Cracking

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0:00:02 > 0:00:03Call an ambulance!

0:00:03 > 0:00:05You know her?

0:00:05 > 0:00:06She's one of the girls I killed.

0:00:07 > 0:00:09No...

0:00:11 > 0:00:14I'm giving you one more shot, Teddy.

0:00:14 > 0:00:16You go to your father's and look him in the eye.

0:00:16 > 0:00:18You fuck this up, and I'm going to kill you.

0:00:27 > 0:00:29There's nothing I wouldn't do for you.

0:00:30 > 0:00:32I'm only taking two.

0:00:32 > 0:00:34Well, I've got four.

0:00:34 > 0:00:35The Volpes already got enough coke,

0:00:35 > 0:00:37and I ain't nickel-and-dimin' in the Valley.

0:00:37 > 0:00:40- That's how you get arrested. - All right, all right, all right.

0:00:40 > 0:00:42- What about, like, Bel Air or some shit?- Unh-unh.

0:00:42 > 0:00:46Told y'all I got a cousin named Devon up in Oakland.

0:00:46 > 0:00:48Think I could take the car for a few hours?

0:00:48 > 0:00:49Aah!

0:00:49 > 0:00:51Going to offer you my product.

0:00:53 > 0:00:55Get the fuck out of here.

0:01:02 > 0:01:04# Hey, hey! Come on

0:01:06 > 0:01:08# Soul

0:01:08 > 0:01:10# Searching Hey... #

0:01:14 > 0:01:16Hello.

0:01:16 > 0:01:18Thought you might've taken off for Vegas.

0:01:18 > 0:01:21Well, I was driving down 52nd,

0:01:21 > 0:01:23some kids tossed a baseball.

0:01:23 > 0:01:25Smashed your driver's side window.

0:01:25 > 0:01:26You're kidding me.

0:01:28 > 0:01:31I got it fixed. 50 bucks at Big Earl's.

0:01:31 > 0:01:34That's my Cho money. So I took some more.

0:01:34 > 0:01:35"How you doin', Franklin?"

0:01:35 > 0:01:37"I'm fine, Mama. Thanks for asking."

0:01:37 > 0:01:38Right, right.

0:01:38 > 0:01:40- Thanks for fixing it. - Yeah.

0:01:40 > 0:01:42But call me next time, OK?

0:01:42 > 0:01:43Didn't want to interrupt the spades club.

0:01:43 > 0:01:46- How'd it go? - Me and Agatha was

0:01:46 > 0:01:48breakin' fools left and right.

0:01:48 > 0:01:50Whoo! Attagirl.

0:01:50 > 0:01:51Good for you.

0:01:51 > 0:01:53# Everywhere I go

0:01:53 > 0:01:58# Soul searching

0:01:58 > 0:02:01# On the radio

0:02:02 > 0:02:05# Soul searching everywhere I go... #

0:02:10 > 0:02:12Mrs Hamilton.

0:02:12 > 0:02:14Hi, it's, Franklin.

0:02:14 > 0:02:16Is Kev up?

0:02:16 > 0:02:18..Thank you.

0:02:22 > 0:02:24What's up with it?

0:02:24 > 0:02:26Talk to me about Oakland.

0:02:45 > 0:02:47If we don't start trusting each other,

0:02:47 > 0:02:48these deals are going to take a long time.

0:02:50 > 0:02:52Are you in a hurry?

0:03:25 > 0:03:26Most of that...

0:03:28 > 0:03:29..goes towards the next shipment, OK?

0:03:29 > 0:03:32So don't get too attached.

0:03:41 > 0:03:43Hernan's cut.

0:03:46 > 0:03:49You're trouble, sabas?

0:03:49 > 0:03:50This is for you.

0:03:51 > 0:03:54You saved our asses.

0:03:54 > 0:03:56Gracias.

0:04:08 > 0:04:10Are you going to go give it to him right now?

0:04:10 > 0:04:13Si. I'll pick up some food on my way back.

0:04:21 > 0:04:23Shh.

0:04:55 > 0:04:56Si.

0:05:12 > 0:05:14PANTING

0:05:20 > 0:05:22Yeah.

0:05:24 > 0:05:25SHE MOANS

0:05:26 > 0:05:28Oso.

0:05:33 > 0:05:35Oso.

0:05:39 > 0:05:41Yeah...

0:05:42 > 0:05:43It was a mess.

0:05:43 > 0:05:45Logan ODing, the girl screaming.

0:05:45 > 0:05:47Kristin ran for the phone, was dialling 911.

0:05:47 > 0:05:51What would you have done? Let the cops find 50 keys and a dead CIA officer?

0:05:51 > 0:05:52No, see, I would've told the truth

0:05:52 > 0:05:54when the next CIA officer asked me about it

0:05:54 > 0:05:57instead of insisting that he was paranoid and crazy.

0:05:57 > 0:05:59I didn't know you. Couldn't risk poisoning the well like that.

0:05:59 > 0:06:01Yeah, no, I'm here. Go ahead.

0:06:03 > 0:06:07No. That's...that's great for now.

0:06:07 > 0:06:09..OK.

0:06:09 > 0:06:11I'll be in touch. Bye.

0:06:13 > 0:06:15They trace the number?

0:06:15 > 0:06:18Yeah, the number's registered to Kristin's apartment.

0:06:18 > 0:06:20She mention a roommate or boyfriend or...

0:06:20 > 0:06:22No, but, boyfriend is unlikely.

0:06:23 > 0:06:28OK. Well, whoever's looking for her

0:06:28 > 0:06:29is staying at her place.

0:06:29 > 0:06:31We need to figure out who that is.

0:06:31 > 0:06:33CAMERA SHUTTER CLICKS

0:06:47 > 0:06:48CAR DOOR SHUTS

0:06:48 > 0:06:49ENGINE STARTS

0:07:02 > 0:07:04Jesus.

0:07:04 > 0:07:06She looks like her.

0:07:06 > 0:07:08- Want a beer? - Sure.

0:07:08 > 0:07:11That's the only intel the agency could get us.

0:07:11 > 0:07:12PHONE RINGS

0:07:12 > 0:07:14She's a graduate student?

0:07:14 > 0:07:16She was. She dropped out.

0:07:21 > 0:07:23You want to get that?

0:07:23 > 0:07:26She's working as a paralegal. ANSWERPHONE: Hello, I'm not in right now.

0:07:26 > 0:07:31Best I can tell...after maybe a week of not hearing from her sister...

0:07:31 > 0:07:32she decides to get in the car

0:07:32 > 0:07:34and drive out here.

0:07:35 > 0:07:38So we need to figure out what else she knows.

0:07:39 > 0:07:42She's a grad student. What can she do?

0:07:42 > 0:07:44Exactly what she's been doing.

0:07:44 > 0:07:46She can ask around, she can make some noise.

0:07:46 > 0:07:47She can go to the police.

0:07:47 > 0:07:49So I, for one, will sleep much better knowing

0:07:49 > 0:07:51that she's not gotten any traction.

0:07:51 > 0:07:53I imagine probably you will, too.

0:07:56 > 0:08:00And there is...one more thing I need to talk to you about.

0:08:02 > 0:08:03OK, what's that?

0:08:06 > 0:08:07The bodies.

0:08:07 > 0:08:10You didn't just dump 'em in the canyon, did you?

0:08:10 > 0:08:13No, I took them all out of town, buried them.

0:08:13 > 0:08:15Where?

0:08:16 > 0:08:18I'm not sure exactly.

0:08:18 > 0:08:19Right, you're not sure exactly

0:08:19 > 0:08:21where you buried three dead girls?

0:08:21 > 0:08:24It was somewhere off Highway 14 in the Antelope Valley.

0:08:26 > 0:08:28I could take you out there if you want to.

0:08:28 > 0:08:29God, no. I don't...that's...

0:08:29 > 0:08:31I just need to know that they're not going to be a problem.

0:08:31 > 0:08:33Hey, look, I drove out as far as I could

0:08:33 > 0:08:36and I dug until I couldn't feel my arms, OK?

0:08:40 > 0:08:42Now can I ask you a question?

0:08:42 > 0:08:45If, by some chance, this... the sister does have traction...

0:08:45 > 0:08:48You mean, if, um,

0:08:48 > 0:08:50she's found something that would jeopardize the op?

0:08:50 > 0:08:52Yeah.

0:08:54 > 0:08:56Then we have to deter her.

0:08:59 > 0:09:00Let's hope it hasn't come to that.

0:10:03 > 0:10:06So how far is Oakland?

0:10:06 > 0:10:08Man. It's not too bad. Only, like, seven hours.

0:10:08 > 0:10:10- Seven hours? - Yeah, man.

0:10:10 > 0:10:13You know that road trips take time, man.

0:10:13 > 0:10:14It's an experience.

0:10:20 > 0:10:22All right, all right.

0:10:22 > 0:10:24Cho got himself a new butler?

0:10:24 > 0:10:25You know where we going?

0:10:26 > 0:10:28I thought you've been to Oakland before.

0:10:28 > 0:10:30Once. Way back when, though.

0:10:30 > 0:10:32- Take a Ding-a-Ling.- Ding Dongs, man.

0:10:32 > 0:10:35Hey, you know, Leon ain't never been outside of LA?

0:10:35 > 0:10:38Man, whatever, homie. I'm gambling my life around with you in this bucket.

0:10:38 > 0:10:40Hey, don't distract my hoo-ride.

0:10:40 > 0:10:42Sure your cousin got it hooked up?

0:10:42 > 0:10:44I told you, my cousin Devon say he going to make sure we straight.

0:10:44 > 0:10:46We going to be straight when this piece of shit

0:10:46 > 0:10:48blow up on the freeway?

0:10:48 > 0:10:50Y'all worry too much. Y'all going to love Oakland.

0:10:50 > 0:10:52So just relax, baby. Damn!

0:10:52 > 0:10:53ENGINE STARTS

0:11:23 > 0:11:24We here?

0:11:24 > 0:11:26Look lively, niggas.

0:11:26 > 0:11:27- 'Bout time. - Man, what the fuck?

0:11:27 > 0:11:29I told you he ride.

0:11:29 > 0:11:31So we're just going to walk two keys into a damn biker rally?

0:11:31 > 0:11:33Man, we can't even see to get in there.

0:11:33 > 0:11:35Should've came strapped.

0:11:35 > 0:11:36What part of family do y'all not understand?

0:11:36 > 0:11:38We all good.

0:11:38 > 0:11:39I gotta piss, so come on.

0:11:48 > 0:11:50Hey, for real, homie, where the door at?

0:11:57 > 0:11:58MUSIC PLAYS

0:12:04 > 0:12:05Hey, the record's fucking skippin'.

0:12:05 > 0:12:08Nicky! Go!

0:12:08 > 0:12:10- Fuck that shit, man. Fuck that. - What's that music?

0:12:21 > 0:12:23Hey, who the fuck let y'all in?

0:12:23 > 0:12:24Whoa, whoa, hold on, man. Hey...

0:12:24 > 0:12:28I'm Devon's cousin. Little Kev from LA?

0:12:28 > 0:12:30Devon said if we came up here,

0:12:30 > 0:12:32everything would be good and...

0:12:32 > 0:12:34- Get out the way, man. - All right... All right, cool.

0:12:34 > 0:12:36A'ight, so you just going to let him know we here, then?

0:12:36 > 0:12:38Family? That's your mama's side or your dad's?

0:12:38 > 0:12:41Mama's, but I ain't never really met him like that.

0:12:44 > 0:12:47Go ahead, girl! Whoo!

0:12:50 > 0:12:52Whoo!

0:12:58 > 0:13:01Y'all seen Devon?

0:13:04 > 0:13:06Hey, Kev.

0:13:06 > 0:13:09He going to be here, man.

0:13:09 > 0:13:11- The fuck you still so skinny? - I'm going to punch you.

0:13:11 > 0:13:12You better punch me.

0:13:12 > 0:13:14- What's up, cos? - What's up with it?

0:13:14 > 0:13:16- Hey, man. - Yeah, yeah, what...

0:13:16 > 0:13:17This place look great, man.

0:13:17 > 0:13:19Shit, this the motherfucking hub here.

0:13:19 > 0:13:20- Hey, these my peeps. - What's up, man?

0:13:20 > 0:13:22- What up, homie? - How's it going?

0:13:22 > 0:13:24What up?

0:13:24 > 0:13:25You're Two Keys, right?

0:13:25 > 0:13:27Franklin. Little Joe here?

0:13:27 > 0:13:29No, but you're on the radar.

0:13:29 > 0:13:31Kick your feet up for a minute. The bar over there.

0:13:31 > 0:13:34- How long you going to be? - Man, we just got here.

0:13:34 > 0:13:35Let's do the deal, get the money,

0:13:35 > 0:13:37and get the fuck outta here.

0:13:37 > 0:13:40You refusing my motherfucking hospitality?

0:13:40 > 0:13:41Hey, I'm cool to party while we wait.

0:13:41 > 0:13:43They'll like him. He like to party.

0:13:43 > 0:13:45But you refusing my motherfucking hospitality.

0:13:45 > 0:13:48Hey, look, he don't know no better.

0:13:48 > 0:13:50Look,

0:13:50 > 0:13:52whether Little Joe rolls up in a minute

0:13:52 > 0:13:54or a motherfucking hour, I can't say.

0:13:54 > 0:13:57But he'll be here. A'ight?

0:13:57 > 0:13:59All right.

0:13:59 > 0:14:01A'ight?

0:14:01 > 0:14:03A'ight?

0:14:03 > 0:14:06Shit, man, let's have some fun around this bitch.

0:14:06 > 0:14:07Hey, can I get in on that game?

0:14:07 > 0:14:10Hell, yeah. I told you, man, you home, man.

0:14:10 > 0:14:11Watch that nigga.

0:14:11 > 0:14:13We home, man.

0:14:15 > 0:14:17Hey, look, so what you going to do?

0:14:17 > 0:14:19- You going to chill? - Do your thing, man.

0:14:19 > 0:14:20- I'm-a hang back. - All right.

0:14:27 > 0:14:29You're supposed to be selling.

0:14:29 > 0:14:31Come on, man. I just need a little come up

0:14:31 > 0:14:32for the tricks, man.

0:14:34 > 0:14:36All right, go find some place. Last thing I need

0:14:36 > 0:14:38is these motherfuckers knowing I got this shit, all right?

0:14:40 > 0:14:41Getting' into our samples, man.

0:14:41 > 0:14:43I'm about to get in some coochie.

0:14:43 > 0:14:44I'll let you know if she got a friend.

0:15:21 > 0:15:23Yeah, yeah.

0:15:30 > 0:15:32I love this song!

0:15:32 > 0:15:34Hey, hold still now before I fuck this up.

0:15:37 > 0:15:38Yeah!

0:15:40 > 0:15:42Y'all know if Devon in there?

0:15:42 > 0:15:44Maybe. Whiteboy Bobby hotboxing the shit out...

0:15:44 > 0:15:47Hey, he brought acid, too.

0:15:47 > 0:15:48Hey, hey, hey.

0:15:48 > 0:15:50How's she lookin'?

0:15:50 > 0:15:52Come on. See for yourself.

0:15:52 > 0:15:54Look at that, man.

0:15:56 > 0:15:57- Wow.- Yeah.

0:15:57 > 0:15:59I know.

0:15:59 > 0:16:01I always wanted to be an artist.

0:16:02 > 0:16:05But life derailed my dreams, man.

0:16:05 > 0:16:07Hey, you want a tat?

0:16:08 > 0:16:10- Nah. I'm good. - You sure?

0:16:10 > 0:16:12Hey, man. I'm good. I did a dime in San Quentin.

0:16:12 > 0:16:15I'm the best.

0:16:27 > 0:16:30What's up with this backpack, cutie?

0:16:30 > 0:16:31You got class?

0:16:31 > 0:16:35I got to do somethin'.

0:16:36 > 0:16:38Yeah, yeah....

0:16:52 > 0:16:54You broke it, man.

0:16:54 > 0:16:56Hey, what the fuck is up in there?

0:16:56 > 0:16:57Any word from Little Joe?

0:16:57 > 0:16:59- Little Joe? - Put the music back on, man!

0:16:59 > 0:17:01Somebody's got blow? Is it him?

0:17:01 > 0:17:03He ain't got nothing that concerns you.

0:17:03 > 0:17:05Hey, the fuck he don't. Why he holding out?

0:17:05 > 0:17:06Came here to do a deal, man.

0:17:06 > 0:17:08Man, watch your motherfucking tone when you're around me, man.

0:17:08 > 0:17:10Hey!

0:17:10 > 0:17:13Whoa, whoa, whoa, whoa.

0:17:13 > 0:17:15Her pussy turned into a fucking mouth on me, man.

0:17:15 > 0:17:17Her cooze was a mouth!

0:17:17 > 0:17:20It's still just my pussy, Bobby. Chill.

0:17:20 > 0:17:21Hey, hey, hey...

0:17:21 > 0:17:23Hey, man, where you going? Put that thing away, man!

0:17:23 > 0:17:25Bobby!

0:17:27 > 0:17:30Yo, that's why I never licked no pussy right there.

0:17:44 > 0:17:47We sold the rest of the first shipment.

0:17:47 > 0:17:48I see that.

0:17:48 > 0:17:50The powder wasn't moving quick enough,

0:17:50 > 0:17:53and Alejandro was going to cut us off if we couldn't pay.

0:17:53 > 0:17:54So you just made a deal behind my back?

0:17:54 > 0:17:57Yeah, with Gustavo's people. He wanted to keep things simple.

0:17:57 > 0:18:00Since when do we care what Gustavo wants?

0:18:00 > 0:18:02Since he found a way to move the product.

0:18:05 > 0:18:07So where's my cut?

0:18:07 > 0:18:09Or does he get that, too?

0:18:24 > 0:18:25I made him a partner.

0:18:27 > 0:18:29It was the only way he was going to help us.

0:18:29 > 0:18:31OK.

0:18:33 > 0:18:35- OK?- Sure.

0:18:35 > 0:18:37You made the deal, you can pay him out of your end.

0:18:37 > 0:18:38Pedro, that's fucked up.

0:18:38 > 0:18:40More fucked up than you giving Gustavo

0:18:40 > 0:18:42a third of this business without consulting me?

0:18:42 > 0:18:43I didn't have a choice.

0:18:43 > 0:18:45- You would've done the same thing. - No, I wouldn't have.

0:18:45 > 0:18:48What's going on with you?

0:18:48 > 0:18:49You're the hardest bitch I know,

0:18:49 > 0:18:51and now you're just giving away our business?

0:18:51 > 0:18:53Come on.

0:19:02 > 0:19:03Pedro.

0:19:03 > 0:19:05Pedro, we need him.

0:19:05 > 0:19:06Bullshit, you like him.

0:19:06 > 0:19:09- I'm just trying to keep this alive. - You fucking him?

0:19:10 > 0:19:12- Excuse me? - You heard me.

0:19:12 > 0:19:15Tell me you're not, that it's just business.

0:19:15 > 0:19:17Then I'll know I can trust you.

0:19:17 > 0:19:19I'm not fucking him.

0:19:23 > 0:19:25Bueno.

0:19:44 > 0:19:45HE SPITS

0:19:59 > 0:20:00HE COUGHS

0:20:25 > 0:20:26Come on.

0:20:33 > 0:20:35No fucking way.

0:20:45 > 0:20:47HUBBUB OF VOICES

0:20:51 > 0:20:54Sure, that's going to St Augustine by this afternoon.

0:21:32 > 0:21:35I'm going to need you to understand what it is to...

0:21:35 > 0:21:37..have your dignity,

0:21:37 > 0:21:40your self-respect, and make sure that other people

0:21:40 > 0:21:42respect you, too.

0:21:42 > 0:21:44Chest out.

0:21:44 > 0:21:45Head up.

0:21:45 > 0:21:47Shoulders high.

0:21:49 > 0:21:50My son.

0:21:53 > 0:21:55My son.

0:22:01 > 0:22:03Who are you?

0:22:05 > 0:22:07My bad. Sorry. I ain't know anybody else was in here.

0:22:07 > 0:22:09- I can go.- Hold on.

0:22:11 > 0:22:14Are you... OK?

0:22:14 > 0:22:15Yeah.

0:22:22 > 0:22:23Um...

0:22:23 > 0:22:27Do you have any idea if this used to be a Black Panther office?

0:22:29 > 0:22:31I think it was.

0:22:32 > 0:22:35I think I came here when I was a kid to see my dad.

0:22:35 > 0:22:38Well, back when he was doing his thing.

0:22:38 > 0:22:41We're all just doing our thing.

0:22:45 > 0:22:47Yeah, I guess.

0:22:50 > 0:22:52So what you doin' up in here?

0:22:52 > 0:22:54I mean, you too fine to be hanging out...

0:23:04 > 0:23:06Come on.

0:23:14 > 0:23:16Ta-da.

0:23:17 > 0:23:20Wh-What's that?

0:23:20 > 0:23:22It's my new favourite.

0:23:22 > 0:23:24Let me see.

0:23:24 > 0:23:26- I-I won't... - Ooh.

0:23:26 > 0:23:27I-I won't touch it.

0:23:27 > 0:23:30- Just...hold it out. - Ooh.

0:23:30 > 0:23:34OK, but be careful. This is the last of it.

0:23:58 > 0:24:00I ain't never seen that before.

0:24:01 > 0:24:03Where you get it from?

0:24:06 > 0:24:07You're a star.

0:24:07 > 0:24:09You know where to get more?

0:24:10 > 0:24:14The star...is a door.

0:24:15 > 0:24:17This room...

0:24:17 > 0:24:19is a door life.

0:24:19 > 0:24:24Is...is life, is all doors.

0:24:24 > 0:24:28They're just...you know, they're just...just opening.

0:24:28 > 0:24:31- Yeah.- Opening...

0:24:31 > 0:24:32You on your way to space, for sure.

0:24:32 > 0:24:35Opening.

0:24:35 > 0:24:38I want to see what it is. Go get some more?

0:24:38 > 0:24:40I'll buy it.

0:24:46 > 0:24:49I like you, Star.

0:24:49 > 0:24:51I like you, too.

0:25:04 > 0:25:06Well, you're not about to walk around here barefoot?

0:25:06 > 0:25:08Why not? It feels...it feels good.

0:25:08 > 0:25:10Well, you're going to mess those pretty feet up.

0:25:10 > 0:25:13You think they're pretty?

0:25:13 > 0:25:15You know you got beautiful feet.

0:25:15 > 0:25:17Thank you, Star.

0:25:17 > 0:25:19..get that quarter piece, man.

0:25:19 > 0:25:20Smoke this right now, brother.

0:25:20 > 0:25:22Hey, don't even think about firing that shit up here.

0:25:22 > 0:25:24Move your ass along.

0:25:24 > 0:25:26All right. All right, all right.

0:25:27 > 0:25:28- What you need, man? - What's up?

0:25:28 > 0:25:30Hey, there, girlie girl.

0:25:30 > 0:25:32Back already with them pretty-ass toes?

0:25:34 > 0:25:35You got 20?

0:25:35 > 0:25:3720? Yeah.

0:25:37 > 0:25:39..20.

0:25:45 > 0:25:49OK, come on. Let's go.

0:25:49 > 0:25:52- Actually, I can't right now. - No...

0:25:52 > 0:25:54Why don't you go back to the special place

0:25:54 > 0:25:55and maybe I'll see you later?

0:25:55 > 0:25:57OK.

0:25:57 > 0:25:59Bye, Franklin.

0:26:00 > 0:26:05You probably right, yeah. She fine, but she crazy.

0:26:07 > 0:26:08How long's that going to last her?

0:26:08 > 0:26:10I don't know. She'll probably be back tonight.

0:26:10 > 0:26:11And it's coke?

0:26:11 > 0:26:13Rocked up, yeah.

0:26:13 > 0:26:15- Why is it so cheap? - I ain't no cook, nigga.

0:26:15 > 0:26:18I just move the shit.

0:26:21 > 0:26:23I'll buy everything you got.

0:26:26 > 0:26:28If you show me who cooked it.

0:26:29 > 0:26:31Crossin' a line now, blood.

0:26:38 > 0:26:39I ain't got no piece, man.

0:26:52 > 0:26:54Country motherfucker. What the fuck are you doing?

0:26:54 > 0:26:56No tricks, no games, man.

0:26:56 > 0:26:59I just want to know how y'all make what y'all making.

0:27:03 > 0:27:05Nice shoes.

0:27:16 > 0:27:18You want to meet the Wizard?

0:27:19 > 0:27:21Hell, yeah.

0:27:23 > 0:27:25All right, hold down the spot.

0:27:25 > 0:27:27Wait. You seriously going to take him to Swim?

0:27:27 > 0:27:31This nigga got two keys of coke on him. Hell, yeah.

0:27:31 > 0:27:33Let's go, Dorothy.

0:27:40 > 0:27:44Watch your shit. That's mud right there.

0:27:45 > 0:27:48- Good looking out. - Yeah, yeah.

0:28:00 > 0:28:02Go ahead.

0:28:02 > 0:28:03Come on, man.

0:28:10 > 0:28:12Where the fucking E key?

0:28:13 > 0:28:15Hey, man. He cool.

0:28:15 > 0:28:16He from LA.

0:28:18 > 0:28:20Why you didn't say that at first, man?

0:28:20 > 0:28:22He from LA?

0:28:22 > 0:28:24So who are you, Michael Jackson?

0:28:25 > 0:28:27No, this nigga too dark to be Michael Jackson.

0:28:27 > 0:28:29He more like Sidney Poitier.

0:28:29 > 0:28:31No.

0:28:31 > 0:28:33I don't know why this Bobby Womack-ass nigga

0:28:33 > 0:28:35brought you here to my place of business

0:28:35 > 0:28:37when he should have had his ass out there working.

0:28:37 > 0:28:39Look, Swim. This nigga right here cleaned me out

0:28:39 > 0:28:40just so he can meet you.

0:28:40 > 0:28:42And you see what he packin'.

0:28:42 > 0:28:43Nigga, you stupid right now.

0:28:43 > 0:28:45It's my fault. I asked.

0:28:45 > 0:28:48I just want to know how y'all make what y'all makin'.

0:28:55 > 0:28:57Go on.

0:28:58 > 0:29:00Go knock that shit off,

0:29:00 > 0:29:01and don't come back till you're done, boy.

0:29:03 > 0:29:05What's your name?

0:29:05 > 0:29:07Franklin.

0:29:07 > 0:29:09They call me Swim, cos I'm either swimming in some money

0:29:09 > 0:29:11or swimming in some pussy.

0:29:20 > 0:29:22Shit don't make no sense, man.

0:29:22 > 0:29:23I agree.

0:29:23 > 0:29:25Either you make it make sense to me,

0:29:25 > 0:29:27or I just gotta simplify.

0:29:27 > 0:29:29And you know what I mean, right?

0:29:29 > 0:29:32I can't tell you if my luck's been running good or bad, man.

0:29:34 > 0:29:36But y'all doing something here and I'm trying to get in on.

0:29:38 > 0:29:42Now, I might be taking a leap of faith.

0:29:42 > 0:29:43Shit, I might be dumb as fuck.

0:29:45 > 0:29:48But this shot, this shot,

0:29:48 > 0:29:50it feels like it's worth takin'.

0:29:51 > 0:29:54Cos I got things I gotta do.

0:29:54 > 0:29:56Things I want.

0:29:58 > 0:30:00You understand what I'm sayin'?

0:30:08 > 0:30:10If you're the man cookin' this up,

0:30:10 > 0:30:12it means you an artist.

0:30:14 > 0:30:17In my experience, artists create,

0:30:17 > 0:30:20and they want the whole world to experience it.

0:30:21 > 0:30:23You an artist, Swim?

0:30:25 > 0:30:26Maybe.

0:30:26 > 0:30:29So teach me. Show me how to create the way you do.

0:30:29 > 0:30:33I'll take it back to LA and I'll spread the word.

0:31:10 > 0:31:12Angelico.

0:31:13 > 0:31:16We're going to cook up one more batch tonight.

0:31:18 > 0:31:21Keep up now. We going to go fast, you dig?

0:31:21 > 0:31:24So these Peruvians, right, when they make they cocaine,

0:31:24 > 0:31:26they got this paste.

0:31:26 > 0:31:29This cocaine paste at the bottom of their barrel.

0:31:29 > 0:31:32They call it "bah-say." Nasty shit.

0:31:32 > 0:31:35But you take this "bah-say," you roll it into a cigarette,

0:31:35 > 0:31:37that shit gets you fucked up, Jack.

0:31:37 > 0:31:41I had some of my boys who flew down to Peru for a weekend.

0:31:41 > 0:31:44They chasing pussy and whatnot, getting some sunshine.

0:31:44 > 0:31:46They smoke this bah-say with some bitches

0:31:46 > 0:31:48and they love it. Bitches love it, too.

0:31:48 > 0:31:50And they keep hearin' it.

0:31:50 > 0:31:52Bah-say, bah-say, bah-say, bah-say.

0:31:52 > 0:31:53It keeps going in their head.

0:31:53 > 0:31:56Bah-say, bahss, bahss, bahss, bahss, bahss.

0:31:56 > 0:31:57Base.

0:31:57 > 0:31:59Come back to the Bay Area

0:31:59 > 0:32:01thinkin' that bah-say was more than what it was.

0:32:01 > 0:32:05Pull out their chemistry sets, try to figure out a way

0:32:05 > 0:32:07to free the base from the cocaine.

0:32:07 > 0:32:09They didn't even know what the fuck they was doing,

0:32:09 > 0:32:12but next thing you know, they unlocked some whole new shit.

0:32:12 > 0:32:14And like many other inventions in America,

0:32:14 > 0:32:16it was just a big, beautiful mistake.

0:32:16 > 0:32:19Now crack is the same thing, but it's cheaper, simpler,

0:32:19 > 0:32:21and safer to make.

0:32:21 > 0:32:23We don't fuck with no ether no more, do we, Angel?

0:32:24 > 0:32:27Nah, ether do what ether want to do.

0:32:27 > 0:32:29Those the only ingredients?

0:32:29 > 0:32:31It's like bacon and eggs, Bert and Ernie.

0:32:31 > 0:32:33Sometime it only take two things that complement each other

0:32:33 > 0:32:36- to make something great. - Peas and carrots.

0:32:36 > 0:32:38Peas and fucking carrots.

0:32:40 > 0:32:42Now here's the tricky part.

0:32:42 > 0:32:44Yeah. You see that?

0:32:44 > 0:32:47See those rocks? They're starting to swim like tadpoles.

0:32:49 > 0:32:51Can I get high from breathing these fumes in?

0:32:51 > 0:32:54You get a contact, but you won't get high.

0:32:54 > 0:32:56You want to hit this shit when we done?

0:32:56 > 0:32:59Nah, I don't use.

0:32:59 > 0:33:00You should consider it, my nigga.

0:33:00 > 0:33:02That shit open up dark places in your brain,

0:33:02 > 0:33:04these places ain't never been touched.

0:33:04 > 0:33:07Deep, dark places.

0:33:07 > 0:33:09Light you up like you never been lit.

0:33:13 > 0:33:16Now here we go. Like the Earth,

0:33:16 > 0:33:20she cools down until she hardens.

0:33:22 > 0:33:24Thus creation is born.

0:33:25 > 0:33:27You get 50 for this rock, man.

0:33:30 > 0:33:32He tweakin'.

0:33:32 > 0:33:35We can make some more?

0:33:35 > 0:33:37Shit. How much more?

0:33:38 > 0:33:39All of it.

0:33:48 > 0:33:50And you're sure about that?

0:33:50 > 0:33:52Was anyone there to pick her up?

0:33:57 > 0:34:00And is this your first report about it?

0:34:00 > 0:34:02All right.

0:34:02 > 0:34:03So what time was that?

0:34:05 > 0:34:06OK.

0:34:06 > 0:34:08Hi.

0:34:09 > 0:34:11Excuse me. Excuse me.

0:34:11 > 0:34:13Hi, hi.

0:34:13 > 0:34:15Can I just talk to you for just one sec? I just need one sec.

0:34:15 > 0:34:17It's about a missing person. Please.

0:34:17 > 0:34:19I just need to talk to you. I'm trying...

0:34:19 > 0:34:22I'm trying to find my friend. She's a missing person.

0:34:22 > 0:34:23Her name is Jess Avon. Please, I know...

0:34:23 > 0:34:24I can see that you are busy here...

0:34:24 > 0:34:27Sir, can you please keep calm and lower your voice?

0:34:27 > 0:34:29- We'll get to you when we can. - Unbelievable.

0:34:31 > 0:34:33Excuse me.

0:34:33 > 0:34:35Sorry, I didn't mean to bother you.

0:34:35 > 0:34:39But did...did you say that your friend's name was Jess Avon?

0:34:40 > 0:34:42Yeah.

0:34:42 > 0:34:43Why? You know her?

0:34:43 > 0:34:46No, um, I know of her.

0:34:46 > 0:34:48Can we talk for a minute?

0:34:48 > 0:34:50Yeah, yeah, yeah. Sure.

0:34:50 > 0:34:51OK.

0:34:51 > 0:34:53I'm Victoria, by the way.

0:34:54 > 0:34:56Reed Thompson.

0:34:56 > 0:34:57Hi. Um...

0:35:02 > 0:35:04Bueno.

0:35:12 > 0:35:14Ay!

0:35:14 > 0:35:17Someday soon it's going to be foot soldiers doing all the runs

0:35:17 > 0:35:18instead of rancheros.

0:35:18 > 0:35:21Even though seem to think nothing's changing.

0:35:22 > 0:35:24Too much up for grabs.

0:35:24 > 0:35:27These bastards are changing the tempo of the whole thing

0:35:27 > 0:35:28and from prison.

0:35:28 > 0:35:31Shit. They're going to redraw the whole map.

0:35:31 > 0:35:33That's what they're going to do.

0:35:33 > 0:35:36Being boss? Always looking ahead.

0:35:42 > 0:35:44Yeah? What can you see?

0:35:53 > 0:35:55What's up with you?

0:35:58 > 0:35:59Nothing.

0:36:00 > 0:36:03Listen, the other night at the party, um...

0:36:04 > 0:36:06..that's a nice thing you said.

0:36:09 > 0:36:11Sorry I got on your case, you know.

0:36:11 > 0:36:13I was, um... you know.

0:36:18 > 0:36:19Papa?

0:36:22 > 0:36:23I've gotta tell you something.

0:36:43 > 0:36:46- What time is it? - What's up, man?

0:36:46 > 0:36:48Saint.

0:36:49 > 0:36:50Little Joe ever show up?

0:36:50 > 0:36:53Did he ever. Fuck is wrong with you?

0:36:53 > 0:36:56Devon was mad as hell, man. You almost got me killed.

0:36:56 > 0:36:58Shit would've been better, though.

0:36:58 > 0:36:59I'm never drinking again.

0:36:59 > 0:37:01My bad, man. Sorry I left.

0:37:01 > 0:37:03Just had to leave, man. Get my mind right.

0:37:03 > 0:37:06- All night? - Got caught up.

0:37:08 > 0:37:10Come on, man. Open the door. Shit.

0:37:10 > 0:37:13- Shotgun. - Man, shotgun.

0:37:13 > 0:37:15Hey, we hit 7-Eleven before we hit the highway?

0:37:15 > 0:37:17Yeah. Sure, baby. You know.

0:37:17 > 0:37:20Soon as Franklin tell us why he blew the deal

0:37:20 > 0:37:22we drove all the way the fuck out here for.

0:37:22 > 0:37:25And why he got me kicked out my own cousin's spot.

0:37:25 > 0:37:26And where the hell he been all night.

0:37:26 > 0:37:28Then we can go to 7-Eleven, Leon.

0:37:33 > 0:37:36- What the hell? - The fuck is that?

0:37:37 > 0:37:39Our future.

0:37:39 > 0:37:41Man...

0:37:41 > 0:37:43Nigga, you crazy, man.

0:37:43 > 0:37:44- "Our future." - Fool trippin'.

0:37:44 > 0:37:46Fuck you talking about?

0:37:47 > 0:37:50I don't want to hear all that. We going home.

0:37:52 > 0:37:54- "The future." - What future?