0:00:10 > 0:00:11Excuse me.
0:00:18 > 0:00:20Thanks.
0:00:20 > 0:00:23- Two tickets, please. - Two tickets.
0:00:29 > 0:00:33- Hello. Just for one please. - Two and six, thank you.
0:00:35 > 0:00:37- Thank you. - Next, please.
0:00:45 > 0:00:48GENERAL CHATTER
0:00:53 > 0:00:55Give us a box of matches, Bell.
0:01:03 > 0:01:06- Mrs Beazley? - Oh! Hello, Amelia.
0:01:06 > 0:01:08- Patrick. - Hello.
0:01:08 > 0:01:11- Congratulations, by the way. - Thank you.
0:01:11 > 0:01:13- Where is your fiance? - Oh, he's just running late.
0:01:13 > 0:01:16- 'Amelia!' - Excuse me. Bell.
0:01:17 > 0:01:20- You OK? - Good to see you. How are you?
0:01:27 > 0:01:33Cigarettes! Popcorn! Anyone?
0:01:34 > 0:01:36- Cigarettes! - Uh, Miss?
0:01:36 > 0:01:37Just some mints, thanks.
0:01:44 > 0:01:45Ooh! Oh!
0:01:46 > 0:01:48- Oh, I'm sorry. - There you are.
0:01:48 > 0:01:50Thanks, that's kind of you. Thanks very much.
0:02:29 > 0:02:32AUDIENCE GROANS
0:02:35 > 0:02:39Everyone! We need to evacuate this area now.
0:02:39 > 0:02:43Stay calm. Make your way to the nearest exit.
0:02:43 > 0:02:45Adam? Adam!
0:02:45 > 0:02:48- What's going on? - Paddy, help me. Adam's in there.
0:02:48 > 0:02:51- Jesus. Ah! - Is someone in there?
0:02:51 > 0:02:54Yes, it's my projectionist. It's locked.
0:02:54 > 0:02:56Here, give me that.
0:03:04 > 0:03:06You all right in there?
0:03:08 > 0:03:10Hey, you all right?
0:03:11 > 0:03:14MAN COUGHS
0:03:19 > 0:03:22He's...he's not breathing.
0:03:22 > 0:03:25I'll call the fire brigade. Somebody get some buckets.
0:03:29 > 0:03:31What's happening?
0:03:31 > 0:03:33Paddy?
0:03:37 > 0:03:38Adam!
0:04:44 > 0:04:48- Jean. - All's fine here, but...
0:04:48 > 0:04:50Right.
0:04:52 > 0:04:54- Charlie. - Hello, Doc.
0:04:54 > 0:04:57By the time I got there, there was a lot of smoke coming from...
0:04:57 > 0:05:00How was the club?
0:05:00 > 0:05:01Peaceful.
0:05:03 > 0:05:07This is Adam Summers. He was the projectionist here.
0:05:07 > 0:05:10Yes. Minimal burns.
0:05:12 > 0:05:18Oh, goodness. A lot of smoke, eh? That's what they said.
0:05:18 > 0:05:20And I see they tried CPR.
0:05:20 > 0:05:23Richard Taylor, this is Doctor Lucien Blake.
0:05:23 > 0:05:25Oh, Richard.
0:05:25 > 0:05:28Mr Taylor pulled Summers out from the room.
0:05:28 > 0:05:32Had to kick the door in. He wasn't breathing when I got him out.
0:05:32 > 0:05:35Fair to say you took quite a risk dragging him out of there.
0:05:35 > 0:05:39Mr Taylor is the captain of the Adelaide Metro Fire Station.
0:05:39 > 0:05:43Calculated risk, really. Still, couldn't save him.
0:05:43 > 0:05:46- Well, at least you tried. - Thank you.
0:05:46 > 0:05:48- Excuse me. - Richard.
0:05:50 > 0:05:55Well, cause of death, smoke inhalation, asphyxiation.
0:05:55 > 0:05:57I'd put a bottle of scotch on it.
0:05:57 > 0:06:01- No, no. I lost the last bet. - Come on, Lawson.
0:06:01 > 0:06:03Where's your sense of adventure?
0:06:04 > 0:06:07Sorry, where are my manners? Hello again. Richard Taylor.
0:06:11 > 0:06:13Body mostly untouched by fire.
0:06:13 > 0:06:16Small burns on the back of the right hand.
0:06:16 > 0:06:21Ah, ember burns? Sparks?
0:06:21 > 0:06:23I'd say it was the hand closest to the fire.
0:06:23 > 0:06:25Yes.
0:06:25 > 0:06:30- What kind of job is a projectionist? - Projectionist?
0:06:30 > 0:06:34Well, he looks after the machinery that projects the images,
0:06:34 > 0:06:36uh, screens the pictures at the cinema.
0:06:36 > 0:06:40- I've never been. - To the Rex? Oh, you should go.
0:06:40 > 0:06:44- It's...it's a beautiful building. - No, I mean to the cinema.
0:06:44 > 0:06:47- Ever? - That's right.
0:06:47 > 0:06:50Colouration indicates carbon monoxide poisoning.
0:06:50 > 0:06:52And smoke inhalation, obviously.
0:06:52 > 0:06:57Bruising on the chest consistent with CPR and petechiae.
0:06:57 > 0:06:59- Petechiae? - Yes.
0:07:00 > 0:07:03Rupturing of the minor capillaries of the eyes,
0:07:03 > 0:07:05consistent with applied force to the neck.
0:07:05 > 0:07:07- Yes, thank you. I know what it is. - You didn't check.
0:07:09 > 0:07:13No, uh, visible trauma to the neck, no bruising.
0:07:13 > 0:07:16Did something fall on him? Debris from the fire?
0:07:16 > 0:07:18No.
0:07:18 > 0:07:21Obviously, he was breathing when the fire started.
0:07:21 > 0:07:23Then why didn't he get out of there?
0:07:23 > 0:07:26Perhaps he was unconscious when the fire started.
0:07:27 > 0:07:29How?
0:07:29 > 0:07:30Lawson.
0:07:32 > 0:07:35You mind? I'm on a Code 30.
0:07:35 > 0:07:37Yes, well, I'm sorry to interrupt your lunch,
0:07:37 > 0:07:41but the presence of soot and ash in the windpipe and lungs.
0:07:41 > 0:07:46Presence of carbon monoxide at fatal levels in bloods and tissue samples.
0:07:46 > 0:07:50All indicators of asphyxiation due to smoke inhalation.
0:07:50 > 0:07:52What's this subcutaneous bruising?
0:07:52 > 0:07:55Well, underneath the skin there was evidence of force
0:07:55 > 0:07:59having been applied to the throat, over the carotid artery.
0:07:59 > 0:08:02Enough force, it would seem, to have rendered him unconscious.
0:08:02 > 0:08:04Applied how?
0:08:04 > 0:08:08The pattern of bruising suggests something...something broad.
0:08:08 > 0:08:11- Perhaps a forearm, you see? - Yeah, like a choke hold?
0:08:11 > 0:08:15Yes. Maintained until he lost consciousness.
0:08:17 > 0:08:21- How long would that last for? - Oh, anything up to two minutes.
0:08:21 > 0:08:25The point is this someone was with him, they knocked him out,
0:08:25 > 0:08:27and they left him there to die.
0:08:28 > 0:08:31- You owe me a bottle of scotch. - Yes.
0:08:31 > 0:08:35Davis? We're on a Code 31.
0:08:36 > 0:08:38I'm not familiar with that one, sir.
0:08:38 > 0:08:43Blake and I are going to the pictures. You can answer the phones.
0:08:43 > 0:08:45Yes, I've already started cleaning up.
0:08:45 > 0:08:48I'll need you to keep out of the projection booth for the time being.
0:08:48 > 0:08:50- But I have to reopen. - Not until we say you can.
0:08:54 > 0:08:56Why was the door locked?
0:08:56 > 0:08:59It stops patrons barging in during the screenings.
0:08:59 > 0:09:02We used the sand buckets to put it out.
0:09:02 > 0:09:06There wasn't much actual flame, just a lot of smoke.
0:09:06 > 0:09:09Right. Tell me, was Mr Summers a smoker?
0:09:09 > 0:09:10Of course, he was.
0:09:10 > 0:09:14I warned him, though, don't do it near the prints.
0:09:14 > 0:09:17But that's not so much of a problem these days, is it?
0:09:18 > 0:09:22There might have been some nitrate prints stored with the others.
0:09:22 > 0:09:25You kept nitrate prints in here?
0:09:25 > 0:09:28I...I might have kept some, after the recall.
0:09:28 > 0:09:32In this very room, with your smoking projectionist?
0:09:32 > 0:09:34Thank you, Mr McLaren. We'll call you if we need you.
0:09:36 > 0:09:38Unbelievable.
0:09:38 > 0:09:40What do you make of it?
0:09:40 > 0:09:46Well, tiny room, no windows, no other exit.
0:09:47 > 0:09:49They close this door, the room's as good as sealed.
0:09:54 > 0:09:59The fire would have burned up all the oxygen pretty damn quickly.
0:10:00 > 0:10:03Well, there's no cash.
0:10:03 > 0:10:05Receipts and notes.
0:10:05 > 0:10:07Let's think about this.
0:10:07 > 0:10:12High heat. Lots of smoke, especially with that door closed.
0:10:14 > 0:10:16Let me see.
0:10:19 > 0:10:22Hmm. Acetate. Smells like vinegar.
0:10:22 > 0:10:24Yeah, I'll take your word for it.
0:10:24 > 0:10:26Yes.
0:10:28 > 0:10:33And yet that doesn't smell of vinegar. Odd.
0:10:33 > 0:10:38Lawson, what's that rectangular tin or whatever that is there?
0:10:38 > 0:10:39Acetone.
0:10:42 > 0:10:44Ah, it smells the same.
0:10:44 > 0:10:47- Acetone's highly flammable. - Right.
0:10:47 > 0:10:49Especially when combined with nitrate film stock.
0:10:49 > 0:10:51This fire was deliberately lit.
0:10:51 > 0:10:54- Summers was alive when the fire started.- Yes.
0:10:56 > 0:11:00- You go through the foyer to get into here.- So?
0:11:00 > 0:11:04Whoever did this bought a ticket, or didn't have to.
0:11:04 > 0:11:06'Deliberately?'
0:11:06 > 0:11:08Who'd do a thing like that?
0:11:08 > 0:11:09I'll need a list of all your employees
0:11:09 > 0:11:11that were working last night.
0:11:11 > 0:11:14Uh, Bella the cigarette girl, me and Adam.
0:11:14 > 0:11:17And a list of all the patrons that you can remember.
0:11:17 > 0:11:19Oh, it was a pretty quiet session.
0:11:20 > 0:11:24Slow sales, 20, 25 people, that's all.
0:11:27 > 0:11:29Is there anything else I can help you with?
0:11:29 > 0:11:31We'll let you know.
0:11:37 > 0:11:40Why would he want to kill his projectionist?
0:11:40 > 0:11:43And set a fire inside his very own cinema?
0:11:43 > 0:11:46I'll talk to a few more people, then I'll bring him in.
0:11:55 > 0:11:58Hey. How much of the film did you miss last night?
0:11:58 > 0:12:00Oh, I didn't see much of it really.
0:12:00 > 0:12:04No great loss. It wasn't the usual Jimmy Stewart film. It was...
0:12:04 > 0:12:07Oh, your friend Amelia was there, with her brother, Patrick.
0:12:07 > 0:12:11Such a lovely boy. And he's so good to his sister.
0:12:11 > 0:12:14I suppose he'll be there tomorrow night at the party.
0:12:14 > 0:12:15Yeah, I'm not listening.
0:12:15 > 0:12:19Lucien, are you going to join us any time soon?
0:12:19 > 0:12:21Not very airtight, is it?
0:12:21 > 0:12:23Is that a good thing?
0:12:23 > 0:12:26Well, not if you want to asphyxiate someone.
0:12:26 > 0:12:28I'll keep that in mind.
0:12:28 > 0:12:31Jean, how many people were in the cinema, would you say?
0:12:31 > 0:12:33I have no idea, but it was jam-packed.
0:12:33 > 0:12:35- Really? - Mm.
0:12:35 > 0:12:37That's not what the manager said.
0:12:39 > 0:12:42Hm. How's the study going?
0:12:42 > 0:12:44It's interesting.
0:12:44 > 0:12:48Even if certain people are more intent on matchmaking.
0:12:48 > 0:12:50- I'm allowed to make suggestions. - What?
0:12:50 > 0:12:53Patrick Yorke. Jean's hopeful for me.
0:12:53 > 0:12:58Oh. Yes, isn't he that lovely chap who helped break the door down?
0:12:58 > 0:13:01- See?- I thank you, both of you, but I am fine.
0:13:01 > 0:13:03PHONE RINGS I'll get that.
0:13:03 > 0:13:04Oh, Mattie.
0:13:04 > 0:13:07- Doctor Blake's residence. - Not interested, eh?
0:13:07 > 0:13:08- Oh. - Don't you start.
0:13:08 > 0:13:10Can you...? I just need to take this in another room.
0:13:10 > 0:13:12I have essays that need attention.
0:13:12 > 0:13:13He seems like a perfectly lovely chap.
0:13:13 > 0:13:16Excuse me, I'm just going to take that in the study.
0:13:16 > 0:13:18Hm, certainly.
0:13:18 > 0:13:23Mattie, you listen to me. You don't have to work all the time.
0:13:23 > 0:13:26Well, I'll remember that next time I see you at your desk at 2am.
0:13:27 > 0:13:28Touche.
0:13:29 > 0:13:31INDISTINCT CHATTER
0:13:33 > 0:13:35Well, that depends if he's here,
0:13:35 > 0:13:37so I don't forget...
0:13:37 > 0:13:39It all depends on what he wants to do.
0:13:42 > 0:13:45So, really, I don't need to ask permission,
0:13:45 > 0:13:47but I can probably say 6.30?
0:14:03 > 0:14:04- Busy day, eh? - Yeah.
0:14:04 > 0:14:07I've been interviewing people all morning who were at the pictures.
0:14:07 > 0:14:09Mr Yorke, Mr Foster. Amelia.
0:14:11 > 0:14:13Just take any seat you can.
0:14:19 > 0:14:23Amelia, pleased to not have seen you in here recently.
0:14:23 > 0:14:26Yes, I've settled down since then, Superintendent.
0:14:26 > 0:14:29- Glad to hear it. - We've already given a statement.
0:14:29 > 0:14:31We just want to go over some details.
0:14:33 > 0:14:35- Name? - Bella Stapleton.
0:14:35 > 0:14:3622 Peel Street North.
0:14:38 > 0:14:41My, policemen are getting more handsome every day.
0:14:43 > 0:14:45Occupation?
0:14:47 > 0:14:50I sell cigarettes and popcorn at the Rex Cinema.
0:14:50 > 0:14:53Other odd jobs. Whatever Mr McLaren wants.
0:14:53 > 0:14:56And roughly how many patrons were in the auditorium yesterday?
0:14:56 > 0:14:58The place was full.
0:14:58 > 0:15:01Did you see anyone leave their seats during the screening?
0:15:03 > 0:15:06Oh, a few people. I went to the toilet.
0:15:07 > 0:15:09Oh, I went out to look for Vincent.
0:15:10 > 0:15:13I was running late. I missed the film entirely.
0:15:13 > 0:15:15Got there when all the action was happening.
0:15:15 > 0:15:18- Did you see anyone else in the foyer? - Just the other patrons.
0:15:18 > 0:15:20Miles, the manager.
0:15:20 > 0:15:25- What was he doing? - Gypping people, probably.
0:15:25 > 0:15:27Patrick.
0:15:27 > 0:15:29I did some carpentry work for him a month ago,
0:15:29 > 0:15:31he still hasn't paid me.
0:15:31 > 0:15:34And I've only just gotten my business out of the red.
0:15:34 > 0:15:37Miles hated Adam. They were always fighting.
0:15:37 > 0:15:40- What about? - Oh, lots of things.
0:15:40 > 0:15:43Miles was tight. Adam was sleazy.
0:15:43 > 0:15:45Sleazy? How?
0:15:45 > 0:15:47He just was.
0:15:50 > 0:15:52What sort of work did you do for him?
0:15:52 > 0:15:54Repairs, joinery.
0:15:54 > 0:15:57I built the door we had to break down.
0:15:57 > 0:16:00The door to the projection booth?
0:16:00 > 0:16:04Nothing wrong with the old door, but Miles wanted a door that sealed.
0:16:06 > 0:16:08Did you hear any of their arguments?
0:16:08 > 0:16:10A lot of them.
0:16:10 > 0:16:13But there was one a few weeks ago.
0:16:13 > 0:16:17Um, Adam was showing movies to his friends. After hours.
0:16:17 > 0:16:19Right.
0:16:19 > 0:16:21We heard someone yell, "fire".
0:16:21 > 0:16:23We could see it in the booth, so we ran out to the foyer.
0:16:23 > 0:16:27- Right. - What was Mr McLaren doing?
0:16:27 > 0:16:30Not much. He was pretty useless, really.
0:16:30 > 0:16:32We were lucky the other bloke came along.
0:16:32 > 0:16:35He was the one who broke the door down.
0:16:35 > 0:16:38- You said the door was locked. - Yes.
0:16:38 > 0:16:41But wouldn't Mr McLaren have a key?
0:16:41 > 0:16:43I would have thought so.
0:16:43 > 0:16:45Thank you. That'll be all.
0:16:48 > 0:16:52- Anything else, Miss Stapleton? - I don't think so.
0:16:53 > 0:16:55Well, thank you. You can go.
0:16:59 > 0:17:03You know, it wouldn't hurt you to smile once in a while.
0:17:06 > 0:17:07Go back and speak to that manager.
0:17:07 > 0:17:10There's been some discrepancies in what he's been telling us.
0:17:10 > 0:17:13- Take the Doctor with you. - Yes, sir.
0:17:13 > 0:17:15She was an attractive young woman.
0:17:15 > 0:17:17I'm surprised you didn't ask her out.
0:17:42 > 0:17:46Like I said, it was a pretty quiet day yesterday.
0:17:46 > 0:17:48You can see from the ticket sales.
0:17:48 > 0:17:51Ah. Must make it hard to earn a living.
0:17:51 > 0:17:53It sure does.
0:17:54 > 0:17:59Any chance you might have recognised some of the, what,
0:17:59 > 0:18:0120 people you sold tickets to?
0:18:01 > 0:18:04We're keen to see everyone who was here.
0:18:04 > 0:18:06No-one comes to mind.
0:18:06 > 0:18:09Really? No regulars?
0:18:09 > 0:18:11I'm pretty busy on a work day.
0:18:22 > 0:18:25It must be tough losing a worker like Adam Summers.
0:18:27 > 0:18:30Yeah. He was a great bloke.
0:18:31 > 0:18:32Good worker?
0:18:32 > 0:18:35Not bad at all.
0:18:35 > 0:18:39Despite the fact that he brought his mates in for private showings?
0:18:45 > 0:18:50- You find anything? - No. No, I didn't.
0:18:50 > 0:18:52How did you get on with the manager?
0:18:52 > 0:18:54Well, he's helping us with our enquiries.
0:18:55 > 0:18:58He sells tickets, doesn't tear up the stub,
0:18:58 > 0:19:01then resells the ticket for the next customer.
0:19:01 > 0:19:04He's robbing the distributor, then falsifying the records.
0:19:04 > 0:19:08- What about Summers? - Mm. A lot of arguments.
0:19:08 > 0:19:11Summers was screening films for his mates, after hours.
0:19:11 > 0:19:15McLaren objected, then got a new door fitted for the booth.
0:19:16 > 0:19:18He's in the interview room now.
0:19:19 > 0:19:21- I'll join you. - Sir.
0:19:47 > 0:19:51I didn't mind the first time that he invited all his mates...
0:19:52 > 0:19:55Lawson, Charlie, a quick word?
0:19:58 > 0:20:00Take a seat, we'll be with you in a moment.
0:20:02 > 0:20:03What?
0:20:03 > 0:20:06Summers lived at 9 Erlandson Avenue.
0:20:06 > 0:20:08Why would he have a four-poster wrought iron bed
0:20:08 > 0:20:10delivered to Ealing Estate, Wicklow Drive?
0:20:11 > 0:20:13- Ealing Estate? - Yes.
0:20:13 > 0:20:18I found that receipt and this note in his wallet. Look here. Ed.
0:20:18 > 0:20:21The Tyneman family own Ealing Estate.
0:20:21 > 0:20:23And Patrick has a son named Edward.
0:20:23 > 0:20:26Charlie, any sign of a four-poster wrought iron bed
0:20:26 > 0:20:28when you searched Summer's flat?
0:20:28 > 0:20:30No. It was a single bed.
0:20:30 > 0:20:34He had an old camera and some movie posters. The place was tiny.
0:20:34 > 0:20:36Right. We'll talk to Edward Tyneman tomorrow.
0:20:36 > 0:20:39But this note details an event happening tonight.
0:20:39 > 0:20:42Tomorrow. I'll ask him how he knows Summers.
0:20:42 > 0:20:46- You leave Tyneman alone. - Scout's honour.
0:22:42 > 0:22:44Not much of a scout, then?
0:22:44 > 0:22:46Truth is, I never joined.
0:22:46 > 0:22:48Every other room's a mess.
0:22:48 > 0:22:52But this one's been decorated and swept clean.
0:22:52 > 0:22:54- Just this room? - Mm.
0:22:54 > 0:22:57No-one's lived here for decades.
0:22:57 > 0:22:59You said the place belonged to Tyneman.
0:22:59 > 0:23:01His great-grandfather built it,
0:23:01 > 0:23:04then Patrick's father built closer into town.
0:23:06 > 0:23:08What do you make of this?
0:23:10 > 0:23:11Someone's been held here.
0:23:11 > 0:23:13I'll get the boys to search the property,
0:23:13 > 0:23:16then I'll talk to Patrick tomorrow.
0:23:16 > 0:23:20Uh, sir, the mail's not addressed to Patrick Tyneman.
0:23:20 > 0:23:25It's addressed to Edward Tyneman. Looks like he's the official owner.
0:23:25 > 0:23:28And there is that thing at the Carringbush tonight,
0:23:28 > 0:23:33organised by Ed, which Summers was invited to.
0:23:33 > 0:23:37Well, unlike you, I don't have a direct line to the Tynemans.
0:23:38 > 0:23:40We'll make sure no-one else is at risk here,
0:23:40 > 0:23:42then I'll talk to Patrick tomorrow.
0:23:42 > 0:23:43Tomorrow.
0:23:50 > 0:23:52MUSIC PLAYS FROM INSIDE
0:24:02 > 0:24:05- O'Brien. - Davis.
0:24:05 > 0:24:09- Where are you going? - To a hen's night.
0:24:09 > 0:24:11I'm not sure you're invited.
0:24:13 > 0:24:15Whose hen's night?
0:24:15 > 0:24:17Amelia Yorke and Vincent Foster.
0:24:17 > 0:24:19You don't know them.
0:24:19 > 0:24:21What, men and women together?
0:24:21 > 0:24:23It is the '50s.
0:24:25 > 0:24:27Ugh, different rooms!
0:24:27 > 0:24:28Hey, O'Brien.
0:24:29 > 0:24:32What does Edward Tyneman have to do with all this?
0:24:32 > 0:24:34He's Vincent's best friend.
0:24:35 > 0:24:38- Is there anything else? - Have a great night.
0:24:39 > 0:24:41I will.
0:24:56 > 0:24:59Ooh, Mattie! Oh, my God! You made it.
0:24:59 > 0:25:02- Only just. Only just. - You OK?
0:25:02 > 0:25:06Mattie! Finally. You need a drink. Darling, you are thirsty, I'm sure.
0:25:06 > 0:25:10- Will! Will! Three, please. Thank you.- OK, maybe just the one.
0:25:10 > 0:25:15Oh, Amelia, it is a hen's night and you are the hen, darling.
0:25:15 > 0:25:17To Amelia and Vincent.
0:25:19 > 0:25:21Oh, no, no, no, no, you are finishing that,
0:25:21 > 0:25:23and then we're getting you another.
0:25:23 > 0:25:25- Mm-hmm.- And another. - OK.
0:25:27 > 0:25:31Oh, sweetie, you've become such a bore since you've met Vincent.
0:25:31 > 0:25:35- Must be love. - Yeah, it is.
0:25:35 > 0:25:37Well, then, good for you.
0:25:46 > 0:25:48INDISTINCT CONVERSATION
0:25:48 > 0:25:50..it's nice up there in the hills.
0:25:50 > 0:25:52Oh, I can imagine it is.
0:25:52 > 0:25:54I've never been to Adelaide, Richard,
0:25:54 > 0:25:59but I have seen the odd postcard and it looks rather hot to me.
0:25:59 > 0:26:01Mm, gotta watch out for the bushfires, of course.
0:26:01 > 0:26:03Yes, I can imagine. Oh, Lucien.
0:26:03 > 0:26:05Oh, I didn't think you were here for dinner.
0:26:05 > 0:26:08- Uh, change of plans. - Doctor.
0:26:08 > 0:26:11- It's...?- Richard. - Of course.
0:26:11 > 0:26:15Excuse me for making myself at home. Jean promised me you wouldn't mind.
0:26:15 > 0:26:17- Not at all. - Um...
0:26:20 > 0:26:25So, uh, Richard. Tell me, how do you know Jean?
0:26:25 > 0:26:28I dropped my wallet when we were at the pictures,
0:26:28 > 0:26:30and Jean came to my rescue.
0:26:30 > 0:26:32- Oh, hardly. - And we talked a bit.
0:26:32 > 0:26:34- After the fire. - Ahh.
0:26:34 > 0:26:38- Richard's from Adelaide. - I had family here until recently.
0:26:38 > 0:26:40I see. Who?
0:26:40 > 0:26:43My brother, Henry. And his daughter.
0:26:43 > 0:26:45Is that who you stay with?
0:26:45 > 0:26:48Henry passed some months back,
0:26:48 > 0:26:52and after that his daughter, my niece, Rebecca, moved away.
0:26:52 > 0:26:55Oh, I'm so sorry about your brother.
0:26:59 > 0:27:01Richard, do you mind terribly
0:27:01 > 0:27:04if I ask you a couple of questions about that fire?
0:27:04 > 0:27:08- Oh, Lucien, no! - It's all right. Of course.
0:27:08 > 0:27:13It appears it was deliberately lit, using acetone as an accelerant.
0:27:13 > 0:27:16- Acetone's highly flammable. - And fairly toxic, yes?
0:27:16 > 0:27:19In a small room, especially if it's airtight.
0:27:21 > 0:27:24- That's horrible. - Yes, it is.
0:27:24 > 0:27:26Yes, it is.
0:27:26 > 0:27:28What did you want to know?
0:27:30 > 0:27:33Well, how long would it take
0:27:33 > 0:27:37for a small room like that to run out of oxygen?
0:27:37 > 0:27:39Depends on the fire.
0:27:39 > 0:27:42Small room like that, two minutes, maybe less.
0:27:42 > 0:27:45- Really?- Also depends on what there is to burn.
0:27:46 > 0:27:50Right. Do...?
0:27:52 > 0:27:55Well... I'll leave you to it. Thank you.
0:27:55 > 0:27:58If there's anything else about the fire I can help you with...
0:27:58 > 0:28:01Thank you. And please, it's Lucien.
0:28:01 > 0:28:02Thank you, Lucien.
0:28:07 > 0:28:09- Good night. - Good night.
0:28:09 > 0:28:11- Cheers. - Cheers.
0:28:11 > 0:28:13Oh, I'm sorry...
0:28:13 > 0:28:15LAUGHTER
0:28:15 > 0:28:17Now I know it's traditional to wish the groom luck
0:28:17 > 0:28:19on throwing his life away.
0:28:20 > 0:28:24And we do. We wish him luck. He's going to need it.
0:28:25 > 0:28:28I mean, we tried to warn him, but he wouldn't listen.
0:28:28 > 0:28:31So, to Vincent, you idiot.
0:28:31 > 0:28:33- ALL:- To Vincent.
0:28:33 > 0:28:35- Congratulations. - Thanks, Edward.
0:28:35 > 0:28:37Kind words. I think.
0:28:40 > 0:28:43Just go easy on these. That's the last.
0:28:43 > 0:28:48Apparently the bride is celebrating her hen's party next door.
0:28:48 > 0:28:52- Yeah, that's right. Yeah. - Are you sure that's a good idea?
0:28:52 > 0:28:56If it was my party, I wouldn't want the missus anywhere near it.
0:28:56 > 0:28:59Well, there's a back room in case anything gets too messy.
0:28:59 > 0:29:00Really?
0:29:00 > 0:29:03I had some entertainment planned, but it fell through.
0:29:03 > 0:29:05You organised all this?
0:29:05 > 0:29:07I just threw some of Dad's money at it.
0:29:07 > 0:29:09My father would sympathise.
0:29:10 > 0:29:13- And you are? - A ring-in, obviously.
0:29:13 > 0:29:15The name's Charles.
0:29:15 > 0:29:18Edward. Tyneman.
0:29:18 > 0:29:20Vincent seems happy.
0:29:20 > 0:29:22Yeah, well, he's in love, apparently.
0:29:25 > 0:29:26She's beneath him.
0:29:28 > 0:29:30- Want another drink, Charles? - That'd be great.
0:29:34 > 0:29:36Mrs Vincent Foster.
0:29:38 > 0:29:39I know.
0:29:41 > 0:29:46Mrs Vincent Foster. He's only the richest young man in Ballarat.
0:29:46 > 0:29:47Hey, Bella, be nice.
0:29:47 > 0:29:50You know that's not why I'm marrying him.
0:29:51 > 0:29:54Paddy must be so relieved. To have you off his hands.
0:29:54 > 0:29:56No, he's happy for me.
0:29:56 > 0:29:59And speaking of Paddy...
0:29:59 > 0:30:00Don't. All right?
0:30:00 > 0:30:03She is married to her work. She's happy.
0:30:03 > 0:30:06I've been fending off Jean as well, you know.
0:30:06 > 0:30:09Ever since that fire when Paddy made such a hero of himself,
0:30:09 > 0:30:11trying to save the projectionist.
0:30:19 > 0:30:20What?
0:30:21 > 0:30:24Well, let's just say that's one person we won't be missing.
0:30:26 > 0:30:28More shandies?
0:30:30 > 0:30:33I'm telling you, once it's your turn, you'll find one,
0:30:33 > 0:30:35and then I will be your best man.
0:30:35 > 0:30:37I will be your best man!
0:31:00 > 0:31:03Rather curious, aren't you, Charles?
0:31:04 > 0:31:05Hey.
0:31:06 > 0:31:11I've checked, and no-one here seems to know you.
0:31:11 > 0:31:14Or your father. So why are you here?
0:31:15 > 0:31:18That's a 16mm projector.
0:31:18 > 0:31:20- Oh, you a fan? - Are you?
0:31:21 > 0:31:23How did you know Adam Summers?
0:31:28 > 0:31:30I'll go now, shall I?
0:31:50 > 0:31:54- How have you been, Charles? - Right this way, please.
0:31:54 > 0:31:57My father sends his regards, Superintendent.
0:31:59 > 0:32:00Shall I just sit here?
0:32:07 > 0:32:11Council documents show that you're the owner of Ealing Estate.
0:32:11 > 0:32:13- Is this correct? - Yes.
0:32:13 > 0:32:17It would show your father gifted you the property three years ago.
0:32:17 > 0:32:19When was the last time you were there?
0:32:19 > 0:32:21A year ago.
0:32:21 > 0:32:24Exactly one year ago?
0:32:24 > 0:32:26Pretty much.
0:32:26 > 0:32:28Who maintains the property, if you don't?
0:32:28 > 0:32:31Have you seen it, Superintendent?
0:32:32 > 0:32:35There have been some changes made recently. Some furniture delivered.
0:32:35 > 0:32:38A wrought iron bed was installed upstairs.
0:32:38 > 0:32:41Squatters. Clearly.
0:32:42 > 0:32:45Adam Summers was a projectionist at the Rex Cinema.
0:32:45 > 0:32:49He was murdered two days ago. Did you know Adam Summers?
0:32:49 > 0:32:51No.
0:32:51 > 0:32:55And yet he had furniture delivered to your property.
0:32:55 > 0:32:59As I said...squatters.
0:33:00 > 0:33:07We found a note on him. "Carringbush Hotel, 8pm, Ed."
0:33:10 > 0:33:12You organised a joint buck's and hen's night
0:33:12 > 0:33:14at the Carringbush Hotel last night.
0:33:17 > 0:33:20- Your name's Ed. - No, it's Edward.
0:33:20 > 0:33:22There's a difference.
0:33:22 > 0:33:24So maybe you should ask someone else.
0:33:26 > 0:33:28I've been helpful today.
0:33:29 > 0:33:31But if you want to speak to me again,
0:33:31 > 0:33:34you'll be dealing with the family lawyer.
0:33:45 > 0:33:50Well, I think Charlie might be on the right track here.
0:33:50 > 0:33:52- You still holding the manager? - Hm.
0:33:52 > 0:33:56Good. I'd like to have another look at that projection booth.
0:33:56 > 0:33:59- You mind if I take Charlie? - What are you looking for?
0:33:59 > 0:34:03The question we've been asking is, why would someone kill Summers?
0:34:03 > 0:34:05And we have absolutely no idea.
0:34:05 > 0:34:09Perhaps the better question would be, why would someone light a fire?
0:34:09 > 0:34:13So, Doc, what are you thinking?
0:34:13 > 0:34:16I don't know. I just...
0:34:17 > 0:34:19I just don't know.
0:34:19 > 0:34:24Charlie, you've just put a choke hold on Summers, yes?
0:34:24 > 0:34:26Uh, how did I get in?
0:34:26 > 0:34:29Oh, say you're the manager of the cinema. You've got a key.
0:34:29 > 0:34:34Or...or just maybe I'm Edward Tyneman and Summers knows me.
0:34:34 > 0:34:37You be careful. You're starting to sound like me.
0:34:37 > 0:34:40Now, you argue, or you don't.
0:34:40 > 0:34:43Bear with me for a second, would you?
0:34:43 > 0:34:48Now, somehow...somehow you manage to get a choke hold on him, yes?
0:34:48 > 0:34:53And you maintain that hold until he's unconscious.
0:34:53 > 0:34:56All right. All right, so I'm strong.
0:34:56 > 0:35:00But you have barely two minutes. Two minutes to start a fire.
0:35:00 > 0:35:04- Well, why don't I just kill him? - Maybe that's not your intention.
0:35:04 > 0:35:06What, so I just want to burn the place down?
0:35:06 > 0:35:10Ahh! But this door, this door closes,
0:35:10 > 0:35:13sealing the room, and the fire smoulders down.
0:35:13 > 0:35:16Maybe I don't get that.
0:35:16 > 0:35:18Maybe you do.
0:35:18 > 0:35:22Maybe you do. But why, why do you do it here?
0:35:23 > 0:35:28Well, because nitrate burns like nothing else on earth, that's why.
0:35:36 > 0:35:38What?
0:35:38 > 0:35:39This film.
0:35:40 > 0:35:42This is 16mm.
0:35:42 > 0:35:49Normally, film used for general exhibition is 35mm.
0:35:50 > 0:35:53There seems to be a lot of this 16mm stuff here.
0:35:53 > 0:35:59Edward Tyneman. He had a 16mm film projector at that party last night.
0:36:03 > 0:36:07- You sure Mrs Beazley won't mind? - Oh, she's used to me making a mess.
0:36:07 > 0:36:09Not quite what I meant.
0:36:09 > 0:36:13Mattie! Have you ever edited film before?
0:36:13 > 0:36:15Can't say that I have.
0:36:15 > 0:36:18Well, this was amongst the film stock at the cinema.
0:36:18 > 0:36:20It's 16mm, not meant to be there.
0:36:20 > 0:36:23So, we're going to clean it, we're going to cut away the damage
0:36:23 > 0:36:25and we're going to stick it together.
0:36:25 > 0:36:27- With what? - Sticky tape.
0:36:27 > 0:36:30- Why? - Well, because we're out of ideas.
0:36:33 > 0:36:34All right.
0:36:42 > 0:36:44DOOR OPENS
0:36:44 > 0:36:45Ah!
0:36:45 > 0:36:48- You keep up a fair pace. - Yes, well, I have to around here.
0:36:49 > 0:36:53- Oh, cup of tea, Richard? - Lovely.
0:36:53 > 0:36:56- Lucien? - In here!
0:36:56 > 0:36:58What's through those doors?
0:36:58 > 0:37:02(It's his mother's room apparently. He keeps it locked.)
0:37:02 > 0:37:04Don't even think about it, Charlie.
0:37:07 > 0:37:11- Oh, what's going on? - Uh, the film from the fire.
0:37:11 > 0:37:14We've managed to splice it together. Evidence.
0:37:14 > 0:37:16Is that...?
0:37:16 > 0:37:18That's the room in Tyneman's house.
0:37:19 > 0:37:24Yes. Bloody Tyneman's. Edward this time, not Patrick.
0:37:24 > 0:37:28Oh, the son of a local businessman.
0:37:31 > 0:37:33That's...a girl.
0:37:36 > 0:37:38What's she doing?
0:37:42 > 0:37:44- Oh, Lucien! - Jean.
0:37:44 > 0:37:47- Jean! Jean, I'm... - What the devil?!
0:37:47 > 0:37:49Richard. Richard, please!
0:37:54 > 0:37:55MATTIE GASPS
0:37:55 > 0:37:59Mattie, are you all right?
0:37:59 > 0:38:00What is it?
0:38:00 > 0:38:03The birthmark. I know who that is.
0:38:07 > 0:38:08Please.
0:38:08 > 0:38:11Thanks for coming in, Amelia.
0:38:11 > 0:38:13Take a seat over here.
0:38:15 > 0:38:19Um...I'm afraid...
0:38:19 > 0:38:23I'm afraid what I have to tell you...
0:38:23 > 0:38:24HE SIGHS
0:38:24 > 0:38:27..is going to come as unwelcome news.
0:38:27 > 0:38:32Um, with this investigation into Mr Summer's death,
0:38:32 > 0:38:36some 16mm film was found in the projection booth.
0:38:36 > 0:38:39Now, it was damaged somewhat...
0:38:41 > 0:38:45..but we managed to piece it together and view it.
0:38:47 > 0:38:49It was pornographic,
0:38:49 > 0:38:51and you were in it.
0:38:55 > 0:38:58- Does Mattie know? - I'm afraid so.
0:39:01 > 0:39:04Tell me, how...how did this happen?
0:39:07 > 0:39:11After my parents died, I really went off the rails.
0:39:12 > 0:39:15My brother was always there for me.
0:39:15 > 0:39:17What does Paddy have to do with this?
0:39:17 > 0:39:20He borrowed some money to start a business,
0:39:20 > 0:39:22but then he couldn't pay it back.
0:39:22 > 0:39:24I see.
0:39:25 > 0:39:27Who did he borrow money from?
0:39:29 > 0:39:31Edward Tyneman?
0:39:33 > 0:39:36He said that I could pay back all of Paddy's debts...
0:39:38 > 0:39:39..if I let him film me.
0:39:39 > 0:39:41HE SIGHS
0:39:41 > 0:39:43Of course.
0:39:44 > 0:39:47When was this?
0:39:47 > 0:39:49Um, about six months ago.
0:39:49 > 0:39:51I hadn't met Vincent yet.
0:39:54 > 0:39:56And does Paddy...?
0:39:56 > 0:39:58Does he know about this?
0:40:00 > 0:40:03He found out. Men started...
0:40:05 > 0:40:08- Yes. - He was so angry.
0:40:11 > 0:40:13I wasn't the only one.
0:40:13 > 0:40:15There were other films, other girls.
0:40:17 > 0:40:21- I'm so sorry. - Ah, Amelia.
0:40:21 > 0:40:23I feel so dirty.
0:40:23 > 0:40:27Well, you're not. Not at all.
0:40:28 > 0:40:31Just promise me you won't tell Vincent.
0:40:38 > 0:40:40How is she?
0:40:40 > 0:40:44Well, she's feeling...ashamed.
0:40:44 > 0:40:47You know, she is never going to talk to me again
0:40:47 > 0:40:50because I saw her doing that.
0:40:50 > 0:40:54Listen, you did the right thing.
0:40:57 > 0:40:59Terrible, Jean.
0:40:59 > 0:41:02Trying to pay off her brother's debts.
0:41:02 > 0:41:05- Oh, that poor girl. - Yes.
0:41:05 > 0:41:11Thank you. Um, by the way...
0:41:11 > 0:41:15I'm sorry Richard had to see that.
0:41:16 > 0:41:18Are you fond of him?
0:41:19 > 0:41:22Let's not talk about Richard like this.
0:41:22 > 0:41:24Are you fond of him?
0:41:24 > 0:41:28Because if you are, you have my blessing.
0:41:28 > 0:41:30Oh, thank you. I'm so grateful.
0:41:30 > 0:41:32Why don't you organise the reception while you're at it?
0:41:32 > 0:41:34You know, I'm not a fool, Lucien.
0:41:34 > 0:41:38I don't just fall head over heels for any man who pays me some attention.
0:41:38 > 0:41:40- Jean, I was just saying... - Richard is a very charming man.
0:41:40 > 0:41:43But after he saw that film, he followed me into the garden,
0:41:43 > 0:41:45he got angry and he shouted at me.
0:41:45 > 0:41:47I'm sorry, I had no idea.
0:41:47 > 0:41:51Yes. So, thank you for your blessings, but this time, I'll pass.
0:41:56 > 0:42:00Edward Tyneman's lawyer denies everything. Threatened legal action.
0:42:00 > 0:42:01Can he do that?
0:42:01 > 0:42:03Well, he can make life difficult.
0:42:04 > 0:42:07You think Miss Yorke would go on record against him?
0:42:07 > 0:42:09- No, no, it'd destroy her. - Constable.
0:42:17 > 0:42:19What do you think?
0:42:19 > 0:42:23About the brother? Certainly plenty of motive.
0:42:23 > 0:42:27But why didn't he go straight after Edward Tyneman?
0:42:27 > 0:42:30Well, perhaps he was next on the list, after he killed Adam.
0:42:30 > 0:42:34And set about destroying the film. What about the manager?
0:42:34 > 0:42:38No, small-time fraud, perhaps, but no, this is different.
0:42:40 > 0:42:42Are we certain the fiance doesn't know?
0:42:42 > 0:42:44Amelia begged me not to tell him.
0:42:44 > 0:42:47She did say, however, there are other girls.
0:42:47 > 0:42:49Probably worth tracking them down.
0:42:50 > 0:42:52Not that they're likely to come forward.
0:43:13 > 0:43:14KNOCKING AT DOOR
0:43:14 > 0:43:17- Lucien. - Richard!
0:43:17 > 0:43:21- So, this is where you work? - When I'm not at the surgery, yes.
0:43:21 > 0:43:25- Something I can do for you? - Jean said you'd be here.
0:43:25 > 0:43:28I wanted to apologise, to both of you.
0:43:28 > 0:43:32- I lost my temper. - No need to apologise.
0:43:32 > 0:43:36Well, that sort of thing, it's the worst kind of exploitation.
0:43:36 > 0:43:38Young women...
0:43:38 > 0:43:39It's the worst.
0:43:39 > 0:43:43I certainly hope those responsible are caught and punished.
0:43:43 > 0:43:47But, uh, that's still no excuse.
0:43:47 > 0:43:49I shouldn't have lost my temper.
0:43:49 > 0:43:50Well, no harm done, I'm sure.
0:43:50 > 0:43:52Now, listen, how long are you in town for?
0:43:52 > 0:43:56I'm not sure. There are some family matters to attend to.
0:43:56 > 0:43:58Right. I understand.
0:44:00 > 0:44:02Thanks, Lucien.
0:44:03 > 0:44:06- Now listen, dinner sometime, yes? - I'd love to.
0:44:06 > 0:44:08- Good. - See you.
0:44:49 > 0:44:52RUSTLING
0:45:00 > 0:45:01Richard.
0:45:02 > 0:45:04Lucien!
0:45:06 > 0:45:10Get out of here, Lucien. Please, just go. Let me...
0:45:10 > 0:45:14And what do I tell Jean? That I just left you here?
0:45:14 > 0:45:16Richard, come on.
0:45:16 > 0:45:18You weren't planning to die tonight and I know I wasn't.
0:45:18 > 0:45:22Please. Please, I'm asking you. Don't...don't do it.
0:45:34 > 0:45:37They told her no-one else would see it.
0:45:37 > 0:45:42Then they travelled up and down the country, showing everyone.
0:45:42 > 0:45:46My brother went into his local and saw his daughter...
0:45:48 > 0:45:50..doing that.
0:45:51 > 0:45:57While all the other drinkers stood around...cheering.
0:46:00 > 0:46:03You got family?
0:46:03 > 0:46:04Yes.
0:46:04 > 0:46:07Well, then, you understand.
0:46:09 > 0:46:12I had to do something.
0:46:15 > 0:46:18Henry's health was never good.
0:46:18 > 0:46:21That as good as killed him.
0:46:21 > 0:46:25Sweet Rebecca dropped her bundle after that.
0:46:25 > 0:46:27Where is she now?
0:46:27 > 0:46:30- Mayday Hills. - Ahh!
0:46:30 > 0:46:33Committed. Six months ago.
0:46:33 > 0:46:38Said she couldn't bear the thought of her father...
0:46:38 > 0:46:39HE SNIFFLES
0:46:39 > 0:46:40..knowing.
0:46:42 > 0:46:46And the bastard responsible inherits this.
0:46:46 > 0:46:50- He doesn't bloody deserve it. - No, he does not.
0:46:52 > 0:46:54So...
0:46:56 > 0:46:59..what are you going to do now?
0:47:06 > 0:47:08I'm going to stay with you.
0:47:08 > 0:47:11And wait until you're ready.
0:47:13 > 0:47:19Then together we'll walk out of here and I'll drive you back into town.
0:47:19 > 0:47:21You're going to let me go?
0:47:23 > 0:47:24Then why should I go with you?
0:47:24 > 0:47:27Because you're a decent man, Richard, you are.
0:47:27 > 0:47:30A decent man, in spite of what you've done.
0:47:30 > 0:47:33Adam Summers wouldn't have thought so.
0:47:36 > 0:47:38And I...
0:47:41 > 0:47:44..I think he might be right.
0:47:51 > 0:47:55Jean would expect you to accompany me back to town.
0:47:58 > 0:48:00Really?
0:48:01 > 0:48:03Even now?
0:48:03 > 0:48:04Oh, yes.
0:48:09 > 0:48:12Well...
0:48:12 > 0:48:14I'd better not disappoint her, then.
0:48:21 > 0:48:23The bloke who did this?
0:48:25 > 0:48:28They won't get away with it, I promise you that.
0:48:31 > 0:48:34Is there anything you want to tell us, Mr Tyneman?
0:48:34 > 0:48:36I've already warned you, Mr Lawson.
0:48:36 > 0:48:38My lawyer will be here soon.
0:48:38 > 0:48:41The courts recognise early guilty pleas.
0:48:41 > 0:48:45Then I'll accept nothing less than a full apology.
0:48:45 > 0:48:47Fair enough.
0:48:47 > 0:48:49The constable found something interesting
0:48:49 > 0:48:51while he was going through the footage.
0:49:00 > 0:49:03Stop there. There.
0:49:03 > 0:49:04In the mirror.
0:49:09 > 0:49:11Extortion, false imprisonment,
0:49:11 > 0:49:14the producing of pictures or of a film
0:49:14 > 0:49:18of an indecent, obscene or disgusting nature.
0:49:28 > 0:49:30Is this your doing?
0:49:32 > 0:49:35Is this your doing?
0:49:35 > 0:49:37- Dad. - Patrick.
0:49:53 > 0:49:57I understand my family lawyer has been contacted.
0:49:57 > 0:50:00So I believe. - I'm calling him off.
0:50:02 > 0:50:04You're on your own.
0:50:04 > 0:50:05What?
0:50:05 > 0:50:09This is not the way our family conducts itself.
0:50:09 > 0:50:12You've forced a young woman to prostitute herself,
0:50:12 > 0:50:14and you've filmed it for your own pleasure!
0:50:14 > 0:50:20- It was for money. - It's disgusting, and it's illegal.
0:50:20 > 0:50:22Well, that's never stopped you before.
0:50:24 > 0:50:26You're a disgrace.
0:50:29 > 0:50:33I apologise for wasting police resources.
0:50:35 > 0:50:38- Charge him. - Dad!
0:50:38 > 0:50:41Dad! Dad!
0:50:54 > 0:50:55You OK?
0:50:57 > 0:50:58Let's go.
0:51:01 > 0:51:06Sorry. Can I ask, does my fiance have to know about this?
0:51:10 > 0:51:12He won't hear it from us, Miss Yorke.
0:51:12 > 0:51:14Thank you.
0:51:14 > 0:51:17But you might still consider telling him.
0:51:17 > 0:51:21I understand he loves you.
0:51:21 > 0:51:23Might be worth trusting that.
0:51:34 > 0:51:36Sir?
0:51:36 > 0:51:38Haven't you got some paperwork to do?
0:51:40 > 0:51:41Yes.
0:51:47 > 0:51:49He'll get there.
0:52:00 > 0:52:05Don't tell me you've just washed the sheet we used as a screen?
0:52:05 > 0:52:09- It was already clean. - Well, it's cleaner now.
0:52:14 > 0:52:18He was a good man, Richard. Mostly.
0:52:18 > 0:52:20There was just something...
0:52:21 > 0:52:24Yes, something...
0:52:24 > 0:52:26..very sad about him.
0:52:27 > 0:52:30The same can be said of a lot of people.
0:52:35 > 0:52:39Yes, but we don't all light fires and kill people, do we?
0:52:39 > 0:52:42No. No, we don't.
0:52:46 > 0:52:48Jean...
0:52:50 > 0:52:52..I am so sorry I offended you.
0:52:54 > 0:52:57I'll never give you my blessing again.
0:52:57 > 0:52:58Oh, just as well.
0:53:00 > 0:53:02Pass me another towel.
0:53:04 > 0:53:06- Thank you. - You're welcome.