0:00:02 > 0:00:06This programme contains scenes of a sexual nature, some violent scenes,
0:00:06 > 0:00:08some scenes which some viewers may find upsetting
0:00:08 > 0:00:10and some strong language.
0:00:37 > 0:00:39There are no journalists here.
0:00:51 > 0:00:52There are drugs.
0:00:52 > 0:00:56The therapies are complex, difficult.
0:00:56 > 0:00:58But we have options.
0:00:58 > 0:01:00When I was a child...
0:01:00 > 0:01:03..I had an older sister.
0:01:03 > 0:01:05Before Donatella was born.
0:01:05 > 0:01:07Her name was Tina.
0:01:08 > 0:01:11At ten years old, she became very ill...
0:01:12 > 0:01:14..with peritonitis.
0:01:14 > 0:01:17My parents sent me away to live with my aunt and my uncle
0:01:17 > 0:01:20while they nursed her.
0:01:20 > 0:01:23But I couldn't be away from my family for long, so...
0:01:23 > 0:01:27one day, I ran all the way back home.
0:01:29 > 0:01:31And when I walked into the house...
0:01:32 > 0:01:34..I saw her,
0:01:34 > 0:01:37my older sister,
0:01:37 > 0:01:40in an open casket surrounded by white flowers.
0:01:41 > 0:01:43No-one had told me she had died.
0:01:45 > 0:01:48Until that moment, I always believed
0:01:48 > 0:01:50that if you get sick,
0:01:50 > 0:01:52you can also get better.
0:02:02 > 0:02:03HE GROANS GENTLY
0:02:12 > 0:02:14I need to talk to him.
0:02:28 > 0:02:29DOOR CLOSES
0:02:36 > 0:02:39What is Versace without you?
0:02:41 > 0:02:42It will be you.
0:02:42 > 0:02:45SHE SCOFFS
0:02:45 > 0:02:48Who am I without you?
0:02:51 > 0:02:53You will find out.
0:03:14 > 0:03:17- HE SIGHS - You hate me, don't you?
0:03:20 > 0:03:22He wasn't enough for you?
0:03:22 > 0:03:25This house, this life.
0:03:25 > 0:03:26You wanted more.
0:03:26 > 0:03:28More fun, more men.
0:03:28 > 0:03:30I understand. That is your business.
0:03:30 > 0:03:31But why bring him into it?
0:03:31 > 0:03:33Cos he chose to.
0:03:33 > 0:03:34No, he chose you.
0:03:34 > 0:03:37He went along with it because of you.
0:03:37 > 0:03:39Because he knew what you were thinking.
0:03:39 > 0:03:42"Not handsome enough for handsome Antonio."
0:03:42 > 0:03:44I am not a villain.
0:03:44 > 0:03:46And he's not a saint.
0:03:46 > 0:03:48My brother has a weakness for beauty.
0:03:48 > 0:03:50He forgives it anything.
0:03:50 > 0:03:53But I am not my brother.
0:03:53 > 0:03:55But we can agree on something.
0:03:59 > 0:04:02You knew he wanted a family.
0:04:02 > 0:04:04Why didn't you give him one?
0:04:04 > 0:04:05Cos we're not allowed.
0:04:05 > 0:04:08You could have found a way.
0:04:08 > 0:04:10He celebrated your marriage.
0:04:10 > 0:04:13He shed tears of joy in church for your fucking union!
0:04:13 > 0:04:16What have you done but belittle me and criticise his choice?
0:04:16 > 0:04:17What have you done for him?
0:04:17 > 0:04:19What have you given him?
0:04:19 > 0:04:20Stability? Safety?
0:04:20 > 0:04:22Children?
0:04:23 > 0:04:26If you had given him anything, I would have given you respect.
0:04:26 > 0:04:28But you've given him nothing.
0:04:29 > 0:04:31DOOR OPENS, SLAMS
0:04:31 > 0:04:33VERSACE: I try not to be bitter, Antonio.
0:04:34 > 0:04:36I was never bitter before.
0:04:37 > 0:04:39If I was sad, I create.
0:04:41 > 0:04:43If I was angry, I create.
0:04:44 > 0:04:48But now, I'm too...I'm too sick.
0:04:48 > 0:04:52I'm too sick to-to work and too sick to...
0:04:52 > 0:04:54For the first time in my life, I'm jealous.
0:04:54 > 0:04:56I'm jealous of him.
0:04:56 > 0:04:58I'm jealous of her. I...
0:04:58 > 0:05:00I just want it out, Antonio.
0:05:00 > 0:05:02I just want it out, my love.
0:05:02 > 0:05:05I just want it out. Just get it out of me, my love. Get it...
0:05:14 > 0:05:16FOOTSTEPS APPROACHING SLOWLY
0:05:26 > 0:05:28I need us to be a family.
0:05:28 > 0:05:30I cannot do this if we're not.
0:06:16 > 0:06:18Donatella, please.
0:06:18 > 0:06:20- Please. - DONATELLA SIGHS
0:06:20 > 0:06:22He's gone, Antonio.
0:06:22 > 0:06:24There is no need for us to pretend any more.
0:06:26 > 0:06:27DOORS CLOSE
0:07:00 > 0:07:03- REPORTERS CLAMOURING - Donatella!
0:07:03 > 0:07:05- MAN:- Versace!
0:07:05 > 0:07:06CAMERA SHUTTERS CLICKING
0:07:06 > 0:07:08- WOMAN:- Donatella!
0:07:12 > 0:07:15MOTORCYCLE ENGINE REVVING
0:07:15 > 0:07:17CLAMOURING CONTINUES FAINTLY
0:07:21 > 0:07:23FOOTSTEPS APPROACHING
0:08:25 > 0:08:28SNIFFLES
0:08:30 > 0:08:33CRYING SOFTLY
0:08:48 > 0:08:50- QUIETLY:- Gianni.
0:08:53 > 0:08:56Amore...amore mio.
0:08:56 > 0:08:58Amore mio.
0:08:58 > 0:09:00SOBS
0:09:00 > 0:09:01Amore mio.
0:09:03 > 0:09:05CRYING
0:10:01 > 0:10:05After everything he survived,
0:10:05 > 0:10:07to be killed like this.
0:11:53 > 0:11:56# I crank it up when I'm feeling low
0:11:56 > 0:11:59# My troubles topple like dominoes
0:11:59 > 0:12:03# Everything is going my way
0:12:03 > 0:12:06# You'll find me where the music plays
0:12:06 > 0:12:07# Inside my radio... #
0:12:07 > 0:12:09- WOMAN:- It's going to hit a high of 84 degrees
0:12:09 > 0:12:11and a low of 64 today in Florence...
0:12:11 > 0:12:14- REPORTER:- ..the investigation of the brutal murder of Lee Miglin,
0:12:14 > 0:12:17with police pursuing suspect Andrew Cunanan...
0:12:17 > 0:12:19MUSIC: Gloria by Laura Branigan
0:12:19 > 0:12:20# Calling, Gloria
0:12:22 > 0:12:24# Gloria
0:12:24 > 0:12:28- HE HUMS ALONG - # Don't you think you're falling?
0:12:28 > 0:12:31# If everybody wants you
0:12:31 > 0:12:35# Why isn't anybody calling?
0:12:35 > 0:12:38# You don't have to answer
0:12:38 > 0:12:41# Leave them hanging on the li-ine
0:12:41 > 0:12:42# Oh, oh, oh
0:12:42 > 0:12:46# Calling Gloria...
0:12:46 > 0:12:48# Gloria
0:12:48 > 0:12:49# Gloria
0:12:49 > 0:12:51# I think they got your number
0:12:51 > 0:12:53# Gloria
0:12:53 > 0:12:55# I think they got the alias
0:12:55 > 0:12:56# Gloria
0:12:56 > 0:12:58# That you've been living under
0:12:58 > 0:13:00# Gloria
0:13:00 > 0:13:03# But you really don't remember
0:13:03 > 0:13:06# Was it something that they said?
0:13:06 > 0:13:10# Are the voices in your head
0:13:10 > 0:13:14# Calling, Gloria?
0:13:14 > 0:13:17# Gloria
0:13:17 > 0:13:20# How's it going to go down?
0:13:20 > 0:13:23# Will you meet him on the main line
0:13:23 > 0:13:26# Or will you catch him on the re... #
0:13:45 > 0:13:48WOMAN SPEAKING SPANISH ON TV
0:14:06 > 0:14:07CLEARS THROAT
0:14:12 > 0:14:14SIGHS
0:14:15 > 0:14:17MUMBLING UNDER BREATH
0:14:21 > 0:14:24Hello. I don't have a reservation, and I know
0:14:24 > 0:14:27it's very unlikely because this hotel has such a great position
0:14:27 > 0:14:31right next to the oceanfront, but by any chance, do you have a room?
0:14:31 > 0:14:33If you have ID.
0:14:38 > 0:14:40"Kurt DeMarrs."
0:14:40 > 0:14:42- You're French?- I was born in Nice.
0:14:42 > 0:14:45- Have you ever been?- To Nice? No.
0:14:45 > 0:14:47It's beautiful. You should go sometime.
0:14:47 > 0:14:50I hope to go back soon, maybe raise a family. But first,
0:14:50 > 0:14:51I need to make my way in the world.
0:14:51 > 0:14:54I'm a fashion student. I travelled all the way here
0:14:54 > 0:14:56just so I can share a few words with Mr Versace.
0:14:56 > 0:14:58I hear he's very open to having conversations
0:14:58 > 0:14:59with young, aspiring students.
0:14:59 > 0:15:02- A fashion student? - Don't judge by the clothes.
0:15:02 > 0:15:04I don't have a dollar to spend on them.
0:15:04 > 0:15:07But I think Mr Versace will find my conversation very excellent.
0:15:07 > 0:15:09I would say, "Sir, nothing is more inspiring to me
0:15:09 > 0:15:11"than that one outfit that Carla Bruni wore."
0:15:11 > 0:15:14It was a skirt of crinoline, like a giant floral handkerchief,
0:15:14 > 0:15:15fastened with a gold belt,
0:15:15 > 0:15:18and daringly mismatched with a denim shirt.
0:15:19 > 0:15:22I don't know much about crinoline or Mr Versace,
0:15:22 > 0:15:25but how does 29.99 a night sound?
0:15:25 > 0:15:28Cash only. Paid in advance. No exceptions.
0:15:28 > 0:15:32Are you saying that some people actually leave here without paying?
0:15:32 > 0:15:33All the time.
0:15:33 > 0:15:35I chased one man.
0:15:35 > 0:15:36Ran two blocks.
0:15:36 > 0:15:38- Did you catch him?- No.
0:15:38 > 0:15:40And I didn't want to.
0:15:40 > 0:15:43I was just trying to make sure I kept my job.
0:15:43 > 0:15:45BOTH LAUGH
0:15:46 > 0:15:48MUFFLED CHATTER FROM OTHER ROOMS
0:17:07 > 0:17:09I'll take this camera.
0:17:09 > 0:17:11And that hat,
0:17:11 > 0:17:14and...sunglasses, the black ones.
0:17:23 > 0:17:26WINDING DISPOSABLE CAMERA
0:17:26 > 0:17:27SHUTTER CLICKING
0:18:06 > 0:18:09- EVANS:- Andrew Cunanan, 27 years old. He's killed four men.
0:18:09 > 0:18:11His murder spree began in Minneapolis.
0:18:11 > 0:18:15Next murder was in the countryside by East Rush Lake.
0:18:15 > 0:18:16Third victim was in Chicago.
0:18:16 > 0:18:18The fourth man was in New Jersey.
0:18:18 > 0:18:20- Why do you think he's now in Miami? - We don't know where he is.
0:18:20 > 0:18:23He's made the Bureau's Top Ten Most Wanted, which means right now,
0:18:23 > 0:18:26every FBI office in the country has agents looking for him.
0:18:26 > 0:18:28Do you think he's more or less likely to be here
0:18:28 > 0:18:30compared to, say, Los Angeles or San Diego...
0:18:30 > 0:18:33We intend to do our job on the assumption that he's coming here.
0:18:37 > 0:18:39LORI: We're talking about a really small area.
0:18:39 > 0:18:42The most popular gay venues are Twist,
0:18:42 > 0:18:44Warsaw Ballroom, Salvation,
0:18:44 > 0:18:46Amnesia...
0:18:46 > 0:18:50The Beach on 12th Street, and we're here.
0:18:50 > 0:18:52If he comes here, pretty much he'll have to walk right past us.
0:18:52 > 0:18:55We could visit these places in a day. I'm happy to take you around.
0:18:55 > 0:18:57Let's get the flyers out,
0:18:57 > 0:18:59meet the bar owners, community leaders...
0:18:59 > 0:19:01- All right. Detective... - HE CLEARS HIS THROAT
0:19:01 > 0:19:03..you haven't read the case files,
0:19:03 > 0:19:05Cunanan won't be a regular tourist.
0:19:05 > 0:19:07He's a predatory escort, which means he's going to target
0:19:07 > 0:19:09closeted, older, wealthy homosexuals.
0:19:09 > 0:19:12Now, I've been told that bars in Fort Lauderdale
0:19:12 > 0:19:13serve those kinds of men.
0:19:13 > 0:19:16So, you don't want to canvass South Beach as well?
0:19:16 > 0:19:18- Get the flyers out there. - We only have ten right now.
0:19:18 > 0:19:20We're having more printed.
0:19:20 > 0:19:23- When will they be ready?- The flyers aren't a priority for us.
0:19:23 > 0:19:25Well, that's certainly clear.
0:20:13 > 0:20:16I don't want to be a pain.
0:20:16 > 0:20:20I don't want to be a pain. I don't want to be a pain.
0:20:20 > 0:20:22I don't want to be a pain, but growing up, I spent my summers
0:20:22 > 0:20:25swimming off the coast of Saint-Jean-Cap-Ferrat,
0:20:25 > 0:20:27so, being this close to the ocean,
0:20:27 > 0:20:29but not being able to see the water...
0:20:30 > 0:20:32..it makes me sad.
0:20:34 > 0:20:35Don't tell anyone...
0:20:37 > 0:20:39..or they'll think I'm going soft.
0:20:40 > 0:20:43QUIETLY: I won't say a word.
0:20:56 > 0:20:58WAVES CRASHING, BIRDS SQUAWKING
0:21:21 > 0:21:23Hey, is that girl Amy still locked up?
0:21:23 > 0:21:26I'm sure she'll be out soon. It's fine.
0:21:39 > 0:21:41I'm Andy.
0:21:41 > 0:21:43I heard Miriam call you Kurt.
0:21:43 > 0:21:45What does Miriam call you?
0:21:45 > 0:21:47Everybody calls me Ronnie.
0:21:50 > 0:21:51Know where to score?
0:21:52 > 0:21:54I don't do this kind of work any more.
0:21:54 > 0:21:56I mean, I've done it, but...
0:21:56 > 0:22:00Look at me. Who am I kidding?
0:22:00 > 0:22:01Did you have a bad experience?
0:22:01 > 0:22:02I didn't have a good one.
0:22:04 > 0:22:08I worked at an AIDS awareness initiative in San Diego.
0:22:08 > 0:22:11I was a volunteer. I've helped a lot of people in my life.
0:22:11 > 0:22:13When they were sick, when they were short of cash,
0:22:13 > 0:22:15or when they needed someone...
0:22:15 > 0:22:17they came to me.
0:22:18 > 0:22:20You sick?
0:22:20 > 0:22:21No.
0:22:21 > 0:22:24- Would you tell me if you were? - I might.
0:22:26 > 0:22:28You know, I don't tell most people, cos...
0:22:28 > 0:22:31most people freak out.
0:22:31 > 0:22:32I'm not most people.
0:22:35 > 0:22:38A few years ago, I was so close to dying.
0:22:38 > 0:22:41I had said all my good-byes, spent all my money.
0:22:41 > 0:22:44Living like I had one month to live.
0:22:44 > 0:22:45And then...
0:22:47 > 0:22:49..they gave me these magic pills, and...
0:22:49 > 0:22:51suddenly I'm not going to die.
0:22:51 > 0:22:53They had handed me my life back, and...
0:22:53 > 0:22:55I didn't know what to do with it, so I came out here.
0:22:55 > 0:22:57I read someplace that people like living by the ocean
0:22:57 > 0:22:59who don't have much living left.
0:23:01 > 0:23:02You lose anyone?
0:23:03 > 0:23:06Lost my best friend.
0:23:06 > 0:23:08And the love of my life.
0:23:08 > 0:23:09I'm sorry.
0:23:09 > 0:23:11Recently?
0:23:11 > 0:23:13This year.
0:23:13 > 0:23:14Both of them?
0:23:16 > 0:23:17Yeah.
0:23:21 > 0:23:23What brings you to Miami?
0:23:23 > 0:23:26- I know people.- Oh, yeah?
0:23:26 > 0:23:29- Versace.- Versace?
0:23:29 > 0:23:32- He's a fashion designer, lives in... - No, no, I know who he is, just...
0:23:32 > 0:23:34- You're friends? - Yeah, we met in San Francisco.
0:23:34 > 0:23:37I was helping him with the costumes for Capriccio.
0:23:37 > 0:23:38It's an opera he was working on.
0:23:38 > 0:23:40And one night...
0:23:40 > 0:23:42he treated me to a meal at Stars.
0:23:42 > 0:23:45Anyone who's anyone eats there. You know it?
0:23:45 > 0:23:47Uh, Stars? No.
0:23:47 > 0:23:49It made a celebrity out of its head chef.
0:23:49 > 0:23:52Jeremiah Towers?
0:23:52 > 0:23:55Well, anyway, that's when he proposed to me.
0:23:55 > 0:23:57Didn't work out, but...
0:23:57 > 0:23:59we're still friends.
0:23:59 > 0:24:01You ever wonder "what if"?
0:24:01 > 0:24:02Every day.
0:24:02 > 0:24:04Yeah, he's a big deal out here.
0:24:04 > 0:24:05Very popular. He's always around.
0:24:05 > 0:24:07You can say hi, he'll say hi back.
0:24:07 > 0:24:08So I hear.
0:24:08 > 0:24:10Nice man.
0:24:10 > 0:24:12I'm not that into his clothes, though.
0:24:12 > 0:24:14Well, that's because you don't know him.
0:24:14 > 0:24:15- I don't know him. - HE CHUCKLES
0:24:15 > 0:24:18No, I don't know him, but his stores have windows.
0:24:18 > 0:24:20I can see through the glass.
0:24:20 > 0:24:22The more you know him, the more you'll like his clothes.
0:24:22 > 0:24:26- Is that so? - The man invented his own fabrics.
0:24:26 > 0:24:28When they told him what he wanted wasn't possible,
0:24:28 > 0:24:29he just created it himself.
0:24:29 > 0:24:31Ever heard of Oroton?
0:24:31 > 0:24:34- Oroton?- It's a fine chain mail mesh of aluminium alloy
0:24:34 > 0:24:38so light that a woman can wear it on a hot summer's day.
0:24:38 > 0:24:41- Sounds real nice. - ANDREW SCOFFS
0:24:41 > 0:24:44I don't see something nice.
0:24:44 > 0:24:46I see the man behind it.
0:24:46 > 0:24:49A great creator.
0:24:50 > 0:24:52A man I could have been.
0:24:53 > 0:24:55Been with?
0:24:56 > 0:24:57Yeah.
0:24:59 > 0:25:01Andy...
0:25:23 > 0:25:25Don't worry about money. I'm going to share this with you 50-50.
0:25:29 > 0:25:32I look after my friends.
0:25:32 > 0:25:33That's always been important to me.
0:25:33 > 0:25:35I don't know what to say.
0:26:02 > 0:26:05How many times have you done this before?
0:26:05 > 0:26:08- Two? Three?- Yeah.
0:26:08 > 0:26:11How many people do you employ in business?
0:26:11 > 0:26:13300?
0:26:14 > 0:26:175,000...globally.
0:26:17 > 0:26:19WHISTLES
0:26:19 > 0:26:21I can be submissive.
0:26:22 > 0:26:24You have no idea.
0:26:24 > 0:26:27MUSIC: Easy Lover by Phil Collins
0:26:51 > 0:26:53# Easy lover
0:26:53 > 0:26:57# She'll get a hold on you, believe it... #
0:26:57 > 0:26:58MAN GROANS
0:26:58 > 0:27:00- # Like no other... # - MUFFLED GROANING
0:27:00 > 0:27:03# Before you know it, you'll be on your knees... #
0:27:03 > 0:27:04You're helpless.
0:27:04 > 0:27:07# She's an easy lover
0:27:07 > 0:27:08# She'll take your heart
0:27:08 > 0:27:11- # But you won't feel it... # - Accept it.
0:27:11 > 0:27:14- MUFFLED GROANING - # She's like no other
0:27:14 > 0:27:18# And I'm just trying to make you see
0:27:18 > 0:27:22- VOLUME INCREASES:- # She's the kind of girl you dream of... #
0:27:22 > 0:27:25- LOUD GROANING - # Dream of keeping hold of
0:27:25 > 0:27:27# You'd better forget it... #
0:27:27 > 0:27:29Accept it.
0:27:29 > 0:27:30# You'll never get it... #
0:27:30 > 0:27:32Accept it!
0:27:32 > 0:27:35# She will play around and leave you
0:27:35 > 0:27:39# Leave you and deceive you
0:27:39 > 0:27:41# Better forget it... #
0:27:41 > 0:27:43LOUD GROANING
0:27:43 > 0:27:45# Oh, you'll regret it
0:27:47 > 0:27:50# No, you'll never change her, so leave it
0:27:50 > 0:27:51- # Leave it... # - Accept it.
0:27:51 > 0:27:54# Get out quick cos seeing is believing
0:27:54 > 0:27:57# It's the only way
0:27:57 > 0:28:01# You'll ever know... #
0:28:12 > 0:28:14Hey, hey, hey. GROANING
0:28:14 > 0:28:16Last chance.
0:28:21 > 0:28:23- HE GASPS FOR BREATH - # She's an easy lover
0:28:23 > 0:28:26# She'll get a hold on you
0:28:26 > 0:28:28- # Believe it... # - WHIMPERING
0:28:28 > 0:28:30# She's like no other
0:28:30 > 0:28:32# Before you know it... #
0:28:32 > 0:28:34Isn't that special?
0:28:34 > 0:28:36# You'll be down on your knees
0:28:36 > 0:28:39- # She's an easy lover... # - WHIMPERING
0:28:41 > 0:28:44Anything else, sir?
0:28:44 > 0:28:46If you could come back in... 30 minutes for the trays.
0:28:46 > 0:28:48Of course, sir. 30 minutes.
0:28:58 > 0:29:01You know, my mom used to bring me lobster when I was at school.
0:29:01 > 0:29:03She'd bring it to me for lunch.
0:29:03 > 0:29:06While all the other kids were eating peanut butter and jelly sandwiches,
0:29:06 > 0:29:08here I was...
0:29:08 > 0:29:10with my little sachet
0:29:10 > 0:29:13of cracked black pepper
0:29:13 > 0:29:16wrapped up like a little gram of cocaine.
0:29:19 > 0:29:21HE SIGHS
0:29:50 > 0:29:52WOMAN: 911. What's your emergency?
0:29:53 > 0:29:55I...
0:29:57 > 0:29:59What's your emergency?
0:30:01 > 0:30:03Nothing.
0:30:09 > 0:30:11MUSIC: Back To Life by Soul II Soul
0:30:29 > 0:30:32Why does she have to hire these women?
0:30:32 > 0:30:34What don't you like?
0:30:34 > 0:30:35They look ill.
0:30:35 > 0:30:38- CAMERA SHUTTERS CLICKING MAN:- Donatella!
0:30:56 > 0:30:58Girls, can you give us the room?
0:30:58 > 0:31:00I need to talk to my brother.
0:31:03 > 0:31:05Mamma Mia. OK.
0:31:05 > 0:31:07I will continue later. OK?
0:31:13 > 0:31:15What happened? You agreed to try them.
0:31:15 > 0:31:19Yes, Donatella, but I want my models to look like they enjoy life!
0:31:19 > 0:31:21Like they eat, at least.
0:31:21 > 0:31:23Like they laugh, like they dance, they make love.
0:31:23 > 0:31:26- What do those girls enjoy? - Front covers.
0:31:26 > 0:31:28So, you think I cannot make the front cover any more?
0:31:28 > 0:31:30Everybody's talking about Galliano and McQueen.
0:31:30 > 0:31:32- What are they doing next? - Should I be asking myself,
0:31:32 > 0:31:34"What are people talking about?"
0:31:34 > 0:31:36If you want to sell any clothes, yes.
0:31:36 > 0:31:38No, Donatella. It comes from here first.
0:31:38 > 0:31:41From here, and then, you hire the photographers,
0:31:41 > 0:31:44and then you throw the parties, and then you ask celebrities
0:31:44 > 0:31:47to wear our clothes, but that comes second.
0:31:47 > 0:31:50I'm worried, Gianni. Our shows were the future once.
0:31:52 > 0:31:53When did I become the past?
0:31:53 > 0:31:56People see the same models, and they say the same thing.
0:31:56 > 0:31:59"Versace, great, masterful, but I know this guy.
0:31:59 > 0:32:01"I knew him ten years ago, and here he is again."
0:32:01 > 0:32:04Donatella, I get better every day, stronger.
0:32:04 > 0:32:06It's a miracle.
0:32:06 > 0:32:10Maybe one day, I will tire of being thankful that I'm alive.
0:32:10 > 0:32:12Maybe one day, it won't seem like a miracle,
0:32:12 > 0:32:15and I will be able to produce a show as dark
0:32:15 > 0:32:17and as morbid as you desire.
0:32:17 > 0:32:20But until that day, life is special.
0:32:20 > 0:32:22Life is precious, and that is how I feel.
0:32:22 > 0:32:25And my shows must be about what I feel.
0:32:25 > 0:32:27If not, they are about nothing.
0:32:27 > 0:32:29Do you really think people will hear those words
0:32:29 > 0:32:30when they see your clothes? They won't.
0:32:30 > 0:32:33You're wrong. They will know. They won't know the details, of course,
0:32:33 > 0:32:35but they will feel those emotions
0:32:35 > 0:32:37because the clothes will make them feel them.
0:32:39 > 0:32:41OK, you dress your girls, I dress mine.
0:32:41 > 0:32:44- We'll see who wins. - Perfect. Let's fight.
0:32:44 > 0:32:46We're family, it's OK to fight. We'll fight.
0:32:46 > 0:32:49- What dress will end the show? - A bride in a silver dress
0:32:49 > 0:32:51with a veil pulled back behind her head, not covering her face.
0:32:51 > 0:32:53Mm. How original.
0:32:53 > 0:32:56Not a virgin bride, a Versace bride.
0:32:56 > 0:32:59She will be a woman who's loved many men before.
0:32:59 > 0:33:03A woman who's finally found her equal, a match for her passions.
0:33:03 > 0:33:05She won't be dainty, she won't be timid.
0:33:05 > 0:33:07She will be proud and strong.
0:33:07 > 0:33:10And that's how I will end my show.
0:33:12 > 0:33:14Our show.
0:33:15 > 0:33:17Our show. Now get the girls.
0:33:17 > 0:33:20MUSIC: You Showed Me by The Turtles
0:33:20 > 0:33:22CAMERA SHUTTERS CLICKING
0:33:31 > 0:33:33APPLAUSE
0:33:33 > 0:33:36# You showed me how to do
0:33:36 > 0:33:41# Exactly what you do, how I fell in love with you... #
0:33:41 > 0:33:43MUTED APPLAUSE
0:33:43 > 0:33:47# Oh, oh-oh, it's true
0:33:48 > 0:33:53# Oh, I love you
0:33:57 > 0:34:01# And when I tried it... #
0:34:01 > 0:34:06- ENTHUSIASTIC APPLAUSE - # I could see you fall
0:34:06 > 0:34:11# And I decided
0:34:11 > 0:34:16# It's not a trip at all
0:34:16 > 0:34:20# You showed me how to do
0:34:20 > 0:34:22# Exactly what you do... #
0:34:22 > 0:34:25- APPLAUSE AND CHEERING - # How I fell in love with you
0:34:25 > 0:34:27# You showed me what to say
0:34:27 > 0:34:31# Exactly what you say
0:34:31 > 0:34:33# In that very special way
0:34:33 > 0:34:37# You taught it to me, too
0:34:37 > 0:34:39# Exactly what you do
0:34:39 > 0:34:42# And now you love me, too... #
0:34:42 > 0:34:45APPLAUSE AND CHEERING SWELL
0:35:01 > 0:35:03# You love me, too. #
0:35:03 > 0:35:05APPLAUSE AND CHEERING SWELL
0:35:39 > 0:35:41SNIFFS
0:35:52 > 0:35:53LAUGHING
0:36:00 > 0:36:01LAUGH ECHOES
0:36:18 > 0:36:21- RONNIE:- I used to be a florist, you know.
0:36:21 > 0:36:22I was a good one.
0:36:22 > 0:36:26I was thinking about starting up again here in Miami.
0:36:26 > 0:36:28Just running a little kiosk.
0:36:28 > 0:36:30It would need two people to run it.
0:36:30 > 0:36:31You and me.
0:36:31 > 0:36:34And...
0:36:34 > 0:36:37we get along well enough, I think, yeah?
0:36:37 > 0:36:40Anything's got to be better than working that beach.
0:36:40 > 0:36:42Don't you think? Andy?
0:36:48 > 0:36:50I'm going to take a shower.
0:36:52 > 0:36:53OK.
0:36:53 > 0:36:56Yeah, yeah, a sh... uh, a shower. Why not?
0:36:59 > 0:37:01SHOWER RUNNING
0:37:42 > 0:37:43Andrew?
0:37:45 > 0:37:47What'd you do?
0:37:48 > 0:37:49Nothing.
0:37:51 > 0:37:53I've done...
0:37:54 > 0:37:55..nothing.
0:37:58 > 0:38:00I've done nothing my whole life.
0:38:02 > 0:38:04That's the truth.
0:38:07 > 0:38:08We're out.
0:38:12 > 0:38:13I'll get more.
0:38:28 > 0:38:30ANTONIO LAUGHS
0:38:35 > 0:38:37Hey, one second.
0:38:40 > 0:38:44Hey. Come join us.
0:38:44 > 0:38:46I will. I will be there.
0:38:47 > 0:38:49Go play. Go play.
0:39:25 > 0:39:27I don't want this any more.
0:39:31 > 0:39:32I want you.
0:39:34 > 0:39:36I want to marry you.
0:39:39 > 0:39:40You can say it in the morning.
0:39:44 > 0:39:46But can you say it in the evening?
0:40:04 > 0:40:06LOCK BUZZES
0:40:17 > 0:40:18Where'd you get this?
0:40:21 > 0:40:23It's a remarkable story.
0:40:51 > 0:40:54MAN WOLF WHISTLES
0:41:06 > 0:41:08Baby!
0:41:08 > 0:41:09Your sister's here!
0:41:11 > 0:41:13Come on, Gianni. I'm here.
0:41:13 > 0:41:15The real Donatella has a key.
0:41:15 > 0:41:18- Oh, come on, Gianni. Let me in. - Not tonight.
0:41:18 > 0:41:20Come on, baby. Gianni.
0:41:20 > 0:41:22VERSACE: No, no, no, baby.
0:41:22 > 0:41:25- Gianni, let me in!- Babe, baby, I've to...I've told you so many times.
0:41:25 > 0:41:28I can only handle one Donatella. One is enough.
0:41:28 > 0:41:30- I wear Versace. - Versace. Yeah, brava.
0:41:30 > 0:41:33Baby, big kiss for you, but I cannot let you in.
0:41:33 > 0:41:34One is enough. OK?
0:42:11 > 0:42:14Will I see you again?
0:42:14 > 0:42:16I'm sure of it.
0:42:22 > 0:42:24You don't have that money, do you?
0:42:50 > 0:42:52We were friends.
0:42:53 > 0:42:55That was real, right?
0:42:56 > 0:42:59When someone asks you if we were friends...
0:43:01 > 0:43:02..you'll say no.
0:43:10 > 0:43:14- MAN ON RADIO:- Cunanan has been the subject of a manhunt for months.
0:43:14 > 0:43:15He's 27 years old,
0:43:15 > 0:43:18stands five feet, 10½ inches,
0:43:18 > 0:43:20dark brown hair and eyes,
0:43:20 > 0:43:22with a gift of changing his appearance.
0:43:22 > 0:43:25He's sought in connection with four murders...
0:44:00 > 0:44:03- Hi. What would you like to order? - Tuna combo.
0:44:06 > 0:44:072.99.
0:44:08 > 0:44:10Keep the change.
0:44:11 > 0:44:12Tuna.
0:44:12 > 0:44:13Can you cover me?
0:44:17 > 0:44:19- WOMAN:- 911. What's your emergency?
0:44:19 > 0:44:21I don't know his name. He was on America's Most Wanted.
0:44:21 > 0:44:23- Is this man black or white? - White guy.
0:44:23 > 0:44:26The white guy who killed four white guys. He's here. No joke.
0:44:26 > 0:44:28Send everything right now.
0:44:32 > 0:44:33SIREN WAILING
0:45:00 > 0:45:02How are you? Good to see you again.
0:45:02 > 0:45:03Let me see your ID.
0:45:15 > 0:45:16Ah!
0:45:18 > 0:45:20Ciao.
0:45:23 > 0:45:24Hey.
0:45:31 > 0:45:33- You good?- Yeah.
0:45:58 > 0:46:00DANCE MUSIC PLAYING FAINTLY
0:46:56 > 0:46:58- Hey.- Sorry. Hi.
0:46:58 > 0:47:00- Hi. So nice to meet you. - You're amazing.
0:47:05 > 0:47:06I don't want that any more.
0:47:08 > 0:47:10I want you, Gianni.
0:47:12 > 0:47:14I want to marry you.
0:47:34 > 0:47:36Let's go. Let's go.
0:48:08 > 0:48:09I'm Brad.
0:48:12 > 0:48:14I'm Andy.
0:48:14 > 0:48:15So, what do you do?
0:48:16 > 0:48:18I'm a serial killer.
0:48:18 > 0:48:20What?!
0:48:20 > 0:48:22I said I'm a banker. HE CHUCKLES
0:48:22 > 0:48:24I'm a stockbroker. I'm a shareholder.
0:48:24 > 0:48:25I-I'm a paperback writer.
0:48:25 > 0:48:28I'm a cop. I'm a naval officer.
0:48:28 > 0:48:29Sometimes I'm a spy.
0:48:29 > 0:48:31I build movie sets in Mexico
0:48:31 > 0:48:34and...and skyscrapers in Chicago. I sell propane in Minneapolis.
0:48:34 > 0:48:36I import pineapples from the Philippines.
0:48:36 > 0:48:39You know, I'm the person least likely to be forgotten.
0:48:43 > 0:48:45I'm Andrew Cunanan.