0:00:06 > 0:00:12MUSIC
0:01:19 > 0:01:21RATTLING IN DISTANCE
0:01:50 > 0:01:53Once again, thank you all for coming to this,
0:01:53 > 0:01:56our annual charity dinner for returned servicemen.
0:01:56 > 0:02:00We celebrate this club's commitment to Queen and country,
0:02:00 > 0:02:03in raising funds for the men who fought so bravely.
0:02:03 > 0:02:05Thank you, Cec.
0:02:05 > 0:02:06Doctor.
0:02:06 > 0:02:08Christopher, just in time.
0:02:08 > 0:02:09And please, it's Lucien.
0:02:09 > 0:02:12- Our special guest tonight... - Hello.
0:02:12 > 0:02:13..needs no introduction.
0:02:13 > 0:02:17Hollywood's calling her, but she has decided to be with us tonight.
0:02:17 > 0:02:20So, please welcome, performing Electra,
0:02:20 > 0:02:23with assistance from the Ballarat Drama Society,
0:02:23 > 0:02:26Miss Jacqueline Maddern.
0:02:42 > 0:02:47I must be a slave again amongst my father's murderers.
0:02:47 > 0:02:52But never, never will I enter the house to dwell with them.
0:02:52 > 0:02:56Nay, at these gates, I will lay me down,
0:02:56 > 0:03:01and here, without a friend, my days shall wither.
0:03:01 > 0:03:05Therefore, if any in the house be wroth, let them slay me.
0:03:05 > 0:03:12For it is a grace if I die, but if I live, pain.
0:03:12 > 0:03:15I desire life no more.
0:03:18 > 0:03:19CROWD GASPS
0:03:23 > 0:03:25APPLAUSE
0:03:30 > 0:03:32Bravo!
0:03:48 > 0:03:49Bravo!
0:03:57 > 0:03:59SINISTER MUSIC PLAYS
0:04:20 > 0:04:23Lucien, what's happened?
0:04:24 > 0:04:25Good Lord.
0:04:27 > 0:04:28She's gone.
0:05:26 > 0:05:28Please, everyone, I need you to move back.
0:05:28 > 0:05:32You heard the Chief Superintendent. Some room, please.
0:05:35 > 0:05:36Well?
0:05:37 > 0:05:39You see here?
0:05:39 > 0:05:42Reddish spots just inside her mouth.
0:05:42 > 0:05:46Petechiae. Usually a sign of poisoning, correct?
0:05:46 > 0:05:47Yes, that's right.
0:05:47 > 0:05:51Are you ruling out natural causes, Doctor?
0:05:51 > 0:05:56Well, it would take an autopsy to be certain, but, yes, yes, I am.
0:05:56 > 0:05:58Now whoever did this must still be in the building.
0:05:58 > 0:06:01We need to secure the club.
0:06:01 > 0:06:03If you say so. Come with me.
0:06:07 > 0:06:09Jean, are you all right?
0:06:09 > 0:06:12Yes, I think so. Mattie, where's Christopher gone?
0:06:12 > 0:06:14He's at the bar, but...
0:06:14 > 0:06:15I'm sorry, can I help you?
0:06:15 > 0:06:17- What's happened? - It's all right, Lucien.
0:06:17 > 0:06:20- They're friends of Miss Madden's. - I do beg your pardon.
0:06:20 > 0:06:24That's Warwick Simpson, her theatre director and Pamela Gilchrist.
0:06:24 > 0:06:26Pamela Gilchrist. And who is she?
0:06:26 > 0:06:27Her closest friend.
0:06:33 > 0:06:35Is this really necessary?
0:06:35 > 0:06:37I believe so.
0:06:37 > 0:06:39Cec, you know the Chief Superintendent.
0:06:39 > 0:06:40Er, yes, sir.
0:06:40 > 0:06:42How many ways out of the building?
0:06:42 > 0:06:45- Only the front door, sir. - You've been here the whole time?
0:06:45 > 0:06:48- Yes, sir. - Has anyone left the building?
0:06:48 > 0:06:50- No, sir.- Then stay here.
0:06:50 > 0:06:54No-one leaves until I say. You have a telephone?
0:06:54 > 0:06:55Yes, sir, in the boardroom.
0:06:55 > 0:06:58- I'll show you. - Thank you, Patrick.
0:07:02 > 0:07:05Ah, here he is.
0:07:05 > 0:07:08Not quite the evening we planned, I'm afraid.
0:07:10 > 0:07:11Happy birthday, Mum.
0:07:11 > 0:07:13Christopher, how are you?
0:07:14 > 0:07:16How's Ruby?
0:07:16 > 0:07:18She's tired.
0:07:18 > 0:07:20Have you spoken to your brother?
0:07:22 > 0:07:24Doctor.
0:07:24 > 0:07:27We've locked the doors. What do you propose we do now?
0:07:27 > 0:07:32Well, I'd, um, I'd assumed we'd be taking the body to the morgue.
0:07:32 > 0:07:34Securing the club means exactly that.
0:07:34 > 0:07:36The body stays here.
0:07:36 > 0:07:40- Excuse me.- Yes, Mr...?
0:07:40 > 0:07:41Sergeant, Nelson.
0:07:41 > 0:07:43It's not for me to tell you, sir,
0:07:43 > 0:07:46but don't you think it best that we move this body immediately?
0:07:46 > 0:07:47These people are civilians.
0:07:47 > 0:07:49This kind of proximity to death...
0:07:49 > 0:07:52It simply won't do. You're quite right.
0:07:52 > 0:07:54The billiard room, I think.
0:07:55 > 0:07:56Fine.
0:07:56 > 0:07:59- You, son, why don't you get the feet?- Of course.
0:07:59 > 0:08:03Thank you, Christopher. It's very decent of you.
0:08:03 > 0:08:05Very good, gentlemen.
0:08:05 > 0:08:07Take the head.
0:08:07 > 0:08:12Right, lift. Right, this way.
0:08:17 > 0:08:19Your attention, please.
0:08:19 > 0:08:21By request of our Police Surgeon,
0:08:21 > 0:08:23can I ask you all to remain here for the moment?
0:08:23 > 0:08:25I'll be speaking to each of you in turn.
0:08:25 > 0:08:29In the meantime, Mr Tyneman has assured me the club facilities
0:08:29 > 0:08:30will cater for you.
0:08:30 > 0:08:32How long will this take?
0:08:32 > 0:08:33As long as necessary.
0:08:36 > 0:08:37Easy does it.
0:08:45 > 0:08:46There you go.
0:08:49 > 0:08:51You all right?
0:08:53 > 0:08:54Yes, of course.
0:08:57 > 0:09:00Who was that man, the one addressing the members?
0:09:02 > 0:09:03William Munro.
0:09:03 > 0:09:05Chief Superintendent of Police.
0:09:07 > 0:09:08He's your boss?
0:09:10 > 0:09:11In a way, yes.
0:09:16 > 0:09:17I saw her perform once, in Korea.
0:09:18 > 0:09:21She was magnificent.
0:09:21 > 0:09:23How long do you think they'll keep us here?
0:09:23 > 0:09:24As long as we need to.
0:09:25 > 0:09:28Access to this room will be restricted to police
0:09:28 > 0:09:30and medical personnel only.
0:09:30 > 0:09:32Christopher was just assisting me.
0:09:32 > 0:09:33Christopher...
0:09:33 > 0:09:35Beazley, sir.
0:09:35 > 0:09:38I'll need to talk to you in due course, Mr Beazley.
0:09:38 > 0:09:39For now, please wait in the auditorium.
0:09:39 > 0:09:43I was hoping to use the phone, sir, in the office, to call my wife.
0:09:43 > 0:09:44Not now.
0:09:49 > 0:09:51Hobart and Davis are on their way.
0:09:51 > 0:09:54When they get here, I'll start the interviews.
0:09:54 > 0:09:57What sort of poison should we be looking for?
0:09:57 > 0:09:59Well, without a full autopsy, bloods, saliva.
0:09:59 > 0:10:02Well, then take those samples.
0:10:02 > 0:10:05I still haven't established how she was poisoned.
0:10:05 > 0:10:08Should we be looking into what food she's eaten?
0:10:08 > 0:10:10That'd be a good place to start, I'd say.
0:10:14 > 0:10:17We rehearsed before the show, but then she wanted to be alone.
0:10:27 > 0:10:29What's this?
0:10:30 > 0:10:32Actually, that's brandy.
0:10:32 > 0:10:35Miss Maddern said it relaxed her vocal cords.
0:10:35 > 0:10:37Did you see her using it?
0:10:37 > 0:10:39Yes, about an hour before the show.
0:10:39 > 0:10:41Ah hour? You're quite sure?
0:10:41 > 0:10:43At least.
0:10:43 > 0:10:46Right. In that case...
0:10:46 > 0:10:47- Blake!- Lucien!
0:10:49 > 0:10:52I'm kidding. It's not brandy. Armagnac.
0:10:52 > 0:10:54Not my preferred drop, but expensive.
0:10:54 > 0:10:55That could have been poisoned.
0:10:55 > 0:10:58If she used it over an hour ago, I can tell you it wasn't.
0:10:58 > 0:11:00Ah, my nephew, sir, Stuart White.
0:11:00 > 0:11:03- Who's on the door, Mr Drury? - One of your officers, sir.
0:11:03 > 0:11:06Sergeant Davis asked that I let you know he's here.
0:11:06 > 0:11:10Good. I'll need you to lock this dressing room door after we leave.
0:11:11 > 0:11:13You delivered this food?
0:11:14 > 0:11:17- Yes, sir. - Who gave it to you?
0:11:18 > 0:11:21- A lady, sir. - What lady?
0:11:21 > 0:11:22Son.
0:11:24 > 0:11:26I don't, I don't know.
0:11:26 > 0:11:28Cec, it's all right.
0:11:28 > 0:11:31- Let's take a look around the kitchen, shall we?- Yes, sir.
0:11:44 > 0:11:47Can I help you there?
0:11:48 > 0:11:50- Hell of a night, eh?- Yes, Mr...?
0:11:50 > 0:11:52Reynolds.
0:11:53 > 0:11:55Yes, a terrible thing.
0:11:55 > 0:11:57Just as she was about to take on the world.
0:11:57 > 0:11:59Is that so?
0:11:59 > 0:12:02About to bugger off overseas, so I'd heard.
0:12:02 > 0:12:06What, you know a bit about Jacqueline Maddern, Mr Reynolds?
0:12:06 > 0:12:08- It's in the papers.- Right.
0:12:08 > 0:12:10Well, at the moment,
0:12:10 > 0:12:13we're still asking people to wait in the auditorium.
0:12:14 > 0:12:17Look, Sergeant, I realise you have a job to do here.
0:12:17 > 0:12:22So do I. Reckon we could come to some sort of arrangement?
0:12:26 > 0:12:29Are you offering a bribe, Mr Reynolds?
0:12:29 > 0:12:33Of course not. I was just looking for my notebook.
0:12:33 > 0:12:37- Right. - You have a pencil I could borrow?
0:12:37 > 0:12:38Hey! Hey!
0:12:43 > 0:12:45Hey, hey, hey, hey!
0:12:48 > 0:12:49You going somewhere?
0:13:00 > 0:13:02- Anything?- No, not yet.
0:13:04 > 0:13:06According to Mr Drury, all the kitchen staff have worked here
0:13:06 > 0:13:09at least five years. Nothing to link them to the victim.
0:13:09 > 0:13:12Right. And the sandwiches?
0:13:12 > 0:13:14- Supervised.- By whom?
0:13:16 > 0:13:20- That would be me.- Mrs Tyneman, we're trying to establish
0:13:20 > 0:13:23what food Miss Maddern ate before she died.
0:13:23 > 0:13:26Well, Jacqueline was very particular.
0:13:26 > 0:13:29I bought the ingredients, supervised the preparation
0:13:29 > 0:13:33and then I handed them to that young man there.
0:13:33 > 0:13:35That's the woman.
0:13:36 > 0:13:38After that?
0:13:38 > 0:13:39You'd have to ask him.
0:13:40 > 0:13:43Susan, did you know Miss Maddern?
0:13:44 > 0:13:46Well, not socially.
0:13:53 > 0:13:55Boss.
0:14:02 > 0:14:03Sergeant?
0:14:03 > 0:14:06Tried to leave the premises, sir.
0:14:06 > 0:14:08Driver's licence says he's Terry Reynolds from Ballan.
0:14:08 > 0:14:10Mr Reynolds?
0:14:10 > 0:14:14I've got a story to lodge. I'm with the Melbourne press.
0:14:14 > 0:14:16The Sun.
0:14:16 > 0:14:20- Patrick. You know him?- Right.
0:14:20 > 0:14:22Stay in the auditorium with the others.
0:14:22 > 0:14:25Any trouble, I'll charge you with hindering an investigation.
0:14:25 > 0:14:27Understood?
0:14:27 > 0:14:28Understood?
0:14:36 > 0:14:39I'll be using the boardroom to conduct interviews.
0:14:39 > 0:14:40Of course.
0:14:41 > 0:14:44- Chief Superintendent.- What?
0:14:44 > 0:14:47We need to get bloods and saliva to the morgue.
0:14:47 > 0:14:49Miss O'Brien is here, correct?
0:14:49 > 0:14:51Yes.
0:14:51 > 0:14:53Send her. You're staying.
0:14:55 > 0:14:57Mind taking me to the boardroom?
0:14:57 > 0:14:59Of course. This way.
0:15:05 > 0:15:12I've known her for 15 years. I've been her assistant for ten.
0:15:12 > 0:15:15We met doing Annie Get Your Gun.
0:15:15 > 0:15:19We were playing sisters. We used to switch roles.
0:15:19 > 0:15:21Did you see her before the performance?
0:15:21 > 0:15:24Always. It was her routine.
0:15:24 > 0:15:27She would rehearse her lines, I would prepare her wardrobe.
0:15:27 > 0:15:30Then I would leave her to do her make-up by herself.
0:15:30 > 0:15:33- What about before her curtain call? - No.
0:15:33 > 0:15:35She preferred to be alone.
0:15:35 > 0:15:37Well, her and her audience.
0:15:37 > 0:15:41Did she argue with anyone in the lead-up to tonight's performance?
0:15:42 > 0:15:44What?
0:15:44 > 0:15:47- Jackie could argue with everyone. - Like who?
0:15:49 > 0:15:55Well, that strange boy who brought the sandwiches, with Warwick.
0:15:55 > 0:15:58Ah, Warwick Simpson. He's a theatre director.
0:15:58 > 0:16:00She shouted at me for crumpling her dress,
0:16:00 > 0:16:02but she didn't mean anything by it.
0:16:02 > 0:16:04Tell me more about Mr Simpson.
0:16:06 > 0:16:09He and Jackie were close once.
0:16:09 > 0:16:13It ended badly, but he would never do anything to hurt her.
0:16:13 > 0:16:16Thank you, Miss Gilchrist. There may be more questions later.
0:16:16 > 0:16:18Thank you, Superintendent.
0:16:21 > 0:16:23Doctor, do you think I might see her?
0:16:25 > 0:16:26To say goodbye?
0:16:26 > 0:16:28Superintendent?
0:16:30 > 0:16:33Yes, of course. I'll be with you in just a moment.
0:16:33 > 0:16:35Thank you.
0:16:35 > 0:16:37And drive Miss O'Brien to the morgue.
0:16:37 > 0:16:39Make sure nothing happens to those samples.
0:16:39 > 0:16:42And tell Davis to bring Mr Simpson in for questioning.
0:16:42 > 0:16:43Right, boss.
0:16:45 > 0:16:47Here's the play.
0:16:47 > 0:16:51I'll rattle their cages, you play the caring country doctor.
0:16:51 > 0:16:53I am the caring country doctor.
0:16:53 > 0:16:55Then it shouldn't be too great a stretch.
0:16:55 > 0:16:58I had wondered why you were keeping me around.
0:16:58 > 0:17:01For the investigation.
0:17:01 > 0:17:05- Mr Simpson?- Yes? - I hear you hated Miss Maddern.
0:17:13 > 0:17:17- Oh! Where did you get to? - Looking for a phone to call Ruby.
0:17:17 > 0:17:19It's only one night.
0:17:20 > 0:17:23How long has it been since you've been back here?
0:17:23 > 0:17:25It's been a while.
0:17:26 > 0:17:28Is Ruby looking after you?
0:17:29 > 0:17:34Good. I know she finds it difficult being an army wife.
0:17:36 > 0:17:37You asked if I'd talked to Jack.
0:17:37 > 0:17:40- How is he?- He's working.
0:17:40 > 0:17:42Really? And what about that girl?
0:17:42 > 0:17:44Well, I'm not sure they're together any more.
0:17:44 > 0:17:47- I know she lost the baby. - Yes. Well, at least he has a job.
0:17:47 > 0:17:49You know what he's like.
0:17:49 > 0:17:51- What about you?- I'm fine.
0:17:51 > 0:17:53You listen to me.
0:17:54 > 0:17:57Don't you bloody well walk away from me!
0:18:00 > 0:18:01I'm bloody warning you!
0:18:01 > 0:18:04You don't know who you're dealing with, son. This is blackmail.
0:18:04 > 0:18:07- It's business. - Don't give me that. Your boss...
0:18:07 > 0:18:09My bosses take this seriously.
0:18:09 > 0:18:11Tell me, do the police already know?
0:18:12 > 0:18:14Gentlemen.
0:18:14 > 0:18:15What's going on?
0:18:15 > 0:18:17A trade disagreement.
0:18:18 > 0:18:21Yeah, that's right. I'll leave you to it.
0:18:28 > 0:18:30Patrick.
0:18:30 > 0:18:32Mind your own business, Blake.
0:18:34 > 0:18:40MUSIC
0:18:53 > 0:18:57Mr Reynolds, do you mind me asking what all that was about out there?
0:18:57 > 0:19:00Sorry, Doc, you'll have to read about it in The Sun.
0:19:00 > 0:19:06Right. Big star dies on stage. Something along those lines?
0:19:06 > 0:19:10What makes you think it's about Jacqueline Maddern?
0:19:10 > 0:19:11Call it a hunch.
0:19:11 > 0:19:17Let's just say she's only a supporting player in this one.
0:19:17 > 0:19:18Rare for her.
0:19:20 > 0:19:24Doctor, do you think I could see her now?
0:19:25 > 0:19:27Yes, of course. I'm terribly sorry.
0:19:27 > 0:19:29Please, come with me.
0:19:40 > 0:19:42I ran through her lines with her.
0:19:42 > 0:19:45What sort of mood was Miss Maddern in?
0:19:45 > 0:19:49Excited. She was preparing for her trip.
0:19:49 > 0:19:51- Trip?- To the United States.
0:19:54 > 0:19:58She just had a role in that big American picture
0:19:58 > 0:20:00they were shooting here.
0:20:00 > 0:20:02Oh, yes, the one about the end of the world.
0:20:02 > 0:20:04- The Nevil Shute book.- Yes.
0:20:04 > 0:20:07She made some terrific contacts.
0:20:07 > 0:20:09But, erm...
0:20:11 > 0:20:13Can I get a brush to fix her hair?
0:20:13 > 0:20:15Yes, of course.
0:20:18 > 0:20:20Thank you, Mrs Beazley.
0:20:22 > 0:20:25Can I give you a word of advice, Superintendent?
0:20:27 > 0:20:30It might pay you to listen to what the doctor has to say
0:20:30 > 0:20:31on the odd occasion.
0:20:32 > 0:20:34You ignore him at your own peril.
0:20:35 > 0:20:38Did I give you permission to leave yet, Mrs Beazley?
0:20:42 > 0:20:44May I offer some advice of my own?
0:20:44 > 0:20:46Of course.
0:20:47 > 0:20:50Your son who's here tonight.
0:20:50 > 0:20:52How long since he was in town?
0:20:52 > 0:20:54Eight years.
0:20:54 > 0:20:56And the night he arrives, we suddenly have a dead body.
0:20:56 > 0:20:58- Curious, isn't it? - I beg your pardon.
0:20:58 > 0:21:02Your other son, Jack. Quite an extensive record.
0:21:02 > 0:21:04He's not here as well, by any chance?
0:21:07 > 0:21:10Perhaps we should keep our advice to ourselves.
0:21:11 > 0:21:14- You've made yourself very clear. - I'm glad. Wait in the bar.
0:21:22 > 0:21:24I asked her to marry me once.
0:21:24 > 0:21:27She...laughed.
0:21:27 > 0:21:29Thought I was joking.
0:21:30 > 0:21:31That must have hurt.
0:21:34 > 0:21:36The dressing room's been broken into.
0:21:58 > 0:21:59Her handbag's been moved.
0:21:59 > 0:22:02Yes, you're right, it has.
0:22:02 > 0:22:04Are you familiar with the contents?
0:22:04 > 0:22:07- Yes. Would you like me to check it? - Please.
0:22:31 > 0:22:37Am I correct in saying there's a lipstick missing?
0:22:37 > 0:22:41Er, yes. And the key to her hotel room's gone.
0:22:44 > 0:22:46Well, perhaps she left the key at the hotel.
0:22:46 > 0:22:48Pamela was certain she had it with her.
0:22:48 > 0:22:51- So, a key and a lipstick? - One's functional, one's personal.
0:22:51 > 0:22:53Are you attempting to build a picture of our murderer's
0:22:53 > 0:22:55character here, Doctor?
0:22:55 > 0:22:57Well, we need to consider the setting.
0:22:57 > 0:23:00Jackie was murdered in public.
0:23:00 > 0:23:01She died on stage.
0:23:01 > 0:23:04Isn't it possible the killer deliberately chose to do it
0:23:04 > 0:23:07- that way? - You're wrong, I have considered it.
0:23:07 > 0:23:11- And?- Until we find out more, you're just guessing. Who's next?
0:23:18 > 0:23:21We'll rule out some basics. Cyanide, first.
0:23:21 > 0:23:26Miss O'Brien, we'll need a solution of para-benzoquinone in DMSO.
0:23:26 > 0:23:28DMS what?
0:23:28 > 0:23:30Dimethyl sulfoxide.
0:23:30 > 0:23:35It's a solvent that dissolves both non-polar and polar compounds.
0:23:35 > 0:23:38And it can also be mixed with a variety of other organic
0:23:38 > 0:23:40solvents, as well as water.
0:23:40 > 0:23:42A textbook answer.
0:23:42 > 0:23:44Right, and in English that is...?
0:23:44 > 0:23:45Powerful stuff.
0:23:45 > 0:23:48How long exactly do they intend keeping her body
0:23:48 > 0:23:49on the billiard table?
0:23:49 > 0:23:51Not sure. Sergeant?
0:23:51 > 0:23:53As long as the boss says.
0:23:53 > 0:23:56So, no idea. Dim the lights please, Sergeant.
0:23:56 > 0:23:59- What for? - So I can do my job.
0:23:59 > 0:24:02If you're afraid of the dark, you can wait outside.
0:24:07 > 0:24:11It's fun annoying the police sometimes, don't you think?
0:24:11 > 0:24:13So, what now?
0:24:14 > 0:24:15If there's cyanide present,
0:24:15 > 0:24:19the solution will become fluorescent under ultraviolet light.
0:24:22 > 0:24:26Blood is testing negative.
0:24:26 > 0:24:28As is the sandwich.
0:24:29 > 0:24:32Whatever killed her wasn't cyanide. Thank you, Sergeant.
0:24:32 > 0:24:34So, what next?
0:24:34 > 0:24:36SHE SIGHS
0:24:36 > 0:24:37We keep going.
0:24:40 > 0:24:43So, Sergeant Nelson.
0:24:43 > 0:24:45Please, Murray.
0:24:45 > 0:24:47You're still in the services?
0:24:47 > 0:24:51I served in Korea. Fought in New Guinea in the war.
0:24:51 > 0:24:54You didn't seem too perturbed by the body in front of you earlier.
0:24:54 > 0:24:57I've seen my share of dead bodies, Superintendent.
0:24:57 > 0:25:01I see. And why is it you were in Ballarat tonight?
0:25:01 > 0:25:04I'm just like everyone else, Superintendent.
0:25:04 > 0:25:05I was here for the show.
0:25:13 > 0:25:15Jean?
0:25:17 > 0:25:18Jean?
0:25:18 > 0:25:21The interview. It's nothing, Lucien. I'm fine.
0:25:22 > 0:25:24- GLASS SHATTERS - Oh!
0:25:24 > 0:25:27Oh, I do apologise, Mr Drury.
0:25:27 > 0:25:29Oh, no need, Sue. Please.
0:25:29 > 0:25:31No, thanks, Cec, but I'm quite all right.
0:25:31 > 0:25:33Just leave it to him, Susan.
0:25:33 > 0:25:36You can leave me alone. You have done quite enough, thanks, Patrick.
0:25:36 > 0:25:39Ah! Jesus, woman. Don't be so damned silly.
0:25:41 > 0:25:42Silly?
0:25:42 > 0:25:44I didn't mean that.
0:25:44 > 0:25:47I'm not the one who's being silly, Patrick, am I?
0:25:48 > 0:25:50Do you want me to go on?
0:25:52 > 0:25:55No, didn't think so.
0:26:03 > 0:26:07- Patrick, let me take a look at that hand.- Go away, Blake.
0:26:11 > 0:26:14Perhaps it's time you told the police.
0:26:17 > 0:26:18What do you think?
0:26:18 > 0:26:21Now, come on, show me that hand of yours.
0:26:28 > 0:26:31How long have you been having an affair with Jacqueline Maddern?
0:26:31 > 0:26:34I wouldn't class it as an affair.
0:26:35 > 0:26:37It was a few years ago.
0:26:37 > 0:26:40Jacqueline needed an investor for one of her shows.
0:26:41 > 0:26:42She was grateful.
0:26:44 > 0:26:46I was flattered.
0:26:46 > 0:26:50But she called it to an end as quickly as it started.
0:26:50 > 0:26:53It was just a fling for her.
0:26:53 > 0:26:55And now Justin Reynolds is writing an expose.
0:26:55 > 0:26:57Justin Reynolds works for The Sun.
0:26:58 > 0:27:02They're against me for radio licences right across the state.
0:27:02 > 0:27:05Patrick, when Susan arranged for Jacqueline to be
0:27:05 > 0:27:07a part of this evening's event...
0:27:07 > 0:27:08Coincidence.
0:27:08 > 0:27:11I tried to discourage her.
0:27:11 > 0:27:12Susan didn't know?
0:27:14 > 0:27:16Not until tonight...
0:27:16 > 0:27:19when Mr Reynolds so helpfully informed her.
0:27:19 > 0:27:22Was Miss Maddern blackmailing you, Mr Tyneman?
0:27:22 > 0:27:24What?
0:27:24 > 0:27:26- No.- Really?- No.
0:27:26 > 0:27:28Demanding payment to keep your little secret?
0:27:28 > 0:27:32- Superintendent, I think perhaps... - That's enough, Blake.
0:27:33 > 0:27:36The only attempt to blackmail me has been by Justin Reynolds
0:27:36 > 0:27:38and his employers.
0:27:38 > 0:27:42Did you have any contact with Miss Maddern before the show?
0:27:42 > 0:27:46I sent her flowers. But that's all.
0:27:46 > 0:27:49Thank you, Mr Tyneman. We'll be talking again, I'm sure.
0:27:55 > 0:27:58Patrick? Patrick!
0:27:58 > 0:28:00Not another word.
0:28:01 > 0:28:03I wouldn't dream of it.
0:28:08 > 0:28:11Superintendent, do you honestly believe Patrick killed her?
0:28:11 > 0:28:13He had reasonable motive.
0:28:13 > 0:28:16So did his wife.
0:28:16 > 0:28:18- Really?- Apparently so.
0:28:23 > 0:28:25MUSIC
0:29:23 > 0:29:25I am sorry.
0:29:27 > 0:29:31Keeping you here like this. It just isn't right.
0:29:42 > 0:29:44Please excuse me, won't you?
0:29:58 > 0:29:59You've got to understand.
0:29:59 > 0:30:03Jackie had her own sense of morality.
0:30:03 > 0:30:04Clearly.
0:30:10 > 0:30:14- HE SIGHS - Chief Superintendent.
0:30:15 > 0:30:19You understand that I had to question you.
0:30:19 > 0:30:20Of course.
0:30:23 > 0:30:25You've known the doctor sometime, haven't you?
0:30:25 > 0:30:28He's been annoying me since he was a kid. Why do you ask?
0:30:29 > 0:30:34There was a view that his services were indispensible.
0:30:34 > 0:30:38- That may have changed.- So that's why we've been stuck in here.
0:30:38 > 0:30:41To put him under pressure in front of everyone?
0:30:41 > 0:30:44I couldn't possibly comment on police matters.
0:30:47 > 0:30:50- Superintendent.- What?
0:30:50 > 0:30:52It was the roses.
0:30:52 > 0:30:55I found puncture marks on her chest. Small, certainly,
0:30:55 > 0:30:59but if the poison was powerful enough, then...
0:30:59 > 0:31:03Cec. Those roses Jacqueline had for the curtain call.
0:31:03 > 0:31:06Oh, I instructed Stuart to clear them away, sir.
0:31:06 > 0:31:09- When?- Just now, when the room was cleared.
0:31:09 > 0:31:12- Where's he gone? - He's in the kitchen, sir.
0:31:16 > 0:31:19- Stu. Don't move.- What?
0:31:19 > 0:31:23Just hold right there. And be very careful.
0:31:23 > 0:31:24Stay out of this.
0:31:24 > 0:31:26You! Put the roses down.
0:31:29 > 0:31:31What's he talking about?
0:31:31 > 0:31:34Would you like to explain why you're wearing gloves, son?
0:31:37 > 0:31:38Take him, Sergeant.
0:31:47 > 0:31:49Stu!
0:31:49 > 0:31:50Stu...
0:31:52 > 0:31:55..we know you didn't do anything. It's all right. We know.
0:31:55 > 0:31:58The gloves. Take them off.
0:31:58 > 0:32:00- No.- Oh, please, sir.
0:32:03 > 0:32:05Stu.
0:32:05 > 0:32:09You need to trust me. Everything's going to be fine.
0:32:09 > 0:32:11Isn't that right, Cec?
0:32:11 > 0:32:14It's all right, son. Just do what the doctor asks.
0:32:14 > 0:32:21Let's just remove that glove, eh, and have a look at your hand.
0:32:30 > 0:32:32Psoriasis.
0:32:32 > 0:32:35You can pop that glove back on. Thank you, Stu.
0:32:36 > 0:32:40I think it's pretty clear he isn't capable of this.
0:32:40 > 0:32:42Then where does that leave us?
0:32:47 > 0:32:50Well done, Stu. Well done.
0:32:54 > 0:32:56- Ah.- What?
0:32:56 > 0:32:59Along with fish and chips and camping emergencies,
0:32:59 > 0:33:02we've found another use for one of Patrick's publications.
0:33:03 > 0:33:05Look here, Charlie.
0:33:06 > 0:33:09Here and here. Something viscous.
0:33:09 > 0:33:12Mmm, any idea what it might be?
0:33:13 > 0:33:15No, not yet.
0:33:16 > 0:33:19Well, better let the boss know.
0:33:20 > 0:33:23Get on well with him, do you?
0:33:23 > 0:33:26The boss? I guess so.
0:33:26 > 0:33:30- Why?- Very different to Lawson, isn't he?
0:33:30 > 0:33:32Yeah, you could say that.
0:33:34 > 0:33:37Well, better not keep him waiting, eh?
0:33:42 > 0:33:45Now, you see at the bottom of the stems,
0:33:45 > 0:33:47the thorns have been snipped away,
0:33:47 > 0:33:49making them relatively safe to handle.
0:33:49 > 0:33:54But up here, well, let's just say young Stu was incredibly lucky.
0:33:54 > 0:33:57Those gloves wouldn't have protected him at all.
0:33:57 > 0:34:00- There was nothing to indicate who sent them?- No, sir.
0:34:00 > 0:34:03Davis, we need to contact every florist in Ballarat.
0:34:03 > 0:34:06It's possible the roses were ordered by someone who wasn't even
0:34:06 > 0:34:08- here tonight. - No, the poisoner's here.
0:34:08 > 0:34:10It would have been way too risky to...
0:34:10 > 0:34:13Coat the thorns before they were delivered.
0:34:14 > 0:34:16So, who delivered the flowers?
0:34:17 > 0:34:19I know how we can find out.
0:34:20 > 0:34:23Answer the question, Mrs Beazley.
0:34:24 > 0:34:26Yes, there were flowers in the dressing room
0:34:26 > 0:34:29before the performance, but they weren't roses.
0:34:35 > 0:34:37Jackie just grabbed the roses and rushed back on.
0:34:37 > 0:34:41- They're a tradition at curtain call. - Yes, but who delivered them?
0:34:41 > 0:34:44They were already there before the performance.
0:34:44 > 0:34:45Who else had access?
0:34:45 > 0:34:49Warwick, of course, and Mrs Tyneman, and that odd young man.
0:34:49 > 0:34:52But I suppose anyone could have wandered in.
0:35:02 > 0:35:05Turn out your pockets, please, Mr Simpson.
0:35:05 > 0:35:08- I beg your pardon? - Empty your pockets. Now.- Why?
0:35:08 > 0:35:11If you have nothing to hide, turn out your pockets.
0:35:25 > 0:35:29That's the key to Jackie's hotel room.
0:35:29 > 0:35:30Explain that, Mr Simpson.
0:35:32 > 0:35:34I took it so that I could try and get my money back.
0:35:34 > 0:35:40- Your money?- Jacqueline refused to do the show unless I paid her 100 quid.
0:35:40 > 0:35:43Said she needed it for her move to the United States.
0:35:43 > 0:35:44Well, she was a successful actress.
0:35:44 > 0:35:47Who was always hopeless with her money.
0:35:47 > 0:35:49I was planning to go and get it back.
0:35:49 > 0:35:51It wasn't...
0:35:51 > 0:35:54It wasn't any good to her now.
0:35:54 > 0:35:56This all speaks to motive, Mr Simpson.
0:35:56 > 0:35:58You want motive? What about Pamela?
0:35:58 > 0:36:01- Jacqueline was dumping her. - Warwick, no!
0:36:01 > 0:36:03After all that you'd given up for her,
0:36:03 > 0:36:05she wasn't even going to take you with her.
0:36:05 > 0:36:10- Is this the truth, Miss Gilchrist? - Of course it's not true.
0:36:10 > 0:36:11Please, Superintendent.
0:36:12 > 0:36:14Go search Miss Maddern's room.
0:36:16 > 0:36:17Yes, boss.
0:36:24 > 0:36:27Davis, find out who bought those roses.
0:36:27 > 0:36:28Yes, sir.
0:36:31 > 0:36:34Superintendent, I really need to use that telephone.
0:36:34 > 0:36:36Mr Beazley, you're to wait in the bar.
0:36:36 > 0:36:38You got a family, Superintendent?
0:36:38 > 0:36:41None of your business, Mr Beazley.
0:36:41 > 0:36:45My wife's pregnant. First baby, and she's finding it difficult.
0:36:45 > 0:36:48- Well, have you noticed the time? - I was expected home by now.
0:36:48 > 0:36:50That is not my problem.
0:36:50 > 0:36:54No, it's mine. And it'll be easily solved with a phone call.
0:36:57 > 0:36:58Please.
0:36:58 > 0:37:01- Is this how you conduct yourself in the army?- Pardon?
0:37:01 > 0:37:05Because in this situation, I'm you're superior officer.
0:37:05 > 0:37:09And suddenly remembering to say please will not change my mind.
0:37:09 > 0:37:12I would not do that if I were you, Mr Beazley.
0:37:15 > 0:37:16Fine.
0:37:21 > 0:37:25The Doctor's right not to trust you.
0:37:25 > 0:37:28Thank you, Lieutenant. That's all I need to hear.
0:37:28 > 0:37:31Christopher, is everything all right?
0:37:37 > 0:37:41- Why didn't you tell me?- Because Ruby doesn't want anyone to know
0:37:41 > 0:37:44- she's not coping, especially you. - Why, especially me?
0:37:44 > 0:37:47- Oh, come on, Mum. Why do you think? - I've absolutely no idea.
0:37:47 > 0:37:51Well, because you always make such a thing about carrying on regardless.
0:37:51 > 0:37:54And you made it pretty clear you didn't have any time for her.
0:37:54 > 0:37:57- She's very highly strung. - She's my wife.
0:37:57 > 0:38:00I'm sorry, I didn't mean that the way it sounded.
0:38:00 > 0:38:02I just wish you would talk to me more often.
0:38:02 > 0:38:05- At least with Jack, I always knew... - Oh, it's always about Jack.
0:38:05 > 0:38:07Especially when Dad died. That's all I ever heard about.
0:38:07 > 0:38:10- Well, he had such a hard time of it, and...- We all did.
0:38:10 > 0:38:12But some of us didn't end up in jail.
0:38:19 > 0:38:22I don't talk because no-one's listening.
0:38:22 > 0:38:25Oh, Christopher, I'm always here for you. I love you.
0:38:25 > 0:38:27I know you do. But you love Jack more.
0:38:27 > 0:38:29That's not true.
0:38:29 > 0:38:33I just never felt I had to worry about you the way I did about Jack.
0:38:33 > 0:38:36He reminds me so much of your father.
0:38:36 > 0:38:38And who do I remind you of?
0:38:40 > 0:38:41Me.
0:38:46 > 0:38:49KNOCK AT DOOR
0:38:49 > 0:38:51About time. Well?
0:38:53 > 0:38:54No luck, sir.
0:38:54 > 0:38:57Doctor Harvey said she wouldn't be able to identify the poison
0:38:57 > 0:38:58without seeing the body.
0:38:58 > 0:39:02She also said she had to talk to Blake. Actually, she insisted.
0:39:02 > 0:39:05She's here? Fine. Let her in.
0:39:07 > 0:39:08Where does she stand?
0:39:10 > 0:39:12She seems pretty tight with the doctor.
0:39:12 > 0:39:16More on his side, than ours. Makes it hard to do your job.
0:39:16 > 0:39:18Station could do without that.
0:39:18 > 0:39:21- Sure can, boss. - Good work, Sergeant.
0:39:21 > 0:39:23PHONE RINGS
0:39:26 > 0:39:30- Munro.- Davis here, sir. - Where are you?
0:39:30 > 0:39:33The station. It was quicker to come here and call.
0:39:33 > 0:39:36The money was in Miss Maddern's room.
0:39:36 > 0:39:38As were two plane tickets to America,
0:39:38 > 0:39:41one in Miss Maddern's name, the other in Miss Gilchrist's.
0:39:41 > 0:39:43So she wasn't leaving Miss Gilchrist behind at all.
0:39:43 > 0:39:47- Well, it doesn't seem that way. - How'd you go with florists?
0:39:47 > 0:39:51Ah, Flora on Sturt Street sold the bunch of long-stemmed roses
0:39:51 > 0:39:53that ended up at the club.
0:39:53 > 0:39:58Rose thorns? It'd have to be an incredibly powerful toxin.
0:39:58 > 0:40:00An organic alkaloid, you say?
0:40:00 > 0:40:03Could be. Or synthetic.
0:40:03 > 0:40:05- Man-made? - Frightening, but possible.
0:40:05 > 0:40:08We'll need liver and spleen samples to isolate it.
0:40:08 > 0:40:13Agreed. Unfortunately, we can't collect them here.
0:40:13 > 0:40:15So I'd noticed.
0:40:15 > 0:40:17I know, I know. I don't approve either.
0:40:17 > 0:40:19Keeping the body here like this.
0:40:19 > 0:40:22Apart from anything else, it's disrespectful.
0:40:22 > 0:40:25Munro has his reasons, not all of which are about the crime.
0:40:28 > 0:40:31Mm? Do you want me back there now, sir?
0:40:31 > 0:40:33No, not yet, Davis.
0:40:33 > 0:40:36We'll need more than the word of a florist to arrest
0:40:36 > 0:40:38a military man in this club.
0:40:38 > 0:40:39There's a notebook on my desk.
0:40:39 > 0:40:42In it, you'll find the number of Major Derek Alderton.
0:40:42 > 0:40:45- Get it and call me back. - Yes, boss.
0:40:55 > 0:40:57- Munro.- Got it, boss.
0:40:57 > 0:41:02Phone number is XJ 7379.
0:41:03 > 0:41:05Get back here as soon as you can.
0:41:06 > 0:41:10MUSIC
0:42:00 > 0:42:03- Where the hell have you been? - Yeah, sorry, boss.
0:42:03 > 0:42:05Right. And the Major was quite clear.
0:42:05 > 0:42:07He described our man as deeply damaged, and as such,
0:42:07 > 0:42:09potentially extremely dangerous.
0:42:09 > 0:42:11If it goes pear-shaped, use any force necessary.
0:42:11 > 0:42:13Superintendent.
0:42:13 > 0:42:16We've managed a partial analysis of the poison.
0:42:16 > 0:42:19Save it for the report, Doctor. We have a suspect.
0:42:39 > 0:42:41Sergeant Murray Nelson.
0:42:41 > 0:42:45I'm arresting you in relation to the murder of Jacqueline Maddern.
0:42:52 > 0:42:53GASPING
0:42:53 > 0:42:55- Hey, let her go.- Mattie!
0:42:58 > 0:43:01Take another step and I'll snap her neck.
0:43:02 > 0:43:04You don't want to do this.
0:43:09 > 0:43:10You don't know anything.
0:43:12 > 0:43:14I know she's having trouble breathing.
0:43:14 > 0:43:15SHE CHOKES
0:43:20 > 0:43:24You're a military man. This isn't what you were trained to do.
0:43:24 > 0:43:26Let her breathe.
0:43:43 > 0:43:44Alice!
0:43:46 > 0:43:48Secure the suspect. Take him to the boardroom.
0:43:48 > 0:43:50Take it easy.
0:43:53 > 0:43:56Congratulations, Chief Superintendent.
0:43:57 > 0:43:59Thank you, Patrick.
0:44:14 > 0:44:16Are you sure you're all right?
0:44:16 > 0:44:19- I'm fine. - I'm not convinced.
0:44:19 > 0:44:20I'm just embarrassed.
0:44:20 > 0:44:22Miss O'Brien, I could use your help.
0:44:22 > 0:44:25We need to call the hospital and arrange for the body to be removed.
0:44:25 > 0:44:27Of course.
0:44:27 > 0:44:32- Well, looks like a triumph for the Superintendent, then.- Mm.
0:44:39 > 0:44:42Why did you poison Jacqueline Maddern?
0:44:45 > 0:44:47Hmm?
0:44:47 > 0:44:49We met Murray years ago in Korea.
0:44:51 > 0:44:55Recently, I think he came to several performances, but...
0:44:55 > 0:44:58Did you tell the police you knew him?
0:44:59 > 0:45:03I can't be sure. I think so.
0:45:03 > 0:45:06- Oh, honestly, I was so upset.- Yes.
0:45:08 > 0:45:13Doc, the boss would like to see you in the boardroom.
0:45:13 > 0:45:15Yes, of course.
0:45:15 > 0:45:19- You can't read Korean, by any chance?- Korean?
0:45:19 > 0:45:20I can.
0:45:22 > 0:45:24I'll have to do a proper analysis but it certainly
0:45:24 > 0:45:27looks like the substance I found on the rose thorns.
0:45:30 > 0:45:32Can you read what it says?
0:45:36 > 0:45:38It's a poem.
0:45:38 > 0:45:41Let's all go... Something and soul.
0:45:41 > 0:45:43Body.
0:45:43 > 0:45:45It's body and soul.
0:45:45 > 0:45:49Let's all go, body and soul, with no way of return.
0:45:49 > 0:45:52On a vial of poison. How romantic.
0:45:52 > 0:45:55There were rumours in Korea that both sides were experimenting
0:45:55 > 0:45:56with chemical weapons.
0:45:56 > 0:45:59Mr Nelson was recently discharged from the army
0:45:59 > 0:46:01due to a nervous condition.
0:46:03 > 0:46:06We're going to need another statement from Pamela Gilchrist.
0:46:06 > 0:46:09- Guessing she's gone back to her hotel.- No, she's still here.
0:46:09 > 0:46:12Bring her in, and tell everyone else they can leave.
0:46:12 > 0:46:14Take Mr Nelson down to the station and charge him.
0:46:24 > 0:46:27Chris, I understand you needed to make a phone call.
0:46:27 > 0:46:28Yes, I do.
0:46:28 > 0:46:32No objection to Christopher using the phone now, Superintendent?
0:46:32 > 0:46:33Do as you like.
0:46:37 > 0:46:40You realise, of course, there are a number of things
0:46:40 > 0:46:42that still don't add up.
0:46:42 > 0:46:45I think you'll find we're done, Doctor.
0:46:55 > 0:46:59- Will this take long, Sergeant? - I shouldn't think so, ma'am.
0:46:59 > 0:47:00Right this way.
0:47:04 > 0:47:06Mr Reynolds.
0:47:06 > 0:47:08- Mr Reynolds.- Susan.
0:47:09 > 0:47:13I'm aware there are business interests involved here.
0:47:13 > 0:47:16- Is that correct?- There are.
0:47:16 > 0:47:18You will come by Patrick's office tomorrow,
0:47:18 > 0:47:20and he will offer you a job.
0:47:20 > 0:47:22You'll find that more than compensates
0:47:22 > 0:47:24for the loss of your article.
0:47:27 > 0:47:29And if I don't?
0:47:30 > 0:47:35My friend, the Chief Superintendent, will charge you with blackmail.
0:47:36 > 0:47:37Is that understood?
0:47:40 > 0:47:42Chatham House rules, Mr Reynolds.
0:47:42 > 0:47:44It doesn't go out of the club.
0:47:54 > 0:47:58I'm tired of being hurt like this, Patrick.
0:47:58 > 0:47:59Take me home.
0:48:08 > 0:48:11- How are you bearing up? - Not too bad, thank you.
0:48:12 > 0:48:16Your boy, Christopher, he seems like a fine young man.
0:48:16 > 0:48:19Thank you. Yes, he is.
0:48:20 > 0:48:23Jean, just while I have you here, can I show you something?
0:48:26 > 0:48:29Tell me, what do you see here?
0:48:30 > 0:48:32I see a photograph of a couple.
0:48:34 > 0:48:36Jacqueline Maddern and her killer?
0:48:36 > 0:48:41Mm. That's all I saw too, at first.
0:48:42 > 0:48:44Look at that.
0:48:47 > 0:48:49I still haven't worked out how it happened.
0:48:55 > 0:48:57Ah, Mr Simpson.
0:49:01 > 0:49:03Goodbye, Princess.
0:49:06 > 0:49:08HE SOBS
0:49:50 > 0:49:53That's all we need for now, Miss Gilchrist.
0:49:53 > 0:49:56Sergeant Davis will take you back to your hotel.
0:49:56 > 0:49:59Thank you, Superintendent. I am so sorry that I didn't mention
0:49:59 > 0:50:00Mr Nelson earlier.
0:50:00 > 0:50:03I could've saved you a whole lot of time and trouble, couldn't I?
0:50:03 > 0:50:04Yes. But then you wouldn't have been
0:50:04 > 0:50:06able to give such a stellar performance.
0:50:06 > 0:50:08That's right, isn't it, Pamela?
0:50:08 > 0:50:09I'm sorry, Doctor?
0:50:09 > 0:50:12Blake! I told you, we're done.
0:50:12 > 0:50:15No, we're not done, William.
0:50:16 > 0:50:18You took this?
0:50:18 > 0:50:21Borrowed it. Murray was in love with Jackie, no doubt.
0:50:21 > 0:50:24But once she dumped him, you were there to pick up the pieces,
0:50:24 > 0:50:27weren't you? That's when he became...
0:50:29 > 0:50:30..addicted to you.
0:50:33 > 0:50:34And you played him perfectly.
0:50:34 > 0:50:38You convinced him to purchase the roses, apply the poison.
0:50:38 > 0:50:40You even had him prepared to take the fall.
0:50:40 > 0:50:42I have no idea what you're talking about.
0:50:42 > 0:50:45Murray was head over heels in love with Jackie.
0:50:45 > 0:50:48Once she'd finished with him, she just threw him away.
0:50:48 > 0:50:51Same as she'd done with Mr Simpson and Patrick Tyneman.
0:50:51 > 0:50:54- Superintendent...- Luckily, you were there to harness his fury, his rage.
0:50:54 > 0:50:58But, of course, you had to keep the ultimate act for yourself,
0:50:58 > 0:51:00didn't you?
0:51:00 > 0:51:02You killed her with an embrace.
0:51:04 > 0:51:05Protecting yourself...
0:51:07 > 0:51:09..with this.
0:51:09 > 0:51:11Holding it between yourself and the roses.
0:51:11 > 0:51:14Do you really think that I would...?
0:51:14 > 0:51:16We were like sisters.
0:51:16 > 0:51:17No, you weren't.
0:51:17 > 0:51:21She treated you like a servant. Like hired help.
0:51:21 > 0:51:22This is absurd.
0:51:22 > 0:51:25Please, Sergeant, take me back to my hotel.
0:51:25 > 0:51:28Do you really think Murray will stand by you,
0:51:28 > 0:51:30once he's read that statement?
0:51:30 > 0:51:33Oh, but of course you weren't planning on sticking around anyway,
0:51:33 > 0:51:37were you? You were going to the States without Jackie,
0:51:37 > 0:51:40going to a place where you could reinvent yourself.
0:51:42 > 0:51:45Where you could be in the spotlight, for once.
0:51:45 > 0:51:47But you overplayed it.
0:51:48 > 0:51:50How dare you!
0:51:51 > 0:51:53How dare you say that to me!
0:51:53 > 0:51:56You stayed on the stage far, far too long.
0:51:58 > 0:52:00What would you know?
0:52:07 > 0:52:09I was always the better actress.
0:52:10 > 0:52:12She was the pretty one.
0:52:13 > 0:52:17It's always the pretty ones who get picked, isn't it?
0:52:17 > 0:52:21You made sure everyone would see her ugly final act,
0:52:21 > 0:52:22or at least read about it.
0:52:23 > 0:52:29You needed the press here. You were Reynolds's anonymous source.
0:52:29 > 0:52:31So what if I was?
0:52:31 > 0:52:34She deserved it.
0:52:34 > 0:52:37She was poisonous.
0:52:38 > 0:52:41Poison deserves poison.
0:52:59 > 0:53:04BELL TOLLS
0:53:10 > 0:53:12Come and have some breakfast.
0:53:12 > 0:53:14Or at least have a rest before you go.
0:53:14 > 0:53:16Thanks, Mum.
0:53:37 > 0:53:39Oh!
0:53:40 > 0:53:42Cup of tea?
0:53:42 > 0:53:43I don't think so, Mattie.
0:53:47 > 0:53:49Come on.
0:53:52 > 0:53:57Tell you something, your mother's very excited about your new baby.
0:53:57 > 0:53:59- Is she?- Yes, she is.
0:54:00 > 0:54:04Let her be a part of things, won't you? She deserves some happiness.
0:54:04 > 0:54:07- Mattie!- Oh, we'd better get in there.
0:54:11 > 0:54:14Oh, how about that?
0:54:14 > 0:54:15Yes.
0:54:15 > 0:54:19# For she's a jolly good fellow
0:54:19 > 0:54:22# For she's a jolly good fellow
0:54:22 > 0:54:25# For she's a jolly good fellow
0:54:25 > 0:54:28# And so say all of us. #
0:54:29 > 0:54:31What happened to the cake, Mattie?
0:54:31 > 0:54:34- Mm, I made it. - Oh, it's lovely.
0:54:34 > 0:54:37No, it's not. It's a mess.
0:54:37 > 0:54:40- Mattie, what's this bit here supposed to be?- Shut up!
0:54:40 > 0:54:42Come on, Jean. Blow out the candles.
0:54:42 > 0:54:45Heaven knows, we couldn't afford to buy nearly enough...
0:54:45 > 0:54:47- Lucien! Ignore him.- I do.
0:54:47 > 0:54:49Make a wish, Jean.
0:54:52 > 0:54:53Bravo.