0:00:02 > 0:00:05Ladies and gentlemen,
0:00:05 > 0:00:09every year I look forward to this festival with great excitement.
0:00:09 > 0:00:13It brims with the kind of enthusiasm that only Bendigo can muster.
0:00:13 > 0:00:14Ballarat.
0:00:14 > 0:00:17My apologies. Ballarat.
0:00:17 > 0:00:20In all my travels from Perth to Penrith,
0:00:20 > 0:00:23no town has offered a more embracing welcome than yours.
0:00:23 > 0:00:25Ballarat has been the home of the Begonia Festival
0:00:25 > 0:00:27these past seven years.
0:00:27 > 0:00:32It is my hope, my fervent hope, that it will continue to be so.
0:00:32 > 0:00:34Hear, hear.
0:00:34 > 0:00:38Chairman Griffith, honourable guests, esteemed festival judges,
0:00:38 > 0:00:42it is my pleasure to declare the Ballarat Begonia Festival
0:00:42 > 0:00:43officially open.
0:00:54 > 0:00:55Ormond, you hypocrite!
0:00:55 > 0:00:58Whisper in each other's ears, hands in each other's pockets.
0:00:58 > 0:01:00- I know what's going on! - Mr Manos, really.
0:01:00 > 0:01:01One word and I'll sue, Manos.
0:01:01 > 0:01:06Griffith, why don't you just pay me off the way you paid him off?
0:01:06 > 0:01:07Every year it gets worse!
0:01:08 > 0:01:10You leave my dad alone!
0:01:13 > 0:01:16You'll get yours! Especially you, Ormond.
0:01:16 > 0:01:18It's the last time you'll be judge.
0:01:18 > 0:01:21This is why no member of the Manos family will ever amount to anything.
0:01:21 > 0:01:23Let's be on our way, Oliver.
0:01:31 > 0:01:33Thanks, Danny.
0:01:35 > 0:01:37Come on, Dad.
0:01:37 > 0:01:38Well, fancy that.
0:01:38 > 0:01:41Who would have known people took begonias so seriously?
0:01:41 > 0:01:45Angela? Anthony! A bit of help here. Professor Ormond!
0:01:49 > 0:01:51It's all right. It's all right.
0:01:56 > 0:01:59Thank you for your help, Professor Ormond(!)
0:02:03 > 0:02:05I feel much better now.
0:02:05 > 0:02:07It was all just attention-seeking behaviour.
0:02:07 > 0:02:10I do apologise.
0:02:11 > 0:02:13I'm taking her to Melbourne.
0:02:13 > 0:02:14Well, that's a four-hour round trip.
0:02:14 > 0:02:17She needs her transfusions. You saw her.
0:02:17 > 0:02:20- You two aren't arguing, are you? - No, no, no.
0:02:20 > 0:02:22We're both just worried about you.
0:02:22 > 0:02:24Thank you, Doctor. We'll see you tomorrow.
0:02:27 > 0:02:30- Drive safely. - Thank you.
0:02:30 > 0:02:31I'll take you down to the clinic.
0:02:36 > 0:02:38How long do you think she's got?
0:02:38 > 0:02:41At this rate, a couple of months at the most.
0:02:41 > 0:02:43She was doing so well.
0:04:10 > 0:04:13KNOCK ON DOOR
0:04:13 > 0:04:16- Lucien. - Mmm.
0:04:18 > 0:04:22- Was I shouting again? - No. It's a phone call.
0:04:23 > 0:04:25- It's half past five. - I was up.
0:04:25 > 0:04:29- It's Anthony Farmer on the phone. - Oh. Is Angela all right?
0:04:29 > 0:04:32The clinic wants to know what's in that tonic
0:04:32 > 0:04:34that you prescribed for Angela.
0:04:34 > 0:04:39Glycerine, ascorbic acid, hawthorn extract and honey. Honey.
0:04:39 > 0:04:43Look, just tell them it's an all-purpose immune system booster,
0:04:43 > 0:04:47and I'm sorry, I should have added it to her medication list.
0:04:47 > 0:04:50- How is she, Anthony? - Is everything all right?
0:04:50 > 0:04:55Good. Well, send our best, won't you?
0:04:55 > 0:04:59- All right. - I'm sorry. I didn't hear the phone.
0:04:59 > 0:05:00No, no, Mattie woke me.
0:05:00 > 0:05:02- What's she doing up? - She was awake, apparently.
0:05:02 > 0:05:05The good news is Angela's feeling much better.
0:05:05 > 0:05:06Oh, that's all that matters.
0:05:06 > 0:05:10Not if Anthony can't accept that fact that she's dying.
0:05:26 > 0:05:28That was fast.
0:05:28 > 0:05:30Parks only just got back from the phone box.
0:05:30 > 0:05:32- Who is it? - The professor.
0:05:38 > 0:05:41I didn't know a woman smoked.
0:05:41 > 0:05:42Thank you, Danny.
0:05:51 > 0:05:53Oh, professor.
0:05:58 > 0:06:00- Danny? - Yeah.
0:06:02 > 0:06:04- What can you smell? - Uh...
0:06:04 > 0:06:07No, no, come closer. Come right over.
0:06:13 > 0:06:15- It's sweet. - Like pears?
0:06:15 > 0:06:17Yeah.
0:06:17 > 0:06:22Flesh burnt at low temperature gives off a scent of pears.
0:06:22 > 0:06:26- An accelerant was involved. - What, kero?
0:06:26 > 0:06:28Yes, very likely.
0:06:28 > 0:06:29Hot, but not too hot.
0:06:30 > 0:06:32That's why it's used by circus performers,
0:06:32 > 0:06:34you know, and fire-eaters.
0:06:34 > 0:06:36Look - he's still wearing his begonia.
0:06:36 > 0:06:38Always appreciated the little touches.
0:06:38 > 0:06:40So maybe the heating caught fire,
0:06:40 > 0:06:43he came running out to check, and...bang.
0:06:46 > 0:06:47Possibly.
0:06:58 > 0:06:59No sign of forced entry.
0:07:01 > 0:07:03Parks.
0:07:07 > 0:07:10- Fairly modest bloke. - You're not wrong.
0:07:12 > 0:07:14Professor Ormond made it into the West Australian.
0:07:14 > 0:07:17- Sir. - That rules out robbery.
0:07:20 > 0:07:23First time one of these heaters has killed someone.
0:07:23 > 0:07:26What's a heater doing in a glasshouse anyway?
0:07:26 > 0:07:28To keep the flowers warm, obviously.
0:07:28 > 0:07:31Oh, that's a lot of trouble for a flower.
0:07:31 > 0:07:34Blake, that's evidence.
0:07:34 > 0:07:36Yes, I was just testing it.
0:07:36 > 0:07:40You reckon he saw the fire and then he ran outside?
0:07:40 > 0:07:43- Yes, quite likely. - With only one shoe?
0:07:43 > 0:07:44One shoe outside...
0:07:47 > 0:07:49..and one shoe inside.
0:07:51 > 0:07:55Gus has the flu. I'm going to need an assistant for the autopsy.
0:07:55 > 0:07:56Help him out, will you, Parks?
0:07:58 > 0:08:00- What, me? - Mm.
0:08:03 > 0:08:05I didn't have breakfast.
0:08:08 > 0:08:11- Danny, all right to keep going? - Yeah, yeah, yeah.
0:08:11 > 0:08:15Good. Deep breath. Let's look in the mouth.
0:08:26 > 0:08:29- Good.- Oh, doesn't stuff like this get you down, Doc?
0:08:29 > 0:08:34Well, for their sake, Danny, we have to find a way to get through it.
0:08:34 > 0:08:36Come here. Tell me about those teeth.
0:08:36 > 0:08:38- What do you see? - Not sure.
0:08:38 > 0:08:40- Colour? - Normal.
0:08:40 > 0:08:43Would you expect that if they've been taking in mouthfuls of smoke?
0:08:43 > 0:08:46Well, no. They'd be kind of black, wouldn't they?
0:08:46 > 0:08:48Yes.
0:08:48 > 0:08:50- Oh, inside his mouth's pink. - Yes.
0:08:50 > 0:08:52You'd expect some staining, wouldn't you?
0:08:52 > 0:08:54Come take a look at the windpipe with me.
0:08:54 > 0:08:59Come on. Again, he's been breathing in fumes and soot.
0:09:00 > 0:09:03- So they'd be stained too. - Ah. Well, let's see.
0:09:03 > 0:09:07- Now, how does that look? - Weird, but clean.
0:09:07 > 0:09:08Which means?
0:09:11 > 0:09:15He wasn't breathing when the fire was started.
0:09:15 > 0:09:17Yes. Ormond was murdered.
0:09:17 > 0:09:19Jesus, that's all we need.
0:09:19 > 0:09:24- I'm sure it wasn't what Ormond needed.- Don't be a smart-arse, Blake.
0:09:24 > 0:09:27This isn't gonna do any of us any favours.
0:09:27 > 0:09:29I've spent enormous amounts bringing this festival to Ballarat -
0:09:29 > 0:09:30Bendigo wants to pinch it.
0:09:30 > 0:09:33Now the bloke that ran it's gone and died on us.
0:09:33 > 0:09:36We need to keep this whole murder theory quiet,
0:09:36 > 0:09:38at least until the festival's over.
0:09:38 > 0:09:40We don't need to go and publicise the fact,
0:09:40 > 0:09:43but once we start digging, people will start to talk.
0:09:43 > 0:09:45Who's still on the judging panel?
0:09:45 > 0:09:47Charlie Griffith, Angela Waterston,
0:09:47 > 0:09:51though she's currently indisposed, and me.
0:09:54 > 0:09:56Are you absolutely certain it was murder?
0:10:00 > 0:10:03- Suppose I wanted to choke you... - Or vice versa.
0:10:03 > 0:10:05Please, allow me to demonstrate.
0:10:05 > 0:10:08I'd put my hands here, and I'd squeeze as hard as I could.
0:10:08 > 0:10:12Now, you feel that? That's the hyoid bone. It protects the throat.
0:10:12 > 0:10:14You put enough pressure on that, it will snap.
0:10:14 > 0:10:18That's a pretty reliable indicator that someone's been strangled.
0:10:18 > 0:10:20- Get your hands of me. - Blake!
0:10:28 > 0:10:31Professor Ormond's hyoid bone was snapped.
0:10:33 > 0:10:35Ormond was strangled.
0:10:36 > 0:10:40Parks, Hobart, it's time we had a word with Nick Manos.
0:10:43 > 0:10:45Mr Manos, would you mind escorting us
0:10:45 > 0:10:47down to the police station, please?
0:10:47 > 0:10:49No bloody way, and not with you.
0:10:49 > 0:10:51Mr Manos, we want you to accompany us to the station so that we can...
0:10:51 > 0:10:53I warned you months ago,
0:10:53 > 0:10:55if I caught you sniffing around here with my daughter,
0:10:55 > 0:10:57I'd get my shotgun.
0:10:57 > 0:10:59Right, Mr Manos, you're coming with us.
0:10:59 > 0:11:00- Dad? - Get back inside, love.
0:11:00 > 0:11:02Danny, what are you doing?
0:11:02 > 0:11:04You're a dog, Parks. I'm not letting you anywhere near my girl.
0:11:04 > 0:11:06We're trying to ask him some questions.
0:11:06 > 0:11:08They wanna drag me down to the station.
0:11:08 > 0:11:09What's this about?
0:11:09 > 0:11:12He's made a complaint, hasn't he? It got too much for him.
0:11:12 > 0:11:16Mr Manos, Professor Ormond's dead, all right?
0:11:16 > 0:11:20So w-w-why are you talking to me?
0:11:23 > 0:11:27Oh, Jesus, you don't think I had anything to do with it?
0:11:27 > 0:11:29Danny, can I talk to you?
0:11:29 > 0:11:33Please?
0:11:36 > 0:11:40- You don't really think he did it? - The boss wants to talk to him.
0:11:40 > 0:11:43- When did it happen? - Some time last night.
0:11:43 > 0:11:45- Dad was home the whole time. - What's he saying to you, love?
0:11:45 > 0:11:47It's fine, Dad.
0:11:47 > 0:11:53He wouldn't do something like this. He couldn't. Honestly.
0:11:58 > 0:11:59Is there anything you can do?
0:12:07 > 0:12:10Yes. Yes, of course I'll take the call.
0:12:10 > 0:12:15Mr Kim? I haven't heard from you for a while.
0:12:16 > 0:12:19Someone saw them? When was that?
0:12:20 > 0:12:23Two years ago. Are you sure?
0:12:23 > 0:12:26So there's a chance they're still alive? Yes.
0:12:28 > 0:12:32I will fly over immediately if you need me.
0:12:32 > 0:12:34I'll drop everything. You just let me know.
0:12:34 > 0:12:36Thank you...thank you, Mr Kim.
0:12:40 > 0:12:42No way. You've gotta be kidding.
0:12:42 > 0:12:44No, I mean it. She's really coming onto me.
0:12:44 > 0:12:47She takes me off to the side, she taking my hand,
0:12:47 > 0:12:49you know, she's giving me the eye...
0:12:49 > 0:12:53Danny, she's just using you to help her father.
0:12:55 > 0:12:59Right. So, what, it's got nothing to do with attraction?
0:12:59 > 0:13:01- What? - Nothing.
0:13:03 > 0:13:05You just...you need to be careful.
0:13:05 > 0:13:08Right, so not only do you think I'm not attractive,
0:13:08 > 0:13:09you think I'm naive.
0:13:09 > 0:13:12Well, you said it.
0:13:37 > 0:13:39Do you know anything about the begonia?
0:13:39 > 0:13:42Not a damn thing, but since I'm on the judging panel...
0:13:42 > 0:13:45Some people take them very seriously.
0:13:45 > 0:13:47So I've gathered.
0:13:47 > 0:13:49What can you tell me about these things?
0:13:49 > 0:13:52Well, it's quite hard to define the classic begonia.
0:13:52 > 0:13:56- They don't like heat or frost. - They must love Ballarat.
0:13:56 > 0:13:59And they take quite a lot of looking after.
0:13:59 > 0:14:01Honestly, why would you bother?
0:14:01 > 0:14:03- Well, people love them. - Enough to kill someone?
0:14:03 > 0:14:05I don't know anything about it.
0:14:05 > 0:14:08According to witnesses, you made some threats against the professor.
0:14:08 > 0:14:10Who told you that? Charlie Griffith?
0:14:10 > 0:14:13It's always Charlie Griffith with you, isn't it?
0:14:13 > 0:14:15What happened between those two?
0:14:15 > 0:14:17- Apparently a land deal went bad. - When was that?
0:14:17 > 0:14:20- 1870. - Bloody hell.
0:14:20 > 0:14:22The Griffiths have been rich and the Manos' angry ever since.
0:14:22 > 0:14:26Well, I guess that makes for a sound motivation for Nick Manos
0:14:26 > 0:14:29to want to kill Griffith, but why kill the professor?
0:14:29 > 0:14:32Seven times he's won, bloody Charlie Griffith.
0:14:32 > 0:14:35King of the festival - buying the most expensive flowers with all that money he's got.
0:14:35 > 0:14:38And you thought you'd level the playing field, right?
0:14:38 > 0:14:41Look, I didn't mind giving Ormond a scare, but I didn't kill him.
0:14:41 > 0:14:43You mean what happened was an accident?
0:14:43 > 0:14:45- I wasn't there. I wouldn't know. - We know you threatened him.
0:14:45 > 0:14:50Because he and Griffith are crooks. I didn't kill him.
0:14:50 > 0:14:54- And you expect us to believe that? - You've got nothing.
0:14:54 > 0:14:57- Where were you last night, Nick? - At home.
0:14:57 > 0:14:59Can anyone vouch for that?
0:15:02 > 0:15:06Every year, Nick Manos thinks the judging is biased against him.
0:15:06 > 0:15:10- And is it?- Charlie Griffith is on the judging committee.
0:15:10 > 0:15:12He and the professor were quite a formidable team.
0:15:12 > 0:15:15Perhaps Mr Manos just snapped.
0:15:16 > 0:15:19And strangled Ormond and set his body on fire.
0:15:21 > 0:15:24Mail for you.
0:15:24 > 0:15:26Oh. Thank you.
0:15:26 > 0:15:30KNOCK ON DOOR
0:15:30 > 0:15:32Better get that.
0:15:32 > 0:15:37Poor Professor Ormond. And you say it was the heater?
0:15:37 > 0:15:38So it seems.
0:15:38 > 0:15:40How awful.
0:15:40 > 0:15:41Thank you.
0:15:46 > 0:15:48Darling...
0:15:48 > 0:15:52- He's got such a sweet tooth. - Yes.
0:15:54 > 0:15:56Now, tell me, what did the clinic say?
0:15:57 > 0:15:59We've moved the wedding forward.
0:15:59 > 0:16:02Ooh! Will your family be coming, Anthony?
0:16:02 > 0:16:05Probably not. Perth is such a long way away.
0:16:07 > 0:16:09It's OK. It's a long trip.
0:16:09 > 0:16:12- No, if they can't be bothered travelling...- Sweetheart...
0:16:14 > 0:16:17Actually, we've been a little dishonest.
0:16:18 > 0:16:21We came here today with an agenda.
0:16:21 > 0:16:25Dad is no longer with us and Anthony's family isn't coming.
0:16:26 > 0:16:30I've known you and your father my whole life.
0:16:30 > 0:16:32Would you walk me down the aisle?
0:16:35 > 0:16:37Of course, there will be dancing,
0:16:37 > 0:16:39and as the stand-in father,
0:16:39 > 0:16:41you'll be expected to dance the second waltz with me.
0:16:45 > 0:16:47But of course.
0:16:47 > 0:16:49I'd love to.
0:16:49 > 0:16:51So, Angela, you bring that dress of yours over here
0:16:51 > 0:16:54and we'll see what we can do about it.
0:16:54 > 0:16:57You, you're an angel with the sewing needle.
0:16:57 > 0:17:00It's good to see Angela looking so much stronger today.
0:17:00 > 0:17:04- Isn't it? She's a wonder. - Not going to last, I'm afraid.
0:17:04 > 0:17:05The transfusion was a great success.
0:17:05 > 0:17:08Well, the transfusions might help for a while, Anthony,
0:17:08 > 0:17:12but aplastic anaemia is fatal, and as I've told you before,
0:17:12 > 0:17:14ultimately, there's nothing we can do.
0:17:14 > 0:17:16I'm kind of pinning my hopes on this new treatment.
0:17:16 > 0:17:18Yes, and so is Angela.
0:17:18 > 0:17:21- Yeah, and that's a good thing. - Not if your hopes are unfounded.
0:17:21 > 0:17:23- Can I be frank, Lucien? - Of course.
0:17:23 > 0:17:24Well, you told us two months ago
0:17:24 > 0:17:27that Angela wouldn't go downhill for some time.
0:17:29 > 0:17:30I was wrong.
0:17:30 > 0:17:33Couldn't you be wrong about the transfusions?
0:17:33 > 0:17:35Yes, the transfusions might help.
0:17:35 > 0:17:39I... I just didn't expect things to progress quite so rapidly.
0:17:39 > 0:17:42I'm trying my best to help her, Lucien,
0:17:42 > 0:17:46but sometimes it feels like we're the only ones that are trying.
0:17:46 > 0:17:48Go on, you'd better get a move on.
0:17:51 > 0:17:53- Boss. - I'm not very impressed with you.
0:17:53 > 0:17:54What?
0:17:54 > 0:17:58Nick Manos is threatening to come after you and shoot you.
0:17:58 > 0:18:00His daughter reckons he was home all last night.
0:18:00 > 0:18:02- Can anyone else verify that? - I checked with the neighbours.
0:18:02 > 0:18:04People saw him through the night and early in the morning.
0:18:04 > 0:18:09That'd be right. This'll be one charge Manos isn't guilty of.
0:18:09 > 0:18:11Well, do you want me to have a look around
0:18:11 > 0:18:13and see if I can find out anything more?
0:18:13 > 0:18:16Well, we'll have to release him soon if we don't charge him.
0:18:16 > 0:18:19Maybe leave him in the cell for a bit while I ask around?
0:18:22 > 0:18:23You're learning, son.
0:18:28 > 0:18:30- Oi, Parks? - Sir.
0:18:31 > 0:18:34You'll still be taking the bike.
0:18:34 > 0:18:37SNIGGERING
0:18:39 > 0:18:41I, uh, had a word with the boss,
0:18:42 > 0:18:45told him that your dad was here the whole night.
0:18:45 > 0:18:46That's right, isn't it?
0:18:46 > 0:18:49Dad parks his ute outside my bedroom window.
0:18:49 > 0:18:52- I would have heard him. - Yeah.
0:18:52 > 0:18:54- Is he all right? - Yeah, he's OK.
0:18:54 > 0:18:57He's threatening to use his bloody shotgun on me.
0:18:57 > 0:19:00He seems to think I've been hanging around for months.
0:19:00 > 0:19:04You know Dad - always paranoid.
0:19:04 > 0:19:06Yeah.
0:19:09 > 0:19:13- Has there been anyone else? - Not since you.
0:19:21 > 0:19:23Isn't that Oliver Griffith?
0:19:25 > 0:19:27Leave this to me.
0:19:32 > 0:19:35Oliver Griffith? What are you doing here, mate?
0:19:35 > 0:19:37Hey, hey, hey, hey, hey, hey.
0:19:40 > 0:19:42- What are you doing here? - Yeah, I heard you.
0:19:42 > 0:19:45I'm minding my own business. What are you doing?
0:19:45 > 0:19:49Mate, you're on private property, so drive your dad's pretty car around,
0:19:49 > 0:19:52drive back out on that main road and don't ever come back here.
0:19:54 > 0:19:56And that goes for your dad as well.
0:20:06 > 0:20:07Well, that's all sorted.
0:20:17 > 0:20:20- I paid the rates today. - You're not hungry?
0:20:20 > 0:20:22Those other bills, they can wait.
0:20:22 > 0:20:25- I'll have if you're not. - Is that all you think about?
0:20:26 > 0:20:28- Not quite. - You're revolting.
0:20:28 > 0:20:30- I didn't say anything. - Just eat your dinner.
0:20:30 > 0:20:33- I'm tired of talking to you. - Wow. That got a reaction.
0:20:33 > 0:20:35- Just shut up, would you? - Do you two mind?
0:20:35 > 0:20:38I'm not the one who shouted. I'm just eating my dinner.
0:20:38 > 0:20:41- KNOCK ON DOOR - Oh, I'll get it.
0:20:41 > 0:20:44I know you're in there, you dog! Bloody open up!
0:20:45 > 0:20:49The dulcet tones of Mr Nick Manos, if I'm not mistaken.
0:20:49 > 0:20:53- Um, I'll sort this out. - I'm coming with you.
0:20:53 > 0:20:57- Parks! Get out here now! - I'm ringing the boss right now.
0:20:57 > 0:20:58You make yourself scarce.
0:21:00 > 0:21:02Mr Manos, it's Doctor Blake.
0:21:03 > 0:21:06Now, I'm going to open the door,
0:21:06 > 0:21:10we can have a nice calm chat about this, all right?
0:21:10 > 0:21:11Ooh!
0:21:11 > 0:21:13- Kill ya, Parks! - Get out of here.
0:21:13 > 0:21:16No, no, no, no, no. I wanna talk to him.
0:21:16 > 0:21:17I told you to stay away,
0:21:17 > 0:21:19but you were around there this afternoon with her
0:21:19 > 0:21:22while I was being accused of murder at the police station.
0:21:22 > 0:21:24I've got your wallet!
0:21:24 > 0:21:25I was following up questions.
0:21:25 > 0:21:29Go on. Go. I'd rather you went back to the kitchen as well.
0:21:29 > 0:21:32- Now, Mr Manos? - What?
0:21:34 > 0:21:37If you have to shoot anyone, shoot me.
0:21:37 > 0:21:40All right? Now, I'm going to open the door.
0:21:45 > 0:21:47I take it you didn't make an appointment.
0:21:47 > 0:21:50- That young copper, out here now. - Not likely, Mr Manos!
0:21:50 > 0:21:54- Jean. This is about your daughter, isn't it?- Damn right.
0:21:56 > 0:21:58What's going on?
0:21:58 > 0:22:01Mr Manos, perhaps it's time to just lower the gun.
0:22:01 > 0:22:03Where'd she go? Did she call the police?
0:22:03 > 0:22:05- If she is, I'll... - Thank you, Jean.
0:22:07 > 0:22:10Mr Manos, the gun.
0:22:10 > 0:22:12Single malt, top shelf.
0:22:20 > 0:22:23That young copper of yours broke my girl's heart.
0:22:23 > 0:22:25You tell him to leave her alone or I'll shoot holes in him.
0:22:25 > 0:22:28You really think coming around here with a shotgun
0:22:28 > 0:22:30is the best way to work this thing out?
0:22:30 > 0:22:32Yeah, well, it got your attention.
0:22:32 > 0:22:34Please, Mr Manos.
0:22:37 > 0:22:39Like some whisky?
0:22:43 > 0:22:47- Mmm. Here, here's his wallet. - Thank you.
0:22:49 > 0:22:51It's just hard by yourself, you know?
0:22:51 > 0:22:54- Especially with a daughter. - Yes, I can imagine.
0:22:58 > 0:23:00Maria's got a real chance, you know,
0:23:00 > 0:23:02to be Miss Begonia this year.
0:23:02 > 0:23:04Dads always are very proud of their daughters.
0:23:04 > 0:23:06She's the best girl.
0:23:06 > 0:23:08It's about time the others started to realise that too.
0:23:08 > 0:23:10Proud of yourself?
0:23:10 > 0:23:12Why don't you write a letter to Mark?
0:23:12 > 0:23:15- Maybe he'll be interested. - Shh!
0:23:15 > 0:23:17You attacked Professor Ormond yesterday.
0:23:17 > 0:23:19You said a few things that any reasonable person
0:23:19 > 0:23:21would describe as threatening.
0:23:21 > 0:23:24Yeah, well, I've got a bit of a temper.
0:23:24 > 0:23:25How much of a temper, Mr Manos?
0:23:28 > 0:23:30Too much.
0:23:31 > 0:23:35You're carrying yourself with some upper-body stiffness.
0:23:35 > 0:23:37So?
0:23:37 > 0:23:40Injuries sustained while murdering the professor, perhaps?
0:23:40 > 0:23:42Just a thought.
0:23:42 > 0:23:44You're an odd fella.
0:23:44 > 0:23:48Not many people would say that to a bloke with a gun.
0:23:48 > 0:23:50You haven't answered me.
0:23:54 > 0:23:56I was working on an old generator.
0:23:56 > 0:23:59Had faulty wiring and started a fire.
0:23:59 > 0:24:01I didn't get out in time.
0:24:01 > 0:24:05Copped third-degree burns all the way up my shoulder
0:24:05 > 0:24:07and down my arm.
0:24:08 > 0:24:11- Goodness, yes. That's an old burn. - Yeah, I was 15.
0:24:12 > 0:24:16You should make an appointment with my receptionist, Nick.
0:24:16 > 0:24:19There are things we can do to help with that scar tissue.
0:24:20 > 0:24:24Does that mean you don't reckon I killed the bloke?
0:24:24 > 0:24:26I think it's very unlikely
0:24:26 > 0:24:29someone who suffered third-degree burns when they were 15
0:24:29 > 0:24:31would torch the body of a man they just murdered.
0:24:31 > 0:24:34- Eurgh... - That's what I'm talking about.
0:24:34 > 0:24:36You know, I keep telling that superintendent,
0:24:36 > 0:24:39it's gotta be Charlie Griffith.
0:24:39 > 0:24:41You know, he and Ormond used to be thick as thieves
0:24:41 > 0:24:42until they fell out.
0:24:42 > 0:24:45- And why did they fall out? - Well, Griffith is rich as hell.
0:24:45 > 0:24:49Who knows what he thinks. He owns half of Bendigo now.
0:24:49 > 0:24:51- You mean Ballarat. - Bendigo.
0:24:51 > 0:24:53They reckon that's where the festival's gonna go.
0:24:53 > 0:24:56He's got mates on the council and everything.
0:24:56 > 0:24:58He's gonna make even more money.
0:25:11 > 0:25:13- Ah, good morning. - Morning.
0:25:13 > 0:25:16I couldn't sleep either. Fancy a tea?
0:25:16 > 0:25:18No, thanks.
0:25:18 > 0:25:22Mattie, do you still have that friend who works at the Land Titles Office?
0:25:22 > 0:25:25I wanna make some inquiries about properties in Bendigo,
0:25:25 > 0:25:28you know, find out who owns what and what things are worth.
0:25:28 > 0:25:31- Of course. - Good.
0:25:31 > 0:25:34So what's keeping you awake, Mattie?
0:25:35 > 0:25:37Mark wrote to me.
0:25:37 > 0:25:40He's engaged to a mutual friend of ours.
0:25:40 > 0:25:42- Ahh. - He's done nothing wrong.
0:25:42 > 0:25:46- I can't blame him. - Elizabeth's lovely.
0:25:46 > 0:25:48- Well, I am sorry.- I'm really on the shelf now, aren't I?
0:25:48 > 0:25:52Nonsense! You've got your whole life ahead of you.
0:25:52 > 0:25:54I'm just disappointed in myself, that's all.
0:25:54 > 0:25:59- No.- I'll get my friend to give you a call.
0:26:07 > 0:26:10Mr Griffith, you must be concerned about the publicity.
0:26:10 > 0:26:12I know what the papers are saying.
0:26:12 > 0:26:14I say we just carry on.
0:26:14 > 0:26:16Do you think we'll lose the festival?
0:26:16 > 0:26:19Journalists - just ignore them.
0:26:20 > 0:26:22Ah, good foliage, strong colour.
0:26:26 > 0:26:28Poor root structure, though.
0:26:28 > 0:26:32I didn't realise the flower business was so important.
0:26:32 > 0:26:33It's a prestige thing for the council.
0:26:33 > 0:26:36And there's no money in it?
0:26:36 > 0:26:38No kickbacks for businesses or landowners?
0:26:38 > 0:26:41The professor made a good living.
0:26:41 > 0:26:44Just out of interest, what was the council paying him?
0:26:44 > 0:26:46About a pound a week, I believe,
0:26:46 > 0:26:49plus an appearance fee of a couple of shillings per day.
0:26:49 > 0:26:52Princely.
0:26:52 > 0:26:53Ah, look at that little chap.
0:26:53 > 0:26:56Isn't he a beauty? I bet he wouldn't mind if he ended up in Bendigo.
0:26:56 > 0:26:59- You're in a mood, Lucien. - Oh, I blame the flowers.
0:27:00 > 0:27:08- Are you all right? - Uh, yes. I'm fine.
0:27:08 > 0:27:10See, I do listen to you.
0:27:10 > 0:27:14- And is it helping? - Not sure. You go on ahead.
0:27:18 > 0:27:20How are you finding your judging duties?
0:27:20 > 0:27:24Oh, begonias have become my new passion. I can't get enough of them.
0:27:24 > 0:27:26- Lovely, aren't they? - Yes, they are.
0:27:26 > 0:27:31And who would have known Bendigo could be home to such fragile things.
0:27:31 > 0:27:33- You mean Ballarat. - Yes!
0:27:33 > 0:27:35Easy to get the two towns mixed up,
0:27:35 > 0:27:37especially if you own property in both.
0:27:37 > 0:27:39Is there something you want to say to me, Doctor?
0:27:39 > 0:27:42You have close ties with the Bendigo council, don't you?
0:27:42 > 0:27:46And you own half the city's properties on the Calder Highway.
0:27:46 > 0:27:48That's commercial in confidence.
0:27:52 > 0:27:54How much would you make if Bendigo Council
0:27:54 > 0:27:56succeeded in taking over the festival,
0:27:56 > 0:27:59particularly now that Professor Ormond
0:27:59 > 0:28:01is conveniently out of the way?
0:28:02 > 0:28:05How much did you offer him to take the festival to Bendigo?
0:28:07 > 0:28:09Did he turn you down flat?
0:28:09 > 0:28:12I'd stop making wild accusations if I were you, Doctor.
0:28:12 > 0:28:14- Is that a threat? - That's advice.
0:28:17 > 0:28:19I've got Charlie Griffith inside
0:28:19 > 0:28:21making an official complaint about you.
0:28:21 > 0:28:22What did you say to him?
0:28:22 > 0:28:24We were having a chat about begonias.
0:28:24 > 0:28:28And I might have somehow insinuated that he killed the professor.
0:28:28 > 0:28:30Why?
0:28:30 > 0:28:33Nick Manos told me Griffith owns half the civic real estate in Bendigo.
0:28:33 > 0:28:34He's got friends on council...
0:28:34 > 0:28:36Well, don't believe everything Nick Manos says.
0:28:36 > 0:28:38But this time, Manos was right.
0:28:38 > 0:28:41I checked with the Land Titles Office.
0:28:41 > 0:28:43If the festival goes to Bendigo, Griffith's gonna make a killing.
0:28:43 > 0:28:45- Is that all? - Not quite.
0:28:45 > 0:28:49Ormond and Griffith used to be great mates until they had a falling out.
0:28:49 > 0:28:53- You don't seem surprised. - Nick Manos is an idiot.
0:28:53 > 0:28:55He's gonna lose his gun license for that stunt he pulled
0:28:55 > 0:28:56at your place last night.
0:28:56 > 0:28:58I don't think he really intended to use it.
0:28:58 > 0:29:01That's not the point. Stay here. Don't do anything.
0:29:11 > 0:29:12Oliver, isn't it?
0:29:14 > 0:29:16- Yeah. - Lucien Blake.
0:29:16 > 0:29:19Your...your dad's down there now
0:29:19 > 0:29:22making an official complaint about me.
0:29:22 > 0:29:24Any idea where he was last night?
0:29:24 > 0:29:27Was he at home, polishing his grudge against Nick Manos, perhaps?
0:29:27 > 0:29:28I don't know who you are,
0:29:28 > 0:29:32and I don't appreciate you saying those things to me.
0:29:45 > 0:29:49- Ah, anything for me? - Not today.
0:29:51 > 0:29:54- Expecting something? - No. No, not really.
0:29:56 > 0:29:58Any plans that I should know about?
0:30:00 > 0:30:03Yes, I thought I might actually see some patients today for a change.
0:30:15 > 0:30:18- You must think me such a whinger. - Never.
0:30:18 > 0:30:21I am, and don't you dare say I'm brave or I'll be forced to cry.
0:30:21 > 0:30:26- How are you feeling? - Wretched.
0:30:27 > 0:30:29And I'm tired.
0:30:29 > 0:30:31Well, I know you don't want to hear this,
0:30:31 > 0:30:35but you really should consider postponing the wedding.
0:30:35 > 0:30:39- Till I'm better? - Angela...
0:30:39 > 0:30:41Sorry.
0:30:41 > 0:30:44No. You have nothing to say sorry for.
0:30:49 > 0:30:52- I'm gonna need some more of this. - I'll make some up.
0:30:52 > 0:30:54You know, just when I'm feeling sorry for myself,
0:30:54 > 0:30:58I start thinking of the poor professor.
0:30:58 > 0:31:02He left me a card the night he died, but we were in Melbourne.
0:31:03 > 0:31:06Really? What did it say?
0:31:08 > 0:31:11- Would you mind if I hung onto it? - Of course.
0:31:13 > 0:31:16Good. Now, what about those hands of yours. How are they feeling?
0:31:16 > 0:31:18- They're cold. - Ooh! They are.
0:31:18 > 0:31:21Is there anything else I can do for you?
0:31:21 > 0:31:23Well, you can practise your dancing.
0:31:28 > 0:31:31Charles Griffith wants you officially reprimanded
0:31:31 > 0:31:33and removed from the festival judging committee.
0:31:33 > 0:31:36Well, that's a bitter disappointment. What about the reprimand?
0:31:36 > 0:31:38- Consider yourself reprimanded. - Done.
0:31:39 > 0:31:43The professor left this at Angela Waterston's
0:31:43 > 0:31:45the evening he was murdered.
0:31:45 > 0:31:47"Must see you on your return."
0:31:47 > 0:31:50Why would he want to see her?
0:31:50 > 0:31:53She and Griffith were on the same committee.
0:31:53 > 0:31:54Anything interesting in his belongings?
0:31:54 > 0:31:59- Parks?- Professor Ormond had regular payments of £1.10 a week
0:31:59 > 0:32:02paid into his account, starting from a month ago.
0:32:02 > 0:32:05- That's his weekly wage. - There's nothing else.
0:32:05 > 0:32:09- Did he own a car?- Apparently he caught trains and taxis.
0:32:09 > 0:32:12Just lived out of his suitcases.
0:32:12 > 0:32:14If you were Professor Ormond,
0:32:14 > 0:32:17where would you keep your bribe money?
0:32:23 > 0:32:25Rip it out, Parks.
0:32:44 > 0:32:46Boss.
0:32:46 > 0:32:47Poor root structure indeed!
0:32:48 > 0:32:52Ormond and Griffith conspired to move the festival to Bendigo.
0:32:53 > 0:32:55Ormond gets greedy, asks for more money,
0:32:55 > 0:32:57hence the falling out.
0:32:57 > 0:32:59Ormond threatened to unmask him.
0:32:59 > 0:33:04Griffith kills him. Mind you, most of his work's pretty much done.
0:33:04 > 0:33:06Parks, head back to the pavilion and talk to anyone you can find.
0:33:06 > 0:33:09We need to get this watertight before we bring Griffith in.
0:33:09 > 0:33:12- Yes, sir. - Right. What can I do?
0:33:12 > 0:33:14Go home. Uphold the Hippocratic oath.
0:33:16 > 0:33:19Now you're getting the hang of it, Matthew.
0:33:43 > 0:33:45Did you know the first Europeans to see the begonia
0:33:45 > 0:33:47died shortly afterwards?
0:33:47 > 0:33:51- Oh. A begonia curse. - Yes, something like that.
0:33:51 > 0:33:53I wouldn't have thought you were superstitious, Doctor Blake.
0:33:53 > 0:33:56Hmm. Turns out Nick Manos was right.
0:33:56 > 0:33:59The professor was apparently on the take.
0:33:59 > 0:34:01Ah. Charlie Griffith was paying him?
0:34:01 > 0:34:03- Probably. - Has he been charged?
0:34:03 > 0:34:07No, not yet. There's something missing.
0:34:09 > 0:34:11I just can't quite figure it out.
0:34:12 > 0:34:14Men - why do they always miss the simple things?
0:34:14 > 0:34:17Well, that's because we're too busy fighting, bribing
0:34:17 > 0:34:20and setting each other on fire.
0:34:20 > 0:34:22All she needs is a little bit of care.
0:34:24 > 0:34:27You think the professor cared about his begonias?
0:34:28 > 0:34:30Yes, I thought he did.
0:34:32 > 0:34:36- Then what am I missing here? - Nothing.
0:34:37 > 0:34:41In all probability, I'm sure you've got it all figured out.
0:36:38 > 0:36:40Doc, I got a problem.
0:36:40 > 0:36:41The gardener I talked to
0:36:41 > 0:36:44said he saw two cars parked side-by-side of the pavilion -
0:36:44 > 0:36:46an old ute and an MG Magnette.
0:36:46 > 0:36:49The cars belong to Manos and Griffith.
0:36:49 > 0:36:51- What time? - Late.
0:36:51 > 0:36:54The same night the professor was murdered.
0:36:54 > 0:36:55Oh, you're kidding.
0:36:55 > 0:36:58She swore that her dad didn't leave the house the whole night.
0:36:58 > 0:37:01We all know what you were doing your thinking with.
0:37:01 > 0:37:03What about Charlie Griffith?
0:37:03 > 0:37:05He got upset when I asked him where he was.
0:37:05 > 0:37:08So they were both there at the same time, Manos and Griffith?
0:37:08 > 0:37:09Their cars were definitely there.
0:37:09 > 0:37:13What were they both doing there at the same time? They hate each other.
0:37:13 > 0:37:17Anyhow, I found this at the festival cottage.
0:37:17 > 0:37:19Whoever killed the professor was at the launch.
0:37:19 > 0:37:21Thanks for stating the obvious.
0:37:21 > 0:37:23Do you want me to bring them both in?
0:37:23 > 0:37:28No, we need to get our story straight. I'll get Hobart onto it.
0:37:28 > 0:37:30At least I know he won't cock it up.
0:37:56 > 0:38:00Not drinking whisky with any gun-carrying madmen this evening?
0:38:00 > 0:38:02Your passport's out of date.
0:38:05 > 0:38:09If you're heading overseas soon, you'll be wanting to renew it.
0:38:09 > 0:38:12- You heard me the other night. - Yes, the phone woke me.
0:38:17 > 0:38:19I lost my family during the war.
0:38:24 > 0:38:26My wife, and my baby daughter.
0:38:29 > 0:38:31And I've been looking for them ever since.
0:38:31 > 0:38:33And now?
0:38:33 > 0:38:36And now someone thinks they may have seen them,
0:38:36 > 0:38:39so they may still be alive.
0:38:43 > 0:38:45Well, you should go... when you know.
0:38:49 > 0:38:51By the way, the judges love your begonia.
0:38:51 > 0:38:55Oh. You know I tried to bribe the professor.
0:38:55 > 0:38:59I took him my passionfruit sponge, but he turned me down.
0:38:59 > 0:39:03Says he hates sugar, and he can't eat those seeds.
0:39:03 > 0:39:05They get caught under his dental plate.
0:39:10 > 0:39:13Someone had a piece.
0:39:13 > 0:39:14Well, it wasn't the professor.
0:39:19 > 0:39:21I do hope you find your family, Lucien.
0:39:21 > 0:39:24Goodnight.
0:39:59 > 0:40:02Maria. Oh, sorry. Good luck.
0:40:13 > 0:40:16- Where is she? - I was gonna ask you that.
0:40:16 > 0:40:20And while I'm at it, where were you when Professor Ormond was murdered?
0:40:20 > 0:40:22- Maria said you were at home. - I was.
0:40:22 > 0:40:25Then why was your car seen at the pavilion that night,
0:40:25 > 0:40:27parked alongside Charlie Griffith's car?
0:40:27 > 0:40:29What are you talking about, Constable?
0:40:33 > 0:40:36- Mattie? - Mm-hm?
0:40:36 > 0:40:39What are the symptoms of aplastic anaemia?
0:40:39 > 0:40:41- Fatigue. - Shortness of breath.
0:40:42 > 0:40:46Coldness in extremities, very pale skin.
0:40:46 > 0:40:48What's the usual course of the disease?
0:40:48 > 0:40:54Always fatal. Slow decline, very predictable course, usually.
0:40:54 > 0:40:57Yes, that's exactly as I understand it.
0:40:57 > 0:41:01I've doubled-checked everything. Why isn't this helping?
0:41:01 > 0:41:02Why is Angela failing?
0:41:09 > 0:41:12- Doctor, are you ready? - Yes.
0:41:17 > 0:41:20Ah, Mrs Beazley, you do look handsome this afternoon.
0:41:20 > 0:41:21We're running late.
0:41:22 > 0:41:26- Thank you. - Mattie, aren't you coming?
0:41:26 > 0:41:28What, and sit around watching a bunch of giggling girls
0:41:28 > 0:41:30compete over who's the prettiest and bakes the best scones?
0:41:30 > 0:41:34I'd rather drink dishwater.
0:41:35 > 0:41:37I'll explain later.
0:41:46 > 0:41:50We can't find one of the contestants.
0:41:50 > 0:41:53- Who?- The Manos girl, wouldn't you know it?
0:41:53 > 0:41:56I've told all the girls we start in five minutes.
0:41:56 > 0:41:59Right.
0:42:08 > 0:42:10Oh, Lucien, I was hoping you might...
0:42:12 > 0:42:14You're an angel. Thank you. I'm clean out.
0:42:14 > 0:42:16There you are, my dear.
0:42:17 > 0:42:20- Time, Miss Waterston. - Yes, I'm ready.
0:42:32 > 0:42:35Ladies and gentlemen, it's my pleasure to welcome you here
0:42:35 > 0:42:37to the final round of judging
0:42:37 > 0:42:40for this year's Miss Begonia Competition.
0:42:45 > 0:42:47We have had some trouble locating one of the lovely contestants.
0:42:47 > 0:42:49No matter. The show must go on.
0:42:49 > 0:42:52Time for some introductions.
0:42:52 > 0:42:55The lovely Miss Waterston, heiress to the Waterston fortune,
0:42:55 > 0:42:57who won't be a miss for much longer.
0:43:03 > 0:43:06I'm Charles Griffith and we'll be your judges this evening.
0:43:06 > 0:43:10It's time for the Ballarat Miss Begonia Competition to begin.
0:43:16 > 0:43:19Our first contestant comes all the way from Castlemaine
0:43:19 > 0:43:22where she works in Accounts at her father's hardware store,
0:43:22 > 0:43:24Kate Russell.
0:43:39 > 0:43:42And now, ladies and gentlemen, last and maybe not least,
0:43:42 > 0:43:45as far as the judges are concerned, Miss Maria Manos.
0:43:55 > 0:43:57Tell the judges, Maria,
0:43:57 > 0:44:00what could you hope to achieve as Miss Begonia?
0:44:01 > 0:44:05Well, frankly, after two world wars, Korea and Malaya,
0:44:05 > 0:44:08I think world peace might be out of our reach.
0:44:08 > 0:44:10That's very forthright of you.
0:44:10 > 0:44:13Perhaps it's time to set our sights a little lower.
0:44:13 > 0:44:16I'd like to aim for peace in our part of the world,
0:44:16 > 0:44:19between our families, Mr Griffith.
0:44:19 > 0:44:24So why don't you and I do something about it and shake hands?
0:44:24 > 0:44:26I don't think that's appropriate.
0:44:26 > 0:44:28Everyone knows I haven't got a hope in hell
0:44:28 > 0:44:31of winning this thing with you up here,
0:44:31 > 0:44:34but if I can stop you and Dad from killing each other,
0:44:34 > 0:44:36then it'll all be worthwhile.
0:44:36 > 0:44:38- Maria Manos, everyone. - I haven't finished.
0:44:39 > 0:44:42I'll put up with you being rude to me here,
0:44:42 > 0:44:45because that's all anyone would expect from you,
0:44:45 > 0:44:49- but once we're family... - Family?
0:44:49 > 0:44:53You're gonna have to talk nice to me and to my dad.
0:44:54 > 0:44:55You'll never be family.
0:44:58 > 0:44:59Ask Oliver about that.
0:45:01 > 0:45:03He's the one who asked me to marry him.
0:45:13 > 0:45:17Your son. I said yes, of course.
0:45:27 > 0:45:31Miss Maria Manos, this year's Begonia Queen.
0:45:42 > 0:45:45Danny, would you mind terribly if I borrowed you for a moment?
0:45:47 > 0:45:50- Daniel! - Yeah.
0:45:55 > 0:45:57Oh, Lucien, wasn't that the best?
0:45:57 > 0:46:03Ooph! And how lovely was that girl. She was so strong!
0:46:03 > 0:46:05And how about you, darling? How are you feeling?
0:46:05 > 0:46:09Oh, I'm exhausted, but I wouldn't miss that for the world.
0:46:09 > 0:46:12Perhaps some of my tonic might help revive her.
0:46:12 > 0:46:15One of the fresh bottles I brought today.
0:46:15 > 0:46:17Darling?
0:46:33 > 0:46:35Mmm. Tastes a little different, doesn't it?
0:46:35 > 0:46:37That's my usual mixture.
0:46:37 > 0:46:40Not too much honey because I know you don't like anything too sweet.
0:46:40 > 0:46:43Someone else added the extra sugar
0:46:43 > 0:46:46to all the previous bottles to cover the arsenic.
0:46:46 > 0:46:48Yes, someone with a sweet tooth.
0:46:48 > 0:46:50And it was very clever to choose arsenic,
0:46:50 > 0:46:53because all the symptoms match those of aplastic anaemia.
0:46:53 > 0:46:54- Lucien? - Almost.
0:46:54 > 0:46:58Except for the transverse lines on the fingernails
0:46:58 > 0:47:00and the discolouration of the skin.
0:47:00 > 0:47:02Would you mind taking off your gloves, my dear?
0:47:02 > 0:47:05- This is outrageous! - You have nothing to be ashamed of.
0:47:07 > 0:47:08OK.
0:47:12 > 0:47:15A definite sign of arsenic poisoning.
0:47:15 > 0:47:20Angela, can you tell me the ingredients in my tonic?
0:47:20 > 0:47:21Yeah, how could I forget?
0:47:21 > 0:47:24Glycerine, ascorbic acid, hawthorn extract, honey.
0:47:24 > 0:47:27Well, Anthony told me you'd forgotten.
0:47:27 > 0:47:30Angela must have been in the clinic in Melbourne recovering from the transfusion.
0:47:30 > 0:47:33You drove back here and phoned me early in the morning.
0:47:33 > 0:47:36And it must have seemed rather a good alibi at the time,
0:47:36 > 0:47:38reminding me that you were somewhere else,
0:47:38 > 0:47:42and you probably made the call after you murdered Professor Ormond,
0:47:42 > 0:47:45and perhaps you were eating a piece of cake.
0:47:47 > 0:47:48What?
0:47:48 > 0:47:51Oh...
0:47:53 > 0:47:55It's all right.
0:48:01 > 0:48:03I wanna speak to a lawyer.
0:48:03 > 0:48:05You get a lawyer when I say you can.
0:48:14 > 0:48:16They're charging him now.
0:48:16 > 0:48:19Anthony Farmer, you're charged with the murder
0:48:19 > 0:48:20of Professor Kenneth Ormond.
0:48:20 > 0:48:22You're also charged with the attempted murder
0:48:22 > 0:48:24of Angela Waterston.
0:48:24 > 0:48:29Yeah? Good luck proving any of it.
0:48:29 > 0:48:32I couldn't work out why you were going downhill so rapidly.
0:48:32 > 0:48:34I should have asked you to remove those gloves.
0:48:34 > 0:48:36None of my specialists did.
0:48:36 > 0:48:38Still, no excuse.
0:48:40 > 0:48:42He told the truth about one thing, though.
0:48:42 > 0:48:48He did spend some time in Perth, but he was known as Samuel Bower.
0:48:48 > 0:48:51This was on the other side of Ormond's article.
0:48:51 > 0:48:55Accused of murdering an wealthy young woman he'd just married,
0:48:55 > 0:48:56cause of death, arsenic poisoning.
0:48:56 > 0:48:58The case was thrown out.
0:48:58 > 0:49:02- He was married? - Yes, at least once that we know of.
0:49:03 > 0:49:06You see? The professor loved his clippings.
0:49:06 > 0:49:08Fate had them both in the same newspaper,
0:49:08 > 0:49:10and eventually in the same town.
0:49:13 > 0:49:14Ormond must have recognised Anthony
0:49:14 > 0:49:16when we were helping you at the pavilion.
0:49:16 > 0:49:21That's why he wanted to see me. I was in danger.
0:49:21 > 0:49:23Anthony realised, left you at the clinic,
0:49:23 > 0:49:25drove back and killed the professor.
0:49:25 > 0:49:28He phoned me asking about the ingredients of your tonic
0:49:28 > 0:49:30just to cover himself.
0:49:30 > 0:49:33We dusted the place for prints. I guess you were wearing gloves.
0:49:35 > 0:49:38Except you took them off to eat that piece of cake.
0:49:40 > 0:49:42And to pick up that plate.
0:49:44 > 0:49:46Cuff him.
0:49:50 > 0:49:56- Why would he do this to me? - Because he wanted your inheritance.
0:49:56 > 0:49:59Why poison me? I'm dying already.
0:50:02 > 0:50:04He just couldn't wait, could he?
0:50:09 > 0:50:11Come here.
0:50:16 > 0:50:19- Hi. - G'day.
0:50:19 > 0:50:22- I heard. - Here we go.
0:50:22 > 0:50:24Mattie, look, I don't want to talk...
0:50:24 > 0:50:27No, no, no. I'm sorry. Really.
0:50:27 > 0:50:28Cup of tea?
0:50:36 > 0:50:39And if you're not really interested in a person,
0:50:39 > 0:50:42it hurts when they turn out to be interested in someone else,
0:50:42 > 0:50:46especially when it's very, very public.
0:50:46 > 0:50:49She used me to put her father off the scent.
0:50:49 > 0:50:53The night the professor died, they borrowed their dad's cars,
0:50:53 > 0:50:55and that's when he proposed.
0:50:57 > 0:50:59She seems so blissfully happy.
0:51:02 > 0:51:03I'm sure she is.
0:51:06 > 0:51:10- So how is she? - Devastated.
0:51:11 > 0:51:14I suppose her health will improve for a while,
0:51:14 > 0:51:17now she doesn't have all those poisons in her system.
0:51:17 > 0:51:20It most certainly will. Here we are.
0:51:20 > 0:51:24And congratulations, eh? Honourable mention.
0:51:24 > 0:51:28I don't deserve it. I tried to bribe the professor with my cake.
0:51:28 > 0:51:32Oh, come on. The others used cash.
0:51:32 > 0:51:36Your cake played a very big part in Anthony Farmer's downfall.
0:51:36 > 0:51:38- That's true.- Mmm. Come on.
0:51:44 > 0:51:48RECORD PLAYS
0:51:48 > 0:51:50Sorry.
0:51:50 > 0:51:53Goodness... it's been ages since I, um...
0:51:55 > 0:51:57May I?
0:52:06 > 0:52:09You know, there's a special someone for all of us.
0:52:09 > 0:52:11You just remember that.
0:52:11 > 0:52:13- Really?- Oh, yes.
0:52:30 > 0:52:35Subtitles by Red Bee Media Ltd