0:00:04 > 0:00:06My name is Cormoran Strike, private investigator.
0:00:06 > 0:00:08I'm Robin, Robin Ellacott. I'm the new temp.
0:00:08 > 0:00:11How can I help you, John? It's about my sister, Lula Landry...
0:00:11 > 0:00:13I think she was murdered.
0:00:13 > 0:00:16A chap they picked up on CCTV. They never traced him.
0:00:16 > 0:00:18Even when she's dead, you lot don't give up.
0:00:18 > 0:00:21So you think Lula Landry was murdered
0:00:21 > 0:00:22and we messed up the investigation?
0:00:22 > 0:00:23Not at all.
0:00:23 > 0:00:25I just want to have a better picture of Lula's last hours.
0:00:25 > 0:00:27This is the family -
0:00:27 > 0:00:29Lady Yvette Bristow with her brother Tony Landry.
0:00:29 > 0:00:31Family is a complex thing -
0:00:31 > 0:00:34you of all people are surely aware of that.
0:00:34 > 0:00:35This is Guy Some, the designer,
0:00:35 > 0:00:37with Lula Lula's best mate, Ciara Porter,
0:00:37 > 0:00:39Evan Duffield, her boyfriend,
0:00:39 > 0:00:40and this is the film producer.
0:00:40 > 0:00:42I'm guessing that's his wife.
0:00:42 > 0:00:45That's Tansy, the neighbour who changed her statement.
0:00:45 > 0:00:49Stay away from the Bestiguis.
0:00:49 > 0:00:51Did Lula ever mention Rochelle Onifade?
0:00:51 > 0:00:53Oh, my little Roch...
0:00:53 > 0:00:54Is that Rochelle?
0:00:54 > 0:00:56Rochelle...
0:00:56 > 0:00:57Leave me alone!
0:00:57 > 0:00:58Who were you talking to?
0:00:58 > 0:01:06This programme contains some strong language
0:01:06 > 0:01:09Come on, Rochelle. Rochelle!
0:01:12 > 0:01:16# You and me
0:01:16 > 0:01:18# Me and you
0:01:18 > 0:01:24# Somehow we made it through
0:01:24 > 0:01:27# I may be gone
0:01:27 > 0:01:29# I may be far away
0:01:31 > 0:01:34# But I'll walk beside you
0:01:34 > 0:01:38# Every step of the way
0:01:38 > 0:01:40# When you're used
0:01:40 > 0:01:42# Bruised
0:01:42 > 0:01:45# Black and blued
0:01:45 > 0:01:49# Don't think about it
0:01:49 > 0:01:52# Never doubt it
0:01:52 > 0:01:54# I'll walk beside you. #
0:01:54 > 0:01:56SIREN WAILS
0:01:56 > 0:02:00It's Cormoran Strike. Have you got a cause of death yet?
0:02:00 > 0:02:03Well, pick a card, any card. Drugs, drowning...
0:02:03 > 0:02:05Look, when I dragged her out of that bath,
0:02:05 > 0:02:06it was running hot.
0:02:06 > 0:02:08The water tank hadn't emptied.
0:02:08 > 0:02:11That gives you a clear timeframe for how long she was in there.
0:02:11 > 0:02:13I'll send a uniform to take a statement from you in due course.
0:02:13 > 0:02:16And check her phone records, cos she called to warn somebody
0:02:16 > 0:02:16when I tried to talk to her.
0:02:16 > 0:02:19A drug-dealer maybe? On a rented number?
0:02:19 > 0:02:21Listen, I'm quite busy with real cases, so goodbye.
0:02:30 > 0:02:32DOOR OPENS
0:02:32 > 0:02:33Morning.
0:02:33 > 0:02:35Morning.
0:02:35 > 0:02:37DOOR CLOSES
0:02:41 > 0:02:43How are the hands?
0:02:43 > 0:02:44Still a bit sore.
0:02:46 > 0:02:47Are you OK?
0:02:47 > 0:02:49It's not my first dead body.
0:02:49 > 0:02:52I just mean...it's far worse the first time.
0:02:58 > 0:03:01So was it a coincidence, do you think,
0:03:01 > 0:03:03Rochelle dying so close to Lula?
0:03:03 > 0:03:05Well, she had quite a fragile existence,
0:03:05 > 0:03:08but she had money for new designer gear and lots of drugs.
0:03:08 > 0:03:10Where from?
0:03:10 > 0:03:11Lula?
0:03:11 > 0:03:14Lula's been dead for three months. She didn't leave a will.
0:03:14 > 0:03:17Plus, why was Rochelle panicked to see me?
0:03:17 > 0:03:19And who was she calling?
0:03:19 > 0:03:20She was hiding something...
0:03:20 > 0:03:22Surely the police will investigate.
0:03:22 > 0:03:23Maybe.
0:03:25 > 0:03:28Time to see how Lula's gang react to the news.
0:03:46 > 0:03:49Good morning, I'm Mike Dundee from the Health and Safety Executive.
0:03:49 > 0:03:51I'm here to carry out a Section 20 interview
0:03:51 > 0:03:53under the statutory provisions accorded to me
0:03:53 > 0:03:56by the 1974 Health And Safety At Work Act.
0:04:00 > 0:04:02CAMERA SHUTTER CLICKS A few more.
0:04:07 > 0:04:08Other side...
0:04:11 > 0:04:13Come on, concentration!
0:04:13 > 0:04:16Lights! BELL RINGS
0:04:16 > 0:04:20Ciara! Late night, was it, darling?
0:04:20 > 0:04:22MAN SPEAKS GERMAN
0:04:25 > 0:04:26Guy Some?
0:04:26 > 0:04:28Who are you?
0:04:28 > 0:04:30My name is Cormoran Strike. I'm a private investigator.
0:04:30 > 0:04:32I'm busy right now. Make an appointment with Tricia.
0:04:32 > 0:04:33Rochelle Onifade is dead.
0:04:33 > 0:04:35Oh, my God... How?
0:04:35 > 0:04:37A lot of drugs and a hot bath. Beginner's error.
0:04:37 > 0:04:39Exactly. She wasn't a beginner, was she?
0:04:41 > 0:04:44Wait. Cormoran Strike. That's an unusual name.
0:04:44 > 0:04:45Nobody's ever mentioned it before.
0:04:45 > 0:04:48You're not Al Rokeby's brother? Half-brother.
0:04:48 > 0:04:51He talked about a war-hero brother called Cormoran.
0:04:51 > 0:04:53I met your dad a few times too.
0:04:53 > 0:04:54Lucky you(!)
0:04:54 > 0:04:57And why is Jonny Rokeby's son working as a private detective?
0:04:57 > 0:04:59Because that's his job.
0:04:59 > 0:05:01I'd like to ask you a few questions if that's OK.
0:05:01 > 0:05:03MAN SPEAKS GERMAN
0:05:07 > 0:05:09I'm Ciara.
0:05:09 > 0:05:10I know.
0:05:11 > 0:05:14Oh, I see. And when is Mr Bestigui back from...?
0:05:17 > 0:05:20OK, right, well, I'll call then. Thank you very much. Thanks.
0:05:20 > 0:05:22Hello?
0:05:22 > 0:05:25Uh... Excuse me!
0:05:25 > 0:05:26Excuse me, can I help you?
0:05:28 > 0:05:30Where is he? Who?
0:05:30 > 0:05:31My brother.
0:05:40 > 0:05:43So what's my brother investigating now?
0:05:43 > 0:05:45Well, erm...
0:05:47 > 0:05:49It's someone who killed herself,
0:05:49 > 0:05:53only, erm, one of her relatives thinks that she didn't.
0:05:53 > 0:05:54What does Cormoran think?
0:05:54 > 0:05:57I think he's keeping an open mind. Mm-hmm.
0:05:57 > 0:05:59Did he tell you who our mother was?
0:05:59 > 0:06:01No.
0:06:01 > 0:06:02Do you know?
0:06:03 > 0:06:04Yes.
0:06:04 > 0:06:06The verdict was suicide,
0:06:06 > 0:06:09but Cormoran always thought her death was suspicious. Oh.
0:06:09 > 0:06:13He took her death very badly - left Oxford and joined the army.
0:06:13 > 0:06:14He went to Oxford?
0:06:14 > 0:06:15I know!
0:06:15 > 0:06:19Some clever admissions tutor saw through the grumpy philistine act.
0:06:23 > 0:06:26So how long's he been sleeping in his office?
0:06:29 > 0:06:31So what are you actually investigating?
0:06:31 > 0:06:33Lula Landry's brother wants me to review the police inquiry
0:06:33 > 0:06:36into her death, and make sure they carried it out properly.
0:06:36 > 0:06:37The Accountant?
0:06:37 > 0:06:38No, he's a lawyer.
0:06:38 > 0:06:40We always called John the Accountant.
0:06:40 > 0:06:41Why?
0:06:41 > 0:06:44It's just a nickname. How about Mommie Dearest?
0:06:44 > 0:06:45Have you met her yet?
0:06:45 > 0:06:46Not recently.
0:06:46 > 0:06:48That's why Guy called her Cuckoo.
0:06:48 > 0:06:51Such a fucked-up family...
0:06:51 > 0:06:52Lula was in the wrong nest.
0:06:52 > 0:06:54Guy didn't seem too upset about Rochelle.
0:06:54 > 0:06:57He only cares about one thing when he's working.
0:06:57 > 0:06:58Poor Roch...
0:06:58 > 0:07:00Can you tell me a bit about her relationship with Lula?
0:07:00 > 0:07:02Oh, well she was helping her with her issues -
0:07:02 > 0:07:05identity, authenticity, etc.
0:07:05 > 0:07:08Lula was obsessed with exploring her real family,
0:07:08 > 0:07:11by which she meant black - her dad's side.
0:07:11 > 0:07:14Ciara, darling, we need you now.
0:07:14 > 0:07:17On the day she died, Lula spent a lot of time with Rochelle.
0:07:17 > 0:07:20Yeah, they were always thick as thieves
0:07:20 > 0:07:22when Rochelle wasn't having one of her "episodes".
0:07:22 > 0:07:24Lula gave her money too.
0:07:24 > 0:07:26Well, she would have given money to anyone,
0:07:26 > 0:07:29but, yeah, Rochelle did well enough out of her.
0:07:29 > 0:07:31Hey, love, Guy's getting fidgety.
0:07:31 > 0:07:33I'd quite like to continue this conversation.
0:07:33 > 0:07:36I won't be done here until late, and then I'm going to Uzi...
0:07:36 > 0:07:39OK, tomorrow... ..but come?
0:07:39 > 0:07:41Erm, get the ginger line to Dalston Kingsland
0:07:41 > 0:07:44and I'll meet you at the station. 10.30.
0:07:48 > 0:07:50And Matt's going all red in the face and blaming me
0:07:50 > 0:07:53every time the tent collapses, and then it starts raining...
0:07:53 > 0:07:56Of course.
0:07:56 > 0:07:57At last.
0:07:57 > 0:08:00DOOR SLAMS Robin's told me everything, so get your stuff.
0:08:00 > 0:08:02I've got the car in the John Lewis car park
0:08:02 > 0:08:03and you're coming to stay with us.
0:08:03 > 0:08:04I'm not.
0:08:04 > 0:08:06You cannot stay in there on that camp bed.
0:08:06 > 0:08:08It's just short-term while I sort something out.
0:08:08 > 0:08:10Tell him, Robin.
0:08:10 > 0:08:11It's got nothing to do with Robin.
0:08:11 > 0:08:14Anyway, I'm not stopping, I'm just picking something up.
0:08:14 > 0:08:15Where are you going? Chelsea.
0:08:15 > 0:08:18Well, let me give you a lift.
0:08:18 > 0:08:21Let me go and get the car, and I'll run you down there.
0:08:21 > 0:08:22I'll see you downstairs in ten.
0:08:26 > 0:08:28Bye, Robin, really nice to meet you.
0:08:28 > 0:08:29Mm-hmm. You too.
0:08:34 > 0:08:36DOOR CLOSES
0:08:44 > 0:08:45You need to sign this.
0:08:58 > 0:09:00HORNS HONK
0:09:03 > 0:09:04She's great.
0:09:04 > 0:09:05Who?
0:09:05 > 0:09:08It's ridiculous a girl with her figure on a diet,
0:09:08 > 0:09:09wedding or no wedding.
0:09:09 > 0:09:11It's none of my business, really.
0:09:13 > 0:09:15I loved this when I was a kid.
0:09:16 > 0:09:18So, please, tell me it's final with Charlotte this time.
0:09:18 > 0:09:19It's final this time.
0:09:19 > 0:09:21I'm sorry it's happened, obviously,
0:09:21 > 0:09:23but it's much better for you that she's finally gone.
0:09:23 > 0:09:25I left her.
0:09:27 > 0:09:28Good.
0:09:31 > 0:09:33Well, I'd better dash, cos Jack's got football.
0:09:33 > 0:09:34Anywhere along here's fine.
0:09:34 > 0:09:36Poor little sausage can't get in the A team.
0:09:36 > 0:09:38I said, "You're in my A team, Poppet,"
0:09:38 > 0:09:41but I'm not sure that was much help... You're a good mum.
0:09:41 > 0:09:42Thanks, Stick.
0:09:46 > 0:09:47I want my kids to always...
0:09:47 > 0:09:48I know.
0:09:49 > 0:09:51HANDBRAKE SQUEAKS
0:09:56 > 0:09:58Anything you need, just ask.
0:10:25 > 0:10:27ENGINE PURRS
0:10:49 > 0:10:51DOOR SLAMS
0:10:53 > 0:10:55I'll let Mr Bristow know you're here.
0:11:03 > 0:11:04Ah, come through.
0:11:04 > 0:11:07Sorry, I was just sorting Mum's, erm...
0:11:07 > 0:11:08Ah...
0:11:10 > 0:11:13Erm... We mustn't be too long.
0:11:13 > 0:11:15The, er, the medicines make her very confused.
0:11:24 > 0:11:25Tony?
0:11:25 > 0:11:29No, it's not Uncle Tony, Mumsie. It's Mr Strike.
0:11:29 > 0:11:32We've met before, a long time ago.
0:11:32 > 0:11:34I was a friend of your son Charlie.
0:11:35 > 0:11:40Charlie's dead - rode his bicycle into a quarry.
0:11:41 > 0:11:43Yes.
0:11:43 > 0:11:45Now Lula too.
0:11:45 > 0:11:51It's a terrible thing when all your children die.
0:11:51 > 0:11:53Of course. But not...
0:11:55 > 0:11:58People used to say Lula was so beautiful,
0:11:58 > 0:12:01but I never saw her like that.
0:12:01 > 0:12:05Charlie was the handsome one.
0:12:06 > 0:12:12She was the clever one - always had an answer to everything.
0:12:13 > 0:12:19It's such a shame she spent so much time fighting with Tony
0:12:19 > 0:12:22over that lovely boy.
0:12:22 > 0:12:27Evan Duffield came to visit her, after she died.
0:12:27 > 0:12:33He said he wished he had been there to try and stop her.
0:12:33 > 0:12:35Huh!
0:12:35 > 0:12:39No, I think that too, Johnny.
0:12:39 > 0:12:46Lula was up there in her flat that night,
0:12:46 > 0:12:49in such a terrible state,
0:12:49 > 0:12:56all alone, while we were here watching silly old movies.
0:12:56 > 0:12:59Erm... Mum's a big fan of Cary Grant.
0:12:59 > 0:13:02We watched Bringing Up Baby the night that Lula died.
0:13:02 > 0:13:03Time for your medicine.
0:13:07 > 0:13:08Thank you, Marsha.
0:13:11 > 0:13:14MACHINE BEEPS
0:13:14 > 0:13:16MACHINE HUMS
0:13:20 > 0:13:21That's the morphine, so...
0:13:27 > 0:13:31She said she was frightened of him...
0:13:33 > 0:13:36Who? Frightened of who?
0:13:43 > 0:13:46What did she say to you, Mother? Frightened of Evan?
0:13:49 > 0:13:54Bring some macaroons the next time you come, Mr Bone.
0:13:54 > 0:13:58The leopard never changes his spots.
0:14:09 > 0:14:11I want to know what Tansy Bestigui was lying about that night.
0:14:11 > 0:14:14And the chap on the CCTV?
0:14:14 > 0:14:15That's going to take a bit of time.
0:14:15 > 0:14:18That's where the answer lies, I'm sure of it.
0:14:18 > 0:14:20How much do you know much about your uncle's movements on that day?
0:14:20 > 0:14:24Er, he was in the office all day, and then he went to
0:14:24 > 0:14:28Oxford for a conference, er, popped in here on the way out to see Mum...
0:14:28 > 0:14:30Why?
0:14:30 > 0:14:32I just need to be absolutely sure we know exactly who Lula
0:14:32 > 0:14:33saw on the day she died.
0:14:33 > 0:14:35Tony didn't see her.
0:14:35 > 0:14:38He didn't visit Kentigern Gardens that day, I am sure of that.
0:14:40 > 0:14:41OK.
0:14:41 > 0:14:43What...?
0:15:01 > 0:15:04Oh, no, wait. Hold the camera, hold the camera, hold the camera...
0:15:04 > 0:15:05Oh, no! Hold the pet there.
0:15:05 > 0:15:08Oh, oh... I've got her, I've got her...
0:15:08 > 0:15:09Oh...
0:15:09 > 0:15:11Oh, no. Oh, no, I've got something on my lips!
0:15:11 > 0:15:13Oh, my little Roch.
0:15:13 > 0:15:15Mwah! This is my little Roch.
0:15:15 > 0:15:19My little Roch knows more about me than you lot ever will.
0:15:19 > 0:15:22Mmm! Mmm!
0:15:22 > 0:15:24Oh, wow! Like... Like, like... LAUGHTER
0:15:24 > 0:15:26HE STOPS THE VIDEO
0:15:34 > 0:15:35TRAIN RUMBLES
0:15:47 > 0:15:49If you see anything suspicious...
0:16:03 > 0:16:05CAMERA SHUTTERS CLICK
0:16:07 > 0:16:10Over here, now! Over here, darling!
0:16:10 > 0:16:11Over here!
0:16:42 > 0:16:44God, did you hear about poor Rochelle?
0:16:44 > 0:16:45Course I did.
0:16:45 > 0:16:48Every time somebody dies, the cops are on my case.
0:16:48 > 0:16:51Who are you? Evan, this is Cormoran Strike.
0:16:51 > 0:16:52He's Jonny Rokeby's son.
0:16:52 > 0:16:54I know your old man a bit, as it goes.
0:16:54 > 0:16:55Still got it, hasn't he?
0:16:55 > 0:16:59Yeah, full of it. I don't think he'll ever lose it.
0:17:03 > 0:17:06Oi, not there. Out!
0:17:07 > 0:17:10So, Cormoran is a private investigator...
0:17:10 > 0:17:12I thought you said he was Rokeby's son.
0:17:12 > 0:17:14The two aren't incompatible.
0:17:14 > 0:17:15What are you investigating?
0:17:15 > 0:17:17I've been hired by Lula Landry's family to review
0:17:17 > 0:17:19the circumstances of her death.
0:17:20 > 0:17:22Being a size zero, it was easy enough for me to
0:17:22 > 0:17:24get her out the window. Oh, stop it, Evan.
0:17:24 > 0:17:25Honestly, I don't like it when...
0:17:25 > 0:17:28It's what they say on the internet, isn't it?
0:17:28 > 0:17:30"Must have been Evan."
0:17:31 > 0:17:34This is breaking my buzz completely.
0:17:34 > 0:17:36I don't want to break your buzz, Evan.
0:17:36 > 0:17:37But you are, though -
0:17:37 > 0:17:39ambushing me, asking me questions about Lula...
0:17:39 > 0:17:41I haven't asked you anything.
0:17:41 > 0:17:43He didn't even know you were going to be here.
0:17:43 > 0:17:46Get him away from me. Get the fuck away from me!
0:17:46 > 0:17:49Listen, I want him out! Get him out.
0:17:49 > 0:17:50He's harassing me!
0:17:55 > 0:17:57CAMERA SHUTTERS CLICK
0:18:04 > 0:18:07MATCH SCRAPES
0:18:20 > 0:18:22Ciara called me. She's coming out in a sec.
0:18:30 > 0:18:32CAMERA SHUTTERS CLICK Ciara! Hey, Ciara, over here now!
0:18:32 > 0:18:34Ciara, who's the new fella?!
0:18:34 > 0:18:37Over here, darling, please! To me, please!
0:18:38 > 0:18:41I'm so sorry about that.
0:18:41 > 0:18:44CAR DOOR CLOSES Evan always gets a bit fretty when he's off the gear.
0:18:46 > 0:18:47Where do you want to go now?
0:18:47 > 0:18:49Do you mind terribly if we have a nightcap at mine?
0:18:49 > 0:18:51I have an early start tomorrow.
0:18:53 > 0:18:54MUSIC: God Knows by Dornik
0:18:54 > 0:18:57# God knows that I love you
0:18:59 > 0:19:02# Too bad you don't have to
0:19:02 > 0:19:04# No, no
0:19:04 > 0:19:05# You're the girl that I... #
0:19:05 > 0:19:07GLASSES CLINK
0:19:10 > 0:19:11CIARA LAUGHS
0:19:11 > 0:19:14You've actually read Proust?
0:19:14 > 0:19:16In French, too.
0:19:16 > 0:19:18He's often quite funny.
0:19:18 > 0:19:21I have a deferred place at Cambridge to read modern languages,
0:19:21 > 0:19:22I'll have you know.
0:19:25 > 0:19:27Your mum's in there,
0:19:27 > 0:19:31wearing the most fabulous Ossie Clark buttermilk dress.
0:19:34 > 0:19:38This is more the sort of place I imagined a supermodel would live...
0:19:38 > 0:19:39than Kentigern Gardens.
0:19:39 > 0:19:42Yeah, it was a bit of a luxury prison.
0:19:42 > 0:19:44Sientete.
0:19:44 > 0:19:47But Lula could really hide herself away from everybody there.
0:19:47 > 0:19:49Sometimes she'd open the window,
0:19:49 > 0:19:51and she'd call me... HE EXHALES
0:19:51 > 0:19:53..and we'd pretend to bark across the city to each other
0:19:53 > 0:19:55like in 101 Dalmatians.
0:19:55 > 0:19:58It was funny at the time.
0:19:58 > 0:20:02Evan came here the night she died.
0:20:02 > 0:20:05The tabloids obviously tried to make out he came here for a revenge shag.
0:20:05 > 0:20:07Did he? We listened to some demos for his album,
0:20:07 > 0:20:09smoked some weed and went to sleep.
0:20:09 > 0:20:11Lula was my friend.
0:20:11 > 0:20:12Yeah... Sorry.
0:20:22 > 0:20:26Guy's marvellous detachable linings -
0:20:26 > 0:20:29very handy for models in clubs.
0:20:36 > 0:20:37No, thanks.
0:20:43 > 0:20:44SHE COUGHS GENTLY
0:20:45 > 0:20:49Besides, Evan's not really my type.
0:20:49 > 0:20:51No? Mm-mm.
0:20:51 > 0:20:54I don't usually go for pretty boys.
0:20:54 > 0:20:56That's a shame - I thought I might be in with a chance.
0:20:56 > 0:20:59SHE LAUGHS
0:20:59 > 0:21:02The other leg's the one with nerve endings, by the way.
0:21:03 > 0:21:06I know about your leg.
0:21:06 > 0:21:09I'm quite amputee-curious, actually.
0:21:09 > 0:21:11You'll be disappointed.
0:21:11 > 0:21:13There's literally nothing to see.
0:21:13 > 0:21:15SHE LAUGHS
0:21:19 > 0:21:23You know you said you know my dad and my brother...
0:21:23 > 0:21:24I haven't.
0:21:28 > 0:21:30DISTANT SIREN WAILS
0:21:48 > 0:21:50DRILL SCREECHES
0:22:20 > 0:22:21Morning!
0:22:22 > 0:22:24DOOR SLAMS
0:22:28 > 0:22:29Hmm...
0:22:40 > 0:22:42CORMORAN GROANS
0:22:57 > 0:22:58What?
0:23:25 > 0:23:27HE EXHALES
0:23:36 > 0:23:39I went and sat at William Blake's grave last night.
0:23:39 > 0:23:45OK. Any particular reason?
0:23:45 > 0:23:49I like to check in on him from time to time.
0:23:49 > 0:23:51You see, Blake was into free love -
0:23:51 > 0:23:53don't restrict your desires.
0:23:55 > 0:23:56Was he?
0:24:00 > 0:24:02Has anybody told you, you are absolutely gorgeous?
0:24:07 > 0:24:08Here he is.
0:24:08 > 0:24:11Enjoy yourself with Ciara, did you?
0:24:11 > 0:24:12The girl's pure filth.
0:24:14 > 0:24:16Come on through to my office.
0:24:22 > 0:24:25Does the family think it was me? No, I don't think so.
0:24:25 > 0:24:26Do you?
0:24:26 > 0:24:29Well, you've got a nasty temper, but your alibi's strong.
0:24:29 > 0:24:30Yeah, well, I was lucky someone saw me
0:24:30 > 0:24:32without the wolf-head on because...
0:24:32 > 0:24:34the Old Bill would love to get me sent down.
0:24:34 > 0:24:37You're probably right about that.
0:24:37 > 0:24:39I miss Lules, you know.
0:24:39 > 0:24:43We had some fights, but we also had a laugh together.
0:24:43 > 0:24:46You came here to tell me more than that.
0:24:46 > 0:24:48Freddie Bestigui... What about him?
0:24:48 > 0:24:50He was always pestering Lula to be in his films.
0:24:50 > 0:24:51Could she act?
0:24:51 > 0:24:54Let's just say talent isn't a number-one requirement,
0:24:54 > 0:24:57but Lula, she's box office.
0:24:59 > 0:25:00She turned him down?
0:25:00 > 0:25:02Well, she hated him.
0:25:02 > 0:25:04Then he wanted to do a biopic with me in it,
0:25:04 > 0:25:06but, I mean, it never came to nothing
0:25:06 > 0:25:09cos the Bristow family went full cease and desist.
0:25:09 > 0:25:12We had lunch and I got friendly with one of his assistants...
0:25:12 > 0:25:13I'm guessing that's a girl.
0:25:15 > 0:25:19See, this Georgia, she tells me he's, like, a massive control freak,
0:25:19 > 0:25:21obsessed with his wife's coke habit,
0:25:21 > 0:25:23like it's personal.
0:25:23 > 0:25:26In restaurants, if Tansy doesn't order three courses plus cheese,
0:25:26 > 0:25:29he takes her pulse to check she ain't using.
0:25:29 > 0:25:34Anyway, this one time, Georgia says, the worm's turned.
0:25:34 > 0:25:37Even Tansy's had enough, and she goes to him,
0:25:37 > 0:25:38"Stop it, Freddie.
0:25:38 > 0:25:41"Let go of my wrist, unless you want me to tell the police
0:25:41 > 0:25:43"where I really was the night Lula died."
0:25:49 > 0:25:51Bye, Robin. Sorry I gave you a fright.
0:25:51 > 0:25:54That's all right. I'm doing a secret gig next month.
0:25:54 > 0:25:56You're on the guest list with a minus-one.
0:25:56 > 0:25:57Well, thank you very much.
0:25:57 > 0:25:59Are those Guy Some gloves?
0:26:01 > 0:26:03God, yeah. I must have picked them up somewhere.
0:26:09 > 0:26:11DOOR OPENS
0:26:15 > 0:26:17Could you look up the train times to Iver Heath please?
0:26:17 > 0:26:21Mm-hmm. Are you planning on going to Freddie's office at Pinewood?
0:26:21 > 0:26:23Yeah, I'm just going to try and blag my way in somehow.
0:26:23 > 0:26:25Well, there's not much point.
0:26:25 > 0:26:27I finally got hold of his PA.
0:26:27 > 0:26:29He left for the Miami Film Festival this morning,
0:26:29 > 0:26:31and from there he's going to LA for a few days.
0:26:31 > 0:26:33I'm still going out.
0:26:33 > 0:26:35I'm hoping to catch Tansy Bestigui,
0:26:35 > 0:26:37so I'll be gone the rest of the day.
0:26:37 > 0:26:41Well, I won't be around early afternoon anyway.
0:26:41 > 0:26:42Why not?
0:26:44 > 0:26:46Job interview.
0:26:46 > 0:26:49I did write it in the diary.
0:26:49 > 0:26:50Fine.
0:26:53 > 0:26:55DRAWER OPENS
0:26:58 > 0:27:00SHE EXHALES
0:27:02 > 0:27:04Oh, yes, I'm definitely a people person.
0:27:22 > 0:27:25Oh, that was amazing. Yeah, finally.
0:27:27 > 0:27:29ENGINE PURRS
0:27:31 > 0:27:34I've been talking about it for God knows how long...
0:27:55 > 0:27:59That's it. That's it, and so, erm...
0:28:07 > 0:28:09Thank you so much for that. That was fantastic.
0:28:09 > 0:28:12We'll do it again. Have a good one.
0:28:12 > 0:28:13CAR DOOR SLAMS
0:29:12 > 0:29:14CAMERA BEEPS
0:29:32 > 0:29:35CAMERA BEEPS
0:29:45 > 0:29:47So you didn't finish your university degree...
0:29:47 > 0:29:49No.
0:29:49 > 0:29:51And you were studying psychology?
0:29:51 > 0:29:52That's right.
0:29:52 > 0:29:53Why did you leave?
0:29:55 > 0:29:56Sorry?
0:29:56 > 0:29:59Why did you leave university before your final exams?
0:29:59 > 0:30:03I had... It was a personal reason.
0:30:03 > 0:30:06Oh, that's fine. That's fine. You don't have to...
0:30:06 > 0:30:07It wasn't academic, though?
0:30:07 > 0:30:08No, not academic. No.
0:30:08 > 0:30:12No, I loved my course. I was hoping for a first.
0:30:12 > 0:30:15Well, psychology plays a big part in human resources.
0:30:16 > 0:30:19So, Robin, just to kick us off,
0:30:19 > 0:30:22could you tell us three people you consider inspirational?
0:30:25 > 0:30:27SHE EXHALES
0:30:28 > 0:30:30INAUDIBLE
0:31:03 > 0:31:05I can't believe you're even thinking about not taking it.
0:31:05 > 0:31:09It...it was just so bland and corporate.
0:31:09 > 0:31:11Like where I work, you mean?
0:31:11 > 0:31:13No, I didn't mean that.
0:31:13 > 0:31:15You love your job.
0:31:15 > 0:31:17When I was a kid, I wanted to be an astronaut,
0:31:17 > 0:31:21but, you know, Robin...
0:31:21 > 0:31:23Obviously, I can't make you take a job you don't want.
0:31:23 > 0:31:25Well, that's good to know.
0:31:27 > 0:31:29I'm not eating courgetti, by the way.
0:31:29 > 0:31:31Fine, you can have pasta.
0:31:33 > 0:31:34Fine.
0:31:40 > 0:31:43CAR HORN HONKS Well, yes, thank you.
0:31:43 > 0:31:45That's very kind of you to say so.
0:31:45 > 0:31:47Yes, I will certainly do that.
0:31:47 > 0:31:50Thank you, bye.
0:31:50 > 0:31:53SHE EXHALES
0:31:53 > 0:31:56So, how did the job interview go?
0:31:56 > 0:31:59Well, that was them just calling to say I got the job.
0:31:59 > 0:32:02That was quick. You must have really impressed them.
0:32:02 > 0:32:05Mm-hmm. I said I was passionate about people.
0:32:05 > 0:32:06HE CHUCKLES
0:32:06 > 0:32:11Yeah, well, we all need to jump through the hoops from time to time.
0:32:11 > 0:32:12They'll be lucky to have you.
0:32:14 > 0:32:16I don't gossip.
0:32:16 > 0:32:17When your sister came in to the office,
0:32:17 > 0:32:19she said that I told her everything...
0:32:19 > 0:32:23Half-sister. Don't worry, I know what Lucy can be like.
0:32:23 > 0:32:27I understand about confidentiality, especially in this job.
0:32:27 > 0:32:30I told Matt a tiny bit about Lula Landry, but...
0:32:30 > 0:32:33Robin, don't worry about it. You're discreet, I can see that.
0:32:33 > 0:32:35SHE BREATHES DEEPLY
0:32:36 > 0:32:38When do you start?
0:32:38 > 0:32:39Next week.
0:32:42 > 0:32:44Do you want to see something interesting?
0:32:44 > 0:32:45Mm-hmm.
0:32:48 > 0:32:50CAMERA BEEPS
0:32:53 > 0:32:54Bloody hell. Is that...?
0:32:54 > 0:32:57John Bristow's uncle, with his hand on Tansy Bestigui's arse.
0:32:57 > 0:33:00I hate it when men do that in public.
0:33:00 > 0:33:02So, what does this mean for...?
0:33:02 > 0:33:03I don't fully know yet.
0:33:03 > 0:33:05What are you going to do with it?
0:33:05 > 0:33:07Use it for a bit of shock and awe.
0:33:32 > 0:33:34HE KNOCKS ON DOOR
0:33:37 > 0:33:38Go away or I'll call...
0:33:38 > 0:33:41Tony Landry again? Get him to meet me in a restaurant?
0:33:41 > 0:33:42I've got nothing to say to you.
0:33:42 > 0:33:44HIS FOOT STOPS THE DOOR Or perhaps a hotel?
0:33:49 > 0:33:50Move your foot.
0:33:51 > 0:33:52DOOR CLOSES
0:33:52 > 0:33:55I can tell you straight away that my husband will both see
0:33:55 > 0:33:57and query any money I give you, so...
0:33:57 > 0:34:00I don't want money. Information.
0:34:00 > 0:34:01And unless you get it...
0:34:01 > 0:34:05No, only paying clients get to see evidence of their cheating partners.
0:34:05 > 0:34:06How very moral of you...
0:34:06 > 0:34:10Well, not everybody in my profession would be so scrupulous, Tansy,
0:34:10 > 0:34:13especially seeing as you are perverting the course of justice.
0:34:13 > 0:34:16You have no idea...
0:34:16 > 0:34:18About what?
0:34:18 > 0:34:19Anything.
0:34:26 > 0:34:28Where were you on the night Lula died?
0:34:28 > 0:34:32I was here. I was here with my husband.
0:34:32 > 0:34:33I told the truth.
0:34:34 > 0:34:35Well, I believe you were here,
0:34:35 > 0:34:38I believe you were with your husband, but I'd like to know
0:34:38 > 0:34:41why you were shivering with the cold when you ran into the lobby.
0:34:41 > 0:34:44I'd just seen Lula fall.
0:34:44 > 0:34:45Derrick came running.
0:34:45 > 0:34:47It was shock.
0:34:47 > 0:34:50Had Freddie found something in your handbag?
0:34:50 > 0:34:52Had he caught you doing a sneaky line in the bathroom?
0:34:52 > 0:34:56Or did he check your pulse as you were getting ready for bed?
0:34:56 > 0:35:01He locked you out on that balcony in your underwear on a freezing night.
0:35:03 > 0:35:05That's where you were when Lula fell. No.
0:35:05 > 0:35:07Yes, because you heard something,
0:35:07 > 0:35:11and that's the only place you could have heard something.
0:35:11 > 0:35:13He likes punishments, doesn't he?
0:35:13 > 0:35:16Confining somebody to a small, uncomfortable space -
0:35:16 > 0:35:19that's the first weapon in the torturer's handbook.
0:35:19 > 0:35:21My husband isn't a torturer.
0:35:37 > 0:35:38Do you have children?
0:35:44 > 0:35:46No.
0:35:46 > 0:35:48Ever wanted any children?
0:35:48 > 0:35:50Not really.
0:35:50 > 0:35:52I have.
0:35:52 > 0:35:56A little, er, girl I could sing to each night,
0:35:56 > 0:36:01and brush her hair,
0:36:01 > 0:36:07and later, when I got old,
0:36:07 > 0:36:11we could have tea together and talk about our lives.
0:36:17 > 0:36:19SHE WHIMPERS
0:36:19 > 0:36:20SHE CLEARS HER THROAT
0:36:20 > 0:36:25He didn't want me to have a job,
0:36:25 > 0:36:28he didn't want us to have kids,
0:36:28 > 0:36:33so this is what I have.
0:36:38 > 0:36:39Tony...
0:36:41 > 0:36:44Mm-mm.
0:36:46 > 0:36:50SHE SNIFFLES Family image is everything to him.
0:36:52 > 0:36:53He'd never leave them.
0:37:00 > 0:37:03Just tell me what you heard out there, Tansy.
0:37:03 > 0:37:07Tell me because, by protecting a sadist, you might be letting
0:37:07 > 0:37:08a murderer go free.
0:37:13 > 0:37:14Talk to me, Tansy.
0:37:18 > 0:37:19Two voices shouting.
0:37:19 > 0:37:21The only thing she remembers hearing clearly is,
0:37:21 > 0:37:24"It's too late. I've already done it."
0:37:24 > 0:37:25Lula?
0:37:26 > 0:37:28Done what?
0:37:28 > 0:37:30I don't know yet.
0:37:30 > 0:37:32And she didn't recognise the other voice?
0:37:32 > 0:37:33No.
0:37:35 > 0:37:37Well, it can't have been Freddie.
0:37:37 > 0:37:40You wouldn't lock your wife on the balcony and then run upstairs
0:37:40 > 0:37:42and push another woman from the one straight overhead.
0:37:42 > 0:37:44Agreed.
0:37:44 > 0:37:45So Evan was...
0:37:45 > 0:37:48Was pointing the finger, for whatever reason.
0:37:48 > 0:37:50Hmm...
0:37:50 > 0:37:52God, her life sounds awful.
0:37:52 > 0:37:54Yeah, she should leave him.
0:37:54 > 0:37:56Do you think she will?
0:37:57 > 0:37:59No.
0:38:11 > 0:38:13PHONE BUZZES
0:38:22 > 0:38:23It's me.
0:38:25 > 0:38:30Charlotte, what do you want?
0:38:30 > 0:38:32Come back now, or you lose me for good.
0:38:41 > 0:38:43HE SIGHS
0:38:50 > 0:38:51What time is it?
0:38:51 > 0:38:52Early.
0:38:55 > 0:39:00I've got a man cave, too, you know, but it's attached to a house.
0:39:00 > 0:39:01Let's get some breakfast.
0:39:07 > 0:39:10Annoyingly, some of your questions about Rochelle Onifade
0:39:10 > 0:39:11got stuck in my head.
0:39:11 > 0:39:14Well, I thought so.
0:39:14 > 0:39:18That point about the size of the water tank - you were right.
0:39:18 > 0:39:19That was a good call. That was smart.
0:39:19 > 0:39:21The water was still running hot.
0:39:21 > 0:39:23No, it doesn't stack up at all with the breakdown of
0:39:23 > 0:39:25the drugs in her body.
0:39:25 > 0:39:27She was murdered. So...?
0:39:27 > 0:39:30Well, that doesn't mean anything to Lula Landry.
0:39:30 > 0:39:32HE TAKES A DEEP BREATH
0:39:32 > 0:39:35Could be just some dealer Rochelle pissed off.
0:39:35 > 0:39:37Could be, although it's a lot of trouble to go to
0:39:37 > 0:39:39when a knife would have done the job.
0:39:39 > 0:39:41Yeah.
0:39:41 > 0:39:44WAITER SPEAKS OWN LANGUAGE, CORMORAN REPLIES
0:39:44 > 0:39:45Anstis said you were a good cop.
0:39:45 > 0:39:49Yeah? He told me you saved his life and support the Arsenal -
0:39:49 > 0:39:52I'm not sure which is the bigger error of judgment.
0:39:52 > 0:39:53He exaggerates about the former.
0:39:53 > 0:39:55HE EXHALES
0:39:57 > 0:40:00I don't want to make anybody look, you know,
0:40:00 > 0:40:03but you made a mistake with Tansy Bestigui...
0:40:03 > 0:40:06WARDLE SCOFFS ..cos she was on the balcony
0:40:06 > 0:40:08and she did hear somebody else upstairs.
0:40:08 > 0:40:11Now, I'd like to see the full CCTV from around Kentigern Gardens.
0:40:11 > 0:40:15Would you, now? Well, what do I get?
0:40:15 > 0:40:20Credit. Shared information. I can do stuff you can't.
0:40:20 > 0:40:23It's not too late to be on the right side of this one.
0:40:27 > 0:40:30HE CHUCKLES
0:40:41 > 0:40:43# If you keep dancin' on me, girl
0:40:43 > 0:40:45# I'll be tempted to touch Tempted to touch
0:40:45 > 0:40:47# Tempted to touch Tempted to touch
0:40:47 > 0:40:50# It's like we alone in this club Alone in this club
0:40:50 > 0:40:52# If you keep dancin' on me, girl
0:40:52 > 0:40:54# I'll be tempted to touch... #
0:40:54 > 0:40:56HE SLAMS LAPTOP SHUT
0:41:04 > 0:41:05Morning.
0:41:05 > 0:41:08I'm going to Kentigern Gardens now.
0:41:08 > 0:41:09OK.
0:41:09 > 0:41:13And tomorrow we're going to Vashti, Lula's favourite clothes shop.
0:41:13 > 0:41:15You'll be trying on some frocks.
0:41:15 > 0:41:17I'll be your brother, trying to find a suitable gift
0:41:17 > 0:41:19for my wedding anniversary.
0:41:19 > 0:41:21How come?
0:41:21 > 0:41:23Somebody in there's talking to the press about Lula.
0:41:23 > 0:41:26I want to find out who it is, what they know and how they know it.
0:41:28 > 0:41:30PHONE RINGS
0:41:34 > 0:41:35SHE CLEARS HER THROAT
0:41:35 > 0:41:37Cormoran Strike's office...
0:41:39 > 0:41:42IN SCOUSE ACCENT: No, sorry, she's not here any more.
0:41:42 > 0:41:43No, I don't, sorry.
0:41:45 > 0:41:48My name? I'm Ashlee Jones, his new assistant,
0:41:48 > 0:41:50and that's L-double-E, not I-G-H.
0:41:50 > 0:41:52You're very welcome.
0:41:55 > 0:41:57Temporary Solutions are on my case.
0:41:57 > 0:41:58I'm not sure they quite believed me.
0:41:58 > 0:42:00I suppose it doesn't matter if they blacklist you
0:42:00 > 0:42:02now you've got a permanent job.
0:42:02 > 0:42:06I'm going to pick up some lunch on the way back. Do you want anything?
0:42:06 > 0:42:08Miso soup day.
0:42:08 > 0:42:09Bad luck.
0:42:12 > 0:42:14DOOR SLAMS
0:42:18 > 0:42:21DOORBELL RINGS
0:42:22 > 0:42:24DOOR BUZZES
0:42:25 > 0:42:27DOOR CLOSES
0:42:29 > 0:42:32Do you want me to let you up into Lula's flat?
0:42:32 > 0:42:34I'd like to see the pool again.
0:42:40 > 0:42:44That night, you gave Tansy a towel because she was cold.
0:42:44 > 0:42:47It's handy, the way there was one just lying about at your desk.
0:42:53 > 0:42:57I travel in every day from East Croydon.
0:42:57 > 0:42:59Sometimes I can't sleep because of the hours
0:42:59 > 0:43:02and all the stuff in my head, and...
0:43:03 > 0:43:10But swimming really helps, you know?
0:43:10 > 0:43:11Of course.
0:43:12 > 0:43:14You left your desk, didn't you?
0:43:16 > 0:43:20Look, I can't afford to lose this job.
0:43:20 > 0:43:23I owe money on my credit cards, and my kids have lots
0:43:23 > 0:43:25and lots of birthdays.
0:43:25 > 0:43:30HE SIGHS Look, how long were you in here?
0:43:30 > 0:43:3220 minutes? Half an hour?
0:43:33 > 0:43:36About that. 50 laps.
0:43:36 > 0:43:40I'm not going to tell anyone, I promise.
0:43:40 > 0:43:41Thanks.
0:43:41 > 0:43:43Is anybody in the Deeby Macc flat right now?
0:43:45 > 0:43:47HE SIGHS Come on, then.
0:43:50 > 0:43:52PHONE RINGS
0:43:56 > 0:43:58Cormoran Strike's office...
0:43:59 > 0:44:02Erm, I'm sorry, he's not in at the moment. Can I take a message?
0:44:02 > 0:44:05Yeah. You may say that Charlotte Campbell called...
0:44:08 > 0:44:10I will pass that on.
0:44:10 > 0:44:13Please make sure you do. It's very important.
0:44:54 > 0:44:58And this flat's been empty for three months?
0:44:58 > 0:45:01These luxury rentals often sit empty.
0:45:01 > 0:45:03I think some couple from Singapore are about to take the lease.
0:45:03 > 0:45:04Ah...
0:45:10 > 0:45:12Any deliveries here that day?
0:45:12 > 0:45:16Yeah, erm, Freddie Bestigui sent Deeby some flowers.
0:45:17 > 0:45:20Did Lula get any flowers as well?
0:45:20 > 0:45:23Not that I know of.
0:45:23 > 0:45:27Definitely didn't deliver roses up to her flat that day?
0:45:27 > 0:45:28No.
0:45:28 > 0:45:31CAMERA BEEPS
0:45:31 > 0:45:32Were there any other deliveries here?
0:45:32 > 0:45:35Yeah, all sorts - champagne, a hoodie,
0:45:35 > 0:45:37leather gloves, some fashion designer...
0:45:37 > 0:45:38Which one?
0:45:38 > 0:45:40I don't know.
0:45:40 > 0:45:44Actually, yeah, I do, cos I called him Guy Some,
0:45:44 > 0:45:46and they all laughed and said it wasn't pronounced that way.
0:45:46 > 0:45:49PRONOUNCING IT THE FRENCH WAY: Guy Some.
0:45:49 > 0:45:50Yeah. OK.
0:45:50 > 0:45:52Oh, er, somebody else, erm...
0:45:52 > 0:45:55The Nighthawk Security came in to fix the alarm pad,
0:45:55 > 0:45:58and Lechsinka, the cleaner, she was in for a bit.
0:45:58 > 0:46:00Quite a bit of coming and going, then.
0:46:00 > 0:46:05Yeah, up until the early evening, and then it all just died off.
0:46:05 > 0:46:06Good. Well, that's all for now.
0:46:08 > 0:46:11No offence, but I hope "now" means "ever".
0:46:15 > 0:46:16DOOR OPENS
0:46:19 > 0:46:21DOOR SLAMS Oh, this came for you.
0:46:49 > 0:46:51HE CHUCKLES
0:47:03 > 0:47:06I think Lula Landry was murdered, Robin.
0:47:06 > 0:47:09There, white roses just like the ones Freddie sent to
0:47:09 > 0:47:10Deeby Macc that day,
0:47:10 > 0:47:12but this photo was taken in Lula's flat.
0:47:12 > 0:47:14Now, how did they get there?
0:47:14 > 0:47:16My guess is the killer took them from the flat downstairs.
0:47:16 > 0:47:17How did they get in there?
0:47:17 > 0:47:20I don't know, but they could've easily snuck in that day
0:47:20 > 0:47:21amid all the hustle and bustle -
0:47:21 > 0:47:22deliveries, cleaners...
0:47:22 > 0:47:25The one big mistake they made was to leave the flowers in Lula's flat
0:47:25 > 0:47:27when they fled in such a hurry.
0:47:27 > 0:47:28Then they got lucky.
0:47:28 > 0:47:30Derrick wasn't on his desk for the reasons I thought...
0:47:30 > 0:47:32Swimming. Yup, so the killer scarpers.
0:47:32 > 0:47:35Freddie lets Tansy back in to stop her screaming.
0:47:35 > 0:47:37The killer gets out just before Tansy hits the lobby
0:47:37 > 0:47:40and Derrick arrives back from the pool.
0:47:40 > 0:47:42So, who do you think it is?
0:47:42 > 0:47:44That's still a work in progress,
0:47:44 > 0:47:46but it's the same person who killed Rochelle -
0:47:46 > 0:47:48I just need to find out why.
0:47:50 > 0:47:53Crispy duck with extra pancakes day for me. Are you quite sure?
0:47:56 > 0:47:58What's up?
0:47:58 > 0:48:00Charlotte Campbell rang.
0:48:00 > 0:48:03What did she say?
0:48:03 > 0:48:06She just said, "Tell him Charlotte Campbell called.
0:48:06 > 0:48:08"Soon to be Mrs Jago Ross."
0:48:10 > 0:48:12OK, thanks.
0:48:34 > 0:48:36I probably won't be back until the end of the day.
0:49:07 > 0:49:08REVERSING TRUCK BEEPS
0:49:33 > 0:49:35Hi.
0:49:35 > 0:49:40SLURRING: Ah, Robin. It's late. What are you doing here?
0:49:40 > 0:49:43I was looking for you.
0:49:43 > 0:49:45You are a very nice person.
0:49:45 > 0:49:47Don't go anywhere. I'll just get myself a drink.
0:49:47 > 0:49:49I won't go anywhere, cross my heart.
0:49:49 > 0:49:51Actually, Robin, I'm a wee bit pissed.
0:49:51 > 0:49:52I'll have a white wine, please.
0:49:52 > 0:49:53Small or large?
0:49:53 > 0:49:55Extra large!
0:49:55 > 0:49:56Small, please.
0:49:56 > 0:49:58Lightweight.
0:49:58 > 0:49:59Put it on the super tab.
0:50:02 > 0:50:03Thanks.
0:50:03 > 0:50:05Do you know what I like about you, Robin?
0:50:07 > 0:50:11You're a very decent person, and you have good skills -
0:50:11 > 0:50:12a skill set.
0:50:13 > 0:50:15Thanks.
0:50:15 > 0:50:18I think...
0:50:18 > 0:50:21you've got to know when to ask a question
0:50:21 > 0:50:24and when to not ask a question.
0:50:24 > 0:50:25Give people time.
0:50:25 > 0:50:27Yeah.
0:50:27 > 0:50:29Have you eaten anything?
0:50:29 > 0:50:30No, I'm not hungry.
0:50:30 > 0:50:33Oh, come on, it can't be that bad.
0:50:33 > 0:50:35HE SNORTS SOFTLY
0:50:37 > 0:50:39Have you got a light?
0:50:39 > 0:50:40You can't smoke in here.
0:50:40 > 0:50:43Oh... They're ruined, pubs.
0:50:43 > 0:50:45Pubs used to be bloody brilliant.
0:50:45 > 0:50:49I remember when this were all pubs.
0:50:49 > 0:50:50Nothing but pubs.
0:50:50 > 0:50:52Even the buses, Robin, they were mobile pubs.
0:50:52 > 0:50:53Happy days.
0:50:53 > 0:50:56They were happy, and you know what's ruined everything?
0:50:56 > 0:50:59SLURRING: It's digitalisation.
0:50:59 > 0:51:02Letters - gone. What happened to love letters?
0:51:02 > 0:51:03Ah, digitalisation...
0:51:03 > 0:51:06That's what I said. You're not going to write a love-mail, are you?
0:51:06 > 0:51:09Well, I... No, you can't. Exactly.
0:51:09 > 0:51:11Internet groceries...
0:51:12 > 0:51:18What? What's so hard about going to the supermarket, you lazy fuckers?
0:51:18 > 0:51:21And now you can't even have a fag in a pub,
0:51:21 > 0:51:22and there aren't any council houses
0:51:22 > 0:51:24or love letters any more. MAN LAUGHS
0:51:24 > 0:51:27What are you laughing at?
0:51:27 > 0:51:29You think it's funny that people can't afford to live
0:51:29 > 0:51:33near their place of work any more, Beardy? Cormoran, let's go.
0:51:34 > 0:51:36Sorry.
0:51:36 > 0:51:38Are you all right? Let's go.
0:51:41 > 0:51:43SLURRING: I'm a bit sad, Robin.
0:51:43 > 0:51:44I know.
0:52:23 > 0:52:26LIGHT SWITCH CLICKS
0:52:34 > 0:52:36KEYS JINGLE
0:52:38 > 0:52:39RATTLING
0:52:39 > 0:52:41I don't need those.
0:52:41 > 0:52:42Well, just in case.
0:52:42 > 0:52:44KEYS CLATTER
0:52:44 > 0:52:46Are you going to be OK for Vashti in the morning?
0:52:46 > 0:52:48Course I am.
0:52:48 > 0:52:51I'm a very lucky person, Robin.
0:52:51 > 0:52:56First, I have the kind of metabolism where I can eat what I want
0:52:56 > 0:52:57and stay pencil-thin...
0:52:57 > 0:52:59and second, I don't...
0:52:59 > 0:53:01I don't really get hangovers.
0:53:01 > 0:53:03Well, that is lucky.
0:53:03 > 0:53:05HE GROANS
0:53:06 > 0:53:09Bastard leg's bloody killing me.
0:53:16 > 0:53:20Cruelty or mercy?
0:53:20 > 0:53:21Hmm?
0:53:22 > 0:53:24Kid with a gun.
0:53:24 > 0:53:28He could have shot me after the explosion,
0:53:28 > 0:53:32but he looked at my leg...
0:53:32 > 0:53:34and just winked.
0:53:40 > 0:53:41Maybe a bit of both.
0:53:44 > 0:53:45Maybe so.
0:53:50 > 0:53:51You go home!
0:53:58 > 0:54:00I'm all right now. Right.
0:54:16 > 0:54:17I'm switching the light out.
0:54:19 > 0:54:21Yeah.
0:54:21 > 0:54:23LIGHT SWITCH CLICKS
0:54:24 > 0:54:26DOOR CLOSES
0:54:28 > 0:54:30MUFFLED MUSIC PLAYS FROM OUTSIDE
0:54:34 > 0:54:36HE EXHALES
0:54:59 > 0:55:01CORMORAN BREATHES HEAVILY
0:55:39 > 0:55:40Fuck.
0:55:43 > 0:55:44Fucking hell.
0:56:10 > 0:56:12WHISPERING: Fuck.
0:56:28 > 0:56:31It was you.
0:56:31 > 0:56:32You killed Lula.
0:57:07 > 0:57:09Lula Landry came in here a lot, didn't she?
0:57:09 > 0:57:12The day she died - this changing room.
0:57:12 > 0:57:14You're not the first young lady who's come asking about him.
0:57:14 > 0:57:16What's this really about?
0:57:16 > 0:57:17I think it was very sudden and brutal.
0:57:19 > 0:57:22Tony didn't want us to have her.