0:00:02 > 0:00:06This programme contains some scenes which some viewers may find upsetting
0:00:06 > 0:00:08EVE: There are two key forensic moments
0:00:08 > 0:00:11in the investigation of an act of homicide.
0:00:14 > 0:00:17The last moment of the victim's life...
0:00:19 > 0:00:21...and the first moment of their death.
0:00:22 > 0:00:24(GASPING)
0:00:51 > 0:00:55(VOICES ON POLICE RADIO)
0:00:55 > 0:01:00I think that somebody wants us to think it's a robbery gone wrong.
0:01:00 > 0:01:01Very wrong for the victim!
0:01:01 > 0:01:02Oh, wow!
0:01:02 > 0:01:04MIKE: What?
0:01:05 > 0:01:09- Whoa, excuse me, excuse me! - Hi, sorry, I'm Mick....
0:01:09 > 0:01:11Flannery?
0:01:11 > 0:01:13- Oh, right. - Yeah, I called it in.
0:01:13 > 0:01:16Thanks. Can you wait just behind that line there?
0:01:16 > 0:01:18- Just over there? - Yeah.
0:01:18 > 0:01:20OK. I'll just be right over there.
0:01:20 > 0:01:21Just behind that line, thanks.
0:01:21 > 0:01:22No problem.
0:01:24 > 0:01:26- (EARPIECE BEEPS) - OGGY: Rosa?
0:01:26 > 0:01:28- Yeah? - Did you give it to him yet?
0:01:28 > 0:01:29Not yet.
0:01:29 > 0:01:31Don't forget. It's very important.
0:01:38 > 0:01:42HALE: Name's Ray Quinn, night security guard.
0:01:42 > 0:01:44- Found this morning as is. - EVE: Is he known to the police?
0:01:44 > 0:01:47Well, I put out a call for a background check. Still waiting.
0:01:47 > 0:01:51No rigor, so he's still within the first three hours of death.
0:01:52 > 0:01:55Scratches to the face.
0:01:55 > 0:01:57- Branches? - Yeah, possibly.
0:01:57 > 0:01:59Except there are signs of haematemesis around the mouth.
0:01:59 > 0:02:02- Haema what? - It's when you vomit up blood.
0:02:02 > 0:02:03No sign of blood on the scene, then?
0:02:03 > 0:02:06His clothes are covered in mud, as are his boots.
0:02:06 > 0:02:08HALE: Yeah, there are a lot of footprints up here.
0:02:08 > 0:02:11- Can you tell us how many, roughly? - It's hard to tell, really.
0:02:11 > 0:02:13There's been so much traffic around here with your lot
0:02:13 > 0:02:15and the bloke who found him.
0:02:15 > 0:02:18we need to account for everybody who walked the scene before we arrived.
0:02:18 > 0:02:20We'll need to get elimination samples from the owner
0:02:20 > 0:02:22and from the employees -
0:02:22 > 0:02:23- all right, Rosa? - OK.
0:02:23 > 0:02:27- I'll get him prepped for removal. - Yeah, could I have my bag?
0:02:27 > 0:02:31- What do you think happened here, Eve? - Well, I can't say yet
0:02:31 > 0:02:33whether he was murdered, but I don't think he died here.
0:02:33 > 0:02:36Why hasn't he been moved?
0:02:37 > 0:02:38And you are...?
0:02:38 > 0:02:40Martin Flannery, I own the garage. Why the hell
0:02:40 > 0:02:43- is he still lying here? - We're just about to move him, sir.
0:02:43 > 0:02:46Good. I don't want to seem insensitive, but we're at a standstill here.
0:02:46 > 0:02:49- Is there somewhere we could talk? - My office.
0:02:51 > 0:02:54I need to speak to you, as well.
0:02:54 > 0:02:58Good. I thought you was going to leave me out.
0:02:59 > 0:03:01- No chance of that, Mick. - ROSA: Inspector?
0:03:01 > 0:03:03- Yeah. - This is for you.
0:03:03 > 0:03:05- What is it? - I don't know.
0:03:05 > 0:03:07Oggy told me to give it you.
0:03:09 > 0:03:11(BEEPING)
0:03:14 > 0:03:15(BLEEP)
0:03:17 > 0:03:21I do find it easy to talk to you, Tom.
0:03:22 > 0:03:25Maybe that's because you don't expect much.
0:03:28 > 0:03:33I think I need to find a new friend who...gives.
0:03:34 > 0:03:37Someone...alive.
0:03:37 > 0:03:41I have someone in mind, actually.
0:03:49 > 0:03:52- When did you employ Ray Quinn? - About three months ago.
0:03:52 > 0:03:54Took him on as night watchman.
0:03:54 > 0:03:56Yeah, against my advice.
0:03:56 > 0:03:57Really?
0:03:57 > 0:04:04Yeah. Just...had a feeling he was one of those bad-luck blokes, you know?
0:04:04 > 0:04:07I guess I was right, cos you can't get worse luck than being murdered,
0:04:07 > 0:04:08- can you? - No.
0:04:08 > 0:04:12So did you know about his previous before you employed him?
0:04:12 > 0:04:16Oh, yeah. Um, working here was part of his parole agreement.
0:04:16 > 0:04:18Right, so you must have known
0:04:18 > 0:04:21that he was coming to the end of a stretch for kidnap.
0:04:22 > 0:04:25And that he was the only member of a gang convicted.
0:04:25 > 0:04:27MICK: I'll translate that.
0:04:27 > 0:04:30Are you the other gang members that Ray didn't shop and is that why
0:04:30 > 0:04:32you gave him a job when he came out?
0:04:32 > 0:04:34That actually is a better way of putting it.
0:04:35 > 0:04:39- Well? - Are you telling me I'm a suspect?
0:04:39 > 0:04:42Everyone's a suspect... until they're not a suspect.
0:04:42 > 0:04:46Well, when you want to accuse me of murder, let me know, I'll get a lawyer.
0:04:46 > 0:04:49In the meantime, I've got a business to run.
0:04:51 > 0:04:52You've offended him now.
0:04:54 > 0:04:56What about you?
0:04:57 > 0:05:01Nah. I'm the one with the thick skin.
0:05:05 > 0:05:06That's it?
0:05:06 > 0:05:07For now, yeah.
0:05:14 > 0:05:17(HEAVY BREATHING)
0:05:21 > 0:05:23I'm not hurt.
0:05:23 > 0:05:27You just have to stay calm, and they will contact you.
0:05:27 > 0:05:31You just have to open up the shop and let them in.
0:05:31 > 0:05:33They won't hurt me.
0:05:40 > 0:05:43- Rosa, can you stay and work the scene? - Sure.
0:05:43 > 0:05:45I want samples from the floor area,
0:05:45 > 0:05:47doors and surfaces, and those footprints.
0:05:47 > 0:05:48- Got it. - Hale?
0:05:48 > 0:05:49Yeah?
0:05:49 > 0:05:51Can you have one of your lot
0:05:51 > 0:05:52- stay with her? - Yeah, of course I will.
0:05:52 > 0:05:55HALE: Look, I'm going to go to the victim's home.
0:05:55 > 0:05:58Keep me posted with the postmortem, thank you.
0:06:01 > 0:06:02- Rosa? - Mm-hm?
0:06:02 > 0:06:04You're aware he's a possible suspect?
0:06:04 > 0:06:06- Yeah, of course. - Good.
0:06:09 > 0:06:11Oggy, can you prepare the lab?
0:06:13 > 0:06:14EVE: Oggy?
0:06:15 > 0:06:17Oggy, can you prep the lab for an autopsy?
0:06:17 > 0:06:19Are you on your way back?
0:06:19 > 0:06:21Is Hale coming with you?
0:06:21 > 0:06:24- No, why? - No reason, just...
0:06:24 > 0:06:25thinking.
0:06:38 > 0:06:41It's a brew, mate. It's a cup of tea. Honest.
0:06:43 > 0:06:44Do you want a cup of tea?
0:06:44 > 0:06:49Look, I only put a drop of cyanide in it, I promise.
0:06:49 > 0:06:52Well, in that case...
0:06:52 > 0:06:53go on, then.
0:06:56 > 0:06:58- Some biscuits there as well. - Lovely.
0:07:02 > 0:07:07- So...how much longer, do you reckon? - Sorry?
0:07:07 > 0:07:10- Before we can get back to business. - Oh, I can't say.
0:07:10 > 0:07:12You could, but you won't.
0:07:12 > 0:07:14Honestly, I don't know. But...if I did...
0:07:14 > 0:07:16- Then you wouldn't. - Yeah.
0:07:17 > 0:07:19So, um, was he your friend?
0:07:19 > 0:07:23Ray? No, I didn't like him.
0:07:23 > 0:07:26- Oh. - He didn't deserve that, though.
0:07:26 > 0:07:27You know...
0:07:27 > 0:07:29murdered for a few car parts.
0:07:31 > 0:07:34Anyway, enjoy your brew.
0:07:34 > 0:07:37- Thanks. - And yourself.
0:07:40 > 0:07:41Is that yours?
0:07:43 > 0:07:45Yep. Restored it myself.
0:07:46 > 0:07:48Very nice.
0:07:52 > 0:07:56Initial examination of one Raymond Quinn, recovered from scene.
0:07:56 > 0:08:00Scratches to his hands, face and neck, consistent with running
0:08:00 > 0:08:03- through bushes, trees. - To be verified.
0:08:03 > 0:08:05(PANTS)
0:08:11 > 0:08:15Bruising to his ribs is in the initial trauma state.
0:08:15 > 0:08:18The flare didn't get a chance to swell,
0:08:18 > 0:08:21so he would have died during the infliction of this injury.
0:08:21 > 0:08:23I can confirm the haematemesis. His stomach
0:08:23 > 0:08:25- and lungs are full of blood. - From the liver?
0:08:25 > 0:08:28No, a ruptured portal vein. However, the liver was already
0:08:28 > 0:08:32in a state of inflammation from cirrhosis, ready to pop.
0:08:32 > 0:08:34Time of death?
0:08:37 > 0:08:40(FAINT HISSING)
0:08:40 > 0:08:43(BEEPING)
0:08:43 > 0:08:50The core temperature from the liver is... 32 degrees, so, given the conditions,
0:08:50 > 0:08:53I'd say he's been dead somewhere between four to six hours.
0:08:57 > 0:09:01So his time of death fits in with the robbery theory,
0:09:01 > 0:09:03- the early hours of the morning? - Well,
0:09:03 > 0:09:05difficult to be precise, but it's somewhere in that region.
0:09:05 > 0:09:07(LOUDLY) He drowned in his own blood.
0:09:07 > 0:09:09- HALE: Yeah. Thanks, Oggy. - You're welcome.
0:09:09 > 0:09:13Eve, we know that he didn't die of natural causes?
0:09:13 > 0:09:16- Possibly. - So it could be a murder investigation?
0:09:16 > 0:09:20And we know that the garage is a dump site.
0:09:20 > 0:09:23- Yeah. - Might be a Mafia message to the owners,
0:09:23 > 0:09:25someone making them an offer they can't refuse,
0:09:25 > 0:09:26like a horse's head in bed,
0:09:26 > 0:09:30- but with a guy in a garage instead. - Yeah, OK, Oggy. Er, got to go, mate.
0:09:30 > 0:09:32- When will you be back? - Er, bye!
0:09:32 > 0:09:34Be careful out there.
0:09:41 > 0:09:45- Are you lost, mister? - Um, I don't think so.
0:09:50 > 0:09:51I'm looking for Eileen Quinn.
0:09:51 > 0:09:54And which Eileen Quinn would that be, now?
0:09:54 > 0:09:58It's the Eileen Quinn that was the mother of Ray Quinn.
0:09:58 > 0:10:02Look, the probation records show that he lives here with her.
0:10:02 > 0:10:05Right. So what's all this about, like?
0:10:05 > 0:10:06It's about a police matter.
0:10:08 > 0:10:11I can go away, I can come back with backup.
0:10:11 > 0:10:15No, no. No need for that, now. She's over here.
0:10:34 > 0:10:36Eileen!
0:10:37 > 0:10:38Policeman here for you.
0:10:38 > 0:10:41(DOG BARKS)
0:10:45 > 0:10:48Um...are you Ray Quinn's mother?
0:10:48 > 0:10:50I am.
0:10:50 > 0:10:51Can I come in?
0:10:51 > 0:10:53- No. - No, no,
0:10:53 > 0:10:56that wouldn't be right at all, now, for you to be alone with a woman, no.
0:10:56 > 0:10:57OK, I see.
0:10:57 > 0:10:59Um...
0:11:00 > 0:11:02Um, Mrs Quinn, we've found your son.
0:11:02 > 0:11:04Oh, did you?
0:11:05 > 0:11:07And I'm afraid he's dead.
0:11:07 > 0:11:09(GROANS) No!
0:11:09 > 0:11:14(GROANS) Oh, no! Oh, Jesus Christ!
0:11:14 > 0:11:15- Jesus... - (ALL TALK AT ONCE)
0:11:15 > 0:11:17I'm so sorry.
0:11:17 > 0:11:19(GROANS)
0:11:19 > 0:11:21It'd be better if we talk away here, now.
0:11:21 > 0:11:24Yeah, I need to see where Ray lives.
0:11:24 > 0:11:28- (VOICES MURMUR) - (EILEEN HOWLS)
0:11:28 > 0:11:30You see, most murders occur in the kitchen,
0:11:30 > 0:11:33or the bedroom, generally in the home of the victim.
0:11:33 > 0:11:36- Because most murders are domestic. - Right.
0:11:36 > 0:11:39- He might be a domestic. - Right,
0:11:39 > 0:11:41- we need to start on secondary. - Already done it.
0:11:41 > 0:11:45Oh, good. OK, well, we know the garage is a dump site,
0:11:45 > 0:11:50so we're looking for any indication as to where the murder site could be...
0:11:50 > 0:11:51trace elements carried between the two.
0:11:51 > 0:11:55The scratches on his face come from trees embedded with pollen.
0:11:55 > 0:11:56Good.
0:11:56 > 0:11:57Shall I run these?
0:11:57 > 0:11:59No, no, I'll get Rosa to do it when she gets back.
0:12:01 > 0:12:02Yeah.
0:12:02 > 0:12:05These two look different from the others,
0:12:05 > 0:12:10as though they've not been made by...branches.
0:12:10 > 0:12:13- Can you run that? - Yeah, sure.
0:12:23 > 0:12:25Keeps a tidy home.
0:12:25 > 0:12:29Well, I wouldn't know about that, I've never been in it.
0:12:34 > 0:12:37- Someone cleaned this? - His mother would do that for him.
0:12:37 > 0:12:40When will she have his body?
0:12:40 > 0:12:42- When I've finished with it. - What are you doing with it?
0:12:45 > 0:12:49I'm trying to find out who killed him. Or don't you care about that?
0:12:49 > 0:12:52Oh, I care about it all right, don't you worry about that.
0:12:52 > 0:12:54What's that supposed to mean?
0:12:54 > 0:12:57It means we'll find him and we'll take care of it ourselves.
0:12:57 > 0:13:00That's not a good idea, taking the law into your own hands.
0:13:00 > 0:13:01Whose law? Yours or ours?
0:13:01 > 0:13:04There is only one law, it's the law of the land.
0:13:04 > 0:13:08No, no, no, no. No. You have your laws, and we have ours.
0:13:08 > 0:13:10Yeah, but whilst you're living... Sorry, what is your name?
0:13:10 > 0:13:11Barney. Why?
0:13:11 > 0:13:15Barney, whilst you're living in our country, you will abide by our laws.
0:13:17 > 0:13:19HALE: I don't want this caravan touched.
0:13:19 > 0:13:21I'll be back.
0:13:26 > 0:13:31- (ENGINE RUMBLES) - Oh, my gosh! This is so cool!
0:13:31 > 0:13:33- Can I rev it? - Go on, then.
0:13:33 > 0:13:35(REVS ENGINE)
0:13:39 > 0:13:40What are you looking for?
0:13:42 > 0:13:43My earring.
0:13:43 > 0:13:46Oh, yeah, and why would your earring be in my car?
0:13:47 > 0:13:49Out.
0:13:49 > 0:13:52Ask your dad for a new pair - I'm sure he can afford it.
0:13:55 > 0:13:57(ENGINE REVS)
0:13:57 > 0:13:59Rosa, can you hear me?
0:13:59 > 0:14:01Um, turn it off.
0:14:01 > 0:14:02All right. What...?
0:14:02 > 0:14:05- Turn off the engine, please. - (ENGINE OFF)
0:14:05 > 0:14:06Eve?
0:14:06 > 0:14:08Are you OK?
0:14:08 > 0:14:10- Yeah. Yeah, I'm fine. - Are you coming back
0:14:10 > 0:14:12- to the farm with the samples? - Yeah.
0:14:12 > 0:14:14- Now. - OK.
0:14:14 > 0:14:16- (EARPIECE BEEPS) - I've got to go.
0:14:16 > 0:14:17Ah, your mother calling.
0:14:17 > 0:14:18Yeah, something like that.
0:14:18 > 0:14:20Keeps you on a short leash, eh?
0:14:20 > 0:14:23- In her world, everyone's a suspect. - And I'm a suspect?
0:14:23 > 0:14:26You distracted me. I need a swab.
0:14:26 > 0:14:27For what?
0:14:27 > 0:14:30Just to eliminate you from the crime scene.
0:14:31 > 0:14:33- Just... - Just around your mouth.
0:14:37 > 0:14:38OK.
0:14:40 > 0:14:41And then your hand...
0:14:47 > 0:14:49Cool. All done.
0:14:49 > 0:14:50Ta.
0:14:54 > 0:14:57The autopsy confirmed my suspicions.
0:14:57 > 0:14:59Right, so he was beaten to death?
0:14:59 > 0:15:02Well, to be precise, he was punched a number of times in the ribs,
0:15:02 > 0:15:03but it was a blow to the stomach
0:15:03 > 0:15:06that caused the liver to rupture and death to occur.
0:15:06 > 0:15:08Yeah, I got something interesting on the swabs
0:15:08 > 0:15:10from the scratches on Quinn's neck.
0:15:10 > 0:15:13They were made from the nails of a female.
0:15:13 > 0:15:17- Hm, a violent confrontation. - Can you pull a profile from that sample?
0:15:17 > 0:15:19MIKE: Yeah, I've done it.
0:15:19 > 0:15:20She was white European.
0:15:24 > 0:15:29OK...I think everyone needs to be aware of the nature
0:15:29 > 0:15:32of Raymond Quinn's previous crime.
0:15:33 > 0:15:38It was a tiger kidnap of a wife of a postmaster.
0:15:38 > 0:15:39That's like a normal kidnapping
0:15:39 > 0:15:43where the hostage is held captive by the criminals,
0:15:43 > 0:15:46but it's called a tiger kidnapping because of the level
0:15:46 > 0:15:48- of predatory stalking involved. - Very good.
0:15:48 > 0:15:49- Hi. - Hi.
0:15:49 > 0:15:52I have soil and oil samples from the crime scene,
0:15:52 > 0:15:57and elimination samples from the owner and his brother, Mick.
0:15:59 > 0:16:02- How did it go? - Yeah, fine, thanks.
0:16:02 > 0:16:05So, Quinn's last victim, was she harmed?
0:16:05 > 0:16:09Er, no.
0:16:09 > 0:16:10No, the money was never recovered.
0:16:10 > 0:16:12How did they get Quinn?
0:16:12 > 0:16:15DNA. Believe it or not, he blew his nose on a handkerchief
0:16:15 > 0:16:18and then gave the handkerchief back to her.
0:16:18 > 0:16:19Claims he was just the babysitter,
0:16:19 > 0:16:22but he never gave up the other members of the gang.
0:16:22 > 0:16:25Rosa, we need to find the source of that pollen, ASAP.
0:16:27 > 0:16:28- Rosa! - Hm?
0:16:28 > 0:16:30- Pollen, ASAP. - Yeah, OK.
0:16:30 > 0:16:32- Oggy? - Soil samples, on it.
0:16:32 > 0:16:33- Mike... - Yeah?
0:16:33 > 0:16:35You need to go back and work his caravan.
0:16:35 > 0:16:37Sure.
0:16:37 > 0:16:40DI Hale. Would you run a profile through Missing Persons?
0:16:50 > 0:16:51Don't tell me that's it?
0:16:53 > 0:16:55What the...?
0:16:56 > 0:17:00What part of "don't touch the caravan" do you lot not understand?
0:17:00 > 0:17:03We couldn't stop her, it's tradition.
0:17:03 > 0:17:06It's her right to fire the van when he's dead.
0:17:06 > 0:17:09Oh, it gets even better than that. I can't even talk to the mother.
0:17:09 > 0:17:11EVE: Why not?
0:17:11 > 0:17:15Oh, well, you know, because women can't talk to men.
0:17:15 > 0:17:17Well, I'm not a man.
0:17:23 > 0:17:27So why don't you and Mike go and walk around with the other men, and I'll...
0:17:27 > 0:17:29Are you sure about that?
0:17:29 > 0:17:30Yeah, I'll be OK.
0:17:34 > 0:17:37Get out of the way, will you?
0:17:46 > 0:17:49I'm sorry about your loss.
0:17:52 > 0:17:54What brings you here, then?
0:17:54 > 0:17:56I want to talk to Mrs Quinn.
0:17:56 > 0:17:57About?
0:17:57 > 0:17:59About her son, Raymond.
0:17:59 > 0:18:03My son, Raymond, was a good, good son.
0:18:05 > 0:18:08We'd best talk inside, then.
0:18:08 > 0:18:09Sorry?
0:18:09 > 0:18:11Talk inside, Eileen.
0:18:11 > 0:18:13All right.
0:18:18 > 0:18:23Oh, God, look at your neck. Look at... What have you done, Raymond?
0:18:23 > 0:18:25What in the name of God have you done?
0:18:26 > 0:18:30Running pollen samples taken from the body of Raymond Quinn.
0:18:30 > 0:18:35Beginning analysis of the species type in order to discover its provenance.
0:18:35 > 0:18:38Did you do something to a woman, Raymond?
0:18:43 > 0:18:46Have you seen me dogs, sir? Aren't they beautiful creatures?
0:18:46 > 0:18:49- (BARKING) - Down, boys!
0:18:51 > 0:18:52Yeah, very nice.
0:18:52 > 0:18:53Guard dogs, yeah?
0:18:53 > 0:18:55No, fighting dogs.
0:18:55 > 0:18:58- Fighting dogs? - Yeah, best in the country.
0:18:58 > 0:19:00You do know that's illegal, don't you?
0:19:00 > 0:19:01Well, is that right, now?
0:19:06 > 0:19:09Cross-referencing elimination samples from the garage
0:19:09 > 0:19:12with trace elements found on the victim's body.
0:19:17 > 0:19:19This is weird.
0:19:19 > 0:19:20What is?
0:19:20 > 0:19:24DNA comparison is showing that Raymond Quinn is a cousin
0:19:24 > 0:19:26- to Mick and Martin Flannery. - What?
0:19:26 > 0:19:29- Why didn't they tell us this? - I dunno.
0:19:29 > 0:19:30It's strange, though, isn't it?
0:19:31 > 0:19:35But...there were no traces of female DNA on the crime scene.
0:19:35 > 0:19:38Female, no - why?
0:19:38 > 0:19:42Wake up, Oggy, there were scratches from a female on Raymond Quinn.
0:19:42 > 0:19:45Right. No, no, she's not on the scene.
0:19:45 > 0:19:48I'd better tell Eve about the cousins link, though.
0:19:48 > 0:19:49No, no.
0:19:49 > 0:19:50- What? - I'll do it.
0:19:50 > 0:19:52But I discovered it!
0:19:52 > 0:19:55OK, thanks, Rosa.
0:19:55 > 0:19:59We weren't aware that Raymond was a cousin of the Flannery brothers.
0:20:01 > 0:20:03Who's been telling you things, then?
0:20:03 > 0:20:06Raymond told us. It's in his blood.
0:20:06 > 0:20:07You can't deny your own blood, can you?
0:20:08 > 0:20:10How well do you know the Flannery boys?
0:20:10 > 0:20:12They're my nephews.
0:20:12 > 0:20:16It's just, when I met them, they didn't seem like travellers.
0:20:16 > 0:20:18Yeah, well, they wouldn't, would they?
0:20:18 > 0:20:20Them boys grew up in a house.
0:20:20 > 0:20:24Their father, Lord rest him, married a country girl.
0:20:24 > 0:20:25A country girl?
0:20:25 > 0:20:26- One of you. - I see.
0:20:26 > 0:20:29But she took to her heels a few year into it.
0:20:29 > 0:20:31You see, blood is thicker than water.
0:20:40 > 0:20:41OK, mate, stick or twist?
0:20:44 > 0:20:45Hit me.
0:20:45 > 0:20:49EVE: And that's why Martin gave Raymond a job when he got out of prison.
0:20:49 > 0:20:52Look, Martin is a good boy.
0:20:52 > 0:20:57Did Raymond have a wife or a girlfriend?
0:20:57 > 0:21:02Er, well, you know, Raymond... He just...
0:21:02 > 0:21:04He didn't fool around with women, anyway.
0:21:04 > 0:21:07- Raymond was, um, different. - Different?
0:21:07 > 0:21:09Harmless.
0:21:11 > 0:21:13King...
0:21:14 > 0:21:16We should find the men.
0:21:16 > 0:21:20Yeah, please, thanks very much, Teresa. Good bless. I'll see you later.
0:21:20 > 0:21:23How many is a king?
0:21:23 > 0:21:25Ten. Let me see.
0:21:27 > 0:21:28Am I bust?
0:21:28 > 0:21:30Only by 30 this time.
0:21:31 > 0:21:3421... See ya.
0:21:37 > 0:21:41You'll get yourself in trouble thinking those thoughts, Ray.
0:21:41 > 0:21:43What are you smiling at?
0:21:43 > 0:21:46You know exactly what I mean.
0:21:48 > 0:21:51The pollen's from apple blossom.
0:21:51 > 0:21:54Well, there's the garage...
0:21:54 > 0:21:58Oh. That could be an orchard there. There you go.
0:22:00 > 0:22:02What?
0:22:06 > 0:22:08OK, I'll pull up the Land Registry.
0:22:09 > 0:22:16So... Hadersbury Fruit Farm, owner Martin Flannery.
0:22:16 > 0:22:20Application for planning permission to build a halting site.
0:22:20 > 0:22:21Pending.
0:22:21 > 0:22:24- OGGY: Halting site? - ROSA: You know, travellers.
0:22:24 > 0:22:26I'd better bring Hale up to speed on all this.
0:22:26 > 0:22:28- I'll do it. - But...!
0:22:28 > 0:22:30ROSA: And you're not too far from the orchard now.
0:22:30 > 0:22:32OK, send me directions, can you?
0:22:32 > 0:22:34I've sent the coordinates to your phone.
0:22:34 > 0:22:37It'll Bluetooth to your sat nav and take you straight there.
0:22:37 > 0:22:40Er, I don't have Bluetooth set up.
0:22:40 > 0:22:42OGGY: Yes, you do, I installed it for you.
0:22:42 > 0:22:45Thanks, Oggy.
0:22:45 > 0:22:47No problem...partner.
0:22:47 > 0:22:51Hale, can you check if Raymond Quinn had a psychological evaluation
0:22:51 > 0:22:52- when he was in prison? - Sure, why?
0:22:52 > 0:22:55Just a niggle.
0:22:55 > 0:22:57(AMERICAN ACCENT) Hey, let's all be careful out there.
0:22:59 > 0:23:02He's been watching reruns of Hill Street Blues.
0:23:02 > 0:23:04Oh, is that what it is?
0:23:04 > 0:23:05I wondered.
0:23:17 > 0:23:18What?
0:23:18 > 0:23:20You seem depressed.
0:23:20 > 0:23:21Really?
0:23:21 > 0:23:24I'm here for you if you ever want to talk about anything.
0:23:24 > 0:23:25Or, there's Eve.
0:23:25 > 0:23:28Urgh...Eve.
0:23:40 > 0:23:41So, what is it, then?
0:23:43 > 0:23:44Oh...
0:23:44 > 0:23:47don't you feel like you spend your whole life just working?
0:23:47 > 0:23:49No.
0:23:49 > 0:23:51I just...
0:23:52 > 0:23:55I haven't done anything, I haven't been anywhere.
0:23:55 > 0:23:58You could become an eco-warrior - that would be an adventure.
0:23:58 > 0:24:00You know, save the whales, the forests.
0:24:00 > 0:24:01Maybe.
0:24:01 > 0:24:05What about being an ice-road trucker? That'd be fun.
0:24:05 > 0:24:06I can't drive a truck.
0:24:06 > 0:24:09- Extreme logging? - Too hard.
0:24:09 > 0:24:13What about working on a lobster boat in the cruel seas off the coast of Alaska?
0:24:13 > 0:24:15Too cold.
0:24:17 > 0:24:19OK.
0:24:24 > 0:24:27I have to go in now. There's lots to do.
0:24:27 > 0:24:28OK.
0:24:29 > 0:24:35Good talking to you. Good, honest conversation. Thank you.
0:24:42 > 0:24:47HALE: Eve, it seems like Ray isn't the sharpest tool in the box.
0:24:47 > 0:24:49Did they quantify how sharp?
0:24:49 > 0:24:51Er, IQ of 80.
0:24:51 > 0:24:53OK.
0:25:12 > 0:25:14Check these tyre marks.
0:25:17 > 0:25:20- Oggy, are you getting this? - Yeah.
0:25:20 > 0:25:22MIKE: We'll send you some in high-def.
0:25:23 > 0:25:24Got it.
0:25:26 > 0:25:28Right, let's get suited up.
0:25:28 > 0:25:30OK.
0:25:35 > 0:25:38(MACHINE BEEPS)
0:25:41 > 0:25:43NRN detected.
0:25:47 > 0:25:48Ninhydrin reactive nitrogen -
0:25:48 > 0:25:52it's the chemical signature of a dead body.
0:25:52 > 0:25:54Can we forensicate it?
0:25:54 > 0:25:58You know that's not a real word, don't you?
0:25:58 > 0:26:00Yes, it is. Well, it is now.
0:26:02 > 0:26:05EVE: Look, handprints.
0:26:06 > 0:26:08That one looks like it's female.
0:26:08 > 0:26:11(MAN BREATHES HEAVILY)
0:26:11 > 0:26:14Are you sure those marks are made by a female?
0:26:14 > 0:26:16EVE: It's a mixture of male and female,
0:26:16 > 0:26:18but I'm pretty certain that one is female.
0:26:18 > 0:26:22It's smaller than the others,
0:26:22 > 0:26:24and those are possibly from long fingernails.
0:26:28 > 0:26:30Like the nails that made the scratches on Quinn's neck?
0:26:30 > 0:26:32Yeah, well, we'll find out.
0:26:32 > 0:26:36- And these big marks are...? - Well,
0:26:36 > 0:26:39where she was flailing about.
0:26:39 > 0:26:43So we've got the female on the body of Quinn from the scratches
0:26:43 > 0:26:47and we may have her here as well?
0:26:47 > 0:26:48Would she be on the MISPER?
0:26:48 > 0:26:50No, I've already tried - there's hundreds of them.
0:26:50 > 0:26:53I'll need something that narrows it down.
0:26:55 > 0:26:56OGGY: Axle ratios.
0:27:00 > 0:27:02(WHISPERS) Come on, come on, come on.
0:27:05 > 0:27:09So, you're a Ford Transit... Eve.
0:27:09 > 0:27:11OK, great, thanks, Oggy.
0:27:11 > 0:27:13Ford Transit at the garage.
0:27:13 > 0:27:14Yeah. Rosa?
0:27:14 > 0:27:15Eve?
0:27:15 > 0:27:19Can you get back to the garage and check out the Ford Transit van?
0:27:19 > 0:27:20Work it for me, will you?
0:27:20 > 0:27:21- Will do. - Oh, yeah,
0:27:21 > 0:27:23- and be careful. - I'm not stupid.
0:27:23 > 0:27:26No, I didn't say you were stupid - I said be careful.
0:27:26 > 0:27:27Yeah, well, I know how to do my job.
0:27:27 > 0:27:28Good.
0:27:32 > 0:27:33Look at that.
0:27:36 > 0:27:38"Amanda."
0:27:38 > 0:27:40That really does narrow it down.
0:27:40 > 0:27:44- I'll get onto the MISPER database. - Yeah, and it's bespoke.
0:27:44 > 0:27:47It's got the jeweller's stamp on it.
0:27:47 > 0:27:49Well, trace it.
0:27:49 > 0:27:52Oggy, my camera.
0:27:52 > 0:27:53Got it.
0:28:00 > 0:28:03The maker's name is Edward Worrall.
0:28:03 > 0:28:07Specialises in custom-made jewellery. I have an address.
0:28:07 > 0:28:10- Send it to my laptop with a map. - OK.
0:28:10 > 0:28:12Amanda! Amanda!
0:28:12 > 0:28:16Oh, Jesus Christ, Amanda's only a child!
0:28:16 > 0:28:19Raymond, you'll have to go now because they'll kill you.
0:28:19 > 0:28:22Thank you. No Amanda on Missing Persons.
0:28:22 > 0:28:23So she's not missing, then?
0:28:23 > 0:28:27HALE: Well...it means she's not reported.
0:28:27 > 0:28:30EVE: You'd expect a teenage girl to be reported straightaway.
0:28:30 > 0:28:33Yeah. Let's hope this guy can give us some kind of lead.
0:28:37 > 0:28:39- Yeah? - Edward Worrall?
0:28:39 > 0:28:41Yes.
0:28:41 > 0:28:42DI Hale.
0:28:42 > 0:28:45No, no, you can't be here.
0:28:45 > 0:28:46I'm sorry?
0:28:50 > 0:28:52Hiya. I'm Rosa Gilbert.
0:28:52 > 0:28:56I'm here to carry out further forensic examinations on the property.
0:28:56 > 0:28:57- Straight through. - Thank you.
0:29:15 > 0:29:18You just can't be here.
0:29:21 > 0:29:23May we sit down?
0:29:23 > 0:29:25Yeah, yeah.
0:29:31 > 0:29:33HALE: Did you make this?
0:29:33 > 0:29:35Oh, my God!
0:29:35 > 0:29:37Are you all right?
0:29:37 > 0:29:42My daughter... I made it for her, but where did you get it?
0:29:42 > 0:29:43Mr Worrall, what's going on here?
0:29:43 > 0:29:45Well, they told me not to contact the police.
0:29:45 > 0:29:46Sorry, who?
0:29:46 > 0:29:52Well, the kidnappers who took Amanda. That's why you're here, isn't it?
0:29:52 > 0:29:54Kidnappers?
0:30:01 > 0:30:02How did they contact you?
0:30:02 > 0:30:04Well, they sent me this.
0:30:08 > 0:30:09I'm not hurt.
0:30:09 > 0:30:16You just have to open up the shop and let them in. They won't hurt me.
0:30:16 > 0:30:19You just have to stay calm, and they will contact you.
0:30:19 > 0:30:21Don't contact the police.
0:30:23 > 0:30:24I love you, Dad.
0:30:24 > 0:30:26And you received this when?
0:30:26 > 0:30:28That was yesterday.
0:30:30 > 0:30:32Mr Worrall, when did you last see your daughter?
0:30:32 > 0:30:34Around lunchtime.
0:30:34 > 0:30:36So she didn't come home last night?
0:30:36 > 0:30:37No.
0:30:37 > 0:30:40And what about her friends?
0:30:40 > 0:30:42Sorry, I don't understand.
0:30:42 > 0:30:45Well, we need to know where she may have gone. Who are her friends?
0:30:45 > 0:30:50I... It sounds terrible, I know, but I really don't know.
0:30:50 > 0:30:53She...she's been locking me out.
0:30:53 > 0:30:56We've been having problems communicating, you know?
0:30:56 > 0:30:58And what about her mum?
0:30:58 > 0:31:00Well, we're divorced.
0:31:04 > 0:31:06(BEEPING)
0:31:06 > 0:31:09I have NRN in the Transit.
0:31:09 > 0:31:12Rosa, get the police to secure the whole property, will you?
0:31:12 > 0:31:14And just tell them I'm on my way.
0:31:14 > 0:31:16Can I take that picture of her?
0:31:17 > 0:31:18Yeah.
0:31:19 > 0:31:22Does she have a computer?
0:31:22 > 0:31:24Yes, that's it there.
0:31:24 > 0:31:29I tried to look into it, but she has a password on it.
0:31:29 > 0:31:33HALE: Listen, I'll need a family liaison officer round here ASAP.
0:31:33 > 0:31:34Yeah, you know the address.
0:31:34 > 0:31:36And also some form of surveillance, thank you.
0:31:38 > 0:31:41Mr Worrall, I'm going to send somebody round to sit with you.
0:31:41 > 0:31:47Also I'm going to have to take a copy of that e-mail, and I do need this.
0:31:47 > 0:31:49Is there anything else you can tell us?
0:31:49 > 0:31:54Oh, um, she has... sometimes she has a problem with epilepsy.
0:31:57 > 0:32:00EVE: It would be very helpful to us if we could get an item of her clothing,
0:32:00 > 0:32:05something that hasn't been washed, or the pillowcase from her bed.
0:32:05 > 0:32:07I'll go and get it.
0:32:12 > 0:32:13EVE: Mike?
0:32:13 > 0:32:14Yeah?
0:32:14 > 0:32:17We're looking for a 17-year-old girl, 5'4", slim build.
0:32:17 > 0:32:19OK.
0:32:20 > 0:32:21Oggy.
0:32:21 > 0:32:23Mike.
0:32:23 > 0:32:25What do we know about dump sites?
0:32:25 > 0:32:29Well, if the murder is unplanned, there is no disposal plan.
0:32:29 > 0:32:33Just a quick dump of the body, and then the logic becomes convenience-led.
0:32:33 > 0:32:36So...somewhere quick and easy.
0:32:36 > 0:32:39And usually temporary.
0:32:39 > 0:32:41The killer will return under planned conditions
0:32:41 > 0:32:44to move the body to a better place.
0:32:44 > 0:32:46- Thanks, Oggy. - Cheers.
0:32:46 > 0:32:48What?
0:32:54 > 0:32:56You're not nicking stuff, are you?
0:32:56 > 0:32:59No. I'm...
0:32:59 > 0:33:01Just doing your thing?
0:33:01 > 0:33:02Yeah.
0:33:09 > 0:33:11Find anything?
0:33:11 > 0:33:13I can't say.
0:33:13 > 0:33:15HALE: Hello, Mick.
0:33:15 > 0:33:17(SIRENS BLARE)
0:33:22 > 0:33:23Are they all here for me?
0:33:24 > 0:33:29I've got a warrant to search all the outbuildings, all the vehicles.
0:33:29 > 0:33:30What are you looking for?
0:33:30 > 0:33:32Amanda Worrall.
0:33:32 > 0:33:33She's not here.
0:33:33 > 0:33:37Well, I hope not. You've had a dead body in the back of that van.
0:33:39 > 0:33:40I guess you can prove it?
0:33:40 > 0:33:42Yeah, I think I can.
0:33:42 > 0:33:44Sounds like I'm in trouble, then.
0:33:44 > 0:33:48Certainly are. Oh, did I forget to mention...? You're under arrest.
0:33:50 > 0:33:51Read him his rights.
0:33:51 > 0:33:52OK, we've got a scent.
0:33:52 > 0:33:54So she's here, yeah?
0:33:54 > 0:33:55Her scent's here.
0:33:57 > 0:34:00She's not going to the van.
0:34:00 > 0:34:02So that's not her NRN in there, then.
0:34:05 > 0:34:06EVE: Mike.
0:34:06 > 0:34:08MIKE: Yeah?
0:34:08 > 0:34:09She's not here.
0:34:09 > 0:34:11OK.
0:34:11 > 0:34:14So, based on what we know, where you are is her most likely location.
0:34:19 > 0:34:21Hey. Hey!
0:34:36 > 0:34:38What comes first?
0:34:38 > 0:34:40(CROWS CAW)
0:34:43 > 0:34:45Drawn to carrion?
0:35:20 > 0:35:21Eve.
0:35:21 > 0:35:23Mike, are you OK?
0:35:23 > 0:35:26I've found her.
0:35:30 > 0:35:32Um, call off the search.
0:35:32 > 0:35:33You've found her?
0:35:33 > 0:35:34Yeah.
0:35:42 > 0:35:43OGGY: Eve?
0:35:43 > 0:35:44Go ahead, Oggy.
0:35:44 > 0:35:47I've matched the boot prints from the garage, the shack and the Transit.
0:35:47 > 0:35:49They belong to Mick Flannery.
0:35:49 > 0:35:51Right, thanks, Oggy.
0:35:51 > 0:35:53Also, the soil from Raymond Quinn's clothes,
0:35:53 > 0:35:56the garage, the Transit and Mick's boots is the same.
0:35:56 > 0:35:58And it's contaminated with canine blood.
0:35:58 > 0:36:01I get it, Mick.
0:36:01 > 0:36:03You decide to kidnap Amanda,
0:36:03 > 0:36:06get Ray to look after her like you did last time,
0:36:06 > 0:36:10only this time things get out of hand, she ends up dead.
0:36:10 > 0:36:13What I don't understand is why you have to go and kill Ray
0:36:13 > 0:36:15and then stage him as a break-in.
0:36:15 > 0:36:16Hale...
0:36:17 > 0:36:19Ray's your brother.
0:36:19 > 0:36:20Hale...
0:36:27 > 0:36:28Dogfighting.
0:36:28 > 0:36:31- What? - You mentioned dogfighting. Where?
0:36:31 > 0:36:32On the halting site. Why?
0:36:32 > 0:36:35Right. It's just, it's forensically linked to all of our crime scenes,
0:36:35 > 0:36:38to Raymond Quinn and to our prime suspect.
0:36:38 > 0:36:40Oh, really?
0:36:42 > 0:36:43I need TSG.
0:36:43 > 0:36:45Another search?
0:36:45 > 0:36:47No, as backup. We're going to a halting site.
0:36:50 > 0:36:54Oh, Rosa, can you go back to the farm and help Mike with Amanda's PM?
0:37:03 > 0:37:05Initial examination of Amanda Worrall.
0:37:05 > 0:37:07(BARKING AND SHOUTING)
0:37:10 > 0:37:12Extensive bruising to the body.
0:37:13 > 0:37:16Injuries to lower arms
0:37:16 > 0:37:20and wrists consistent with being restrained.
0:37:20 > 0:37:22What is the cause of death?
0:37:22 > 0:37:27Nothing external, no visible puncture wounds.
0:37:29 > 0:37:31No open wounds.
0:37:32 > 0:37:33No bleeding.
0:37:35 > 0:37:37The jaw is locked.
0:37:37 > 0:37:40Suggesting death occurred during a severe muscle spasm.
0:37:40 > 0:37:43And her airway is blocked by her tongue.
0:37:43 > 0:37:46Right, thanks a lot, Mike. Can you get her back to the farm?
0:37:46 > 0:37:48Yeah, will do.
0:37:48 > 0:37:50(BARKING AND SHOUTING)
0:37:50 > 0:37:52I need to know what happened here.
0:37:52 > 0:37:54I think there was more than dogfighting here.
0:37:54 > 0:37:57Is this the Quinn murder site?
0:37:57 > 0:37:59Well, luckily for us, it rained very heavily last night,
0:37:59 > 0:38:03so the blood should have washed down through the subsoil.
0:38:03 > 0:38:05How long do you need?
0:38:05 > 0:38:06Not long.
0:38:06 > 0:38:08OK.
0:38:09 > 0:38:11Oggy, are you at the test site yet?
0:38:11 > 0:38:13Yeah. What do you need to know?
0:38:13 > 0:38:17The saturation depth for 24 hours under heavy rain.
0:38:17 > 0:38:19- Heavy rain without grass? - Yeah.
0:38:19 > 0:38:21And no run-off.
0:38:21 > 0:38:25You're looking for an accumulation of 4 to 6 inches into the topsoil.
0:38:25 > 0:38:28(SHOUTING)
0:38:30 > 0:38:33There's a lot of blood
0:38:33 > 0:38:35and it's in the right area.
0:38:43 > 0:38:46(MACHINE BEEPS)
0:38:46 > 0:38:50Human blood, and it's a match for Raymond Quinn.
0:38:50 > 0:38:52(SHOUTING AND JEERING)
0:38:56 > 0:38:59So this is where Ray Quinn died.
0:38:59 > 0:39:01This is where he bled out,
0:39:01 > 0:39:03and in a lot of company.
0:39:15 > 0:39:17There's a lot of cross-contact contamination
0:39:17 > 0:39:20between her and Raymond Quinn.
0:39:20 > 0:39:230K. Mick Flannery definitely put her body in the tank.
0:39:23 > 0:39:25- How did you get that? - Multiple hits.
0:39:25 > 0:39:27His footprints are in the shack
0:39:27 > 0:39:30and tracked along the ground to the tank base.
0:39:30 > 0:39:32Plus cross-contamination with the ladder to the tower.
0:39:39 > 0:39:42I'm going to keep working on Amanda's computer -
0:39:42 > 0:39:44she had it encrypted, but it shouldn't be a problem.
0:39:44 > 0:39:46OK. Keep me up to speed.
0:39:46 > 0:39:51Wait. We've got positive for semen from the rape kit.
0:39:52 > 0:39:54Ray Quinn?
0:39:54 > 0:39:57No. Belongs to one of the Flannery brothers.
0:39:57 > 0:39:59Mick? Martin?
0:39:59 > 0:40:00Neither.
0:40:00 > 0:40:03- See this? - Yeah.
0:40:03 > 0:40:05Are you jealous?
0:40:07 > 0:40:09No.
0:40:11 > 0:40:13They're hiding a brother from us.
0:40:13 > 0:40:15Well, we've got a profile from the sample.
0:40:15 > 0:40:19And I did see a young male running from the orchard.
0:40:20 > 0:40:22Do you love her?
0:40:22 > 0:40:24(LAUGHS) You can't ask me that.
0:40:24 > 0:40:26Why not?
0:40:31 > 0:40:33Yeah, I love her.
0:40:35 > 0:40:36What's it like?
0:40:39 > 0:40:40What's what like?
0:40:43 > 0:40:44Her love.
0:40:54 > 0:40:55All right, babe?
0:41:01 > 0:41:02Ow!
0:41:09 > 0:41:11- All right, secure this area. - (BARKING)
0:41:11 > 0:41:13I want them rounded up down here.
0:41:13 > 0:41:15What in the name of God do yous want now?
0:41:15 > 0:41:17Keep those dogs chained up or they'll be shot.
0:41:17 > 0:41:19You're hiding a Flannery boy. Where is he?
0:41:19 > 0:41:21All this lot for one lad?
0:41:21 > 0:41:22Where is he?
0:41:22 > 0:41:24Go and stuff yourself.
0:41:24 > 0:41:26Fine. Search the place.
0:41:26 > 0:41:28It's strange that Eileen hasn't come over here
0:41:28 > 0:41:30with the rest of them.
0:41:30 > 0:41:31Leave it to me.
0:41:32 > 0:41:34Right, here's the deal.
0:41:34 > 0:41:39A Flannery boy is wanted in connection with the kidnap
0:41:39 > 0:41:41and the murder of a young girl.
0:41:41 > 0:41:45Now, none of you are going anywhere until I find him, OK?
0:41:45 > 0:41:47And I don't care if it takes all night.
0:41:47 > 0:41:49You can't keep us all penned up here like cattle.
0:41:49 > 0:41:51I can do what I like!
0:41:51 > 0:41:52- (SHOUTING) - Listen to me!
0:41:52 > 0:41:58Every single one of you are involved in the cover-up of this young girl's murder.
0:41:58 > 0:42:03And look at you. You stand there and you say nothing.
0:42:03 > 0:42:07And, what, you wonder why people don't trust your kind?
0:42:07 > 0:42:09Huh?
0:42:10 > 0:42:15I will arrest every single one of you if I have to!
0:42:15 > 0:42:18And no-one goes anywhere.
0:42:18 > 0:42:20You'd better get yourself down here quick.
0:42:25 > 0:42:27I'm in.
0:42:32 > 0:42:34Oggy to Hale - come in, partner.
0:42:34 > 0:42:35Oggy.
0:42:35 > 0:42:37I've cracked into Amanda's photo albums.
0:42:37 > 0:42:40There's pictures of Amanda with a boy.
0:42:40 > 0:42:41Could be him.
0:42:41 > 0:42:43- Great, well done. - Thank you.
0:42:43 > 0:42:45His name's Danny. I'm sending some photos to your phone.
0:42:45 > 0:42:46Over and out.
0:42:46 > 0:42:49Um, great. Over and out, Oggy. Over and out.
0:42:49 > 0:42:51Boom!
0:42:53 > 0:42:56Why aren't you out there with everyone else?
0:42:56 > 0:42:58Why?
0:42:58 > 0:43:03I've no-one to worry about out there...in the world.
0:43:03 > 0:43:07All my troubles are waiting for me beyond the grave.
0:43:07 > 0:43:09Of course.
0:43:11 > 0:43:14Why are you here with me again?
0:43:14 > 0:43:19Mrs Quinn, I know that Ray was beaten to death out there
0:43:19 > 0:43:21in front of the whole community.
0:43:24 > 0:43:25Did you see it?
0:43:27 > 0:43:28No, no.
0:43:28 > 0:43:30You smiled.
0:43:30 > 0:43:32Mm...
0:43:34 > 0:43:39The fact that you can think that a woman might be allowed into that -
0:43:39 > 0:43:41that's man's business.
0:43:41 > 0:43:43I didn't do anything bad.
0:43:43 > 0:43:45I was trying to help her.
0:43:45 > 0:43:48Her? Her?
0:43:48 > 0:43:50Did you do something to a woman, Raymond?
0:43:54 > 0:43:55Danny's Amanda.
0:43:55 > 0:43:57Amanda? Amanda?
0:43:57 > 0:44:00- Oh, Jesus Christ. Amanda's only a child. - I didn't...
0:44:00 > 0:44:03Raymond, you'll have to go now, they'll kill you.
0:44:06 > 0:44:08Raymond Quinn, come out.
0:44:13 > 0:44:14That's Martin.
0:44:14 > 0:44:15Listen to me, Raymond.
0:44:15 > 0:44:18There's no running now. You've got to fight him.
0:44:18 > 0:44:18No.
0:44:18 > 0:44:21Listen, it's Martin who's out there, not Mick.
0:44:21 > 0:44:24Soft, not even a proper traveller.
0:44:24 > 0:44:26Brought up in a house.
0:44:26 > 0:44:29You're much stronger than he is
0:44:29 > 0:44:31and you have much better blood in you. Come on!
0:44:31 > 0:44:35I suppose I don't know anything about your life,
0:44:35 > 0:44:38but I do know how your son died.
0:44:40 > 0:44:42No crime was committed.
0:44:43 > 0:44:48He fought a fair fight with another man, and what happened happened.
0:44:48 > 0:44:49And that's it.
0:44:51 > 0:44:53He just...
0:44:53 > 0:44:54didn't have it in him.
0:44:54 > 0:45:00Raymond Quinn, come out here now, or we'll go in there and drag you out.
0:45:00 > 0:45:03Come on! You have to face them like a man. Look at you -
0:45:03 > 0:45:04a big, tall man like you.
0:45:04 > 0:45:07You can do it. Come on, Raymond, you can do it.
0:45:07 > 0:45:09Be afraid of no man.
0:45:09 > 0:45:10I love you, Ma.
0:45:10 > 0:45:13I love you, too, son. Oh, God!
0:45:13 > 0:45:15I love you.
0:45:18 > 0:45:19I want you to stay in.
0:45:19 > 0:45:23I will, I'll stay in. And I'll pray for you. I promise I'll pray for you.
0:45:23 > 0:45:26I think maybe you are the one who has it wrong.
0:45:26 > 0:45:27Meaning?
0:45:27 > 0:45:34Meaning I'm assuming it was some kind of honour fight over something Ray did,
0:45:34 > 0:45:36something...terrible.
0:45:38 > 0:45:40For killing Amanda Worrall.
0:45:41 > 0:45:44But Amanda Worrall wasn't murdered.
0:45:45 > 0:45:46What?
0:45:46 > 0:45:53We've examined her body and we're sure that she died of an epileptic fit.
0:45:55 > 0:45:58No, there's... No, there's...there's...
0:45:58 > 0:46:01a man who swore on the Bible.
0:46:01 > 0:46:03A witness.
0:46:04 > 0:46:07Your son was innocent of murder.
0:46:12 > 0:46:14God forgive us.
0:46:17 > 0:46:20Now, I know that your community has rules and customs
0:46:20 > 0:46:23that say you shouldn't help the police.
0:46:23 > 0:46:24My poor boy...
0:46:24 > 0:46:27But I think there's one set of rules that we all try to live by,
0:46:27 > 0:46:34and the ninth one of those rules is, "Thou shalt not bear false witness."
0:46:48 > 0:46:51Come on, now. Don't let your family down now.
0:46:51 > 0:46:54I didn't do it.
0:46:54 > 0:46:59Come on, you've not to be a coward now. Think about your poor mother.
0:47:08 > 0:47:12Right, now, I'll be the fair-play man.
0:47:12 > 0:47:14We'll have a fair fight.
0:47:17 > 0:47:20No choke holds, just straight boxing, right? You got that?
0:47:21 > 0:47:22Right, on you go.
0:47:26 > 0:47:29I'll not throw the first punch, Martin. You've been good to me.
0:47:29 > 0:47:31Damn you, Ray.
0:47:31 > 0:47:34Why didn't you just hand yourself in to the police?
0:47:34 > 0:47:36I'm not going back to prison. I can't.
0:47:36 > 0:47:38I've got to do this, you know.
0:47:38 > 0:47:41Start it, will you?
0:47:41 > 0:47:42Martin, let me do this.
0:47:42 > 0:47:44No!
0:47:55 > 0:47:57Fight back, will you?
0:48:03 > 0:48:04Get up out of there.
0:48:04 > 0:48:06Get back.
0:48:08 > 0:48:10Ray.
0:48:20 > 0:48:23Jesus! Ray...
0:48:34 > 0:48:36BARNEY: You can't just leave him there!
0:48:36 > 0:48:38Do you hear me?
0:48:38 > 0:48:40MICK: I'll look after it.
0:48:44 > 0:48:46We'll say nothing, but you can't leave him there.
0:48:46 > 0:48:47I said I'll deal with it.
0:48:47 > 0:48:49Well, see you do.
0:48:51 > 0:48:53Ray...
0:48:53 > 0:48:55Hey, look at me.
0:48:57 > 0:49:00He killed a girl, do you hear me?
0:49:01 > 0:49:02He deserves this.
0:49:04 > 0:49:08- Don't you touch me! - (SHOUTING)
0:49:18 > 0:49:20What do you want, Eileen Quinn?
0:49:20 > 0:49:22Danny Flannery.
0:49:22 > 0:49:23Liar!
0:49:23 > 0:49:26Danny Flannery bore false witness against my son.
0:49:26 > 0:49:27My son is innocent.
0:49:27 > 0:49:28I didn't lie, I swear it!
0:49:28 > 0:49:29What's all this?
0:49:29 > 0:49:30She's got the proof.
0:49:30 > 0:49:32She can tell you he's innocent.
0:49:32 > 0:49:33Don't listen to her!
0:49:33 > 0:49:35Is that true?
0:49:35 > 0:49:36Yes.
0:49:36 > 0:49:38Look, they're taking Danny!
0:49:38 > 0:49:40We want the truth!
0:49:40 > 0:49:42Oh, you want the truth now, do you?
0:49:43 > 0:49:45Calm down, all of you!
0:49:45 > 0:49:47What the hell are you doing with him?
0:49:47 > 0:49:49- He's under arrest. - He's 16, so I'm going with him.
0:49:49 > 0:49:51Say nothing, Danny!
0:49:53 > 0:49:58Enough! Enough! Enough! If this is all about what happened to Ray,
0:49:58 > 0:50:00I can tell you now it were a fair fight between me and him
0:50:00 > 0:50:02in front of all these witnesses.
0:50:02 > 0:50:04Because Danny told you that he saw Ray killing Amanda?
0:50:04 > 0:50:07Yeah. But I didn't mean to kill him.
0:50:07 > 0:50:10You can tell that to the jury. Arrest this one as well.
0:50:10 > 0:50:13- What the hell do you want Danny for? - Kidnap!
0:50:13 > 0:50:15(SHOUTING)
0:50:20 > 0:50:22HALE: Let me get this straight.
0:50:22 > 0:50:28You fought Ray Quinn because Danny here said that he saw Raymond killing Amanda?
0:50:28 > 0:50:31But, like I said, I was just settling it so he'd hand himself in.
0:50:31 > 0:50:32He went down after a couple of blows.
0:50:32 > 0:50:35Yeah, a ruptured liver would do that to you.
0:50:35 > 0:50:39OK, Raymond's dead, and, what, you move the body to the garage?
0:50:39 > 0:50:40I did that.
0:50:40 > 0:50:42Why the garage?
0:50:42 > 0:50:44Cos he was supposed to be working that night.
0:50:44 > 0:50:45At the garage.
0:50:45 > 0:50:46- Right. - I also moved Amanda's body
0:50:46 > 0:50:48to the water tower, let's be clear on that.
0:50:48 > 0:50:51- Yeah, I know that. - Good.
0:50:51 > 0:50:55Look, if there is any part of this mess that I can't fathom
0:50:55 > 0:50:57and I think you can help me, then I'm going to ask you.
0:50:57 > 0:50:58Fair enough.
0:50:59 > 0:51:00Right, Danny...
0:51:00 > 0:51:02in fact, all of you...
0:51:03 > 0:51:05...I want you to watch this.
0:51:05 > 0:51:07This was downloaded off your mobile.
0:51:12 > 0:51:13Is this OK?
0:51:13 > 0:51:14You ready?
0:51:14 > 0:51:16Yeah.
0:51:17 > 0:51:18Go.
0:51:23 > 0:51:25I'm not hurt.
0:51:25 > 0:51:29You just have to stay calm, and they will contact you.
0:51:29 > 0:51:33You just have to give them your bank card and the PIN number.
0:51:34 > 0:51:35I love you, Dad.
0:51:37 > 0:51:38Say about opening the shop.
0:51:38 > 0:51:39Oh, right.
0:51:41 > 0:51:45You just have to open up the shop and let them in.
0:51:45 > 0:51:48They won't hurt me.
0:51:48 > 0:51:50Cool.
0:51:54 > 0:51:56That's the unedited version, of course.
0:51:56 > 0:52:00I mean, the finished product, that's not it, the one that you sent to her dad.
0:52:00 > 0:52:02Jesus, Danny! Why?
0:52:02 > 0:52:04Needed the money...
0:52:05 > 0:52:07...to run away.
0:52:07 > 0:52:08What?
0:52:08 > 0:52:10Are you sure about this?
0:52:10 > 0:52:12We talked about it, you agreed.
0:52:12 > 0:52:14Yeah, I know.
0:52:16 > 0:52:17Her dad wouldn't let her be with me.
0:52:17 > 0:52:19You could've just moved in with us.
0:52:19 > 0:52:21You don't get it, do you?
0:52:21 > 0:52:23I wanted to run away from you.
0:52:24 > 0:52:26You wanted what?
0:52:26 > 0:52:28I love you.
0:52:32 > 0:52:34I love you too.
0:52:34 > 0:52:35Come on.
0:52:39 > 0:52:43All this traveller bullshit, it has nothing to do with me.
0:52:43 > 0:52:44I'm not a part of it.
0:52:44 > 0:52:46- It's your blood! - I'm not one of you.
0:52:46 > 0:52:48- You need a smack. - Whoa, whoa...
0:52:48 > 0:52:50Like Ray?
0:52:50 > 0:52:54- I did that for you. - I didn't ask you to do that.
0:52:54 > 0:52:59I expected you to go to the police. What you did's not normal.
0:52:59 > 0:53:01Danny, this puzzle is all starting to come together now,
0:53:01 > 0:53:04but Ray...how was he involved?
0:53:05 > 0:53:06What?
0:53:06 > 0:53:07The kidnap.
0:53:07 > 0:53:08He wasn't.
0:53:09 > 0:53:12Then why did he die, then?
0:53:20 > 0:53:22I left Amanda in the cabin.
0:53:24 > 0:53:28I went to the internet cafe to send a message.
0:53:29 > 0:53:31I came back.
0:53:31 > 0:53:34I saw Ray running from the cider house.
0:53:34 > 0:53:36When I went inside,
0:53:36 > 0:53:37she was dead.
0:53:42 > 0:53:45Raymond, what are you doing here?
0:53:45 > 0:53:47I saw you through the window.
0:53:50 > 0:53:52You can't be here. You have to go.
0:53:52 > 0:53:54What's wrong?
0:53:54 > 0:53:55Amanda!
0:53:55 > 0:53:57Aman...!
0:54:01 > 0:54:02Stop!
0:54:02 > 0:54:04Stop!
0:54:04 > 0:54:07Amanda! Amanda! No!
0:54:07 > 0:54:10No... Amanda!
0:54:24 > 0:54:29And you thought that you would go and tell your big brother here what happened.
0:54:29 > 0:54:30Yes.
0:54:30 > 0:54:33But you left out the bit about the kidnap plot.
0:54:33 > 0:54:35Yes.
0:54:38 > 0:54:40Jesus! Ray...
0:54:45 > 0:54:48Then Raymond was an innocent man.
0:54:51 > 0:54:53Why didn't you tell us?
0:54:53 > 0:54:54Danny!
0:54:54 > 0:54:55It's not his fault.
0:54:57 > 0:54:59It's mine.
0:55:03 > 0:55:08Yeah, you're right - I should have gone to the police, let them deal with it.
0:55:10 > 0:55:13Then none of this would have happened, would it?
0:55:19 > 0:55:21Can I see her?
0:55:27 > 0:55:31EVE: Sometimes the truth about a loved one's death won't bring us comfort.
0:55:31 > 0:55:36Sometimes it'll leave us even more confused, in even more pain.
0:55:36 > 0:55:39Amanda's death was tragic, but it wasn't murder.
0:55:43 > 0:55:47Raymond Quinn's death was horrific,
0:55:47 > 0:55:50but even that wasn't murder.
0:55:50 > 0:55:51And as for motive -
0:55:51 > 0:55:55a dangerous blend of fear and rage, love and desire -
0:55:55 > 0:55:59these are emotions we all possess and which,
0:55:59 > 0:56:04in the wrong circumstances, can erupt with no heed of the consequences.
0:56:14 > 0:56:16- Hey. - Hi.
0:56:16 > 0:56:18I'm sorry you had to deal with that.
0:56:18 > 0:56:20I should have been there when you found Amanda.
0:56:20 > 0:56:22What, to hold my hand?
0:56:22 > 0:56:25No. You know what I mean.
0:56:25 > 0:56:28Yeah, I know. It's OK, I'm fine.
0:56:28 > 0:56:32The good news is we're in good financial health.
0:56:32 > 0:56:34- We are. - So we don't need...
0:56:34 > 0:56:36To take on so much crime scene work.
0:56:36 > 0:56:38Yeah.
0:56:39 > 0:56:42I think we should stick at it.
0:56:42 > 0:56:44Really?
0:56:44 > 0:56:45It's good for the farm.
0:56:46 > 0:56:47Farm?
0:56:47 > 0:56:50Yeah.
0:56:50 > 0:56:52Go on, admit it - you love it.
0:56:52 > 0:56:55It's, um...
0:56:56 > 0:56:57...it's engaging.
0:57:00 > 0:57:02It is.
0:57:05 > 0:57:07Guys, dinner's served.
0:57:10 > 0:57:14OK, Oggy, we're on our way.
0:57:22 > 0:57:25Even when the truth is painful and destructive,
0:57:25 > 0:57:28we must pursue it ceaselessly.
0:57:29 > 0:57:34Without truth, justice is blind, the law alien.
0:57:35 > 0:57:40Without truth, we cannot hope to give voice to the victim,
0:57:40 > 0:57:42nor offer their loved ones closure.
0:57:42 > 0:57:45And that's our purpose.
0:57:45 > 0:57:47That's our promise.