0:00:02 > 0:00:04# World, shut your mouth Shut your mouth... #
0:00:04 > 0:00:07It's your family. You're all so intense. I can't see you again.
0:00:07 > 0:00:08Blake finished with me.
0:00:08 > 0:00:10I've got a reading week so I thought I'd go
0:00:10 > 0:00:11and stay with my dad for a bit.
0:00:11 > 0:00:13How is he autistic? I don't understand.
0:00:13 > 0:00:16Right, no-one uses that word. If we label him now, it's over.
0:00:16 > 0:00:19What do you think about that, then, eh, Joe?
0:00:19 > 0:00:21Standing on top of the world.
0:00:21 > 0:00:25- The first ten years, everything was Ralph.- Joe isn't Ralph.
0:00:25 > 0:00:28The morning-after pill? Why did you do it behind my back?
0:00:28 > 0:00:29I don't want another child.
0:00:29 > 0:00:31- Except I do.- We have Joe.
0:00:31 > 0:00:33He makes everything different.
0:00:33 > 0:00:36- Then there will never be a right time, will there?- No.
0:00:39 > 0:00:41WIND HOWLS
0:00:43 > 0:00:50This programme contains some strong language
0:01:11 > 0:01:12- Hey, Joe. - ENGINE STARTS
0:01:32 > 0:01:33DOOR CLOSES
0:01:44 > 0:01:45Someone's keen.
0:01:45 > 0:01:47Says the man who slept here all night.
0:01:49 > 0:01:50Are we ready?
0:01:55 > 0:01:56We will be.
0:02:03 > 0:02:05PHONE RINGS
0:02:11 > 0:02:13OK, you're not picking up, I get it,
0:02:13 > 0:02:16but we'll be there as soon as we can with the flowers so...
0:02:16 > 0:02:18you can't avoid me forever.
0:02:18 > 0:02:19HORN BEEPS
0:02:21 > 0:02:23You'll be knackered. I love you.
0:02:24 > 0:02:27Right, shall we get you ready? Come on, then.
0:03:05 > 0:03:07Happy?
0:03:07 > 0:03:10Well, let's not get ahead of ourselves, shall we?
0:03:10 > 0:03:14I'm not sure we agreed on the Santa's Grotto, did we?
0:03:14 > 0:03:16Or is that another line in the budget that you added
0:03:16 > 0:03:17while I wasn't looking?
0:03:19 > 0:03:21Yes, Gary, I know.
0:03:21 > 0:03:24Got 100 things to do, but let me just have this moment, eh?
0:03:24 > 0:03:27101, mate. Pot washer called in sick.
0:03:27 > 0:03:28HE SIGHS
0:03:28 > 0:03:29MOTOR WHIRS
0:03:40 > 0:03:44- Terry?- I want her looking her best for her special day.
0:03:44 > 0:03:46You're not opening up today. You're needed up the hill.
0:03:46 > 0:03:50- But Alison said we were. Did she not tell you?- No.
0:03:50 > 0:03:54- Not exactly on speaking terms at the minute.- Oh, right.
0:03:54 > 0:03:57Hopefully that's nothing you want to talk about, is it?
0:03:57 > 0:04:00I hope you're getting a move on, Joe.
0:04:09 > 0:04:12Hey, what are you doing in Becky's room?
0:04:12 > 0:04:15Hey. The sooner we get you ready,
0:04:15 > 0:04:17the sooner you will see Becky
0:04:17 > 0:04:19and your dad. Come on. Go, go, go.
0:04:35 > 0:04:38Look at this. Look at this, hey? You little lovely.
0:04:38 > 0:04:41You are so lucky, aren't you? Isn't this a cool-looking...?
0:04:41 > 0:04:43Becky, just leave her alone, will you?
0:04:43 > 0:04:47- If you ignore her for long enough, she'll go back to sleep.- Hi. Hi.
0:04:47 > 0:04:51- Jesus Christ.- Bye, lovely sister. I'll see you next Saturday, won't I?
0:04:51 > 0:04:55- Yeah? Yes, I will. Won't I? Eh? - Er...
0:04:55 > 0:04:57Rebecca, love...
0:04:57 > 0:05:01next Saturday is probably not going to be great for us.
0:05:01 > 0:05:02SHE MOUTHS
0:05:02 > 0:05:07When you've got a new baby in the house...
0:05:07 > 0:05:10it's just, well, if people turn up without warning,
0:05:10 > 0:05:12it just can be a bit...
0:05:12 > 0:05:14You know?
0:05:14 > 0:05:16People. Yeah, I get it. I'm people.
0:05:17 > 0:05:19Come on, Becks, don't be like that.
0:05:19 > 0:05:21You know how I'm fixed.
0:05:21 > 0:05:23I've got four kids and a missus who's mainlining hormones.
0:05:23 > 0:05:26You've got five kids, Dad. Five.
0:05:27 > 0:05:31I didn't mean it like that. OK? Look, I'm not saying don't come.
0:05:31 > 0:05:33I'm not. I'm not. I'm just saying...
0:05:39 > 0:05:42I bet they need you at home, though, eh? With that brother of yours.
0:05:42 > 0:05:46No, not really. He's just a kid. Normal kid.
0:05:49 > 0:05:50DOOR CLOSES
0:05:54 > 0:05:57- Thanks for dropping her off, Stewart.- No worries, Paul.
0:05:57 > 0:06:02- Hey, good luck with the... - Yeah, it's looking good, eh?
0:06:02 > 0:06:04ENGINE STARTS
0:06:04 > 0:06:07You're more than welcome to come in for a drink and a bite to eat.
0:06:07 > 0:06:09- All three, for gratis, for nothing. - Not really, bit of a rush.
0:06:09 > 0:06:10Right, good.
0:06:17 > 0:06:20Can you do me a favour today, love?
0:06:20 > 0:06:22Can you keep an eye on Joe?
0:06:22 > 0:06:25And if he's, you know, being a bit...
0:06:25 > 0:06:28like, you know, just calm him down a little bit or maybe bring him
0:06:28 > 0:06:29out here for a bit of a play.
0:06:29 > 0:06:32Yeah, if he's embarrassing us I'll lock him in a cupboard somewhere.
0:06:32 > 0:06:34No, come on - I didn't mean that, and you know it.
0:06:34 > 0:06:38Why is it that parents always worry about their kids showing them up
0:06:38 > 0:06:40when actually they are the embarrassing ones?
0:06:40 > 0:06:42So, what do you need me for? Sous chef?
0:06:42 > 0:06:43Sort of.
0:06:43 > 0:06:45Um, couple of things, mate.
0:06:45 > 0:06:47Never walk backwards in a kitchen,
0:06:47 > 0:06:49and if you're carrying something behind people,
0:06:49 > 0:06:50you always yell "backs".
0:06:50 > 0:06:52- Backs.- Backs.
0:06:52 > 0:06:53I'm liking it, Terry - quick on the uptake.
0:06:53 > 0:06:55You'll be a chief potwasher in no time.
0:06:55 > 0:06:57I'm actually a fully qualified barista, mate.
0:06:57 > 0:06:59Online course, but even so.
0:06:59 > 0:07:00- Paul.- Yeah.
0:07:00 > 0:07:02You're going to have to ring the suppliers about these leaves.
0:07:02 > 0:07:05- What's wrong with them?- I've seen more life in a pharaoh's dick.
0:07:05 > 0:07:08Remind me why they turned you down for Saturday Kitchen again, Gary.
0:07:10 > 0:07:13So, what do you want to talk about first?
0:07:13 > 0:07:15You sleep in here last night?
0:07:15 > 0:07:17Were you ignoring my calls this morning?
0:07:17 > 0:07:19How about ice and lemon? Hmm?
0:07:19 > 0:07:21It's the little things you forget, isn't it?
0:07:21 > 0:07:22- Well, Gary doesn't mind, do you, Gary?- Mm.
0:07:22 > 0:07:24I'm sure he's heard worse.
0:07:24 > 0:07:27Have you any idea what temperature Eddie's keeping this Indian pale ale?
0:07:27 > 0:07:30One degree either way and it tastes like Tonto's headband.
0:07:30 > 0:07:32Why don't you ask Eddie, Maurice?
0:07:32 > 0:07:35I would - but he's only just coming down from his call.
0:07:35 > 0:07:37Must be an important one, eh, Nicola,
0:07:37 > 0:07:39to get our Eddie going up a fell in two feet of snow?
0:07:39 > 0:07:41Well, unless he comes with the Ten Commandments,
0:07:41 > 0:07:43then he's due a bollocking.
0:07:43 > 0:07:45Joe's going to be here the whole time, is he?
0:07:45 > 0:07:46Do you think that's wise?
0:07:46 > 0:07:48- See, it's you I'm worried about, Maurice.- Oh!
0:07:48 > 0:07:52- Are you going to leave it like this?!- Not liking the Hacienda vibe, Dad?
0:07:52 > 0:07:53Don't worry, we've got a velvet rope.
0:07:53 > 0:07:56Rebecca, I want one of each colour in each vase,
0:07:56 > 0:07:57and then a vase on each table.
0:07:57 > 0:07:59All right? Joe can give you a hand.
0:07:59 > 0:08:00This floor intentional?
0:08:00 > 0:08:02It's like the unfinished look.
0:08:02 > 0:08:04- It's not a criticism.- It never is.
0:08:04 > 0:08:06At last.
0:08:06 > 0:08:08I just thought it was a feature, you know?
0:08:08 > 0:08:09Modern.
0:08:09 > 0:08:12I wonder why you say "modern" like other people say "sewage".
0:08:12 > 0:08:14This floor's going to come up brilliant, mate -
0:08:14 > 0:08:16thematically consistent.
0:08:16 > 0:08:19Yeah - if the theme is "we need to open before we run out of money".
0:08:19 > 0:08:21Joe could get up here no problem. I'm just saying.
0:08:21 > 0:08:23Well, he's not up there, is he, Maurice? You are.
0:08:23 > 0:08:26And if you come through that floor, I'll bury you where you
0:08:26 > 0:08:28stand, dead or alive.
0:08:28 > 0:08:30- GLASS SMASHES - Oh...
0:08:30 > 0:08:31OK, OK, don't panic.
0:08:31 > 0:08:35- Oh, you're all right.- Don't panic - Rebecca, dustpan and brush.
0:08:35 > 0:08:36Ohh - all right?
0:08:36 > 0:08:38You all right?
0:08:38 > 0:08:40- Joe?- Right, come here.
0:08:40 > 0:08:43You stand here like a soldier, and when somebody gives you a glass,
0:08:43 > 0:08:45bring it to the bar. OK?
0:08:45 > 0:08:48Dad, he doesn't need supervising, he was just excited to see
0:08:48 > 0:08:50Rebecca again - he'll be fine.
0:08:51 > 0:08:53TRAY CLATTERS
0:08:53 > 0:08:55It's all right - it's all right, it's all right.
0:08:55 > 0:08:57Oh, I brought that dress I got you - that you never wear.
0:08:57 > 0:09:00Hey, why don't you see what your grandad's doing, eh?
0:09:00 > 0:09:02Don't look like that - it looks lovely on you.
0:09:02 > 0:09:04You can change in the loo. Go on.
0:09:04 > 0:09:06That's it.
0:09:06 > 0:09:07Phew!
0:09:12 > 0:09:14Bloody hell, it's freezing in here.
0:09:14 > 0:09:18Yeah - I'll put the heating on when the punters arrive, all right?
0:09:19 > 0:09:21DOOR CLOSES
0:09:21 > 0:09:22Right...
0:09:22 > 0:09:24- Finger-food preview.- Mm!
0:09:24 > 0:09:26Cod brandade with squid in crackers,
0:09:26 > 0:09:31- and a pine nut and cucumber granitas.- Mm!
0:09:31 > 0:09:33Have you got anything that's actually looked over a fence?
0:09:33 > 0:09:35HE SIGHS
0:09:35 > 0:09:37Are you getting them, Dad? The lemony notes?
0:09:37 > 0:09:40What's it matter to you? You're leaving, anyway.
0:09:41 > 0:09:42He's changed his mind.
0:09:42 > 0:09:43Has he? Good.
0:09:43 > 0:09:45Cos this tastes better than Blondie's bathwater.
0:09:45 > 0:09:48- Eww!- Parallel Lines tour, Lancaster Town Hall.
0:09:48 > 0:09:50- Don't ask.- Ngh!
0:09:55 > 0:09:56What?
0:10:02 > 0:10:04- The phone call...- Mm-hm, what?
0:10:04 > 0:10:07They've offered me the job in Manchester...
0:10:07 > 0:10:09and...I've accepted.
0:10:11 > 0:10:13- What, sorry? Eddie, you've what?- It's exciting.
0:10:13 > 0:10:15For both of us.
0:10:15 > 0:10:18It's the right thing. I know it, and, deep down, I think you do, too.
0:10:20 > 0:10:22'Scuse me.
0:10:23 > 0:10:25Backs.
0:10:26 > 0:10:27Child.
0:10:27 > 0:10:29STOVE SIZZLES
0:10:30 > 0:10:31Joe, come on!
0:10:31 > 0:10:33Hey, hey, hey!
0:10:33 > 0:10:34What are you doing in here?
0:10:35 > 0:10:38If you see an empty glass, just fill it, yeah?
0:10:38 > 0:10:42Oh, see! Perfect! You look lovely.
0:10:42 > 0:10:44Aren't I right, Tom?
0:10:44 > 0:10:46Don't say a word.
0:10:46 > 0:10:49Right, you can either have a great launch or you can have Joe here,
0:10:49 > 0:10:51but you can't have both.
0:10:51 > 0:10:53I've got to nip out for an hour - why don't I take him with me,
0:10:53 > 0:10:55let you get up and running?
0:10:55 > 0:10:57He's part of the family, Dad - he should be here.
0:10:57 > 0:11:01Maurice, yes, that would be great. I don't think he should be here.
0:11:01 > 0:11:03Come on.
0:11:09 > 0:11:10Mm...
0:11:10 > 0:11:12Oh, there we go - hold that look.
0:11:12 > 0:11:14You won the argument.
0:11:27 > 0:11:29Ooh... It's Ralph, innit?
0:11:29 > 0:11:31I'm Maurice. This is Joe.
0:11:31 > 0:11:33Does Mum know that you were coming?
0:11:33 > 0:11:35- No. Um...- Mum!
0:11:35 > 0:11:37There's this man back again.
0:11:41 > 0:11:45Louise, er, this is Joe. Joe, this is Louise.
0:11:45 > 0:11:47Hello, Joe. Pleased to meet you.
0:11:56 > 0:12:00The gastro-pub's opening today. Soft opening, they call it -
0:12:00 > 0:12:03- when it's not finished, like.- I know.
0:12:03 > 0:12:05So, I was just wondering...
0:12:05 > 0:12:07if you fancied it - and Ralph, of course -
0:12:07 > 0:12:09there's plenty to drink, and finger food...
0:12:11 > 0:12:14..squid...crackers and, er...
0:12:14 > 0:12:17pine nuts that have been interfered with...
0:12:17 > 0:12:19I don't think so.
0:12:21 > 0:12:23There you go, Joe.
0:12:27 > 0:12:29Hey, er, lads - you'll be all right together,
0:12:29 > 0:12:32won't you, for five minutes?
0:12:32 > 0:12:34Two lads together, while me and Louise go and have a chat.
0:12:34 > 0:12:36They'll be all right, won't they?
0:12:36 > 0:12:39Doesn't sound like me that needs convincing.
0:12:40 > 0:12:41He wants to talk to you, Mum.
0:12:51 > 0:12:52MUSIC PLAYS THROUGH HEADPHONES
0:12:56 > 0:12:57CHATTER AND MUSIC
0:12:59 > 0:13:01Hi!
0:13:07 > 0:13:09Nice dress.
0:13:09 > 0:13:12Yeah - you're here with your mum, so let's leave the dress out of it.
0:13:16 > 0:13:18Who invited Luke?
0:13:18 > 0:13:20Eh? Oh...
0:13:20 > 0:13:22His mum must be on the mailing list.
0:13:22 > 0:13:24Nightmare.
0:13:24 > 0:13:25OK.
0:13:27 > 0:13:29Luke!
0:13:29 > 0:13:32Sorry, son - you're underage, and I've got my licence to think of.
0:13:32 > 0:13:34How about some squash?
0:13:42 > 0:13:44Wait, Luke, stop.
0:13:44 > 0:13:45I only came to see you -
0:13:45 > 0:13:48I didn't want to come to some poncey restaurant in the first place.
0:13:48 > 0:13:51It's a gastro-pub, not a restaurant. HE SIGHS
0:13:51 > 0:13:53No, wait, why did you want to see me?
0:13:55 > 0:13:56I wrote this for you.
0:13:58 > 0:14:01Probably won't be seeing me very much any more.
0:14:17 > 0:14:19- You were right.- About what?
0:14:19 > 0:14:21About Joe...and your lad.
0:14:21 > 0:14:24- You were right. - Oh, well, yes, I know that already.
0:14:24 > 0:14:28But I'm saying it now - and having two lads that are a bit different...
0:14:29 > 0:14:31..well, grandson in my case...
0:14:32 > 0:14:35Well, we've got that in common, for starters.
0:14:35 > 0:14:39- Maurice, you're a lovely man... - I wouldn't go that far!
0:14:39 > 0:14:41No.
0:14:41 > 0:14:45Now, I know I can go in a bit two-footed from time to time,
0:14:45 > 0:14:47and I'm not saying we're going to be cavorting
0:14:47 > 0:14:48beside of Derwentwater, you know?
0:14:48 > 0:14:52Not without a flask and knee bandages, at any rate!
0:14:52 > 0:14:56But, you know, I wouldn't mind knocking about with you.
0:14:58 > 0:15:01Maurice, when was the last time you asked a woman out?
0:15:01 > 0:15:02I didn't ask Sandra out -
0:15:02 > 0:15:06we just found ourselves snogging at a club when the lights went up.
0:15:06 > 0:15:08Mm - can't beat a bit of musical tongues.
0:15:08 > 0:15:09HE CHUCKLES
0:15:09 > 0:15:12It's like an arranged marriage with a glitter ball!
0:15:12 > 0:15:14Is that offensive to Muslims?
0:15:14 > 0:15:18- I'm not sure what you can say or not...- The thing is, Maurice,
0:15:18 > 0:15:21I can't be doing with strong emotion.
0:15:21 > 0:15:24- Right.- I've got enough of me own -
0:15:24 > 0:15:27and you strike me as a man that feels everything strongly,
0:15:27 > 0:15:30even if you're not sure what it is you're feeling.
0:15:32 > 0:15:34So, are you saying yes or no?
0:15:36 > 0:15:37- Are we...?- Maurice...
0:15:39 > 0:15:40Are we on or not?
0:15:41 > 0:15:47Maurice, I've just said no in as many ways as I can think of, and...
0:15:47 > 0:15:48- RALPH:- Mum, Mum!
0:15:55 > 0:15:58He went outside in the garden, and then Joe wasn't...
0:15:58 > 0:16:01When was this, Ralph? When did it happen?
0:16:01 > 0:16:02- When did he go outside?- Joe?!
0:16:02 > 0:16:05I don't know... I made him another drink...
0:16:05 > 0:16:07Joe!
0:16:07 > 0:16:09Joe?
0:16:09 > 0:16:11Joe!
0:16:13 > 0:16:15Joe?!
0:16:17 > 0:16:19Joe!
0:16:19 > 0:16:20Joe!
0:16:22 > 0:16:23Joe!
0:16:25 > 0:16:26Joe!
0:16:29 > 0:16:30Joe!
0:16:38 > 0:16:39Joe!
0:16:43 > 0:16:45Joe!
0:16:45 > 0:16:47Joe!
0:16:49 > 0:16:51Joe!
0:16:54 > 0:16:56Excuse me, have you seen a little lad?
0:16:56 > 0:16:58- Have you seen him?- No.
0:17:09 > 0:17:10Where did he go? Which way did he go?
0:17:10 > 0:17:12- He went outside. - I know he went outside -
0:17:12 > 0:17:14where did he go when he went outside?
0:17:14 > 0:17:16Maurice! Stop shouting at the lad, you're scaring him.
0:17:16 > 0:17:18I'll scare him if he's done anything to Joe!
0:17:18 > 0:17:22Don't you dare talk to my son like that! Get out!
0:17:22 > 0:17:24I'm sorry.
0:17:24 > 0:17:25I'm sorry, son.
0:17:25 > 0:17:27Can you just remember what happened?
0:17:27 > 0:17:29He went into the garden.
0:17:29 > 0:17:30Right - and where were you?
0:17:30 > 0:17:31In here, making a drink.
0:17:31 > 0:17:34And when you went outside, he was gone? You didn't see anything,
0:17:34 > 0:17:37- you didn't hear anything? - Just calm down. Think about it.
0:17:37 > 0:17:39Joe goes wandering off - you've said so yourself.
0:17:39 > 0:17:40Now, will he have gone back home?
0:17:40 > 0:17:43Well, not from here, I wouldn't have thought so.
0:17:43 > 0:17:45So, will he have gone back to the gastro-pub?
0:17:45 > 0:17:47You're right, he was enjoying himself.
0:17:47 > 0:17:50I'll drive to the gastro-pub - I bet that's where he is.
0:17:50 > 0:17:52Why don't you just phone Alison and ask her?
0:17:52 > 0:17:54Because he'll be there, won't he? And if he's not there,
0:17:54 > 0:17:56he'll be on the road, and she'll worry,
0:17:56 > 0:17:57and they've got enough to worry about.
0:17:57 > 0:18:00I'll find him, and...no harm done.
0:18:09 > 0:18:11It's good, isn't it?
0:18:11 > 0:18:13It's very good, yeah...
0:18:13 > 0:18:17and it was very good when Simon Armitage wrote it.
0:18:17 > 0:18:19What? No, Luke wrote it.
0:18:19 > 0:18:20Luke wrote it OUT, Rebecca.
0:18:20 > 0:18:22That isn't the same as writing it.
0:18:23 > 0:18:25No way, look...
0:18:25 > 0:18:27"But said some things and never meant them,
0:18:27 > 0:18:29"sweet nothings anybody could have mentioned,
0:18:29 > 0:18:33- "And left..."- "And left unsaid some things he should have spoken
0:18:33 > 0:18:34"about the heart,
0:18:34 > 0:18:37"where it hurts exactly, and how often."
0:18:40 > 0:18:42Someone gave that poem to me, too, once.
0:18:43 > 0:18:45Oh, right.
0:18:45 > 0:18:47Eddie?
0:18:48 > 0:18:50No. Not Eddie.
0:18:54 > 0:18:57Come to think of it, I'm not even sure this is his handwriting.
0:19:11 > 0:19:13Come on, Joe.
0:19:13 > 0:19:16Come on, son, next corner. Come on, Joe.
0:19:16 > 0:19:18Come on, son, next corner.
0:19:24 > 0:19:26Oh, and just so you know,
0:19:26 > 0:19:28I know you didn't write that poem.
0:19:28 > 0:19:29It's fake - like you.
0:19:29 > 0:19:32Like when I pretended to come, like as fake as that.
0:19:32 > 0:19:34Enjoy the rest of your life.
0:19:34 > 0:19:36Rebecca, not here, not now. Please, no phones.
0:19:36 > 0:19:39- All right, I won't be needing it ever again, anyway.- Rebecca!
0:19:47 > 0:19:49You are allowed to enjoy this, you know?
0:19:49 > 0:19:51- I'll enjoy it when we start making money.- OK, outside.
0:19:51 > 0:19:53- One minute only. - I don't have a minute.
0:19:53 > 0:19:55Honestly, I don't have the time.
0:19:55 > 0:19:57I can say it in here, or I can say it outside,
0:19:57 > 0:20:00but I'm going to say it either way.
0:20:00 > 0:20:02OK? Get your coat.
0:20:16 > 0:20:18There.
0:20:18 > 0:20:20Now...
0:20:20 > 0:20:22You and me are in the middle of 30 shades of crap right now...
0:20:22 > 0:20:24Yeah, I won't argue with that.
0:20:24 > 0:20:27..and I lied to you about the morning-after pill,
0:20:27 > 0:20:30and you lied to me about how having Joe really made you feel -
0:20:30 > 0:20:32and I hurt you...
0:20:33 > 0:20:35..and you hurt me. I know that much.
0:20:35 > 0:20:37- As far as pep talks go, love, this is right up there.- Oh, shut up!
0:20:37 > 0:20:39Before I kiss you again.
0:20:39 > 0:20:41I love you, Paul Hughes,
0:20:41 > 0:20:43and you love me.
0:20:43 > 0:20:45Maybe if I hadn't talked you out of getting that tattoo
0:20:45 > 0:20:47you wanted done in Blackpool that time,
0:20:47 > 0:20:49I wouldn't have had to say this out loud -
0:20:49 > 0:20:51I could've just pointed at that mermaid
0:20:51 > 0:20:52with our names written on her breasts
0:20:52 > 0:20:55- and you would have known what I meant.- OK.
0:20:55 > 0:20:58We can sort this out.
0:20:58 > 0:20:59All right?
0:20:59 > 0:21:00You and me.
0:21:02 > 0:21:05Do you believe me?
0:21:05 > 0:21:06Yeah. I do.
0:21:06 > 0:21:07Yeah, I do believe you -
0:21:07 > 0:21:09but that doesn't mean that this is sorted out, OK?
0:21:09 > 0:21:13I know, I know - but for now, for today...
0:21:13 > 0:21:16buck your ideas up and get back in there with a smile,
0:21:16 > 0:21:18cos we're going to make this work - all of it.
0:21:18 > 0:21:23The restaurant, me, you...
0:21:23 > 0:21:25Joe, Rebecca, all of it.
0:21:25 > 0:21:28Because we always have, and we always will.
0:21:28 > 0:21:30All right?
0:21:32 > 0:21:34Thanks, love.
0:21:36 > 0:21:38Now, get back in there and make the speech of your life.
0:21:38 > 0:21:40Oh, no! No speeches.
0:21:40 > 0:21:44MUSIC: Too Much Too Young by The Specials
0:21:44 > 0:21:46There you go.
0:21:50 > 0:21:52I don't think there's an appropriate moment to discuss this.
0:21:52 > 0:21:55Maybe not, but there's an inappropriate moment, and it's now.
0:21:55 > 0:21:56I'm late.
0:21:56 > 0:21:58Why do you want to stay?
0:21:58 > 0:22:00You don't even have a proper job,
0:22:00 > 0:22:02- and all I get is heartache and earache.- I'm late.
0:22:02 > 0:22:05For what? Thought I was the one that was supposed to be late.
0:22:05 > 0:22:07Ugh, wish I hadn't started this now.
0:22:07 > 0:22:09My period is late.
0:22:09 > 0:22:11- Your period's never late.- I know.
0:22:11 > 0:22:13That's one of the reasons I fell in love with you.
0:22:13 > 0:22:14I think I might be pregnant.
0:22:17 > 0:22:19That's why I don't want to move.
0:22:19 > 0:22:20GLASS CLINKS
0:22:20 > 0:22:23Ladies and gentlemen, can we have a bit of quiet, please,
0:22:23 > 0:22:25while mine host says a few words?
0:22:25 > 0:22:27Speech!
0:22:27 > 0:22:28Er...
0:22:28 > 0:22:30Go on, mate.
0:22:31 > 0:22:33No pressure!
0:22:35 > 0:22:38I told my wife Alison that I wouldn't be making any speeches,
0:22:38 > 0:22:41and for those of you that know her, you won't be surprised to see me
0:22:41 > 0:22:43standing here right now doing just that.
0:22:43 > 0:22:45- LAUGHTER - Er...
0:22:45 > 0:22:47So, yeah, I started with a book,
0:22:47 > 0:22:50how to start and run your own gastro-pub,
0:22:50 > 0:22:52and here we are, nine months later -
0:22:52 > 0:22:55we've got a kitchen, 20 tables and a launch.
0:22:55 > 0:22:57Still haven't read that bloody book.
0:22:57 > 0:22:59- It shows.- I know. - LAUGHTER
0:22:59 > 0:23:01Thank you, my love. Er...
0:23:01 > 0:23:02Thank you for coming.
0:23:02 > 0:23:05If I'd known the weather was going to turn out like this...
0:23:05 > 0:23:08- Hey, you haven't seen Joe? - No, I thought he was with you.
0:23:08 > 0:23:11Now, listen, if you've had a nice time, and you've enjoyed the food,
0:23:11 > 0:23:13then please tell all your mates...
0:23:13 > 0:23:16and if you haven't had a nice time, and you think the food is shite,
0:23:16 > 0:23:18then, you know, keep quiet - it's free.
0:23:18 > 0:23:20- LAUGHTER - The Fellside. Thank you.
0:23:20 > 0:23:21ALL: The Fellside!
0:23:47 > 0:23:50My lad's out there, and there's snow on the high ground
0:23:50 > 0:23:51and the forecast is shit,
0:23:51 > 0:23:54and there's people who want to get out there and get looking, what...
0:23:54 > 0:23:56why are we wasting time doing this?
0:23:56 > 0:23:58Trust me, the last thing we need
0:23:58 > 0:24:02is a posse of well-meaning mint-cakers arse-deep in snow.
0:24:02 > 0:24:06That's why my lads are just trying to get some ground rules in place.
0:24:06 > 0:24:09First thing you need to know is that most five-year-olds are found
0:24:09 > 0:24:11close by where they went missing.
0:24:11 > 0:24:15We've got four officers on foot and we've got four patrol cars
0:24:15 > 0:24:18looking in parks and streets within half a mile...
0:24:18 > 0:24:22- Right, I've heard enough, I'm going. - Hang on, Alison.- Please, love.
0:24:22 > 0:24:25Look, let's just wait till we hear from your home, OK?
0:24:25 > 0:24:29If he's not there, we can scale up - and sharpish, believe me.
0:24:29 > 0:24:30He'll have gone home, won't he?
0:24:30 > 0:24:32Course he will. I bet you, eh?
0:24:32 > 0:24:35There, that's the most recent one. I took that last week.
0:24:35 > 0:24:37Thanks.
0:24:37 > 0:24:39- Can we get that printed off? - Yeah, no problem.
0:24:46 > 0:24:48Joe?
0:24:48 > 0:24:49Joe?
0:24:49 > 0:24:51Joe?
0:24:51 > 0:24:52Joe?!
0:24:54 > 0:24:55Joe?
0:24:55 > 0:24:57Joe?
0:24:57 > 0:25:01We know what he was wearing - headphones, likely, as well.
0:25:01 > 0:25:03PHONE RINGS
0:25:03 > 0:25:04Hello.
0:25:09 > 0:25:12Yeah, well, look - just use a couple of hobby bobbies
0:25:12 > 0:25:15to search near the garages and that near the house, yeah?
0:25:15 > 0:25:17We have to tell him, you do know that, don't you?
0:25:17 > 0:25:19Did you hear what he just said? He's most likely at home.
0:25:19 > 0:25:21No, he didn't, Alison. He didn't say that.
0:25:21 > 0:25:24Just... Look, what if we tell everyone about Joe's problems now
0:25:24 > 0:25:26and then it turns out he was at home all along?
0:25:26 > 0:25:29- Look...- Just think about it - think about it for one minute.
0:25:29 > 0:25:30How would that be for him?
0:25:30 > 0:25:33He'd be the autistic kid that went missing for the rest of his life.
0:25:33 > 0:25:36Mum's right. Don't want him to be the village freak.
0:25:39 > 0:25:41Maurice, surely you agree with me.
0:25:41 > 0:25:42I don't know.
0:25:42 > 0:25:43What do you mean, you don't know?
0:25:43 > 0:25:45You always know!
0:25:45 > 0:25:47Yeah, just like you knew he'd be safe with you.
0:25:49 > 0:25:51So, er...
0:25:51 > 0:25:54You say he does do a bit of wandering off on his own?
0:25:54 > 0:25:56No, no, he doesn't go wandering off -
0:25:56 > 0:25:58he goes for a walk every morning, just near the house.
0:25:58 > 0:26:01On his own? At five years old?
0:26:01 > 0:26:03We knew where he was.
0:26:03 > 0:26:04And where was that?
0:26:04 > 0:26:06PHONE RINGS
0:26:06 > 0:26:08Sorry, guys.
0:26:12 > 0:26:13Right.
0:26:15 > 0:26:17Right, OK. Thanks.
0:26:19 > 0:26:21Joe's not at the house.
0:26:21 > 0:26:23They've searched the gardens and the outbuildings
0:26:23 > 0:26:25and nearby farm buildings.
0:26:25 > 0:26:27We'll scale our operation up,
0:26:27 > 0:26:30but I need you to talk to the volunteers
0:26:30 > 0:26:33and give them all the details you can.
0:26:33 > 0:26:35You know, medical conditions.
0:26:35 > 0:26:38You and Maurice both said he had a bit of a problem.
0:26:44 > 0:26:46With his hearing.
0:26:50 > 0:26:51Well, he's, um...
0:26:51 > 0:26:57He's a bit different to, er...other five-year-olds.
0:26:57 > 0:26:59And...
0:26:59 > 0:27:03He doesn't always do what you think a kid his age might do.
0:27:04 > 0:27:08Will you, er...tell them a bit more about that, Alison?
0:27:09 > 0:27:11Well, um...
0:27:13 > 0:27:16He might not want to talk to you, if you do find him.
0:27:17 > 0:27:20And, er...he might...
0:27:20 > 0:27:22No, he will - he will be wearing headphones,
0:27:22 > 0:27:24so shouting his name isn't...
0:27:24 > 0:27:26I mean, it will be worth a try,
0:27:26 > 0:27:28but even if he isn't wearing headphones,
0:27:28 > 0:27:29he tends to be a bit...
0:27:31 > 0:27:34..just, dreamy. So...
0:27:36 > 0:27:38..he could've gone off anywhere.
0:27:39 > 0:27:41And, um...
0:27:41 > 0:27:46Yeah, and he's not great with people talking directly to him, so...
0:27:46 > 0:27:51He's, you know, he's not just going to come running if he sees you.
0:27:51 > 0:27:54- He loves pop music. - Yeah.- A lot.- Yeah.
0:27:54 > 0:27:58So, any music that you've got on your phones or your car stereos,
0:27:58 > 0:28:02or your iPods, anything like that, just...
0:28:02 > 0:28:04Cos he feels safe with music.
0:28:04 > 0:28:07What Alison and Paul are trying to tell you is that, er...
0:28:07 > 0:28:08he's on the, um...
0:28:10 > 0:28:12..that...he's got autism.
0:28:16 > 0:28:18Is that right? He's autistic.
0:28:21 > 0:28:23Yes, Joe's on the autism spectrum.
0:28:23 > 0:28:24And what does that mean, exactly, Alison?
0:28:24 > 0:28:27You know, in terms of helping to find him.
0:28:31 > 0:28:33It means a lot of things. It means...
0:28:35 > 0:28:39The main thing is that he might not know that he's lost...
0:28:39 > 0:28:40or in danger.
0:28:40 > 0:28:43That's the difference, that's the real difference.
0:28:45 > 0:28:48Right, groups of two or more people.
0:28:48 > 0:28:52We do not want to waste time looking for you, as well.
0:28:55 > 0:28:58How long were you in the living room with Louise?
0:28:58 > 0:29:00I'd say 15 minutes.
0:29:00 > 0:29:02Maurice, Joe's missing...
0:29:02 > 0:29:06so, if you were upstairs shagging, and you're too embarrassed to say,
0:29:06 > 0:29:07you'd better get over that.
0:29:07 > 0:29:10For God's sake, we were in the living room. Why would I lie?
0:29:11 > 0:29:13Did, um...
0:29:13 > 0:29:15Did Ralph seem overfamiliar with Joe at all
0:29:15 > 0:29:17when you saw them together?
0:29:17 > 0:29:20What's this all about? All that stuff on the bus from years ago?
0:29:20 > 0:29:23We both know that's bollocks - you said it was.
0:29:23 > 0:29:25Yeah, it was, but...there's a child missing now,
0:29:25 > 0:29:27so nothing's off the table.
0:29:27 > 0:29:30Ralph did nothing wrong then, and he's done nothing wrong now.
0:29:30 > 0:29:33- Joe ran off.- He wouldn't hurt a fly!
0:29:33 > 0:29:34You KNOW that, do you?
0:29:34 > 0:29:36It's just a feeling I get about people,
0:29:36 > 0:29:37and I trust my feelings.
0:29:37 > 0:29:40Trust your feelings enough to bet Joe's life on 'em?
0:29:45 > 0:29:47Maurice?
0:29:47 > 0:29:50Maurice, you can't go shooting off up the hills on your own,
0:29:50 > 0:29:51like some tourist.
0:29:51 > 0:29:53I know these hills like the back of my hand.
0:29:53 > 0:29:54You lot can all go whistling into the wind.
0:29:54 > 0:29:56I lost him, I'll find him.
0:29:56 > 0:29:59Look, Alison doesn't really think that, Maurice!
0:29:59 > 0:30:00Oh, doesn't she? Well, I do.
0:30:15 > 0:30:18No, love, listen, it's best that you stay here for when he comes home.
0:30:18 > 0:30:21Just call me if you hear anything, anything at all.
0:30:21 > 0:30:23Yeah, of course, I will, course.
0:30:27 > 0:30:29Right, then, love, are you ready?
0:30:29 > 0:30:32I've said he's got autism because people don't understand
0:30:32 > 0:30:34if you just say he's on the spectrum.
0:30:34 > 0:30:35Good, yeah, that's great.
0:30:40 > 0:30:42Right, come on, then.
0:30:44 > 0:30:46Hang on, hang on.
0:30:49 > 0:30:50It's just boys being stupid.
0:30:51 > 0:30:55I just hope Joe understands why we did this when he's 16.
0:30:55 > 0:30:57Once on the internet, always on the internet.
0:30:57 > 0:30:59Yeah, exactly.
0:30:59 > 0:31:04Exactly, just like what Luke and his mate are writing about you.
0:31:04 > 0:31:05That's not what I was talking about, Dad.
0:31:05 > 0:31:08I'm going to kick his arse from here to Barrow-in-Furness.
0:31:08 > 0:31:10Well, that's not going to help find Joe, is it?
0:31:10 > 0:31:12Now, you listen to me, you're worth 100 of him.
0:31:12 > 0:31:15Don't you ever forget that.
0:31:15 > 0:31:18He's a piece of shit that you need to scrape off your shoe.
0:31:21 > 0:31:22Come on.
0:31:23 > 0:31:26You've got nothing to be scared of.
0:31:26 > 0:31:28The police just want to ask you some questions,
0:31:28 > 0:31:29so you can help them find Joe.
0:31:29 > 0:31:31I don't want to talk to the police.
0:31:31 > 0:31:32It won't be like last time.
0:31:32 > 0:31:34It won't. I'll knock them through.
0:31:36 > 0:31:38Ralph, you can't go hitting policemen, love.
0:31:38 > 0:31:40How long have we known each other, pal?
0:31:40 > 0:31:42I told him to stay in his garden.
0:31:42 > 0:31:46But you were here in the kitchen when he left.
0:31:46 > 0:31:47I'm telling the truth.
0:31:47 > 0:31:49I know, love, and so does Bob.
0:31:49 > 0:31:50Don't you, Bob?
0:32:03 > 0:32:08MUSIC: Mardy Bum by Arctic Monkeys
0:32:14 > 0:32:18MUSIC: Upside Down by Paloma Faith
0:32:21 > 0:32:26- THEY SING:- # Angels watching over me with smiles upon their face
0:32:26 > 0:32:29# Cos I have made it through this far... #
0:32:29 > 0:32:31Joe!
0:32:31 > 0:32:34MUSIC: Going Underground by The Jam
0:32:34 > 0:32:35Joe!
0:32:37 > 0:32:39Joe!
0:32:39 > 0:32:40Come on, fella!
0:32:43 > 0:32:45Turn that up, turn that up.
0:32:52 > 0:32:55# Going underground, underground
0:32:57 > 0:32:58# Underground... #
0:33:03 > 0:33:05SHE SIGHS
0:33:11 > 0:33:12Joe!
0:33:17 > 0:33:19Joe! Come on, son!
0:33:36 > 0:33:39Stupid, stupid, stupid!
0:33:48 > 0:33:51# Lost your love of life
0:33:51 > 0:33:53# Too much apple pie
0:33:55 > 0:33:57# Oh, have you lost your love of life?
0:33:58 > 0:34:00# Too much apple pie
0:34:02 > 0:34:05# Now Charlie's walked away
0:34:05 > 0:34:07# With Johnny's wife. #
0:34:09 > 0:34:11Joe!
0:34:11 > 0:34:12Joe!
0:34:15 > 0:34:17Joe!
0:34:20 > 0:34:24MUSIC: The Story Of The Blues by The Mighty Wah
0:34:24 > 0:34:30# Here in my bucket I've got the story of the blues...
0:34:36 > 0:34:40# Cos it could be front-page news. #
0:35:01 > 0:35:02SHE SIGHS
0:35:42 > 0:35:43Joe!
0:36:21 > 0:36:26MUSIC: Don't You Want Me by The Human League
0:36:30 > 0:36:32Joe!
0:36:36 > 0:36:38Joe!
0:36:48 > 0:36:50Joe!
0:36:54 > 0:36:56What is it?
0:36:56 > 0:36:58What is it? What have you heard? Have they found him?
0:36:58 > 0:37:01Nothing yet, I just thought you might want somebody with you.
0:37:01 > 0:37:03Half the town's out looking for him
0:37:03 > 0:37:05and there's something I want to tell you.
0:37:10 > 0:37:11What do you...?
0:37:13 > 0:37:16What do you think of Ralph?
0:37:16 > 0:37:19Ralph, he's the lollipop man, I see him every day. Why?
0:37:19 > 0:37:20Why are you asking me about Ralph?
0:37:20 > 0:37:23I don't know, he was the last person to see Joe.
0:37:24 > 0:37:27And he's Down's, so that means he's suspicious, does it?
0:37:27 > 0:37:30No, not at all, it's just something Bob Herd mentioned,
0:37:30 > 0:37:32well, reminded me of, really.
0:37:32 > 0:37:35Something or nothing, but if I didn't tell you and you heard
0:37:35 > 0:37:37- the rumours from somebody else... - What? What?
0:37:37 > 0:37:39What rumours? What's Ralph supposed to have done?
0:37:39 > 0:37:44Years back, a couple of bullies said he touched a girl's leg on the bus.
0:37:44 > 0:37:46He was interviewed by the police.
0:37:46 > 0:37:49There was nothing come of it, you know.
0:37:49 > 0:37:53The lads admitted they were lying, you know, to wind Ralph up.
0:37:53 > 0:37:54They're a pair of scumbags.
0:37:56 > 0:37:59So, you've just told me that Ralph was accused of something
0:37:59 > 0:38:01that he hadn't done a long time ago.
0:38:01 > 0:38:02I don't...
0:38:02 > 0:38:04What am I supposed to do with that?
0:38:04 > 0:38:06Why would...?
0:38:06 > 0:38:07Why are you telling me this?!
0:38:07 > 0:38:09Because if, God forbid, something has happened to Joe...
0:38:09 > 0:38:12Because God forbid that you might just feel a bit guilty
0:38:12 > 0:38:13that Joe went missing on your watch!
0:38:13 > 0:38:16There's no "might just" about it.
0:38:17 > 0:38:19Ralph can't speak up for himself,
0:38:19 > 0:38:21you might want to just think about that.
0:38:22 > 0:38:24Oh, God. Can you just stay here?
0:38:24 > 0:38:26Because someone has to be here in case Joe comes home.
0:38:26 > 0:38:28Where are you going?
0:38:58 > 0:39:00It's just a precaution at this stage.
0:39:13 > 0:39:18Oh, it's stupid. I just thought I'd...
0:39:18 > 0:39:20I thought if I saw the police, I would know where he went,
0:39:20 > 0:39:22- like, by magic or something. - I get that.
0:39:26 > 0:39:28Ralph, hiya.
0:39:29 > 0:39:32Look, you know you're not in trouble, don't you?
0:39:32 > 0:39:34Not with me and not with Joe's dad.
0:39:36 > 0:39:40But if you remember anything, just anything, anything Joe said,
0:39:40 > 0:39:42anything that you said...
0:39:43 > 0:39:44Ralph?
0:39:47 > 0:39:49Hey, come and sit down.
0:39:53 > 0:39:57- I don't like Inspector Herd very much. Do you?- No.
0:39:57 > 0:39:58- I don't like him.- Yeah.
0:40:00 > 0:40:03Was there anything that happened, Ralph? Was...
0:40:03 > 0:40:05Like, not on purpose.
0:40:05 > 0:40:06But...
0:40:06 > 0:40:08Were you playing a game?
0:40:09 > 0:40:12- Maybe just get a bit mixed up? - Alison...
0:40:12 > 0:40:15Ralph hasn't done anything to Joe.
0:40:15 > 0:40:18He didn't do anything to Joe.
0:40:19 > 0:40:20He's honest.
0:40:20 > 0:40:23Too honest, if anything.
0:40:23 > 0:40:24Now, I know you want to talk to him,
0:40:24 > 0:40:27and I get that, really, but that's enough.
0:40:27 > 0:40:29As one mum to another, I am telling you
0:40:29 > 0:40:31he's had enough.
0:40:31 > 0:40:33Got to ask you this...
0:40:33 > 0:40:35Somebody said there was, like...
0:40:36 > 0:40:39..like, a misunderstanding a few years back.
0:40:39 > 0:40:41He was on a bus or something...?
0:40:41 > 0:40:45God, that bastard Bob Herd told you that, did he?
0:40:45 > 0:40:47A misunderstanding?
0:40:47 > 0:40:51That boy was bullied, he was lied about, he was the victim.
0:40:51 > 0:40:52Did Bob Herd tell you that?
0:40:52 > 0:40:55I'm sorry, I've just got to find Joe. I feel like I'm the only person
0:40:55 > 0:40:58that can find him. SHE INHALES SHARPLY
0:40:59 > 0:41:03I know that, and I know you're in hell right now...
0:41:03 > 0:41:05but Ralph doesn't know anything.
0:41:09 > 0:41:11WATER LAPS
0:41:15 > 0:41:16Joe?!
0:41:26 > 0:41:28FROM PHONE: What Do I Get by The Buzzcocks
0:41:28 > 0:41:29Joe?!
0:41:32 > 0:41:35# I just want a lover like any other
0:41:35 > 0:41:36# What do I get?... #
0:41:36 > 0:41:38ALISON: Paul?
0:41:38 > 0:41:39Paul?
0:41:39 > 0:41:40Come here.
0:41:43 > 0:41:46I just thought, you know, places that we'd been.
0:41:46 > 0:41:47Yeah, I know, me too.
0:41:47 > 0:41:50I was looking at his things. I was looking at his pictures,
0:41:50 > 0:41:54and his writing, and his terrible, terrible colouring-in and I just...
0:41:54 > 0:41:56- If we find him... - When we find him, Alison.
0:41:56 > 0:41:58WHEN we find him. "When", not "if".
0:41:58 > 0:42:01If I find him, I don't want to change anything about him any more.
0:42:02 > 0:42:06I just want him back. I want Joe.
0:42:06 > 0:42:09- Joe, as he is.- We'll find him.
0:42:10 > 0:42:12- You remember the last thing that you said to him?- Don't do this.
0:42:12 > 0:42:15- Don't do this now.- Can't remember the last thing I said to him,
0:42:15 > 0:42:18and I think that I was short with him, and I just want him back.
0:42:18 > 0:42:20I want our lovely little boy.
0:42:20 > 0:42:21Come here.
0:42:22 > 0:42:25We'll find him. I promise you, we'll find him.
0:42:25 > 0:42:27- OK? I promise. - SHE SOBS
0:42:27 > 0:42:29- MOBILE RINGS - Wait a minute.
0:42:29 > 0:42:31Hello?
0:42:34 > 0:42:36CHATTER ON POLICE RADIO
0:42:37 > 0:42:39- Bob?- This must have been where
0:42:39 > 0:42:41he was coming every day.
0:42:41 > 0:42:43Look at that stuff he found.
0:42:44 > 0:42:47Our lads missed it on the first sweep.
0:42:47 > 0:42:50- Your sister-in-law found it. - This is new.
0:42:50 > 0:42:52He only had this this morning. He's been here.
0:42:52 > 0:42:54- Are you sure, Alison?- Yeah.
0:42:54 > 0:42:56- There's loads of those toys around. - No, no,
0:42:56 > 0:42:58because he wouldn't normally go for something like this.
0:42:58 > 0:43:01It's only because Rebecca gave it to him this morning...
0:43:01 > 0:43:03and she'd been away...
0:43:03 > 0:43:04and he missed her.
0:43:09 > 0:43:10Right, OK.
0:43:11 > 0:43:12So what now, Bob?
0:43:14 > 0:43:16We focus on this area.
0:43:16 > 0:43:17We focus all our resources down here.
0:43:17 > 0:43:20What fucking resources, though, Bob? I've seen about three coppers.
0:43:20 > 0:43:22Come here. Come on, come on.
0:43:22 > 0:43:24- Shh.- No, but when you see this on the news there's hundreds -
0:43:24 > 0:43:26where is everybody?
0:43:26 > 0:43:27Look...
0:43:27 > 0:43:30with it being this close to the water, and with him being missing
0:43:30 > 0:43:32for this amount of time,
0:43:32 > 0:43:34we're getting the underwater team in.
0:43:44 > 0:43:46(I can't...)
0:44:03 > 0:44:06# Hashtag trophy Hashtag trophy... #
0:44:08 > 0:44:09What are you doing?
0:44:09 > 0:44:12What everybody's doing - trying to help find your brother.
0:44:12 > 0:44:14We saw on your Facebook that he was missing.
0:44:14 > 0:44:16Oh, yeah, you've been really busy online, haven't you?
0:44:16 > 0:44:19My dad was well impressed.
0:44:19 > 0:44:21- Is there a reward? - Yeah, a brain.
0:44:21 > 0:44:23I'd go for it, if I were you.
0:44:23 > 0:44:25You just parked. Like, what use is that?
0:44:25 > 0:44:27He doesn't even like this kind of music.
0:44:27 > 0:44:30All right. All right, sister.
0:44:30 > 0:44:31Well, drive.
0:44:31 > 0:44:33ENGINE ROARS, TYRES SQUEAL
0:44:35 > 0:44:38The sort of prick who gives pricks a bad name.
0:44:41 > 0:44:43# Hashtag Trophy Hashtag trophy... #
0:44:45 > 0:44:47- Should we turn back and get him? - HE SCOFFS
0:44:47 > 0:44:50Don't know how you put up with her for so long, you know what I mean?
0:44:50 > 0:44:53Her mouth is the only reason I'm not making a move there myself.
0:44:53 > 0:44:55She's all right.
0:44:55 > 0:44:57In the dark, maybe.
0:44:57 > 0:44:59If you're deaf.
0:44:59 > 0:45:00Shut up, will you?
0:45:00 > 0:45:02But it's not as though... You know what I mean,
0:45:02 > 0:45:05once you've boned her, it's like, right - what have you got to talk about?
0:45:07 > 0:45:10- HE SNIFFS - Anything, really.
0:45:10 > 0:45:11Anything at all.
0:45:13 > 0:45:15- Stop, stop, stop!- What?
0:45:15 > 0:45:17- Pull over. Just pull over here. - Why?
0:45:17 > 0:45:19- Just pull over. - Where are you going?
0:45:19 > 0:45:20Just stay here - just wait.
0:45:20 > 0:45:22Luke?
0:45:31 > 0:45:33HE PANTS
0:45:35 > 0:45:36Joe?
0:45:40 > 0:45:41Are you all right, Joe?
0:45:44 > 0:45:46A-Are you all right?
0:46:01 > 0:46:03It so definitely is.
0:46:03 > 0:46:04Joe?
0:46:04 > 0:46:06Joe!
0:46:06 > 0:46:08Oh, my boy!
0:46:08 > 0:46:09My boy.
0:46:09 > 0:46:11Let me look at ya.
0:46:11 > 0:46:13Oh, let me just look at you.
0:46:13 > 0:46:15- "My boy." - Yeah, you're my boy.
0:46:15 > 0:46:17Oh, let me have a cuddle, come here.
0:46:17 > 0:46:19Oh!
0:46:19 > 0:46:20Top lad.
0:46:21 > 0:46:24Top lad. What are you?
0:46:24 > 0:46:25A top lad?
0:46:25 > 0:46:27- Yes.- Yes, you are.
0:46:27 > 0:46:30We'll get the doc by to check him out, but he seems fine.
0:46:30 > 0:46:32He can't tell us anything,
0:46:32 > 0:46:35but as far as we can make out he's nothing worse than cold and hungry.
0:46:35 > 0:46:37Where did you find him?
0:46:37 > 0:46:39- At a bus stop.- At a bus stop?
0:46:39 > 0:46:41Hey, now. Come here.
0:46:41 > 0:46:44Now, what were you doing at a bus stop, eh?
0:46:44 > 0:46:46Where were you going?
0:46:46 > 0:46:47Hey, big fella.
0:46:47 > 0:46:50How'd you get that far?
0:46:50 > 0:46:52You must have Grandad's lungs.
0:46:52 > 0:46:54ALISON LAUGHS
0:46:57 > 0:46:58Thank you.
0:46:59 > 0:47:02Me and you will talk again.
0:47:02 > 0:47:04- How do you mean? - Don't think that finding Joe
0:47:04 > 0:47:05makes you a good person.
0:47:05 > 0:47:08It just makes you a twat who did a good thing.
0:47:13 > 0:47:15What was that about?
0:47:15 > 0:47:16Bit of old-school parenting.
0:47:16 > 0:47:19We should get you inside. Come on, let's go home.
0:47:19 > 0:47:21Let's get home.
0:47:21 > 0:47:22Come on.
0:47:37 > 0:47:40Good job we found him when we did...
0:47:40 > 0:47:43I think Bob Herd was about to go home and get his guitar.
0:47:43 > 0:47:44Oh, God.
0:47:44 > 0:47:46I blame you for this, you know.
0:47:46 > 0:47:48All that hanging around at bus stops, you've given him ideas.
0:47:48 > 0:47:50It was brilliant though, wasn't it,
0:47:50 > 0:47:52the fact that he thought of going to a bus stop?
0:47:52 > 0:47:54- On the wrong side of the road. - Can't have everything.
0:47:54 > 0:47:56How do you know it was the wrong side of the road?
0:47:56 > 0:47:59Maybe he was just trying to run away from this madhouse.
0:47:59 > 0:48:02- Fair point.- He wasn't running away, though, was he? He was just walking.
0:48:04 > 0:48:06We all decided he was running away,
0:48:06 > 0:48:08but in his head he was just walking.
0:48:08 > 0:48:12We're imposing our narrative on his inner state, which...
0:48:12 > 0:48:14we have no way of knowing anything about.
0:48:20 > 0:48:23Anybody else feel like they've just walked into a cryptic crossword?
0:48:23 > 0:48:26That's what happens when you try and raise the tone, Nicola.
0:48:28 > 0:48:29Come on, then.
0:48:30 > 0:48:31Come on, what do we sing?
0:48:31 > 0:48:33Oh, I'm not telling you that.
0:48:33 > 0:48:34That's not a fair question.
0:48:34 > 0:48:37No, come on - what did we sing when we all ran out of Joe's songs?
0:48:37 > 0:48:40Maurice? Well, I might have dipped into me
0:48:40 > 0:48:43Sinatra repertoire in a particularly dark moment.
0:48:43 > 0:48:46Christ, no wonder he's waiting for a bus to Kendal.
0:48:46 > 0:48:48Will you put him to bed for me, love?
0:48:48 > 0:48:49I just need to go and see someone.
0:48:49 > 0:48:50Yeah.
0:48:56 > 0:48:57DOOR CLICKS SHUT
0:49:01 > 0:49:03MUSIC SEEPS FROM HEADPHONES
0:49:15 > 0:49:17Hiya.
0:49:22 > 0:49:24I'm really sorry that you had to go through that.
0:49:32 > 0:49:35I'm sorry that Ralph had to go through that.
0:49:35 > 0:49:37I'd have done the same.
0:49:37 > 0:49:40Didn't stop me from hating you all for doing it.
0:49:41 > 0:49:42Right.
0:49:46 > 0:49:48Well, it's been a long day, you know...?
0:49:48 > 0:49:49Look...
0:49:51 > 0:49:53..I hope my dad brings Joe round again.
0:49:53 > 0:49:55Get to know you better.
0:49:55 > 0:49:57And Ralph will always be welcome.
0:49:57 > 0:49:59Yeah.
0:49:59 > 0:50:02Because the village idiots have to stick together, right?
0:50:02 > 0:50:03That isn't what I meant.
0:50:03 > 0:50:07The angry villagers may not come to the door with pitchforks and torches any more...
0:50:07 > 0:50:10but just check out his Facebook page. It's a delight!
0:50:12 > 0:50:13People will forget.
0:50:13 > 0:50:16Yes, but he won't and I won't.
0:50:18 > 0:50:22You've got a child that is different and that's always going to be there.
0:50:24 > 0:50:27You've got a child that's different, Alison,
0:50:27 > 0:50:30so you know what I'm talking about.
0:50:44 > 0:50:45Oh.
0:50:49 > 0:50:51False alarm.
0:50:51 > 0:50:52My period started.
0:50:53 > 0:50:56Oh, right.
0:50:56 > 0:50:58You're relieved, to be honest, hey?
0:50:58 > 0:51:00Yeah.
0:51:02 > 0:51:04You are relieved, aren't you?
0:51:04 > 0:51:05Yeah, I am.
0:51:05 > 0:51:06Sort of.
0:51:08 > 0:51:11You didn't want to start a family right now, did you?
0:51:23 > 0:51:25Ahem.
0:51:25 > 0:51:28As displacement activities go, the dishwasher is a bit finite.
0:51:28 > 0:51:32What I've got to say, there's just no way to say it.
0:51:34 > 0:51:36Look, I know it's...
0:51:37 > 0:51:38I know it wasn't planned.
0:51:40 > 0:51:44- I know it's scary.- I'm not scared. Not of fatherhood, at any rate.
0:51:44 > 0:51:46OK...
0:51:46 > 0:51:50I'm scared of what I thought when you told me.
0:51:53 > 0:51:57- Like what?- I thought, for a moment... I thought...
0:51:59 > 0:52:04The very first thought I had when you told me... Am I the father?
0:52:14 > 0:52:16- Who else could be the father? - The dates.
0:52:16 > 0:52:20When you went to Manchester to see Michael. The dates, it would fit, you know?
0:52:20 > 0:52:21Michael.
0:52:26 > 0:52:28You don't really think that, do you?
0:52:28 > 0:52:31I don't, if I am being rational, I don't.
0:52:31 > 0:52:35But that little doubt, that terrible,
0:52:35 > 0:52:38terrible idea just sweeps everything else away.
0:52:38 > 0:52:44It just blocks out everything that's good about us. It kills everything.
0:52:44 > 0:52:47When could this have happened?
0:52:47 > 0:52:52When could this...? How could... how could I have slept with Michael?
0:52:52 > 0:52:57And how can you think that about me after everything that we have done?
0:52:57 > 0:52:59I don't want to be that kind of man, and I am.
0:53:00 > 0:53:03I don't want to be in that kind of relationship.
0:53:08 > 0:53:13I was looking at Ralph and all I could think was what if that was Joe,
0:53:13 > 0:53:16sitting there with a broken heart?
0:53:18 > 0:53:21What if that was Joe wondering what he had done wrong?
0:53:24 > 0:53:27What if that was Joe that had spent his life being told
0:53:27 > 0:53:31to trust the world, only to find that it didn't trust him back?
0:53:34 > 0:53:36Well, we're just going to have to surround him
0:53:36 > 0:53:39with a family that loves him so much he won't know anything but love.
0:53:39 > 0:53:42I think he's got more family than any child should be asked to cope with!
0:53:49 > 0:53:56- You know that thing I said? About not wanting to change him.- Yeah...
0:53:56 > 0:53:59Well, I meant it when I said it. I don't think I think it now.
0:54:03 > 0:54:08Well, I told God if he was safe I'd go to church for a year.
0:54:08 > 0:54:10- Am I allowed to break that one too? - No.
0:54:15 > 0:54:18Perhaps you could mean it for just a bit longer, hey?
0:54:45 > 0:54:47- It feels like grief, doesn't it?- Mm?
0:54:50 > 0:54:53Well, that's the nearest I've had to just feeling...
0:54:55 > 0:54:59Knowing that there's a boy in there that we could have had,
0:54:59 > 0:55:01but we didn't.
0:55:06 > 0:55:08It feels like grief to me, anyway.
0:55:24 > 0:55:28Eddie! Eddie, this is...
0:55:28 > 0:55:31This is insane.
0:55:31 > 0:55:33Everybody wants me to be strong and decisive. Well,
0:55:33 > 0:55:35here it is, me being strong and decisive.
0:55:35 > 0:55:39I think you're confusing strong and decisive with stupid and impulsive.
0:55:39 > 0:55:42When I fell in love with you, it's because you said things like that,
0:55:42 > 0:55:44and now it's things like that that drive me up the fucking wall!
0:55:44 > 0:55:48That can be a pattern in relationships that are going through problems.
0:55:48 > 0:55:51And that, too. You're always on the outside commenting on our marriage,
0:55:51 > 0:55:55it never feels like you're actually inside it with me!
0:55:55 > 0:55:57Eddie, please don't do this!
0:55:57 > 0:56:00You know, if you want to move, we can move.
0:56:00 > 0:56:04Do you really think that's what this is all about? Hmm? God.
0:56:04 > 0:56:07You must think I am a bigger loser than I do.
0:56:10 > 0:56:11DOOR SLAMS
0:56:13 > 0:56:14DOOR REOPENS
0:56:19 > 0:56:21DOOR SLAMS
0:56:28 > 0:56:29Can I join in?
0:56:31 > 0:56:33Course you can, baby!
0:56:35 > 0:56:36Course you can.
0:56:44 > 0:56:50# Secret heart, what are you made of?
0:56:51 > 0:56:57# What are you so afraid of?
0:56:57 > 0:57:04# Could it be three simple words
0:57:04 > 0:57:10# Or the fear of being overheard? What's wrong?
0:57:11 > 0:57:17# Let her in on your secret heart
0:57:22 > 0:57:28# Secret heart, why so mysterious?
0:57:29 > 0:57:35# Why so secret, why so serious?
0:57:35 > 0:57:41# Maybe you're just acting tough
0:57:41 > 0:57:48# Maybe you're just not man enough What's wrong?
0:57:49 > 0:57:54# Let her in on your secret heart... #
0:58:00 > 0:58:06# Secret heart, come out and share it
0:58:06 > 0:58:12# The loneliness, few can bear it... #
0:58:41 > 0:58:43# Your secret heart... #