0:00:05 > 0:00:08# Well, I'm just outta school
0:00:08 > 0:00:09# Like I'm real, real cool
0:00:09 > 0:00:10# Gotta shake, gotta jive
0:00:10 > 0:00:12# Got the message that I gotta be wild
0:00:12 > 0:00:14- # I'm a wild one... # - Woo!
0:00:14 > 0:00:15# Ooh, yeah, I'm a wild one
0:00:16 > 0:00:18# Ooh, baby, gonna break loose
0:00:18 > 0:00:20# I'm gonna keep 'em moving wild
0:00:20 > 0:00:21# I'm gonna keep 'em shaking, baby
0:00:21 > 0:00:23# I'm a real wild child
0:00:23 > 0:00:25# I meet all the guys I'm gonna meet all the chicks
0:00:25 > 0:00:27# A shiver and a shake... #
0:00:27 > 0:00:29BICYCLE BELL RINGS
0:00:30 > 0:00:33All right, guys, turn it down.
0:00:33 > 0:00:34- ALL COMPLAIN - Turn it down.
0:00:34 > 0:00:38ALL SPEAK INDISTINCTLY
0:00:38 > 0:00:40MUSIC CONTINUES
0:01:25 > 0:01:28And there we are. Isn't she lovely?
0:01:28 > 0:01:30Oh, yes, sir, yes. Magnificent.
0:01:30 > 0:01:33Oh, steady on, Blake. That's a bit strong, isn't it?
0:01:33 > 0:01:36Keith! Didn't know you were an art critic.
0:01:36 > 0:01:38I thought you were a chemist.
0:01:40 > 0:01:42Ah, Patrick!
0:01:42 > 0:01:44- Get it down. - The painting stays.
0:01:44 > 0:01:47Too far this time, Blake. That is offensive.
0:01:47 > 0:01:50- Oh, you don't like it?- Of course not. This is a gentlemen's club.
0:01:50 > 0:01:52- And that's the problem. - Come on, be reasonable.
0:01:52 > 0:01:53Oh, Keith! What's wrong?
0:01:53 > 0:01:56Worried a scandal will derail your election to council?
0:01:56 > 0:01:59You can't just walk into the club and do whatever you want.
0:01:59 > 0:02:01Actually, I can.
0:02:01 > 0:02:03I refer you to item six of the club's constitution,
0:02:03 > 0:02:07under Rights and Privileges re club decoration.
0:02:07 > 0:02:09I think he may be correct.
0:02:09 > 0:02:10You never come to the club.
0:02:10 > 0:02:14You clearly despise everything it stands for. Why do all this?
0:02:14 > 0:02:17Because it's a beautiful painting. She's a very promising young artist.
0:02:18 > 0:02:20This was painted by a woman?
0:02:20 > 0:02:23Yes, a woman.
0:02:24 > 0:02:26Just think...
0:02:28 > 0:02:30you'll have to let THEM join one day.
0:02:31 > 0:02:34Never bloody well happen while I'm alive.
0:03:13 > 0:03:15INDISTINCT CHATTER
0:03:21 > 0:03:24WOMAN SHOUTS INDISTINCTLY
0:03:36 > 0:03:38ENGINE REVS
0:05:02 > 0:05:05Lawson, what have we got?
0:05:05 > 0:05:08- Parks?- Young woman, sir.
0:05:08 > 0:05:10HE STRAINS
0:05:12 > 0:05:14Heard about what happened at the club.
0:05:16 > 0:05:18Can't help yourself, can you?
0:05:28 > 0:05:30Turn her over for me, would you?
0:05:40 > 0:05:43I'll need time of death, approximate.
0:05:43 > 0:05:44Shouldn't take you too long.
0:05:45 > 0:05:47I need to perform an autopsy.
0:05:47 > 0:05:49She drowned. What more do you need?
0:06:02 > 0:06:04Ann Fitzgerald.
0:06:04 > 0:06:07- Age?- 17.
0:06:08 > 0:06:11How long at she been at the reformatory?
0:06:11 > 0:06:14It's a reform school, Constable. Five years.
0:06:17 > 0:06:19Any family?
0:06:22 > 0:06:25Well, thanks, Miss Patterson. We'll be in touch.
0:06:28 > 0:06:31Lawson said it was a drowning. Doesn't need the two of us, does it?
0:06:31 > 0:06:33Ever tried to drown yourself, Gus?
0:06:33 > 0:06:36Not recently.
0:06:36 > 0:06:37Not easy in three feet of water.
0:06:40 > 0:06:41You're all right if I stay, aren't you?
0:06:41 > 0:06:44- Do I have a choice?- No, not really.
0:06:44 > 0:06:45Let's have a look, eh?
0:06:48 > 0:06:52Ah, substantial haematomas, both legs.
0:06:54 > 0:06:55Possible broken tibia.
0:07:01 > 0:07:03What were you doing floating in Lake Wendouree?
0:07:03 > 0:07:08Haematomas to the neck, shoulders and upper chest.
0:07:10 > 0:07:13I'm sorry about this. It's not very dignified, is it?
0:07:13 > 0:07:15Would you not do that?
0:07:15 > 0:07:17- What?- Talking to the body.
0:07:17 > 0:07:20You should always talk to your patients, Gus.
0:07:25 > 0:07:27Oh, Gus.
0:07:28 > 0:07:31Look. Cuts to the right palm. Evidence of gravel.
0:07:31 > 0:07:35And...just bear with me a second.
0:07:39 > 0:07:41Now, look at that.
0:07:41 > 0:07:43Fragments of glass.
0:07:50 > 0:07:52What happened to you?
0:08:03 > 0:08:06- I am sorry.- What?
0:08:09 > 0:08:11I think she was pregnant.
0:08:13 > 0:08:15- Poor kid.- Yes.
0:08:15 > 0:08:19No fluid in the lungs. Significant internal damage.
0:08:19 > 0:08:23Actual cause of death was penetration of the heart
0:08:23 > 0:08:24- by one of the ribs. - So she didn't drown.
0:08:24 > 0:08:28No. She was... She was run over.
0:08:29 > 0:08:32Height of impact on the legs suggest whoever hit her
0:08:32 > 0:08:34was accelerating at the time.
0:08:34 > 0:08:36Which makes it deliberate.
0:08:36 > 0:08:38Yes, if they saw her. Yes.
0:08:38 > 0:08:40So how did she end up in the lake?
0:08:42 > 0:08:44I have absolutely no idea.
0:08:44 > 0:08:47- I understand your frustration, ma'am.- Phillip's spent a lot of money on that car.
0:08:47 > 0:08:50Those idiots think they can take whatever they want.
0:08:50 > 0:08:52- We don't know they took it, Mum. - Then who else was it?
0:08:52 > 0:08:55- When did you last see the car? - Last night, outside the house.
0:08:55 > 0:08:57- When did you notice it was gone? - This morning.
0:08:57 > 0:08:59They race up and down Lydiard Street, they're rude
0:08:59 > 0:09:01- and the way the girls dress...- Mum!
0:09:01 > 0:09:03They're sluts, Phillip. There's no other word for it.
0:09:03 > 0:09:05Mrs Morrisey. Problem here?
0:09:05 > 0:09:10Phillip's car's been stolen. It's those tearaways parked outside the picture theatre all day.
0:09:10 > 0:09:14- You saw them? - Well, who else would steal it?
0:09:14 > 0:09:17- Parks, sort it out.- Yes, sir.
0:09:17 > 0:09:21- Make and model. - It's a Standard Vanguard two tone.
0:09:54 > 0:09:56Can I help you there?
0:09:56 > 0:10:00Oh, sorry. I was... just cleaning up your desk.
0:10:00 > 0:10:02Right.
0:10:04 > 0:10:07You really don't need to hide all of these, you know.
0:10:10 > 0:10:14There aren't many consolations in life, Jean.
0:10:14 > 0:10:16Good whisky happens to be one of the few.
0:10:16 > 0:10:19There's rather a lot of consolation here.
0:10:21 > 0:10:23Perhaps I should take responsibility
0:10:23 > 0:10:26for disposing of the empty bottles, eh?
0:10:26 > 0:10:28Dinner's nearly ready.
0:10:28 > 0:10:32Yes, look, I may have to skip that. I have a meeting down at the club.
0:10:34 > 0:10:38Your father liked dinner on the table at half past five on the dot.
0:10:38 > 0:10:39I'm not my father, Jean.
0:10:40 > 0:10:41No.
0:10:55 > 0:10:58DISTANT ROCK MUSIC PLAYS
0:11:03 > 0:11:04Hard at work, are we?
0:11:06 > 0:11:10You know, you almost look grown-up in that uniform.
0:11:10 > 0:11:11Thank you.
0:11:12 > 0:11:15- Is it a good book? - SHE SIGHS
0:11:16 > 0:11:18Are you taking interest in literature?
0:11:18 > 0:11:19That book's banned.
0:11:19 > 0:11:21Well, you can have it when I'm finished with it.
0:11:21 > 0:11:24- I could arrest you if I wanted to. - SHE SCOFFS
0:11:24 > 0:11:27Well, you'll have to arrest the Doctor too, because it's his.
0:11:31 > 0:11:33Something smells good!
0:11:33 > 0:11:34Danny, you're just in time.
0:11:34 > 0:11:37- Aunty Jean. - Did you have a good day?
0:11:37 > 0:11:40Oh, spent the morning pulling a dead girl out of the lake.
0:11:40 > 0:11:42Oh, how awful!
0:11:42 > 0:11:44- She's from the bad girls' home. - The what?
0:11:44 > 0:11:45You know, up on the highway.
0:11:45 > 0:11:49I think you mean the reform school. No-one calls it the bad girls' home.
0:11:49 > 0:11:52- I do. - Thank you.
0:11:52 > 0:11:53OK, so if she's a bad girl,
0:11:53 > 0:11:55does that mean that she deserves everything she gets?
0:11:55 > 0:11:58No-one deserves to be in that place, I tell you.
0:11:58 > 0:12:01If you're not bad going in, chances are you will be when you come out.
0:12:01 > 0:12:04- I'll keep that in mind.- Oh, this from the boyfriend, how is he?
0:12:04 > 0:12:06He's fine. He just got admitted to the Bar.
0:12:06 > 0:12:08So? I do that every Saturday night.
0:12:08 > 0:12:10- There's some mail for you. - I can tell.
0:12:10 > 0:12:11Another letter from Singapore.
0:12:15 > 0:12:17Thank you.
0:12:18 > 0:12:19Are you eating?
0:12:21 > 0:12:24HUBBUB
0:12:24 > 0:12:28This is an extraordinary meeting of the disciplinary committee, Blake.
0:12:28 > 0:12:29You weren't invited.
0:12:29 > 0:12:33Well actually, as a member, I'm allowed to sit and observe,
0:12:33 > 0:12:38especially in this case, as it concerns me.
0:12:38 > 0:12:42In that case, I propose that club member Doctor Lucien Blake
0:12:42 > 0:12:45be censured for bringing the club into disrepute.
0:12:45 > 0:12:48Namely, for displaying an unauthorised article
0:12:48 > 0:12:53on club property, and then refusing to remove it when asked to do so.
0:12:53 > 0:12:54It WAS unauthorised.
0:12:54 > 0:12:56All those in favour?
0:12:58 > 0:12:59Carried.
0:13:04 > 0:13:06Gentlemen.
0:13:07 > 0:13:09Fellow members.
0:13:09 > 0:13:12She goes back to the bar.
0:13:12 > 0:13:13Thank you, Cec.
0:13:51 > 0:13:53Drugs?
0:13:53 > 0:13:55Yes, amphetamines of some kind.
0:13:55 > 0:13:58There's a margin of error of course, it's a fairly primitive test.
0:13:58 > 0:14:00Did you find any on her or in her clothing?
0:14:00 > 0:14:03- No.- So that's the story then.
0:14:03 > 0:14:05Amphetamines and cars.
0:14:07 > 0:14:09There's still the fact that she was pregnant.
0:14:09 > 0:14:11Oh, that's not what killed her.
0:14:11 > 0:14:14We've given them warnings. Public nuisance, obstructing traffic.
0:14:14 > 0:14:16This is a step up for these kids.
0:14:16 > 0:14:19So what, you just pluck some suspects out of thin air
0:14:19 > 0:14:21because you don't like their attitude?
0:14:21 > 0:14:23Parks, who's the jacket?
0:14:23 > 0:14:24Ricky Arnott, sir.
0:14:24 > 0:14:26We went to school together.
0:14:27 > 0:14:29- Tell him I want a word. - Yes, sir.
0:14:38 > 0:14:41Hey, Parksy. Blue's a good look on you.
0:14:41 > 0:14:44Bet the girls just wet themselves when you turn up.
0:14:44 > 0:14:45You hit something, Ricky?
0:14:45 > 0:14:47Hey, get away from the car.
0:14:47 > 0:14:49- Are you bloody deaf or something? - What happened here?
0:14:49 > 0:14:53- What's it to you? - Mate, just tell me what happened to the front of your car.
0:14:53 > 0:14:55You're not my mate, you...
0:14:56 > 0:14:59Stay still! Calm down.
0:14:59 > 0:15:01My boss, he wants you down at the station.
0:15:01 > 0:15:03He's interested in any cars with front end damage.
0:15:03 > 0:15:05So either you come with me easy
0:15:05 > 0:15:07or I'll drag you down there by your bloody ears!
0:15:12 > 0:15:14Can I help you there, Doctor?
0:15:14 > 0:15:16What's this?
0:15:16 > 0:15:17That is cochineal.
0:15:17 > 0:15:19Boiled insects. Perfect.
0:15:19 > 0:15:22And that is our last box of sugar cubes.
0:15:22 > 0:15:25I promise I'll bring some back.
0:15:25 > 0:15:27- Mattie!- Mm-hm?
0:15:27 > 0:15:30- Does the district nurse have a busy morning?- Not terribly. Why?
0:15:30 > 0:15:33Mm, do you think she might accompany me on a little visit
0:15:33 > 0:15:34to the reformatory?
0:15:34 > 0:15:36I'll see if she is free.
0:15:37 > 0:15:39- She's free.- Good.
0:15:39 > 0:15:42Is your car actually working right now?
0:15:42 > 0:15:44Today, yes. Tomorrow, who knows?
0:16:02 > 0:16:05I think Jean's rather worried about you.
0:16:05 > 0:16:07- Really?- Yes.
0:16:07 > 0:16:10You don't look after yourself. And you know she does try.
0:16:10 > 0:16:11I know.
0:16:11 > 0:16:14Maybe I'm just not cut out to have a housekeeper.
0:16:14 > 0:16:16Now, come on. Bad girls are waiting.
0:16:17 > 0:16:21I thought that your father saw to the girls' polio boosters last year.
0:16:21 > 0:16:24Yes, well, unfortunately, I think dear old Dad
0:16:24 > 0:16:27may have let a few things slide toward the end.
0:16:27 > 0:16:29I always thought he was very thorough.
0:16:29 > 0:16:31Yes, he was.
0:16:33 > 0:16:35How are the girls, Miss Patterson?
0:16:35 > 0:16:37They're upset. We all are. You can see them in here.
0:16:38 > 0:16:39Thank you.
0:16:46 > 0:16:49Let me ask you, did you know Ann Fitzgerald?
0:16:53 > 0:16:54OK.
0:16:57 > 0:16:59Kathleen.
0:17:01 > 0:17:03Did you know Ann Fitzgerald?
0:17:05 > 0:17:06Oh.
0:17:06 > 0:17:08Didn't fancy that, eh?
0:17:09 > 0:17:11- Good.- Good.
0:17:11 > 0:17:12There you go.
0:17:14 > 0:17:16Josie, just while you're here,
0:17:16 > 0:17:18can I ask you - did you know Ann Fitzgerald?
0:17:18 > 0:17:20Yeah, I knew her.
0:17:21 > 0:17:23Was she a friend of yours?
0:17:27 > 0:17:29Oh, I am sorry.
0:17:29 > 0:17:31It's not your fault.
0:17:32 > 0:17:36Miss Patterson probably wants me back on kitchen duty. Can I go now?
0:17:36 > 0:17:37Yes, of course you can.
0:17:39 > 0:17:41Ann was pregnant when she died.
0:17:44 > 0:17:46Do you know who the father might have been?
0:17:49 > 0:17:53One of those boys who...parks down at the Regent Theatre, perhaps?
0:17:53 > 0:17:55What do you think?
0:17:56 > 0:17:58Ask Mr Morrisey.
0:18:02 > 0:18:06She was a bright girl. It's a tragedy for the school.
0:18:06 > 0:18:07Any problems teaching her?
0:18:07 > 0:18:10Well, all of these girls have problems.
0:18:10 > 0:18:12They're written off the moment they set foot in here.
0:18:12 > 0:18:15And personally, I...
0:18:15 > 0:18:17You know, I don't think that's fair.
0:18:17 > 0:18:20But I was specifically asking you about Ann.
0:18:21 > 0:18:23She was a good student.
0:18:25 > 0:18:27Must be difficult, eh?
0:18:27 > 0:18:29Why's that?
0:18:29 > 0:18:32Well, hope you don't mind me saying, but you're a good-looking chap.
0:18:32 > 0:18:35And these are young women.
0:18:35 > 0:18:38I imagine things could get a bit tricky.
0:18:40 > 0:18:45These girls develop crushes. It's fairly normal.
0:18:45 > 0:18:47Did Ann have a crush on you, Phillip?
0:18:49 > 0:18:50I really wouldn't know about that.
0:18:51 > 0:18:55I...I simply tried to teach her as best as I could.
0:18:57 > 0:18:58Are we done here, Doctor?
0:18:58 > 0:18:59Yes.
0:19:01 > 0:19:03Yes. Thank you for your time.
0:19:04 > 0:19:05Mattie.
0:19:11 > 0:19:13I didn't like Miss Patterson at all.
0:19:13 > 0:19:15No. And what did you make of him?
0:19:15 > 0:19:19Well, it's nice to hear someone defending those girls for a change.
0:19:19 > 0:19:22Hang on a minute. If you were a bad girl here,
0:19:22 > 0:19:24and he was teaching you...
0:19:24 > 0:19:27Well, I'd probably have a crush on him too.
0:19:27 > 0:19:29Oh, Mattie. Get in the car.
0:19:36 > 0:19:38Ann Fitzgerald? Don't know her.
0:19:38 > 0:19:40Really?
0:19:41 > 0:19:44So you didn't talk to her the day before yesterday?
0:19:44 > 0:19:45Nope.
0:19:45 > 0:19:49Or the day before that, at approximately 10:15
0:19:49 > 0:19:52in the morning and then again at 4:50 later that afternoon?
0:19:54 > 0:19:56I don't know what you're talking about.
0:19:58 > 0:20:00- HE SIGHS - You're starting to try my patience.
0:20:00 > 0:20:02That's your problem.
0:20:03 > 0:20:06No, son. It's your problem.
0:20:06 > 0:20:08Now if I were you, I'd start remembering
0:20:08 > 0:20:10Ann Fitzgerald pretty bloody quickly.
0:20:12 > 0:20:15- G'day, Doc.- Danny.
0:20:16 > 0:20:19- What's she doing here?- Yeah, she's a bit of all right, isn't she?
0:20:20 > 0:20:23She's more than all right, Danny. She's exquisite.
0:20:23 > 0:20:25This is Tyneman's doing, isn't it?
0:20:25 > 0:20:27Yeah, the boss wants her out of here.
0:20:27 > 0:20:29Of course he does. Philistine.
0:20:29 > 0:20:31I've just been up to the reformatory.
0:20:31 > 0:20:34Seems Ann Fitzgerald had more than just a crush
0:20:34 > 0:20:38on that science teacher, Morrisey. I think we should be talking to him.
0:20:38 > 0:20:40Morrisey, he was in here yesterday. Someone stole his car.
0:20:40 > 0:20:41Really?
0:20:41 > 0:20:44Where's Lawson?
0:20:44 > 0:20:45Ah, he's talking with Ricky Arnott.
0:20:45 > 0:20:47The kid from outside the picture theatre?
0:20:47 > 0:20:50Yeah. His car's out the front if you want to take a squiz.
0:20:50 > 0:20:51There's some damage to the front.
0:20:54 > 0:20:56Ah, he still thinks this is about the pills, does he?
0:20:56 > 0:20:58Oh, maybe this will convince you.
0:21:01 > 0:21:03We found them on Ricky when we brought him in.
0:21:06 > 0:21:07Boss wants to know what they are.
0:21:11 > 0:21:13Any idea?
0:21:14 > 0:21:17What are you doing?! Are you insane?
0:21:21 > 0:21:23Give me a minute. I'll tell you.
0:21:25 > 0:21:28Don't go in there. Don't! Don't you go in there!
0:21:28 > 0:21:29Please, Doc!
0:21:29 > 0:21:32- My dear Lawson, I'm here to drum sense into you.- Sorry, sir.
0:21:32 > 0:21:34There are two issues to this investigation
0:21:34 > 0:21:36- and so far you've only thought of one of them.- Outside!
0:21:36 > 0:21:38Well, look!
0:21:38 > 0:21:41First of all, there's the issue of the running down of the girl, yes?
0:21:41 > 0:21:44And then there's the question of the...
0:21:44 > 0:21:45- What is it? - Are you talking about pills?
0:21:45 > 0:21:47Yes! Amphetamines, to be precise.
0:21:47 > 0:21:49I'm sorry to be pedantic but accuracy is important.
0:21:49 > 0:21:53You mention anything about this, you'll be dialling numbers out your quoit for weeks!
0:21:53 > 0:21:55- Lawson, this is important!- Outside!
0:21:57 > 0:21:59What the bloody hell do you think you're doing?
0:21:59 > 0:22:01Alpha-methylpehenethylamine.
0:22:01 > 0:22:03Trade name Benzedrine, bennies, depending on how hip you are.
0:22:03 > 0:22:07- I know what they're called. - Well, I've conducted an analysis. - That was quick.
0:22:07 > 0:22:10Yes, well, increased blood flow, feelings of euphoria.
0:22:10 > 0:22:12Tendency to indulge in high-risk behaviour
0:22:12 > 0:22:14with overwhelming sense of invincibility.
0:22:14 > 0:22:18- Definitely amphetamines.- Marvellous. - Yes. But it leads us to this point.
0:22:18 > 0:22:19What is the point?
0:22:19 > 0:22:21Ann Fitzgerald. Yes, amphetamines.
0:22:21 > 0:22:23Are the two issues linked?
0:22:23 > 0:22:26Which leads us to this question - who is the father?
0:22:26 > 0:22:27Possibly Phillip Morrisey.
0:22:27 > 0:22:30- Huh?- I've pushed him as far as I felt was appropriate on that,
0:22:30 > 0:22:32but short of tackling the man to the ground
0:22:32 > 0:22:34- and forcibly getting blood... - Go home!
0:22:34 > 0:22:36And take that bloody painting with you.
0:22:36 > 0:22:38There's something else going on here, Lawson.
0:22:38 > 0:22:40Something we're missing.
0:22:40 > 0:22:41Home!
0:22:41 > 0:22:43Oh, seize the day, Lawson.
0:22:43 > 0:22:44Seize it with both hands!
0:22:45 > 0:22:47What are you smiling at?
0:22:50 > 0:22:53Ah! I surrender.
0:22:53 > 0:22:55If you can't appreciate the wonder of that painting,
0:22:55 > 0:22:58there's no hope for you, and that's speaking as a doctor.
0:22:58 > 0:23:00Your father would have hated it.
0:23:00 > 0:23:03Well, neither of us can speak for dear old Dad, so let's not try, eh?
0:23:03 > 0:23:04Nakedness, Patrick!
0:23:04 > 0:23:06She was gloriously naked and you couldn't bear it.
0:23:06 > 0:23:09Grow up, Blake. I couldn't give a damn what she was wearing.
0:23:09 > 0:23:11As long as you're authorised,
0:23:11 > 0:23:13you can put your arse up there for all I care.
0:23:13 > 0:23:15That's exactly the hypocrisy I'm talking about.
0:23:15 > 0:23:19Oh, don't you ever get tired of always making a mess?
0:23:23 > 0:23:27Oh, I'm so sorry, Mrs Clasby. He seems to have been delayed.
0:23:27 > 0:23:29Oh, that's perfectly all right.
0:23:29 > 0:23:33I can't imagine Lucien is the easiest person to work for.
0:23:33 > 0:23:36Would you like a magazine?
0:23:36 > 0:23:38Oh, thank you. That'd be lovely.
0:23:38 > 0:23:42He is very kind, though, despite what he's been through.
0:23:43 > 0:23:45He was such a lovely boy.
0:23:45 > 0:23:48I don't think his father knew what to do with him.
0:23:48 > 0:23:51I just think he needs looking after.
0:23:53 > 0:23:54Would you like a cup of tea?
0:23:54 > 0:23:57Oh, that'd be lovely. Thank you.
0:23:58 > 0:24:01I keep expecting old Doctor Blake to walk in through the door.
0:24:01 > 0:24:03Ah, we can but dream.
0:24:29 > 0:24:30Sorry, Dad.
0:24:34 > 0:24:36Lucien, where have you been?
0:24:36 > 0:24:38Nell Clasby's been sitting in there since four o'clock.
0:24:40 > 0:24:43HE CLEARS THROAT Nell, forgive me.
0:24:43 > 0:24:45I am so sorry to have kept you waiting.
0:24:45 > 0:24:48That's perfectly all right. Jean looked after me.
0:24:48 > 0:24:50- Come on through.- Oh!
0:24:56 > 0:24:57How are you feeling, Nell?
0:24:57 > 0:24:59Not the best.
0:24:59 > 0:25:02Your new prescription - it doesn't seem to be agreeing with me.
0:25:02 > 0:25:04- Did you bring the pills in with you? - Yes.
0:25:04 > 0:25:06But I'm sure I'll pick up.
0:25:06 > 0:25:09Well, perhaps you should leave the diagnosis to me.
0:25:11 > 0:25:12Are you looking after yourself?
0:25:12 > 0:25:14Of course I am.
0:25:15 > 0:25:18Always rushing around looking after everybody else.
0:25:19 > 0:25:21And I worry sometimes.
0:25:21 > 0:25:23Nell, honestly, I'm fine.
0:25:25 > 0:25:27It's lovely having you back in town.
0:25:27 > 0:25:30And your mum would have been so thrilled.
0:25:40 > 0:25:41Parks.
0:25:49 > 0:25:50Yes, sir?
0:25:50 > 0:25:53Any idea what happened back there?
0:25:53 > 0:25:56With the Doc? No, sir.
0:25:57 > 0:25:58None at all?
0:26:01 > 0:26:03No.
0:26:06 > 0:26:08He's an interesting man, Blake.
0:26:11 > 0:26:13But that war really made a mess of him.
0:26:20 > 0:26:22He's taken you under his wing, hasn't he?
0:26:22 > 0:26:24Er... I suppose, sir.
0:26:24 > 0:26:27Bit of advice, Parks.
0:26:27 > 0:26:29It's not your job to save him from himself.
0:26:37 > 0:26:40Your loyalty's to the force, Constable. Don't you forget it.
0:26:42 > 0:26:43Yes, sir.
0:28:40 > 0:28:42Breakfast.
0:28:48 > 0:28:49Mate.
0:28:50 > 0:28:53- Quickly. - You gotta help me.
0:28:55 > 0:28:59- I didn't kill that girl. - The boss thinks you did.
0:28:59 > 0:29:02Thinks you ran her down and you dumped her body in the lake.
0:29:02 > 0:29:04He's going to set me up for it, is he?
0:29:04 > 0:29:06Not if you tell us the truth, he won't.
0:29:06 > 0:29:11Danny, you know me. I wouldn't do anything like this.
0:29:11 > 0:29:12What about your headlight?
0:29:12 > 0:29:15I ran into a fencepost. I can show you if you want.
0:29:17 > 0:29:19How do you know Ann?
0:29:19 > 0:29:21I tried to crack onto her a few times, but...
0:29:21 > 0:29:24Yeah, and come on, Ricky. I need more than this, mate.
0:29:24 > 0:29:26And she sold us bennies.
0:29:26 > 0:29:29- Where did she get them from? - I don't bloody know, mate.
0:29:29 > 0:29:31Well, why wouldn't you have told us this in the first place?
0:29:31 > 0:29:35I didn't touch her. I swear.
0:29:48 > 0:29:50I can't see him killing anyone.
0:29:50 > 0:29:53Well, Lawson seems to think he did it.
0:29:53 > 0:29:55He just bought bennies from the girl. That's all.
0:29:55 > 0:29:57And where did she get them from?
0:29:57 > 0:29:59No idea.
0:29:59 > 0:30:02You know, Danny, you should tell Lawson.
0:30:02 > 0:30:04He's not going to like it.
0:30:04 > 0:30:06He's a smart man, your boss.
0:30:06 > 0:30:09You don't want to get into the habit of going behind his back.
0:30:09 > 0:30:11Oh, well, you do.
0:30:11 > 0:30:13Yes, well, he wouldn't expect anything else from me.
0:30:13 > 0:30:17You don't think it's got anything to do with the pills, do you?
0:30:18 > 0:30:21I don't know. It'd be good to have another look at them.
0:30:21 > 0:30:23Yeah, well, you swallowed the only ones we had.
0:30:25 > 0:30:27Yes.
0:31:45 > 0:31:47Do you mind?
0:31:49 > 0:31:50Lucien.
0:31:54 > 0:31:55I'm sorry.
0:32:19 > 0:32:21Yeah, you're a real hero, Danny.
0:32:21 > 0:32:23Hey, I stuck my neck out for you.
0:32:23 > 0:32:25Yeah, thanks. I owe you one.
0:32:25 > 0:32:28Yeah, well, don't let me see you here again. All right?
0:32:28 > 0:32:30Sure.
0:32:30 > 0:32:32And get that headlight fixed!
0:32:33 > 0:32:35ENGINE STARTS
0:32:40 > 0:32:43ENGINE REVS
0:32:48 > 0:32:50ROCK MUSIC PLAYS
0:33:02 > 0:33:05Excuse me. How are you all?
0:33:06 > 0:33:09A friend of mine would like to buy some bennies.
0:33:09 > 0:33:12- Know where I could buy some? - You're bloody kidding me, right?
0:33:12 > 0:33:13- No.- You're not a copper, are you?
0:33:13 > 0:33:15No, I'm not a copper.
0:33:15 > 0:33:17Then what were you doing at the station?
0:33:17 > 0:33:18I'm a doctor.
0:33:18 > 0:33:21And I'm ex-army which means I know more about amphetamines
0:33:21 > 0:33:22than you kids ever will.
0:33:22 > 0:33:26Now look, I spent two months, two months straight
0:33:26 > 0:33:29under fire day and night on the Malay Peninsula.
0:33:29 > 0:33:31How do you think we stayed awake?
0:33:32 > 0:33:35By the time Singapore finally fell, I'd been awake for three days.
0:33:35 > 0:33:37You could say I developed a taste for them.
0:33:37 > 0:33:39You blokes were off your heads the whole war?
0:33:39 > 0:33:41Until the Japs took us prisoner.
0:33:41 > 0:33:43Now, are you selling?
0:33:49 > 0:33:52Ten bob. Meet me in the lane in five.
0:33:52 > 0:33:54Done.
0:34:17 > 0:34:20That true what you were saying about the war?
0:34:20 > 0:34:22Absolutely.
0:34:22 > 0:34:24This is where you'd meet Ann Fitzgerald and do your business?
0:34:24 > 0:34:27Mate, I thought you said you weren't a copper.
0:35:14 > 0:35:16What am I looking for?
0:35:16 > 0:35:20You see that pill has a groove down the centre,
0:35:20 > 0:35:22and there's a little nick,
0:35:22 > 0:35:24about a third of the way along the groove there?
0:35:24 > 0:35:25Yes.
0:35:25 > 0:35:29That's caused by a slight imperfection in the pressing mould.
0:35:29 > 0:35:32So every pill that comes from that press will have that same nick.
0:35:32 > 0:35:34Now...
0:35:34 > 0:35:38tell me what you see there.
0:35:38 > 0:35:41- It's a different colour.- Mm-mm.
0:35:41 > 0:35:43- But exactly the same imperfection. - Yes.
0:35:43 > 0:35:48Now, that pink one, that's one of Nell Clasby's blood pressure pills.
0:35:48 > 0:35:49- And the white one? - The white's one a bennie.
0:35:49 > 0:35:52I bought it from Ricky in the laneway behind the theatre.
0:35:52 > 0:35:54- You did what? - I know, it's a long story.
0:35:54 > 0:35:58But look, the thing is... those nicks are like a signature.
0:35:58 > 0:36:01So they're going to be on every pill that came out of that press?
0:36:01 > 0:36:05Exactly. And who supplied Nell's blood pressure medication?
0:36:05 > 0:36:07Keith Morrisey?
0:36:07 > 0:36:08Keith Morrisey.
0:36:08 > 0:36:11I have no idea. Honestly, I have no idea.
0:36:11 > 0:36:13- HE SIGHS - You've seen these pills.
0:36:13 > 0:36:15Yes, I have.
0:36:15 > 0:36:16And?
0:36:16 > 0:36:18There's no question they were made on the same press.
0:36:18 > 0:36:21- How does that happen? - I don't know.
0:36:21 > 0:36:23- Mr Morrisey... - I don't, I have no idea.
0:36:23 > 0:36:25It's a nice little earner, isn't it?
0:36:25 > 0:36:26Selling amphetamines to idiots.
0:36:26 > 0:36:28God, no.
0:36:28 > 0:36:30These pills were made on your press.
0:36:30 > 0:36:33And you're saying the science is beyond you?
0:36:33 > 0:36:35Anyone with a basic knowledge of science can do this.
0:36:35 > 0:36:38Keith, who else has access to your pill press?
0:36:46 > 0:36:48Well, this is just bloody marvellous, isn't it?
0:36:48 > 0:36:50A science teacher who uses his lab
0:36:50 > 0:36:52and his father's pill press to make bennies.
0:36:52 > 0:36:56Quite the little operation going there, didn't you?
0:36:56 > 0:36:58You know what makes me really angry?
0:36:58 > 0:37:00You got one of your students to sell your pills for you.
0:37:00 > 0:37:02You get her pregnant, very inconvenient.
0:37:02 > 0:37:04You run her down and you dump her body in the lake.
0:37:04 > 0:37:07No. I made the pills, but...
0:37:09 > 0:37:10..I didn't kill Ann.
0:37:11 > 0:37:13We're going to find your car.
0:37:14 > 0:37:18If there's the smallest bit of evidence linking her to it,
0:37:18 > 0:37:20I'm charging you with murder.
0:37:29 > 0:37:32Lucien, what is going on here? Where's Phillip?
0:37:32 > 0:37:35Right now he's being interviewed about manufacturing amphetamines.
0:37:35 > 0:37:37I want to speak to Superintendent Lawson.
0:37:37 > 0:37:41Did you know he was having a relationship with one of his students?
0:37:41 > 0:37:43It's impossible.
0:37:43 > 0:37:45Really?
0:37:45 > 0:37:47She was pregnant.
0:37:47 > 0:37:49Someone ran her down and dumped her body in the lake.
0:37:51 > 0:37:54You're not suggesting that Phillip would do something like that?
0:37:57 > 0:37:59Did he ever talk about her?
0:37:59 > 0:38:02He talked about his students all the time.
0:38:02 > 0:38:04Specifically, did he talk about Ann Fitzgerald?
0:38:04 > 0:38:06No. Absolutely not.
0:38:06 > 0:38:09Doc, you might want to have a look at this.
0:38:11 > 0:38:13Excuse me, Rosemary.
0:38:13 > 0:38:15Lucien, you tell the Superintendent
0:38:15 > 0:38:17I am not leaving here until this is cleared up.
0:38:25 > 0:38:27It was dumped out near Castlemaine.
0:38:27 > 0:38:29It's Morrisey's car.
0:38:29 > 0:38:30Right.
0:38:32 > 0:38:34Dumped, you say?
0:38:37 > 0:38:39Is this blood?
0:38:44 > 0:38:45Yes.
0:38:45 > 0:38:47Danny, hop in there for me, would you?
0:38:47 > 0:38:49- In here?- Yes, please.
0:38:50 > 0:38:53Oh, it's tight!
0:38:53 > 0:38:55I'm going to have to move the seat back.
0:38:55 > 0:38:57No, no, don't adjust anything.
0:38:57 > 0:39:01Try to, um...look in the rear vision mirror there for me.
0:39:04 > 0:39:06Right.
0:39:06 > 0:39:08Whoever last drove this car, Danny,
0:39:08 > 0:39:11how tall would you say they were?
0:39:11 > 0:39:13Oh, he would have been a real short arse.
0:39:18 > 0:39:20You really think he did this?
0:39:20 > 0:39:23You were the one babbling on about Phillip Morrisey yesterday.
0:39:23 > 0:39:26BLAKE SIGHS
0:39:26 > 0:39:28Yes, I was, wasn't I?
0:39:28 > 0:39:31You know it's almost bloody impossible for me to work out
0:39:31 > 0:39:32when I should take you seriously.
0:39:32 > 0:39:34He's not confessing, is he?
0:39:34 > 0:39:35Give him time.
0:39:37 > 0:39:40And he reported his car stolen, didn't he?
0:39:40 > 0:39:4212 hours after Ann Fitzgerald died.
0:39:42 > 0:39:45Her blood was all over the backseat of the car, for Christ's sake.
0:39:47 > 0:39:51Yes. Yes, it probably is her blood,
0:39:51 > 0:39:54but I don't believe he was the last person to drive that car.
0:39:54 > 0:39:56Can you give me any logical reason
0:39:56 > 0:39:59why you doubt that Phillip Morrisey didn't kill that girl?
0:40:01 > 0:40:03You're never satisfied, are you?
0:40:10 > 0:40:14Seems I have a fair bit to catch up on in the old town.
0:40:14 > 0:40:16What can you tell me about the Morriseys?
0:40:17 > 0:40:19They're...nice.
0:40:20 > 0:40:22Jean...
0:40:22 > 0:40:25I'm about to make some pretty wild accusations about that family
0:40:25 > 0:40:28and if I'm wrong, I may well be run out of this town
0:40:28 > 0:40:30wearing nothing more than tar and feathers.
0:40:30 > 0:40:32So nice doesn't really help me.
0:40:32 > 0:40:34Keith's boorish.
0:40:34 > 0:40:36- You don't like him? - I don't respect him.
0:40:36 > 0:40:40Phillip seems decent enough, though I don't know where he gets that from.
0:40:41 > 0:40:43What about Rosemary?
0:40:43 > 0:40:46When she married Keith, there were two chemists on Lydiard Street.
0:40:46 > 0:40:48Morrisey's was the smaller shop.
0:40:48 > 0:40:49She went to war against them.
0:40:49 > 0:40:52They were bankrupt within two years.
0:40:52 > 0:40:53Really? How did she manage that?
0:40:53 > 0:40:57Oh, she ostracised the wife, spread stories about the children.
0:40:57 > 0:40:59She claimed the husband propositioned her.
0:40:59 > 0:41:01- And people believed it? - Oh, the men did.
0:41:01 > 0:41:03They seem to like her.
0:41:05 > 0:41:06Yes.
0:41:07 > 0:41:09Thank you, Jean.
0:41:15 > 0:41:18My father brought me here for my 19th birthday.
0:41:18 > 0:41:21And we sat in silence over brown Windsor soup.
0:41:21 > 0:41:23- Ma'am.- How was it?
0:41:23 > 0:41:26It was very brown. Thank you, Cec.
0:41:26 > 0:41:28Where's your infamous painting?
0:41:28 > 0:41:29Oh.
0:41:29 > 0:41:31It wasn't appreciated here.
0:41:31 > 0:41:34I'll have to find her a new home.
0:41:38 > 0:41:42I imagine Keith must be feeling rather out of sorts right now.
0:41:42 > 0:41:45Running for council on a law and order platform.
0:41:45 > 0:41:47Phillip finding himself in so much trouble.
0:41:48 > 0:41:50We'll rise above it.
0:41:51 > 0:41:53Yes, I'm sure you will.
0:41:53 > 0:41:56Despite everything else that Phillip's done,
0:41:56 > 0:41:59there's no way that he killed that awful little slut.
0:41:59 > 0:42:00SHE CHUCKLES
0:42:01 > 0:42:02Right.
0:42:02 > 0:42:05Well, it was someone else.
0:42:07 > 0:42:08Who?
0:42:09 > 0:42:13Oh, someone who believes her social standing in the town
0:42:13 > 0:42:17is more important than the life of a young girl from a reform school.
0:42:17 > 0:42:19Someone who could steal her son's car
0:42:19 > 0:42:22because she could easily get her hands on the keys.
0:42:22 > 0:42:25Someone who lied to me
0:42:25 > 0:42:28when they said they had no idea this girl even existed.
0:42:28 > 0:42:30You pathetic little man.
0:42:30 > 0:42:31How did you arrange to meet Ann?
0:42:31 > 0:42:33Were you planning on killing her from the start?
0:42:35 > 0:42:37You really believe I did all that?
0:42:40 > 0:42:42Well, arrest me then.
0:42:42 > 0:42:44I'm a doctor, not a policeman.
0:42:45 > 0:42:47And that tells me everything.
0:42:48 > 0:42:49You have no proof.
0:42:50 > 0:42:53You come back to this town with nothing.
0:42:54 > 0:42:57Everything you have is your father's.
0:42:57 > 0:43:03His practice, his house, his housekeeper.
0:43:03 > 0:43:04And don't forget his car.
0:43:05 > 0:43:08Weak, drunk...
0:43:09 > 0:43:11..and self-righteous.
0:43:12 > 0:43:14You have nothing.
0:44:12 > 0:44:14- There's another one. - Thank you, Mattie.
0:44:14 > 0:44:17- He wrote her a lot of love letters. - Mm!
0:44:17 > 0:44:21Well, I am in no hurry to wade through Lake Wendouree again.
0:44:21 > 0:44:22I can tell you. What have we got?
0:44:22 > 0:44:26Well, we can't make out many of the words, but they're all love letters from him.
0:44:26 > 0:44:29They say things like "Darling Ann", "sweet girl", that sort of thing.
0:44:29 > 0:44:31And there's his signatures, there and there.
0:44:31 > 0:44:33Yes.
0:44:33 > 0:44:35"Love always, Phillip."
0:44:36 > 0:44:38- And lovely handwriting.- Except...
0:44:38 > 0:44:39..this one here.
0:44:39 > 0:44:42This is the only one that's been typed.
0:44:51 > 0:44:53Phillip, I, um...
0:44:55 > 0:44:58I found Ann's bag in the lake.
0:44:58 > 0:45:00She'd packed a change of clothes.
0:45:02 > 0:45:05I think she was going somewhere.
0:45:10 > 0:45:15I also found...quite a few of the letters you'd written her.
0:45:15 > 0:45:20I mean, they're not in great condition now, obviously,
0:45:20 > 0:45:24but you can still make out bits and pieces.
0:45:24 > 0:45:26"Darling Ann",
0:45:26 > 0:45:29"sweet girl".
0:45:31 > 0:45:33I'm sure she loved you.
0:45:35 > 0:45:38And I think you loved her.
0:45:41 > 0:45:43Phillip, tell me about these letters.
0:45:46 > 0:45:48We couldn't be together, so...
0:45:50 > 0:45:52..I wrote to her.
0:45:53 > 0:45:56And your letters were always handwritten.
0:45:56 > 0:45:59Yeah.
0:46:01 > 0:46:04Then why is this one typed?
0:46:08 > 0:46:11I mean, it's barely legible,
0:46:11 > 0:46:15but you can make out a few things, like "Bakery Lane",
0:46:15 > 0:46:18and down the bottom here, "From Phillip".
0:46:18 > 0:46:20That's not from me.
0:46:20 > 0:46:22Who else knew Ann was pregnant?
0:46:23 > 0:46:29I mean, certainly her friend Josie at the reform school didn't know.
0:46:29 > 0:46:31No. Um...
0:46:31 > 0:46:33Ann didn't tell anyone.
0:46:35 > 0:46:38But you did, didn't you?
0:46:43 > 0:46:45Phillip, did you tell your mother?
0:46:52 > 0:46:55- Lawson. - Where's your wife, Keith?
0:46:55 > 0:46:57I don't know, but you've got to find her.
0:46:57 > 0:46:59- What happened?- She came home beside herself.
0:46:59 > 0:47:01I tried to find out what was wrong but she started screaming
0:47:01 > 0:47:03and saying it was all my fault.
0:47:03 > 0:47:05- Where do you think she might have gone?- I don't know.
0:47:05 > 0:47:07- I know she's in a dreadful state. - Mrs Morrisey!
0:47:07 > 0:47:09Please find her.
0:47:15 > 0:47:17SOBBING
0:47:27 > 0:47:29Rosemary.
0:47:38 > 0:47:41I found the bag. And the letters.
0:47:43 > 0:47:45Go away.
0:47:50 > 0:47:52Rosemary, it's over.
0:47:54 > 0:47:56Keith and Phillip need me.
0:47:56 > 0:48:00They won't survive without me.
0:48:00 > 0:48:01Please...
0:48:01 > 0:48:03SHE SOBS
0:48:07 > 0:48:09Come here.
0:48:19 > 0:48:21We should go.
0:48:31 > 0:48:37Phillip told me he was in trouble. The girl was pregnant.
0:48:39 > 0:48:41He declared his undying love.
0:48:42 > 0:48:44That sort of nonsense.
0:48:44 > 0:48:47Of course, he was going to do the right thing by her.
0:48:50 > 0:48:54He's...he's so...
0:48:54 > 0:48:56idealistic.
0:48:59 > 0:49:02We had a huge row,
0:49:02 > 0:49:06and he just wouldn't see sense.
0:49:06 > 0:49:09You sent her a letter pretending it was from your son.
0:49:09 > 0:49:11Well, I had to do something.
0:49:12 > 0:49:15If he wasn't capable of seeing where this would lead,
0:49:15 > 0:49:17I thought that she might.
0:49:18 > 0:49:20You took Phillip's car.
0:49:20 > 0:49:24Well, she would never have agreed to meet if she knew it was me.
0:49:31 > 0:49:33What happened in the lane?
0:49:35 > 0:49:37I...
0:49:37 > 0:49:41I offered her money to go away.
0:49:43 > 0:49:46Start a new life somewhere else.
0:49:47 > 0:49:49But she wouldn't take it.
0:49:53 > 0:49:55Perhaps I...
0:49:55 > 0:49:57I should have been more generous.
0:49:58 > 0:50:01Perhaps Ann wasn't for sale, Rosemary.
0:50:03 > 0:50:08She told me that she loved Phillip, that she'd go anywhere with him,
0:50:08 > 0:50:10as long as they were together.
0:50:13 > 0:50:19Imagine that little slut, talking to me, about love!
0:50:26 > 0:50:28He's my son.
0:50:31 > 0:50:33And she was going to ruin him.
0:50:38 > 0:50:40I just couldn't let that happen.
0:51:06 > 0:51:08There we are.
0:51:08 > 0:51:11I think she's lovely.
0:51:11 > 0:51:14I like the colours and the way the light falls on her.
0:51:14 > 0:51:17- Yes.- But she's a little bit dominating.
0:51:17 > 0:51:19Really?
0:51:19 > 0:51:22- Yeah, colours are good.- Yes, I thought you'd like the colours(!)
0:51:22 > 0:51:26No, she brings a little light to an otherwise dark world.
0:51:26 > 0:51:29- What do you think, Jean? - Oh, I think she's gorgeous.
0:51:29 > 0:51:31That's why I've contacted the curator of the gallery.
0:51:31 > 0:51:33He'll pick her up tomorrow.
0:51:35 > 0:51:38I mean, she's far too lovely to be hidden away here.
0:51:38 > 0:51:40You're giving her to the gallery?
0:51:40 > 0:51:42I've gifted her.
0:51:42 > 0:51:45I mean, she deserves to be seen by lots of people, don't you think?
0:51:52 > 0:51:54My mum used to paint.
0:51:55 > 0:52:01Perhaps we could mount a little plaque alongside her in Mum's memory.
0:52:01 > 0:52:02What do you think?
0:52:02 > 0:52:04Do you think she'd approve?
0:52:04 > 0:52:06Oh, she would have loved it.