0:00:02 > 0:00:07This programme contains some strong language and some violent scenes.
0:00:10 > 0:00:14MUSIC: Adagio in G Minor by Tomaso Albinoni
0:02:59 > 0:03:01HE SCREAMS
0:03:42 > 0:03:43Good morning.
0:04:47 > 0:04:48Lazaro, one moment.
0:04:48 > 0:04:50- Let me get my racket. - OK.
0:04:51 > 0:04:53Ciao bella.
0:05:11 > 0:05:12Versace!
0:05:14 > 0:05:18- Can we have your autograph? - Not today. Thank you.
0:06:01 > 0:06:04- Hey. - Hi. How are you?
0:06:07 > 0:06:09Good morning.
0:06:09 > 0:06:10Hey. Good morning, Gianni.
0:06:10 > 0:06:14Hi. Um, W Christy...and Diana.
0:06:27 > 0:06:29- Thank you so much. - Thank you.
0:07:13 > 0:07:14GUN COCKS
0:07:17 > 0:07:18No.
0:07:55 > 0:07:57Guess who I met.
0:07:57 > 0:07:59- Andrew! - Guess. You have to guess.
0:07:59 > 0:08:02Who, who, who?
0:08:04 > 0:08:05Gianni Versace.
0:08:05 > 0:08:08No! What?!
0:08:08 > 0:08:10Oh, my God, tell me everything.
0:08:11 > 0:08:14MUSIC: Last Night A DJ Saved My Life by Indeep
0:08:24 > 0:08:28# Last night a DJ saved my life
0:08:28 > 0:08:32# Last night a DJ saved my life yeah
0:08:32 > 0:08:35# Cos I was sitting there bored to death
0:08:35 > 0:08:37# And in just one breath he said
0:08:37 > 0:08:39# You gotta get up, you gotta get on
0:08:39 > 0:08:42# You gotta get down, girl
0:08:43 > 0:08:47# You know you drive me crazy, baby
0:08:47 > 0:08:52# You've got me turning to another man
0:08:52 > 0:08:54# Called you on the phone
0:08:54 > 0:08:57# No-one's home
0:09:03 > 0:09:05# Baby, why ya leave me?
0:09:06 > 0:09:09# And if it wasn't for the music
0:09:09 > 0:09:11# I don't know what I'd do
0:09:13 > 0:09:15# Yeah
0:09:15 > 0:09:19# Last night a DJ saved my life
0:09:19 > 0:09:23# Last night a DJ saved my life from a broken heart
0:09:23 > 0:09:26# Last night a DJ saved my life
0:09:28 > 0:09:31# Last night a DJ saved my life with a song. #
0:09:36 > 0:09:38Signore Versace, buona sera.
0:09:40 > 0:09:41This is my friend, Andrew.
0:09:42 > 0:09:44Hi.
0:09:44 > 0:09:48It's good to see you in San Francisco.
0:09:48 > 0:09:50Thank you.
0:09:52 > 0:09:53I'm excited to see the opera.
0:09:53 > 0:09:56I think it's time we had a contemporary designer working on...
0:09:56 > 0:09:57Have we met before?
0:09:59 > 0:10:02Yes. Lago de Como.
0:10:02 > 0:10:03A garden party at your residence.
0:10:03 > 0:10:05I was by the shore admiring your view
0:10:05 > 0:10:06and we exchanged a few words.
0:10:06 > 0:10:10You were most gracious. Of course, I remember it -
0:10:10 > 0:10:12but for you to remember it, it's very flattering.
0:10:12 > 0:10:15Yeah, Lago de Como, that must be it.
0:10:15 > 0:10:16Yes. So...
0:10:16 > 0:10:18THEY CHAT
0:10:18 > 0:10:20My mother's parents are from Italy.
0:10:20 > 0:10:23From the south. Schillaci is their family name. Maybe you know them.
0:10:23 > 0:10:25My mother still feels a very strong connection
0:10:25 > 0:10:27to the country, but in truth, she's never been.
0:10:27 > 0:10:29Can you believe that?
0:10:29 > 0:10:32An Italian-American that's never even seen her own country?
0:10:38 > 0:10:40She never returned with you?
0:10:42 > 0:10:44Honestly...
0:10:44 > 0:10:46..I think she's scared.
0:10:46 > 0:10:48It's almost as if...
0:10:48 > 0:10:54..she wants to keep Italy only in her mind as this perfect place.
0:10:59 > 0:11:01Where were her parents born?
0:11:04 > 0:11:05Palermo.
0:11:06 > 0:11:08Uh, they were born in Palermo.
0:11:08 > 0:11:10I'll have whatever he's having.
0:11:11 > 0:11:13Sparkling water.
0:11:14 > 0:11:18- Palermo, you said. - Oh, yes. They moved to Ohio in 1928.
0:11:18 > 0:11:21I used to take the ferry to Palermo when I was a young boy.
0:11:21 > 0:11:24So there I am sitting in the VIP area...
0:11:24 > 0:11:26Wait, where is this? Hey, do you want some coffee?
0:11:26 > 0:11:27Oh, no, I'll get it.
0:11:27 > 0:11:29So, sitting in the VIP area at a private members only club...
0:11:29 > 0:11:31Cigars, velvet upholstery...
0:11:31 > 0:11:34Very strict policy on not approaching celebrities,
0:11:34 > 0:11:37- which I would never do, by the way. - No.- Ugh. So tacky.
0:11:37 > 0:11:39So I'm talking with my friend and then this...
0:11:39 > 0:11:41..agreeable looking man comes up to me
0:11:41 > 0:11:44and he introduces himself as Versace.
0:11:44 > 0:11:47Yes. I say to him, "Honey, if you're Versace, I'm Coco Chanel."
0:11:47 > 0:11:49- No, you didn't. - I said that.
0:11:49 > 0:11:51It's so embarrassing - and I had to make it up to him later,
0:11:51 > 0:11:54when he actually did establish himself as...
0:11:54 > 0:11:57..you know, Versace.
0:11:57 > 0:12:01I'm not really a fan of his clothes, per se, it's just so...bright.
0:12:01 > 0:12:03- It's too much - but they say... - SHE MOUTHS
0:12:03 > 0:12:05..that Armani designs clothes for wives.
0:12:05 > 0:12:08I think that Versace designs clothes for sluts,
0:12:08 > 0:12:10and don't you look at me like that.
0:12:10 > 0:12:12Please, I know the score.
0:12:12 > 0:12:14There's a lecherous fag on the prowl.
0:12:14 > 0:12:18- I didn't know he was gay. - Hey, faggot is not a nice word.
0:12:18 > 0:12:20Not nice when it's said by the wrong person -
0:12:20 > 0:12:22but what are we supposed to call them?
0:12:22 > 0:12:25Homosexuals? Hmm? Sounds so...scientific.
0:12:25 > 0:12:28Anyway, I don't have a problem with it - it doesn't bother me.
0:12:28 > 0:12:29At all. Which is why I agreed.
0:12:29 > 0:12:31Wait, you agreed to what?
0:12:31 > 0:12:32Oh, didn't I say?
0:12:32 > 0:12:34He invited me to the opera.
0:12:34 > 0:12:36He's designing the costumes for Capriccio.
0:12:36 > 0:12:38It's a minor work, but even so.
0:12:38 > 0:12:41I guess even in minor works, one must wear clothes.
0:12:42 > 0:12:45And you said yes?
0:12:45 > 0:12:47My dear, sweet Lizzie...
0:12:50 > 0:12:54..Versace has invited me to the opera.
0:12:54 > 0:12:56Of course I said yes.
0:12:56 > 0:12:59So I said, "Lizzie, I'm not crazy about Versace,
0:12:59 > 0:13:01"but I certainly wouldn't mind going to the opera."
0:13:01 > 0:13:03- Is it real?- What?
0:13:03 > 0:13:05Versace.
0:13:05 > 0:13:06What do you mean?
0:13:06 > 0:13:09The other day I heard you say you were half Jewish.
0:13:09 > 0:13:11Well...that's complicated.
0:13:11 > 0:13:14No, it isn't. You're not Jewish - you're Catholic, same as me.
0:13:14 > 0:13:15You were an altar boy.
0:13:15 > 0:13:17I mean, we spoke about what happened to you.
0:13:17 > 0:13:19What does it matter what I said?
0:13:19 > 0:13:21- What does it matter?- Yes. - It matters!
0:13:21 > 0:13:24- Only if they know it isn't true. - But you know.
0:13:25 > 0:13:28- I thought you'd be happy about it. - About what?- About Versace.
0:13:28 > 0:13:29That you'd brag about a date with Versace?
0:13:29 > 0:13:32- It's not a brag.- You can't even tell people you're gay.
0:13:32 > 0:13:34I tell people all the time. I've told people for years. I...
0:13:34 > 0:13:37You tell gay people you're gay and straight people you're straight.
0:13:39 > 0:13:41I tell people what they need to hear.
0:13:42 > 0:13:44How am I supposed to behave?
0:13:44 > 0:13:48Do I pretend to know the person you're pretending to be?
0:13:48 > 0:13:49I can't keep up.
0:13:49 > 0:13:51Every time I feel like I'm getting close to you,
0:13:51 > 0:13:53you say you're someone else.
0:13:54 > 0:13:57I know I'm not...
0:13:57 > 0:13:59- ..impressive... - OK.
0:13:59 > 0:14:02..but I'm nice. I'm smart...
0:14:02 > 0:14:05..and I'm kind.
0:14:05 > 0:14:08I...honestly...
0:14:10 > 0:14:13..truthfully...
0:14:14 > 0:14:18..I swear, I really do have a date with Gianni Versace.
0:14:20 > 0:14:22I'm pleased for you.
0:14:24 > 0:14:25Good.
0:15:19 > 0:15:21What? No, no, no, darling, look at yourself.
0:15:21 > 0:15:25Look at yourself in the mirror. Don't look at me. In the mirror.
0:15:25 > 0:15:29To adjust a dress, the most important thing
0:15:29 > 0:15:31is that I look at your face.
0:15:31 > 0:15:33It's that I see your face.
0:15:33 > 0:15:35I learned that from my mother.
0:15:35 > 0:15:36She was a dressmaker.
0:15:36 > 0:15:38She had a little store in Calabria.
0:15:38 > 0:15:41My mother, she would stand with her clients,
0:15:41 > 0:15:43who she considered her friends,
0:15:43 > 0:15:47in front of the mirror and study their expressions.
0:15:47 > 0:15:49Not the fabric, not the dress.
0:15:49 > 0:15:52Their faces - and only when they were happy,
0:15:52 > 0:15:56only when they smile, when they relax,
0:15:56 > 0:15:58her work was complete.
0:15:58 > 0:16:01My clothes serve you, darling.
0:16:01 > 0:16:03I work for you. I'm not important.
0:16:03 > 0:16:05It's you, it's all about you. Yes?
0:16:05 > 0:16:07- Mm, yes. - Now you go.
0:16:10 > 0:16:12MUSIC: All Around The World by Lisa Stansfield
0:16:28 > 0:16:30You should have asked.
0:16:36 > 0:16:38I have nothing.
0:16:42 > 0:16:44You look very nice.
0:16:44 > 0:16:46"Nice."
0:16:46 > 0:16:47What were you going for?
0:16:47 > 0:16:49Impressive.
0:17:00 > 0:17:01Give me your hand.
0:17:05 > 0:17:06Mm-hm.
0:17:06 > 0:17:08You should... No. Uh...
0:17:12 > 0:17:14I love you.
0:17:14 > 0:17:16You are ridiculous.
0:17:18 > 0:17:19See, that's impressive.
0:17:19 > 0:17:21Yes.
0:17:21 > 0:17:23ALERT CHIMES ON TANNOY
0:17:35 > 0:17:38MUSIC: Kein Andres, das mir so im Herzen loht by Strauss
0:17:44 > 0:17:46WOMAN SINGS IN GERMAN
0:19:52 > 0:19:53Did you enjoy?
0:19:53 > 0:19:55I loved it.
0:19:55 > 0:19:58I thought it was inspiring.
0:19:58 > 0:20:00You are creative, right?
0:20:00 > 0:20:02Oh, pfft, of course, very much.
0:20:02 > 0:20:03Thank you.
0:20:07 > 0:20:09What do you do for work?
0:20:09 > 0:20:11This and that. For my first job,
0:20:11 > 0:20:15I worked for my father on his pineapple plantations
0:20:15 > 0:20:17in the Philippines... Can you imagine that?
0:20:17 > 0:20:19Picking them in the midday sun. You should've seen me.
0:20:19 > 0:20:21My father was a-a military man.
0:20:21 > 0:20:26He was a pilot for Imelda Marcos, the first lady of the Philippines.
0:20:26 > 0:20:28- Really?- Yes! He flew one of those old planes,
0:20:28 > 0:20:30the, um, the type that Buddy Holly died in.
0:20:30 > 0:20:33Beechcraft Bonanza, they're called, if you know them.
0:20:33 > 0:20:34He would fly them low to the ground
0:20:34 > 0:20:36because Imelda was terrified of crashing -
0:20:36 > 0:20:37and that is a true story.
0:20:37 > 0:20:41My father would tell her, "Imelda, when you're flying a plane
0:20:41 > 0:20:44"at 400 miles per hour in a rickety tin can,
0:20:44 > 0:20:46"it doesn't, it doesn't matter how high you are."
0:20:48 > 0:20:50And then you moved to America.
0:20:50 > 0:20:53My father wanted me to have the very best education.
0:20:53 > 0:20:55Which, of course, I had.
0:20:55 > 0:20:57He's retired from the military now.
0:20:57 > 0:21:00He runs all of his businesses from abroad, cos he can.
0:21:00 > 0:21:03Who knew that there was so much money to be made in pineapples?
0:21:03 > 0:21:05He was here the other day, he was just in town.
0:21:05 > 0:21:08He was driving around in his Rolls-Royce
0:21:08 > 0:21:11with his boyfriend as a chauffeur.
0:21:11 > 0:21:12Boyfriend?
0:21:12 > 0:21:14- Please, don't ask. - Your father has a boyfriend?
0:21:14 > 0:21:16He left my mom and ran off with one of the young men
0:21:16 > 0:21:17who worked on the plantations.
0:21:19 > 0:21:21It was cute, I guess.
0:21:21 > 0:21:24It's all so crazy. I'm writing a novel about it.
0:21:24 > 0:21:26- You are? - Mm-hm.
0:21:26 > 0:21:28I wish I had the patience to write a novel -
0:21:28 > 0:21:31but my mind is always moving, you know?
0:21:31 > 0:21:33I think you need great stillness to write a novel.
0:21:33 > 0:21:36I'm never still.
0:21:36 > 0:21:38Maybe you just need a crazy family.
0:21:38 > 0:21:40For me, family's everything.
0:21:40 > 0:21:41- Everything. - Hmm.
0:21:41 > 0:21:44The first dress I ever made was for my sister Donatella.
0:21:44 > 0:21:46Maybe every dress I make is for her.
0:21:47 > 0:21:49That makes me want to cry.
0:21:49 > 0:21:51Makes me smile.
0:21:51 > 0:21:53Uh, yes, well, that, too. Yeah, of course.
0:21:55 > 0:21:59The Medusa logo, from my company...
0:21:59 > 0:22:00You know it?
0:22:00 > 0:22:01So sophisticated.
0:22:01 > 0:22:05As children, we used to play in ancient ruins
0:22:05 > 0:22:08close to our home in Calabria,
0:22:08 > 0:22:11and one day, I saw the Medusa's head with the...
0:22:11 > 0:22:13..hair of snakes carved on the stone and I fell in love.
0:22:13 > 0:22:16I know that many people call it pretentious, but I don't care.
0:22:16 > 0:22:18How could my childhood be pretentious?
0:22:18 > 0:22:21- I agree. - My hope is that when people...
0:22:21 > 0:22:24..wear my clothes, they will get to know me a little bit, you know?
0:22:24 > 0:22:28They will get to know my character, my...my love for life -
0:22:28 > 0:22:31and I think that the same will happen with your novel.
0:22:31 > 0:22:34People will get to know you a little bit when they read your book.
0:22:34 > 0:22:36I'll send you an advanced copy.
0:22:38 > 0:22:42You think I should change my name to something a little more literary?
0:22:42 > 0:22:44I was... I was thinking Andrew DeSilva.
0:22:44 > 0:22:46No. You should be proud of your name.
0:22:47 > 0:22:49When they make a movie of my book,
0:22:49 > 0:22:52you must design the clothes. You have to.
0:22:52 > 0:22:53You...for Imelda, think of it.
0:22:53 > 0:22:55She was a fashion icon, it would be perfect.
0:22:55 > 0:22:56You know she had 3,000 pairs of shoes.
0:22:56 > 0:22:58I know - but I don't design shoes.
0:22:58 > 0:22:59Well...
0:22:59 > 0:23:02But maybe I could try, for your movie.
0:23:04 > 0:23:06Mm?
0:23:06 > 0:23:07Maybe.
0:23:08 > 0:23:10I'm so happy right now.
0:23:10 > 0:23:13You should be.
0:23:13 > 0:23:16You're handsome, clever.
0:23:19 > 0:23:22I'm sure...
0:23:22 > 0:23:26..you're going to be someone really special one day.
0:23:28 > 0:23:29GUNSHOT
0:23:36 > 0:23:37GUNSHOT
0:24:00 > 0:24:02Hey!
0:24:04 > 0:24:05Hey!
0:24:11 > 0:24:13Gianni.
0:24:13 > 0:24:14Help!
0:24:36 > 0:24:37Help!
0:24:37 > 0:24:39Please help.
0:24:39 > 0:24:41I just need an ambulance.
0:24:41 > 0:24:42Get an ambulance.
0:25:22 > 0:25:24Ahhh....!
0:25:24 > 0:25:26HE LAUGHS
0:25:30 > 0:25:32Yes!
0:25:37 > 0:25:39Ha!
0:25:55 > 0:25:57DISTANT SIRENS
0:26:09 > 0:26:11- You know who that is? - No.
0:26:13 > 0:26:15It's Gianni Versace.
0:26:16 > 0:26:18Ambulance!
0:26:18 > 0:26:20Where's the ambulance? Please.
0:26:20 > 0:26:24- Jesus. - Please help!
0:26:24 > 0:26:26Move! Get an ambulance!
0:26:36 > 0:26:37Yes!
0:26:49 > 0:26:50Here we go.
0:26:50 > 0:26:51All right.
0:27:07 > 0:27:09Hey, stop!
0:27:12 > 0:27:14OVER RADIO: All units, suspect last seen
0:27:14 > 0:27:17entering 13th Street garage wearing red baseball hat,
0:27:17 > 0:27:18grey T-shirt. Please advise.
0:27:18 > 0:27:20No red hat, but some guy in a red shirt.
0:27:20 > 0:27:23Latino. A security guard or parking attendant.
0:27:23 > 0:27:25I'll check him out.
0:27:43 > 0:27:44What do we got?
0:27:44 > 0:27:47Patient has GSW times two to the head, found in cardiac arrest.
0:27:47 > 0:27:49Asystolic, pupils are fixed and dilated.
0:27:49 > 0:27:51How long has he been down?
0:27:51 > 0:27:52- We're in. - Get him to Trauma One.
0:27:57 > 0:27:59Hey, you! Stop right there!
0:27:59 > 0:28:01Freeze!
0:28:01 > 0:28:02Freeze!
0:28:03 > 0:28:05Freeze! Freeze, right there!
0:28:05 > 0:28:07- Come on, people. Let's go. - Keep him centred.
0:28:07 > 0:28:09- Push, push. - Coming through, coming through.
0:28:09 > 0:28:10I need that pulse.
0:28:10 > 0:28:12GCS, level 3.
0:28:15 > 0:28:17Suspect on the run, in pursuit!
0:28:17 > 0:28:19Espanola Way.
0:28:19 > 0:28:20Heading east.
0:28:24 > 0:28:26Suspect is down.
0:28:26 > 0:28:28Turn him over!
0:28:35 > 0:28:37Let's go, let's go, let's go!
0:28:37 > 0:28:39We need a crash cart.
0:28:39 > 0:28:41- Get a cart, get a cart. - On three.
0:28:41 > 0:28:43One, two, three. Lift.
0:28:43 > 0:28:44Attempting CPR.
0:28:47 > 0:28:48Get a second line.
0:28:48 > 0:28:49Come on.
0:28:51 > 0:28:54I have a weak pulse.
0:28:54 > 0:28:57- Let's go, people, we've got a pulse. - Let's prep him for X-ray.
0:29:00 > 0:29:03Hey, guys. I-I have the only photo.
0:29:03 > 0:29:05The only...
0:29:05 > 0:29:08I have the only photo of Versace.
0:29:08 > 0:29:10Bidding starts at 30,000.
0:29:10 > 0:29:13Looks like the bullet entered the maxilla and lodged in the vertex.
0:29:13 > 0:29:15- Tore through the parietal lobe. - Not operable.
0:29:15 > 0:29:16MONITOR BEEPS
0:29:25 > 0:29:27MONITOR FLATLINES
0:29:27 > 0:29:28Hold CPR.
0:29:35 > 0:29:37Call it.
0:29:37 > 0:29:40Time of death - 9:21am.
0:30:05 > 0:30:09MUSIC: Oh! Quante volte by Vincenzo Bellini
0:30:45 > 0:30:46Who is he?
0:30:46 > 0:30:48Boyfriend.
0:31:00 > 0:31:02Go, go, go, go, go, go.
0:31:02 > 0:31:04Stay behind the line.
0:31:10 > 0:31:12Hey! You want to be arrested?
0:32:10 > 0:32:12CAMERAS CLICK
0:32:17 > 0:32:19- TV:- Breaking news from Miami Beach.
0:32:19 > 0:32:20We've received reports of a shooting
0:32:20 > 0:32:23at fashion designer Gianni Versace's mansion on Ocean Drive.
0:32:23 > 0:32:25The shooting occurred this morning at 9:00am.
0:32:25 > 0:32:28No official statement from police has been made,
0:32:28 > 0:32:31but the investigation is ongoing at this time.
0:32:31 > 0:32:33Eyewitnesses have confirmed there is at least
0:32:33 > 0:32:35one victim who was shot and rushed to the hospital.
0:32:35 > 0:32:37Our reporter is standing by.
0:32:37 > 0:32:40Well, we have just arrived at the scene,
0:32:40 > 0:32:44but we can confirm that world-famous fashion designer Gianni Versace
0:32:44 > 0:32:47has been shot here on the steps outside his villa.
0:33:05 > 0:33:06South Carolina tags.
0:33:06 > 0:33:09Sam-King-William-2-6-3.
0:33:13 > 0:33:15Nah, nothing's coming up.
0:33:15 > 0:33:16Could be stolen plates.
0:33:16 > 0:33:18Try the vehicle ID number.
0:33:18 > 0:33:20King-1-Adam-1-0.
0:33:24 > 0:33:27Yeah. Vehicle linked to the homicide of William Reese.
0:33:27 > 0:33:30Suspect name is Andrew Cunanan.
0:33:32 > 0:33:34Pronounced Ver-sash-shay.
0:33:34 > 0:33:36Singer?
0:33:36 > 0:33:38That's Liberace.
0:33:38 > 0:33:40It's the jeans guy.
0:33:41 > 0:33:43Listen up, everyone.
0:33:43 > 0:33:44Who do we have in Miami?
0:33:44 > 0:33:46CHATTER AND CAMERAS CLICKING
0:34:05 > 0:34:07You heard about the Chevy?
0:34:07 > 0:34:09Red Chevy 1500.
0:34:09 > 0:34:10- Pick-up truck? - That's right.
0:34:10 > 0:34:12Hot damn, that's Cunanan.
0:34:12 > 0:34:14That's Andrew Cunanan.
0:34:14 > 0:34:17Agent Evans has been looking for Cunanan for several months.
0:34:17 > 0:34:18In Miami?
0:34:18 > 0:34:20In Fort Lauderdale, too.
0:34:20 > 0:34:21Who is he?
0:34:25 > 0:34:27How many people has he killed?
0:34:27 > 0:34:30Four. Five now with...Versace.
0:34:30 > 0:34:32How many flyers have gone out?
0:34:33 > 0:34:35How many have gone out, Agent Evans?
0:34:46 > 0:34:48Shortly before 9:00am,
0:34:48 > 0:34:50fashion designer Gianni Versace
0:34:50 > 0:34:52was shot on the steps of his villa.
0:34:52 > 0:34:55He was then taken to Jackson Memorial Hospital,
0:34:55 > 0:34:58where he was pronounced dead at 9:21am.
0:35:21 > 0:35:23Miami Beach Police investigators,
0:35:23 > 0:35:25in cooperation with the Federal Bureau of Investigation,
0:35:25 > 0:35:28and the Florida Department of Law Enforcement,
0:35:28 > 0:35:31are currently looking for Andrew Phillip Cunanan
0:35:31 > 0:35:33as a suspect in the murder of Gianni Versace.
0:35:46 > 0:35:49Cunanan should be considered armed
0:35:49 > 0:35:52and extremely dangerous at this time.
0:37:04 > 0:37:06What was your involvement with Mr Versace?
0:37:08 > 0:37:09My involvement?
0:37:09 > 0:37:12You were the person who found these, uh, dancers, models,
0:37:12 > 0:37:14escorts, and brought them back to the house for sex?
0:37:14 > 0:37:16Who told you that?
0:37:16 > 0:37:18Mr D'Amico, this is a police investigation.
0:37:18 > 0:37:20We need to know everything.
0:37:20 > 0:37:22The staff told me when I interviewed them.
0:37:22 > 0:37:25Well, I was his partner, not his pimp.
0:37:25 > 0:37:27By partner, you mean...?
0:37:27 > 0:37:29What-What do I mean?
0:37:38 > 0:37:40Hey. Listen, I'm...
0:37:40 > 0:37:43I'm on your side.
0:37:43 > 0:37:46I'm just trying to figure out what was going on at the house.
0:37:46 > 0:37:48Now, you say you're partners.
0:37:48 > 0:37:50Partner.
0:37:51 > 0:37:54His companion.
0:37:54 > 0:37:55I loved him.
0:37:55 > 0:37:58Though you were, um, bringing back other men?
0:37:58 > 0:37:59For him?
0:37:59 > 0:38:02You were... having sex with them, too?
0:38:02 > 0:38:04With him there?
0:38:04 > 0:38:06Sometimes.
0:38:06 > 0:38:09Sometimes he wouldn't join in?
0:38:10 > 0:38:12No, not always.
0:38:12 > 0:38:15Sometimes...
0:38:15 > 0:38:17It was... It was whatever he wanted.
0:38:17 > 0:38:20These other men, uh, did they consider themselves
0:38:20 > 0:38:22to be Versace's partner, too?
0:38:22 > 0:38:23- No. Of course... - You see why I'm confused?
0:38:23 > 0:38:25What's the difference?
0:38:25 > 0:38:2715 years.
0:38:27 > 0:38:29I lived with Gianni for 15 years, that is the difference.
0:38:29 > 0:38:31OK. That-That's, um...
0:38:31 > 0:38:33That's a good length of time.
0:38:35 > 0:38:37Could you give us their names? These other men.
0:38:37 > 0:38:39I can... I can find out.
0:38:41 > 0:38:42Were they paid?
0:38:42 > 0:38:44Oh, yes, no...
0:38:44 > 0:38:46Most of the time they just fell for him.
0:38:46 > 0:38:49He was a genius.
0:38:49 > 0:38:50He cast a spell.
0:38:50 > 0:38:53Hmm. Were you paid?
0:38:53 > 0:38:54Was I paid?
0:38:54 > 0:38:57To love him?! Was I paid to love him?
0:38:57 > 0:38:59I'm sorry. I know you're upset, but...
0:38:59 > 0:39:03This is new to me, I'm just trying to get everything clear.
0:39:03 > 0:39:06- Don't want to make presumptions. - Yes, and I'm trying to help, but...
0:39:09 > 0:39:12Did you see the man who shot Versace?
0:39:12 > 0:39:14No.
0:39:14 > 0:39:17Well, might it be one of these men who killed him?
0:39:41 > 0:39:43Get them out, please.
0:39:59 > 0:40:00HE SOBS
0:40:02 > 0:40:04That's not what I need from you right now.
0:40:08 > 0:40:09What do you need from me?
0:40:11 > 0:40:13What were you saying to the police?
0:40:13 > 0:40:16I don't know, they were asking some questions.
0:40:17 > 0:40:18About Gianni's life.
0:40:19 > 0:40:21What about my brother's life?
0:40:26 > 0:40:28They will find out, Donatella.
0:40:28 > 0:40:30What? What will they find out?
0:40:30 > 0:40:32Everything.
0:40:36 > 0:40:38Nothing was ever asked of you...
0:40:38 > 0:40:40..except to take care of him -
0:40:40 > 0:40:42and you couldn't even do that.
0:40:48 > 0:40:50You are not to speak to anyone about my brother
0:40:50 > 0:40:51without consulting me first.
0:41:54 > 0:41:56Please sit down.
0:41:57 > 0:41:59Well...
0:42:02 > 0:42:04Thank you for coming.
0:42:04 > 0:42:08For me to talk about business at this time, it's...
0:42:08 > 0:42:10..kind of crazy, no?
0:42:15 > 0:42:18As you know, my brother,
0:42:18 > 0:42:21who I love very much, is dead...
0:42:22 > 0:42:25..and now, the press and the police
0:42:25 > 0:42:27will rake through his life.
0:42:27 > 0:42:30Every rumour, every indiscretion.
0:42:30 > 0:42:32They'll judge the killer, yes,
0:42:32 > 0:42:34but they'll judge the victim, too.
0:42:35 > 0:42:37At first people weep.
0:42:37 > 0:42:38Then they whisper.
0:42:42 > 0:42:46Gianni grew his company from one small store in Milano.
0:42:46 > 0:42:49On Via della Spiga.
0:42:49 > 0:42:51With a single rack of clothes...
0:42:51 > 0:42:55..a little wooden bench...
0:42:55 > 0:42:57..and a pietra grigia stone floor.
0:42:57 > 0:42:59The same stone that's in our family chapel.
0:43:02 > 0:43:04Our mother was there, Franca.
0:43:04 > 0:43:08She was so proud.
0:43:08 > 0:43:10From that to all this.
0:43:10 > 0:43:12Everything you see around us.
0:43:12 > 0:43:15This house, this company...
0:43:15 > 0:43:18He was a creator, he was a collector,
0:43:18 > 0:43:20he was a genius...
0:43:20 > 0:43:24..and this company was his life.
0:43:24 > 0:43:26When he was sad, it made him happy.
0:43:26 > 0:43:30When he was sick, it kept him alive -
0:43:30 > 0:43:33and my brother is still alive, as long as Versace's alive.
0:43:33 > 0:43:36I will not allow that man...
0:43:36 > 0:43:40..that nobody... to kill my brother twice.
0:43:43 > 0:43:48The family thanks all those who have paid their respects...
0:43:48 > 0:43:51..and marked their grief with silence.
0:43:51 > 0:43:54This is a heinous and inexplicable crime.
0:43:54 > 0:43:59Neither Gianni Versace, nor any of his family,
0:43:59 > 0:44:02knew or had any contact
0:44:02 > 0:44:07with the suspect known as Andrew Cunanan.
0:44:08 > 0:44:09Thank you very much.
0:44:09 > 0:44:10CLAMOUR OF VOICES
0:44:18 > 0:44:20- TV:- That was the last night's official statement
0:44:20 > 0:44:23from the house of Versace. Lydia's at the scene.
0:44:23 > 0:44:25With the death of Gianni Versace, Miami is now at the centre
0:44:25 > 0:44:28of one of the largest FBI manhunts of all time.
0:44:28 > 0:44:31The police have named Andrew Cunanan as the suspect.
0:44:31 > 0:44:33Please call the Channel 15 tip line
0:44:33 > 0:44:36if you have any information. Operators are standing by.
0:44:36 > 0:44:38This is a nationwide manhunt. Be on alert.
0:44:42 > 0:44:44LOCK BUZZES
0:44:47 > 0:44:50I gave him 190 cash for that coin.
0:44:50 > 0:44:52OK, I did everything right.
0:44:52 > 0:44:53I did everything by the book.
0:44:53 > 0:44:56I asked him for his ID, he gave me a US passport.
0:44:56 > 0:44:58Andrew P Cunanan.
0:44:58 > 0:45:00I asked him for his address.
0:45:00 > 0:45:03He gave me this address, right here. OK?
0:45:03 > 0:45:06I handed the paperwork in to you guys, July 7.
0:45:06 > 0:45:08Seven days before Versace was shot.
0:45:08 > 0:45:11We got an address on Andrew Cunanan.
0:45:11 > 0:45:15Gianni had hoped to be the first Italian designer
0:45:15 > 0:45:18to list his company on both the Milan Borsa
0:45:18 > 0:45:20and the New York Stock Exchange.
0:45:20 > 0:45:22The papers with Morgan Stanley were signed.
0:45:22 > 0:45:24They were signed a week ago.
0:45:24 > 0:45:27That's why he was here, in this country.
0:45:27 > 0:45:30So, I know how much it meant to him.
0:45:30 > 0:45:32We can still go ahead.
0:45:32 > 0:45:34He would have wanted us to.
0:45:34 > 0:45:36Yes, he would have wanted that.
0:45:36 > 0:45:38He would have wanted his death to change nothing -
0:45:38 > 0:45:40but it changes everything.
0:45:40 > 0:45:42If we pull out,
0:45:42 > 0:45:45we won't be able to try again for many years, Donatella.
0:45:45 > 0:45:48Maybe - but if we are a public company,
0:45:48 > 0:45:50we are in the hands of strangers, Santo.
0:45:50 > 0:45:52They can turn against us.
0:45:52 > 0:45:56For good reasons, bad reasons, fair reasons, unfair ones.
0:45:56 > 0:45:58This is not a time for strangers.
0:45:58 > 0:46:00This is a time for family.
0:46:08 > 0:46:09Tell Morgan Stanley...
0:46:10 > 0:46:14..tell them we will not be listing on the New York Stock Exchange.
0:46:14 > 0:46:16We'll remain a private company.
0:46:16 > 0:46:18A family company.
0:46:23 > 0:46:25I'm sorry.
0:47:32 > 0:47:34Go, go, go, go, go!
0:47:35 > 0:47:37- Don't fucking move. - Room's clear!
0:47:37 > 0:47:38- I said don't move. - What's your name?!
0:47:38 > 0:47:40What's your name?!
0:47:40 > 0:47:42- Ronnie. Ronnie. - Do you know this man?
0:47:42 > 0:47:44Do you know him?!
0:47:44 > 0:47:45No.
0:48:34 > 0:48:35All of them?
0:48:35 > 0:48:37All of them.