0:00:21 > 0:00:23THUNDER CLAP
0:00:23 > 0:00:28'When a murderer takes a life, he takes everything that we are,
0:00:28 > 0:00:33'everything that we strive to be and everything we hope to become.
0:00:34 > 0:00:38'I have two promises that I vow to keep.
0:00:40 > 0:00:43'My promise to the murderer is this.
0:00:43 > 0:00:47'I will find you, because when you stole that innocent life
0:00:47 > 0:00:54'you unknowingly left your trail deep in a new chain of events.
0:00:54 > 0:00:58'You left behind you that which does not belong...
0:01:00 > 0:01:02'..the manmade traces of your kill.
0:01:06 > 0:01:08'The evidence,
0:01:08 > 0:01:11'the murder secrets.'
0:01:14 > 0:01:17RING TONE
0:01:22 > 0:01:24Eve, it's Hale. Call me.
0:01:29 > 0:01:31Oggy, Rosa, breakfast.
0:01:32 > 0:01:34I'm in tropical.
0:01:34 > 0:01:37Have you got the toxicology on the Brazilian specimen?
0:01:37 > 0:01:42- Good news is the seeds from his last meal have taken root.- Great!
0:01:42 > 0:01:47- Is Oggy with you?- He's in the morgue experimenting on himself!- Right.
0:01:48 > 0:01:51Oggy!
0:01:51 > 0:01:54- Oggy.- I'm running my skin contamination tests.
0:01:54 > 0:01:58- How's it going? - 50-50. I need a fresh donor.
0:01:58 > 0:02:00Well, food's up. Come and eat.
0:02:00 > 0:02:03- £6,000 for air travel? - PHONE BEEPS
0:02:03 > 0:02:07- Our last donor is from the US. - Next time, make your own breakfast.
0:02:07 > 0:02:09Can you pass me the ketchup?
0:02:09 > 0:02:12What am I supposed to do with this?
0:02:15 > 0:02:18- Eve, you going out?- I won't be long.
0:02:18 > 0:02:21- I've just made breakfast for you. - Be back soon.
0:02:25 > 0:02:28'And this is my promise to the victim.
0:02:28 > 0:02:33'I will do whatever it takes to unlock the mechanism of your murder.
0:02:33 > 0:02:39'Cos that is where your killer is hiding from justice.'
0:03:11 > 0:03:15Hale. I'm here. Where are you?
0:03:15 > 0:03:18Eighth floor. The lifts don't work.
0:03:18 > 0:03:20Great(!)
0:03:22 > 0:03:24PANTING
0:03:24 > 0:03:26So...
0:03:26 > 0:03:30- I heard you might be looking for a job.- I might be.
0:03:30 > 0:03:35- Depends what it is.- I was hoping you'd tell me that!- That good, eh?
0:03:35 > 0:03:37Oh, yes.
0:03:37 > 0:03:39FLIES BUZZING
0:03:45 > 0:03:47Flies.
0:03:47 > 0:03:52A mixture of calliphora vicina and a few sarcophagi species.
0:03:52 > 0:03:55Flesh flies, young and well fed.
0:03:55 > 0:03:57So...
0:03:57 > 0:04:00Where's the main course?
0:04:00 > 0:04:03Just keep going down the corridor.
0:04:03 > 0:04:08A couple of council guys were clearing the place of squatters
0:04:08 > 0:04:10and... Well, look!
0:04:12 > 0:04:14They found this.
0:04:14 > 0:04:17BUZZING INTENSIFIES
0:04:17 > 0:04:19And then this.
0:04:42 > 0:04:46Dense colony of flesh flies,
0:04:46 > 0:04:49established and hatching on a carpet
0:04:49 > 0:04:53of decomposing carrion
0:04:53 > 0:04:57that covers the entirety of the walls...
0:04:57 > 0:04:59floor and ceiling.
0:05:02 > 0:05:04Human remains?
0:05:07 > 0:05:10A mandibular arch. Excellent.
0:05:10 > 0:05:13- Which is what?- It's the small latch
0:05:13 > 0:05:17that holds your jaw in place when you open and close your mouth.
0:05:17 > 0:05:20- You notice it when it clicks. - So that makes it human?
0:05:20 > 0:05:22Yeah.
0:05:26 > 0:05:29- So, take the job?- Oh, I'd love it.
0:05:29 > 0:05:34- You and the team?- The team? You want the whole team?
0:05:34 > 0:05:37- Yeah. Why not?- The Body Farm's a research facility...
0:05:37 > 0:05:42Eve, they're closing down the labs. I'm sending off samples to Germany.
0:05:42 > 0:05:45- And you think we'd be cheaper?- No.
0:05:45 > 0:05:50- Not at all. I happen to think you're the best at what you do.- Thank you.
0:05:50 > 0:05:55- So?- OK.- You'll take it?- I've just got to run it by my partner.
0:05:55 > 0:06:00It would have been nice to have discussed it before you ran off.
0:06:00 > 0:06:04I didn't know what it was until I got here. Wait until you see it.
0:06:04 > 0:06:10- OK, I'll get the pick-up and a full removal kit.- Great.
0:06:10 > 0:06:12I'll get started.
0:06:12 > 0:06:16- The fatty acids are like Viagra to the bacteria.- Anything?
0:06:16 > 0:06:21The bacteria is trying to establish itself in your living tissue.
0:06:21 > 0:06:23Haven't seen that before.
0:06:23 > 0:06:27- Do you know what the effects will be on your skin?- Guess I'll find out.
0:06:27 > 0:06:28Can I see the activity?
0:06:28 > 0:06:33- No, no. Ratios aren't right. - Get your coats. We're going out.
0:06:33 > 0:06:36- Out where?- To a crime scene.- Yes!
0:06:36 > 0:06:40- Since when do we go to crime scenes? - Now. We had a meeting about it.
0:06:40 > 0:06:42- Was I there?- It was you and me.
0:06:42 > 0:06:46- OK. Maybe it was on a Monday. - What's the problem?
0:06:46 > 0:06:50We get to field test our research. It's a no-brainer.
0:06:50 > 0:06:54- Have you ever been at a crime scene? - No.- Rosa, we need a full kit, OK?
0:06:54 > 0:07:01There is a difference between bodies donated for scientific research and people who have been murdered.
0:07:01 > 0:07:05- Generally, it's brutal and horrific. - Lighten up, Oggy.
0:07:05 > 0:07:08- You don't get it. - Let's leave the theoretical debate.
0:07:08 > 0:07:11You stay here and look after the farm.
0:07:11 > 0:07:16- So, what kind of a crime scene is it?- You'll find out. Come on.
0:07:23 > 0:07:27You, um... You are up to speed with your medication, aren't you?
0:07:27 > 0:07:30- Course.- Great.
0:07:47 > 0:07:51Computer, initiate Find My iPhone for Eve's phone, would you?
0:07:57 > 0:08:00OK, give me a satellite view of that location.
0:08:07 > 0:08:11- I'm guessing a bomb maker messed up. - Maybe.- What do you think?
0:08:11 > 0:08:13- About what?- My theory.
0:08:13 > 0:08:18- Not a bad theory.- How come you make it sound like crap?- Elements fit in.
0:08:18 > 0:08:20Elements?
0:08:20 > 0:08:24We have matter spread evenly to the extreme corners of the room.
0:08:24 > 0:08:30- So extreme forces were at work. - So it's a bomb.- An explosion.
0:08:30 > 0:08:34- Caused by a bomb.- It's a hypothesis. - Hypothetically, it's a bomb.
0:08:34 > 0:08:40- It could have been a gas explosion. - But what do you think is the most likely reason?
0:08:40 > 0:08:44- That is cop logic.- I'm sorry? - The who, how and why.
0:08:44 > 0:08:48- The empirical triangle.- I use a different triangle.- Your triangle?
0:08:48 > 0:08:51Manner, cause and mechanism. There are five manners of death.
0:08:51 > 0:08:56- Natural, accidental, homicidal, suicidal...- Undetermined.- Exactly.
0:08:56 > 0:09:01- Well, we know we have the remains of a body.- We know more than that.
0:09:01 > 0:09:06- Really?- I think we have the remains of more than one body in there.
0:09:06 > 0:09:10'I'm not saying that Oggy's clinical.'
0:09:10 > 0:09:13He just hasn't left the farm in six months.
0:09:13 > 0:09:17- He just doesn't like going outside. - You think that's normal?- For Oggy.
0:09:17 > 0:09:23And it's good for research. We can't do live tissue cross-contamination tests on a dead donor.
0:09:23 > 0:09:29- You think of him as a live donor? - I think Oggy thinks of himself in that way.
0:09:29 > 0:09:32- You're both beginning to worry me. - Eve, we're here.
0:09:32 > 0:09:35- Eighth floor. Lifts aren't working. - Great(!)
0:09:35 > 0:09:38We're going to have to haul it eight floors.
0:09:38 > 0:09:40Hey. Earth calling Rosa.
0:09:42 > 0:09:43Oh!
0:09:47 > 0:09:48Thanks.
0:09:53 > 0:09:56- Shall I take those? - No, I'm OK, thanks.
0:09:56 > 0:10:00- And you are?- Rosa. And you are? - I'm DI Hale, the officer in charge.
0:10:00 > 0:10:04- OK.- I've got a little job for you, Rosa.- What kind of job?
0:10:04 > 0:10:08- See those children?- Yeah. - I'd like you to have a chat to them.
0:10:08 > 0:10:10- But I'm not a cop. - I am and they know that.
0:10:10 > 0:10:14As soon as I go over, they'll just run away.
0:10:14 > 0:10:17- So?- But...- Why don't I take these, and you give it a go?
0:10:19 > 0:10:23- OK.- You never know. They might have seen something.
0:10:24 > 0:10:26Hi, there.
0:10:33 > 0:10:37Well, seems like they don't like forensic babes either.
0:10:37 > 0:10:41- Don't call me babe. - No. No, of course not.
0:10:43 > 0:10:44Thanks.
0:10:48 > 0:10:53- I think I was a Sherpa in a former life.- You make a lovely Sherpa.
0:10:53 > 0:10:57- You do know we have an arsehole problem?- I can deal with him.
0:10:57 > 0:11:01- He's asking Rosa to canvas the street for him.- Rosa can cope.
0:11:01 > 0:11:04- Don't be so paternal. - I know. I just...
0:11:04 > 0:11:07- Don't like him. - Yeah. Nail on the head.
0:11:09 > 0:11:11Where is it?
0:11:28 > 0:11:30What do you think?
0:11:32 > 0:11:36- Nice crime scene.- Should prove pretty interesting, hey?
0:11:37 > 0:11:40- Have you got my camera?- Yeah.
0:11:40 > 0:11:44- Thanks. Can you get a separate air sample for each room?- Sure.
0:11:47 > 0:11:49- Mike?- Hm?
0:12:03 > 0:12:06Are you getting this, Oggy?
0:12:06 > 0:12:12Good radiance from established fungi and larvae growth colonies.
0:12:12 > 0:12:14- Very healthy and active. - Thanks, Oggy.
0:12:14 > 0:12:16Only step on the plates, Rosa.
0:12:16 > 0:12:19- I know.- Putrefied remains of at least two human bodies
0:12:19 > 0:12:23over six sides, being the floor, ceiling and four walls
0:12:23 > 0:12:25of what was a bathroom.
0:12:25 > 0:12:29- Can you come through here, please? - Yeah.- We have to be systematic.
0:12:29 > 0:12:33Square foot by square foot into separate evidence bags.
0:12:33 > 0:12:35You want me to mark out the room?
0:12:35 > 0:12:37Exactly. Oggy says it's very active.
0:12:37 > 0:12:44- So as soon as we break through the initial crust of decay we'll get major maggot mass.- Great.
0:12:44 > 0:12:47- I'll get out of your way. - Yeah. Good idea.
0:12:50 > 0:12:53WHIRRING
0:12:56 > 0:12:58- BEEPING - Sorry.
0:12:58 > 0:13:01Can you move back a bit, please?
0:13:03 > 0:13:05- Thank you.- What is that?
0:13:05 > 0:13:09This? Well, it's a chemical nose.
0:13:09 > 0:13:14It absorbs air particles and takes a forensic sample we can analyse.
0:13:14 > 0:13:18A chemical fingerprint of the environment but, er...
0:13:18 > 0:13:22the fumes from your aftershave seem to be overwhelming it.
0:13:23 > 0:13:24OK.
0:13:46 > 0:13:48How is she?
0:13:48 > 0:13:50There's no change.
0:13:54 > 0:13:56Hey, Mr Collins.
0:13:58 > 0:14:00- Do you want a cup of tea?- I'm OK.
0:14:00 > 0:14:02Angel?
0:14:03 > 0:14:06- Would you get me a cup of tea? - Yeah.
0:14:14 > 0:14:16- How is she?- She's strong.
0:14:18 > 0:14:22- She needs you now. - You can depend on me.
0:14:30 > 0:14:36- Mike, 27C. - C for Charlie?- Yeah.- 27C.
0:14:37 > 0:14:39Mouse.
0:14:41 > 0:14:45- Section 27D.- 27D.
0:14:49 > 0:14:52BUZZER
0:15:05 > 0:15:08Oggy, can you open the gate?
0:15:08 > 0:15:11- There is someone following you. - It's OK, Oggy.
0:15:13 > 0:15:15Just open the gate, can you?
0:15:41 > 0:15:45The decomposition suggests that death occurred a month ago.
0:15:45 > 0:15:48We can verify there are the remains of two bodies.
0:15:48 > 0:15:51Not a lot of fat. They must have been fit.
0:15:51 > 0:15:56- Rosa, cause of explosion? - The trace elements are there. I can start compiling.
0:15:56 > 0:15:58I need to know if it's a bomb.
0:15:58 > 0:16:02Well, it was only half a bomb. There's no shrapnel.
0:16:02 > 0:16:05- And no ignition device. - They were ripped to shreds.
0:16:05 > 0:16:08- Compression?- The compression of a moderate explosion
0:16:08 > 0:16:12- would have had that impact on those bodies in an enclosed space.- Great.
0:16:12 > 0:16:18We know the time of death, the number of dead and that they might have been involved in bomb making.
0:16:18 > 0:16:24One other factor in the distribution of matter - a strange one - they were naked.
0:16:24 > 0:16:27Nude bomb makers? Subversive naturists!
0:16:27 > 0:16:29- Oggy!- No, it's not a bad idea.
0:16:29 > 0:16:34It would be a very good way to make sure your clothes aren't contaminated.
0:16:34 > 0:16:36But we didn't find any clothes.
0:16:36 > 0:16:41There would have had to have been a third party involved to remove them.
0:16:41 > 0:16:46I LOVE looking for third parties. What about the blood samples?
0:16:46 > 0:16:50- It's next on the list.- Can you pull an ethnic profile from that lot?
0:16:50 > 0:16:54- I've already done it. They were both teenage males of mixed race.- Really?
0:16:54 > 0:16:57- Any idea of the mix? - Norman, Angle, Jute, Saxon(!)
0:16:57 > 0:17:00- What? - We beautiful English mongrels.
0:17:00 > 0:17:03I hate to interrupt your bonding moment, boys,
0:17:03 > 0:17:06but we have some history here on the tower.
0:17:10 > 0:17:13HALE: Police file. OGGY: No, medical.
0:17:13 > 0:17:16Six weeks ago, an attempted suicide.
0:17:16 > 0:17:18Josephine Collins.
0:17:18 > 0:17:22HALE: Two weeks before the explosion and in the same place.
0:17:22 > 0:17:25NO!
0:17:25 > 0:17:28SOBS
0:17:28 > 0:17:30RUNNING WATER
0:17:38 > 0:17:42Look at this. I processed DNA samples onto the police database.
0:17:42 > 0:17:45There's a hit with one of the bodies.
0:17:45 > 0:17:47HALE: Philip Britain.
0:17:47 > 0:17:53Aged 19. Arrested at a football match six moths ago.
0:17:53 > 0:17:57Reported missing four weeks ago. We need to get over there.
0:17:57 > 0:18:01- In the morning, Hale.- What? - We're all very tired.
0:18:01 > 0:18:03Come on.
0:18:04 > 0:18:07Hale, don't you have a home to go to?
0:18:09 > 0:18:13This is what I was talking about. Names and faces!
0:18:13 > 0:18:17The last thing we need in here is any more reality.
0:18:17 > 0:18:20Keep taking your tablets, you'll be fine.
0:18:20 > 0:18:24I'm going to look at Mickey, see if he can tell us anything.
0:18:30 > 0:18:33- The tablets don't work in your pocket.- I know.
0:18:33 > 0:18:35Why don't you take them?
0:18:35 > 0:18:37- I will.- Just not yet?
0:18:37 > 0:18:41- Sometimes they interfere with the process.- Yeah, I get it.
0:18:41 > 0:18:45Sometimes you want to let creative Oggy out.
0:18:45 > 0:18:49- Just make sure that the crazy Oggy doesn't take over.- OK.
0:18:52 > 0:18:55So, this is the attempted suicide.
0:18:56 > 0:18:58Yeah. I've got to, er...
0:19:13 > 0:19:17- Aren't you even curious? - I'm the most curious person I know.
0:19:17 > 0:19:22- But then, I don't know many people. - I'm not talking about that stuff.
0:19:22 > 0:19:26- Can you get it off the table please? - Why?- Cos I'm trying to eat.
0:19:26 > 0:19:31- No, why do you ask? That smells good.- You aren't hungry.- I wasn't.
0:19:31 > 0:19:35I mean, aren't you curious about Josephine Collins,
0:19:35 > 0:19:38how she might be connected to Philip Britain?
0:19:38 > 0:19:40No.
0:19:41 > 0:19:42No?
0:19:42 > 0:19:45Just "no"?
0:19:45 > 0:19:46Yeah.
0:19:46 > 0:19:50There's a young girl in a hospital bed with slashed wrists.
0:19:50 > 0:19:53You don't want to know why? You don't care?
0:19:56 > 0:19:58- You DON'T care.- No. I do care.
0:19:58 > 0:20:03- I'm not saying that, but she is not what it's about.- You're wrong.
0:20:05 > 0:20:07You're so wrong.
0:20:17 > 0:20:19PHONE RINGS
0:20:23 > 0:20:25- Eve, it's me.- It's too early.
0:20:25 > 0:20:28- I'm not on the meter yet. - Very funny. Now, get this.
0:20:28 > 0:20:33Philip Britain had a mate, Ellis Garrick, reported missing the same time.
0:20:33 > 0:20:36- Could be our second victim.- Exactly.
0:20:36 > 0:20:40- How come I can't hear your crappy old motor revving up?- All right!
0:20:40 > 0:20:42Have you got the address?
0:21:01 > 0:21:03- I solved it.- Solved what?
0:21:03 > 0:21:05This.
0:21:09 > 0:21:11- Oggy, where did you find this? - In the gloop.
0:21:11 > 0:21:16- It's the...- The ignition device. - Yes. It's what set the bomb off.
0:21:16 > 0:21:20- Mobile phone. Detonator. - Oggy, that's brilliant.
0:21:20 > 0:21:22- It's quite straightforward.- No. You.
0:21:22 > 0:21:25- You're brilliant.- Really?
0:21:25 > 0:21:29- That's nice.- Now we know it's a bomb that blew those boys' bodies apart,
0:21:29 > 0:21:32we can trace it via the MOD.
0:21:33 > 0:21:35Eve.
0:21:35 > 0:21:38Right. Yeah. Yeah. OK.
0:21:38 > 0:21:40- What?- Oh, shit! OK.
0:21:40 > 0:21:42- What?- Thank you. Thanks, Mike.
0:21:42 > 0:21:45- What is it? - There was an ignition device.
0:21:45 > 0:21:48- Where?- Oggy had it. He was reassembling it.
0:21:48 > 0:21:52- He didn't tell you?- Oggy has a disorder.- And working on your farm?
0:21:52 > 0:21:55- Hold it right there! You came... - Hello.
0:21:55 > 0:21:58- Mrs Garrick?- Yes.- I'm DI Hale.
0:21:58 > 0:22:02- This is Dr Lockhart.- Hello. - Is this about Ellis?
0:22:02 > 0:22:05I've been down that bloody police station every other day.
0:22:05 > 0:22:10They tell me because Ellis is over 18, he's every right to leave home!
0:22:10 > 0:22:15- Is there any news? - Yes. May we sit?
0:22:15 > 0:22:16Yes.
0:22:16 > 0:22:19Thank you.
0:22:22 > 0:22:29We've identified the remains of your son's friend, Philip Britain.
0:22:29 > 0:22:32- That Millwall muppet is no friend of my son's.- Shut up!
0:22:32 > 0:22:35- I'm just putting her right. - No, you're not!
0:22:35 > 0:22:39Ellis and Philip are best mates. Please, go on.
0:22:39 > 0:22:44We've also found other remains than Philip's that could be your son.
0:22:44 > 0:22:46My God!
0:22:50 > 0:22:53This is recent.
0:22:53 > 0:22:57- Is it him?- I'm afraid I can't identify him from a picture.
0:22:58 > 0:23:03- I don't understand. - What the hell is going on?
0:23:04 > 0:23:08The boys were killed in an explosion.
0:23:08 > 0:23:10I'll need to take a DNA sample
0:23:10 > 0:23:13in order to make the identification possible.
0:23:15 > 0:23:18- I'm sorry. - Look, I'll do that for you.
0:23:18 > 0:23:22- No, you can't.- What do you mean? - You're not his natural dad.
0:23:22 > 0:23:25I know. What's that got to do with anything?
0:23:25 > 0:23:29- What do I do with this?- Rub it around the inside of your mouth.
0:23:32 > 0:23:34Thank you.
0:23:57 > 0:24:00- EARPIECE:- Philip Britain was dead BEFORE the explosion.
0:24:00 > 0:24:04- Britain was dead before the explosion.- How do you know?
0:24:04 > 0:24:08- The mouse.- The mouse. Did you gather the contents from it?
0:24:08 > 0:24:12The contents of its stomach was intact. It had eaten human flesh.
0:24:12 > 0:24:17- The DNA from that was a hit with Philip.- Thanks, Mike.
0:24:17 > 0:24:21Given that at least one our victims was dead before the explosion,
0:24:21 > 0:24:25I guess they were murdered elsewhere in the tower then disposed of.
0:24:25 > 0:24:30- There may be a second crime scene which we haven't discovered.- OK.
0:24:30 > 0:24:36- Go to the tower and give the tsetse a test run.- Great. We can field test the research AND get paid!
0:24:36 > 0:24:40If there is blood splatter these tsetses will find them.
0:24:40 > 0:24:42I need Rosa to help me. Is she with you?
0:24:42 > 0:24:46- No. Check the biospheres.- Will do. - All right.
0:24:46 > 0:24:48Thanks, Mike.
0:24:54 > 0:24:58I phoned earlier. I'm here to see Josephine Collins.
0:24:59 > 0:25:02- In that side room there.- OK. Thanks.
0:25:06 > 0:25:08MACHINES BEEP
0:25:10 > 0:25:12Hello?
0:25:12 > 0:25:15- KNOCKS DOOR - Hello?
0:25:15 > 0:25:20- He can't hear you. - Oh, sorry.- He's deaf.
0:25:20 > 0:25:22But he can lip read.
0:25:25 > 0:25:27I saw you at the tower.
0:25:27 > 0:25:32- Are you a cop? - No, no. I'm a scientist.
0:25:32 > 0:25:34So what you doing here, then?
0:25:49 > 0:25:53- OK. Oggy, are you with me? - Let the experts at it.
0:25:53 > 0:25:57- They look pretty angry. - I starved them for a week.
0:25:57 > 0:26:00If there's a microscopic blood feed, they'll find it.
0:26:00 > 0:26:04- What if they get into the city? - I castrated the males.
0:26:04 > 0:26:06There's no chance they'll reproduce.
0:26:06 > 0:26:10If you could do that with mosquitos you'd win the Nobel Prize.
0:26:10 > 0:26:15- Is your mask on? If a tsetse gets up your nose it'll hurt.- Good thinking.
0:26:18 > 0:26:21BUZZING
0:26:24 > 0:26:27- So, what happened?- No-one knows.
0:26:27 > 0:26:32My dad, he found her at the tower. And now she won't wake up.
0:26:32 > 0:26:35The doctors tell us stuff but they use all that jargon.
0:26:37 > 0:26:40Do you know what this stuff means?
0:26:41 > 0:26:43Yeah. I do, um...
0:26:44 > 0:26:47Do you want me to translate it for you?
0:26:47 > 0:26:50Nothing so far.
0:26:50 > 0:26:52Wait. Just let them get the air.
0:26:54 > 0:26:57- Oh, damn.- What?
0:26:58 > 0:27:02- They've gone into a crack in the ceiling.- They're on to food.
0:27:02 > 0:27:06- This is where it should be.- They've found a better source. Follow them.
0:27:06 > 0:27:09OK. Going upstairs.
0:27:09 > 0:27:11Did Jojo take drugs?
0:27:11 > 0:27:13No.
0:27:13 > 0:27:15What is it?
0:27:16 > 0:27:18He deserves to know the truth.
0:27:37 > 0:27:39- What's all this?- Oh.
0:27:39 > 0:27:42- Nice artwork.- If you say so.
0:27:42 > 0:27:44One...
0:27:44 > 0:27:46Two...
0:27:47 > 0:27:49Three...
0:27:49 > 0:27:51Four.
0:27:51 > 0:27:54VOICES AND MUSIC ECHO
0:28:00 > 0:28:05- Interesting colour scheme. - You're in the party room, dude.
0:28:05 > 0:28:07Rather you than me, Oggy.
0:28:07 > 0:28:09MUSIC BLARES
0:28:09 > 0:28:14- Where's Jojo?- You what, mate? - Where's Jojo?- Who?- Where's Jojo?
0:28:14 > 0:28:16In there!
0:28:23 > 0:28:26Hey, I've found them. They're going down the drain.
0:28:26 > 0:28:30There must be blood in the U-bend. Let them cluster and feed.
0:28:30 > 0:28:32Sure.
0:28:48 > 0:28:52- So the drugs did this to her?- No.
0:28:52 > 0:28:55- So why is she like this? - She cut her wrists.
0:28:55 > 0:29:00- We know that.- Let her talk. - She suffered extensive blood loss.
0:29:00 > 0:29:02Blood loss.
0:29:02 > 0:29:06Parts of her brain are very damaged.
0:29:06 > 0:29:08Brain damage.
0:29:10 > 0:29:12How bad?
0:29:12 > 0:29:19She'll...most likely...stay... like this.
0:29:20 > 0:29:22Hey. Come here.
0:29:25 > 0:29:27I'm so sorry.
0:29:27 > 0:29:32They should have explained that to you.
0:29:33 > 0:29:37Where are you going dressed like that? Don't you go in that tower!
0:29:37 > 0:29:39Oi! Jojo!
0:29:39 > 0:29:43Why do you have to go out like that? You know what Dad's like.
0:29:43 > 0:29:46- You're not my mum! - Use your head, yeah?
0:29:46 > 0:29:50Why do you pretend to be something you're not for him?
0:29:50 > 0:29:52Because he's been through enough!
0:29:52 > 0:29:56- The deaf hero? - Yeah. You need to learn sign.
0:29:57 > 0:29:59How's that?
0:29:59 > 0:30:02What is she like?
0:30:02 > 0:30:04Hey, hey.
0:30:04 > 0:30:06Don't let her get you down, yeah?
0:30:06 > 0:30:09- You're right.- I love you.
0:30:09 > 0:30:11I love you, too.
0:30:13 > 0:30:16- IN EARPIECE:- Rosa?
0:30:16 > 0:30:19- Rosa, where are you? - EARPIECE BEEPS
0:30:23 > 0:30:24What's wrong?
0:30:26 > 0:30:30Something's missing. I won't be a minute.
0:30:34 > 0:30:36Hi, there.
0:30:36 > 0:30:40I'm Rosa Gilbert, a forensic investigator for the Home Office.
0:30:40 > 0:30:43We're looking at the Josephine Collins case.
0:30:43 > 0:30:47- I need to see the rest of this file. - I'll need a doctor's permission.
0:30:47 > 0:30:50What if you have her dad's permission?
0:30:50 > 0:30:52Yeah. Give it to her.
0:30:52 > 0:30:53OK.
0:30:58 > 0:31:02- I think you'll find everything in order. - I'm sure I will.
0:31:11 > 0:31:16- Her recent bloods are showing HCG. - Yes.- Why is it not on the top page?
0:31:16 > 0:31:21They only started to show two weeks after she came in. What is it?
0:31:24 > 0:31:26Your daughter, Josephine...
0:31:27 > 0:31:31She's pregnant.
0:31:40 > 0:31:45PARTY MUSIC ECHOES
0:31:45 > 0:31:47JOJO SOBBING
0:31:47 > 0:31:50- Bastard!- Who?
0:31:50 > 0:31:53- Nathan! I hate him! - I hate him too, Jojo.
0:31:53 > 0:31:57You need to chill! Open wide!
0:31:59 > 0:32:02Let the party begin!
0:32:19 > 0:32:23- Give us a smile!- Hello!
0:32:32 > 0:32:38OK, the tsetse harvested a good DNA sample from the blood in the U-bend,
0:32:38 > 0:32:42but it's not a match to either of the victims at the explosion.
0:32:43 > 0:32:45Hm. Can you get a profile?
0:32:45 > 0:32:49- IN EARPIECE:- Yeah, DNA belongs to a mixed race Afro-Caribbean female.
0:32:49 > 0:32:54- Have you got secondary on the contents of the U-bend? - Yeah. Pubic hair.
0:32:54 > 0:32:58There are secondary traces on the female hair. Two.
0:32:58 > 0:33:02- Philip Britain and...- Ellis Garrick? - Yeah. Oh. Bastards.- What?
0:33:02 > 0:33:07The male DNAs are semen. They must have had intercourse with her then washed her.
0:33:08 > 0:33:10So where's their victim?
0:33:10 > 0:33:14- Oggy, run the DNA against the attempted suicide.- I'll do it.
0:33:14 > 0:33:17No need to, Mike. It's her DNA.
0:33:17 > 0:33:21- Rosa, where are you? How do you know?- I'm looking at her.
0:33:21 > 0:33:23Josephine Collins.
0:33:24 > 0:33:26Aged 17.
0:33:26 > 0:33:28Had GHB in her blood.
0:33:28 > 0:33:33The rape kit came back negative. Now we know why.
0:33:34 > 0:33:37They purged her in the bath.
0:33:37 > 0:33:39Then cut her wrists.
0:33:39 > 0:33:42And left her to bleed to death.
0:33:46 > 0:33:50- You should have told me. - Asked your permission?- Yeah.- Why?
0:33:50 > 0:33:52Why? Look...
0:33:52 > 0:33:56We'll deal with this later. What I need to know is how is she?
0:33:56 > 0:34:01She's brain dead. The hospital have a "do not resuscitate" on her.
0:34:01 > 0:34:05But her dad doesn't know that.
0:34:05 > 0:34:07And he's deaf.
0:34:12 > 0:34:14- ON PHONE:- Hello, Eve?
0:34:14 > 0:34:17Mike? ..Yeah.
0:34:17 > 0:34:19This is Jojo.
0:34:19 > 0:34:21- And her dad.- Hello.
0:34:24 > 0:34:26Hello.
0:34:26 > 0:34:30- I'm a police officer, DI Hale. - Hi.
0:34:30 > 0:34:33Sorry, I just need to, um...
0:34:33 > 0:34:35So sorry. Back in a moment.
0:34:37 > 0:34:41Mike got the report back on the ignition device on the bomb.
0:34:41 > 0:34:44The MOD say it's seriously professional.
0:34:44 > 0:34:50- The type used by insurgents in Iraq and Afghanistan.- The dad's ex-army.
0:34:50 > 0:34:53- Yeah?- There's a Royal Engineers tattoo on his arm.
0:34:53 > 0:34:56Sorry. We'll take it outside.
0:34:59 > 0:35:01So...
0:35:01 > 0:35:05We have an expert in IDs who has a kid in a coma.
0:35:05 > 0:35:08We have two dead kids who live in her social circle.
0:35:08 > 0:35:10And she was raped.
0:35:10 > 0:35:14- Well, possibly.- Made pregnant by one of the males who raped her.
0:35:14 > 0:35:19- Then posed her. - That's not established.- You saw her!
0:35:19 > 0:35:21Bastards!
0:35:21 > 0:35:24Rosa. Hale's right. We have no evidence for that.
0:35:24 > 0:35:28We don't have evidence that they cut her wrists.
0:35:28 > 0:35:32- It could have been self-inflicted. - So what? She was still raped.
0:35:32 > 0:35:34- That could be, but...- But what?
0:35:35 > 0:35:39As harsh as this sounds, our only interest in this girl
0:35:39 > 0:35:44is to know if she was motivation for the crime that we are investigating,
0:35:44 > 0:35:48the double murder of two teenage boys.
0:35:48 > 0:35:49EXPLOSION
0:35:49 > 0:35:54I need you to run this inside your mouth.
0:35:54 > 0:35:56Why?
0:35:56 > 0:35:59Because we think your DNA might be on a crime scene.
0:35:59 > 0:36:02- We should have a solicitor. - Why?
0:36:02 > 0:36:06So you don't fit him up! < For what?
0:36:07 > 0:36:10- For something.- Please.
0:36:14 > 0:36:17Thank you.
0:36:17 > 0:36:19I'll get this analysed.
0:36:21 > 0:36:24Now, you found Jojo.
0:36:27 > 0:36:30- Yeah. - How did you know where she was?
0:36:30 > 0:36:33I tried to... The tower is where we hang out! >
0:36:33 > 0:36:36Dad was always there after us, getting us home.
0:36:36 > 0:36:39It's not a good place. No. It isn't.
0:36:39 > 0:36:42So, he finds me but we can't find Jojo.
0:36:42 > 0:36:44So my dad searches the building.
0:36:44 > 0:36:47And you find her alone and bleeding?
0:36:49 > 0:36:51And naked. >
0:36:51 > 0:36:55Mike, I'm sending Peter Collins' DNA through now.
0:36:57 > 0:37:01- The dad's a hit on the second crime scene.- We knew he found Jojo.
0:37:01 > 0:37:04- No connection with the first crime scene?- There is.
0:37:04 > 0:37:08- But it's not physical.- What is it? - I'm sending it through now.
0:37:11 > 0:37:15HALE: I've been looking at your discharge papers.
0:37:15 > 0:37:18You were made deaf on duty in Iraq.
0:37:18 > 0:37:22An IED that you were disarming went off.
0:37:25 > 0:37:26No.
0:37:26 > 0:37:29No, I disarmed the bomb, but... >
0:37:29 > 0:37:31there was a second bomb.
0:37:31 > 0:37:34In another room that your mates thought was safe?
0:37:39 > 0:37:41It's that one.
0:37:49 > 0:37:51Sorry for your loss.
0:37:51 > 0:37:57Philip Britain and Ellis Garrick were disposed of in an explosion
0:37:57 > 0:38:01exactly the same as that one where you lost your mates.
0:38:01 > 0:38:02I see.
0:38:02 > 0:38:06We believe that they both raped Jojo.
0:38:06 > 0:38:10Do you understand that, right now, because of your background
0:38:10 > 0:38:14and your knowledge, you're the only person who could have done this?
0:38:15 > 0:38:16Yes.
0:38:16 > 0:38:21Unless someone else had access to your bomb-making knowledge.
0:38:22 > 0:38:24PETER: No.
0:38:24 > 0:38:27- No. It was me. - Dad!
0:38:27 > 0:38:30PETER: I said, it was me.
0:38:30 > 0:38:34I've said that I did it.
0:38:36 > 0:38:39I need to get this.
0:38:43 > 0:38:45Back in a minute.
0:38:49 > 0:38:52- Why are you doing this? - I need to.
0:38:52 > 0:38:56- What are you doing? - He's obviously lying.
0:38:56 > 0:38:58Answer it on speaker.
0:38:58 > 0:39:01PETER: 'I wasn't there for you and Jojo when you needed me.'
0:39:01 > 0:39:06I want to be here for you now. So you listen to me.
0:39:08 > 0:39:11I just need to know. Did you do it?
0:39:11 > 0:39:12No.
0:39:14 > 0:39:16PETER: 'Nathan?'
0:39:18 > 0:39:21They deserved it, Dad.
0:39:21 > 0:39:23I know.
0:39:23 > 0:39:26- Nathan.- We'll pull him.
0:39:26 > 0:39:28You make sure that Nathan knows.
0:39:28 > 0:39:30OK?
0:39:31 > 0:39:34For what? We haven't got any evidence against him.
0:39:34 > 0:39:39- Get him off the streets.- He'll shut up shop and we'll get nowhere. No.
0:39:39 > 0:39:41He doesn't know we're on to him.
0:39:41 > 0:39:45He's not going to leave the country, so let's search his flat.
0:39:49 > 0:39:54Peter, right now, you are under arrest. Do you understand that?
0:39:54 > 0:39:56Yeah.
0:39:59 > 0:40:02I don't want to take you to the police cells.
0:40:02 > 0:40:05I'm not going anywhere. You've got my word.
0:40:05 > 0:40:07HALE: There'll be an officer outside.
0:40:07 > 0:40:09Just in case.
0:40:23 > 0:40:27Ta-da! From Nathan's flat. You had a warrant?
0:40:27 > 0:40:29- Of course. - You didn't touch them?
0:40:29 > 0:40:32They were hidden and they were closed.
0:40:32 > 0:40:34A perfectly preserved time capsule.
0:40:34 > 0:40:38- Let's take a look. - And can you hurry up?
0:40:38 > 0:40:40OK, clothes, all male.
0:40:40 > 0:40:44I've got three T-shirts. There are only two victims.
0:40:44 > 0:40:47- Three pairs of trousers. - Third party clothing.
0:40:47 > 0:40:49Could be.
0:40:49 > 0:40:52- VOICES ON MOBILE - Oggy. Oggy.
0:40:52 > 0:40:55- It's OK. It's OK, mate. - They recorded it.
0:40:55 > 0:40:59- Why did they record it? - It's OK, mate. Take five minutes.
0:40:59 > 0:41:01Get some fresh air.
0:41:01 > 0:41:04Well done.
0:41:04 > 0:41:09MALE VOICE 'Come on, Jojo. You can do better than that.'
0:41:11 > 0:41:15Now we have the motivation for Nathan killing Garrick and Britain.
0:41:15 > 0:41:19- Motivation's not enough.- We need to tie him down forensically.
0:41:19 > 0:41:21Right. I'm on it.
0:41:22 > 0:41:28Nathan, you need to come and get me.
0:41:28 > 0:41:30I messed up.
0:41:31 > 0:41:34SCREAMS: Why won't you come?
0:41:34 > 0:41:37SOBS
0:41:48 > 0:41:49What?
0:41:49 > 0:41:53We're going home. Look at the state of you!
0:41:53 > 0:41:55Miss Perfect(!)
0:41:55 > 0:41:57< Come on.
0:41:57 > 0:42:00I'm not ready to go yet.
0:42:00 > 0:42:03You know that Dad's going to come looking for us.
0:42:03 > 0:42:05So? Let him.
0:42:09 > 0:42:12You shouldn't do that to him.
0:42:12 > 0:42:14BEEPING
0:42:19 > 0:42:21BEEPING STOPS
0:42:21 > 0:42:24ALARM BLARES
0:42:33 > 0:42:36Excuse me.
0:42:36 > 0:42:38Yeah. She's flat-lining. No resus.
0:42:38 > 0:42:41- WHISPERS:- It's OK.
0:42:41 > 0:42:43Don't be afraid.
0:42:46 > 0:42:48I'm sorry.
0:43:11 > 0:43:12I'm sorry.
0:43:15 > 0:43:17I'm sorry I have to ask this now,
0:43:17 > 0:43:20but we have a problem.
0:43:20 > 0:43:23We can put Nathan at the crime scene.
0:43:23 > 0:43:25We need the truth.
0:43:27 > 0:43:30Angel?
0:43:30 > 0:43:34- We need to find Nathan.- No.
0:43:35 > 0:43:40- Angel...- I said no. You think you understand, don't you?
0:43:40 > 0:43:44- But you don't.- I do.
0:43:44 > 0:43:48You feel guilty for what happened to your sister.
0:43:48 > 0:43:52Nathan did what he did for you.
0:43:52 > 0:43:56No. Why can't you just leave things as they are?
0:43:56 > 0:43:58Leave it be.
0:43:58 > 0:44:01I can't.
0:44:01 > 0:44:03Where is he?
0:44:04 > 0:44:06Tell her.
0:44:06 > 0:44:08I said no.
0:44:11 > 0:44:12OK.
0:44:18 > 0:44:23- Yup. Go ahead, Mike.- I finished working on the third T-shirt.
0:44:23 > 0:44:26- It's Nathan's. - But something's not adding up.
0:44:26 > 0:44:28It's stained with blood from Garrick and Britain.
0:44:28 > 0:44:33A third sample had been washed out, but not completely. It's Jojo's blood.
0:44:35 > 0:44:36Thanks.
0:44:41 > 0:44:43Who found Jojo?
0:44:43 > 0:44:47- Dad and me. - Tell me how you found her.- Why?
0:44:47 > 0:44:52- Tell her. - She went missing.
0:44:52 > 0:44:55- She always does this. - Let's split up.
0:44:55 > 0:44:59- But babe...- Just do it, before my dad gets here.
0:45:05 > 0:45:09'I walked all over, then I saw Dad heading to the party room.'
0:45:11 > 0:45:12Dad!
0:45:12 > 0:45:15Where's Jojo? Where's Jojo?
0:45:15 > 0:45:17ANGEL: 'Then it all kicked off.'
0:45:20 > 0:45:24NO!
0:45:26 > 0:45:29We got an ambulance as quick as we could.
0:45:29 > 0:45:31Did Nathan help to carry Jojo?
0:45:31 > 0:45:35Nathan? No. He was looking somewhere else.
0:45:35 > 0:45:38- He wasn't there when you found her? - No.
0:45:38 > 0:45:42So how come her blood is on his T-shirt?
0:45:43 > 0:45:49You've made that up to confuse me, so that I'll tell you where he is.
0:45:49 > 0:45:52No, no. No. I'm telling you the truth.
0:45:52 > 0:45:56- It's obvious to me that Nathan's lying to you.- No.
0:45:56 > 0:45:59- He's not. - I'm sorry, Angel.
0:45:59 > 0:46:04- Why?- Because...I'm going to have to prove to you that he is.
0:46:04 > 0:46:08It's going to hurt you and I don't want to do that but...
0:46:09 > 0:46:12It has to be done.
0:46:12 > 0:46:14- Hi, Mike. Are you there? - 'Yeah. I'm here.'
0:46:14 > 0:46:18Mike, could you prepare the morgue for an autopsy?
0:46:18 > 0:46:23We're bringing Josephine Collins back to the farm. Thanks.
0:46:23 > 0:46:25Can you track him by his phone?
0:46:25 > 0:46:28Yes. If we had his number.
0:46:30 > 0:46:32That's his number. Dad!
0:46:32 > 0:46:33Enough!
0:46:34 > 0:46:38I want to know the truth, and so should you.
0:46:40 > 0:46:45When you get a location on Nathan's phone, don't bring him in.
0:46:45 > 0:46:50- You're joking?- No. There are half a dozen reasons for the evidence being in his flat.
0:46:50 > 0:46:53- Well, I can make him tell the truth. - I'm sure you can.
0:46:53 > 0:46:59Until he changes his plea and we're at square one. Wait for the evidence, please.
0:46:59 > 0:47:03Eve, just remember, I AM in charge of this investigation.
0:47:03 > 0:47:05Course you are.
0:47:18 > 0:47:23- What you doing? - Looking at the moon.
0:47:24 > 0:47:27- The moon? - It's just so...
0:47:30 > 0:47:31..beautiful.
0:47:34 > 0:47:36Why don't you see the moon, Nathan?
0:47:36 > 0:47:39- You're off your head.- Do you care?
0:47:39 > 0:47:44- Me and Angel have been looking for you.- It's all about Angel, isn't it?
0:47:47 > 0:47:50You know why you can't see the moon, Nathan?
0:47:50 > 0:47:53- Cos I don't do drugs.- No.
0:47:53 > 0:47:57Not because you don't drink or don't smoke.
0:47:57 > 0:48:00It's because you have no soul.
0:48:03 > 0:48:05Come inside, please.
0:48:05 > 0:48:10- You like me like this, yeah? - Stop it!- Look at the moon with me.
0:48:10 > 0:48:13I know you see it, too.
0:48:21 > 0:48:23HALE ON PHONE: Eve, can you hear me?
0:48:23 > 0:48:27- I can hear you. Go ahead. - We've traced Nathan to the tower.
0:48:27 > 0:48:30Now what?
0:48:30 > 0:48:32Can you run a paternity test?
0:48:32 > 0:48:34Sure.
0:48:35 > 0:48:37As soon as possible, Rosa.
0:48:37 > 0:48:40- So you'll let me talk to him.- Yeah.
0:48:40 > 0:48:44- Alone!- Yes.- I don't want to be part of that bullying thing any more.
0:48:44 > 0:48:49- Just make sure you leave that on. - OK.- I'm doing this for you.
0:48:49 > 0:48:51Fine.
0:48:51 > 0:48:53- Can you turn it on, please? - It is on.
0:49:17 > 0:49:21- It's OK, Nathan. I'm not a police officer.- What do you want?
0:49:21 > 0:49:24I'm trying to fill in some gaps.
0:49:24 > 0:49:31- On the night that Jojo cut her wrists she called you ten times. - My phone was off...
0:49:31 > 0:49:34Rosa? Hale. Patch into Eve's camera.
0:49:34 > 0:49:38- You didn't find her, did you? - ..Make sure Angel sees it.
0:49:38 > 0:49:44She left you a message I know you listened to.
0:49:45 > 0:49:47Nathan!
0:49:48 > 0:49:50You need to come and get me.
0:49:50 > 0:49:52I messed up.
0:49:52 > 0:49:56But I'm going to do it. Do you hear me?
0:49:58 > 0:50:01SCREAMS Why won't you come?
0:50:16 > 0:50:19We found the clothes you hid.
0:50:19 > 0:50:23Ellis and Philip's and your shirt stained with Jojo's blood.
0:50:23 > 0:50:27How is that possible? How did her blood come to be on your shirt?
0:50:27 > 0:50:31- I was helping.- Angel told us you weren't there.- I found her!
0:50:31 > 0:50:37- Before Peter found her?- Yeah. - When you got the message? - I thought she was dead.
0:50:37 > 0:50:41No, no. You knew she wasn't dead.
0:50:45 > 0:50:49We analysed the blood pattern you tried to wash out.
0:50:49 > 0:50:51She grabbed you like this!
0:50:51 > 0:50:53Nathan!
0:50:53 > 0:50:54No!
0:50:54 > 0:50:58- It didn't make sense to me... - Eve, take it easy.
0:50:58 > 0:51:04Why would she go off with those two? Why would you find her then leave her to die here?
0:51:04 > 0:51:07- You're mental.- Is that what you told her? She was mental?
0:51:07 > 0:51:11Well, guess what, Nathan. I know why.
0:51:11 > 0:51:13She was pregnant.
0:51:13 > 0:51:17- No.- I did a paternity test on the foetus in her womb.
0:51:17 > 0:51:19You were the father of her child.
0:51:20 > 0:51:22No!
0:51:22 > 0:51:25JOJO: What are you going to do about it?
0:51:29 > 0:51:31You'll be sorry.
0:51:31 > 0:51:34- You were terrified Angel would find out.- You didn't know her.
0:51:34 > 0:51:39She was a jealous little sister who wanted everything Angel had - you.
0:51:39 > 0:51:43Look, Nathan, I'm not here because of Jojo.
0:51:43 > 0:51:46What went on with you and Jojo wasn't a crime.
0:51:46 > 0:51:48- So?- Ellis and Philip.
0:51:48 > 0:51:51That was premeditated.
0:51:51 > 0:51:53I've got nothing to say.
0:51:53 > 0:51:57You let Angel believe that you murdered those two
0:51:57 > 0:52:00in revenge for what they did to Jojo.
0:52:00 > 0:52:02But you lied to her.
0:52:02 > 0:52:07You killed them to stop them from telling her about you and Jojo.
0:52:07 > 0:52:10Then you disposed of their bodies in an explosion.
0:52:10 > 0:52:13Nothing. To. Say.
0:52:13 > 0:52:15Nathan, listen to me. Look at me.
0:52:16 > 0:52:19Walk out of here now
0:52:19 > 0:52:21and you will be abandoning Angel,
0:52:21 > 0:52:24the same way you did her sister.
0:52:24 > 0:52:27She deserves better than that.
0:52:29 > 0:52:30Please.
0:52:31 > 0:52:35I keep telling you, I've got nothing to say.
0:52:46 > 0:52:48Give me one reason.
0:52:50 > 0:52:52Go on.
0:52:52 > 0:52:55Give me one reason.
0:52:56 > 0:52:59ANGEL: He followed me.
0:53:00 > 0:53:03Philip and Ellis said they wanted to meet me and explain.
0:53:12 > 0:53:14'They were dead afraid.
0:53:14 > 0:53:19'Everyone was blaming them for what happened with Jojo.'
0:53:19 > 0:53:24They went on about how it was a mad night that just got out of control.
0:53:24 > 0:53:31- Everyone says she did that over us! She started the whole thing. - Just to make Nathan jealous.
0:53:38 > 0:53:41So, which one of us are you into?
0:53:41 > 0:53:45- Both of you! - No way, man!
0:53:45 > 0:53:47Yeah! Come on!
0:53:57 > 0:54:03So, you know... we got it on in the bath.
0:54:03 > 0:54:07- The three of you?- It's what she wanted. We was all off our heads.
0:54:07 > 0:54:11- Why did she cut her wrists? - She was fine when we left.
0:54:11 > 0:54:14- She said she'd follow us back in. - She was gonna phone Nathan.
0:54:14 > 0:54:16Nathan?
0:54:16 > 0:54:18SHOUTS AND SCREAMS
0:54:20 > 0:54:22It was over in a flash.
0:54:24 > 0:54:29He said that they were both dead, that he'd get rid of the bodies.
0:54:29 > 0:54:31That he'd deal with it.
0:54:31 > 0:54:33It's OK, Angel.
0:54:33 > 0:54:36Just tell the truth.
0:54:37 > 0:54:41Nathan would stay up all night with my dad.
0:54:41 > 0:54:44Talking. He loved it.
0:54:46 > 0:54:49About the army and the war and all of that.
0:54:50 > 0:54:52My dad would tell him what he did.
0:54:53 > 0:54:56About the bombs.
0:54:56 > 0:54:59And he listened and learned.
0:54:59 > 0:55:00Yeah.
0:55:02 > 0:55:06All this time, I thought that Philip and Ellis were lying.
0:55:07 > 0:55:09But they weren't.
0:55:09 > 0:55:15- They were telling the truth, weren't they?- Part of it.
0:55:15 > 0:55:16What do you mean?
0:55:16 > 0:55:19Part of the truth is that...
0:55:19 > 0:55:23Jojo had a lot of anger and jealousy.
0:55:23 > 0:55:27But the most important part of the truth is that...
0:55:28 > 0:55:31..none of this is your fault.
0:55:31 > 0:55:33OK?
0:55:36 > 0:55:37Yeah.
0:55:39 > 0:55:40Thanks.
0:55:44 > 0:55:47- You were right.- What about?
0:55:47 > 0:55:51Crime scenes being different from research.
0:55:51 > 0:55:52Yeah.
0:55:56 > 0:55:58Are you OK?
0:55:59 > 0:56:00Yeah.
0:56:04 > 0:56:06Are you?
0:56:09 > 0:56:11I've got my magic pills.
0:56:22 > 0:56:24FOOTSTEPS APPROACH
0:56:27 > 0:56:30- It is beautiful.- Mm.
0:56:30 > 0:56:32It is.
0:56:32 > 0:56:37You know, we could keep the farm going without the crime scene work.
0:56:37 > 0:56:39How?
0:56:39 > 0:56:42- What's up?- I'm worried.
0:56:43 > 0:56:44About?
0:56:44 > 0:56:49- About Rosa and Oggy. - They'll be fine.
0:56:49 > 0:56:51HE SIGHS
0:56:51 > 0:56:53And you.
0:56:53 > 0:56:55- Me?- Mm.
0:56:55 > 0:56:59- You don't need to worry about ME. - Not what I meant.
0:57:01 > 0:57:03I know what you meant.
0:57:05 > 0:57:07That was a long time ago.
0:57:07 > 0:57:10We were different people.
0:57:10 > 0:57:12I wasn't.
0:57:12 > 0:57:14I was.
0:57:16 > 0:57:19I've got to get to court.
0:57:21 > 0:57:24You sure having the farm involved out there is a good thing?
0:57:24 > 0:57:29I don't know if it's a good thing, but I think it's necessary.
0:57:29 > 0:57:31- Is it? - Well, who else can do what we do?
0:57:32 > 0:57:34- Nobody.- OK, then.
0:57:37 > 0:57:39Later.
0:57:52 > 0:57:56'People confuse justice with revenge.
0:57:57 > 0:58:00'But there is no revenge in justice.
0:58:00 > 0:58:03'And when justice comes,
0:58:03 > 0:58:07'it doesn't always come the way we want it to.
0:58:28 > 0:58:33'And after the anger and the pain, somewhere in the future,
0:58:33 > 0:58:36'if we're lucky, comes the healing.'
0:58:40 > 0:58:42- What are you hoping for here? - Rape, murder.
0:58:42 > 0:58:46Takes him back to the mansion to satisfy a perverted lust.
0:58:46 > 0:58:51The compulsion to do the forbidden which can prove irresistible.
0:58:51 > 0:58:53He deceived you, doctor.
0:58:53 > 0:58:57See if it matches what we found inside the dead boy.
0:58:57 > 0:58:59No-one told me he was gonna get killed!
0:59:17 > 0:59:20Subtitles by Red Bee Media Ltd
0:59:20 > 0:59:23E-mail subtitling@bbc.co.uk