0:00:03 > 0:00:05SCREAMING
0:00:05 > 0:00:08ROCK'N'ROLL GUITAR PLAYS
0:00:08 > 0:00:09MAN: Now, come on, baby!
0:00:09 > 0:00:11SCREAMING
0:00:11 > 0:00:14# Now, come on, Stop playing games
0:00:16 > 0:00:20# Now, come on Stop hanging on, baby
0:00:21 > 0:00:24# You know I'm gonna shake it I'm gonna have to break it
0:00:24 > 0:00:27# It was fun for a while but I'm gonna run wild
0:00:27 > 0:00:28# Come on
0:00:29 > 0:00:33# Now, come on Stop hanging on, baby
0:00:35 > 0:00:39# Now, come on Stop hanging on, baby
0:00:39 > 0:00:41SCREAMING
0:00:41 > 0:00:44# You gave me all your kissing All the love I've been missing
0:00:44 > 0:00:46# You shake it up so well Now you're talking wedding bells
0:00:46 > 0:00:48# Come on... #
0:00:50 > 0:00:53SCREAMING
0:01:04 > 0:01:06Come on, baby!
0:01:06 > 0:01:09# Now, come on Stop hanging on, baby
0:01:11 > 0:01:15# Oh, come on Stop hanging on, baby
0:01:17 > 0:01:19# You shake it up so well Now you're talking wedding bells
0:01:19 > 0:01:21# Come on
0:01:22 > 0:01:25# You shake it up so well Now you're talking wedding bells
0:01:25 > 0:01:27# Come on... #
0:01:27 > 0:01:28One more time!
0:01:28 > 0:01:32# You shake it up so well Stop hanging on! #
0:01:32 > 0:01:35Thank you very much! SCREAMING
0:01:35 > 0:01:39- AUDIENCE:- Bobby! Bobby! Bobby! Bobby!
0:01:42 > 0:01:44Shirley!
0:01:49 > 0:01:50Shirley!
0:01:52 > 0:01:53Shirley!
0:01:55 > 0:01:58Please take a moment to read about the effect...
0:01:58 > 0:02:00Hey, Bible basher, why don't you shut up?!
0:02:00 > 0:02:02CAMERA CLICKS
0:02:04 > 0:02:05Shirley!
0:02:06 > 0:02:09SCREAMING
0:02:16 > 0:02:19Bobby! Bobby, you are playing the devil's music!
0:02:19 > 0:02:21Oh, my God, I love you! Oh, my God!
0:02:21 > 0:02:22You are doing the devil's work...
0:02:22 > 0:02:24Hey, I thought I told you to shut up!
0:02:24 > 0:02:26Bobby, I love you so much!
0:02:26 > 0:02:28You are the devil's minion!
0:02:28 > 0:02:31SCREAMING
0:02:41 > 0:02:43- What's wrong? - He's dead.
0:02:43 > 0:02:46SCREAMING
0:03:42 > 0:03:45Witnesses say he looked drunk, took a dive on the cobbles.
0:03:45 > 0:03:48So Mattie was saying. Heart attack, perhaps.
0:03:48 > 0:03:52The crowd were gonna tear him apart. Had to bring the body in here.
0:03:54 > 0:03:57- Bloody music! - Not a fan, then?
0:03:57 > 0:03:59They had to shut the Regent Theatre down
0:03:59 > 0:04:01after screening a film in there.
0:04:01 > 0:04:04Pretty much tore the place apart.
0:04:04 > 0:04:07Sick of cleaning up after them.
0:04:07 > 0:04:08Bloody fans.
0:04:14 > 0:04:17Toxicology, cause of death, if you can.
0:04:18 > 0:04:20Wouldn't mind an early night, if that's possible.
0:04:20 > 0:04:21He's just a boy.
0:04:25 > 0:04:29Abrasion to the right cheek, bruising yet to develop.
0:04:29 > 0:04:31Probably got that when they mobbed him.
0:04:31 > 0:04:35I can certainly do bloods now, but I will have to do an autopsy.
0:04:35 > 0:04:37Right, about that...
0:04:37 > 0:04:39This isn't right, Superintendent.
0:04:40 > 0:04:42I appreciate your help on this, Gerry,
0:04:42 > 0:04:44but we have to requisition that cellar of yours.
0:04:44 > 0:04:46We have to keep the body here for a couple of days.
0:04:46 > 0:04:48Well, look, I'm happy to help, but this...
0:04:48 > 0:04:51The morgue's full and the flu's gone through the nursing home. Sorry.
0:04:51 > 0:04:56Peggy! Take Marcus upstairs to bed, will you, love? Come on.
0:04:58 > 0:04:59What do I tell the kids?
0:04:59 > 0:05:03It's just for a couple of days. I appreciate it, Gerry.
0:05:03 > 0:05:04We'll need your spare set of keys,
0:05:04 > 0:05:07and keep the cellar locked when you've got customers here.
0:05:09 > 0:05:12- MAN:- Peggy, is it? Maybe you should get your little brother off to bed.
0:05:12 > 0:05:15If I'm going to perform an autopsy...
0:05:15 > 0:05:17It'll have to be downstairs.
0:05:18 > 0:05:20We'll set up some lights for you.
0:05:20 > 0:05:24Your dad performed a couple down there when it was necessary.
0:05:26 > 0:05:28Well, I'm going to need an assistant.
0:05:28 > 0:05:30Davis, when you're ready!
0:05:34 > 0:05:36- What do you need, boss? - Take his legs.
0:05:37 > 0:05:40You're assisting Blake with the autopsy.
0:05:45 > 0:05:47CHARLIE: How's that?
0:05:49 > 0:05:51Yes, that'll do.
0:05:52 > 0:05:55Well, it's certainly cold enough in here.
0:05:55 > 0:05:57It'll keep the body in reasonable condition
0:05:57 > 0:05:58until there's room in the morgue.
0:05:58 > 0:06:02Do you often find yourself working in these conditions?
0:06:02 > 0:06:04Good old Ballarat.
0:06:04 > 0:06:06This wouldn't be the first time
0:06:06 > 0:06:08a body's been stored in a pub cellar here.
0:06:08 > 0:06:10Bit different in Melbourne, is it?
0:06:10 > 0:06:15Um, it's not like we're living in the '40s anymore.
0:06:16 > 0:06:19Give me a hand with his clothes, Charlie.
0:06:19 > 0:06:21How are you with dead bodies?
0:06:22 > 0:06:24I've seen my fair share.
0:06:27 > 0:06:30- I've seen this bloke before too. - Really?
0:06:30 > 0:06:32I wouldn't have thought rock'n'roll would be your thing.
0:06:32 > 0:06:35Yeah, I was called to an incident in one of his shows.
0:06:35 > 0:06:37Seemed like an arrogant bugger to me.
0:06:37 > 0:06:38Right.
0:06:41 > 0:06:43Well, this is interesting.
0:06:43 > 0:06:47He was wearing a ring very recently,
0:06:47 > 0:06:50then removed in a hurry, by the look of it.
0:07:00 > 0:07:02- Oh, dear. - What's that?
0:07:04 > 0:07:06He's been stabbed.
0:07:08 > 0:07:11Unbutton his shirt for me, Charlie, would you?
0:07:11 > 0:07:13Let's take a closer look at that.
0:07:22 > 0:07:24Oh!
0:07:29 > 0:07:31The knife penetrated between two ribs,
0:07:31 > 0:07:33angled upward into the haemopericardium.
0:07:33 > 0:07:35Why wasn't there any blood?
0:07:35 > 0:07:38Well, he bled internally, filling the cavity,
0:07:38 > 0:07:41putting fatal pressure on the pericardial sac.
0:07:41 > 0:07:45Basically blood built up around the heart until it stopped beating,
0:07:45 > 0:07:47and death isn't always immediate.
0:07:47 > 0:07:50So, he was stabbed in front of all those people?
0:07:50 > 0:07:52Could have happened at any point in that alley.
0:07:52 > 0:07:55- What else? - Well, the knife.
0:07:55 > 0:07:58Now, it was a double-edged affair, small blade, by the looks of it.
0:07:58 > 0:08:00There was a small amount of alcohol in his system,
0:08:00 > 0:08:03no other drugs present,
0:08:03 > 0:08:08and there was evidence of a ring on his little finger, left hand,
0:08:08 > 0:08:13and abrasions suggest it was removed with considerable force.
0:08:13 > 0:08:15You wonder why I'm not a fan.
0:08:15 > 0:08:17- Davis. - Sir?
0:08:17 > 0:08:19Head back to the Royal Theatre.
0:08:19 > 0:08:21Scour the alleyway, we're looking for a knife.
0:08:21 > 0:08:24Had a look last night after the autopsy.
0:08:24 > 0:08:26- Was it dark? - Sir?
0:08:26 > 0:08:28Better go back and have another look.
0:08:32 > 0:08:34Yes, sir.
0:08:36 > 0:08:37How was he last night?
0:08:37 > 0:08:40Well, it's hard to get a sense of him.
0:08:40 > 0:08:41That's what worries me.
0:08:48 > 0:08:51MATTIE: I told your mum that I'd have you home 20 minutes ago.
0:08:51 > 0:08:53All right, I need everybody out of here, please!
0:08:53 > 0:08:56Thank you, girls, you can lead the way. Thank you very much.
0:08:57 > 0:09:01Girls, this is a crime scene. I need you to vacate the premises, please.
0:09:03 > 0:09:05Girls, you can go and cry somewhere else. Thank you very much.
0:09:05 > 0:09:08Yes, I'm a bad man.
0:09:08 > 0:09:10- Come on, now... - Please, please! No, please!
0:09:10 > 0:09:12Hey, Shirley, come on, let's go.
0:09:12 > 0:09:13Just a little bit more...
0:09:13 > 0:09:15SHE SCREAMS
0:09:15 > 0:09:16Shirley...
0:09:18 > 0:09:19Shirley.
0:09:19 > 0:09:22Hey, missy, you're not listening to me. I need you to leave.
0:09:22 > 0:09:24Hey, hey, hey! You can let her go.
0:09:24 > 0:09:26Keep her under control, thank you very much!
0:09:26 > 0:09:28Come on, Shirley! Come on, let's go home!
0:09:28 > 0:09:30- I'll always be here with you... - I need you...
0:09:32 > 0:09:34Oh, my gosh, I am so sorry!
0:09:43 > 0:09:45You can sit down there on that chair, please.
0:09:45 > 0:09:49Miss O'Brien, what can we do for you?
0:09:49 > 0:09:51You know her?
0:09:51 > 0:09:53Of course I do.
0:09:53 > 0:09:55Miss O'Brien boards with us, Charlie.
0:09:55 > 0:09:57Now, what's happening here?
0:09:59 > 0:10:03I've arrested her on obstruction and breach of the peace.
0:10:03 > 0:10:06I was minding my friend's girl. Shirley wanted to go back and...
0:10:06 > 0:10:08She refused to comply with a lawful order
0:10:08 > 0:10:10and struck me when I tried to move her on.
0:10:10 > 0:10:14And the girl I was meant to be looking after is really upset.
0:10:14 > 0:10:17Did you find anything else, Senior Constable, such as a murder weapon?
0:10:19 > 0:10:21Can I have a word, sir?
0:10:22 > 0:10:24- Excuse us. - Yes.
0:10:27 > 0:10:29What?
0:10:29 > 0:10:32- Is this how it works here, sir? - Meaning?
0:10:32 > 0:10:36You ordered me to search the alleyway. I was trying to do so.
0:10:36 > 0:10:40The young girl O'Brien was meant to be looking after was out of control,
0:10:40 > 0:10:44and when I attempted to intervene, she elbowed me in the face.
0:10:44 > 0:10:47But clearly if you're boarding at the police surgeon's house,
0:10:47 > 0:10:49you can get away with that sort of thing.
0:10:49 > 0:10:51Did you find the knife?
0:10:51 > 0:10:52No, sir.
0:10:54 > 0:10:57- Anything? - Nothing. The alleyway is clean.
0:10:59 > 0:11:02I want lists - everybody that was in that alleyway last night.
0:11:02 > 0:11:05The band, the manager - everyone.
0:11:05 > 0:11:07Is that all, sir?
0:11:07 > 0:11:09For now.
0:11:12 > 0:11:15I understand you were present when Bobby Lee died last night.
0:11:15 > 0:11:18- Is this correct? - Yes.
0:11:18 > 0:11:20Senior Constable Davis will take your statement.
0:11:20 > 0:11:22In the meantime, we'll hold you in the cells
0:11:22 > 0:11:24while we consider the charges levelled against you.
0:11:24 > 0:11:26The Doctor can sit in on the interview.
0:11:26 > 0:11:28I...
0:11:29 > 0:11:31Thank you. Right this way.
0:11:39 > 0:11:43- What are you doing? - I'm letting this play out.
0:11:43 > 0:11:45You'd better get after them.
0:11:51 > 0:11:54- MATTIE:- There was a lot of people in a small space.
0:11:54 > 0:11:56Mm-hm. Did you recognise anyone?
0:11:56 > 0:11:59Shirley Freedman, the young girl you shoved aside earlier.
0:11:59 > 0:12:03I was looking after her and she went missing for about 20 minutes.
0:12:03 > 0:12:05How do you spell that?
0:12:05 > 0:12:07Shirley as in Shirley.
0:12:07 > 0:12:10Freedman with a "D", "free" as in "free".
0:12:13 > 0:12:14Who else?
0:12:14 > 0:12:16- SHE SIGHS - Lots of young girls,
0:12:16 > 0:12:19and a man handing out Bible pamphlets,
0:12:19 > 0:12:21middle-aged, wearing a suit,
0:12:21 > 0:12:24and a young man who had an argument with him.
0:12:24 > 0:12:25Mm-hm. Description?
0:12:25 > 0:12:29Jacket, boots, greased back hair. You'd call him a bodgie.
0:12:29 > 0:12:32- Would I? - Yes, you would.
0:12:34 > 0:12:37And there was also a man who was taking photographs.
0:12:37 > 0:12:38Mm-hm.
0:12:38 > 0:12:42Mattie, did you get any names?
0:12:42 > 0:12:45No, I didn't.
0:12:45 > 0:12:47Anything else?
0:12:48 > 0:12:50The boy who was playing piano for the band.
0:12:50 > 0:12:53I don't know his name, but he was there just after Bobby died.
0:12:53 > 0:12:55- That everyone? - That I can remember.
0:12:55 > 0:12:56Great.
0:13:06 > 0:13:09You're the one who replaced Danny, aren't you?
0:13:11 > 0:13:13I thought so.
0:13:19 > 0:13:23This is just so stupid! What am I supposed to do now?!
0:13:23 > 0:13:25Well, look, this study you're doing,
0:13:25 > 0:13:28you said it was all about making a difference
0:13:28 > 0:13:30and experiencing more of life.
0:13:30 > 0:13:34- Yes?- Well, have you ever been locked up before?
0:13:34 > 0:13:36No.
0:13:36 > 0:13:37That's a new experience.
0:13:40 > 0:13:41That really doesn't help!
0:13:41 > 0:13:43BLAKE LAUGHS
0:13:46 > 0:13:49Thank you, Mr MacGuire. We'll be in touch.
0:13:53 > 0:13:55- Tony Capuano? - Yeah.
0:13:55 > 0:13:59Don't remember giving you permission to smoke.
0:13:59 > 0:14:00This way.
0:14:05 > 0:14:06Left!
0:14:08 > 0:14:10Bobby was stabbed?
0:14:10 > 0:14:14You finished your performance at 8pm last night.
0:14:14 > 0:14:15Guess so.
0:14:15 > 0:14:17- And packed up your gear. - Yeah.
0:14:19 > 0:14:21Except you didn't pack up your gear, did you?
0:14:21 > 0:14:23You left that for other members of the band.
0:14:25 > 0:14:27You went looking for Mr Lee.
0:14:27 > 0:14:29Next time anyone saw you
0:14:29 > 0:14:32was in the alleyway immediately after Mr Lee had collapsed.
0:14:32 > 0:14:35He hadn't packed up his gear, so I went to find him.
0:14:35 > 0:14:39He was backstage, drinking all our beer.
0:14:39 > 0:14:41Your beer?
0:14:41 > 0:14:42It's a condition of playing.
0:14:42 > 0:14:45The theatre gets the local pub to bring in a dozen bottles.
0:14:45 > 0:14:50Bobby was knocking them back, so I told him not to. He left.
0:14:50 > 0:14:51"I'm so sick of you."
0:14:51 > 0:14:56Did you say this to him? Did you have an argument?
0:14:56 > 0:15:00We formed the band together, but now it's all about him.
0:15:00 > 0:15:04So, you admit that you had an argument with him?
0:15:04 > 0:15:06- Yes. - Were blows exchanged?
0:15:08 > 0:15:10Yes.
0:15:12 > 0:15:13And now he's dead.
0:15:16 > 0:15:18You caught up with him in the alleyway,
0:15:18 > 0:15:20took advantage of the confusion, and you stabbed him!
0:15:20 > 0:15:22Then you got rid of the knife!
0:15:22 > 0:15:23- Is this how it went? - No!
0:15:23 > 0:15:25- Then what happened?! - I told you!
0:15:28 > 0:15:31Did anyone else fight with Mr Lee last night?
0:15:38 > 0:15:40You play piano, is that right?
0:15:43 > 0:15:46Like Johnny Johnson, heavy emphasis on the rhythm.
0:15:48 > 0:15:50But you've never heard of him, have you?
0:15:50 > 0:15:52No.
0:15:52 > 0:15:56No, but speaking of rhythm, I used to play drums in a number of groups.
0:15:56 > 0:16:00- Where? - Berlin, mostly, in the early '30s.
0:16:02 > 0:16:04This is nothing like that.
0:16:07 > 0:16:10I bet you two have never heard of Gunther Hanson either.
0:16:10 > 0:16:11Who's that?
0:16:11 > 0:16:15Bobby Lee before he got famous.
0:16:20 > 0:16:23JEAN: I brought you some food. It's outside with the officers.
0:16:23 > 0:16:25Apparently they have to check it first.
0:16:25 > 0:16:28This is just so ridiculous.
0:16:28 > 0:16:31What was Lucien thinking, letting Matthew lock you up like this?
0:16:31 > 0:16:34Well, it wasn't his choice. Have you met the new constable?
0:16:34 > 0:16:36No. I haven't had the pleasure.
0:16:39 > 0:16:41Thank you so much for coming, Jean.
0:16:41 > 0:16:44This is really quite horrible.
0:16:44 > 0:16:45- LAUGHS - What?
0:16:45 > 0:16:49You, of all people, Mattie, elbowing a police officer.
0:16:50 > 0:16:54I've got to go. I'll ask once again when they expect to release you.
0:16:54 > 0:16:55Thank you.
0:16:55 > 0:16:57How's your family, Tony?
0:16:59 > 0:17:01Can't complain, Mrs Beazley.
0:17:01 > 0:17:03Good to hear.
0:17:10 > 0:17:12Tony, is it?
0:17:16 > 0:17:17Are your family visiting?
0:17:31 > 0:17:32CAMERA CLICKS
0:17:46 > 0:17:48Excuse me.
0:17:49 > 0:17:51Excuse me!
0:17:51 > 0:17:54Hey! Stop! Police!
0:17:56 > 0:17:58You were here last night, weren't you?
0:17:58 > 0:17:59Maybe.
0:17:59 > 0:18:02Yes. Bet you got some terrific photographs.
0:18:02 > 0:18:04Yeah, yeah, I did.
0:18:04 > 0:18:07Do you think I could see some of those photographs?
0:18:07 > 0:18:08Uh, I don't have them here.
0:18:08 > 0:18:10Really?
0:18:11 > 0:18:14You couldn't show me some of those photographs?
0:18:14 > 0:18:16I thought you were the police.
0:18:16 > 0:18:18Not really, I'm just a doctor.
0:18:25 > 0:18:27- Constable. - Mr Bowen.
0:18:28 > 0:18:31We're going to have to keep the body in your cellar for two more days.
0:18:31 > 0:18:34The superintendent thought you should know.
0:18:34 > 0:18:36Yeah, well, I appreciate the heads-up.
0:18:36 > 0:18:38Can I get you a drink?
0:18:38 > 0:18:40Thanks, but I'm on duty.
0:18:40 > 0:18:43Uh, Peggy, lemonade for the officer, please.
0:18:43 > 0:18:45Oh, thanks.
0:18:49 > 0:18:51Look, the patrons think it's hilarious,
0:18:51 > 0:18:55but it's upsetting for the children, particularly my girl.
0:18:55 > 0:18:59Yeah, I appreciate it hasn't been easy, Mr Bowen.
0:19:01 > 0:19:03Thank you.
0:19:03 > 0:19:05You can head back upstairs now, love.
0:19:08 > 0:19:10So, you had any luck yet?
0:19:10 > 0:19:12We're just trying to work out where it happened.
0:19:12 > 0:19:16We do that, we can get a fair idea who did it.
0:19:16 > 0:19:17Gentlemen.
0:19:20 > 0:19:23Charlie. I saw your car outside.
0:19:23 > 0:19:26Been having a look around the alleyway.
0:19:26 > 0:19:29Oh, I've already searched it. The knife wasn't there.
0:19:29 > 0:19:32No, but I did pick these up.
0:19:35 > 0:19:36Whisky, thanks, Gerry.
0:19:38 > 0:19:40You can see the sequence of events.
0:19:43 > 0:19:45I still think we need to talk to this one.
0:19:45 > 0:19:47MATTHEW: Hmm. Howard McArthur.
0:19:47 > 0:19:49- He's in the right place. - God-botherer.
0:19:50 > 0:19:52This one.
0:19:52 > 0:19:54No. He's on the wrong side to have stabbed him.
0:19:54 > 0:19:56Maybe not.
0:19:56 > 0:19:58Albert Walker's left-handed.
0:19:58 > 0:20:01Oh, speak of the devil. Mr Walker.
0:20:04 > 0:20:05What?
0:20:07 > 0:20:09Found this in his car.
0:20:11 > 0:20:13Dad gave me that. Took it from a dead German...
0:20:13 > 0:20:15Shut up.
0:20:17 > 0:20:19You take him upstairs.
0:20:22 > 0:20:24See if you can get a match on that.
0:20:28 > 0:20:30Listen, before I get too carried away, what about Mattie?
0:20:30 > 0:20:33Well, she'll be all right.
0:20:44 > 0:20:46- Ned. - Mmm?
0:20:46 > 0:20:50If I give you a name,
0:20:50 > 0:20:54would you mind terribly making a few calls for me?
0:20:54 > 0:20:56- Oh, sure, Doc. - Good man!
0:20:56 > 0:21:00Erm, and tell Lawson I've gone to the pub.
0:21:40 > 0:21:41THUD
0:22:04 > 0:22:06It's all right.
0:22:06 > 0:22:08It's all right, I'm with the police.
0:22:11 > 0:22:14Oh, my! Are those for Bobby?
0:22:16 > 0:22:19- Yes. - Oh, goodness, they're beautiful.
0:22:19 > 0:22:22Well, I think he would have loved them very much.
0:22:23 > 0:22:25- Really? - Oh, yes.
0:22:27 > 0:22:29Were you at the show last night?
0:22:31 > 0:22:33- Dad wouldn't let me. - Ah!
0:22:33 > 0:22:34GERRY: 'Peggy!'
0:22:38 > 0:22:41Please don't tell him I was here.
0:22:41 > 0:22:43I won't. 'Peggy!'
0:22:43 > 0:22:44Thank you.
0:22:53 > 0:22:55- MAN:- 'I left as soon as you lot arrived,
0:22:55 > 0:22:57'and went on the town with my mates.
0:22:57 > 0:23:00'I was hanging around outside the Regent until you arrived.
0:23:00 > 0:23:01- 'Come on...' - KNOCKING AT DOOR
0:23:03 > 0:23:05Lawson, a word?
0:23:09 > 0:23:12- CHARLIE:- Sit tight, Walker, we're not done yet!
0:23:12 > 0:23:15- What? - I asked Ned to make some calls.
0:23:18 > 0:23:20Howard McArthur, the preacher?
0:23:20 > 0:23:23Yes, priors for affray, possession...
0:23:26 > 0:23:29..and grievous bodily harm, apparently with a knife.
0:23:29 > 0:23:31So?
0:23:31 > 0:23:32Well, look, here's Walker's knife.
0:23:32 > 0:23:34- Double-edged blade... - Ah!
0:23:34 > 0:23:37..and it had me convinced there for a moment,
0:23:37 > 0:23:40but then I went back to the body and the bruising gave it away.
0:23:40 > 0:23:43Now, look, you see the hilt?
0:23:43 > 0:23:45This section's broken.
0:23:46 > 0:23:48Bruising darkens over time.
0:23:48 > 0:23:50Now, I couldn't be certain on autopsy,
0:23:50 > 0:23:53but it's very clear now the knife...
0:23:53 > 0:23:55- Could you put that away? - I'm sorry, Matthew.
0:23:55 > 0:23:58The knife that killed Bobby Lee, its hilt was intact.
0:23:58 > 0:24:01This is not that knife.
0:24:02 > 0:24:03When did this happen with McArthur?
0:24:03 > 0:24:05Er, 20 years ago.
0:24:05 > 0:24:06Here's the thing -
0:24:06 > 0:24:11Mr McArthur has a revival meeting at the Royal Theatre tonight.
0:24:11 > 0:24:13Now, do you want me to pop down, have a word?
0:24:13 > 0:24:15No. Leave him to us, we'll bring him in tomorrow.
0:24:15 > 0:24:17- Well, I can certainly... - Tomorrow! Got it?
0:24:20 > 0:24:22Yes, yes, of course.
0:24:22 > 0:24:23- MCARTHUR:- 'Brothers and sisters,'
0:24:23 > 0:24:26I stand before you today as a testament
0:24:26 > 0:24:32to the transformative love and power of our Lord Jesus Christ!
0:24:32 > 0:24:34CONGREGATION: Amen!
0:24:34 > 0:24:36Because I was that lost boy.
0:24:37 > 0:24:42Yes, I was that prodigal son.
0:24:42 > 0:24:44And yes, indeed, I was that sinner,
0:24:44 > 0:24:50but even as I sinned, even as I danced with those women,
0:24:50 > 0:24:54even as I sat in jail,
0:24:54 > 0:25:00our saviour, our God, never gave up on me.
0:25:00 > 0:25:01CONGREGATION: Amen!
0:25:01 > 0:25:04Death is the wages of sin!
0:25:04 > 0:25:08Death will visit the armies of evil
0:25:08 > 0:25:14and death will come to those agents of the devil!
0:25:14 > 0:25:16CONGREGATION: Amen!
0:25:20 > 0:25:23Brothers...and sisters...
0:25:28 > 0:25:34..I beseech you all, turn back to the arms of the Lord!
0:25:34 > 0:25:37CONGREGATION: Amen! Hallelujah!
0:25:37 > 0:25:39- Praise to Lord Jesus! - Amen!
0:25:39 > 0:25:41CHEERING AND APPLAUSE
0:25:41 > 0:25:45Praise be to Jesus! Praise the Lord!
0:25:45 > 0:25:47A little different to Sunday Mass, isn't it?
0:25:47 > 0:25:49I wouldn't know.
0:25:49 > 0:25:51No, you wouldn't.
0:25:53 > 0:25:55Ah, welcome. The Lord be with you both.
0:25:55 > 0:25:58Thank you, Mr McArthur, thank you so much.
0:25:59 > 0:26:04Is it true you brutally robbed and stabbed an elderly man in Melbourne?
0:26:04 > 0:26:06Yes, it's true.
0:26:06 > 0:26:10I don't try to hide it. It was a dark time in my life.
0:26:10 > 0:26:12Let me ask you, Mr McArthur,
0:26:12 > 0:26:16do you honestly think we can ever really change who we are?
0:26:18 > 0:26:21What is your name, brother?
0:26:21 > 0:26:23- Lucien. - Lucien.
0:26:23 > 0:26:29Well, Lucien, yes, I do believe we can change, and I am proof of that.
0:26:29 > 0:26:31So, no more knives, then?
0:26:31 > 0:26:35As I tell it in my meetings, I have changed.
0:26:35 > 0:26:37I do God's work now.
0:26:37 > 0:26:39And is that what you were doing
0:26:39 > 0:26:41in the alleyway last night after the show -
0:26:41 > 0:26:44bringing death to the agents of the devil?
0:26:44 > 0:26:48Tell me, what do you make of this rock'n'roll music?
0:26:48 > 0:26:51I believe it leads our young people into sin.
0:26:51 > 0:26:53Devil's music, is that what you're saying?
0:26:53 > 0:26:56So, how would you describe young Bobby Lee?
0:26:56 > 0:26:58Deserving of death, perhaps?
0:27:02 > 0:27:04I'm going to go and speak with my congregation now.
0:27:04 > 0:27:08You were right up close to him, weren't you?
0:27:08 > 0:27:10Left side, where he was stabbed.
0:27:11 > 0:27:16He was 22 years old, his only sin singing simple songs,
0:27:16 > 0:27:19but that was too much for you, wasn't it?
0:27:20 > 0:27:23Too much for the thug who stabbed an old man in the street.
0:27:23 > 0:27:25Why don't you...?
0:27:28 > 0:27:30And there he is.
0:27:30 > 0:27:33Hasn't changed that much after all.
0:27:35 > 0:27:37May the Lord be with you both.
0:27:39 > 0:27:40SHE SIGHS
0:27:40 > 0:27:43You enjoyed doing that, didn't you?
0:27:43 > 0:27:44HE CHUCKLES
0:27:44 > 0:27:46Do you think that he did it?
0:27:46 > 0:27:48At least we know he's capable.
0:28:04 > 0:28:05Tony?
0:28:08 > 0:28:10What?
0:28:10 > 0:28:12I always thought that being locked up like this
0:28:12 > 0:28:16would be a bit of an adventure, but it's actually quite awful.
0:28:19 > 0:28:22I suppose you could write a song about it.
0:28:29 > 0:28:31Do you write your own songs?
0:28:35 > 0:28:38Senior Constable.
0:28:38 > 0:28:39Over here.
0:28:43 > 0:28:46Apparently a knife's been found, a double-edged blade,
0:28:46 > 0:28:47and there's some blood on it.
0:28:47 > 0:28:50Might actually be the knife that we've been looking for.
0:28:50 > 0:28:52That's great! Where?
0:28:52 > 0:28:54In that alleyway where the bloke was stabbed.
0:28:54 > 0:28:57The same alleyway that you said that you'd searched twice!
0:28:57 > 0:29:00Any explanation?
0:29:00 > 0:29:02Nothing that comes to mind, sir.
0:29:02 > 0:29:05Get back out there, pick it up, and bring it back!
0:29:08 > 0:29:11You can release Miss O'Brien on your way back too.
0:29:14 > 0:29:15Sir.
0:29:15 > 0:29:17TONY: 'Bobby just had something.'
0:29:17 > 0:29:21People looked at him and they imagined he was their best mate.
0:29:21 > 0:29:23Whatever they wanted him to be.
0:29:25 > 0:29:28Music... music wasn't any fun till I met him.
0:29:28 > 0:29:30- MATTIE:- And what was what it was all about?
0:29:30 > 0:29:33Well, I was too shy to talk to the girls.
0:29:34 > 0:29:36But the music, it meant it didn't matter.
0:29:38 > 0:29:43So, I got to make this huge noise, make people dance.
0:29:45 > 0:29:48Bobby just made everything happen.
0:29:50 > 0:29:52I don't know what I'm going to do now.
0:29:52 > 0:29:54KEYS JANGLE
0:30:03 > 0:30:05O'Brien.
0:30:14 > 0:30:15On your way.
0:30:15 > 0:30:18Are you charging me?
0:30:18 > 0:30:20No.
0:30:35 > 0:30:37You know, he's just this shy boy.
0:30:37 > 0:30:40All he's ever done till now is learn classical piano.
0:30:40 > 0:30:42I don't think he did it.
0:30:42 > 0:30:45Why not? He said he fought with Bobby.
0:30:45 > 0:30:49Well, no, he relied on Bobby to sing his songs, to lead the band.
0:30:49 > 0:30:52- Why would he kill him? - Go on.
0:30:52 > 0:30:55Well, he said he loved the excitement,
0:30:55 > 0:30:57the big emotion of the songs.
0:30:57 > 0:31:00I get the feeling that there wasn't anything else in his life
0:31:00 > 0:31:01that was quite like it,
0:31:01 > 0:31:06so why would he kill the one person that made that possible?
0:31:06 > 0:31:07This social work thing of yours
0:31:07 > 0:31:09may not be a complete disaster after all.
0:31:11 > 0:31:13Now, listen, that young girl you were looking after,
0:31:13 > 0:31:15she did disappear for a bit.
0:31:15 > 0:31:20She's 16. She's emotional, but there's no way.
0:31:20 > 0:31:23- CLOCK CHIMES - Oh! What time is it?
0:31:23 > 0:31:25It's six o'clock and dinner's ready!
0:31:25 > 0:31:29Erm, I might pop the television on.
0:31:29 > 0:31:34Would you mind terribly if I, erm... if I had my dinner in here?
0:31:35 > 0:31:37You want to eat YOUR dinner in front of the television?
0:31:37 > 0:31:40Yes...please.
0:31:40 > 0:31:43BELL CHIMES ON TELEVISION
0:31:43 > 0:31:44Oh, it's about to start.
0:31:46 > 0:31:48Come on, Jean, join us.
0:31:48 > 0:31:50- MAN ON TELEVISION:- Come on, everybody, it's six o'clock!
0:31:50 > 0:31:52ROCK'N'ROLL MUSIC PLAYS ON TELEVISION
0:31:52 > 0:31:54# Come on, everybody It's jive o'clock, uh-huh
0:31:54 > 0:31:56# Uh-huh
0:31:56 > 0:31:58# Well, let's stop and let's drop... #
0:31:58 > 0:32:02I don't really mind the beat, but the words are...well!
0:32:02 > 0:32:05# Well, everybody knows just what to do, uh-huh, uh-huh
0:32:05 > 0:32:07# Yeah, tune your set to Channel 2... #
0:32:07 > 0:32:09Mattie, would your father ever eat his dinner
0:32:09 > 0:32:11in front of the television?
0:32:11 > 0:32:12No, never.
0:32:14 > 0:32:16# Well, people gather round from near and far
0:32:16 > 0:32:18# See their favourite TV star... #
0:32:48 > 0:32:50KNOCKING AT DOOR
0:32:50 > 0:32:51JEAN: 'I'll get it!'
0:32:52 > 0:32:54Hmm.
0:32:56 > 0:32:59The preacher and his crucifix.
0:32:59 > 0:33:01- Oh! CHARLIE:- Is the doctor in?
0:33:01 > 0:33:03Senior Constable Davis, isn't it?
0:33:03 > 0:33:05Lucien, it's for you!
0:33:05 > 0:33:06'Very good!'
0:33:11 > 0:33:12Charlie.
0:33:12 > 0:33:16Doctor. Sorry to bother you at home.
0:33:16 > 0:33:20No, not at all. What can I do for you?
0:33:20 > 0:33:23I need to talk to you about that knife.
0:33:26 > 0:33:27The one that was found in the alley.
0:33:27 > 0:33:29Yeah.
0:33:29 > 0:33:33Well, come on in.
0:33:33 > 0:33:35Are you sure that's all right?
0:33:35 > 0:33:38Well, we'll soon find out, won't we?
0:33:40 > 0:33:42Now, Charlie, this is Mrs Beazley.
0:33:42 > 0:33:44Yes, we've met already.
0:33:44 > 0:33:48And, erm, well, of course you've already met Mattie.
0:33:50 > 0:33:52Charlie, please, take a seat.
0:34:02 > 0:34:03I'll leave you to it.
0:34:06 > 0:34:09Now, you wanted to talk about the knife.
0:34:11 > 0:34:15Oh, carrying around evidence now, are we, Senior Constable?
0:34:15 > 0:34:17And you don't?
0:34:17 > 0:34:18HE LAUGHS
0:34:18 > 0:34:20Touche.
0:34:20 > 0:34:24Now, let's have a look here.
0:34:28 > 0:34:30Well! Double-edged.
0:34:32 > 0:34:34The hilt's intact.
0:34:34 > 0:34:37And see here, Charlie?
0:34:37 > 0:34:40Traces of blood near the hilt.
0:34:40 > 0:34:44I could analyse for type,
0:34:44 > 0:34:47but certainly it looks like the murder weapon.
0:34:47 > 0:34:50I searched that alley twice.
0:34:51 > 0:34:53Well, perhaps you just missed it.
0:34:53 > 0:34:57I've conducted searches before under worse conditions.
0:34:57 > 0:34:59The knife wasn't there.
0:34:59 > 0:35:01You're absolutely certain?
0:35:03 > 0:35:05Yes.
0:35:11 > 0:35:15Your previous searches here, Charlie, what did you find?
0:35:15 > 0:35:18- HE SIGHS - Nothing of any bearing.
0:35:18 > 0:35:20Blood?
0:35:20 > 0:35:22Well, you can check if you like.
0:35:22 > 0:35:24It takes a certain amount of time
0:35:24 > 0:35:29for the blood to fill the pericardial sac and crush the heart.
0:35:29 > 0:35:32Mr Lee could have remained upright for 30 seconds, perhaps even longer.
0:35:32 > 0:35:33How much longer?
0:35:33 > 0:35:38Oh! Up to a minute tops.
0:35:41 > 0:35:45Charlie, check your watch for me.
0:35:45 > 0:35:48Starting...now.
0:35:48 > 0:35:54He fell, and already the heart would have stopped beating.
0:35:56 > 0:35:58The piano player was there.
0:35:58 > 0:36:00There was the young girl - Mattie knows her.
0:36:02 > 0:36:07The young girl was kissing. In fact, probably helping to hold him up.
0:36:07 > 0:36:10By now, Mr Lee is almost unconscious.
0:36:10 > 0:36:12- Time? - 16 seconds.
0:36:12 > 0:36:14Walker and McArthur are behind him.
0:36:14 > 0:36:18McArthur has a crucifix, Walker had the wrong knife,
0:36:18 > 0:36:22and Mr Lee is now struggling to stay upright.
0:36:22 > 0:36:2527 seconds.
0:36:25 > 0:36:2720 or so people around him.
0:36:27 > 0:36:29He's unsteady, trouble focusing,
0:36:29 > 0:36:32which is why everyone thought he was drunk.
0:36:32 > 0:36:3434 seconds.
0:36:35 > 0:36:37His breathing's becoming increasingly laboured.
0:36:37 > 0:36:41He knows he's in terrible trouble. His system's already shutting down.
0:36:41 > 0:36:4242 seconds.
0:36:45 > 0:36:47Mr Lee stumbles out.
0:36:47 > 0:36:51Everyone watching thinks he's drunk, but in fact, he's been stabbed.
0:36:51 > 0:36:5253 seconds.
0:36:54 > 0:36:56Inside the venue.
0:36:56 > 0:36:5755 seconds.
0:36:57 > 0:37:00Could he have lasted that long?
0:37:00 > 0:37:02It's possible.
0:37:29 > 0:37:32The side door was open.
0:37:32 > 0:37:33Good work.
0:37:38 > 0:37:41We're looking for traces of blood.
0:37:41 > 0:37:44One or two drops, probably no more.
0:37:49 > 0:37:51Where'd you learn this stuff?
0:37:52 > 0:37:55Not in any textbook, that's for certain.
0:38:12 > 0:38:13Charlie.
0:38:15 > 0:38:16He was stabbed inside the hall,
0:38:16 > 0:38:18which exonerates Walker and McArthur.
0:38:18 > 0:38:21- But not Tony Capuano. - I don't like it.
0:38:21 > 0:38:23He fought with Bobby Lee, it got violent.
0:38:23 > 0:38:25He went inside the venue and then he followed him out.
0:38:25 > 0:38:27We'll have to hold him.
0:38:27 > 0:38:29I still don't like it. Did you check the knife for prints?
0:38:29 > 0:38:31- HE SIGHS Prints were wiped.- But not the blood.
0:38:31 > 0:38:34I think someone planted that knife in the alley.
0:38:34 > 0:38:37There's no way Charlie, of all people, would have missed it!
0:38:37 > 0:38:39- Why would someone do that? - To put us off the scent.
0:38:39 > 0:38:42Mr Walker, we'll be watching you.
0:38:43 > 0:38:45Uh, sir.
0:38:49 > 0:38:52Do you have any complaints about your treatment in this station?
0:38:52 > 0:38:56Yeah, can I have my knife back?
0:38:56 > 0:38:58Any more from you and I'll be charging you
0:38:58 > 0:39:02with possession of an offensive weapon and breaching the peace! Now, hop it!
0:39:15 > 0:39:18He came by the house last night.
0:39:18 > 0:39:20And?
0:39:20 > 0:39:23Not one to give up easily, is he?
0:39:26 > 0:39:29ROCK'N'ROLL MUSIC PLAYS
0:39:34 > 0:39:37# You shake it up so well then you talk of wedding bells
0:39:37 > 0:39:38# Come on... #
0:39:38 > 0:39:40How many more times are you going to play that song?
0:39:40 > 0:39:42- RADIO SILENCES - Sorry?
0:39:42 > 0:39:44I said, "It's nice to have some peace and quiet."
0:39:44 > 0:39:46How can you keep listening to that?
0:39:46 > 0:39:48He just keeps repeating the same words over and over again.
0:39:48 > 0:39:50That's why it's so easy to remember.
0:39:50 > 0:39:53That's one way of looking at it. What are you trying to work out?
0:39:53 > 0:39:56Well, I'm not sure, really.
0:39:57 > 0:39:59HE PLAYS PIANO
0:39:59 > 0:40:04You know, it all starts with a tonic, to a subdominant,
0:40:04 > 0:40:09back to the tonic, dominant, subdominant, tonic.
0:40:11 > 0:40:12Sing along if you like.
0:40:12 > 0:40:15I could throw in the relative minor,
0:40:15 > 0:40:18which is what they quite often do with the ballads.
0:40:18 > 0:40:19It sounds like this.
0:40:23 > 0:40:24I quite like that.
0:40:24 > 0:40:27Yes. Have a sing along.
0:40:27 > 0:40:29PLAYS PIANO
0:40:33 > 0:40:35# Ah-da-da
0:40:35 > 0:40:38# I don't want to break it... #
0:40:38 > 0:40:40Maybe a little less vibrato.
0:40:40 > 0:40:42- Oh, you asked me to sing it! - Mmm.
0:40:42 > 0:40:44PLAYS PIANO
0:40:45 > 0:40:50- # Ba, da, da - # I'm afraid I've gotta break it
0:40:57 > 0:41:01# It was fun for a while
0:41:01 > 0:41:05# Now I've gotta run wild
0:41:05 > 0:41:10# Come on, stop hanging on, baby... #
0:41:10 > 0:41:12Now you have to help sing.
0:41:12 > 0:41:14# Ba, ba, ba, ba
0:41:14 > 0:41:18# You gave me your kissing
0:41:21 > 0:41:28- # All that love I've been missing - # Da, dee, da, dee, dum
0:41:30 > 0:41:34# You shake it up so well
0:41:34 > 0:41:38# Now you're talking wedding bells
0:41:38 > 0:41:44# Come on, stop hanging on, baby. #
0:41:47 > 0:41:51So much feeling in such simple words, eh?
0:41:51 > 0:41:53Ha! I can see why all those girls get carried away.
0:41:53 > 0:41:55KNOCKING AT DOOR I'll get that.
0:41:59 > 0:42:01- MAN:- Well, where is she?
0:42:01 > 0:42:03Well, Miss O'Brien's at work, Mr Freedman. Is it something I...
0:42:03 > 0:42:05If I might just speak to her?!
0:42:05 > 0:42:07- Jean? - Yes?
0:42:07 > 0:42:09Everything all right?
0:42:09 > 0:42:11It's about my daughter, so if you don't mind, I...
0:42:11 > 0:42:13TELEPHONE RINGS Oh, shall I...?
0:42:13 > 0:42:16Yes, would... You're Shirley's father, aren't you?
0:42:16 > 0:42:18- I am, sir. - Is there a problem?
0:42:20 > 0:42:22I don't know where she is.
0:42:22 > 0:42:25Right. What's happened, exactly?
0:42:25 > 0:42:29Lucien! It's the superintendent.
0:42:29 > 0:42:31- Tell him I'll call him back. - You might want to speak with him.
0:42:31 > 0:42:33They've just brought in a young girl.
0:42:35 > 0:42:36Just bear with me.
0:42:38 > 0:42:40I love him!
0:42:40 > 0:42:42- Shirley... - But I do!
0:42:42 > 0:42:44Miss Freedman, witnesses say that
0:42:44 > 0:42:46you were trying to get into the Railway Hotel
0:42:46 > 0:42:48after you were told to leave the alleyway.
0:42:48 > 0:42:49You're 16.
0:42:49 > 0:42:51The publican warned you to stay away,
0:42:51 > 0:42:53as you were creating a disturbance.
0:42:57 > 0:43:00Now, do you own all of this?
0:43:00 > 0:43:06Yes. Well, I found it next to the bins outside the pub.
0:43:06 > 0:43:08It had been dumped there.
0:43:10 > 0:43:14Shirley, what have you got on your chain there?
0:43:14 > 0:43:16Shirley, answer the doctor.
0:43:21 > 0:43:23Where'd you get that? It's not your mother's.
0:43:26 > 0:43:30- SHE CRIES - We...we held hands,
0:43:30 > 0:43:32and then he...
0:43:33 > 0:43:35..fell.
0:43:38 > 0:43:41And I tried to hold on, but he...
0:43:41 > 0:43:43Yes.
0:43:45 > 0:43:47You wouldn't have heard of a chap
0:43:47 > 0:43:49by the name of Gene Krupa, I'm guessing.
0:43:49 > 0:43:51He's a drummer,
0:43:51 > 0:43:55and he makes the sort of music old people like us listen to.
0:43:57 > 0:43:59But I was a drummer too.
0:43:59 > 0:44:02One day in London, I saw Mr Krupa coming out of a club.
0:44:03 > 0:44:05What did I do?
0:44:05 > 0:44:07I followed him.
0:44:08 > 0:44:10And as he was getting into a taxi,
0:44:10 > 0:44:13he dropped his handkerchief on the pavement.
0:44:14 > 0:44:17And I picked it up and kept it.
0:44:17 > 0:44:19In fact, I probably still have it somewhere.
0:44:21 > 0:44:24You just wanted something that was his.
0:44:25 > 0:44:29Now, this song. I'm guessing you don't like it.
0:44:29 > 0:44:31No, I love it. It's their best.
0:44:31 > 0:44:33Really?
0:44:33 > 0:44:36Well, I had a look at the record earlier
0:44:36 > 0:44:38and that's all scratched out.
0:44:38 > 0:44:41Well, I told you, I found it outside the pub.
0:44:43 > 0:44:46Right. One more thing, Shirley.
0:44:47 > 0:44:51When Bobby sang, did it feel as if...?
0:44:53 > 0:44:55Did it feel as if he was singing about you?
0:44:57 > 0:44:59Yeah.
0:45:00 > 0:45:02Yes.
0:45:04 > 0:45:06FOOTSTEPS APPROACH
0:45:08 > 0:45:10Oh, Peggy.
0:45:10 > 0:45:13I hope you don't mind, I'm just returning your Bobby Lee collection.
0:45:15 > 0:45:17These are yours, aren't they?
0:45:18 > 0:45:20You were quite a fan, weren't you?
0:45:20 > 0:45:24Look - posters and newspaper cuttings.
0:45:24 > 0:45:27You even wrote out some of the lyrics to his songs.
0:45:29 > 0:45:31Why throw it all away?
0:45:31 > 0:45:32GERRY: 'Peggy, where are you, love?'
0:45:32 > 0:45:37Or was it dad? He didn't let you go to the show, did he?
0:45:40 > 0:45:45Bobby's songs, the words seem fairly simple,
0:45:45 > 0:45:48yet they meant the world to you, didn't they?
0:45:48 > 0:45:50'Peg!'
0:45:50 > 0:45:52Hmm? This is from his first release.
0:45:52 > 0:45:56"Oh, baby, gee, it feels so right. Oh, when I hold you tight."
0:45:56 > 0:46:00Fairly innocuous, but look - you wrote those out.
0:46:01 > 0:46:04And here - "Oh, my pretty darling, my sweet 16."
0:46:04 > 0:46:06How old are you?
0:46:06 > 0:46:10- How old are you, Peggy? - Peggy! Go upstairs, love.'
0:46:11 > 0:46:12What are you doing here?
0:46:12 > 0:46:15"We're going to have a baby, baby. You and me against the world."
0:46:15 > 0:46:18Goodness, it must have come as quite a shock
0:46:18 > 0:46:20to discover he was breaking up with you.
0:46:20 > 0:46:23"It was fun for a while, but I gotta run wild.
0:46:23 > 0:46:25"Come on, stop hanging on, baby."
0:46:25 > 0:46:28Is that why you scratched the song off the record?
0:46:28 > 0:46:30Is it?
0:46:30 > 0:46:32Is it why you stabbed Bobby Lee?
0:46:33 > 0:46:36But that's not your knife, is it?
0:46:38 > 0:46:40Dad.
0:46:48 > 0:46:49Sorry, love.
0:46:51 > 0:46:53After what that bastard did to you!
0:46:53 > 0:46:55Charlie!
0:47:05 > 0:47:10She said they met the last time the band came through town on tour.
0:47:12 > 0:47:14If only I hadn't let her go to that show.
0:47:18 > 0:47:20I knew she'd been moody, withdrawn.
0:47:20 > 0:47:24She'd just get angry with me, really angry with me for no reason at all.
0:47:27 > 0:47:29Just wished to God her mum had been alive.
0:47:33 > 0:47:35When did you first find out?
0:47:35 > 0:47:38After she lost the baby,
0:47:38 > 0:47:42and I didn't even know she was pregnant.
0:47:42 > 0:47:44- MATTIE:- That must have been horrible for you.
0:47:44 > 0:47:46Yes.
0:47:46 > 0:47:50Yes. When was that?
0:47:50 > 0:47:51About a month ago.
0:47:53 > 0:47:55And what did your doctor say?
0:47:55 > 0:47:59He said to lie down and rest for a while.
0:47:59 > 0:48:01Hmm. What was his name?
0:48:05 > 0:48:06I can't remember.
0:48:06 > 0:48:08The doctor told her to take it easy,
0:48:08 > 0:48:13but I was trying to get her to help out at the pub,
0:48:13 > 0:48:18and then she told me...everything.
0:48:20 > 0:48:22Did she ever mention a Gunther Hanson?
0:48:22 > 0:48:26No, she doesn't know any new Australians.
0:48:26 > 0:48:28We know you have a family doctor,
0:48:28 > 0:48:31and you visited him only a fortnight ago, didn't you?
0:48:33 > 0:48:35It was a regular check-up,
0:48:35 > 0:48:39but you had a few questions that you were too ashamed to ask your father,
0:48:39 > 0:48:42such as how a baby's made
0:48:42 > 0:48:46and does it hurt when men and women make love.
0:48:46 > 0:48:48She'd been listening to his records all the time.
0:48:48 > 0:48:51How was I to know there was more to it?
0:48:53 > 0:48:56You took the band's drinks to the theatre.
0:48:56 > 0:48:58It's just around the corner.
0:49:00 > 0:49:02Then I saw him.
0:49:03 > 0:49:08Singing to all those girls, and...pointing at them!
0:49:08 > 0:49:10Obviously planning who he was going to have next.
0:49:12 > 0:49:16So, I went back to the bar and I got my knife,
0:49:16 > 0:49:19and I went back - I was just going to have it out with him.
0:49:19 > 0:49:21You stabbed him backstage and pushed him out the stage door.
0:49:21 > 0:49:23Look, it's not what...
0:49:26 > 0:49:28Yes.
0:49:28 > 0:49:30So, how come we found the knife in the alleyway?
0:49:30 > 0:49:34Well, you told me that's where you thought it happened.
0:49:34 > 0:49:37I thought putting the knife there might throw you.
0:49:40 > 0:49:43Peggy, your doctor described you
0:49:43 > 0:49:47as a lovely girl with a very active imagination.
0:49:47 > 0:49:50- LUCIEN:- You never, ever met Bobby Lee, did you, Peggy?
0:49:53 > 0:49:57Did you know that Bobby didn't even write his own songs?
0:50:08 > 0:50:10MATTHEW: It was all in her head?
0:50:10 > 0:50:14All of it, but she absolutely believed it.
0:50:14 > 0:50:15HE SIGHS
0:50:15 > 0:50:18And he believed her. Does she realise what she's done?
0:50:18 > 0:50:20Well, she certainly does now.
0:50:21 > 0:50:23It's not easy raising daughters.
0:50:23 > 0:50:26I never went through anything like that.
0:50:26 > 0:50:28I wouldn't know.
0:50:28 > 0:50:34Anyway, Mattie's with her, and Mattie's done a tremendous job.
0:50:38 > 0:50:40Mr Capuano, do you have any complaints
0:50:40 > 0:50:42about your treatment in this station?
0:50:42 > 0:50:43No, sir.
0:50:45 > 0:50:49I confiscated these off someone today. Do you smoke this brand?
0:50:49 > 0:50:50I do now.
0:50:50 > 0:50:52You're free to go.
0:51:01 > 0:51:03Any complaints?
0:51:03 > 0:51:06Oh, this new protocol that's all the rage in Melbourne.
0:51:08 > 0:51:09You realise it was Davis
0:51:09 > 0:51:12that told Bowen we were searching in the alleyway?
0:51:12 > 0:51:15Yes, I saw them talking yesterday.
0:51:15 > 0:51:17What are you going to do about it?
0:51:19 > 0:51:21Manage him.
0:51:35 > 0:51:37ROCK'N'ROLL MUSIC PLAYS
0:51:40 > 0:51:43# Oh, come on Stop hanging on me, baby
0:51:45 > 0:51:48# You gave me all you kissing All the love I'm missing
0:51:48 > 0:51:51# You shake it up so well Now you're talking wedding bells
0:51:51 > 0:51:52# Come on
0:52:09 > 0:52:10# Come on, baby!
0:52:10 > 0:52:12# Well, come on
0:52:12 > 0:52:14# Stop hanging on me, baby
0:52:16 > 0:52:18# Well, come on
0:52:18 > 0:52:19# Stop hanging on me, baby
0:52:21 > 0:52:24# You shake it up so well Now you're talking wedding bells
0:52:24 > 0:52:25# Come on
0:52:27 > 0:52:30# You shake it up so well Now you're talking wedding bells
0:52:30 > 0:52:31# Come on... #
0:52:31 > 0:52:33One more time!
0:52:33 > 0:52:37# You shake it up so well Stop hanging on!
0:52:37 > 0:52:39Thank you very much!