Episode 3

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0:00:02 > 0:00:04The nearest specialist school that's got a space is in Manchester.

0:00:04 > 0:00:07If you want to stay over with me, the offer's there.

0:00:07 > 0:00:09Might be worth trying to get back together.

0:00:09 > 0:00:11I'm seeing someone.

0:00:11 > 0:00:12I'm not going to get stuck here.

0:00:12 > 0:00:14Another few weeks isn't going to kill us, is it?

0:00:14 > 0:00:16I've just seen Sophie's Mark

0:00:16 > 0:00:18have a meltdown that'll make your hair curl.

0:00:18 > 0:00:20Joe isn't Mark, though.

0:00:20 > 0:00:22Not yet he's not, no.

0:00:22 > 0:00:24- So, Ralph knows? - Not that it's cancer, no.

0:00:24 > 0:00:26Let me help. At least let me drive you to the hospital.

0:00:26 > 0:00:28No, no, no!

0:00:30 > 0:00:33MUSIC: She Bangs The Drums by The Stone Roses

0:00:43 > 0:00:47# I can feel the earth begin to move

0:00:47 > 0:00:51# I hear my needle hit the groove

0:00:51 > 0:00:54# And spiral through another day

0:00:54 > 0:00:57# I hear my song begin to say

0:00:57 > 0:01:01# Kiss me where the sun don't shine

0:01:01 > 0:01:02# The past was yours

0:01:02 > 0:01:05# But the future's mine

0:01:05 > 0:01:09# You're all out of time

0:01:10 > 0:01:14# I don't feel too steady on my feet

0:01:14 > 0:01:17# I feel hollow, I feel weak

0:01:17 > 0:01:20# Passion fruit and holy bread... #

0:01:20 > 0:01:23- Good morning!- Good morning!

0:01:23 > 0:01:27- Did you sleep all right, Joe? - Joe slept all right.

0:01:27 > 0:01:29Here's the kitchen.

0:01:31 > 0:01:33All...in place.

0:01:34 > 0:01:36Living room.

0:01:36 > 0:01:38All still here.

0:01:38 > 0:01:39Oh, look!

0:01:40 > 0:01:42There's Kim.

0:01:42 > 0:01:43And Kanye.

0:01:45 > 0:01:47Where's Baby Emily?

0:01:51 > 0:01:52HE KNOCKS ON DOOR

0:01:53 > 0:01:55- Hi, Joe.- There's Baby Emily!

0:01:55 > 0:01:59Hard to get to know, but impossible to forget.

0:02:02 > 0:02:04- Don't be late for work, Ralph.- No.

0:02:04 > 0:02:07I might be late tonight so there's a cottage pie in the fridge.

0:02:07 > 0:02:09You can microwave it. 8 minutes on 750.

0:02:09 > 0:02:11- I've written it down.- I know.

0:02:11 > 0:02:13And don't let Maurice boss you about too much.

0:02:34 > 0:02:36Whoa, great view.

0:02:40 > 0:02:45Tidier than normal. Something tells me Mum's got time on her hands.

0:02:45 > 0:02:48I can confirm I do all my own housework.

0:02:48 > 0:02:51He's lying. He's got a Puerto Rican houseboy that does for him.

0:02:51 > 0:02:54There's an image I'll have to live with till my dying day.

0:02:54 > 0:02:57- Well, enjoy tonight. - Why? What's happening?- The gig,

0:02:57 > 0:03:00Sophie and her boy. You said you'd take them.

0:03:00 > 0:03:03- Oh, yeah, that.- Don't let them down.

0:03:03 > 0:03:05Well, obviously, I won't.

0:03:05 > 0:03:08Joe? Is he still there? Joe, I'll see you tomorrow.

0:03:08 > 0:03:11And then, listen, when we come back on Friday,

0:03:11 > 0:03:13because you've been so brilliant,

0:03:13 > 0:03:15I'm going to get you a great big present. How about that?

0:03:15 > 0:03:17The school said we weren't to bribe him.

0:03:17 > 0:03:20What do you want, Joe? Anything at all. Anything you like.

0:03:20 > 0:03:23- A goat.- Ah, what kind of coat?

0:03:23 > 0:03:26No. A goat. With horns.

0:03:27 > 0:03:29Good luck with that. Bye!

0:03:35 > 0:03:37Why aren't you at the hospital?

0:03:37 > 0:03:39It's Mum's first chemo!

0:03:39 > 0:03:42Hang on. You know? You're not supposed to know.

0:03:42 > 0:03:44When did she tell you?

0:03:44 > 0:03:47I read the letter from the hospital. I'm not thick.

0:03:47 > 0:03:51- Right. Well, your mum thinks you don't know.- She wants you there.

0:03:51 > 0:03:53She told me not to go.

0:03:54 > 0:03:56You don't understand women, do you?

0:04:05 > 0:04:07Eh, you better be right about this.

0:04:12 > 0:04:14Have you seen James this morning?

0:04:14 > 0:04:17No. I heard the door go earlier.

0:04:17 > 0:04:19He must've gone into town.

0:04:19 > 0:04:23Oh, hey, if you and him fancy a shift tonight, they'll need you.

0:04:23 > 0:04:26I've got to take Sophie and her lad to that gig.

0:04:26 > 0:04:28Try and look a bit cheerier about it, will you?

0:04:28 > 0:04:31You haven't seen Mark when he goes off on one.

0:04:31 > 0:04:34I'm just going to have to do a bit of dad dancing, aren't I?

0:04:34 > 0:04:36Eh? Create a diversion.

0:04:40 > 0:04:42PHONE NOTIFICATION

0:05:01 > 0:05:04So, we'll do your IV steroids and your anti-sickness first

0:05:04 > 0:05:06and you'll have some tablets to take home.

0:05:11 > 0:05:14You know you're allowed to bring someone to be with you.

0:05:14 > 0:05:16Yes. I can feel a space. Just here.

0:05:16 > 0:05:20- It doesn't feel tight enough. - All right. Let's have another go.

0:05:21 > 0:05:24- That better?- Well, no.

0:05:24 > 0:05:27But at least it finally feels like it's on right.

0:05:27 > 0:05:31They always give me the awkward ones, I don't know why.

0:05:39 > 0:05:40All right?

0:05:40 > 0:05:43It's like the worst ice cream headache ever.

0:05:43 > 0:05:45Worth it to try and keep your hair, though.

0:05:45 > 0:05:47Can you just confirm your name and date of birth?

0:05:47 > 0:05:50Louise Wilson. Fourth of the fourth, 1964.

0:05:57 > 0:06:00NURSE TALKS TO PATIENT

0:06:06 > 0:06:09- What time they fire you out of the cannon?- Go away.

0:06:09 > 0:06:11Wasn't my idea to come here, you know, it was Ralph's.

0:06:13 > 0:06:18Ralph? You told Ralph? You bastard! You promised me.

0:06:18 > 0:06:20I didn't tell Ralph. He worked it out for himself.

0:06:20 > 0:06:22He's been reading your hospital letters.

0:06:22 > 0:06:25- No. No chance. Ralph couldn't keep a secret. Not from me.- He could.

0:06:25 > 0:06:28- Cos he has.- Just go, Maurice, will you?

0:06:41 > 0:06:42You won't know I'm here.

0:06:50 > 0:06:53- I really didn't.- I thought I wouldn't know you were here.

0:06:58 > 0:07:00You like to keep busy, don't you?

0:07:00 > 0:07:03It's kind of your way of coping with the absence of love

0:07:03 > 0:07:05- or interest in your life.- I...what?

0:07:05 > 0:07:08Can you cover my pensioners' keep-fit class this lunchtime?

0:07:08 > 0:07:11A drugs rep is trying to bribe me with lunch and opium.

0:07:11 > 0:07:14No. I'm doing my presentation today.

0:07:16 > 0:07:19About the better handling of patients on the autism spectrum.

0:07:19 > 0:07:21That's today, is it? Funny, it wasn't mentioned on the news.

0:07:21 > 0:07:24So, you'll have to cancel your pensioners' keep-fit class.

0:07:24 > 0:07:28It's no great loss. Although the star jumps are amusing.

0:07:28 > 0:07:29These presentations of yours,

0:07:29 > 0:07:33do you deliver them as yourself or do you warm up for a bit

0:07:33 > 0:07:35in front of a live audience?

0:07:37 > 0:07:40I'm no paediatrician, but shouldn't that be the other way round?

0:07:42 > 0:07:45Becky? Are you OK? Is it Emily?

0:07:45 > 0:07:49Emily's fine. Emily has nothing but love in her life.

0:07:49 > 0:07:51- Emily's fine.- Hey.

0:07:51 > 0:07:55He walks out on me and tells me by text.

0:07:55 > 0:07:57I'm better than that. A text.

0:07:58 > 0:08:02People just find it hard to tell each other the truth face-to-face.

0:08:02 > 0:08:03You don't.

0:08:03 > 0:08:06I know. And look where that got me.

0:08:06 > 0:08:11When Eddie left, the first thing I did was buy a bread maker.

0:08:11 > 0:08:13We've already got a bread maker.

0:08:14 > 0:08:18My point is it kept me busy. You need to keep busy.

0:08:18 > 0:08:21Cry as much as you like.

0:08:21 > 0:08:23And don't text him in the middle of the night with questions

0:08:23 > 0:08:26about when he stopped loving you. And don't think about

0:08:26 > 0:08:29what you should've said and didn't say. But mainly keep busy,

0:08:29 > 0:08:31and don't play any music that you had together,

0:08:31 > 0:08:34not for at least a year. OK?

0:08:34 > 0:08:38- OK.- Are you sure you're going to be all right with Emily today?

0:08:38 > 0:08:42Yeah. I can cry when she does and then nobody will hear me.

0:08:42 > 0:08:44That's the spirit!

0:08:51 > 0:08:54- How's the cold cap? - Not good. I'm shivering all over.

0:08:54 > 0:08:56What you want to do is wear thermals.

0:08:56 > 0:08:58It's only your head that needs to be cold.

0:08:58 > 0:09:00Thanks, that's a good idea, thank you.

0:09:00 > 0:09:02It's what Sandra did after her third bout.

0:09:02 > 0:09:04Right. Well, thank you.

0:09:04 > 0:09:06If you feel dizzy or flushed, like, just shout.

0:09:06 > 0:09:09- Yes. I will. Thank you.- It can be a bastard, that Epirubicin.

0:09:09 > 0:09:13- They call it the Red Devil. - Hi, Maurice.

0:09:13 > 0:09:15Hi, Jude. I know Jude from before.

0:09:15 > 0:09:18When the Epirubicin kicks in, tell me straightaway

0:09:18 > 0:09:20if you feel any stinging or pain around the vein.

0:09:20 > 0:09:22If I can get a word in edgeways, yes, I will.

0:09:22 > 0:09:25I'm all over it, don't worry on that score.

0:09:25 > 0:09:28It can leak outside the vein so we've got to keep an eye on it.

0:09:28 > 0:09:29No, we don't. I do.

0:09:29 > 0:09:31Yeah. That's what I was driving at.

0:09:31 > 0:09:32Because you won't be here.

0:09:32 > 0:09:34What?

0:09:34 > 0:09:36- Get out, Maurice. - How do you mean, like?

0:09:36 > 0:09:39Go somewhere else. Anywhere else. Just get out.

0:09:39 > 0:09:41I am not putting up with you taking over.

0:09:41 > 0:09:45- Fair enough.- Thank you.- Cos it can make you irritable, the chemo.

0:09:45 > 0:09:47Message understood.

0:09:48 > 0:09:52It's not the chemo that's making me irritable.

0:09:52 > 0:09:55I'm on steroids, don't think I won't throw you out if I have to!

0:09:55 > 0:09:57MUSIC: Middle Of The Road by The Pretenders

0:10:02 > 0:10:04# Oh-oh-oh-oh

0:10:06 > 0:10:07# Oh-oh-oh-oh

0:10:08 > 0:10:10# Oh-oh-oh-oh

0:10:11 > 0:10:13# Oh-oh-oh-oh

0:10:13 > 0:10:17# The middle of the road is trying to find me

0:10:17 > 0:10:20# I'm standing in the middle of life... #

0:10:20 > 0:10:23Hi, Ed. It's me. Thought we might have lunch.

0:10:23 > 0:10:26I'm a bit busy just now. So it's probably a no.

0:10:26 > 0:10:27Busy doing what, exactly?

0:10:28 > 0:10:31In order to extract the words from sound waveforms,

0:10:31 > 0:10:35we need to turn to Deep Neural Networks,

0:10:35 > 0:10:39where each layer of the network extracts specific features

0:10:39 > 0:10:42of the data until we're left with the individual words...

0:10:42 > 0:10:43# Oh, come on now

0:10:43 > 0:10:46# In the middle of the road, yeah. #

0:10:56 > 0:10:58I am still allowed to give you a lift, I take it?

0:11:02 > 0:11:05- Can you stop yourself talking? - I'll give it a go.

0:11:37 > 0:11:38Louise?

0:11:42 > 0:11:43Thank you, Maurice.

0:11:43 > 0:11:45I'll come round later and see how you are, if you like.

0:11:45 > 0:11:47No, you won't.

0:11:47 > 0:11:49Now Ralph knows, he can sort me out.

0:11:49 > 0:11:52At the risk of getting my head bitten off,

0:11:52 > 0:11:55have you got all the numbers for the hospital in case you feel like shit?

0:11:55 > 0:11:57I already feel like shit so I probably won't bother

0:11:57 > 0:11:58to call them and tell them that.

0:12:00 > 0:12:01Sorry.

0:12:04 > 0:12:05Thank you, Maurice.

0:12:05 > 0:12:09Let's just chalk this one up to experience and not ever do it again.

0:12:09 > 0:12:11- Hey?- That's the steroids talking.

0:12:34 > 0:12:37- So, you know, then?- Yeah.

0:12:37 > 0:12:41Not you too, Ralph, for God's sake.

0:12:49 > 0:12:51I'm sorry, all right?

0:12:53 > 0:12:56- I'm sorry. I should've told you. - Yeah. You should.

0:13:01 > 0:13:05So, what do you want to ask me? You can ask me anything you like.

0:13:05 > 0:13:09- Are you going to die? - No. I'm not going to die.

0:13:11 > 0:13:14They got the cancer early and that's why I'm having the chemo.

0:13:14 > 0:13:17It will make me ill, but in the end, it will make me better.

0:13:17 > 0:13:20If you do die, am I still going to live here?

0:13:20 > 0:13:23Yes. If that's what you like. But I'm not going to die.

0:13:23 > 0:13:26- What about Maurice?- What about him?

0:13:26 > 0:13:30He's all right, but I don't want him to be my Dad.

0:13:30 > 0:13:32Don't worry. That's not going to happen.

0:13:33 > 0:13:35But...

0:13:36 > 0:13:39..I...am...not...going...to die.

0:13:39 > 0:13:41Good.

0:13:43 > 0:13:44Anything else?

0:13:45 > 0:13:46No.

0:14:00 > 0:14:03I was riveted by your lecture today.

0:14:03 > 0:14:05- Can't wait to hear what happens next.- Ha! Ha!

0:14:05 > 0:14:08Nothing for me, by the way. I'm going out tonight.

0:14:08 > 0:14:10Oh. Right.

0:14:10 > 0:14:11OK.

0:14:11 > 0:14:14Erm, in fact, I might not be back tonight.

0:14:14 > 0:14:17I mean, I might be, but I might not be.

0:14:17 > 0:14:20- Erm, I don't know. Depends. - Oh. Right.

0:14:20 > 0:14:23- What's that supposed to mean? - What? Nothing. Nothing at all.

0:14:35 > 0:14:37INTERCOM BUZZES

0:14:37 > 0:14:39- I'll get it. - No. No! I'll go down.

0:14:39 > 0:14:43- Hello?- Er, it's Holly.- Oh, hi, Holly. He's not quite ready yet.

0:14:43 > 0:14:44Do you want to come up?

0:14:44 > 0:14:45BUZZER

0:14:47 > 0:14:49I preferred the other one.

0:14:59 > 0:15:02So, this is my sister, Alison. And that's Joe.

0:15:02 > 0:15:03I thought it must be you.

0:15:03 > 0:15:05It's hardly going to be "the other woman", is it?

0:15:05 > 0:15:09- This is Eddie we're talking about, after all.- Shall we go?

0:15:11 > 0:15:13Not that Eddie isn't an attractive man if he isn't,

0:15:13 > 0:15:17- you know, your brother.- But not the kind of man to have lovers.- Exactly.

0:15:17 > 0:15:20In his flat. Answering the entry phone to his girlfriend.

0:15:20 > 0:15:22That doesn't sound like Eddie at all. I agree.

0:15:27 > 0:15:30- Oh, he's had a long day at school. - I'm sure he has.

0:15:30 > 0:15:32And he's on the spectrum so clearly some of those

0:15:32 > 0:15:35behaviours will become more pronounced now that he's tired.

0:15:35 > 0:15:38Shall we go? I don't want to be late.

0:15:38 > 0:15:39For what?

0:15:43 > 0:15:45Oh, I see. You just want to leave.

0:16:00 > 0:16:03You've probably set off already, but if you haven't, then call me.

0:16:03 > 0:16:05Eddie is dating a woman just like Nicola!

0:16:05 > 0:16:08I know you won't believe it right now, but it will get better.

0:16:08 > 0:16:11- I promise.- Why do people say that?

0:16:11 > 0:16:13Well, because we've all had our hearts broken, love.

0:16:13 > 0:16:17- Not like this, you've not. - No. No. Not like this.

0:16:18 > 0:16:20Although Patricia Martin came close.

0:16:22 > 0:16:24She turned up at our date and said, "Ooh.

0:16:24 > 0:16:27"When I said yes on the phone, I didn't know it were you."

0:16:31 > 0:16:34Every time I take my clothes off, I'm reminded of him.

0:16:37 > 0:16:40Probably a little more than your dad needs to hear.

0:16:40 > 0:16:42No. The tattoo. I see the tattoo!

0:16:42 > 0:16:45Oh, right, yeah. Well, I know one thing.

0:16:47 > 0:16:49I cannot go to this gig with Sophie

0:16:49 > 0:16:51and Mark tonight with you in this state.

0:16:51 > 0:16:53No. You should go. I'll be fine.

0:16:54 > 0:16:57You mean I can't use my daughter's heartbreak as an excuse

0:16:57 > 0:16:59- to wriggle out of it? - No. Certainly not.

0:17:01 > 0:17:03It's worth a try though, hey?

0:17:16 > 0:17:17He finished with her by text?

0:17:17 > 0:17:20- Yeah.- At least he told her.

0:17:20 > 0:17:22Most lads just change their Facebook status.

0:17:22 > 0:17:27It's a brutal world. Then there's the tattoo, of course.

0:17:27 > 0:17:30In fairness, James is quite a common name for that generation

0:17:30 > 0:17:33- so she will have some choice. - Good point.

0:17:38 > 0:17:39All right?

0:17:41 > 0:17:45- They're best mates. Hence the silence.- Right.

0:17:47 > 0:17:49Have they been to a gig before?

0:17:50 > 0:17:51Yeah.

0:17:53 > 0:17:56We all have. I'm not just springing it on them.

0:17:56 > 0:17:57No.

0:17:57 > 0:17:59Sorry.

0:17:59 > 0:18:00Right.

0:18:00 > 0:18:01HE CLEARS HIS THROAT

0:18:01 > 0:18:03Where does his other mate live?

0:18:05 > 0:18:08CHATTERING, MUSIC PLAYS IN BACKGROUND

0:18:15 > 0:18:18- Great, isn't it? - Yeah, yeah, yeah.

0:18:27 > 0:18:29Do you want a drink?

0:18:33 > 0:18:35No, no, no, I've been waiting ages! Sorry!

0:18:35 > 0:18:40Three Diet Cokes, a lager, half an IPA and some crisps, please.

0:18:44 > 0:18:47No! Mark! Mark. I need your help carrying, mate!

0:18:50 > 0:18:51TO HIS FRIEND: Yeah, yeah, yeah.

0:18:51 > 0:18:53Whoa!

0:18:53 > 0:18:55That's half my pint on the floor, mate.

0:18:55 > 0:18:57Thanks for that!

0:18:57 > 0:18:59It's all right, eh, eh, eh, eh! It's fine!

0:18:59 > 0:19:02No harm done, hey, sorry! Mark!

0:19:05 > 0:19:06You all right?

0:19:11 > 0:19:13Here, you take them. Thanks.

0:19:14 > 0:19:17What was the worst thing that could've happened?

0:19:17 > 0:19:21The world's full of lads who spill other men's pints. So...

0:19:23 > 0:19:26Thanks for coming. I know you got railroaded into it.

0:19:26 > 0:19:28Oh, no, no. No, it's fine.

0:19:30 > 0:19:32CHEERING

0:19:32 > 0:19:35Oh, eh, eh, careful! What... What happens next?

0:19:35 > 0:19:40What happens is we enjoy ourselves.

0:19:40 > 0:19:42FRONTMAN: This one's called Easy Peeler.

0:19:48 > 0:19:49# Whoa!

0:19:56 > 0:19:58# Whoa!

0:20:01 > 0:20:03# Jumped up on anti-histamine

0:20:03 > 0:20:05# I see her sometimes in my dreams

0:20:05 > 0:20:07# Her words taste just like tangerines

0:20:07 > 0:20:10# So sweet they leave me queasy feeling

0:20:10 > 0:20:11# Shot me with her future gun

0:20:11 > 0:20:13# And told me that I was the one

0:20:13 > 0:20:15# She kissed me quick with painted lips

0:20:15 > 0:20:18# And bought me £2 cheesy chips

0:20:18 > 0:20:20# Whoa!

0:20:20 > 0:20:22# She's so easy

0:20:22 > 0:20:24# Easy peeler... #

0:20:30 > 0:20:33- Hiya.- Hello. Thought you were out for the night.

0:20:34 > 0:20:37- Don't start.- I'm not. I wasn't.

0:20:37 > 0:20:40- Good.- So what went wrong?

0:20:40 > 0:20:43- Nothing went wrong. We've both got work in the morning.- Oh!

0:20:43 > 0:20:46So, what was it, then? Little knee trembler at the bus stop.

0:20:46 > 0:20:47I'm not indulging this.

0:20:47 > 0:20:50- Her words or yours?- We have been having this conversation

0:20:50 > 0:20:54since I was 14 years of age. When are you going to stop?

0:20:54 > 0:20:56When you stop taking the bait.

0:20:57 > 0:21:00So, is it not happening with Holly, then?

0:21:00 > 0:21:04I don't mean the sex. Although that is a fairly strong indicator

0:21:04 > 0:21:07- that it's not happening. - I've just...

0:21:07 > 0:21:09..forgotten what it's like to click, you know?

0:21:09 > 0:21:12Maybe that's not how it works any more.

0:21:12 > 0:21:14We both have to be patient. Or...

0:21:14 > 0:21:17Maybe it's just a sign she doesn't fancy you.

0:21:17 > 0:21:21- Yes.- Maybe just a little bit hung up on Nicola?

0:21:23 > 0:21:26No. No!

0:21:26 > 0:21:28So why choose a woman just like her?

0:21:30 > 0:21:33Holly? Is like Nicola? Are you joking?

0:21:33 > 0:21:34She's the complete opposite.

0:21:36 > 0:21:40Do you not see it? The tactless thing? The way she talks?

0:21:40 > 0:21:44Eddie, you're dating your ex-wife. No wonder you're not having sex.

0:21:54 > 0:21:56# She's got me dancing

0:21:56 > 0:21:58# She's got me dancing

0:21:58 > 0:22:00# She's got me dancing... #

0:22:00 > 0:22:02Whoa!

0:22:10 > 0:22:13It was the best night. It was the best night!

0:22:13 > 0:22:15I mean, it was everything. It was...it was messy.

0:22:15 > 0:22:17It was mad. I mean, it was just...

0:22:17 > 0:22:22It was just everybody having the best night together, everybody,

0:22:22 > 0:22:27and it was just like one great, heaving mass of joy!

0:22:27 > 0:22:30Yes! Get it! Get it! It's just...

0:22:30 > 0:22:33You sure you didn't take any drugs in the toilet back there?

0:22:33 > 0:22:36# When will I, will I be famous... #

0:22:36 > 0:22:40- Ooh, what's this? - Dunno how that got in there.

0:22:40 > 0:22:43- Really?- Must be one of Joe's, that!

0:22:46 > 0:22:48LOUD MUSIC PLAYS

0:22:48 > 0:22:52Not exactly Bros, I know, but I hope it meets your exacting standards.

0:22:52 > 0:22:54Well, it's, you know, it's all right.

0:22:54 > 0:22:56LOUD DRUMMING

0:22:56 > 0:22:58Is he all right?

0:22:58 > 0:23:00Sounds like he's playing the drums.

0:23:00 > 0:23:03- He is playing the drums. - Really?- Yeah, really.

0:23:03 > 0:23:05Oh, he's all right, in't he?

0:23:05 > 0:23:07No idea where he gets it.

0:23:07 > 0:23:10His dad had no sense of rhythm that I ever saw.

0:23:10 > 0:23:12Does he still see his dad?

0:23:12 > 0:23:15Yeah. Of course. He wasn't a bastard or anything.

0:23:15 > 0:23:19We just couldn't handle Mark together. No. That's not fair.

0:23:19 > 0:23:22I couldn't handle Mark with anybody else.

0:23:22 > 0:23:26- Yeah, it's easier on your own sometimes, in't it?- Simpler, anyway.

0:23:26 > 0:23:30You can get as low as you like, but it only ever matters to me and him.

0:23:30 > 0:23:32Nobody judging. Nobody advising.

0:23:32 > 0:23:36Nobody criticising. Easier to be wrong when you're on your own.

0:23:44 > 0:23:47Mark E Smith was actually good looking back then.

0:23:47 > 0:23:50Looked a bit like, er, Johnny Cash.

0:23:50 > 0:23:53Pasty Salford version, admittedly, but do you know what I mean?

0:23:53 > 0:23:55- There's an album cover where he's... - If I give you a biscuit

0:23:55 > 0:23:57with your tea, will you promise to stop talking?

0:24:12 > 0:24:14MUSIC: Right by Your Side by Eurythmics

0:24:14 > 0:24:16Oh, you what?

0:24:29 > 0:24:31# Give me two strong arms... #

0:24:31 > 0:24:33Look at the arse on that!

0:24:33 > 0:24:35- Oh, hey... Agh! - You classically trained?

0:24:35 > 0:24:37Don't interrupt an artist when he's in the moment.

0:24:37 > 0:24:39# ..I forget myself

0:24:39 > 0:24:42# I need to swing from limb to limb

0:24:42 > 0:24:45# To relieve this mess I'm in... #

0:24:45 > 0:24:46Here you go.

0:24:46 > 0:24:48# ..when depression starts to win

0:24:48 > 0:24:53# I need to be right by your side... #

0:24:53 > 0:24:56SLOW GUITAR MUSIC PLAYS

0:24:59 > 0:25:02MUSIC: Valery by Amy Winehouse

0:25:02 > 0:25:05You're good from the waist down, but you hold your hands

0:25:05 > 0:25:07like you're holding a tray.

0:25:08 > 0:25:11Is that the sum total of your moves, then?

0:25:11 > 0:25:15Well, if you have a roll of lino and a ghetto blaster,

0:25:15 > 0:25:18- I can throw you a few back spins, if you want.- Don't tempt me.

0:25:21 > 0:25:24Thanks for tonight.

0:25:24 > 0:25:28Thank you for the lift. And for being head bouncer.

0:25:32 > 0:25:34Is this where we kiss?

0:25:35 > 0:25:38Nah. I think we both know that's not on.

0:25:39 > 0:25:43Yeah. Sorry.

0:25:43 > 0:25:44Yeah, sorry.

0:25:44 > 0:25:48That was stupid. I'm so sorry.

0:26:04 > 0:26:05FRONT DOOR OPENS AND CLOSES

0:26:08 > 0:26:10Look who I found lurking at the bus stop.

0:26:10 > 0:26:14Eh! All right, Tom. This is a lovely surprise.

0:26:14 > 0:26:17- I know.- Don't pretend you didn't call him, Dad. Thank you.

0:26:17 > 0:26:20Well, I thought if anybody had the wisdom you needed, it were Tom.

0:26:20 > 0:26:23And with him being at art school, he's got bugger all else to do.

0:26:23 > 0:26:27She's heartbroken, but then that's what she does best.

0:26:27 > 0:26:30- You OK?- Yeah. Just a bit knackered.

0:26:30 > 0:26:34It's all that pogoing at your age. He's been to a gig.

0:26:34 > 0:26:38Eurgh! Sorry, nothing personal, Mr Hughes.

0:26:38 > 0:26:40Apart from your age.

0:26:40 > 0:26:41Thank you.

0:26:41 > 0:26:44And I think you can call me Paul from now on.

0:26:44 > 0:26:45Oh, no, I don't think so.

0:26:45 > 0:26:48You might want to start tagging along at the bus shelter.

0:27:27 > 0:27:29Are we still here?

0:27:29 > 0:27:31Yes. Is that OK?

0:27:34 > 0:27:36I'll get breakfast moving.

0:28:00 > 0:28:01Ralph?

0:28:03 > 0:28:05How is she, your mum?

0:28:08 > 0:28:10She's not going to die.

0:28:10 > 0:28:11Oh, that's good.

0:28:13 > 0:28:15I might go and see her later.

0:28:17 > 0:28:18Good luck.

0:28:22 > 0:28:24Thanks for the catch-up.

0:28:26 > 0:28:30- I'll take her some flowers round, shall I?- She doesn't like flowers.

0:28:58 > 0:28:59Hiya.

0:28:59 > 0:29:01Ooh...

0:29:04 > 0:29:08Wow. What did I do to deserve that?

0:29:08 > 0:29:12Agh! You don't have to question everything to death.

0:29:12 > 0:29:14All right, touchy Jim.

0:29:14 > 0:29:15It was nice.

0:29:17 > 0:29:18Sorry. I...

0:29:19 > 0:29:22I'm just a bit knackered. After the gig.

0:29:22 > 0:29:26- Oh, yeah, how was it? - Yeah, it was great.

0:29:26 > 0:29:29Good. So, you're glad I pushed you into it?

0:29:29 > 0:29:31Well, it's just the music.

0:29:31 > 0:29:33I thought about Joe a lot.

0:29:34 > 0:29:38Well, who knows what Joe'll be into when he's Mark's age, eh?

0:29:38 > 0:29:40Well, I imagine that he'll still be into music.

0:29:40 > 0:29:43I wasn't saying that he won't be.

0:29:43 > 0:29:45Just that, you know, that we don't know.

0:29:49 > 0:29:51Right, well, that was last night.

0:29:52 > 0:29:53See you tomorrow.

0:30:01 > 0:30:02Bye.

0:30:30 > 0:30:32Where were you?

0:30:33 > 0:30:34I was at home.

0:30:37 > 0:30:38Where was I?

0:30:39 > 0:30:42You were here.

0:30:42 > 0:30:44- You were home.- At our house. Yes.

0:30:44 > 0:30:46And now you're here.

0:30:46 > 0:30:48Hey! That's a lot of stickers.

0:30:50 > 0:30:52I'm a superstar.

0:30:52 > 0:30:54I already knew that.

0:31:15 > 0:31:18I'm looking for some sort of rub.

0:31:18 > 0:31:20That you rub on.

0:31:20 > 0:31:24Yourself. And, er, other people, if they can't reach.

0:31:24 > 0:31:27Like, what, Deep Heat?

0:31:27 > 0:31:28Is it a muscle injury?

0:31:28 > 0:31:30No. It's not like that.

0:31:31 > 0:31:36It's something I could rub into a woman...to make her feel better.

0:31:37 > 0:31:41If she's feeling a bit under the weather, and that. You know.

0:31:41 > 0:31:45Oh. Right. I see. Massage oil.

0:31:45 > 0:31:47Well, I wouldn't go that far.

0:31:48 > 0:31:52- Have you got anything? You know...- Peppermint foot cream?

0:31:52 > 0:31:54That sounds great. That sounds right. That'll do.

0:32:10 > 0:32:12I know you don't like flowers.

0:32:19 > 0:32:21I hate to be critical of your massage action, Maurice.

0:32:21 > 0:32:24But probably a bit more sensitive and a bit less

0:32:24 > 0:32:27like you're rubbing Fiery Jack into a goalie's hamstring.

0:32:27 > 0:32:29Right. I see. Er...

0:32:34 > 0:32:37Now you've gone to the other extreme. Now you're basting.

0:32:37 > 0:32:39Come here. Give me the bottle. I'll show you.

0:32:39 > 0:32:41I've still got me boots on.

0:32:41 > 0:32:43No, not on your feet. Come here.

0:32:43 > 0:32:45SHE SIGHS

0:32:53 > 0:32:54See?

0:32:55 > 0:32:57Like this.

0:32:59 > 0:33:01See?

0:33:06 > 0:33:10- You all right?- Well, to be honest, I did feel a bit of a stirring

0:33:10 > 0:33:12in my glove compartment.

0:33:12 > 0:33:15But, er, not that I'd make a move on you.

0:33:16 > 0:33:18Things being how they are.

0:33:20 > 0:33:24"Things" being me being on a course of chemotherapy for breast cancer?

0:33:24 > 0:33:27Yes. Probably not a good time to make your move.

0:33:27 > 0:33:28I wasn't going to make a move!

0:33:28 > 0:33:31That's why I've come down this end.

0:33:31 > 0:33:32With your feet.

0:33:35 > 0:33:37I hope you're not suggesting my feet aren't sexually arousing.

0:33:37 > 0:33:39- No, let's just...- I am teasing you.

0:33:43 > 0:33:49I'm very flattered that even in this state, you should be enamoured.

0:33:51 > 0:33:53Or at least a significant part of you is.

0:33:53 > 0:33:57Sorry, sorry, it's the steroids.

0:34:14 > 0:34:16Dad?

0:34:18 > 0:34:19You all right?

0:34:21 > 0:34:24Did you hear James has done a runner? Walked out on Rebecca.

0:34:24 > 0:34:27First good news I've had in a bit.

0:34:27 > 0:34:28I agree with you.

0:34:28 > 0:34:30But don't let Rebecca hear you say that, hey?

0:34:30 > 0:34:34- I'm not going to pretend. - Why not?

0:34:34 > 0:34:36You spend your whole life pretending you're a hard man and look at you.

0:34:37 > 0:34:39Pressing your head against a brick wall.

0:34:39 > 0:34:41I was having a think. It helps me think.

0:34:41 > 0:34:43That's what Joe says when he does it.

0:34:43 > 0:34:45And I don't believe him, either.

0:34:47 > 0:34:49So, it's about Louise, right?

0:34:49 > 0:34:51What makes you say that?

0:34:51 > 0:34:53You were right outside her house.

0:34:57 > 0:34:59So, you seeing her again?

0:35:01 > 0:35:04- Is there something I should know? - What has it got to do with you?

0:35:04 > 0:35:06Well, nothing, but if you're so upset, you can't even hide it

0:35:06 > 0:35:10- in the street.- Why do you want me to say I'm upset when I'm not?

0:35:12 > 0:35:14Oh, God, do you know what, Dad. Just forget it, forget it.

0:35:14 > 0:35:17I've just had Paul being pissy with me. And now you.

0:35:17 > 0:35:20I've been staying away for three nights with Joe.

0:35:20 > 0:35:22Driven back to be with my family.

0:35:22 > 0:35:26I show a little bit of concern, you throw it back in my face.

0:35:26 > 0:35:29If you don't want people to think you're upset, then don't go

0:35:29 > 0:35:32all existential in the street, and move along

0:35:32 > 0:35:35so you're not right outside your lover's house.

0:35:35 > 0:35:38Or whatever she is. That way, I won't be sticking my nose

0:35:38 > 0:35:40- in your business.- She's got cancer.

0:35:40 > 0:35:42Louise has got cancer and she's having chemo

0:35:42 > 0:35:45and she doesn't want anyone to know about it.

0:35:45 > 0:35:47There. Are you happy now? She's got cancer.

0:35:47 > 0:35:49And I'm helping her out with it and that's all there is to it.

0:36:02 > 0:36:04That's it! Good girl.

0:36:07 > 0:36:10Oh, it's for Joe. A boy needs a bike.

0:36:10 > 0:36:13Anyone would think you were looking for something to do.

0:36:13 > 0:36:16- Just trying to make myself useful. - And there's nothing for you at home

0:36:16 > 0:36:18that you could be making yourself useful with?

0:36:22 > 0:36:25- What's this? - I found it. It's a nice one.

0:36:25 > 0:36:27So I thought I'd frame it for you.

0:36:29 > 0:36:33If you really want a project, I have just the job for you.

0:36:33 > 0:36:35CAR REVS THEN BRAKES

0:36:35 > 0:36:39Biting point. It's just a case of hitting that biting point.

0:36:39 > 0:36:42- You'll get it in the end. - Sorry. Sorry.

0:36:42 > 0:36:45It's OK. It's OK. I mean, you're doing very well.

0:36:49 > 0:36:51You're a really good teacher.

0:36:51 > 0:36:53You never lose it and you never seem frightened.

0:36:53 > 0:36:56Even when we were at that junction and that lorry was coming.

0:36:56 > 0:37:01- Well, he had room to get past us so...- Is it your faith?

0:37:03 > 0:37:05Is it your faith that stops you being frightened?

0:37:06 > 0:37:09No, uh, it's not my faith.

0:37:09 > 0:37:11Oh, right. Well, you don't have to tell me.

0:37:14 > 0:37:19I've got to spend the rest of my life without my wife...

0:37:19 > 0:37:20and it's my fault.

0:37:20 > 0:37:24That's more frightening than anything I can think of.

0:37:25 > 0:37:28So, you know, a few articulated lorries bearing down on us,

0:37:28 > 0:37:33a speeding car nearly sending us both to heaven, mild whiplash...

0:37:33 > 0:37:34That's nothing.

0:37:34 > 0:37:36Nothing at all.

0:37:36 > 0:37:41Well... Just keep busy. And-And cry as much as you like.

0:37:41 > 0:37:44And don't text her in the middle of the night with questions

0:37:44 > 0:37:46about when she stopped loving you.

0:37:46 > 0:37:50And don't think about what you should've said and didn't say.

0:37:50 > 0:37:52But mainly just keep busy.

0:37:52 > 0:37:54Thanks, Rebecca.

0:37:55 > 0:37:59And now... let's pull out when it's clear.

0:37:59 > 0:38:03And, if we survive, I might just take your advice.

0:38:03 > 0:38:06ENGINE PURRS

0:38:09 > 0:38:11CAR HORN BLARES

0:38:16 > 0:38:17Thank you.

0:38:21 > 0:38:24Oh! Oh! You OK?

0:38:24 > 0:38:25No.

0:38:25 > 0:38:27Vincent, thank you.

0:38:27 > 0:38:28She's a good pupil.

0:38:28 > 0:38:29And I have prayer.

0:38:29 > 0:38:31Oh, dear!

0:38:31 > 0:38:33How was Manchester, how's Eddie?

0:38:33 > 0:38:35Yeah, good. Weirdest thing, though.

0:38:35 > 0:38:37This new girlfriend of his is just like you.

0:38:39 > 0:38:41Oh.

0:38:41 > 0:38:44Well, except not as beautiful, obviously.

0:38:44 > 0:38:46Oh, so you met her?

0:38:46 > 0:38:48Well, she came round. They went out.

0:38:48 > 0:38:51But he came back early, so they're clearly not sleeping together.

0:38:51 > 0:38:55You met her, the new girlfriend? He introduced you to her?

0:38:55 > 0:38:56It was...

0:38:56 > 0:38:59No, it was more of a coincidence, he-he didn't mean to, he...

0:38:59 > 0:39:01It's not serious, I can tell.

0:39:03 > 0:39:05Right. Bye.

0:39:12 > 0:39:15So, Eddie has a new relationship.

0:39:18 > 0:39:20- SHE SIGHS - Yeah, it would seem so.

0:39:20 > 0:39:23You're going to be fine. Just keep busy.

0:39:24 > 0:39:26Cry as much as you like.

0:39:27 > 0:39:31And don't text him in the middle of the night with questions about

0:39:31 > 0:39:32when he stopped loving you.

0:39:33 > 0:39:38And don't think about what you should've said and didn't say.

0:39:38 > 0:39:41Yeah, that's good. Did you think of that yourself?

0:39:41 > 0:39:43Yes.

0:39:47 > 0:39:50No. Rebecca said it to me.

0:39:50 > 0:39:52I'm sorry, I should've said something of my own.

0:39:54 > 0:39:58Have you got anything? Other than the Bible stuff, I mean.

0:39:58 > 0:40:00Or are you going to pass that off as your own as well?

0:40:01 > 0:40:03EMILY MOANS

0:40:09 > 0:40:11Since you were 11 years old, you have been cleverer than me.

0:40:13 > 0:40:15I can't understand you half the time.

0:40:15 > 0:40:17The other half, I'm not really listening.

0:40:20 > 0:40:23But one thing I do know, and maybe the only thing I do know,

0:40:23 > 0:40:26is when you are hurt,

0:40:26 > 0:40:29and I'm sorry for all the times I've hurt you.

0:40:31 > 0:40:35And I'm sorry I didn't say anything at the time.

0:40:35 > 0:40:38I'm sorry you're hurting now, and you are.

0:40:38 > 0:40:40And I'm not helping.

0:40:43 > 0:40:45And...

0:40:45 > 0:40:50it's hard for a parent when you can't stop your child's pain.

0:40:53 > 0:40:57Even a parent as bad as me finds that hard.

0:41:00 > 0:41:06Well, I know when I'm beaten. Now I need to finish this bike.

0:41:13 > 0:41:15It's great you're doing that bike, Dad.

0:41:16 > 0:41:18For Joe.

0:41:18 > 0:41:20It's great.

0:41:48 > 0:41:50TIMER BLEEPS

0:41:52 > 0:41:53Sophie?

0:41:55 > 0:41:57- Sophie the waitress?- Yep.

0:41:58 > 0:42:01Sophie your employee?

0:42:01 > 0:42:04All right, don't make it sound dodgier than it is!

0:42:04 > 0:42:07Sophie our friend, yeah.

0:42:07 > 0:42:08And something happened?

0:42:08 > 0:42:12- Something NEARLY happened. - By which you mean what, exactly?

0:42:12 > 0:42:14By which I mean NOTHING happened at all.

0:42:17 > 0:42:18We looked at each other

0:42:18 > 0:42:22and then it just felt that the next thing we would do...

0:42:22 > 0:42:24you know, was kiss.

0:42:26 > 0:42:29You must know that feeling, you know when you both know?

0:42:29 > 0:42:32Well, I'm working mainly on memory here, but...yeah,

0:42:32 > 0:42:35that sort of thing is coming back to me.

0:42:35 > 0:42:37I just want to know why you're telling ME.

0:42:37 > 0:42:40Because I think you're the man to ask about honesty.

0:42:40 > 0:42:44Exactly. So don't tell Alison. Nothing happened.

0:42:44 > 0:42:45Why worry her with that?

0:42:47 > 0:42:52I'd want to know if... if she'd done the same thing.

0:42:52 > 0:42:55Said with all the confidence of a man this has never happened to.

0:42:55 > 0:42:58SIGHING: Believe me, from one who knows,

0:42:58 > 0:43:01you do not want your partner telling you they "had a moment".

0:43:01 > 0:43:04A moment where nothing happened.

0:43:04 > 0:43:07There are three things she can think if you tell her this.

0:43:08 > 0:43:11Something did happen and you're playing it down.

0:43:11 > 0:43:14Something is going to happen and you're preparing the ground.

0:43:15 > 0:43:17You wanted something to happen.

0:43:17 > 0:43:19You will notice that none of these things are likely to lead to

0:43:19 > 0:43:22what we might call a happy ending.

0:43:22 > 0:43:26OK. OK.

0:43:26 > 0:43:27Nothing happened.

0:43:28 > 0:43:32And as the saying goes... "Nothing will come of nothing."

0:43:32 > 0:43:34Who said that?

0:43:34 > 0:43:36King Lear.

0:43:36 > 0:43:37How did it work for him?

0:43:37 > 0:43:40He ended up a hill crying and shouting at the wind and the rain.

0:43:40 > 0:43:42Did he bump into Maurice while he were up there?

0:43:42 > 0:43:46Paul. I mean it. Forget it ever happened.

0:43:46 > 0:43:48Don't open up stuff that doesn't need opening.

0:44:00 > 0:44:02I don't need another story, do I?

0:44:04 > 0:44:05BOTTLE KNOCKS ON TABLE

0:44:08 > 0:44:09Hi.

0:44:09 > 0:44:12Hello. I take it you're not here about ukulele lessons?

0:44:12 > 0:44:15No. I was just wondering how you were.

0:44:16 > 0:44:18Wonder why you'd be wondering that.

0:44:21 > 0:44:24I worry about him and I worry about you.

0:44:24 > 0:44:25But mainly him.

0:44:26 > 0:44:28And I don't blame you.

0:44:28 > 0:44:30Funny thing is, I worry about him more than I worry about me, too.

0:44:30 > 0:44:33Yeah, he's more complicated than he looks.

0:44:33 > 0:44:34That isn't difficult!

0:44:34 > 0:44:38I could help. If you needed anything or anyone.

0:44:38 > 0:44:41I do have some experience.

0:44:42 > 0:44:43I know.

0:44:46 > 0:44:48I just want to do this on my own.

0:44:50 > 0:44:51All right?

0:44:53 > 0:44:57Mm. Think I'd be the same.

0:44:57 > 0:44:59So why are you here?

0:44:59 > 0:45:01Because I care about Dad, so I care about you.

0:45:01 > 0:45:04Maurice tells me Joe's settled in well at his new school.

0:45:05 > 0:45:07- Yeah.- Leaves you at a bit of a loose end, eh?

0:45:09 > 0:45:11What?

0:45:11 > 0:45:14I was just the same when Ralph didn't feel like a daily fight.

0:45:14 > 0:45:17I started the choir, I went hospital visiting, I enrolled on courses,

0:45:17 > 0:45:19I did unsuitable yoga.

0:45:19 > 0:45:21I even started busking.

0:45:21 > 0:45:24But I am not going to be your Care Bear, Alison.

0:45:25 > 0:45:26I'm all cared out.

0:45:26 > 0:45:30I can't be where you put your mad and considerable energy.

0:45:30 > 0:45:31I'm sorry, I'm not trying to be mean...

0:45:31 > 0:45:33Well, I am trying to be mean

0:45:33 > 0:45:35if that's what it takes to get you to back off.

0:45:38 > 0:45:40I think you're going to be good for my dad.

0:45:41 > 0:45:43I really do.

0:45:54 > 0:45:57MUSIC BLARES THROUGH HEADPHONES

0:45:57 > 0:45:58Joe?

0:45:59 > 0:46:03You stay in the car, I'm not going to be long. OK?

0:46:03 > 0:46:05Good lad.

0:46:07 > 0:46:09CAR DOOR SLAMS

0:46:13 > 0:46:16Uh... Come here, come here.

0:46:20 > 0:46:26- HE CHUCKLES - I don't know what was going on the other night with me.

0:46:26 > 0:46:28And maybe with you.

0:46:29 > 0:46:32- But I... - HE CLEARS THROAT

0:46:32 > 0:46:34I... I just wanted to say that...

0:46:37 > 0:46:40You know how I'm fixed. But I just... I just...

0:46:41 > 0:46:43- I just want...- You just what?

0:46:43 > 0:46:46I wanted to know if you thought that there was a moment there, too, that's all.

0:46:48 > 0:46:50Because I've been turning this over in my head

0:46:50 > 0:46:55and I'm wondering if it was...me.

0:46:57 > 0:47:03Paul, nothing happened! And like you say, you're fixed up.

0:47:05 > 0:47:07Did I imagine it? Maybe I imagined it, because...

0:47:07 > 0:47:09Gary, can you just...? Can you just give me a minute?

0:47:09 > 0:47:12I've only got one guy working there and he's not exactly on the payroll.

0:47:12 > 0:47:14Just give me a minute, Gary. All right?

0:47:18 > 0:47:22Nothing happened. It was late.

0:47:23 > 0:47:27And, you know, Mark woke up at four o'clock this morning

0:47:27 > 0:47:30and as soon as I got him in the taxi, I had to start doing work

0:47:30 > 0:47:31for his school transition appeal,

0:47:31 > 0:47:32then I got the bus here

0:47:32 > 0:47:34and I've been cleaning the toilets ever since.

0:47:34 > 0:47:39So, it's great for you that you've got time to indulge this poetic,

0:47:39 > 0:47:42romantic, whatever it is, but I haven't.

0:47:42 > 0:47:43I've got real life.

0:47:43 > 0:47:44Right.

0:47:46 > 0:47:48- Well, that's me told! - Well, what d'you want me to say?!

0:47:48 > 0:47:51That if it wasn't for Alison, I'd have thrown myself at you?!

0:47:51 > 0:47:53No, no, no! That's not what I meant. No, it...

0:47:53 > 0:47:56MUSIC BLARES THROUGH HEADPHONES

0:48:01 > 0:48:03So, we're good?

0:48:04 > 0:48:06We're sorted?

0:48:06 > 0:48:07Oh, God!

0:48:07 > 0:48:11Oh... Paul, just go home and play some Nick Cave or something.

0:48:11 > 0:48:13We're good.

0:48:22 > 0:48:24HE EXHALES

0:48:25 > 0:48:27Yeah, all right.

0:48:27 > 0:48:28IGNITION RATTLES

0:48:35 > 0:48:36GOAT BLEATS

0:48:36 > 0:48:38Oh, shit.

0:48:39 > 0:48:41Ah, hello, young man!

0:48:43 > 0:48:45- Hello, old man. - HE MOCK LAUGHS

0:48:45 > 0:48:48You all right?

0:48:48 > 0:48:50Yeah! Yeah, yeah. Yeah.

0:48:50 > 0:48:52I borrowed it. Well, rented it.

0:48:52 > 0:48:54I know the...the guy who runs that petting farm.

0:48:54 > 0:48:57That goat rental business must be sweeping the nation by now!

0:48:57 > 0:48:59The boy wanted a goat, I delivered.

0:48:59 > 0:49:00There you go, son.

0:49:01 > 0:49:03GOAT BLEATS

0:49:10 > 0:49:12A goodbye present, Joe.

0:49:14 > 0:49:16GOAT CONTINUES TO BLEAT

0:49:16 > 0:49:18- The boy needs a bike.- I thought you said a goat.- Are you off?

0:49:18 > 0:49:20Tomorrow.

0:49:21 > 0:49:24I thought Paul said he wanted a goat.

0:49:41 > 0:49:43SHE SQUEALS HAPPILY

0:49:50 > 0:49:52- REBECCA:- ..Turn that way.

0:49:59 > 0:50:01Paul, let me see.

0:50:01 > 0:50:04- He's taken a lot of photos of food. - SHE LAUGHS

0:50:04 > 0:50:07- Except this one of the staff. - Well, even that's the dinner lady.

0:50:07 > 0:50:10BOTH LAUGH

0:50:10 > 0:50:12Oh!

0:50:14 > 0:50:18- And this? - That is Eddie's new girlfriend.

0:50:18 > 0:50:20- Interesting.- Mm!

0:50:20 > 0:50:22Well, he must have been stood on a chair to take that.

0:50:23 > 0:50:26Unless Eddie's girlfriend is very, very small.

0:50:26 > 0:50:29- Guilty as charged.- Right. - SHE LAUGHS

0:50:35 > 0:50:37We don't do this much any more, do we?

0:50:39 > 0:50:41You and me talking crap.

0:50:44 > 0:50:45It's nice, isn't it?

0:50:45 > 0:50:47Yeah. Yeah, it is.

0:50:53 > 0:50:56So, why are you still looking worried?

0:50:56 > 0:50:57Because I've got something to tell you.

0:51:00 > 0:51:01Right.

0:51:05 > 0:51:09- I will teach you to ride the bike, Joe.- I can ride the bike.

0:51:09 > 0:51:12Well, you can fall off the bike. That isn't the same as riding it.

0:51:15 > 0:51:18I like riding the bike, don't I?

0:51:18 > 0:51:19Where's James?

0:51:19 > 0:51:22- He's gone.- Did he die?

0:51:22 > 0:51:24No, he didn't die.

0:51:26 > 0:51:28Not yet, I'll have to find him first.

0:51:37 > 0:51:41This is MY cancer, Maurice, not yours and not Alison's.

0:51:41 > 0:51:43And I am the one who has to handle it.

0:51:43 > 0:51:47I... I didn't know she was planning on coming round, I promise you!

0:51:47 > 0:51:50Your talent for missing the point never ceases to surprise me.

0:51:50 > 0:51:52I had to tell someone.

0:51:52 > 0:51:55No, you didn't! You didn't have to tell anyone.

0:51:55 > 0:51:57You didn't have to do this with me.

0:51:57 > 0:52:00In fact, I distinctly remember telling you not to do this with me,

0:52:00 > 0:52:03but you said you could handle it, because you're big and strong

0:52:03 > 0:52:05and on some kind of rescue mission.

0:52:05 > 0:52:08I'll hold me hands up, it's more confusing than I thought,

0:52:08 > 0:52:09but "rescue mission"...

0:52:09 > 0:52:12I'm not sure I'm wearing that one, thank you very much!

0:52:12 > 0:52:14If there's one thing I know about you,

0:52:14 > 0:52:15it's that you don't need rescuing.

0:52:15 > 0:52:21- Yes, well, it's not me you're trying to rescue though, is it?- What?!

0:52:23 > 0:52:27It's Sandra you're trying to rescue, Maurice.

0:52:28 > 0:52:30Well, now you have lost me.

0:52:32 > 0:52:38Sandra died. That was her. And I'm sorry.

0:52:38 > 0:52:41But I'm not Sandra.

0:52:41 > 0:52:45This is my illness. Mine. I won't be Sandra.

0:52:47 > 0:52:50I'm not here to help you get your own back on God.

0:52:58 > 0:53:00- I think I'd better go. - Yes, I think you'd better had.

0:53:07 > 0:53:09DOOR OPENS

0:53:09 > 0:53:11DOOR CLOSES

0:53:13 > 0:53:15So, nothing happened?

0:53:17 > 0:53:18Absolutely not.

0:53:20 > 0:53:22But it felt like it might.

0:53:22 > 0:53:24And that's what I wanted to tell you.

0:53:27 > 0:53:30For both of you or just you?

0:53:32 > 0:53:34Ah, I don't know. Um...

0:53:34 > 0:53:36But like I say...

0:53:37 > 0:53:40Cos I didn't act on it.

0:53:43 > 0:53:46Mm. Oh, well.

0:53:54 > 0:53:56So, why are you telling me?

0:53:57 > 0:53:59Because something felt wrong.

0:53:59 > 0:54:04And it confused me and... I wanted you to know about it.

0:54:04 > 0:54:06Why? Why didn't you just stay confused?

0:54:10 > 0:54:12Because you're my best mate, in the world,

0:54:12 > 0:54:14and because the one thing that we always have

0:54:14 > 0:54:16is that we're honest with each other.

0:54:18 > 0:54:22You told me that you were with a liar before me

0:54:22 > 0:54:26- and you told me that it nearly killed you.- Don't. Don't... Don't make Stuart your alibi here.

0:54:26 > 0:54:29- Look, I would want to know. - Why? Nothing happened.

0:54:38 > 0:54:39What are you telling me?

0:54:41 > 0:54:44Something could've happened?

0:54:48 > 0:54:50Maybe.

0:54:52 > 0:54:54And...

0:54:55 > 0:54:56..what does it mean...

0:54:57 > 0:54:59..that something might've happened?

0:54:59 > 0:55:02What does it mean that for a moment, just for a moment,

0:55:02 > 0:55:05I felt more at home with Sophie than I do with you?

0:55:10 > 0:55:12You tell me. What does that mean?

0:55:17 > 0:55:18You were there, I wasn't.

0:55:23 > 0:55:25- Is that all you've got to say?- Uh!

0:55:26 > 0:55:27I'm thinking about it.

0:55:27 > 0:55:32I don't... I... What I don't get is why you would tell me it, any of it.

0:55:32 > 0:55:36Because, I-I think... I think we need to think about us.

0:55:36 > 0:55:38What with the... With the... With the...

0:55:38 > 0:55:42With the change, the change with Joe and...

0:55:42 > 0:55:45It's taking its toll - on you and on me - and I...

0:55:45 > 0:55:47I just... I think we need to think...

0:55:47 > 0:55:49We need to do something about that.

0:55:51 > 0:55:52It sounds to me like you already have.

0:57:02 > 0:57:03Are you seriously telling me

0:57:03 > 0:57:04there isn't a problem?

0:57:04 > 0:57:06I've noticed it, so you can bet Joe's noticed it.

0:57:06 > 0:57:08Do you want to do something about it?

0:57:08 > 0:57:10Joe, would you like to ride a bike without stabilisers?

0:57:10 > 0:57:12I thought you were in a hurry to get away.

0:57:12 > 0:57:13Let's just be spontaneous.

0:57:13 > 0:57:15Which is actually not that spontaneous.

0:57:15 > 0:57:17I do care, if that's what you're worried about.

0:57:17 > 0:57:20I care enough about you not to want to disrupt your family life.

0:57:20 > 0:57:22I am trying to save Sandra again.

0:57:22 > 0:57:25Helping you brings it all back.

0:57:25 > 0:57:27SHE SIGHS

0:57:27 > 0:57:29But what do we do now?