0:00:02 > 0:00:03I was passing and thought,
0:00:03 > 0:00:04what happened to the girl that broke my teenage heart?
0:00:04 > 0:00:08I will not take lectures in chambers politics from a man
0:00:08 > 0:00:10who took £50,000
0:00:10 > 0:00:13in backhanders from Micky Joy, the most corrupt solicitor of all time.
0:00:13 > 0:00:14You're a grass.
0:00:14 > 0:00:16Why am I here, Micky?
0:00:16 > 0:00:17Technically, I'm on bail.
0:00:17 > 0:00:20It's just that I can never leave, so anything I want, I get.
0:00:20 > 0:00:23Did Sean McBride put a gun to Jimmy Monk's head and pull the trigger?
0:00:23 > 0:00:25I didn't do this but it looks like I did.
0:00:25 > 0:00:27- I need you, Martha. - You're practically a witness
0:00:27 > 0:00:30- and you're representing him. - You're jealous.
0:00:30 > 0:00:34You're in. There is one thing I will be asking for in return.
0:00:34 > 0:00:37I'd like to make an official complaint...against Billy.
0:00:37 > 0:00:39You'd need a big drink.
0:00:39 > 0:00:41I want you to be the next Head of Chambers.
0:00:41 > 0:00:43I won't be here because I'm dying.
0:00:43 > 0:00:47We are very lucky to have two outstanding candidates.
0:00:47 > 0:00:49Three. Three candidates.
0:00:49 > 0:00:50I'm not a liar.
0:00:50 > 0:00:53I think you lie about everything. You're going down.
0:00:55 > 0:00:57Help!
0:01:41 > 0:01:43DISTANT KNOCK
0:01:47 > 0:01:49CLATTERING
0:02:01 > 0:02:03CREAKING
0:02:09 > 0:02:10No, nothing stolen.
0:02:10 > 0:02:13Yeah. No, we think maybe he was disturbed.
0:02:13 > 0:02:15Clive!
0:02:16 > 0:02:18First on at ten.
0:02:18 > 0:02:21Back at the Bailey, but this time on the right side of the fence.
0:02:21 > 0:02:23It's a big heroin importation.
0:02:23 > 0:02:26Otherwise known as putting away vicious bastards.
0:02:26 > 0:02:27Welcome back.
0:02:32 > 0:02:33So, are you pulling out?
0:02:33 > 0:02:35Or are you going to carry on representing
0:02:35 > 0:02:36the psychopath who attacked me?
0:02:36 > 0:02:38What did you do to make him attack you?
0:02:38 > 0:02:41What sort of question is that? He went for me, Marth. It's me.
0:02:41 > 0:02:42You must have done something.
0:02:42 > 0:02:44What, like point out how incredibly guilty he is?
0:02:44 > 0:02:46You can't hear that, can you?
0:02:46 > 0:02:49What's he doing to you?
0:02:49 > 0:02:51Don't go silent. Bloody well talk to me.
0:02:51 > 0:02:54What will it take for you to see what he really is?
0:02:54 > 0:02:55Shall I make a suggestion?
0:02:55 > 0:02:59The gun. I'd bet my life on it being a Browning pistol. Why?
0:02:59 > 0:03:02Because that's the gun the British Army used up until last year.
0:03:02 > 0:03:04Are you going to run that past Sean? Martha!
0:03:04 > 0:03:09Look, you're not in this case any more so why don't you keep out!
0:03:10 > 0:03:11Sir?
0:03:13 > 0:03:15Con, sir. Eight o'clock.
0:03:15 > 0:03:16Eight?
0:03:16 > 0:03:18Police station.
0:03:18 > 0:03:19What?!
0:03:34 > 0:03:36Cracked rib.
0:03:36 > 0:03:38Spent a couple of hours in the hospital wing.
0:03:38 > 0:03:39The con in the bed next to me
0:03:39 > 0:03:42had had scalding hot water thrown in his face.
0:03:42 > 0:03:44Yeah...and they put sugar in it.
0:03:44 > 0:03:45Why sugar?
0:03:45 > 0:03:48It makes the skin keep burning after the face has dried
0:03:48 > 0:03:51and it's a Monk family trademark.
0:03:51 > 0:03:53His face was still boiling.
0:03:54 > 0:03:55Have you slept?
0:03:55 > 0:03:57How can I sleep?
0:03:57 > 0:03:58I'm supposed to be alert.
0:03:58 > 0:04:01This trial ends my life if I don't stay sharp.
0:04:01 > 0:04:03Well, have you asked about moving cells?
0:04:03 > 0:04:07My cell-mate's an headcase but he's not tried to kill me.
0:04:10 > 0:04:12Why did you go for Clive?
0:04:14 > 0:04:15He said I was guilty.
0:04:15 > 0:04:18I can't have a brief who thinks that.
0:04:20 > 0:04:22So it's just you and me now.
0:04:22 > 0:04:24- Yeah.- Yeah.
0:04:26 > 0:04:28Yeah, I think that's good, Mar.
0:04:38 > 0:04:39Look at me.
0:04:42 > 0:04:45Don't you dare mess me about.
0:04:48 > 0:04:50Did you do this?
0:04:54 > 0:04:55No.
0:05:06 > 0:05:08What's all this?
0:05:08 > 0:05:10My new case - big drugs trial that's pleading.
0:05:11 > 0:05:13Supergrass.
0:05:14 > 0:05:15What's he smiling at?
0:05:15 > 0:05:17He's the officer in charge.
0:05:19 > 0:05:22- How much time off have you promised your supergrass?- We didn't.
0:05:22 > 0:05:24He's not charged with anything.
0:05:24 > 0:05:27Then why would he grass people up?
0:05:29 > 0:05:33- The weapon was held directly against the skin when it was fired.- Where?
0:05:33 > 0:05:36Behind the left ear at the base of the skull,
0:05:36 > 0:05:38angled slightly downwards.
0:05:38 > 0:05:39Are you able to help us
0:05:39 > 0:05:42with the physical positions of killer and victim
0:05:42 > 0:05:44at the moment the shot was fired?
0:05:44 > 0:05:48The angle of the entry and exit wounds suggests that the killer
0:05:48 > 0:05:50stood behind the victim,
0:05:50 > 0:05:53and the victim was on his knees when he died.
0:05:53 > 0:05:55Type of weapon?
0:05:55 > 0:05:56Browning 9mm pistol.
0:05:56 > 0:06:00- And is this a common weapon in Manchester?- No.
0:06:00 > 0:06:03Based on all your years of experience, Ms Buchan,
0:06:03 > 0:06:06are you able to characterise this shooting?
0:06:06 > 0:06:09Yes. It was an execution.
0:06:09 > 0:06:10Thank you.
0:06:12 > 0:06:14Was a cartridge recovered from the scene?
0:06:14 > 0:06:17- No. - So the killer took it away?
0:06:17 > 0:06:20- I can't say.- But that's the obvious implication.
0:06:20 > 0:06:23Some cartridges stay in the weapon after firing.
0:06:23 > 0:06:26But not with a 9mm pistol.
0:06:26 > 0:06:29- No.- So why are you saying that?
0:06:29 > 0:06:31What, are you hoping I wouldn't know?
0:06:33 > 0:06:36You've looked at the database for guns of this type.
0:06:36 > 0:06:39- Yes.- In the Greater Manchester area. - Yes.
0:06:39 > 0:06:44Now, my Learned Friend wants to suggest that the chances of this gun
0:06:44 > 0:06:49not being the one owned by the defendant are small.
0:06:49 > 0:06:51- I can't comment on that. - That's right, she can't.
0:06:51 > 0:06:56The data you looked at is based on guns recovered by the police.
0:06:56 > 0:06:57Yes.
0:06:57 > 0:06:59So you've no idea
0:06:59 > 0:07:03how many unrecovered guns there are in the Greater Manchester area.
0:07:03 > 0:07:07Now, how many 9mm pistols are there in London right now?
0:07:07 > 0:07:09- I don't have those figures. - Why not?
0:07:09 > 0:07:14- This was a Manchester-based suspect. - But the gun hasn't been found.
0:07:14 > 0:07:15No.
0:07:15 > 0:07:19So you can't say where it was from.
0:07:19 > 0:07:21I was told.
0:07:21 > 0:07:23You were told? Sorry, sorry, sorry. You were told?
0:07:24 > 0:07:28When things go wrong, this is how they go wrong.
0:07:28 > 0:07:30I'm sorry?
0:07:30 > 0:07:33This prosecution, these police officers, you.
0:07:33 > 0:07:35What are you all saying?
0:07:35 > 0:07:39We've found our man, now let's make the evidence fit.
0:07:39 > 0:07:41Well, that is the wrong way round
0:07:41 > 0:07:44and this is how miscarriages of justice happen.
0:07:44 > 0:07:48It should be - look at the evidence and see
0:07:48 > 0:07:51- who fits it. - Is this a speech?
0:07:51 > 0:07:54It's a description of everything that's wrong
0:07:54 > 0:07:57with the prosecution and police culture in this country.
0:07:57 > 0:08:00Just put your case, Miss Costello.
0:08:03 > 0:08:07You can't be sure it was a 9mm pistol
0:08:07 > 0:08:11because you need the cartridge for that.
0:08:11 > 0:08:14The striations caused by its journey down the barrel of the gun
0:08:14 > 0:08:16tell you what the weapon was.
0:08:16 > 0:08:19So you can't say what this type of gun was,
0:08:19 > 0:08:24and anyway, you don't know how rare a 9mm pistol is in the UK
0:08:24 > 0:08:29because your statistical database is too narrow.
0:08:32 > 0:08:34And that was all performance.
0:08:34 > 0:08:37Ask the question, sit down before it can be answered
0:08:37 > 0:08:40and then the question becomes the answer. It's a dishonest technique.
0:08:40 > 0:08:43- Ms Buchan!- I'm sorry.
0:08:43 > 0:08:47What I should have said is that Miss Costello is doing her job,
0:08:47 > 0:08:50which, unless she believes everything her clients tell her,
0:08:50 > 0:08:53means her working life is one big performance.
0:09:04 > 0:09:09Hello, miss. My test results have come back and it's not good news.
0:09:09 > 0:09:14My, er, PSA levels are up...
0:09:14 > 0:09:18from eight to 35 so...
0:09:19 > 0:09:22'..the cancer is moving.'
0:09:23 > 0:09:25'You have to tell people.'
0:09:25 > 0:09:27I can't, miss.
0:09:48 > 0:09:51DOOR OPENS
0:09:58 > 0:10:01Well, I hope we can keep this fairly informal.
0:10:02 > 0:10:06And can I ask everyone to try and be as civil as possible?
0:10:06 > 0:10:09This is not the Old Bailey.
0:10:23 > 0:10:25- Are you all right?- Mm.
0:10:25 > 0:10:28Just tell them the truth. You'll be fine.
0:10:32 > 0:10:36He said that he could get me a place in chambers.
0:10:36 > 0:10:38And how did that make you feel?
0:10:38 > 0:10:40Incredibly happy.
0:10:41 > 0:10:42But I felt that something was wrong.
0:10:42 > 0:10:45I didn't know why he was helping me.
0:10:45 > 0:10:47Well, did you ask?
0:10:47 > 0:10:49- I tried to. - And?- He stopped me.
0:10:49 > 0:10:51How?
0:10:51 > 0:10:53He put his hand on my knee.
0:10:53 > 0:10:55Did he say anything?
0:10:55 > 0:10:57He said that there was something I could do for him in return.
0:10:57 > 0:11:01And how did that make you feel?
0:11:01 > 0:11:02Trapped.
0:11:16 > 0:11:19Jake? Drink. Just us boys.
0:11:27 > 0:11:32When did you make the official complaint about Billy?
0:11:33 > 0:11:35- I don't remember exactly. - Well, I can tell you.
0:11:35 > 0:11:37It was September 19th.
0:11:37 > 0:11:39Right, yes, yes.
0:11:39 > 0:11:43Now, in those 17 days between the incident in the pub
0:11:43 > 0:11:47and you making the complaint, were you unsure about what to do?
0:11:47 > 0:11:49Yes.
0:11:49 > 0:11:50And who did you talk to about it?
0:11:52 > 0:11:54Harriet.
0:11:54 > 0:11:56And what did she say?
0:11:57 > 0:11:59- She wanted me to pursue the allegation.- No, sorry,
0:11:59 > 0:12:03Amy, her words. What were they?
0:12:03 > 0:12:04"Stand up to him."
0:12:04 > 0:12:08Do Harriet and Billy get along?
0:12:08 > 0:12:09No.
0:12:09 > 0:12:12How would you describe relations between them?
0:12:12 > 0:12:15- They're not good. - They despise each other.
0:12:15 > 0:12:18They're involved in a huge power struggle
0:12:18 > 0:12:20for control of the Clerks' room.
0:12:20 > 0:12:24And Harriet would be delighted to see the back of Billy.
0:12:25 > 0:12:27And it's right, isn't it,
0:12:27 > 0:12:30that since you've been watching Clive Reader in court
0:12:30 > 0:12:33you've developed a real zeal for prosecuting?
0:12:35 > 0:12:39- And who champions prosecuting work in the Clerks' room?- Harriet.
0:12:39 > 0:12:44- And who thinks we should be doing only defence work?- Billy.
0:12:44 > 0:12:46Thank you. CLIVE SIGHS
0:12:47 > 0:12:49Right, back here tomorrow.
0:12:52 > 0:12:54Just going to make a couple of calls.
0:13:19 > 0:13:20Cheers.
0:13:21 > 0:13:23I don't drink any more.
0:13:23 > 0:13:25Right. Wow.
0:13:25 > 0:13:27Look at LaMotta.
0:13:27 > 0:13:29Destroyed by drink.
0:13:30 > 0:13:32Is that how high you're aiming, Jake?
0:13:32 > 0:13:34I don't know, mate, but don't laugh at me.
0:13:34 > 0:13:37We've all got to do the best we can.
0:13:37 > 0:13:40No, that's not right. We've all got to BE the best we can.
0:13:46 > 0:13:47How's Billy?
0:13:52 > 0:13:54- Politics.- Sorry?
0:13:54 > 0:13:56What the hell else was that?
0:13:56 > 0:13:58Amy's making it all up because Harriet is forcing her to?
0:13:58 > 0:14:00- What?!- It's...
0:14:00 > 0:14:02- Dishonest. - It's not as simple as that, Clive.
0:14:02 > 0:14:04Isn't it? Did Billy proposition Amy?
0:14:04 > 0:14:07Or was he just being a harmless Jack-the-lad Senior Clerk?
0:14:07 > 0:14:08Sounds simple enough to me.
0:14:08 > 0:14:10But you're turning it into an attack on Harriet,
0:14:10 > 0:14:12which is basically an attack on me.
0:14:12 > 0:14:14That's not real defence, it's politics.
0:14:14 > 0:14:18If you and her turn Shoe Lane into a prosecution set,
0:14:18 > 0:14:21w-w-what am I supposed to do? Join in?
0:14:21 > 0:14:24Turn my brain upside down?
0:14:25 > 0:14:27Who do you think I am, Clive?
0:14:27 > 0:14:29So, I'm right. It's politics.
0:14:30 > 0:14:32Look, I can't...
0:14:34 > 0:14:35What?
0:14:41 > 0:14:43You can't what?
0:14:54 > 0:14:56- Where are you going?- Con.
0:15:10 > 0:15:11You're late.
0:15:13 > 0:15:14Micky.
0:15:14 > 0:15:16They'll find the gun.
0:15:16 > 0:15:18The police.
0:15:18 > 0:15:22- You know I'm not... - We're all after the same thing.
0:15:22 > 0:15:23What's that?
0:15:23 > 0:15:25Saving Martha Costello.
0:15:30 > 0:15:32SHE SIGHS
0:15:38 > 0:15:40DOOR OPENS
0:15:45 > 0:15:47I want you to survive.
0:15:47 > 0:15:50I want you to pay off your debt.
0:15:50 > 0:15:54If I become Head of Chambers, I'll need strong women at the Bar.
0:15:54 > 0:15:55What are you saying?
0:15:55 > 0:15:57This is your big chance.
0:15:57 > 0:15:59Take this witness.
0:16:00 > 0:16:02Go on, then.
0:16:05 > 0:16:08The accused was arrested approaching his car.
0:16:10 > 0:16:11Where was that?
0:16:11 > 0:16:13Hounslow West tube station,
0:16:13 > 0:16:16a couple of stops from Heathrow on the Piccadilly line.
0:16:16 > 0:16:18- The blue line.- I'm sorry?
0:16:20 > 0:16:22It... It's the dark-blue tube line.
0:16:22 > 0:16:24That's correct.
0:16:24 > 0:16:26Thank you.
0:16:27 > 0:16:28SHE CLEARS HER THROAT
0:16:28 > 0:16:31Where's your leader, Miss Lang?
0:16:31 > 0:16:33She asked me to take this witness.
0:16:33 > 0:16:34This is a big witness.
0:16:35 > 0:16:38Yes, I know.
0:16:38 > 0:16:39How did he come to be arrested?
0:16:39 > 0:16:43We received an anonymous phone call from a member of the public
0:16:43 > 0:16:46saying there was a man behaving oddly.
0:16:51 > 0:16:56Now, we've been told that taking a spent cartridge
0:16:56 > 0:16:58away from the scene
0:16:58 > 0:17:01usually indicates that it's a professional job.
0:17:01 > 0:17:04It's removing evidence we might connect to the perpetrator
0:17:04 > 0:17:06- or the murder weapon. - Professional.
0:17:06 > 0:17:09- Yes.- And it was a head shot execution.
0:17:09 > 0:17:12- Yes.- Professional? - It looks that way.
0:17:12 > 0:17:16So nobody was disturbed, nobody heard a gunshot in the hotel?
0:17:16 > 0:17:17No.
0:17:17 > 0:17:19Professional.
0:17:19 > 0:17:20Yes.
0:17:20 > 0:17:24So, a professional killer who relied on meticulous planning
0:17:24 > 0:17:27and took great care over his work...
0:17:27 > 0:17:32who also leaves his fingerprints all over a crime scene.
0:17:32 > 0:17:33What are you saying?
0:17:33 > 0:17:36I'm saying Sean was there waiting for Jimmy,
0:17:36 > 0:17:39drinking a glass of water, reading a magazine,
0:17:39 > 0:17:42straightening a picture on the wall, while he was waiting.
0:17:42 > 0:17:45Jimmy didn't show. Sean left.
0:17:47 > 0:17:49We think he was trying to put Jimmy at his ease.
0:17:49 > 0:17:51SHE SCOFFS
0:17:51 > 0:17:52Are there two glasses of water?
0:17:52 > 0:17:54No.
0:17:54 > 0:17:57OK, so, Sean was drinking but Jimmy wasn't.
0:17:57 > 0:18:00Are any of Jimmy's prints on any of the magazines?
0:18:00 > 0:18:01No.
0:18:01 > 0:18:05So, Sean was reading a magazine in Jimmy's presence?
0:18:05 > 0:18:08Oh, and was he straightening the picture on the wall
0:18:08 > 0:18:09to put Jimmy at his ease?
0:18:09 > 0:18:12Is... Is that what you're trying to suggest?
0:18:12 > 0:18:17All the fingerprint evidence points to Sean being in that room alone
0:18:17 > 0:18:20and, basically, you know that.
0:18:20 > 0:18:21I don't buy that.
0:18:21 > 0:18:25Well, what evidence is there that Sean
0:18:25 > 0:18:29and Jimmy were in the same room at the same time?
0:18:29 > 0:18:33Jimmy arrived after Sean left.
0:18:33 > 0:18:35Someone else killed him.
0:18:35 > 0:18:39That's why the only Jimmy print is on the door handle.
0:18:39 > 0:18:42He arrived at room 1044, went to open the door,
0:18:42 > 0:18:45he was jumped from behind by whoever was in room 1045,
0:18:45 > 0:18:48pushed into the room, forced to his knees
0:18:48 > 0:18:50and shot in the head.
0:18:50 > 0:18:53That's very fanciful, Miss Costello.
0:18:53 > 0:18:55Is Jimmy's fingerprint on the outside door handle?
0:18:55 > 0:18:58- Yes, it is. - And Jimmy didn't leave, did he?
0:18:58 > 0:19:01- No. - On account of him being dead.
0:19:01 > 0:19:04So he must have left the print when he came into the room.
0:19:04 > 0:19:06- Yes.- Is it on top
0:19:06 > 0:19:08or is it under Sean's print?
0:19:08 > 0:19:10On top.
0:19:10 > 0:19:12So Sean's print is older.
0:19:12 > 0:19:15Did Jimmy's print have to be re-moisturised?
0:19:15 > 0:19:16No.
0:19:16 > 0:19:19Because it was newer and fresher.
0:19:19 > 0:19:23Because he arrived later,
0:19:23 > 0:19:25after Sean had left.
0:19:27 > 0:19:30Sean McBride had a motive.
0:19:31 > 0:19:33And he's a liar.
0:19:33 > 0:19:34He lied about owning a gun.
0:19:34 > 0:19:38Some coincidence if it wasn't him, Miss Costello.
0:19:38 > 0:19:42When you interviewed him at the police station, you said,
0:19:42 > 0:19:47"This is an open and shut case, Seany."
0:19:47 > 0:19:51And that describes your attitude, doesn't it?
0:19:51 > 0:19:52Game over.
0:19:52 > 0:19:56Jamming a square peg in a round hole.
0:19:57 > 0:20:01I'm not going to lie to you. Can I say this?
0:20:01 > 0:20:02I don't know until you say.
0:20:04 > 0:20:07After 20 years in this job...
0:20:08 > 0:20:10..I know a guilty man when I see one.
0:20:14 > 0:20:16- JUDGE:- Tea break.
0:20:32 > 0:20:33What the hell are you doing
0:20:33 > 0:20:36leaving Amy to take on a witness as big as him?
0:20:36 > 0:20:39What am I doing to Amy? What are you doing to Amy?
0:20:39 > 0:20:40I mean, Amy the fantasist?
0:20:40 > 0:20:44Amy that makes up stories about being sexually harassed?
0:20:44 > 0:20:45Look to yourself, Martha.
0:20:45 > 0:20:49If I were to catch you coaching a witness halfway through this trial,
0:20:49 > 0:20:51I'd finish you.
0:20:54 > 0:20:56Shall I tell you your problem?
0:20:56 > 0:20:58Something tells me you're going to.
0:20:58 > 0:21:02You've got Sean on room 1044
0:21:02 > 0:21:08but you haven't got Jimmy on Sean, which is impossible, frankly,
0:21:08 > 0:21:11given the forensic evidence we've just been hearing.
0:21:11 > 0:21:15Somebody else killed Jimmy Monk.
0:21:17 > 0:21:19Jacket.
0:21:22 > 0:21:24No jacket.
0:21:24 > 0:21:26There's none of Jimmy's blood on Sean
0:21:26 > 0:21:28because he got rid of the evidence
0:21:28 > 0:21:30in the two hours between the murder and his arrest.
0:21:30 > 0:21:34Dump the jacket, wash your hands, no blood.
0:21:35 > 0:21:37It's impossible, frankly,
0:21:37 > 0:21:42that a silk with your experience wouldn't know that.
0:21:42 > 0:21:44What were you hoping, Miss Costello?
0:21:44 > 0:21:46That we were less clever than you?
0:21:50 > 0:21:55I've been in this job now, what, nearly 20 years, Officer?
0:21:57 > 0:22:00And I know a bent copper when I see one.
0:22:03 > 0:22:04We found the gun.
0:22:06 > 0:22:08This morning.
0:22:08 > 0:22:11It's a Browning 9mm pistol with a red stripe on the handle
0:22:11 > 0:22:14and I can give you the heads up on the forensics.
0:22:14 > 0:22:17Jimmy Monk's blood is on it.
0:22:17 > 0:22:19Looks like we've got Jimmy on Sean.
0:22:25 > 0:22:26Martha!
0:22:26 > 0:22:28Jesus!
0:22:28 > 0:22:31I didn't do it! I didn't do this!
0:22:34 > 0:22:37- OK. Who found the gun?- A police officer because guess what?
0:22:37 > 0:22:39He was looking for it because that's his job.
0:22:39 > 0:22:44- Where?- Rough ground 300 yards from where Sean parked his car.
0:22:44 > 0:22:46New evidence happens, Martha.
0:22:46 > 0:22:49The world doesn't stop because we're all in here.
0:22:49 > 0:22:54They were looking for the gun, they found the gun, you're going down.
0:23:05 > 0:23:06He's dangerous.
0:23:07 > 0:23:10Are you deaf? Does this man make you deaf and stupid?
0:23:10 > 0:23:14Just because they've pulled the rabbit out of a hat.
0:23:14 > 0:23:17- What rabbit? - The gun. They found the gun.
0:23:18 > 0:23:19He knew.
0:23:19 > 0:23:21What? Who knew?
0:23:23 > 0:23:24Clive?
0:23:25 > 0:23:26He did it, Marth.
0:23:26 > 0:23:29He's a violent man, he's a soldier who's completely lost his head.
0:23:29 > 0:23:31He beat up his ex all the time...
0:23:31 > 0:23:34- Sorry, and how do you know that? - Because I asked her.
0:23:34 > 0:23:36I asked all the questions you're too frightened to ask
0:23:36 > 0:23:39and she gave me all the answers. Seany killed Jimmy.
0:23:42 > 0:23:43What did you just say?
0:23:44 > 0:23:46Seany killed Jimmy.
0:23:51 > 0:23:54SHE MOUTHS
0:24:01 > 0:24:02Right, let's have Bethany in.
0:24:24 > 0:24:27Has Billy given Amy money before?
0:24:27 > 0:24:29Yes.
0:24:29 > 0:24:30What for?
0:24:30 > 0:24:32Um, cabs home.
0:24:32 > 0:24:34Drinks.
0:24:34 > 0:24:35Does she have debts?
0:24:37 > 0:24:40£53,000.
0:24:40 > 0:24:41And did Billy know that?
0:24:41 > 0:24:43Yes.
0:24:43 > 0:24:45So he understood that getting a place in chambers
0:24:45 > 0:24:47was incredibly important to Amy.
0:24:47 > 0:24:50And that was the background against which
0:24:50 > 0:24:52they went for a drink together?
0:24:53 > 0:24:56- Were you in the same pub they went to?- Yes.
0:24:56 > 0:24:58Did you see what happened?
0:25:00 > 0:25:03What happened, Bethany?
0:25:07 > 0:25:10He put his hand on her knee.
0:25:10 > 0:25:14How would you characterise the way he was being with her?
0:25:14 > 0:25:19Was what Billy was doing of an inappropriate sexual character?
0:25:24 > 0:25:25No.
0:25:27 > 0:25:29- Sorry?- No.
0:25:29 > 0:25:32Well, that's not what you've been telling Harriet.
0:25:34 > 0:25:37Hand on knee, arm around the back of her -
0:25:37 > 0:25:40if that's not inappropriate behaviour I don't know what is.
0:25:52 > 0:25:55It's the behaviour of a dying man.
0:25:59 > 0:26:03A dying man trying to show the world that he's not dying...
0:26:06 > 0:26:09..trying to be all the things that he can't be any more.
0:26:17 > 0:26:19Billy?
0:26:25 > 0:26:26DOOR OPENS
0:27:09 > 0:27:11HE SIGHS
0:27:15 > 0:27:17Amy will stay.
0:27:17 > 0:27:18Right.
0:27:18 > 0:27:21And she'll vote for you.
0:27:22 > 0:27:25I think you've got your nose in front.
0:27:29 > 0:27:31Are you sure you're OK?
0:27:32 > 0:27:33Yeah.
0:27:44 > 0:27:46Thank you.
0:27:46 > 0:27:48For what?
0:27:48 > 0:27:51For...working so hard for me.
0:27:53 > 0:27:55I wouldn't do it for just anyone.
0:27:56 > 0:27:58Wouldn't you?
0:27:59 > 0:28:03I can't think of anything else I'd rather be doing.
0:28:03 > 0:28:04Really?
0:28:06 > 0:28:07Nothing else?
0:28:30 > 0:28:33HE EXHALES
0:29:03 > 0:29:06SEXUAL MOANS FROM THE NEXT ROOM
0:29:16 > 0:29:17I miss home.
0:29:18 > 0:29:19What?!
0:29:19 > 0:29:21Hm!
0:29:21 > 0:29:26For the first time in, what, 20 years, I'm feeling homesick.
0:29:28 > 0:29:29Sorry.
0:29:29 > 0:29:31It's fine. I miss it too.
0:29:31 > 0:29:34THEY LAUGH
0:29:35 > 0:29:37They've moved me.
0:29:37 > 0:29:39I'm not in with that headcase any more.
0:29:39 > 0:29:41- Good.- Mm.
0:29:41 > 0:29:43Who are you in with now?
0:29:43 > 0:29:46Oh, it's a two. But I'm on my own.
0:29:46 > 0:29:48The screws keep telling me I'm special.
0:29:48 > 0:29:51Say they're saving the other bed for someone with the same interest.
0:29:51 > 0:29:53What do you mean?
0:29:53 > 0:29:55I'm not safe.
0:29:55 > 0:29:58They're telling me they won't be able to help me
0:29:58 > 0:29:59when someone comes for me.
0:29:59 > 0:30:01The only thing to do is send a message.
0:30:01 > 0:30:03And what does that mean?
0:30:03 > 0:30:05Fight back. Let the bastards know
0:30:05 > 0:30:08they won't have it all their own way.
0:30:10 > 0:30:11You're right.
0:30:12 > 0:30:14We need to fight back.
0:30:16 > 0:30:19If it was allowed, I'd kiss you now, Martha Costello.
0:30:29 > 0:30:30SHE RAPS ON DOOR
0:30:30 > 0:30:33Your remark in the defendant's interview.
0:30:33 > 0:30:36"This is an open and shut case, Seany."
0:30:37 > 0:30:41- Yes?- He's not called Seany. No-one calls him that.
0:30:41 > 0:30:44Well, apart from you...and one other.
0:30:44 > 0:30:47- Who?- You tell me.
0:30:47 > 0:30:50- I don't know what you're talking about.- You're a liar.
0:30:50 > 0:30:54- And you're starting to look very desperate.- Lloyd Brannigan.
0:30:54 > 0:30:58The man with the key to the drawer in the office, in The Electric,
0:30:58 > 0:31:00where the gun was kept.
0:31:00 > 0:31:02Where did you two meet?
0:31:02 > 0:31:05- We haven't. Not before this investigation.- Seany?
0:31:05 > 0:31:09The pair of you with the same name for the defendant? Really?
0:31:09 > 0:31:10Is that it?
0:31:13 > 0:31:15Is that your killer point?
0:31:17 > 0:31:18It's a coincidence.
0:31:18 > 0:31:21I'm that kind of man. Every good copper likes a nickname.
0:31:21 > 0:31:24Now, what you said to me - turn it around and apply it to yourself.
0:31:24 > 0:31:26- Sorry? - You decided your man was innocent
0:31:26 > 0:31:29and you're trying to make the evidence fit.
0:31:29 > 0:31:32Square peg, Miss Costello, round hole.
0:31:32 > 0:31:33Brannigan works for you.
0:31:33 > 0:31:35- No.- Has to be.
0:31:35 > 0:31:36Has to?
0:31:36 > 0:31:38Has to?!
0:31:38 > 0:31:40All the evidence points to Sean
0:31:40 > 0:31:44and the logic of this prosecution is overwhelming.
0:31:44 > 0:31:46It's crushing you and all you've got
0:31:46 > 0:31:48is one tiny little hole with which to breathe through.
0:31:48 > 0:31:50Lloyd Brannigan.
0:31:50 > 0:31:52Let me be clear.
0:31:52 > 0:31:55On the lives of my children...
0:31:55 > 0:31:59I swear to you that I've never met Brannigan before.
0:32:10 > 0:32:13- One thing I hated in life. - What's that?
0:32:14 > 0:32:17- Being a child.- Your parents...
0:32:17 > 0:32:19No, no, no, no. They were all right.
0:32:19 > 0:32:22Bit small, but otherwise fine.
0:32:22 > 0:32:24It was other children I disliked.
0:32:26 > 0:32:29I was a grown-up trapped in a child's body.
0:32:30 > 0:32:33I knew I was a grown-up from the age of about five,
0:32:33 > 0:32:35because I thought all other children
0:32:35 > 0:32:37were wasting their time - being children.
0:32:37 > 0:32:39That's the thing about the Catholic faith.
0:32:39 > 0:32:42Teaches you to take life seriously.
0:32:42 > 0:32:43You pay attention.
0:32:48 > 0:32:52My fifth birthday. I'm trying to find the courage to dive in.
0:32:52 > 0:32:55I remember it as if it was yesterday.
0:32:56 > 0:32:58It's the last moment in my life
0:32:58 > 0:33:00before I started to think about death.
0:33:02 > 0:33:03Everybody goes, Billy.
0:33:05 > 0:33:07There are three things that matter.
0:33:09 > 0:33:11The manner of your going.
0:33:11 > 0:33:13What you leave behind.
0:33:14 > 0:33:16And where you're going afterwards.
0:33:16 > 0:33:18Send him in.
0:33:32 > 0:33:33You were right about the gun.
0:33:34 > 0:33:37- The jacket.- What? - You'll find the jacket.
0:33:37 > 0:33:40I think you're getting confused. You mean they'll find the jacket.
0:33:40 > 0:33:43Never been sharper. Sharp like a paper cut.
0:33:43 > 0:33:47- You, not they. - How do you know all this?
0:33:47 > 0:33:49You'll find out soon enough.
0:33:55 > 0:33:58Excuse me.
0:33:58 > 0:33:59Er, tea, please.
0:34:02 > 0:34:05- Are the toilets that way? - Yeah, down the end.
0:34:29 > 0:34:32Get rid of 'em. I don't need protecting.
0:34:32 > 0:34:34I'm not frightened of anyone.
0:34:53 > 0:34:54KNOCK ON DOOR
0:34:56 > 0:34:58I need your help.
0:34:59 > 0:35:01Help with what?
0:35:01 > 0:35:03Sean McBride.
0:35:03 > 0:35:05When he was arrested,
0:35:05 > 0:35:09they brought him to the police station that I'm staying at.
0:35:09 > 0:35:11And then what?
0:35:11 > 0:35:13They put me in a cell with him.
0:35:13 > 0:35:16Asked me if I'd mind cosying up to Sean McBride.
0:35:16 > 0:35:19- And did you? - He didn't trust me.
0:35:19 > 0:35:22So, they did that thing they do, the Old Bill.
0:35:22 > 0:35:24What's that?
0:35:24 > 0:35:29They beat the crap out of me, in front of him. Then he trusted me.
0:35:29 > 0:35:32And did you then have a conversation
0:35:32 > 0:35:37connected to the offence which he'd been arrested for?
0:35:38 > 0:35:40Why are you smiling?
0:35:40 > 0:35:43I always forget how up itself the language has to be in here.
0:35:43 > 0:35:45Did he cough?
0:35:45 > 0:35:47I don't know.
0:35:47 > 0:35:48You tell me.
0:35:48 > 0:35:51What did he say?
0:35:51 > 0:35:54He said, "They won't find the jacket."
0:36:05 > 0:36:09You've been living the good life.
0:36:09 > 0:36:14Everything you ask for, given to you by the police.
0:36:14 > 0:36:16Yes.
0:36:16 > 0:36:19- And kept safe?- Yeah.
0:36:19 > 0:36:23So, the...the Metropolitan Police are your own private bodyguards.
0:36:23 > 0:36:25If you like.
0:36:25 > 0:36:28So, you've grassed lots of other people up.
0:36:28 > 0:36:30- Only, two days ago, you... - Big drug dealers.
0:36:31 > 0:36:3318 years each.
0:36:33 > 0:36:36And how much is this evidence worth?
0:36:36 > 0:36:42What does Micky Joy, supergrass of the century, cost?
0:36:44 > 0:36:45The highest possible price.
0:36:45 > 0:36:47And in exchange,
0:36:47 > 0:36:51you will say anything to keep your paymasters happy.
0:36:51 > 0:36:55To keep yourself safe and protected,
0:36:55 > 0:36:57you will say whatever they want you to say.
0:36:57 > 0:36:59Only the truth.
0:36:59 > 0:37:01But you are lying about Sean McBride.
0:37:01 > 0:37:03I've got no reason to do that.
0:37:04 > 0:37:06No amount of money
0:37:06 > 0:37:09or possessions, or even my own life,
0:37:09 > 0:37:12come anywhere close to what I'm after.
0:37:13 > 0:37:15It's my last chance.
0:37:16 > 0:37:20The people you send away, they always get you in the end.
0:37:21 > 0:37:23This is the last thing I'll do.
0:37:24 > 0:37:26Am I going to lie?
0:37:28 > 0:37:29What do you think?
0:37:38 > 0:37:40I've got something for you.
0:37:43 > 0:37:44Let's go.
0:37:49 > 0:37:51- Talk to me.- What?
0:37:51 > 0:37:54When I'm in the witness box.
0:37:55 > 0:37:59- Make it like we're just talking. - It doesn't work like that.
0:38:04 > 0:38:06SHE RAPS ON DOOR
0:38:06 > 0:38:07What happened?
0:38:07 > 0:38:10- I arranged to meet Jimmy. - Where?
0:38:10 > 0:38:14- The hotel. Room 1044. - And did he turn up?
0:38:14 > 0:38:17- No.- What did you do?
0:38:17 > 0:38:18I left.
0:38:18 > 0:38:20And that's it?
0:38:20 > 0:38:21That's it.
0:38:22 > 0:38:26Did you kill Jimmy Monk?
0:38:27 > 0:38:29No, I didn't.
0:38:35 > 0:38:39- You went to make a protection payment?- Yes.
0:38:39 > 0:38:40Where's the money?
0:38:41 > 0:38:45You went to pay Jimmy. You say he didn't turn up.
0:38:45 > 0:38:47You took the three grand away with you.
0:38:47 > 0:38:48Where is it?
0:38:48 > 0:38:50Stolen.
0:38:50 > 0:38:51Stolen?!
0:38:51 > 0:38:55After I left the hotel, I went to a cafe. It was busy.
0:38:55 > 0:38:59I went to the counter to ask for a...second cup of tea.
0:38:59 > 0:39:00I didn't see what happened.
0:39:00 > 0:39:02One minute it was there, the next minute it was gone.
0:39:02 > 0:39:09You can't really expect this jury to believe that!
0:39:10 > 0:39:13You lied about the gun.
0:39:13 > 0:39:14Yes.
0:39:15 > 0:39:20The 9mm pistol with the red stripe on the handle is yours.
0:39:21 > 0:39:22Yes.
0:39:23 > 0:39:29So, how did it come to be 200 miles away from your office,
0:39:29 > 0:39:32in your nightclub, hidden in some rough ground,
0:39:32 > 0:39:36a very short distance away from your car in West Hounslow?
0:39:36 > 0:39:40- I don't know.- And you don't know, presumably,
0:39:40 > 0:39:46why your gun had Jimmy Monk's blood and brains all over it?
0:39:46 > 0:39:47No.
0:39:53 > 0:39:57It's all coming apart, isn't it, Sean McBride?
0:39:58 > 0:40:00I didn't kill him.
0:40:02 > 0:40:04I did not kill him!
0:40:14 > 0:40:17Is this your jacket?
0:40:22 > 0:40:26- Yeah.- Were you wearing it when you arrived at the hotel?
0:40:27 > 0:40:29- Yes.- And were you wearing it
0:40:29 > 0:40:33when you approached your car in West Hounslow tube station?
0:40:33 > 0:40:37- No.- How many lies can one man tell? - What?
0:40:40 > 0:40:43It wasn't stolen, was it? Was it?!
0:40:48 > 0:40:49No.
0:40:49 > 0:40:50You hid it.
0:40:53 > 0:40:54Yeah.
0:40:57 > 0:41:02Look at the right sleeve. It has a blood stain down by the cuff.
0:41:04 > 0:41:07- I panicked.- What?
0:41:07 > 0:41:12I-I went to...room 1044. I...I waited. Jimmy didn't show.
0:41:12 > 0:41:13- That's...- Let me finish!
0:41:16 > 0:41:18The thing about a violent temper
0:41:18 > 0:41:22is that when it comes out, it doesn't care who it goes for.
0:41:22 > 0:41:24Girlfriend - punch her.
0:41:24 > 0:41:27Barrister - shout at her.
0:41:27 > 0:41:30Murder victim...
0:41:30 > 0:41:31bang.
0:41:41 > 0:41:42I left.
0:41:44 > 0:41:48- When I was walking away from the hotel, that's when I saw him.- Who?
0:41:48 > 0:41:50Jimmy.
0:41:50 > 0:41:52He was heading towards the back of the hotel.
0:41:52 > 0:41:55He went up the fire escape and in through a door on the tenth floor.
0:41:55 > 0:41:58I followed him. I got to room 1044.
0:41:58 > 0:42:01The door was open. It...it didn't seem right.
0:42:03 > 0:42:05I looked inside. There was a body.
0:42:05 > 0:42:07Jimmy.
0:42:07 > 0:42:09I went inside. My training kicked in. I felt for a pulse.
0:42:09 > 0:42:13The blood - that's how it got on the sleeve.
0:42:13 > 0:42:15He was dead.
0:42:15 > 0:42:16HE CHUCKLES
0:42:16 > 0:42:18Ah... And then it hit me.
0:42:19 > 0:42:21I'd been set up.
0:42:21 > 0:42:24Me fingerprints everywhere. So, I ran. Back down the fire escape.
0:42:24 > 0:42:26I got rid of the jacket in the toilets of the cafe
0:42:26 > 0:42:27by stuffing it out the window
0:42:27 > 0:42:31and I got arrested in the car park at the tube station.
0:42:32 > 0:42:36So, where's the money?
0:42:42 > 0:42:44There was no money.
0:42:48 > 0:42:51I went to the hotel room to sort things out.
0:42:51 > 0:42:54I wanted to do to Jimmy what he'd done to me.
0:42:54 > 0:42:56But I never got the chance to slap him around.
0:42:58 > 0:43:01Cos somebody killed him.
0:43:08 > 0:43:10PHONE BUZZES
0:43:29 > 0:43:30Recall me.
0:43:32 > 0:43:34What?
0:43:34 > 0:43:35Get me back in the witness box.
0:43:39 > 0:43:41Trust me.
0:43:48 > 0:43:50I'll give you the truth.
0:43:51 > 0:43:53- No.- You'll change your mind.
0:43:53 > 0:43:57Don't you ever come near me again.
0:43:57 > 0:44:00What are you afraid of?
0:44:02 > 0:44:04Billy?
0:44:04 > 0:44:05Trust him.
0:44:19 > 0:44:21What do you want to say?
0:44:23 > 0:44:26Everybody's wrong.
0:44:26 > 0:44:27I don't understand.
0:44:27 > 0:44:30It's about killing two birds with one stone.
0:44:30 > 0:44:34- That was the plan. - Whose plan? The police?
0:44:34 > 0:44:36Bigger than that. More than that.
0:44:36 > 0:44:38Who?
0:44:38 > 0:44:41Has there been a recent break-in at Shoe Lane?
0:44:44 > 0:44:47- Yes.- Was anything taken?
0:44:48 > 0:44:51- No. - Which room was the burglar in?
0:44:53 > 0:44:54Mine.
0:44:54 > 0:44:57You checked that nothing had been taken out,
0:44:57 > 0:45:01but did you check that anything had been put in?
0:45:01 > 0:45:02They've been listening to you.
0:45:02 > 0:45:05- They?- The Monk family.
0:45:06 > 0:45:07Sean McBride was set up.
0:45:07 > 0:45:10Jimmy Monk was wild and out of control
0:45:10 > 0:45:13and the Monk family wanted rid of him.
0:45:13 > 0:45:15But you can't do that to one of your own
0:45:15 > 0:45:17without making it look like something else.
0:45:17 > 0:45:21They killed Jimmy and made it look like it was Sean
0:45:21 > 0:45:25and then carried on making it look like it was Sean.
0:45:25 > 0:45:29The out-of-control family member dead
0:45:29 > 0:45:33and the upstart business competitor banged up for ever.
0:45:33 > 0:45:34Brannigan...
0:45:34 > 0:45:39Why don't we stay away from the foot soldiers and the specifics?
0:45:41 > 0:45:43You've all done enough damage here.
0:45:43 > 0:45:45I'm giving you the big truth.
0:45:47 > 0:45:50You take it from me. Sean McBride is innocent.
0:45:55 > 0:45:57First you're a prosecution witness,
0:45:57 > 0:46:00then you're a witness for the defence.
0:46:00 > 0:46:03How can you be both and expect to be believed?
0:46:03 > 0:46:04That's the point.
0:46:06 > 0:46:08That's the whole of the point.
0:46:09 > 0:46:11I'm not a prosecution witness.
0:46:11 > 0:46:13I'm not a defence witness.
0:46:13 > 0:46:15And I can't be both, because I'm neither.
0:46:17 > 0:46:20There's a third way, Miss Warwick, Miss Costello...
0:46:22 > 0:46:24..and it's the first casualty here
0:46:24 > 0:46:27and in every courtroom I've ever known.
0:46:27 > 0:46:28And you know what it is.
0:46:30 > 0:46:32Because it doesn't fit.
0:46:33 > 0:46:34It never fits.
0:46:36 > 0:46:38It's not what any of you want.
0:46:40 > 0:46:42It's called the truth.
0:46:43 > 0:46:45There. I'm done.
0:46:46 > 0:46:47I've got nothing more to say.
0:46:47 > 0:46:52- I'm entitled to re-examine you. - Are you?
0:46:52 > 0:46:58Are you entitled to question me? Either of you?
0:46:58 > 0:47:02With your wigs and your gowns and your one-eyed way of seeing?
0:47:02 > 0:47:03Mr Joy!
0:47:03 > 0:47:06I've just told you everything I think about everything.
0:47:06 > 0:47:09I've sworn on this Bible and it's what I'll be judged on.
0:47:14 > 0:47:16Mr Joy!
0:47:18 > 0:47:20Members of the jury,
0:47:20 > 0:47:24I am directing you to ignore what Mr Joy has said in the witness box.
0:47:24 > 0:47:27It may have been passionate, but it is not evidence
0:47:27 > 0:47:30and it doesn't belong in this court.
0:47:30 > 0:47:32DOOR SLAMS
0:47:35 > 0:47:38Have you reached a verdict upon which you are all agreed?
0:47:39 > 0:47:41FOREMAN: We have.
0:47:42 > 0:47:44Do you find the defendant guilty...
0:47:44 > 0:47:46or not guilty of murder?
0:47:47 > 0:47:49Guilty.
0:48:08 > 0:48:11You lose your heart to every case you take, don't you?
0:48:12 > 0:48:15Passion, conviction, fearlessness.
0:48:17 > 0:48:18All of them admirable qualities,
0:48:18 > 0:48:21and all of them qualities shared by DCI Fitzpatrick.
0:48:21 > 0:48:23- He's... - The other side of the same coin.
0:48:23 > 0:48:25- No. - You only see what you need to see.
0:48:26 > 0:48:29- Look at the jacket.- What?
0:48:29 > 0:48:33The blood on the sleeve means Sean's guilty, doesn't it?
0:48:33 > 0:48:36Fitzpatrick wins, you lose.
0:48:37 > 0:48:39The blood on the right sleeve.
0:48:41 > 0:48:43The wound behind the left ear.
0:48:44 > 0:48:47The killer's left-handed. Sean isn't.
0:48:48 > 0:48:51You win.
0:48:51 > 0:48:53- I didn't think... - No, you didn't.
0:48:54 > 0:48:56You lost a game you could have won.
0:48:57 > 0:49:01- Game?- And there's another game to play tomorrow
0:49:01 > 0:49:04and, like all games, it's about winning and losing,
0:49:04 > 0:49:07and that means everyone in it is corrupted.
0:49:07 > 0:49:10After 35 years a lawyer...
0:49:11 > 0:49:13..finally...
0:49:14 > 0:49:16..at the death...
0:49:16 > 0:49:20I've stopped playing the game and I told the truth.
0:49:21 > 0:49:24I can't tell you how good that feels.
0:49:26 > 0:49:29- What are you saying? - I'm telling you.
0:49:30 > 0:49:32Begging you.
0:49:34 > 0:49:35Walk away.
0:49:36 > 0:49:38No. Run.
0:49:41 > 0:49:43Run for your life.
0:50:06 > 0:50:08DOOR OPENS
0:50:08 > 0:50:10Martha.
0:50:14 > 0:50:17- Where is it?- Where's what?
0:50:17 > 0:50:18They've been listening to us.
0:50:18 > 0:50:21What do you mean, they've been listening to us?
0:50:21 > 0:50:23What are you talking about?
0:50:38 > 0:50:40See!
0:50:43 > 0:50:45It was me.
0:50:45 > 0:50:46The jacket.
0:50:46 > 0:50:48Micky told me where to find it.
0:50:49 > 0:50:51I was trying to protect you.
0:50:53 > 0:50:54Ohh...!
0:50:56 > 0:50:58SHE LAUGHS
0:51:15 > 0:51:17Ohh...
0:51:30 > 0:51:31How are you?
0:51:32 > 0:51:34Mm.
0:51:41 > 0:51:42I'd come back.
0:51:45 > 0:51:46What?
0:51:50 > 0:51:52If you ask me...
0:51:54 > 0:51:55..I'll come back.
0:51:59 > 0:52:02The one way to bring chambers together
0:52:02 > 0:52:05is to gather round the fight for survival.
0:52:05 > 0:52:09The Criminal Bar and the Family Bar will die if we don't fight now.
0:52:09 > 0:52:11In this election,
0:52:11 > 0:52:14there is one candidate who wants us only to prosecute,
0:52:14 > 0:52:16and one who wants us to defend.
0:52:16 > 0:52:18I...
0:52:18 > 0:52:20want to fight for both.
0:52:31 > 0:52:34Who am I?
0:52:34 > 0:52:36I am the only realist.
0:52:36 > 0:52:39Prosecuting is the only way to go.
0:52:39 > 0:52:42Harriet has us set up with the CPS.
0:52:42 > 0:52:44Lots of you have had work from Nicola.
0:52:44 > 0:52:47I have an assurance from her that from now on,
0:52:47 > 0:52:50Shoe Lane will be her only chambers of choice.
0:52:50 > 0:52:53She's briefing us and only us.
0:52:53 > 0:52:55But there's a catch.
0:52:55 > 0:52:58It's a lot of work and we have to be able to cover it all.
0:53:00 > 0:53:05We have to tell her that, from now on...we are a prosecution set.
0:53:05 > 0:53:06We don't defend.
0:53:07 > 0:53:09Vote for me...
0:53:09 > 0:53:11and I'll give you jobs for life.
0:53:39 > 0:53:41Who am I?
0:54:16 > 0:54:19Votes for Miss Warwick?
0:54:20 > 0:54:2122.
0:54:26 > 0:54:28Votes for Mr Reader?
0:54:30 > 0:54:3122.
0:54:31 > 0:54:34Er...
0:54:35 > 0:54:37Amy...
0:54:38 > 0:54:39Your vote for Head of Chambers.
0:54:53 > 0:54:55APPLAUSE
0:55:11 > 0:55:15I love Shoe Lane and I want all of you to come with me
0:55:15 > 0:55:18as we move forward into this new stage in our history.
0:55:18 > 0:55:21Prosecuting.
0:55:21 > 0:55:22I know we can do it
0:55:22 > 0:55:27and I am as sure as I have ever been that, years from now,
0:55:27 > 0:55:29we will all look back, together, on this moment
0:55:29 > 0:55:33as the springboard into a... a brighter and better future.
0:55:33 > 0:55:35Thank you.
0:55:41 > 0:55:42Where's Martha?
0:56:38 > 0:56:40SIREN BLARES
0:57:19 > 0:57:21Billy?
0:57:21 > 0:57:23- Jake.- Billy.
0:57:23 > 0:57:25BILLY GROANS
0:57:25 > 0:57:26- OK.- I'm here.
0:57:26 > 0:57:27Yeah.
0:57:27 > 0:57:29- Yeah?- Yeah.
0:57:29 > 0:57:31- I've got you.- OK. Yeah.
0:57:39 > 0:57:41PHONE BUZZES
0:57:48 > 0:57:49Martha, it's me.
0:57:51 > 0:57:52Where are you?
0:57:56 > 0:57:58Miss!
0:58:04 > 0:58:05Miss!
0:58:18 > 0:58:20BILLY GROANS