 > 0:25:29You must ignore anything I said that might suggest this was an attempted rape. It wasn't...
0:25:30 > 0:25:33it isn't...and I'm sorry.
0:25:51 > 0:25:54- Whoops.- You don't do that. Nobody interrupts an opening speech.
0:25:54 > 0:25:59You don't open rape when it isn't there. Is it your little solicitor girl?
0:25:59 > 0:26:02Is it because you want to get into the knickers of little Miss CPS?
0:26:02 > 0:26:04Argh! Ha-ha-ha. Nerve touched?
0:26:04 > 0:26:09I think Achilles has shown us his heel, and so early in the day.
0:26:11 > 0:26:14I know this is very difficult for you.
0:26:14 > 0:26:17We've all seen the CCTV footage.
0:26:17 > 0:26:22And I'm sure we would all understand if you don't want to answer.
0:26:22 > 0:26:26Your daughter was with you in the shop at the time.
0:26:26 > 0:26:28Can you tell us how she's doing?
0:26:30 > 0:26:32She's not coping.
0:26:35 > 0:26:38Remind us how old she is.
0:26:38 > 0:26:41She's 12 years old and she's wetting her bed.
0:26:41 > 0:26:44She wakes up every half-hour in the night.
0:26:44 > 0:26:46We do not sleep.
0:26:46 > 0:26:51She will not leave the house without me but she will not go to the shop, so I cannot work.
0:26:59 > 0:27:00No questions.
0:27:00 > 0:27:02RICKY BANGS THE GLASS
0:27:02 > 0:27:05I think your client wants you.
0:27:05 > 0:27:07Thank you.
0:27:14 > 0:27:17Ask him what he called my girlfriend.
0:27:17 > 0:27:20- Ricky, that won't help.- Ask him.
0:27:20 > 0:27:21No, Ricky.
0:27:29 > 0:27:33I'm going to adjourn this. We'll come back on Wednesday.
0:27:33 > 0:27:38I'm warning you, Mr Armitage. Any more of that behaviour and I'll hold you in contempt of court.
0:27:38 > 0:27:39Take him down.
0:27:53 > 0:27:55Nice.
0:28:03 > 0:28:07- It's my restaurant and I told them all to leave.- And did they?
0:28:07 > 0:28:10No. They started throwing glasses and pulling the pictures off the walls.
0:28:10 > 0:28:12It was mayhem.
0:28:12 > 0:28:15I went up to my office and called 999.
0:28:15 > 0:28:16When I came back down Izzy was gone.
0:28:18 > 0:28:20You went up to your office.
0:28:20 > 0:28:22- Yes.- Why?
0:28:22 > 0:28:23I don't understand.
0:28:23 > 0:28:25It's a restaurant. Is there another phone?
0:28:25 > 0:28:28- Yes.- Is it downstairs?
0:28:28 > 0:28:29Yes.
0:28:29 > 0:28:31Why not use it?
0:28:34 > 0:28:35Who is Adam Garside?
0:28:35 > 0:28:37He's a decorator.
0:28:37 > 0:28:39Will you take a look at this, please?
0:28:45 > 0:28:49Is that an invoice from Adam Garside for a re-fit done on The White Hart?
0:28:49 > 0:28:54- Yes.- And is the date the booking was made to do the work recorded at the top of the invoice?
0:28:54 > 0:28:55Yes, it is.
0:28:55 > 0:28:58And is that date before this incident took place?
0:28:58 > 0:29:00Yes.
0:29:00 > 0:29:02What relation to you is Mr Garside?
0:29:02 > 0:29:04He's my cousin.
0:29:04 > 0:29:07You went upstairs to make your 999 call to allow time
0:29:07 > 0:29:10for the 12 downstairs to do serious damage to the restaurant.
0:29:10 > 0:29:13- I don't follow. - Well, let me spell it out.
0:29:13 > 0:29:14You allowed it to happen,
0:29:14 > 0:29:20so you can claim the insurance and brighten up your dreary little pub whilst sending work to your cousin.
0:29:22 > 0:29:27- Is it right that all three defendants wrote to you after the incident?- Yes.
0:29:27 > 0:29:31Were those letters of apology for the damage they'd caused?
0:29:32 > 0:29:34Yes.
0:29:34 > 0:29:38And is it right that the defendants repaid you for the cost of the damage?
0:29:39 > 0:29:40Yes.
0:29:40 > 0:29:43Did you get repaid twice, Mr Craven?
0:29:43 > 0:29:46The insurers...and the defendants.
0:29:51 > 0:29:52Yes.
0:29:54 > 0:29:56What was the point of that?
0:29:56 > 0:29:59How does slagging off the boss make any difference to the question of
0:29:59 > 0:30:02whether or not your boys did their sick business with Izzy?
0:30:02 > 0:30:04Bit ruffled, Reader?
0:30:04 > 0:30:06More puzzled, really.
0:30:06 > 0:30:10- About?- About how any of you got silk with judgement as poor as that.
0:30:10 > 0:30:12More titillating question is why you didn't.
0:30:20 > 0:30:23Kant versus Bentham - you still for Kant?
0:30:23 > 0:30:25I've had a long day in court.
0:30:28 > 0:30:31Terrorist suspect - 20 minutes to go before the bomb he planted goes off,
0:30:31 > 0:30:35killing thousands of people, destroying the Bodleian and every book in it.
0:30:35 > 0:30:36The answer's no.
0:30:36 > 0:30:41Torture is always wrong. It demeans us all, it reduces us as human beings.
0:30:41 > 0:30:43- It's too big a price to pay. - What if it's London, hmm?
0:30:43 > 0:30:46What if it's a really dirty bomb and eight million people will die?
0:30:46 > 0:30:49So the higher the number, the harder it is to defend my position?
0:30:49 > 0:30:52Torture one terrorist - save eight million lives.
0:30:52 > 0:30:55Indefensible not to. Your argument becomes absurd.
0:30:55 > 0:30:59- All right. Well, what if we torture him, he doesn't give us the information, but...- But?
0:30:59 > 0:31:01There's one way to get him to talk.
0:31:01 > 0:31:04If we torture his 5-year-old daughter, he'll cough.
0:31:04 > 0:31:08See? You're happy when the person we're torturing has guilt attached,
0:31:08 > 0:31:10like, maybe he deserves it anyway,
0:31:10 > 0:31:13but put someone innocent in his place... Look what happens.
0:31:13 > 0:31:15I'm glad you stuck to your guns on this.
0:31:15 > 0:31:20- Really? Why?- Well, I guess I didn't believe you 20 years ago. I thought you were posturing.
0:31:20 > 0:31:23- Why would I have done that? - Because you were angry.
0:31:23 > 0:31:27And you felt uneasy about all this privilege, so you took up contrary positions.
0:31:27 > 0:31:31- Maybe that's why you went to the Bar.- What's that got to do with it?
0:31:31 > 0:31:33To defend the indefensible, to keep being angry.
0:31:35 > 0:31:39- I'm prosecuting now.- Yeah, I heard.
0:31:39 > 0:31:41And I heard who you're prosecuting,
0:31:41 > 0:31:45which leaves the posture question kind of hanging.
0:31:49 > 0:31:52Get me George Duggan. Bethany, bucket of chicken. Go.
0:31:53 > 0:31:56Come on, Jake. Jake?
0:31:56 > 0:32:00- Jake?- Er, she's not answering. - Well, where the hell is she?
0:32:00 > 0:32:02Well, she's probably with Mr...
0:32:03 > 0:32:05What's the matter, Jake?
0:32:05 > 0:32:07Cat got your tongue?
0:32:12 > 0:32:13CHORAL SINGING
0:32:34 > 0:32:37PHONE RINGS
0:32:37 > 0:32:39George, hang on.
0:32:39 > 0:32:41You're where?
0:32:49 > 0:32:51- So, are you pleased to see me?- Yes.
0:32:51 > 0:32:54No, it was just you ringing in the middle of evensong.
0:32:54 > 0:32:56Is there a greater sin?
0:32:56 > 0:32:59No, I was just a bit thrown cos one of the defendants was singing.
0:32:59 > 0:33:01- Your client?- No, no. Not mine.
0:33:01 > 0:33:03Are they all at this college?
0:33:03 > 0:33:05Erm, no, none of them.
0:33:05 > 0:33:09Brasenose doesn't have any badly behaved men.
0:33:09 > 0:33:11- Are women allowed in here?- No.
0:33:11 > 0:33:13- SHE GASPS - How incredibly exciting.
0:33:18 > 0:33:22What if we get... what if we get caught?
0:33:22 > 0:33:24- Clive?- Yeah?- How old are you?
0:33:24 > 0:33:26- About 19.- That's what I thought.
0:33:29 > 0:33:31It'll squeak.
0:33:31 > 0:33:33What?
0:33:33 > 0:33:34Single beds always do.
0:33:41 > 0:33:44You must have had your fair share of single beds.
0:33:45 > 0:33:48My place of safety.
0:33:51 > 0:33:53On my first night at boarding school,
0:33:53 > 0:33:56I must have cried for about four hours,
0:33:58 > 0:34:00trying to keep it quiet, obviously.
0:34:02 > 0:34:05When I went to sleep, I dreamt I was at home. I was looking for my mum.
0:34:07 > 0:34:09I woke up.
0:34:09 > 0:34:12I woke myself up. I was calling out for my mum.
0:34:14 > 0:34:18And the boy in the bed next to me was awake.
0:34:18 > 0:34:21And he said, "It's Lloyd. Sorry."
0:34:23 > 0:34:26- He used his own surname?- Yeah.
0:34:26 > 0:34:3012 hours in and none of us had Christian names anymore.
0:34:33 > 0:34:36To his credit, he didn't tell anyone in the morning, you know,
0:34:36 > 0:34:39about me crying out for my mum in the night.
0:34:40 > 0:34:42And what became of Lloyd?
0:34:44 > 0:34:47He went on to be quite badly bullied by me.
0:34:47 > 0:34:49SHE LAUGHS
0:34:49 > 0:34:51I'm not interested in mothering you.
0:34:51 > 0:34:53- No?- No.
0:34:53 > 0:34:54Oh, well.
0:34:54 > 0:34:56Worth a shot.
0:34:56 > 0:34:59More squeaky sex?
0:35:11 > 0:35:13Oh, Lloyd!
0:35:13 > 0:35:15SHE LAUGHS
0:35:15 > 0:35:17Lloyd! Shush!
0:35:48 > 0:35:50She's 10 years old.
0:35:50 > 0:35:52- Who?- Ella, the daughter.
0:35:52 > 0:35:55Alexa was 15 when she was born. Ricky was 16.
0:35:55 > 0:35:58- I spoke with the barrister that's representing Ricky in the care proceedings.- And?
0:35:58 > 0:36:01The final hearing's listed the week after Ricky's criminal case.
0:36:01 > 0:36:05She says they're waiting to see what he gets before they decide.
0:36:05 > 0:36:07Whether to take her into care.
0:36:07 > 0:36:08Or not.
0:36:25 > 0:36:26Why did you stop?
0:36:28 > 0:36:30I didn't know she was there.
0:36:30 > 0:36:32And when I did, the way she looked at me, like...
0:36:35 > 0:36:37- Like?- Ella.
0:36:39 > 0:36:40Your daughter.
0:36:58 > 0:37:00Jamie Slotover.
0:37:01 > 0:37:03- Oh, I can't talk to you.- I know.
0:37:03 > 0:37:05It's for when this is over and we can talk.
0:37:05 > 0:37:08McFarland Senior is the story.
0:37:08 > 0:37:12Famous daddy puts it on the front page, if the boys are convicted, of course.
0:37:12 > 0:37:15A big inside story on the lawyers.
0:37:15 > 0:37:17Four million readers.
0:37:20 > 0:37:23Don't talk to her. Press scum.
0:37:27 > 0:37:30Izzy Calvin is going to give her evidence but I want to call her last,
0:37:30 > 0:37:34so she has time to settle down and feel less intimidated.
0:37:34 > 0:37:37£30,000 a day this court costs the taxpayer.
0:37:37 > 0:37:40I'm not sitting through three quarters of the prosecution case,
0:37:40 > 0:37:42only for you to pull the plug.
0:37:42 > 0:37:45Won't happen. She'll be fine.
0:37:45 > 0:37:47PHONE BEEPS
0:37:58 > 0:38:02I was in the cell across from them in the police station. I could hear everything they said.
0:38:02 > 0:38:06Posh people always talk loudly, don't they?
0:38:06 > 0:38:08What were they talking about?
0:38:08 > 0:38:09Knickers.
0:38:09 > 0:38:11Or rather, one pair of knickers.
0:38:11 > 0:38:15- Saying what?- Laughing about how they were skimpy but also frilly.
0:38:17 > 0:38:21And the next afternoon were you released from the police station?
0:38:21 > 0:38:24Yeah. And as I was being processed she came in.
0:38:24 > 0:38:25Who?
0:38:25 > 0:38:26The girl, Izzy.
0:38:26 > 0:38:30- Did you hear what she said?- She said she'd been sexually assaulted.
0:38:30 > 0:38:35- And this was AFTER you'd heard the three defendants talk about the knickers?- Hours later.
0:38:42 > 0:38:44You're a liar, Paddy Caffrey.
0:38:46 > 0:38:48- Is that a question? - You're a liar with a chip.
0:38:50 > 0:38:51You've lost me there.
0:38:51 > 0:38:56Is it right that on the 9th of December 2009, at this court,
0:38:56 > 0:38:58you were convicted of handling stolen goods?
0:38:59 > 0:39:00Yes.
0:39:00 > 0:39:03- An offence of dishonesty. - You're the lawyer.
0:39:05 > 0:39:09- Are you trying to be funny? - Are you trying to be a pompous git?
0:39:11 > 0:39:13Look - there's the chip,
0:39:13 > 0:39:14right there on your shoulder.
0:39:14 > 0:39:17That's not a question. That is a gratuitous insult.
0:39:17 > 0:39:18Mr Caffrey!
0:39:18 > 0:39:20Mr Judge?
0:39:20 > 0:39:23Is it right that you were convicted following a trial?
0:39:24 > 0:39:26During which you gave evidence.
0:39:26 > 0:39:29Oh, look. There's long wind coming right out of your arse.
0:39:29 > 0:39:32Mr Caffrey! Final warning.
0:39:32 > 0:39:35Evidence which the jury decided,
0:39:35 > 0:39:38by finding you guilty, was a pack of lies.
0:39:38 > 0:39:39You're a proven liar.
0:39:42 > 0:39:46The jury can make their mind up about trusting you this time round.
0:39:54 > 0:39:57I've heard about the police being not very sympathetic
0:39:57 > 0:39:59with victims of sexual assaults.
0:39:59 > 0:40:01So you were worried about how they'd treat you?
0:40:01 > 0:40:03Yes.
0:40:03 > 0:40:07Did you tell your boyfriend when you got home that night?
0:40:07 > 0:40:08No.
0:40:08 > 0:40:10No?
0:40:11 > 0:40:13What were you frightened of?
0:40:14 > 0:40:16That...he wouldn't understand.
0:40:16 > 0:40:18Not understand what?
0:40:18 > 0:40:21He might think that I'd somehow led them on.
0:40:21 > 0:40:23Why would he think that?
0:40:25 > 0:40:26I don't know.
0:40:27 > 0:40:29Is he the jealous type?
0:40:29 > 0:40:31Yes.
0:40:31 > 0:40:34Is he the type who suggests you do lead people on?
0:40:40 > 0:40:42How did you meet?
0:40:43 > 0:40:46- At the restaurant. - Did he work there?
0:40:46 > 0:40:47No.
0:40:47 > 0:40:49So how did you meet him?
0:40:49 > 0:40:51He was a customer.
0:40:51 > 0:40:53What, a regular customer?
0:40:53 > 0:40:55No. He just...
0:40:55 > 0:40:58- One night...- You were his waitress.
0:41:01 > 0:41:02Yes.
0:41:02 > 0:41:04Did one thing lead to another?
0:41:05 > 0:41:06Yes.
0:41:08 > 0:41:11Did you have sex the same night you met?
0:41:13 > 0:41:15Did he leave a tip?
0:41:15 > 0:41:17Your Honour!
0:41:17 > 0:41:19Mr Milson's finished, I think.
0:41:19 > 0:41:20No further questions.
0:41:28 > 0:41:30How many buttons on your shirt were undone?
0:41:30 > 0:41:34- The first three.- Is the purpose of that to show a bit of cleavage?
0:41:34 > 0:41:36- No.- Well, why not two buttons?
0:41:36 > 0:41:39How about your skirt - above the knee?
0:41:39 > 0:41:42- Yes.- How far above the knee?
0:41:42 > 0:41:45- A few inches.- How many inches?
0:41:45 > 0:41:47- Six.- Your Honour! Please.
0:41:47 > 0:41:51The line of cross-examination is directly relevant to the defence case.
0:41:51 > 0:41:55I'm happy for the jury to hear this, Mr Reader.
0:41:57 > 0:41:58When you're waitressing,
0:41:58 > 0:42:03is it right that you have to lean across tables to serve customers?
0:42:03 > 0:42:04Yes.
0:42:04 > 0:42:08With a skirt that short, it's highly likely that your knickers are going to be visible, isn't it?
0:42:08 > 0:42:13Which means these defendants would have known that they were skimpy and frilly, wouldn't they?
0:42:13 > 0:42:16- Possibly, but... - Were you flirting with them?
0:42:16 > 0:42:21The thing about being a waitress is that's sort of part of the job.
0:42:21 > 0:42:23- So the answer is yes.- A bit.
0:42:23 > 0:42:27But when they got drunk and started smashing the glasses
0:42:27 > 0:42:31I went into the pub bit, out of the way.
0:42:31 > 0:42:33And then you went back.
0:42:33 > 0:42:36They pushed me down on the table and ripped my pants off me.
0:42:36 > 0:42:39Why don't you ask me questions about that?
0:42:39 > 0:42:42Why go back in, if they'd been behaving as they had?
0:42:42 > 0:42:47On your own, in your skirt, six inches above the knee,
0:42:47 > 0:42:49and your shirt, with all those buttons undone,
0:42:49 > 0:42:51in the dark.
0:42:55 > 0:43:00It was dark and I was frightened and it was very confusing.
0:43:00 > 0:43:03So dark that you couldn't see which of the three had hold of you?
0:43:03 > 0:43:07- Really?- Yes.- And you had no idea who was taunting you,
0:43:07 > 0:43:09who was doing the so-called egging on?
0:43:09 > 0:43:14- Really?- I've told you I don't know which of them was doing what.
0:43:14 > 0:43:18You were speaking to them all night, taking orders, joking, flirting.
0:43:18 > 0:43:22Are you asking this jury to believe you couldn't tell their voices apart?
0:43:22 > 0:43:25- What are you saying?- I'm saying your evidence is a pack of lies.
0:43:25 > 0:43:28The truth is you were making it very clear to them
0:43:28 > 0:43:31that you were more than just their waitress, weren't you?
0:43:37 > 0:43:39Why...why have you sat down?
0:43:39 > 0:43:41- JUDGE:- Miss Calvin.
0:43:45 > 0:43:47Are you afraid to say it?
0:43:51 > 0:43:53Are you calling me a whore?
0:43:55 > 0:43:56Are you?
0:43:58 > 0:43:59Are you?
0:44:01 > 0:44:04They're going to get off. I can't stand it.
0:44:10 > 0:44:13I thought you might need a bit of help.
0:44:13 > 0:44:14What is this?
0:44:14 > 0:44:17We're both interested in seeing these boys go down.
0:44:29 > 0:44:31Bloody hell.
0:44:33 > 0:44:36The first defendant's father, McFarland Senior,
0:44:36 > 0:44:38and the victim, Izzy Calvin.
0:44:38 > 0:44:40- Crikey.- Well, it could be her asking for money,
0:44:40 > 0:44:44or it's him trying to pay her off, which is what the journalist thinks.
0:44:44 > 0:44:45Has to be the first.
0:44:45 > 0:44:48She must have gone to him or she would have told you, wouldn't she?
0:44:48 > 0:44:51- It doesn't mean she wasn't assaulted. - Clive!
0:44:51 > 0:44:55- It doesn't mean she wasn't assaulted. - No. And I didn't say that.
0:44:55 > 0:44:57What are the defence saying?
0:45:00 > 0:45:01You haven't told them.
0:45:01 > 0:45:04If you're right and Izzy is complicit, you know what will happen.
0:45:04 > 0:45:09The whole case collapses. At best, there'll be a new trial. And she can't go through it all again.
0:45:09 > 0:45:13- Clive!- If I disclose these to the defence all three of them will walk. They'll get away with it.
0:45:13 > 0:45:16Non-disclosure of evidence is as serious as it gets.
0:45:16 > 0:45:17I know. I know, I know.
0:45:19 > 0:45:23Is this about Izzy, or is this about you?
0:45:55 > 0:45:56What colour are your socks?
0:45:56 > 0:45:58What?
0:45:58 > 0:46:00Your socks - what colour are they?
0:46:00 > 0:46:01Now?
0:46:01 > 0:46:02Now.
0:46:02 > 0:46:04Yellow.
0:46:04 > 0:46:07And what colour are your co-defendants' socks?
0:46:07 > 0:46:08How can he be expected to know?
0:46:08 > 0:46:10Well, let's see if he does, shall we?
0:46:13 > 0:46:15They're yellow.
0:46:15 > 0:46:16How do you know?
0:46:16 > 0:46:18I just know.
0:46:18 > 0:46:20Is it coincidence that you're all wearing yellow socks?
0:46:20 > 0:46:22- No.- Because you had an agreement to wear them,
0:46:22 > 0:46:24a plan?
0:46:24 > 0:46:25Yes.
0:46:27 > 0:46:29- Made when?- Start of the trial.
0:46:29 > 0:46:31Signifying what?
0:46:31 > 0:46:35- Well, they're socks.- No, they're not. They're club socks, aren't they?
0:46:37 > 0:46:39McFarland?
0:46:39 > 0:46:40Yes.
0:46:40 > 0:46:42Yes.
0:46:42 > 0:46:45And wearing them now is a statement of solidarity.
0:46:45 > 0:46:48- If you like.- If I like or yes?
0:46:50 > 0:46:53- Yes.- And a clear indication that you all intend to remain in the club,
0:46:53 > 0:46:54whatever happens here.
0:46:54 > 0:46:57It's the three individuals on trial here, Mr Reader,
0:46:57 > 0:47:00not the club and its codes of practice.
0:47:00 > 0:47:04The purpose of the club is to conspire to commit crime.
0:47:04 > 0:47:06My learned friend is getting a little overexcited.
0:47:06 > 0:47:08Wild and unsustainable allegation.
0:47:08 > 0:47:11What else do you do, apart from smash up restaurants?
0:47:11 > 0:47:13It was set up as a cricket club.
0:47:13 > 0:47:16When was the last cricket match involving the club?
0:47:16 > 0:47:18No conferring.
0:47:19 > 0:47:21The coronation.
0:47:21 > 0:47:23I'm sorry?
0:47:23 > 0:47:251953.
0:47:25 > 0:47:28So, 58 years of smashing up restaurants. (My God.)
0:47:28 > 0:47:29If you like.
0:47:31 > 0:47:33And after this trial, regardless of the outcome,
0:47:33 > 0:47:38you hope to continue with your life of crime?
0:47:40 > 0:47:42You know, some people, maybe even this jury,
0:47:42 > 0:47:45might consider that to be an act of shocking arrogance.
0:47:47 > 0:47:49Is it nature or nurture?
0:47:49 > 0:47:52I...I don't understand the premise of the question.
0:47:52 > 0:47:56Well, not everyone born into a fantastically privileged position
0:47:56 > 0:47:58goes on to lead a life of crime.
0:47:59 > 0:48:02Lots of very rich boys go on to live blameless,
0:48:02 > 0:48:07even constructive existences, despite their backgrounds.
0:48:11 > 0:48:15Ricky Armitage has had a hell of a life.
0:48:15 > 0:48:19And he's made quite a few other lives hell.
0:48:19 > 0:48:22I've heard that when you go to judge school
0:48:22 > 0:48:26they tell you to ignore the fact that the defendant
0:48:26 > 0:48:31has had a childhood filled with abuse, neglect and misery.
0:48:31 > 0:48:34But I think that's wrong.
0:48:34 > 0:48:39And I think there are judges with the independence of mind
0:48:39 > 0:48:41to agree with me.
0:48:41 > 0:48:47You see, aged four, Ricky Armitage had his uncle in bed with him
0:48:47 > 0:48:49most nights for nine months.
0:48:49 > 0:48:55Aged 10, his foster father tied a lit cigarette to his penis
0:48:55 > 0:48:59with an elastic band and made him dance around the coffee table to Leo Sayer.
0:49:02 > 0:49:05Am I wrong in thinking that these two events
0:49:05 > 0:49:09have something to do with why Ricky is a violent man?
0:49:11 > 0:49:14Ricky has two things in his life that he cares about.
0:49:14 > 0:49:17His girlfriend and his daughter.
0:49:17 > 0:49:20He loves them both.
0:49:20 > 0:49:22This...this man, this violent, angry, damaged man,
0:49:22 > 0:49:26who smacks a baseball bat down on another man's fingers,
0:49:26 > 0:49:28has love in his heart for two human beings,
0:49:28 > 0:49:31and, well, I think that's extraordinary.
0:49:31 > 0:49:36I mean, how can a man with so much brutality in his life feel love?
0:49:36 > 0:49:38Well, Ricky can.
0:49:38 > 0:49:42And not only is that extraordinary,
0:49:42 > 0:49:50it also means there's one thing inside him that any judge doing his job well has to recognise.
0:49:50 > 0:49:51And that's hope.
0:49:53 > 0:49:54Don't take that away.
0:49:54 > 0:49:59Don't send him to prison for a length of time that will extinguish hope.
0:49:59 > 0:50:02Because when you extinguish hope,
0:50:02 > 0:50:04there's nothing.
0:50:04 > 0:50:05And when there's nothing,
0:50:07 > 0:50:08well, we'd better all watch out.
0:50:24 > 0:50:26Am I allowed in here?
0:50:26 > 0:50:28No.
0:50:28 > 0:50:29What are you doing here?
0:50:29 > 0:50:33All my exam certificates, all my tennis trophies and squash cups,
0:50:33 > 0:50:37they're all in the big middle drawer of my father's old desk at home.
0:50:37 > 0:50:39- Ed, enough schmaltz.- Schmaltz?
0:50:40 > 0:50:42Sorry.
0:50:42 > 0:50:45I'm trying not to lose a really big trial.
0:50:46 > 0:50:48People keep things.
0:50:48 > 0:50:50Clubs keep things.
0:50:50 > 0:50:53Clubs have trophy cabinets.
0:50:53 > 0:50:56Secret clubs have secret trophy cabinets.
0:50:56 > 0:50:57Yes, they do.
0:51:03 > 0:51:05- What, you...?- Shush.
0:51:05 > 0:51:07I'm not even allowed in here, right?
0:51:17 > 0:51:21Why didn't you leave with the other nine when they left?
0:51:21 > 0:51:25We were enjoying ourselves. The waitress was flirting with us.
0:51:25 > 0:51:28Did you talk about her in a sexual way?
0:51:28 > 0:51:31Just, you know, normal remarks.
0:51:31 > 0:51:33- Such as?- About her legs.
0:51:33 > 0:51:35What about her legs?
0:51:36 > 0:51:38That she had good legs for...
0:51:38 > 0:51:39For?
0:51:39 > 0:51:42For what, a girl?
0:51:42 > 0:51:43For someone her age.
0:51:43 > 0:51:46- How old are you?- 19.
0:51:46 > 0:51:47How old is she?
0:51:47 > 0:51:4919.
0:51:49 > 0:51:52You weren't going to say that, were you, about her age?
0:51:52 > 0:51:55- Say what?- Well, just now,
0:51:55 > 0:51:57right then,
0:51:57 > 0:51:59you lied to me.
0:51:59 > 0:52:02Good legs for someone her age?!
0:52:02 > 0:52:06Why don't you finish the sentence the way that it came out that night?
0:52:06 > 0:52:08- Good legs for...?- A slag.
0:52:08 > 0:52:10MURMURS FROM GALLERY
0:52:13 > 0:52:16It's a long way from evensong, isn't it,
0:52:16 > 0:52:17a word that ugly?
0:52:19 > 0:52:22We're none of us just one thing, are we?
0:52:27 > 0:52:30Define slag.
0:52:30 > 0:52:32A girl who sleeps around.
0:52:32 > 0:52:33Does Izzy Calvin sleep around?
0:52:33 > 0:52:37- I don't know.- You don't know? So why did you call her that?
0:52:37 > 0:52:39OK. One more time.
0:52:39 > 0:52:43Why did three of you stay behind?
0:52:45 > 0:52:46I'll make it easier.
0:52:46 > 0:52:50Why was it the three new members of the club who stayed behind?
0:52:53 > 0:52:54It was your induction, wasn't it?
0:52:54 > 0:52:57Get the knickers, join the club.
0:52:57 > 0:53:01- No.- Something you felt you could do because of your own innate sense of entitlement.- No!
0:53:01 > 0:53:05Without regard for your victim. Cold, brutal, unfeeling.
0:53:05 > 0:53:08Well, where are they, then, if we took them off her?
0:53:08 > 0:53:10I bet they're in her drawer in her bedroom at home.
0:53:10 > 0:53:12How much would you like to bet?
0:53:13 > 0:53:15Sorry?
0:53:15 > 0:53:17Your scholarship?
0:53:18 > 0:53:20Your inheritance?
0:53:22 > 0:53:24What are you saying?
0:53:36 > 0:53:40Shall we share the information on that piece of paper with the police?
0:53:46 > 0:53:50Shall we tell them where your club hides its trophies?
0:53:50 > 0:53:52What do we think?
0:53:52 > 0:53:56Do we want the unedifying spectacle of waving a pair of pants around in court?
0:53:56 > 0:53:59Do you want Izzy Calvin to suffer the humiliation of having
0:53:59 > 0:54:02her pants in an exhibits bag being examined by the jury?
0:54:02 > 0:54:05Or shall we get it over with now,
0:54:05 > 0:54:07the honourable way?
0:54:15 > 0:54:16Telford?
0:54:22 > 0:54:24Sorry.
0:54:24 > 0:54:26Don't say it to me.
0:54:31 > 0:54:32I'm sorry.
0:54:39 > 0:54:43I take into account your early pleas of guilty,
0:54:43 > 0:54:44your good character,
0:54:44 > 0:54:49the fact that each of you have written to the owner of the restaurant to apologise,
0:54:49 > 0:54:52that you have paid for the damage you caused,
0:54:52 > 0:54:56and that you have very promising futures in front of you all.
0:54:57 > 0:55:00This was mindless violence
0:55:00 > 0:55:05and it's disgraceful behaviour from young men who should know better.
0:55:05 > 0:55:07It is an attack on the community,
0:55:07 > 0:55:12and it came about because you thought you were above the community,
0:55:12 > 0:55:14not part of it, better than it.
0:55:14 > 0:55:17Well, you're not.
0:55:17 > 0:55:19And I want you to understand that,
0:55:19 > 0:55:24which is why I'm sentencing you each to 120 hours of community service.
0:55:24 > 0:55:25GASPS FROM THE GALLERY
0:55:25 > 0:55:27Clear the dock.
0:55:27 > 0:55:30I want to deal with the three defendants in the trial separately.
0:55:35 > 0:55:38This was an act of mindless violence.
0:55:38 > 0:55:42It had a trigger but that excuses nothing.
0:55:43 > 0:55:48It has two victims - a father and a daughter who,
0:55:48 > 0:55:51I have seen for myself,
0:55:51 > 0:55:56have suffered and will suffer terribly.
0:56:02 > 0:56:05You could be proposed for membership, be rejected
0:56:05 > 0:56:08and never even know that you were proposed in the first place.
0:56:08 > 0:56:10It's all very secretive.
0:56:10 > 0:56:12Not much natural justice.
0:56:12 > 0:56:15Judicially reviewable, probably.
0:56:15 > 0:56:19- What sort of thing would you be rejected for?- I don't know. If you went to Harrow and not Eton?
0:56:19 > 0:56:23If how angry you were somehow interfered with good manners, you know, that kind of thing.
0:56:23 > 0:56:25Reader!
0:56:25 > 0:56:27What do you want, Milson?
0:56:27 > 0:56:29Do people like you eat humble pie?
0:56:31 > 0:56:33Journalist named Slotover.
0:56:33 > 0:56:35Would I care to comment?
0:56:36 > 0:56:39I'll see you in the Court of Appeal
0:56:39 > 0:56:41and I'll see you in front of the Bar Standards Board.
0:56:41 > 0:56:43This is the end of your career, Reader.
0:56:45 > 0:56:47The real world, huh?
0:56:56 > 0:56:58I didn't disclose them.
0:57:06 > 0:57:08Well, say something.
0:57:08 > 0:57:09Eight years.
0:57:11 > 0:57:16- My God, Marth, that's... - Right at the top end, but completely unappealable.
0:57:16 > 0:57:18And, coming from our Head of Chambers?
0:57:18 > 0:57:20Unbearable.
0:57:22 > 0:57:23What about you?
0:57:23 > 0:57:24Eight months.
0:57:27 > 0:57:29And how do you feel about that?
0:57:29 > 0:57:32I haven't stopped being angry since it happened.
0:57:34 > 0:57:37- Then, you're a prosecutor. - It feels like it fits, Marth.
0:57:39 > 0:57:40Like I fit with it.
0:57:43 > 0:57:44Mr Reader, sir.
0:57:44 > 0:57:46You survived.
0:57:46 > 0:57:49The new Mrs Reader's none the wiser
0:57:49 > 0:57:51and you're back on the pink ribbons.
0:57:54 > 0:57:56Night.
0:58:12 > 0:58:15When you're dealing with an escape situation, you keep the van locked.
0:58:15 > 0:58:19That wasn't fighting your own corner. It was cutting his throat.
0:58:19 > 0:58:22- He's dead because of me.- But that doesn't make you guilty of murder.
0:58:22 > 0:58:24I'm really counting on you here.
0:58:24 > 0:58:26I'd need to be sure of feeling the love in the clerks' room.
0:58:26 > 0:58:30But, if we were looking for prosecutors, Caroline Warwick may not be the way to go.
0:58:30 > 0:58:33You know what, Billy? To be honest, I expected better.
0:58:33 > 0:58:38- I've had a letter from the Bar Standards Board. I really need your help.- Jesus, Clive.
0:58:58 > 0:59:02Subtitles by Red Bee Media Ltd