0:00:02 > 0:00:05This programme contains some strong language.
0:00:05 > 0:00:07- My sister. I think she was murdered. - She was frightened of him.- Who?
0:00:07 > 0:00:10- Tony's a little... - Family is a complex thing.
0:00:10 > 0:00:12- Lula?- They sometimes clashed.
0:00:12 > 0:00:15Is anybody in the Deeby Macc flat right now?
0:00:15 > 0:00:17Any deliveries here that day?
0:00:17 > 0:00:21Flowers, hoodie, leather gloves, some fashion designer.
0:00:21 > 0:00:22Guy Some.
0:00:22 > 0:00:24So, first off, we went to Vashti.
0:00:24 > 0:00:26It's a clothes shop on Conduit Street.
0:00:26 > 0:00:29She met a mate in there. Rochelle.
0:00:29 > 0:00:31Lula's best mate Ciara Porter,
0:00:31 > 0:00:32her rock star boyfriend Evan Duffield.
0:00:32 > 0:00:35Has anybody told you you are absolutely gorgeous?
0:00:36 > 0:00:39It was just so...bland and corporate.
0:00:39 > 0:00:40Like where I work, you mean?
0:00:43 > 0:00:45SLURRED: I don't really get hangovers.
0:00:45 > 0:00:46Well, that is lucky.
0:00:46 > 0:00:48Bastard leg's bloody killing me.
0:00:56 > 0:00:57It was you.
0:00:57 > 0:00:59You killed Lula.
0:01:03 > 0:01:04# You and me
0:01:06 > 0:01:08# Me and you
0:01:09 > 0:01:13# Somehow we make it through
0:01:15 > 0:01:16# I may be gone
0:01:17 > 0:01:19# I may be far away
0:01:21 > 0:01:25# But I walk beside you
0:01:25 > 0:01:27# Every step of the way
0:01:28 > 0:01:31# When you're used
0:01:31 > 0:01:33# Bruised
0:01:33 > 0:01:35# Black and blue
0:01:35 > 0:01:38# Don't think about it
0:01:39 > 0:01:42# Never doubt it
0:01:42 > 0:01:44# I'll walk beside you. #
0:01:47 > 0:01:49HELICOPTER BLADES WHIR
0:02:25 > 0:02:28- RADIO:- Road clear ahead. Maintain speed. Over.
0:02:28 > 0:02:30Roger that.
0:02:32 > 0:02:35The unfortunate Mrs Anstis, right?
0:02:35 > 0:02:36Bollocks.
0:02:36 > 0:02:37I'm a catch, mate.
0:02:45 > 0:02:47Can't wait to get home and hold him for the first time.
0:02:47 > 0:02:49- RADIO:- Stand by. Obstruction to the front.
0:02:54 > 0:02:56- RADIO:- One Afghan male changing tyre. Over.
0:02:56 > 0:02:59Oi!
0:02:59 > 0:03:00Move the van. Move!
0:03:00 > 0:03:02Get in the van and move it.
0:03:02 > 0:03:03Oi!
0:03:03 > 0:03:05Holding, holding.
0:03:09 > 0:03:11Oi! Get in the van!
0:03:11 > 0:03:13- RADIO:- Two Afghan children on the road.
0:03:23 > 0:03:26Get in the van. Move the bloody van! Move!
0:03:27 > 0:03:31- RADIO:- Beware, Afghan male moving to the front of the vehicle now.
0:03:33 > 0:03:35Roger that.
0:03:35 > 0:03:37- RADIO:- Push on, push on.- Roger.
0:03:39 > 0:03:40No, brake, brake!
0:03:40 > 0:03:42Brake! Brake!
0:03:48 > 0:03:51SILENCE
0:03:57 > 0:03:59HE GASPS
0:03:59 > 0:04:01HE COUGHS
0:04:01 > 0:04:03HE RASPS
0:04:20 > 0:04:23HELICOPTER APPROACHES
0:04:42 > 0:04:43Sergeant Strike?
0:04:43 > 0:04:45Strike, can you hear me?
0:04:46 > 0:04:48- ECHOING:- Sergeant Strike, can you me?
0:04:48 > 0:04:51HELICOPTER BLADES WHIR
0:04:51 > 0:04:54WHIRRING FADES INTO DRILLING
0:04:58 > 0:05:01DRILLING INTENSIFIES
0:05:15 > 0:05:18DRILLING FADES
0:05:23 > 0:05:24HE GROANS
0:05:26 > 0:05:28HE MUTTERS
0:05:59 > 0:06:01HE VOMITS
0:06:19 > 0:06:21PHONE BEEPS
0:06:30 > 0:06:31PHONE BUZZES
0:06:36 > 0:06:37SHE SIGHS
0:06:53 > 0:06:55Thank you.
0:07:05 > 0:07:07Can I help you?
0:07:07 > 0:07:09Um...
0:07:09 > 0:07:10Yes.
0:07:10 > 0:07:12I'd like to try on some dresses.
0:07:14 > 0:07:16Wow. It looks great on you.
0:07:18 > 0:07:21I'm just waiting on my brother to check it out.
0:07:21 > 0:07:22It's for his wife, actually.
0:07:22 > 0:07:24Try the green one. I think it'll really suit your colouring.
0:07:24 > 0:07:26Is she...?
0:07:26 > 0:07:28- Dark. Stunning, actually.- All right.
0:07:30 > 0:07:33- Was that somebody famous I just saw leaving?- Not sure.
0:07:33 > 0:07:35Wasn't Ciara Porter, was it?
0:07:35 > 0:07:36No, I didn't see her.
0:07:36 > 0:07:38Although she does come in here sometimes.
0:07:38 > 0:07:40Lula Landry came in here a lot, didn't she?
0:07:40 > 0:07:42Vashti was, like, always in her lists of,
0:07:42 > 0:07:45like, the top ten things to do in London.
0:07:45 > 0:07:46Day she died?
0:07:46 > 0:07:48This changing room.
0:07:49 > 0:07:51No way!
0:07:51 > 0:07:54That's, like, totally giving me goose bumps.
0:07:55 > 0:07:57SHE CLEARS HER THROAT
0:07:57 > 0:07:59You know, they say she was going to meet Deeby Macc
0:07:59 > 0:08:00the night she died, but...
0:08:00 > 0:08:03I don't think Lula would ever cheat on Evan.
0:08:04 > 0:08:06What?
0:08:06 > 0:08:08She was SO going to meet Deeby. Trust me.
0:08:08 > 0:08:10But she loved Evan!
0:08:10 > 0:08:13- Did you see the pictures of their commitment ceremony?- Yeah.
0:08:13 > 0:08:16Well, how about, we heard them talking?
0:08:16 > 0:08:17Who, Lula and Evan?
0:08:17 > 0:08:20No. No, the skanky, rude cow she brought in with her.
0:08:20 > 0:08:22But Mel taped them talking on her phone.
0:08:22 > 0:08:24- No way!- Yeah.
0:08:24 > 0:08:26A bit naughty. We were all, like, not sure that's right, really.
0:08:26 > 0:08:28But, well, she swore it wasn't for the press,
0:08:28 > 0:08:31just, you know, play to her mates.
0:08:31 > 0:08:35- Wait, who's Mel? - She's not in today. Day off.
0:08:35 > 0:08:38But trust me, Lula Landry was doing the dirty on Evan,
0:08:38 > 0:08:40and who else was it going to be but Deeby Macc?
0:08:42 > 0:08:44Come and have a look out there.
0:09:21 > 0:09:22What do you think?
0:09:24 > 0:09:25Yeah.
0:09:26 > 0:09:28"Yeah"?
0:09:28 > 0:09:29She looks amazing!
0:09:29 > 0:09:34But fair play, I guess my brother would never say that to me, either.
0:09:54 > 0:09:55Very good.
0:09:55 > 0:09:57I'll go back for Mel later.
0:09:58 > 0:10:01- Bit of a sore head this morning. - Ooh.
0:10:01 > 0:10:03- Was I...?- You were fine.- Mm-hm.
0:10:05 > 0:10:07- You were funny, actually.- Good.
0:10:08 > 0:10:10- Is it really bad?- I've had worse.
0:10:12 > 0:10:13But not recently.
0:10:23 > 0:10:24Come and look at this.
0:10:31 > 0:10:35This is the figure Bristow is so desperate to find.
0:10:35 > 0:10:37He's walking towards then away from the flats.
0:10:37 > 0:10:40Little bit agitated but, you know, could be a Deeby Macc fan
0:10:40 > 0:10:42waiting for a glimpse of his hero.
0:10:42 > 0:10:44This is ten minutes before Lula falls.
0:10:45 > 0:10:48And then the next camera.
0:10:48 > 0:10:50- That's after Lula fell?- Yeah.
0:10:50 > 0:10:54Same guy, walking quickly away, less agitated, more purposeful.
0:10:54 > 0:10:57- It's not the same guy. - Why do you say that?
0:10:57 > 0:11:00- Because his hoodie's got a thingy, a logo on it.- Exactly. Yeah.
0:11:00 > 0:11:01These are two different people.
0:11:01 > 0:11:04We can't see this guy's face, but look at his hands.
0:11:04 > 0:11:05Leather gloves.
0:11:05 > 0:11:08Guy Some dropped a hoodie and gloves off to the Deeby Macc flat.
0:11:08 > 0:11:10- So he could have used the clothes as a disguise.- Yeah.
0:11:10 > 0:11:12I need to speak to Guy Some.
0:11:12 > 0:11:15See if this second guy really is wearing his clobber.
0:11:15 > 0:11:16Well, good luck with that.
0:11:16 > 0:11:18You're coming with me.
0:11:18 > 0:11:20Oh.
0:11:27 > 0:11:31I feel like a woolly mammoth that's wandered into the gazelle enclosure.
0:11:31 > 0:11:33Yeah.
0:11:33 > 0:11:35I was quite happy with this handbag five minutes ago.
0:11:35 > 0:11:37Let's go.
0:11:39 > 0:11:40No, it's here now.
0:11:42 > 0:11:44- Excuse me... - We're going with the feathers.
0:11:44 > 0:11:46We're doing the Milan shoot.
0:11:46 > 0:11:48Sorry.
0:12:04 > 0:12:05You don't have an appointment.
0:12:07 > 0:12:10So the mountain thought, fuck it, and came to Kevin.
0:12:10 > 0:12:12That's your real name, right?
0:12:12 > 0:12:14All I need you to do is identify some items of clothing.
0:12:14 > 0:12:16Get out of my studio.
0:12:16 > 0:12:18I believe they may be yours,
0:12:18 > 0:12:20and it might have a bearing on Lula's death.
0:12:21 > 0:12:23Surely you're interested in that?
0:12:25 > 0:12:26Come on.
0:12:28 > 0:12:29Think he likes you.
0:12:33 > 0:12:35That is your stuff, right?
0:12:37 > 0:12:39How did he get that?
0:12:39 > 0:12:41Those haven't been released yet.
0:12:41 > 0:12:42These are definitely yours?
0:12:42 > 0:12:44Are you sure that's your nose?
0:12:44 > 0:12:45The doorman at Lula's flat
0:12:45 > 0:12:47said he took some stuff from you for Deeby Macc.
0:12:47 > 0:12:49What did you send him?
0:12:49 > 0:12:50Tricia!
0:12:50 > 0:12:51Yes, Guy?
0:12:51 > 0:12:54Bring me a Deeby Macc hoodie and a pair of the new gloves.
0:13:06 > 0:13:08What did Lula make of Deeby Macc?
0:13:08 > 0:13:10Nowhere near excited enough.
0:13:10 > 0:13:13I kept saying to her, "Babes, if he'd written three tracks about me,
0:13:13 > 0:13:16"I'd be waiting behind that front door naked when he got in."
0:13:16 > 0:13:19What I don't get is why she chose Duffield,
0:13:19 > 0:13:22with all his white boy tortured poet act
0:13:22 > 0:13:24when she was meant to be looking for a lost black soul.
0:13:24 > 0:13:26How far did she get with that?
0:13:26 > 0:13:28She was looking for her dad cos he was African.
0:13:28 > 0:13:31The mum was just some redneck from Canning Town.
0:13:31 > 0:13:32Mrs Mephedrone, we called her.
0:13:32 > 0:13:34HE CHUCKLES
0:13:34 > 0:13:36For a while, Cuckoo was always in the library.
0:13:36 > 0:13:38Got all excited cos apparently,
0:13:38 > 0:13:40the old man was some kind of big shot academic.
0:13:40 > 0:13:41Which library?
0:13:41 > 0:13:43I don't know. On Russell Square somewhere?
0:13:43 > 0:13:44KNOCKING ON DOOR
0:13:44 > 0:13:47I wasn't really paying attention, everyone switched off.
0:13:47 > 0:13:50- Apart from Rochelle.- Yeah, well, she knew how to play Lula.
0:13:59 > 0:14:02I think they might be a bit tight on your big, hairy mitts.
0:14:03 > 0:14:06Though Ciara certainly wasn't complaining about them.
0:14:06 > 0:14:09Oh, no, you got quite the five-star review, darling.
0:14:10 > 0:14:13And she's had plenty to compare you with.
0:14:35 > 0:14:36HE SIGHS
0:14:57 > 0:14:58DOORBELL RINGS
0:15:11 > 0:15:13And they're in.
0:15:14 > 0:15:16So the argument starts, voices rise.
0:15:16 > 0:15:17How did they get out onto the balcony?
0:15:17 > 0:15:20- She might have had the door open already.- Yeah, but it's snowing.
0:15:20 > 0:15:23Well, Lula often felt trapped, she liked having them open.
0:15:23 > 0:15:26Or, as the argument escalates, she turns around to get away from him,
0:15:26 > 0:15:29which is what I might do if I wanted someone to just leave.
0:15:29 > 0:15:32- Without realising Tansy Bestigui was shivering underneath.- Mm-hm.
0:15:37 > 0:15:39I think it was very sudden and brutal.
0:15:39 > 0:15:41Tansy heard no cries for help.
0:15:41 > 0:15:44Well, I hope so. That it was quick, at least.
0:15:47 > 0:15:50Now, I've very little time, so I make one big mistake.
0:15:50 > 0:15:52- I leave the flowers here.- Mm-hm.
0:15:52 > 0:15:55So they appear in a police shot immediately after the fall.
0:15:59 > 0:16:01Well, I'm not leaving them here to die.
0:16:07 > 0:16:09Walk down this road...
0:16:10 > 0:16:11..head bowed.
0:16:13 > 0:16:15And off I go, hoodied up and hands gloved,
0:16:15 > 0:16:17having completely got away with it.
0:16:19 > 0:16:21Oh, I found this, by the way.
0:16:21 > 0:16:24- It's a library card for... - Soas.- Mm-hm.
0:16:24 > 0:16:25Russell Square.
0:16:25 > 0:16:28We could go there tomorrow, find out what she was looking up.
0:16:28 > 0:16:31Yeah. I've got to meet Bristow in the morning.
0:16:31 > 0:16:33I could go on my own.
0:16:33 > 0:16:34OK.
0:16:36 > 0:16:37Good work today.
0:16:37 > 0:16:38Thanks.
0:16:51 > 0:16:53What are they?
0:16:53 > 0:16:54Skateboards.
0:16:54 > 0:16:56I mean...
0:16:56 > 0:16:58We used them in a crime re-enactment today.
0:17:02 > 0:17:04Look, I'm sorry I was late last night.
0:17:06 > 0:17:09- To be fair, I should have called. - That's all I was saying.
0:17:09 > 0:17:12- I'm not a control freak. I'm just worried.- I know.
0:17:12 > 0:17:14It's not like you.
0:17:14 > 0:17:16Friends?
0:17:24 > 0:17:28- Spoke to the mortgage advisor today.- Oh, yeah?
0:17:28 > 0:17:30We do need to get a joint income if we want to get a proper
0:17:30 > 0:17:34place near a Tube station and some decent schools.
0:17:38 > 0:17:40Have you told them you're taking the job yet?
0:17:40 > 0:17:42Not yet.
0:17:42 > 0:17:44SHE CLEARS HER THROAT
0:17:50 > 0:17:52Large whisky.
0:17:56 > 0:17:58And a pint.
0:18:36 > 0:18:38This is Charlie before he died.
0:18:38 > 0:18:42- Playing cricket, he was very good.- I remember.
0:18:42 > 0:18:45Alec said he'd bowl for England one day.
0:18:47 > 0:18:50And this is Lula, the day she came to us.
0:18:50 > 0:18:53She loved those red mittens.
0:18:56 > 0:18:58I still have them.
0:18:58 > 0:19:01John says you collected some items from her flat.
0:19:01 > 0:19:03Keepsakes.
0:19:03 > 0:19:06- Like what?- Some bits and pieces.
0:19:06 > 0:19:08Do you want me to put the film on for you, Lady B?
0:19:08 > 0:19:10Mm!
0:19:13 > 0:19:17- Can you read me the password? - Sure. Leopard.
0:19:17 > 0:19:20Leopard, dear old baby.
0:19:20 > 0:19:23Underscore, 1942.
0:19:23 > 0:19:251942, the year I was born.
0:19:31 > 0:19:32Good morning.
0:19:32 > 0:19:35Oh, macaroons?
0:19:35 > 0:19:36FILM PLAYS ON TV
0:19:36 > 0:19:38You ARE lucky.
0:19:38 > 0:19:41- Mr Bone bought them for me.- Really?
0:19:41 > 0:19:45Thank you. That's...that's very kind.
0:19:45 > 0:19:46Just a few quick things to ask.
0:19:46 > 0:19:50Did you know Lula was looking for her biological family?
0:19:50 > 0:19:53Yes, I knew something about it.
0:19:55 > 0:19:57I tried to steer clear of the topic.
0:19:57 > 0:19:58For obvious reasons.
0:19:59 > 0:20:02You don't know who the father is?
0:20:02 > 0:20:03Well, I still like to think
0:20:03 > 0:20:05it was the man who actually brought her up but...
0:20:08 > 0:20:11- I'm sorry, no. - He was an African student.
0:20:11 > 0:20:13Nigerian, I think.
0:20:15 > 0:20:16Alec told me.
0:20:18 > 0:20:20He had to get another lawyer to deal with the papers
0:20:20 > 0:20:26- because Tony refused.- How come? - Didn't want us to have her.- Why?
0:20:26 > 0:20:28Because of Charlie.
0:20:28 > 0:20:31Tony said something to Alec that made my husband very angry,
0:20:31 > 0:20:33and there was a fearful row,
0:20:33 > 0:20:36and Alec said Tony shouldn't come to the house any more.
0:20:36 > 0:20:40But he was my brother, so... Oh, hush, this is a good bit.
0:20:42 > 0:20:44- TV:- Well, they're in for a big surprise.
0:20:45 > 0:20:49Last time we met, you told me Tony was here the evening Lula died.
0:20:49 > 0:20:53You have a good memory. Sorry. Yes.
0:20:53 > 0:20:57I was in the flat upstairs while he was down with Mum.
0:20:57 > 0:21:00But I passed him on the stairs certainly.
0:21:00 > 0:21:02- He didn't watch the film with you? - No, he left just before that.
0:21:02 > 0:21:04- For Oxford.- Yeah.
0:21:05 > 0:21:09I will see what I can find out regarding the adoption papers.
0:21:09 > 0:21:11That would be very helpful.
0:21:11 > 0:21:13She loved those mittens.
0:21:13 > 0:21:16CLOCK CHIMES
0:22:14 > 0:22:17Oh, hi! Back for the dress?
0:22:17 > 0:22:19No. Is Mel about?
0:22:19 > 0:22:21Down in the changing rooms.
0:22:26 > 0:22:28- You Mel?- Mm-hm.
0:22:28 > 0:22:32My name is Cormoran Strike, I work for Lula Landry's family.
0:22:32 > 0:22:34I'm here to explain to you the legal hazards of recording
0:22:34 > 0:22:37private conversations and sharing them with third parties
0:22:37 > 0:22:38without obtaining consent.
0:22:38 > 0:22:40But first of all, you're going to give me
0:22:40 > 0:22:42the audio file you've got on your mobile.
0:22:52 > 0:22:55- RECORDING:- Just sign it there. - Are you sure about this?
0:22:55 > 0:22:58Never been surer, babe. They don't need it, do they?
0:22:58 > 0:23:01I can't believe it, I'm going to see him tonight, Roch,
0:23:01 > 0:23:02after all this time.
0:23:02 > 0:23:05And that was the point she leaned out to see if anybody was listening.
0:23:05 > 0:23:07So paranoid, these celebrities.
0:23:09 > 0:23:11"I'm going to see him tonight."
0:23:11 > 0:23:15- What, Deeby Macc?- Well, that's the obvious conclusion.
0:23:15 > 0:23:18- How did you get on at Soas?- OK... - SHE CLEARS HER THROAT
0:23:18 > 0:23:21..so, Lula's search record
0:23:21 > 0:23:24shows that she was looking up books on Ghanaian history.
0:23:24 > 0:23:26More specifically, though, she several times took out
0:23:26 > 0:23:30a PhD thesis by a guy called Josiah Agyeman,
0:23:30 > 0:23:31who was a student there.
0:23:31 > 0:23:33Agyeman.
0:23:33 > 0:23:36- Not Nigerian?- No, it's Ghanaian.
0:23:36 > 0:23:39The dedication to his PhD looks interesting, though.
0:23:42 > 0:23:45"For my beloved wife Ami and our baby Jonah
0:23:45 > 0:23:48"with grateful thanks to Pastor Jorge Duran of
0:23:48 > 0:23:49"the Church of Holy Light,
0:23:49 > 0:23:52"for teaching humility and faith to one who had so often strayed."
0:23:54 > 0:23:56"One who had so often strayed."
0:23:56 > 0:24:00My guess would be that he might be Lula's biological father.
0:24:00 > 0:24:02Yeah. Mm.
0:24:02 > 0:24:05Right, I've got to go and meet a Professor Enright,
0:24:05 > 0:24:07his PhD supervisor.
0:24:07 > 0:24:10He's still at Soas, but he was teaching this morning. See you.
0:24:14 > 0:24:16Ghanaian political economy.
0:24:16 > 0:24:17Especially around the time of Nkrumah.
0:24:17 > 0:24:21Um, actually, I was keen to talk to Josiah Agyeman.
0:24:21 > 0:24:24I'm afraid Dr Agyeman's no longer with us.
0:24:24 > 0:24:26Oh, well, could you, um, tell me
0:24:26 > 0:24:28where I might be able to get in touch with him?
0:24:28 > 0:24:30He died...just over a year ago.
0:24:32 > 0:24:33Oh.
0:24:35 > 0:24:38You're not the first young lady who's come asking about him.
0:24:41 > 0:24:45- So Lula must have found out exactly the same thing as you.- Mm.
0:24:45 > 0:24:47Professor Enright said she was very upset.
0:24:47 > 0:24:49He didn't know who she was?
0:24:49 > 0:24:52He's a specialist in post-colonial administrative divisions
0:24:52 > 0:24:54in sub-Saharan Africa.
0:24:54 > 0:24:57I think the world of celebrity fashion might have passed him by.
0:24:57 > 0:24:59So Agyeman's a complete dead-end.
0:24:59 > 0:25:01No. Because then I tracked down Pastor Duran,
0:25:01 > 0:25:05the Pentecostalist he mentions in his PhD dedication.
0:25:05 > 0:25:07The church is out in Tooting,
0:25:07 > 0:25:10and he had a lot of pictures of the Agyeman family, including...
0:25:13 > 0:25:14Oh, not that one.
0:25:16 > 0:25:18- Wow.- Mm-hm.
0:25:18 > 0:25:20That's Agyeman with his son Jonah.
0:25:21 > 0:25:24- No doubting where she got her looks from.- Mm-hm.
0:25:24 > 0:25:26Blue, red, blue.
0:25:26 > 0:25:28It's TRF, it's...
0:25:28 > 0:25:29Coldstream Guards.
0:25:33 > 0:25:36Lula said, "I can't believe I'm going to see him tonight."
0:25:37 > 0:25:39And in the changing room at Vashti,
0:25:39 > 0:25:42- "I'm going to see him after all this time."- She was expecting him.
0:25:42 > 0:25:44Not Deeby Macc.
0:25:44 > 0:25:47She thought she was going to see her brother for the first time.
0:25:47 > 0:25:50- You don't think that... - Make some calls.
0:26:04 > 0:26:06Sad.
0:26:06 > 0:26:09I was so excited about finding him and...
0:26:12 > 0:26:15There's usually something quite sad at the back of it all.
0:26:17 > 0:26:18Where are you going?
0:26:18 > 0:26:20To tell John about Lula's brother.
0:26:28 > 0:26:30A brother?
0:26:32 > 0:26:34You know, that makes me feel really strange.
0:26:34 > 0:26:36Of course it does.
0:26:36 > 0:26:39I hate the term "real brother".
0:26:39 > 0:26:41Or "real parent".
0:26:41 > 0:26:43My real parents were the ones who raised me.
0:26:43 > 0:26:46- Definitely go along with that. - Your-Your-Your... Your own father?
0:26:46 > 0:26:48As far as Jonny Rokeby was concerned,
0:26:48 > 0:26:51I was just a shudder in the loins.
0:26:51 > 0:26:53So, this brother,
0:26:53 > 0:26:56this soldier is the one in the CCTV footage?
0:26:56 > 0:26:58Keeping an open mind for now.
0:26:58 > 0:27:00So, do you think we should tell the police about Agyeman?
0:27:00 > 0:27:02PHONE BUZZES
0:27:04 > 0:27:07Sorry, John, I've got to go and meet somebody pretty urgently.
0:27:07 > 0:27:09Oh, no, don't worry.
0:27:28 > 0:27:31Morning, sir. If you'd like to follow me, please.
0:27:49 > 0:27:51They told me you were once a suit.
0:27:54 > 0:27:55Helmand, right?
0:28:07 > 0:28:08HE SIGHS
0:28:09 > 0:28:11It's my fault she killed herself.
0:28:11 > 0:28:14All of this? It's my fault.
0:28:16 > 0:28:17How's that?
0:28:17 > 0:28:20She wanted to see me the night she died.
0:28:22 > 0:28:24In the end, I couldn't.
0:28:29 > 0:28:30That's you, right?
0:28:33 > 0:28:34Tell me what happened.
0:28:36 > 0:28:38Dad told me about it when he was dying,
0:28:38 > 0:28:40said he didn't know if she had the baby.
0:28:40 > 0:28:43The woman he lodged with in London?
0:28:43 > 0:28:46He was a student at the time, and Mum was in Accra.
0:28:46 > 0:28:48Then Lula calls you out of the blue.
0:28:48 > 0:28:51- She didn't want the press to find out.- She used her mate's phone.
0:28:51 > 0:28:53Yes, some Rochelle bird, yeah.
0:28:53 > 0:28:56So, suddenly, you find out you've got a half-sister who's
0:28:56 > 0:28:58a world-famous supermodel.
0:28:58 > 0:29:02It was all too much for me, you know, doing my head in.
0:29:02 > 0:29:05Lula, all them posh cars and flats.
0:29:05 > 0:29:08- And Mum.- I understand.
0:29:08 > 0:29:10HE SCOFFS
0:29:10 > 0:29:11Do you?
0:29:15 > 0:29:17Would have broken my mum's heart.
0:29:19 > 0:29:20Her health's not so good.
0:29:22 > 0:29:25I said no to Lula at first but then she...she kept on,
0:29:25 > 0:29:27you know, kept on...
0:29:27 > 0:29:30- Did you know her?- No.
0:29:30 > 0:29:34She was...you know, she was full on, you know?
0:29:34 > 0:29:38At one point, she was going on, "You can have all my money."
0:29:38 > 0:29:41And I-I said, "I don't care about your money."
0:29:41 > 0:29:44But she was even going on about leaving everything to me
0:29:44 > 0:29:46in her will, just to piss her uncle off.
0:29:48 > 0:29:50Afterwards, I felt so guilty.
0:29:54 > 0:29:57If I'd gone in, she'd still be alive.
0:29:57 > 0:30:00Wanting to protect your mum was a good instinct.
0:30:02 > 0:30:04She said she understood about Mum.
0:30:04 > 0:30:07She didn't want to hurt anyone.
0:30:07 > 0:30:08HE LAUGHS
0:30:08 > 0:30:09That's it.
0:30:11 > 0:30:14I mean, she was looking for something, you know?
0:30:18 > 0:30:19She sounded all right.
0:30:23 > 0:30:25I think she was.
0:30:31 > 0:30:33HE SNIFFS
0:30:33 > 0:30:34HE CLEARS HIS THROAT
0:31:10 > 0:31:11- I'll call.- OK.
0:31:13 > 0:31:16I think I'll add stalking to harassment.
0:31:17 > 0:31:20Your nephew said you were at your sister's house in Chelsea
0:31:20 > 0:31:23the night of Lula's death. Is that correct?
0:31:23 > 0:31:25It's your alibi.
0:31:25 > 0:31:28- What on earth would I need an alibi for?- You tell me.
0:31:28 > 0:31:29Can you prove that I wasn't there?
0:31:29 > 0:31:32You used your credit card to pay a bar bill in your favourite hotel
0:31:32 > 0:31:35around about the same time you were supposed to be
0:31:35 > 0:31:36with your sick sister.
0:31:36 > 0:31:39Why didn't you want the Bristows to adopt Lula?
0:31:41 > 0:31:42That's not...
0:31:45 > 0:31:47It wasn't...
0:31:47 > 0:31:50Yvette told me you didn't want Lula around in the first place.
0:31:50 > 0:31:54Didn't stop you becoming very interested in protecting her wealth.
0:31:54 > 0:31:59I always had Lula's best interests at heart, always.
0:31:59 > 0:32:00From day one.
0:32:04 > 0:32:05Chelsea.
0:32:56 > 0:32:58Bunsen.
0:32:58 > 0:33:00How's it going, Shanker?
0:33:05 > 0:33:08I put some flowers on your ma's grave the other day.
0:33:08 > 0:33:10I appreciate it.
0:33:10 > 0:33:12Something you want?
0:33:13 > 0:33:16This is a car registration in its normal location.
0:33:16 > 0:33:18- Oh, right, want us to nick it?- No.
0:33:19 > 0:33:23- Well, come on.- Leave the car where it is, don't nick anything.
0:33:23 > 0:33:26If you were to get inside and check something for me...
0:33:26 > 0:33:28- Checking what?- The sat nav.
0:33:28 > 0:33:29I want you to enter this address,
0:33:29 > 0:33:31see if it comes up in previous destinations.
0:33:35 > 0:33:37Hi, it's Robin Ellacott, I came in...
0:33:37 > 0:33:39Yes, Human Resources.
0:33:39 > 0:33:42Well, I was just calling to say that my circumstances have changed,
0:33:42 > 0:33:44so I won't be able to accept the position,
0:33:44 > 0:33:48but if you could pass on my appreciation.
0:33:48 > 0:33:50Yes, thank you. Thank you.
0:33:53 > 0:33:54SHE SIGHS
0:34:02 > 0:34:05- We didn't even discuss it. - We DID discuss it.
0:34:05 > 0:34:07OK, but we didn't decide anything.
0:34:07 > 0:34:10- This affects us both. - Yeah, but primarily me.
0:34:10 > 0:34:12Look, I...
0:34:12 > 0:34:14I've...
0:34:14 > 0:34:16I just...I like the work I'm doing now.
0:34:17 > 0:34:19I've always dreamt about a career like this.
0:34:19 > 0:34:20Like this?
0:34:21 > 0:34:23As I recall, it was psychology,
0:34:23 > 0:34:27not doing the filing for a one-legged investigator in Soho.
0:34:27 > 0:34:28SHE LAUGHS
0:34:28 > 0:34:32I like the way you've made it all sound equally sleazy there!
0:34:32 > 0:34:35You know, he lost his leg fighting a war.
0:34:35 > 0:34:37And what a bloody waste of time and effort that was.
0:34:37 > 0:34:41Oh. What an awful thing to say.
0:34:41 > 0:34:42Well...
0:34:44 > 0:34:45Maybe if you met him.
0:34:47 > 0:34:49- Met him.- Yeah.
0:34:49 > 0:34:52We could...go for a drink or something after work.
0:34:52 > 0:34:55And would I walk home on my own while you took him up in bed?
0:34:58 > 0:35:00- Forget it, then.- I'm joking.
0:35:00 > 0:35:01I'm joking!
0:35:18 > 0:35:21- You think she was killed because she made a will?- No.
0:35:21 > 0:35:24I don't, but Rochelle definitely was.
0:35:24 > 0:35:26- I'm not with you.- I think Rochelle was blackmailing the killer
0:35:26 > 0:35:29because she was the only other person who knew about the will.
0:35:29 > 0:35:31- And where is it?- I don't know.
0:35:33 > 0:35:34HE SIGHS
0:35:34 > 0:35:36He'll kill again if he has to.
0:35:58 > 0:36:00PHONE RINGS
0:36:00 > 0:36:02- Cormoran Strike's office. - Did you make that call?
0:36:02 > 0:36:04Disputed estate to Richmond.
0:36:04 > 0:36:06- That's it.- All booked in.- Great.
0:36:06 > 0:36:10There's...actually something I wanted to talk to you about.
0:36:10 > 0:36:11DIAL TONE SOUNDS
0:36:11 > 0:36:13Oh...
0:36:16 > 0:36:20I'd never sign up to be cast away on a desert island with that one.
0:36:20 > 0:36:23Do you remember Tony being here the night Lula died?
0:36:25 > 0:36:29Oh, it's all so blurry now.
0:36:29 > 0:36:32My long-term memory's good enough,
0:36:32 > 0:36:36but the drugs make everything so muddled.
0:36:36 > 0:36:38I understand.
0:36:38 > 0:36:41I remember you and Charlie, though.
0:36:41 > 0:36:43Thick as thieves.
0:36:44 > 0:36:47Your mother was a model, or something.
0:36:47 > 0:36:49That's right.
0:36:49 > 0:36:52Such a glamourpuss.
0:36:52 > 0:36:54You don't look anything like her.
0:36:56 > 0:36:58Johnny's not much to look at, either.
0:36:58 > 0:37:03My husband, Alec, had a lot of homosexual friends -
0:37:03 > 0:37:05House of Lords -
0:37:05 > 0:37:08and he used to say he didn't in the least mind them
0:37:08 > 0:37:10being around young Johnny.
0:37:10 > 0:37:13"Just because they're queer, Yvette,
0:37:13 > 0:37:16"doesn't mean to say they have poor taste."
0:37:16 > 0:37:18SHE CHUCKLES
0:37:21 > 0:37:23Lunchtime, Lady B!
0:37:23 > 0:37:25Mind if I use the bathroom?
0:37:25 > 0:37:26Mm-hm.
0:37:28 > 0:37:29There you go.
0:37:52 > 0:37:54HE PANTS
0:39:12 > 0:39:14DOORBELL RINGS
0:39:20 > 0:39:22He's upstairs.
0:39:27 > 0:39:29HANDLE SQUEAKS
0:40:02 > 0:40:05TOILET FLUSHES
0:40:05 > 0:40:06I wouldn't go in there for a bit.
0:40:09 > 0:40:10HE EXHALES
0:40:22 > 0:40:24The sat nav remembered the address.
0:40:28 > 0:40:30- Right.- And we found this.
0:40:30 > 0:40:31I told you not to...
0:40:31 > 0:40:33BELL RINGS
0:40:33 > 0:40:34HE MUTTERS
0:40:42 > 0:40:43Now, that's free...
0:40:45 > 0:40:47..but my boy was heartbroken once he got in the car
0:40:47 > 0:40:49and he couldn't take it.
0:40:49 > 0:40:51Hopefully this will soothe the pain.
0:41:05 > 0:41:07I've got him, Wardle.
0:41:09 > 0:41:10BELL RINGS
0:41:17 > 0:41:20Have you heard anything? Has there been an arrest?
0:41:22 > 0:41:24Go home.
0:41:24 > 0:41:27Honestly, I'm not expecting anybody now. Go on.
0:41:28 > 0:41:30Nothing's going to happen tonight.
0:41:44 > 0:41:46I, um...
0:41:46 > 0:41:48I didn't take the job in HR.
0:41:49 > 0:41:50Oh.
0:41:52 > 0:41:56I'm not going to be able to afford you much longer, once this job...
0:41:56 > 0:41:57I know.
0:42:00 > 0:42:01Night.
0:42:28 > 0:42:30I'm going to be a bit late tonight.
0:42:48 > 0:42:49FLASHBULBS CLICK
0:42:53 > 0:42:56The chap they picked up on the CCTV. They never traced him.
0:42:56 > 0:42:57That's you, right?
0:43:03 > 0:43:05AMPLIFIED SOUND EFFECTS BUILD
0:43:10 > 0:43:13She said she was frightened of him.
0:43:16 > 0:43:18DISTORTED SLURPING
0:43:18 > 0:43:20LEATHER CREAKS
0:43:20 > 0:43:22Get the fuck away from me!
0:43:24 > 0:43:26BOOMING FOOTSTEPS
0:43:31 > 0:43:33HE SIGHS
0:43:35 > 0:43:37UNDERWATER DISTORTION
0:43:43 > 0:43:45BOOMING FOOTSTEPS
0:43:48 > 0:43:49DISTORTED LAUGHTER
0:44:00 > 0:44:01KNOCK ON DOOR
0:44:04 > 0:44:05Uh, hello?
0:44:11 > 0:44:12Hello?
0:44:14 > 0:44:16Oh. It's only you, John.
0:44:16 > 0:44:18Oh, were you expecting someone else?
0:44:18 > 0:44:21Maybe, yeah. But I'm glad.
0:44:21 > 0:44:23You want some pizza? There's a slice left,
0:44:23 > 0:44:25although I picked off the pepperoni.
0:44:25 > 0:44:26Uh, no, thank you!
0:44:28 > 0:44:29Take a seat.
0:44:34 > 0:44:36Just for all the hard work.
0:44:36 > 0:44:38Tracking down Jonah Agyeman was quite a result.
0:44:39 > 0:44:41That's really generous.
0:44:44 > 0:44:45Um...
0:44:45 > 0:44:47Marsha told me you visited today.
0:44:47 > 0:44:49I was a little surprised, to be honest.
0:44:49 > 0:44:51- More?- No, thank you.
0:44:52 > 0:44:56Yeah, I-I got called out to visit a potential client in Richmond -
0:44:56 > 0:44:59but it turned out they didn't exist.
0:45:01 > 0:45:03Yeah.
0:45:03 > 0:45:05I got my secretary to do that.
0:45:05 > 0:45:08I'm sorry, John, I needed you out of the way for a bit.
0:45:08 > 0:45:09JOHN SCOFFS
0:45:09 > 0:45:13I have some distressing news regarding Tony Landry.
0:45:16 > 0:45:18He knows you killed Lula.
0:45:19 > 0:45:22- I'm sorry? - He knows you killed Lula.
0:45:23 > 0:45:26He might not admit it to himself, but...
0:45:26 > 0:45:28deep down, he knows.
0:45:28 > 0:45:31It's impossible to know something that isn't true.
0:45:34 > 0:45:36On the day Lula died...
0:45:38 > 0:45:40..you visited her flat.
0:45:41 > 0:45:43You were furious she'd found Jonah.
0:45:47 > 0:45:49You left.
0:45:49 > 0:45:51You went downstairs...
0:45:51 > 0:45:53but you didn't leave the building.
0:46:05 > 0:46:08They were preparing the flat for Deeby Macc's arrival.
0:46:13 > 0:46:14That helped you with a few props...
0:46:17 > 0:46:20FAINT CONVERSATION
0:46:35 > 0:46:38..the flowers and the clothes for your getaway.
0:46:45 > 0:46:48I don't know when you decided to kill you sister.
0:46:48 > 0:46:50Just as I'll never know the exact moment you decided
0:46:50 > 0:46:54to push your brother over the edge of a quarry all those years before -
0:46:54 > 0:46:56but you did decide...
0:46:56 > 0:46:58and then you went back.
0:47:06 > 0:47:08SHE SIGHS
0:47:15 > 0:47:17I-I-I'm very sorry,
0:47:17 > 0:47:20I'm not awfully good at the kind of scornful denial
0:47:20 > 0:47:23which I assume is my job here. I-I'm just...
0:47:23 > 0:47:26I... I-I-I'm really disappointed.
0:47:26 > 0:47:27Open it.
0:47:30 > 0:47:33That's what you've been looking for, isn't it?
0:47:33 > 0:47:36It was in the Some handbag that your mother took from Lula's flat.
0:47:36 > 0:47:41You didn't know about the detachable linings, though, did you?
0:47:41 > 0:47:43Been under your nose all this time.
0:47:44 > 0:47:47Rochelle knew of its existence, obviously.
0:47:47 > 0:47:50- That's why you killed her. - I've never met her!
0:47:50 > 0:47:53Then why did your sat nav prompt her address when we entered it?
0:47:56 > 0:47:59Rochelle wasn't such a good friend to Lula.
0:47:59 > 0:48:01She decided to blackmail you over the will.
0:48:01 > 0:48:03Of course, she had no idea what you were capable of.
0:48:03 > 0:48:05What you'd already done.
0:48:08 > 0:48:10FAINT ARGUING
0:48:10 > 0:48:14Lula told you all about the will in your second argument...
0:48:14 > 0:48:15and that sealed her fate.
0:48:22 > 0:48:26It all went to Mum. Lula died intestate. I inherited nothing!
0:48:26 > 0:48:30Yeah, but you will when your mother dies, which won't be long...
0:48:30 > 0:48:31HE GASPS
0:48:31 > 0:48:34..but I think money was always a secondary motive.
0:48:34 > 0:48:35To envy.
0:48:40 > 0:48:42This is the bell from Charlie's bike, isn't it?
0:48:42 > 0:48:46The one he was riding when he fell into the quarry.
0:48:46 > 0:48:49First your brother Charlie...
0:48:49 > 0:48:50then Lula -
0:48:50 > 0:48:53and you hired me to help you frame Jonah.
0:48:53 > 0:48:54I have some sympathy for you here,
0:48:54 > 0:48:57with your mother's... endless categorising.
0:48:57 > 0:49:01The handsome one, the clever one, the funny one.
0:49:01 > 0:49:03You were always just the second one.
0:49:03 > 0:49:05- HE SCOFFS - Oh, please!
0:49:05 > 0:49:07Anything but the cod psychology.
0:49:07 > 0:49:10No, fine, sure. I'm not a big one for motive, actually,
0:49:10 > 0:49:12although jurors are suckers for it.
0:49:12 > 0:49:15Let's stick with what we actually know.
0:49:15 > 0:49:17Tony always suspected you of involvement in Charlie's death,
0:49:17 > 0:49:20and tried to stop your parents adopting again
0:49:20 > 0:49:23- because he was frightened for Lula. - And he told you that, did he?
0:49:23 > 0:49:25He was nowhere near your house that night.
0:49:25 > 0:49:27First, that made me suspicious,
0:49:27 > 0:49:29but then I realised that you giving him an alibi
0:49:29 > 0:49:32meant that he was effectively giving one to you.
0:49:32 > 0:49:34Tony Landry is a weak-willed coward...
0:49:36 > 0:49:38..but he's not a murderer.
0:49:38 > 0:49:40You are.
0:49:47 > 0:49:49We're done here.
0:49:54 > 0:49:56Your mother's a dead junkie,
0:49:56 > 0:49:59your father doesn't even want to know you exist,
0:49:59 > 0:50:02you're in debt up to your eyeballs,
0:50:02 > 0:50:04and you live in your office eating junk food.
0:50:07 > 0:50:10- Good luck taking that the police. - I already have.
0:50:10 > 0:50:13You should know, by the way, that leather is porous.
0:50:13 > 0:50:16It doesn't prevent the transmission of forensic evidence -
0:50:16 > 0:50:17it's a common mistake -
0:50:17 > 0:50:21but it actually just causes criminals to sweat,
0:50:21 > 0:50:24especially when they're as hyped up as you were that night.
0:50:24 > 0:50:27You're going to prison for two murders, John.
0:50:27 > 0:50:29Should be three, of course.
0:50:35 > 0:50:38John, you know it's over.
0:50:38 > 0:50:40GLASS CLINKS, HE GROANS
0:50:40 > 0:50:42HE GASPS
0:50:44 > 0:50:46HE GROWLS
0:50:46 > 0:50:48THUDDING
0:50:48 > 0:50:49HE YELLS
0:50:52 > 0:50:54THUD
0:50:58 > 0:50:59HE GROANS
0:51:03 > 0:51:05YELLING
0:51:09 > 0:51:11MUFFLED FIGHTING
0:51:11 > 0:51:12Cormoran?
0:51:12 > 0:51:14THUD
0:51:16 > 0:51:18- Cormoran?- Get out!
0:51:18 > 0:51:21SHE SHRIEKS
0:51:24 > 0:51:26HE GROANS
0:51:28 > 0:51:30HE GROANS
0:51:34 > 0:51:36Cormoran?
0:51:36 > 0:51:39Cormoran, stop! Stop, stop it! Stop...
0:51:39 > 0:51:40HE GASPS
0:51:42 > 0:51:44- GASPING - Fuck.
0:51:44 > 0:51:47You're really bleeding. I'll call an ambulance.
0:51:49 > 0:51:50And a taxi.
0:51:52 > 0:51:54I'm not travelling with that bastard.
0:52:42 > 0:52:44I was sorry to hear about Lady Bristow.
0:52:44 > 0:52:46It was time.
0:52:46 > 0:52:48It was very peaceful.
0:52:50 > 0:52:53So, why did you want to see me?
0:52:53 > 0:52:56Before she died, my sister and I agreed that we would respect
0:52:56 > 0:53:00- Lula's wishes with regard to Jonah Agyeman...- OK.
0:53:00 > 0:53:04..and we'll also pay any outstanding fees or expenses due to you.
0:53:04 > 0:53:05Thank you.
0:53:07 > 0:53:09I fear you have a low opinion of me, Mr Strike.
0:53:12 > 0:53:16I never knew for certain what happened with John and Charlie...
0:53:16 > 0:53:18when they were at the quarry that day.
0:53:18 > 0:53:21You were anxious enough to try and stop them adopting Lula.
0:53:21 > 0:53:24So, imagine what would have happened if I'd told Yvette
0:53:24 > 0:53:26that he might also have killed Lula.
0:53:26 > 0:53:28Imagine what that would have done to her.
0:53:28 > 0:53:32She never really got over Charlie's death, and...
0:53:32 > 0:53:33she was dying herself.
0:53:43 > 0:53:44Families.
0:53:44 > 0:53:46- Yeah.- Yeah.
0:53:59 > 0:54:01Yes, of course, I'll make sure I pass that on.
0:54:01 > 0:54:03Thank you very much. Bye.
0:54:03 > 0:54:06- SHE SIGHS - Phone hasn't stopped ringing.
0:54:11 > 0:54:12Thank you.
0:54:37 > 0:54:39I know what it cost, remember?
0:54:39 > 0:54:41Think of it as a bonus.
0:54:46 > 0:54:48I never did tell you.
0:54:48 > 0:54:50Tell me what?
0:54:51 > 0:54:53What it was that I wanted to say
0:54:53 > 0:54:56the night that John Bristow attacked you.
0:55:00 > 0:55:03I'm tired of pointless interviews.
0:55:03 > 0:55:05I like it here.
0:55:07 > 0:55:09Well, Tony Landry kept his promise and paid up.
0:55:09 > 0:55:11I've cleared my debts.
0:55:12 > 0:55:13So...
0:55:20 > 0:55:24- Can we make this permanent?- Yeah.
0:55:24 > 0:55:27You might be waiting a while for a pay rise.
0:55:27 > 0:55:28That's fine!
0:55:30 > 0:55:31All right, then.
0:55:32 > 0:55:34PHONE RINGS
0:55:34 > 0:55:35Ooh.
0:55:35 > 0:55:37Cormoran Strike's office.
0:55:39 > 0:55:41Well, we're pretty busy, at the moment,
0:55:41 > 0:55:44but if you give me your contact details, then I'll...
0:55:50 > 0:55:51Uh-huh.
0:55:51 > 0:55:53HE SIGHS
0:55:53 > 0:55:54OK, thank you very much.
0:55:59 > 0:56:02MUSIC: Ooh La La by the Faces
0:56:17 > 0:56:22# Poor old Grandad I laughed at all his words
0:56:22 > 0:56:29# I thought he was a bitter man He spoke of women's ways
0:56:29 > 0:56:33# They'll trap you and they'll use you
0:56:33 > 0:56:35# Before you even know
0:56:35 > 0:56:39# For love is blind and you're far too kind
0:56:39 > 0:56:41# Don't ever let it show
0:56:41 > 0:56:48# I wish that I knew what I know now when I was younger
0:56:48 > 0:56:55# I wish that I knew what I know now when I was younger... #
0:56:59 > 0:57:01Owen Quine.
0:57:01 > 0:57:03He's a very famous and good novelist.
0:57:03 > 0:57:05Owen has written a very thinly disguised slandering
0:57:05 > 0:57:07of the people who've tried to help him.
0:57:07 > 0:57:12It is a nasty little allegory that deserves nothing but burning.
0:57:12 > 0:57:14Have you read it?
0:57:14 > 0:57:15What do you want from me?
0:57:15 > 0:57:18You're getting married to someone who hates you doing this.