0:00:11 > 0:00:12EXPLOSION
0:00:13 > 0:00:18Remember, remember the fifth of November
0:00:20 > 0:00:23Gunpowder, treason and plot
0:00:23 > 0:00:25For I see no reason
0:00:25 > 0:00:28why gunpowder treason
0:00:28 > 0:00:31should ever be forgot...
0:00:37 > 0:00:40Guy Fawkes Guy
0:00:40 > 0:00:42Twas his intent
0:00:42 > 0:00:45To blow up king and parliament
0:00:45 > 0:00:47Three small barrels
0:00:47 > 0:00:49Were laid below
0:00:49 > 0:00:53To prove all England's overthrow...
0:00:57 > 0:01:00By God's mercy he was catched
0:01:00 > 0:01:03With a darkened lantern and burning match
0:01:03 > 0:01:05So holloa boys, holloa boys
0:01:05 > 0:01:07Let the bells ring
0:01:07 > 0:01:09Holloa boys, holloa boys
0:01:09 > 0:01:11God save the King...
0:01:11 > 0:01:14OK, OK. You've had your fun. Get these darkies out of here.
0:01:14 > 0:01:16The fun's only just started, Mr Van De Heyden.
0:01:18 > 0:01:20That's your friend, right?
0:01:20 > 0:01:22Talk to her. Make her see reason.
0:01:22 > 0:01:24Your definition of reason being?
0:01:28 > 0:01:31Remember, remember the fifth of November
0:01:31 > 0:01:33Gunpowder, treason and plot
0:01:33 > 0:01:35We see no reason
0:01:35 > 0:01:37For gunpowder treason
0:01:37 > 0:01:41To ever be forgot...
0:01:41 > 0:01:44FOLK MUSIC PLAYS
0:01:56 > 0:01:58You should have brought a coat.
0:01:58 > 0:01:59Flak jacket, more like.
0:02:05 > 0:02:06You stay here.
0:02:10 > 0:02:12What is going on?
0:02:21 > 0:02:24It's all right, Gracie. He's just having a bit of fun.
0:02:26 > 0:02:30EXPLOSIONS
0:02:44 > 0:02:47Mary. Mary, it's time we left.
0:02:47 > 0:02:48Have you seen Emma?
0:02:48 > 0:02:50Mary.
0:02:53 > 0:02:55Gracie!
0:02:56 > 0:02:57She's all right
0:02:57 > 0:02:59SCREAM
0:02:59 > 0:03:01Stay here.
0:03:01 > 0:03:03Come on, stay with me.
0:03:13 > 0:03:14Oh, no!
0:03:14 > 0:03:16He's got a gun!
0:03:18 > 0:03:19Emma!
0:03:22 > 0:03:23Get him!
0:03:23 > 0:03:26Hey! Hey, Tommy, lights!
0:03:26 > 0:03:29Kill the bastard!
0:03:35 > 0:03:37You're going to cop it now, boy!
0:04:38 > 0:04:40Leave me alone!
0:04:40 > 0:04:41Get off me!
0:04:43 > 0:04:44Get in there!
0:04:44 > 0:04:46And no more lip.
0:04:48 > 0:04:50It's about bloody time, Doc.
0:04:50 > 0:04:51Bill Hobart.
0:04:51 > 0:04:53How lovely to have you back with us.
0:04:53 > 0:04:55Doc. She's over here.
0:04:55 > 0:04:58Don't keep him yakking, Davis. We'll be here all night.
0:04:58 > 0:04:59I take it that's our...
0:04:59 > 0:05:02Killer. Yep.
0:05:04 > 0:05:05Oh, just a boy.
0:05:05 > 0:05:0816. Winston Cummings.
0:05:08 > 0:05:09Part of the orphanage.
0:05:14 > 0:05:16Dear, oh, dear.
0:05:16 > 0:05:18I've told you all I know.
0:05:18 > 0:05:20Now I need to get the children home.
0:05:20 > 0:05:22Can I help you take the children back to the orphanage?
0:05:22 > 0:05:23I can manage.
0:05:23 > 0:05:25Come on, Mary. We're leaving.
0:05:26 > 0:05:28Mary!
0:05:28 > 0:05:30Gracie, come with me.
0:05:34 > 0:05:37Damned fool of a girl.
0:05:37 > 0:05:39She should never have taken those children out.
0:05:43 > 0:05:44Emma Keneally,
0:05:44 > 0:05:4622 years old.
0:05:46 > 0:05:48Straight-up shooting.
0:05:49 > 0:05:51It would appear so, Charlie.
0:05:51 > 0:05:53I trust you have the weapon there.
0:05:55 > 0:05:57Ah...
0:05:57 > 0:05:58A Luger P08.
0:05:59 > 0:06:01A highly sought-after souvenir
0:06:01 > 0:06:04for returning soldiers, the Luger.
0:06:05 > 0:06:08Where would he get his hands on something like this?
0:06:08 > 0:06:10The boy's probably a little too young for active service, hey?
0:06:10 > 0:06:12Mm.
0:06:12 > 0:06:16Ah, I found some spent shells over there.
0:06:19 > 0:06:20Here.
0:06:23 > 0:06:24This.
0:06:24 > 0:06:26This is where he fired the gun.
0:06:28 > 0:06:29Look, Charlie,
0:06:29 > 0:06:32perfect cover.
0:06:32 > 0:06:34Do you have your torch handy?
0:06:34 > 0:06:35Yeah.
0:06:37 > 0:06:39Ah, yes, now.
0:06:39 > 0:06:41I don't think our shooter was standing.
0:06:41 > 0:06:43I think he was kneeling.
0:06:43 > 0:06:44A right hander,
0:06:44 > 0:06:47if shooting from a kneeling position, would typically
0:06:47 > 0:06:51put his right knee on the ground and step his left foot forward.
0:06:51 > 0:06:53You see?
0:06:53 > 0:06:56Now, looking at the impressions in the ground here,
0:06:56 > 0:06:59I would say
0:06:59 > 0:07:03the opposite applies. I think our shooter favoured his left.
0:07:03 > 0:07:05Right.
0:07:05 > 0:07:08Well, we found a third shell over here.
0:07:08 > 0:07:10Well, there was a third shot?
0:07:10 > 0:07:12Yeah.
0:07:14 > 0:07:16Right there.
0:07:18 > 0:07:22Did anyone actually see him fire the weapon?
0:07:22 > 0:07:23No.
0:07:23 > 0:07:26Well, forgive me, Charlie, but look.
0:07:26 > 0:07:28Imagine this, if you will.
0:07:28 > 0:07:30Here I am, under the cover of darkness.
0:07:30 > 0:07:31I kneel,
0:07:31 > 0:07:33shoot,
0:07:33 > 0:07:35fell my target.
0:07:35 > 0:07:38Why on Earth do I then move forward into the light
0:07:38 > 0:07:41and what, take another shot?
0:07:41 > 0:07:44Maybe you try to dispose of your gun in the bonfire.
0:07:44 > 0:07:46Well...
0:07:46 > 0:07:49Lucien, when you're finished here I wouldn't mind a lift home.
0:07:49 > 0:07:51Yes, Mattie, of course, of course.
0:07:51 > 0:07:53Oww.
0:07:53 > 0:07:54Oh, you're hurt.
0:07:54 > 0:07:56No, it's nothing. It's just a burn.
0:07:56 > 0:07:58It's not nothing.
0:07:58 > 0:07:59We'll sort you out.
0:08:01 > 0:08:03One minute there were people singing and
0:08:03 > 0:08:07dancing and then suddenly, there was a...
0:08:07 > 0:08:10A boom.
0:08:10 > 0:08:13And where was Emma when this occurred?
0:08:13 > 0:08:14I'd lost sight of her.
0:08:14 > 0:08:19She'd gone off to talk with Winston and the next time I saw her, she...
0:08:21 > 0:08:23Yes.
0:08:23 > 0:08:25Well, I'm just glad you're all right.
0:08:26 > 0:08:30I still don't understand why Winston shot Emma.
0:08:30 > 0:08:33He... He looked up to her.
0:08:33 > 0:08:35If anything, I think he had a crush on her.
0:08:37 > 0:08:39Really?
0:08:39 > 0:08:40Was she aware of this crush?
0:08:42 > 0:08:44She played on it.
0:08:56 > 0:08:57Well, well.
0:08:57 > 0:08:59Quick or the dead around here.
0:08:59 > 0:09:01I was obliged to start without you.
0:09:01 > 0:09:03Your new boss, the superintendent,
0:09:03 > 0:09:06has been badgering me for my report.
0:09:06 > 0:09:07Munro called you?
0:09:07 > 0:09:10Three times in the past hour.
0:09:10 > 0:09:12Catch me up.
0:09:12 > 0:09:15Two gunshot wounds to the upper left thorax.
0:09:15 > 0:09:18Entrance wounds through the second and third intercostal space.
0:09:18 > 0:09:21No surrounding stippling or soot deposition.
0:09:21 > 0:09:23She's lost an earring. Torn lobe.
0:09:23 > 0:09:25Quite recently too, by the looks.
0:09:25 > 0:09:28And blood under a broken fingernail.
0:09:28 > 0:09:31No exit wounds. Both bullets have been accounted for.
0:09:32 > 0:09:37Alice, two wounds very close together. Two bullets,
0:09:37 > 0:09:39lodged very near the spine.
0:09:39 > 0:09:41Someone was a very steady shot.
0:09:46 > 0:09:47GUNSHOT
0:09:58 > 0:10:00Out of practice, Major Blake.
0:10:04 > 0:10:07What on Earth are you doing?
0:10:07 > 0:10:09Conducting a little experiment.
0:10:09 > 0:10:11That was dinner.
0:10:11 > 0:10:13Right.
0:10:13 > 0:10:15I thought it past its prime.
0:10:15 > 0:10:17Well, it is now.
0:10:22 > 0:10:24Ah, Charlie.
0:10:24 > 0:10:27Do you know if Winston had any access to guns, arms training,
0:10:27 > 0:10:29cadets, perhaps?
0:10:29 > 0:10:31Well, he's not answering any questions at the moment,
0:10:31 > 0:10:33- but I doubt it.- Why?
0:10:33 > 0:10:35Well,
0:10:35 > 0:10:39Doc, he's black.
0:10:39 > 0:10:41Plenty of Aboriginal soldiers served, Charlie.
0:10:41 > 0:10:43What's your point?
0:10:43 > 0:10:46Look, I made the distance he supposedly fired that
0:10:46 > 0:10:48gun at to be around 25 yards.
0:10:48 > 0:10:51Now, I'll grant you, conducting a test without the actual
0:10:51 > 0:10:54murder weapon is flawed science but...
0:10:54 > 0:10:55Forgive me, I'm waffling.
0:10:55 > 0:10:58Look, I consider myself an accomplished shot, Charlie.
0:10:58 > 0:11:01I've had training, experience.
0:11:01 > 0:11:02I had a devil of a time hitting
0:11:02 > 0:11:05anything at that range, whereas our killer managed to fire off two
0:11:05 > 0:11:08shots in quick succession, both shots bang on target.
0:11:08 > 0:11:10- Impressive.- Impressive?
0:11:10 > 0:11:12A damn-near bloody professional.
0:11:12 > 0:11:13Oi!
0:11:13 > 0:11:15Get off my desk.
0:11:15 > 0:11:16Your desk?
0:11:16 > 0:11:19Blake, what are you doing here?
0:11:19 > 0:11:23A copy of the autopsy report on Emma Keneally.
0:11:23 > 0:11:26I asked the forensic registrar to deliver it directly to me.
0:11:26 > 0:11:29Ah, more than happy to do it in person.
0:11:29 > 0:11:31And good to toss ideas around face-to-face. You know,
0:11:31 > 0:11:33more collegiate.
0:11:33 > 0:11:35I am capable of reading a report.
0:11:35 > 0:11:38Yes, yes, of course, as you wish. I would like to see
0:11:38 > 0:11:40young Winston, however, if I may.
0:11:40 > 0:11:41I don't see why.
0:11:41 > 0:11:44Well, he may be carrying injuries, and it's my job to ensure
0:11:44 > 0:11:47he remains in good health whilst in police custody.
0:11:47 > 0:11:49Charlie, fancy doing the honours?
0:11:49 > 0:11:51Sergeant Hobart,
0:11:51 > 0:11:53escort Doctor Blake to the cells.
0:11:56 > 0:11:58Winston.
0:11:58 > 0:12:00Go away.
0:12:00 > 0:12:02Doesn't like the look of you, Doc.
0:12:03 > 0:12:06Winston, I'm a doctor. My name's Lucien Blake.
0:12:06 > 0:12:09I'd like to take a look at you, if that's all right.
0:12:09 > 0:12:10You're not police?
0:12:10 > 0:12:13No. No, I'm not.
0:12:16 > 0:12:18You took quite a knock, I'm told.
0:12:18 > 0:12:20I'm all right.
0:12:20 > 0:12:22Yes, well,
0:12:22 > 0:12:23how about we take a quick look anyway, eh?
0:12:23 > 0:12:26Now, a couple of deep breaths for me, in and out.
0:12:30 > 0:12:32Good. And one more.
0:12:35 > 0:12:38I don't think anything's broken. That's a good sign.
0:12:38 > 0:12:40Just bruised, I think.
0:12:40 > 0:12:42What time is it?
0:12:42 > 0:12:44Well, it's...
0:12:45 > 0:12:46It's 9am.
0:12:46 > 0:12:4812 more hours.
0:12:48 > 0:12:50Then they have to charge me or let me go.
0:12:50 > 0:12:52- Fancy yourself as a lawyer, do you? - Why not, eh?
0:12:52 > 0:12:54You'll see the inside of a court room
0:12:54 > 0:12:57soon enough, son. You won't be the last black fella to hang for...
0:12:57 > 0:12:58You know, one day you're
0:12:58 > 0:13:00not going to be able to do whatever you want to us?
0:13:00 > 0:13:02One day you're all going to pay.
0:13:02 > 0:13:03Yeah, well, till that day comes,
0:13:03 > 0:13:05why don't you shut your boong mouth?
0:13:05 > 0:13:06Bill.
0:13:10 > 0:13:11We just got a call.
0:13:11 > 0:13:13There's a witness to the shooting.
0:13:18 > 0:13:21I saw him standing up by the trees.
0:13:21 > 0:13:25He had something in his hand and then I saw two bright flashes.
0:13:26 > 0:13:28How can you be sure it was Winston Cummings?
0:13:28 > 0:13:30Ah, Tommy goes to school with him.
0:13:30 > 0:13:34Why didn't you tell us last night when I first interviewed you, Tommy?
0:13:34 > 0:13:37I thought what I saw was one of them Roman candle firecrackers.
0:13:37 > 0:13:40You know, the ones that shoot out coloured balls.
0:13:40 > 0:13:43It wasn't until I thought about it later that
0:13:43 > 0:13:47I worked out that must have been the moment that he shot her.
0:13:47 > 0:13:49You were in the car, listening to the
0:13:49 > 0:13:52radio while all this was going on, weren't you?
0:13:52 > 0:13:53Yeah, that's right.
0:13:53 > 0:13:56Quiz Kids was on.
0:13:56 > 0:13:58How'd you see Winston from inside the car, Tommy?
0:14:01 > 0:14:03Here's you.
0:14:05 > 0:14:06Here's the bonfire.
0:14:08 > 0:14:11And that's where Winston was standing.
0:14:12 > 0:14:16Your view is completely obscured by the bonfire.
0:14:18 > 0:14:21You're wasting our time, Tommy.
0:14:21 > 0:14:23I was only trying to help.
0:14:23 > 0:14:25Everyone in town knows he done it.
0:14:25 > 0:14:27It's all right.
0:14:41 > 0:14:43Sister.
0:14:43 > 0:14:44What do you want?
0:14:44 > 0:14:47Ah, I'm meeting District Nurse O'Brien here.
0:14:47 > 0:14:48We were chatting earlier.
0:14:48 > 0:14:52I offered to do some free health checks on the children.
0:14:52 > 0:14:53Did you indeed?
0:14:57 > 0:14:59Good. Very good.
0:14:59 > 0:15:02Well, you can hop down now. You ready?
0:15:02 > 0:15:05One, two, three. Good girl.
0:15:09 > 0:15:11Well, collectively they lack vitality.
0:15:11 > 0:15:14They share some other symptoms as well.
0:15:14 > 0:15:16Might pay to make a trip to the greengrocer,
0:15:16 > 0:15:17pick up some oranges.
0:15:17 > 0:15:19We lost our fruit trees to the birds.
0:15:19 > 0:15:21We're doing without.
0:15:21 > 0:15:22Yes.
0:15:22 > 0:15:24Yes, of course.
0:15:24 > 0:15:26Ah.
0:15:26 > 0:15:27Well, hello there.
0:15:29 > 0:15:32I suppose I'll have to have a look at you too, eh?
0:15:32 > 0:15:34The baby's already had her health checks done.
0:15:34 > 0:15:36Last week.
0:15:36 > 0:15:39Sister Frances, please get the children ready for chapel.
0:15:39 > 0:15:41OK. Come on, everybody out.
0:15:46 > 0:15:48That must be you done, Doctor.
0:15:48 > 0:15:50I think Nurse O'Brien is gathering up the last
0:15:50 > 0:15:52one or two.
0:15:55 > 0:15:57This, um...
0:15:57 > 0:16:01This business with Emma Keneally. It's just...
0:16:01 > 0:16:02Just terrible, isn't it?
0:16:04 > 0:16:08Do you have any idea what might have driven Winston to want to kill her?
0:16:10 > 0:16:12Are you a copper or a doctor?
0:16:23 > 0:16:24Hello?
0:16:24 > 0:16:26Who's there?
0:16:29 > 0:16:30Mary.
0:16:35 > 0:16:37What are you doing in here?
0:16:37 > 0:16:39Isn't this the boys' dormitory?
0:16:39 > 0:16:41This is Winston's bed.
0:16:42 > 0:16:45Come on, Doctor Blake is waiting to see you.
0:16:45 > 0:16:47Mattie?
0:16:47 > 0:16:49In here, Doctor.
0:16:55 > 0:16:57Stride Toward Freedom.
0:16:57 > 0:16:58Martin Luther King.
0:16:58 > 0:17:00It's Winston's.
0:17:01 > 0:17:02Proud young man, by the looks.
0:17:07 > 0:17:10"Consider this a call to arms.
0:17:10 > 0:17:12"Warmest regards, EK."
0:17:13 > 0:17:15EK... May I?
0:17:15 > 0:17:17Of course.
0:17:19 > 0:17:21Oh.
0:17:21 > 0:17:22Thank you.
0:17:28 > 0:17:30It's a love letter.
0:17:36 > 0:17:40It seems young Winston had more than just a crush on Emma.
0:17:40 > 0:17:41Well, why would you kill someone
0:17:41 > 0:17:44if you thought you were in love with them?
0:17:44 > 0:17:46If they were spurned, perhaps.
0:17:46 > 0:17:48Ooh, who was spurned?
0:17:48 > 0:17:50Oh nothing, Charlie. Pure conjecture at this point.
0:17:50 > 0:17:53Are you joining us for lunch?
0:17:53 > 0:17:55No, I've got a sandwich made up somewhere.
0:17:55 > 0:17:56On the sink.
0:18:00 > 0:18:03Jean, is everything OK?
0:18:03 > 0:18:05Yes, wonderful.
0:18:05 > 0:18:08I received a call from Christopher Junior.
0:18:08 > 0:18:11Apparently I'm going to be a grandmother.
0:18:11 > 0:18:13Congratulations!
0:18:13 > 0:18:15Oh, wonderful news. How about that?
0:18:15 > 0:18:16Bravo.
0:18:16 > 0:18:18Well.
0:18:18 > 0:18:21Out with the old, in with the new.
0:18:22 > 0:18:26I'll, um, pick up a new letterbox in town, shall I?
0:18:26 > 0:18:27Lovely.
0:18:27 > 0:18:28KNOCK ON DOOR
0:18:28 > 0:18:31- That'll be your one o'clock. - Right.
0:18:33 > 0:18:36Mrs Goldsmith, why don't you have a seat there?
0:18:37 > 0:18:39Now, what can I do for you?
0:18:39 > 0:18:41Well, I have this cut,
0:18:41 > 0:18:43and I fear it's become septic.
0:18:43 > 0:18:45Goodness me.
0:18:45 > 0:18:48I think you might be right.
0:18:48 > 0:18:50That does look nasty, and
0:18:50 > 0:18:53there appears to be something lodged in there.
0:18:57 > 0:19:01Well, you've been at war, haven't you?
0:19:01 > 0:19:03I'm sorry?
0:19:03 > 0:19:05That...
0:19:05 > 0:19:07That is a piece of shrapnel.
0:19:07 > 0:19:09That's going to need a stitch.
0:19:09 > 0:19:10I'm going to have to give you a local.
0:19:10 > 0:19:12Are you all right with needles?
0:19:16 > 0:19:18There we are.
0:19:20 > 0:19:24Mrs Goldsmith, tell me,
0:19:24 > 0:19:27that explosion...
0:19:27 > 0:19:31Do you recall whether it happened before or after Emma was shot?
0:19:31 > 0:19:33Um, no, sorry.
0:19:33 > 0:19:36Things were all rather chaotic at that point.
0:19:36 > 0:19:38Yes.
0:19:38 > 0:19:41Yes, I'm sure. I believe your husband knew the deceased.
0:19:41 > 0:19:45Yes, Emma was Ian's protegee. He taught her at Melbourne University.
0:19:45 > 0:19:48Oh. And she followed him up here?
0:19:48 > 0:19:50People tend to gravitate towards Ian.
0:19:50 > 0:19:52Goodness, you both must be devastated.
0:19:52 > 0:19:55And your husband knows the young boy, doesn't he? Winston.
0:19:55 > 0:19:58I'm wondering if your housekeeper would mind calling for a taxi cab.
0:19:58 > 0:20:00I walked here but I'm not sure I have the energy.
0:20:00 > 0:20:02I tell you what. I have to drive into
0:20:02 > 0:20:04town anyway. Why don't I drop you home?
0:20:04 > 0:20:05No, I'm happy for a taxi, please.
0:20:05 > 0:20:08Honestly, I insist. It's no trouble at all.
0:20:08 > 0:20:11Of course Winston's innocent.
0:20:11 > 0:20:13It's a ludicrous suggestion otherwise.
0:20:13 > 0:20:16Ian and Emma successfully campaigned to get Winston
0:20:16 > 0:20:18and Mary into the local public school.
0:20:18 > 0:20:21We're on the League for Aboriginal Advancement together.
0:20:21 > 0:20:23We went in hard, we won our case.
0:20:23 > 0:20:27The school's P&C were furious. The thought of their
0:20:27 > 0:20:29precious children sharing the same seat as coloureds.
0:20:29 > 0:20:33Yes, I can see how that would earn you some enemies.
0:20:33 > 0:20:35Well, it was worth it.
0:20:35 > 0:20:38That boy Winston, he's something special. A smart lad.
0:20:38 > 0:20:41He'll be the first man of colour to make the bar, you mark my words.
0:20:41 > 0:20:44Dr Blake has better things to do than listen to your raves, dear.
0:20:44 > 0:20:48Oh, thank you. And tell me, you don't recall speaking with Emma on the night of the bonfire?
0:20:48 > 0:20:53No, no, sorry, I was quite preoccupied with my work, I'm afraid.
0:20:53 > 0:20:56- Your work? - I'm a cultural anthropologist.
0:20:56 > 0:20:58I was making sound recordings of the evening.
0:20:58 > 0:21:01Part of my study into pagan ritual.
0:21:01 > 0:21:04- Really?- Mm. - Oh, how fascinating.
0:21:04 > 0:21:07I find it so. It'll be published one day soon,
0:21:07 > 0:21:09and lost in a library soon after, no doubt.
0:21:09 > 0:21:11But that's how I fill my days.
0:21:11 > 0:21:14Just one more thing, if I may.
0:21:14 > 0:21:17The explosion. What colour was the flame?
0:21:19 > 0:21:22Blue. Bluish green. Why?
0:21:39 > 0:21:41HE SNIFFS
0:21:45 > 0:21:48Incandescence, Charlie. Light produced from heat.
0:21:48 > 0:21:51Heat causes a substance to become hot and glow,
0:21:51 > 0:21:54initially emitting infrared,
0:21:54 > 0:21:56and then red, orange,
0:21:56 > 0:21:58yellow and white light as it becomes hotter.
0:21:58 > 0:22:00Are you with me so far?
0:22:00 > 0:22:03Yeah, I don't think this is a good idea, Doc.
0:22:03 > 0:22:05Now, luminescence on the other hand -
0:22:05 > 0:22:08light produced using energy sources other than heat.
0:22:08 > 0:22:11- Chemicals, Charlie. - What the hell are you doing?
0:22:11 > 0:22:12Ah, just in time, gentlemen.
0:22:13 > 0:22:15What the bloody...!
0:22:17 > 0:22:18Colour, Charlie?
0:22:18 > 0:22:20Definitely blue, towards the end.
0:22:20 > 0:22:22Caused by the addition of copper chloride.
0:22:22 > 0:22:25You won't find that in a regular 9mm round.
0:22:25 > 0:22:28Davis, explain the meaning of this.
0:22:28 > 0:22:30- Well...- It's all right, Charlie.
0:22:30 > 0:22:33You said the boy reeked of gunpowder, and there's a reason for that.
0:22:33 > 0:22:35But not because he fired a weapon.
0:22:35 > 0:22:37He'd been playing with firecrackers.
0:22:37 > 0:22:40Specifically, I think you'll find he was responsible for the
0:22:40 > 0:22:43home-made bomb that caused the explosion in the bonfire last night.
0:22:43 > 0:22:46I found this in the ashes of the fire.
0:22:48 > 0:22:49The fire you raked out, Davis?
0:22:53 > 0:22:55Bring in the suspect.
0:22:55 > 0:22:56Hop to it.
0:23:03 > 0:23:04Sorry, Bill.
0:23:11 > 0:23:12You want to tell me about this?
0:23:12 > 0:23:15I've already told you, I didn't kill Emma Keneally.
0:23:15 > 0:23:17That's not what I'm asking you.
0:23:17 > 0:23:20We're talking about the jam tin that you packed with gunpowder
0:23:20 > 0:23:22from the emptied-out firecrackers.
0:23:22 > 0:23:24- Don't put words in his mouth, Blake. - Guy Fawkes night.
0:23:24 > 0:23:27Good way to draw attention away from the sound of a gun going off.
0:23:27 > 0:23:29No, I was making a statement.
0:23:29 > 0:23:31You used it as a distraction, didn't you?
0:23:31 > 0:23:34Probably thought you were being clever about it.
0:23:34 > 0:23:37- No.- Makes sense. You're a smart kid.
0:23:37 > 0:23:42Wait till everyone's focused on the explosion, then pop. Hmm?
0:23:42 > 0:23:43Winston, catch.
0:23:46 > 0:23:48Here. What about this?
0:23:50 > 0:23:53You see? No attempt to catch it till the very last moment.
0:23:53 > 0:23:56- Better be going somewhere with this. - All right.
0:23:56 > 0:23:57Winston, I am terribly sorry.
0:23:58 > 0:24:00Just one more test, all right?
0:24:00 > 0:24:04Can you tell me, in order from your left to your right,
0:24:04 > 0:24:06who's standing where?
0:24:13 > 0:24:16Well, you're in the middle, but I can't...
0:24:16 > 0:24:19No. No. It's all right. It's over.
0:24:19 > 0:24:22And again, I am so sorry for putting you through that.
0:24:22 > 0:24:26Have you ever worn spectacles, glasses, for your vision?
0:24:26 > 0:24:27No, never had any.
0:24:27 > 0:24:30No, but you can read, obviously,
0:24:30 > 0:24:33so your short range vision is fine.
0:24:33 > 0:24:36Superintendent, two shots fired in quick succession,
0:24:36 > 0:24:4025 yards, thereabouts, pinpoint accuracy,
0:24:40 > 0:24:43at night, a moving target. I mean...
0:24:43 > 0:24:46Look, confirm it with an ophthalmologist if necessary.
0:24:46 > 0:24:50You can bet your life his lawyer will, if you put him on trial.
0:24:55 > 0:24:57Release him.
0:25:02 > 0:25:03CHEERING
0:25:06 > 0:25:10Now, hang on a tick. Before you go...
0:25:10 > 0:25:13These used to be my father's.
0:25:13 > 0:25:17Just until you get yourself your own pair.
0:25:17 > 0:25:18Let's see how they look on, eh?
0:25:22 > 0:25:24Ah, pretty good, I'd say.
0:25:26 > 0:25:30You know, that was fairly dangerous what you did with the jam tin,
0:25:30 > 0:25:33packing it full of the gunpowder. People could have been killed.
0:25:36 > 0:25:38Do you know who the Wathaurong are?
0:25:40 > 0:25:44It's the name of the tribe from this area.
0:25:44 > 0:25:46How many do you see around Ballarat today?
0:25:49 > 0:25:52"Smoothing the pillow of a dying race."
0:25:52 > 0:25:54That's what you lot call it.
0:25:54 > 0:25:56You know what we call it?
0:25:56 > 0:25:58Genocide.
0:26:00 > 0:26:02You should learn some local history, Doctor,
0:26:02 > 0:26:05before you start lecturing me about people dying.
0:26:08 > 0:26:11- BOY:- Winston!- Winston!
0:26:15 > 0:26:17CHEERING
0:26:23 > 0:26:28UPBEAT MUSIC PLAYS INSIDE CAFE
0:26:44 > 0:26:46- How are you?- Good.
0:26:46 > 0:26:49- How can I help you? - Yes, two double malts, thank you.
0:26:49 > 0:26:52Afternoon, Doc. Back for more fireworks?
0:26:52 > 0:26:57Ah, Kevin. No, thank you. I think I've had plenty of fireworks for now.
0:26:57 > 0:26:59It's funny, you know.
0:26:59 > 0:27:03I remember your mum and dad coming in here as a wee kid.
0:27:03 > 0:27:08It's funny, I... I don't recall ever coming here with my parents.
0:27:08 > 0:27:10No, never said you did.
0:27:10 > 0:27:14Every Friday night they'd come in, just like clockwork.
0:27:14 > 0:27:16Your mum would order a slice of
0:27:16 > 0:27:20poppy seed cake and Dad would heat it up in the salamander for her.
0:27:20 > 0:27:24- Every Friday, you say?- Yep, they'd sit in that table right over there.
0:27:24 > 0:27:27And he'd always make sure it was available for them.
0:27:30 > 0:27:32Right.
0:27:32 > 0:27:35Great tackle on Winston Cummings.
0:27:35 > 0:27:39Yeah, well, just doing what needed to be done.
0:27:39 > 0:27:43Did you see anything else, Kevin, when the shots were fired?
0:27:43 > 0:27:47No, I was too busy loading up the bonfire.
0:27:47 > 0:27:50Look, Miss, I know she was a friend of yours,
0:27:50 > 0:27:53and I don't like speaking ill of the dead, but that Emma
0:27:53 > 0:27:56- Keneally, she could be a right... - Tough little negotiator.
0:27:56 > 0:28:00Yeah. She and Goldsmith caused an almighty mess at our school,
0:28:00 > 0:28:02letting those darkies in.
0:28:02 > 0:28:04It's not fair on anybody, the black kids more so.
0:28:04 > 0:28:07Setting them up to fail like that. It's not right.
0:28:07 > 0:28:09Winston Cummings was a gifted student.
0:28:09 > 0:28:14Look how that turned out. Well, it's not their fault.
0:28:14 > 0:28:16Genetics. They're equipped with a much smaller brain.
0:28:16 > 0:28:18Scientific fact. Correct, Doc?
0:28:18 > 0:28:21Well, I haven't read that particular paper.
0:28:21 > 0:28:25- Anyhow, look, what do we owe you? - No, no, no charge, Tommy.
0:28:28 > 0:28:32You know, it's Olivia Goldsmith I feel sorry for.
0:28:32 > 0:28:34- Why's that?- Well, ah,
0:28:34 > 0:28:38Emma and her husband, they worked really closely together,
0:28:38 > 0:28:40if you know what I mean.
0:28:49 > 0:28:55- Ah, great minds think alike. - Doc, you can't keep doing this.
0:28:55 > 0:28:57Come on, Charlie, we're all family.
0:28:58 > 0:29:02Hey, if Munro finds out you're here, he'll have my bloody head.
0:29:04 > 0:29:08In your own little world, as always.
0:29:15 > 0:29:17Have a look at this. It's Emma's diary.
0:29:20 > 0:29:23"IG, such a hypocrite."
0:29:23 > 0:29:26IG? Ian Goldsmith?
0:29:26 > 0:29:30- Why is he a hypocrite? - We're yet to find that out, Charlie.
0:29:34 > 0:29:37Doc? You should know.
0:29:37 > 0:29:39Olivia Goldsmith?
0:29:39 > 0:29:44She's been a member of the local gun club since she was a kid.
0:29:44 > 0:29:48Her father's the club president. Said she's a hell of a shot.
0:29:48 > 0:29:53Is that right? Thank you, Charlie.
0:29:53 > 0:29:58SJ, BH, Maroopna, July 17.
0:29:58 > 0:30:02- SJ. Sister Josephine? - That's what I was thinking.
0:30:02 > 0:30:03And who's BH?
0:30:07 > 0:30:10- Bill Hobart. - You let him in here?
0:30:10 > 0:30:12- Now look, Bill... - Hang on, let me explain.
0:30:12 > 0:30:13Get out!
0:30:18 > 0:30:20Bill, tell me, what is your connection
0:30:20 > 0:30:23to Sister Josephine at the orphanage?
0:30:23 > 0:30:26- Do I have to cuff you, Doc? - Come on, what happens at Maroop...
0:30:30 > 0:30:33Mattie, I was wondering, do you think you could chase something up for me?
0:30:33 > 0:30:34Yeah, of course.
0:30:34 > 0:30:39The minutes from the last couple of meetings of the League for Aboriginal Advancement.
0:30:39 > 0:30:41- Yeah, I can do that.- Wonderful.
0:30:46 > 0:30:48- Jean?- Mm?
0:30:48 > 0:30:52The Goldsmiths. How old is their baby?
0:30:52 > 0:30:57Baby? They don't have any children.
0:30:57 > 0:31:01Really? Well, I couldn't help but notice a bassinet and
0:31:01 > 0:31:03some nappies and so forth at their place.
0:31:03 > 0:31:06She was having trouble falling pregnant.
0:31:06 > 0:31:10- I know she saw your father about it. - I see.
0:31:10 > 0:31:14Well, it certainly doesn't get any easier the older we get.
0:31:14 > 0:31:16Anyhow, what's for dinner?
0:31:16 > 0:31:19Well, it was going to be roast lamb and three veg.
0:31:19 > 0:31:21Now it's just the three veg.
0:31:21 > 0:31:23Yes, quite.
0:31:26 > 0:31:28- How difficult would it be... - Hm?
0:31:28 > 0:31:30..to turn that into a pot of soup?
0:31:31 > 0:31:33A very large pot of soup?
0:31:39 > 0:31:41- Well, hello, there.- Dr Blake.
0:31:41 > 0:31:45Thought we'd say a quick hello to Winston, see how he's getting by.
0:31:45 > 0:31:49- Marvellous news about his release. - Yes. Yes, it is.
0:31:53 > 0:31:56Mrs Goldsmith, how's that arm of yours healing?
0:31:56 > 0:31:57Oh, fine, thank you.
0:31:59 > 0:32:00Well, cheerio.
0:32:02 > 0:32:06Ah, Sister. Now, I took you at your word.
0:32:11 > 0:32:13Where are we with the fingerprint analysis?
0:32:13 > 0:32:16Ah, still waiting for it to come back, boss.
0:32:16 > 0:32:17Take a walk with me, Davis.
0:32:35 > 0:32:38Are we... we here to interview a suspect, sir?
0:32:38 > 0:32:41- Do you have a suspect for me, Davis? - No, sir.
0:32:41 > 0:32:44Or are you waiting for your landlord, Doctor Blake,
0:32:44 > 0:32:45to provide you one, perhaps?
0:32:48 > 0:32:50I'm having the sirloin. What about you?
0:32:50 > 0:32:52My shout.
0:32:56 > 0:33:00Well, Jean, I'd say your soup is a hit.
0:33:00 > 0:33:03It's very much appreciated, thank you.
0:33:03 > 0:33:04It's my pleasure.
0:33:05 > 0:33:12Now, kids, when you've finished your dinner, we've got something very special lined up for you.
0:33:13 > 0:33:14CHILDREN GASP
0:33:14 > 0:33:19Ah! But... But you have to finish your dinner first, all right?
0:33:19 > 0:33:22- May I leave the table, Sister? - Yes.
0:33:22 > 0:33:25Take your dishes to the kitchen sink, thank you.
0:33:25 > 0:33:28Not you, Mary. You're heading the washing up team.
0:33:34 > 0:33:38Sister, young Winston, he's left-handed.
0:33:40 > 0:33:41He's ambidextrous.
0:33:41 > 0:33:46- Nice crockery, Sister. - Brought them back from China.
0:33:46 > 0:33:48- Ah, you were in China? - Ah, a decade back.
0:33:48 > 0:33:52- I was part of a Catholic mission in Shandong.- Ah.
0:33:52 > 0:33:54What's your connection?
0:33:54 > 0:33:56I have a daughter there.
0:33:56 > 0:33:59- How old?- She's 21.
0:34:00 > 0:34:02She's a long way from home.
0:34:15 > 0:34:18Something you need to hear, Davis.
0:34:21 > 0:34:22Your father.
0:34:24 > 0:34:28I knew him back when I was a young copper in Richmond.
0:34:28 > 0:34:29You did?
0:34:31 > 0:34:33We worked the beat together.
0:34:33 > 0:34:34Took me under his wing
0:34:34 > 0:34:37while I was still trying to work out which way was up.
0:34:40 > 0:34:42He was a good man, your dad.
0:34:46 > 0:34:47His own man.
0:34:54 > 0:34:57- Have you been here long? - Eight years.
0:34:59 > 0:35:04I see. And how do you like Ballarat?
0:35:04 > 0:35:06It's nice.
0:35:12 > 0:35:15Stupid! Stupid girl! Stupid Aboriginal!
0:35:15 > 0:35:18It's all right. Mary, it's my fault. It's all right.
0:35:20 > 0:35:22It... It's not that nice here.
0:35:24 > 0:35:26No.
0:35:28 > 0:35:32They cry. Every night before they go to sleep.
0:35:36 > 0:35:37And what about you?
0:35:37 > 0:35:40I stopped crying a long time ago.
0:35:46 > 0:35:51Sister, tell me, what does the name Maroopna mean to you?
0:35:51 > 0:35:56It's the town where the vast percentage of our orphans come from.
0:35:56 > 0:35:58So all their parents are deceased?
0:35:58 > 0:36:00Families break down in different ways.
0:36:03 > 0:36:07- Very hard to lose your children. - I don't make the rules.
0:36:07 > 0:36:11The state's neglect laws determine whether I receive children or not.
0:36:11 > 0:36:14All I do is open my doors.
0:36:14 > 0:36:19Quite. Tell me, who transports the little ones?
0:36:19 > 0:36:20The police.
0:36:20 > 0:36:23- Bill Hobart?- Sometimes.
0:36:23 > 0:36:25BABY GURGLES
0:36:28 > 0:36:31And the baby. When did she arrive?
0:36:31 > 0:36:33Last Tuesday.
0:36:33 > 0:36:37- Lucien, would you mind coming with me, please?- 'Course.
0:36:54 > 0:36:59Those are my old glasses. I gave them to Winston weeks ago.
0:37:46 > 0:37:50My dear Lee, I know we didn't part on the best of terms, but
0:37:50 > 0:37:52I simply can't leave things as they are.
0:38:05 > 0:38:12I know it may not be easy, but please take the time to write back.
0:38:12 > 0:38:15I miss you more than you could possibly imagine.
0:38:15 > 0:38:21All my love, your father, Lucien.
0:38:46 > 0:38:50- I'm off to bed, Lucien. - Jean, would you..?.
0:38:50 > 0:38:53Would you mind terribly popping that in the post for me in the morning?
0:38:53 > 0:38:56Of course. I'll do it first thing.
0:38:56 > 0:38:59Thank you.
0:38:59 > 0:39:01Goodnight.
0:39:02 > 0:39:04Goodnight, Jean.
0:39:24 > 0:39:26Did young Mary say anything else?
0:39:26 > 0:39:30Not much. She's scared, Lucien.
0:39:31 > 0:39:35- Scared of what?- Of us.
0:39:35 > 0:39:39She's just a girl and she's trapped in this town where nobody
0:39:39 > 0:39:40seems to like her.
0:39:40 > 0:39:43No family. It's just dreadful.
0:39:43 > 0:39:45Yes. Yes, it is.
0:39:45 > 0:39:49I just wish there was something more I could do to help.
0:39:49 > 0:39:53Well, you certainly helped last night, and I thank you.
0:39:53 > 0:39:56Just a delight to see those young ones tucking into some good
0:39:56 > 0:39:57healthy food for a change.
0:39:59 > 0:40:01Wasn't it?
0:40:01 > 0:40:04It seemed like a rather empty gesture to me.
0:40:07 > 0:40:09You're quite right.
0:40:09 > 0:40:12Let's organise for a delivery once a week to the orphanage.
0:40:12 > 0:40:15Plenty of fresh fruit and veggies.
0:40:15 > 0:40:18Perhaps you could sort out the details for me.
0:40:18 > 0:40:19Ah.
0:40:20 > 0:40:22I have been in contact
0:40:22 > 0:40:24with the League For Aboriginal Advancement
0:40:24 > 0:40:26and they're involved in some very
0:40:26 > 0:40:29important work, if the minutes of their last few meetings are
0:40:29 > 0:40:31- anything to go by. - You've read the minutes?
0:40:31 > 0:40:33Oh, I did better than that.
0:40:33 > 0:40:35I hope you can read my shorthand.
0:40:38 > 0:40:41This one records from a reel to reel and this one does exactly
0:40:41 > 0:40:43the same thing and it's just, you know, much more compact.
0:40:43 > 0:40:46It's so portable. You could take this anywhere, couldn't you?
0:40:46 > 0:40:49Ah, it's remarkable how small they can get these days, it really is.
0:40:49 > 0:40:52Oh, Olivia, the doctor's here talking the latest technology.
0:40:52 > 0:40:55He's looking at getting a reel to reel of his own.
0:40:55 > 0:40:58Yes. Do you know, I just had a thought.
0:40:58 > 0:41:02You were recording the other night at the bonfire, weren't you?
0:41:02 > 0:41:05I wonder whether you might have picked something up on tape,
0:41:05 > 0:41:08the shooting, perhaps?
0:41:08 > 0:41:12The tape was ruined, I'm afraid. The flare from the explosion.
0:41:12 > 0:41:14I see.
0:41:14 > 0:41:16Just one more thing, if I may.
0:41:16 > 0:41:20Ian, you're a member of the League For Aboriginal Advancement.
0:41:20 > 0:41:23Mm-hm. We both are. We've attended every meet.
0:41:23 > 0:41:25Really?
0:41:25 > 0:41:28That's not what's recorded in the minutes.
0:41:28 > 0:41:30You sent your apologies at last
0:41:30 > 0:41:32week's meeting. Why did you fail to attend?
0:41:32 > 0:41:35Well, I don't see what relevance that has to this.
0:41:35 > 0:41:37The baby at the orphanage.
0:41:37 > 0:41:40She was supposed to be delivered to you, wasn't she?
0:41:40 > 0:41:43You've been waiting for just the right child.
0:41:43 > 0:41:47A baby that was...just white enough.
0:41:47 > 0:41:51Emma found out. She threatened to expose you to the League.
0:41:51 > 0:41:54That child was deemed under neglect, by the state.
0:41:54 > 0:41:56I had every right.
0:41:56 > 0:42:00Yes, yes, yes. Emma put the brakes on your plans, didn't she?
0:42:00 > 0:42:02Is that why you two fought that night at the bonfire?
0:42:02 > 0:42:04Is that how you got that scratch on your neck?
0:42:04 > 0:42:06OK, that's enough. That's quite enough.
0:42:06 > 0:42:07Do you own a gun, Mr Goldsmith?
0:42:07 > 0:42:09I only ask because the police already know
0:42:09 > 0:42:12that your wife's been a member of the local gun club
0:42:12 > 0:42:15- since she was a girl. - Get out.
0:42:15 > 0:42:17That fight, Mrs Goldsmith. You were angry.
0:42:17 > 0:42:22Furious. Furious enough perhaps to shoot Emma.
0:42:22 > 0:42:24Get out of my house!
0:42:24 > 0:42:27Ian, be a man for once in your life and get him out of here
0:42:27 > 0:42:29Ian, it's all right. I'm leaving.
0:42:53 > 0:42:55Lovely day.
0:43:03 > 0:43:05Cheerio.
0:43:20 > 0:43:22I hope that's a new letterbox.
0:43:31 > 0:43:33DISTANT VOICES: How about that? A bunger.
0:43:33 > 0:43:36- Oh, here we are.- They're noisy!
0:43:36 > 0:43:39Yes, they are. Careful! Oh!
0:43:39 > 0:43:44And what about... a halfpenny bunger.
0:43:46 > 0:43:49CRACK Oh, there we are!
0:43:53 > 0:43:55- Argh!- There we go!
0:44:14 > 0:44:16JOLLY MUSIC AND POPPING
0:44:16 > 0:44:18That's a penny bunger.
0:44:18 > 0:44:21- WHISTLING - That's the man with the penny whistle.
0:44:21 > 0:44:22Excellent. Now, keep listening.
0:44:22 > 0:44:24BANG
0:44:24 > 0:44:26What's that? I don't recognise that sound at all.
0:44:26 > 0:44:28Shh. Wait.
0:44:28 > 0:44:30MUSIC AND BANGING
0:44:30 > 0:44:32- Gunshots.- No!
0:44:32 > 0:44:34It was barely audible.
0:44:34 > 0:44:37No, wait a minute. I'll play it again.
0:44:37 > 0:44:39Now, listen carefully.
0:44:39 > 0:44:42MUSIC AND GENTLE THUDDING
0:44:42 > 0:44:45The Roman candle.
0:44:45 > 0:44:47Jumping Jack,
0:44:47 > 0:44:49penny bunger and...
0:44:49 > 0:44:52BANGING
0:44:52 > 0:44:53..there.
0:44:53 > 0:44:57- All three gunshots accounted for. - Well, where was the explosion?
0:44:57 > 0:45:00It doesn't come for another seven or eight seconds.
0:45:00 > 0:45:01We've all been assuming that
0:45:01 > 0:45:06the jam tin bomb was used to disguise the sound of the gunshots.
0:45:06 > 0:45:09This proves they're separate events entirely.
0:45:11 > 0:45:16The penny whistle. At the bonfire, the penny whistler
0:45:16 > 0:45:19scared little Gracie. Then Mary left.
0:45:19 > 0:45:22She'd seen Emma and Winston together.
0:45:22 > 0:45:25Well, where was she when the shots rang out?
0:45:25 > 0:45:28I don't know.
0:45:28 > 0:45:29She...
0:45:29 > 0:45:32She was by my side when the explosion happened but...
0:45:32 > 0:45:36By then, Emma was already dead. We need to talk to Mary.
0:45:42 > 0:45:43Righto, Mattie.
0:45:46 > 0:45:49Charlie, what's going on?
0:45:49 > 0:45:51Winston lied to us about having glasses.
0:45:51 > 0:45:53The nun confirmed they're his. She's the one gave them to him.
0:45:53 > 0:45:55What are you doing with him?
0:45:55 > 0:45:57- He's being charged with the shooting of Emma Keneally.- Oh, come on!
0:45:57 > 0:46:00What possible motivation would he have for killing Emma?
0:46:00 > 0:46:02Well, Davis found a love letter, too.
0:46:02 > 0:46:05Seems the kid was lovestruck and she didn't want a bar of him.
0:46:05 > 0:46:09- It's lucky we found him before he went bloody walkabout.- Let's go.
0:46:13 > 0:46:18Sister, we need to have a quick word with young Mary, if we may.
0:46:18 > 0:46:21That will be difficult. Mary's gone.
0:46:21 > 0:46:24Her bed hasn't been slept in and my bike is missing.
0:46:24 > 0:46:26Where would she go?
0:46:27 > 0:46:29She has brothers in Maroopna.
0:46:29 > 0:46:33Right, thank you, Sister.
0:46:33 > 0:46:35Come on.
0:46:39 > 0:46:45"When I look at you sometimes you make the sun...shine"? Very sweet.
0:46:47 > 0:46:49"You're always so smart,
0:46:49 > 0:46:51"the prettiest girl I know..."
0:46:51 > 0:46:53Spelled p-r-e-t-t-y-e-s-t.
0:46:53 > 0:46:55I didn't write that letter.
0:46:55 > 0:46:58And those weren't your glasses, either?
0:46:58 > 0:47:00What are we meant to think, Winston?
0:47:00 > 0:47:03Hm? You're not saying much.
0:47:05 > 0:47:08So you can twist my words, and use them against me?
0:47:08 > 0:47:12And you wanting to go to university. The irony.
0:47:14 > 0:47:17You know what Wendouree translates as in our language?
0:47:21 > 0:47:24When the white settlers first came across the lake,
0:47:24 > 0:47:26the local Aboriginal people told 'em,
0:47:26 > 0:47:29"Wendouree, wendouree."
0:47:29 > 0:47:32The whitefellas must have thought it was the name of the place,
0:47:32 > 0:47:35when really they were wanting them to go away, go away.
0:47:36 > 0:47:37That's irony.
0:47:50 > 0:47:51Wendouree.
0:47:54 > 0:47:56Enough! Stop it!
0:48:00 > 0:48:02Wendouree!
0:48:05 > 0:48:06Enough!
0:48:12 > 0:48:13Wendouree.
0:48:25 > 0:48:28Now, Mattie, do you think that's her bicycle?
0:48:28 > 0:48:30I think so, yes. There she is!
0:48:36 > 0:48:38Mary!
0:48:39 > 0:48:42Oh, goodness, she's cold.
0:48:42 > 0:48:45Suffering from hypothermia. We'll need to get to a hospital, Mattie.
0:48:45 > 0:48:46Help me get her up, would you?
0:48:46 > 0:48:49That's the way. That's the way.
0:48:52 > 0:48:55- Well, that's unusual.- What?
0:48:55 > 0:48:58Look, this mark here. That...
0:48:58 > 0:49:00That's a bullet graze.
0:49:11 > 0:49:12Lucien!
0:49:12 > 0:49:15Mary wasn't running to someone, she was running away from someone.
0:49:15 > 0:49:17I can't believe she'd come out here
0:49:17 > 0:49:20without a coat on. Such a bitterly cold night.
0:49:20 > 0:49:24- Because she'd given her coat to Emma.- What?
0:49:24 > 0:49:26Emma came under-dressed on the night of the bonfire.
0:49:26 > 0:49:28Mary must have lent her coat to Emma.
0:49:28 > 0:49:31Emma was wearing it when she was shot.
0:49:31 > 0:49:34Oh, of course.
0:49:34 > 0:49:35GUNSHOTS
0:49:41 > 0:49:42GUNSHOT
0:49:58 > 0:50:00PHONE RINGS
0:50:05 > 0:50:07Ballarat Police.
0:50:07 > 0:50:10Charlie, it's me. Listen, he didn't do it.
0:50:10 > 0:50:11We've had it wrong all along.
0:50:11 > 0:50:14Emma wasn't the intended target, Mary was.
0:50:14 > 0:50:17- Doc I...- I need you to bring me the murder weapon,
0:50:17 > 0:50:19and the love letter, the one you took from my desk.
0:50:19 > 0:50:21Gee, you don't ask for much, do you?
0:50:24 > 0:50:28- Thank you, Charlie. - We were just about to close.
0:50:28 > 0:50:31Oh, damn. I was afraid we'd left our run too late.
0:50:31 > 0:50:33What would you like?
0:50:33 > 0:50:35You're a good man, Kevin. Just my usual, a double malted.
0:50:35 > 0:50:37And one for Sergeant Davis.
0:50:37 > 0:50:40Ah, Tommy. Andy. Good boys.
0:50:40 > 0:50:43Mr Van De Heyden, do you own a handgun?
0:50:43 > 0:50:46- It's in my safe. You'll have to go through to the back.- Great.
0:50:46 > 0:50:48All right.
0:50:48 > 0:50:49Just keep at it, boys.
0:50:51 > 0:50:53Just mind your step there.
0:51:01 > 0:51:03There you go. All above board.
0:51:03 > 0:51:05What do you use it for?
0:51:05 > 0:51:08Oh, me and the boys are in the local gun club.
0:51:08 > 0:51:09Yeah, we're aware of that.
0:51:09 > 0:51:12Actually it isn't the .45 we're interested in, Kevin.
0:51:12 > 0:51:15- It's the Luger your father brought back from the war.- Oh.
0:51:15 > 0:51:18Yep, that's in here somewhere.
0:51:18 > 0:51:20- It's, ah...- Is this it?
0:51:24 > 0:51:27Yes, it's...
0:51:27 > 0:51:29That was the gun used to kill Emma Keneally.
0:51:31 > 0:51:35Well, someone must have, ah, broken into the shop and stole it.
0:51:35 > 0:51:38How did they get access to the safe key?
0:51:38 > 0:51:39Oh, I'm sure they...
0:51:43 > 0:51:45Can we do this down at the station?
0:51:45 > 0:51:46Dad?
0:51:46 > 0:51:49Tommy, just go and look after your little brother.
0:51:52 > 0:51:53I did it.
0:51:53 > 0:51:56I shot her.
0:51:56 > 0:52:00Someone had to stop her, otherwise the blacks would be running this town, if Emma Keneally had her way.
0:52:00 > 0:52:03- Dad!- Stay out of it, Tommy.
0:52:03 > 0:52:05I s'pose...
0:52:05 > 0:52:08you wrote this love letter, too, did you?
0:52:08 > 0:52:10To young Mary Jackson?
0:52:10 > 0:52:13No, no, of course you didn't.
0:52:13 > 0:52:15That's not your handwriting.
0:52:15 > 0:52:19You see, Mary was the killer's intended target, not Emma.
0:52:19 > 0:52:23It was a case of mistaken identity.
0:52:25 > 0:52:27Wasn't it, Tommy?
0:52:27 > 0:52:32Mary rejected your advances because she's in love with Winston.
0:52:32 > 0:52:34Now, in a moment, Sergeant Davis
0:52:34 > 0:52:37will check the handwriting of this letter
0:52:37 > 0:52:39against the handwriting in your school books.
0:52:39 > 0:52:40I'm sure he'll find a match,
0:52:40 > 0:52:42just as I'm sure he'll find a match between
0:52:42 > 0:52:45your fingerprints on those milkshake
0:52:45 > 0:52:49glasses and the spent shells we found at the murder scene,
0:52:49 > 0:52:53and the grip of your grandfather's pistol.
0:52:55 > 0:52:57I never meant to shoot Miss Keneally.
0:52:57 > 0:53:00I only meant to knock the darkie off.
0:53:00 > 0:53:02Why, Tommy? Why?
0:53:04 > 0:53:07I paid her all that attention at school.
0:53:07 > 0:53:08I was so nice to her.
0:53:11 > 0:53:12Come here.
0:53:41 > 0:53:44Bit early for the post, isn't it?
0:53:44 > 0:53:45Just a tad.
0:53:47 > 0:53:50Thank you for sorting out the letterbox, by the way.
0:53:50 > 0:53:54Perfectly fine. This one's much nicer, anyway.
0:53:54 > 0:53:56Yes, very smart.
0:54:00 > 0:54:02You know, Jean,
0:54:02 > 0:54:05those children at the orphanage...
0:54:07 > 0:54:09..that place.
0:54:09 > 0:54:10Seeing them...
0:54:13 > 0:54:15I see my daughter.
0:54:17 > 0:54:21Alone. Barely able to speak the language.
0:54:22 > 0:54:27Her mother dead, her father...gone.
0:54:29 > 0:54:34Half-white, half-Chinese. Her life...
0:54:37 > 0:54:40Her life must have been unbearable.
0:54:40 > 0:54:42Well, you can't blame yourself.
0:54:44 > 0:54:46Winston and Mary.
0:54:48 > 0:54:50All the little ones at the orphanage.
0:54:52 > 0:54:54They've already gone through so much.
0:54:58 > 0:54:59Children...
0:55:00 > 0:55:04Children just want to be with their parents.
0:55:09 > 0:55:13Come inside. I'll make us a cup of tea.
0:55:13 > 0:55:15That'd be lovely. I'll be in shortly.