0:00:09 > 0:00:11I know you think it's ridiculous, but I saw it, Neil.
0:00:11 > 0:00:14- Look, just wait for me. - They're coming, I've seen it.
0:00:14 > 0:00:15Where?
0:00:15 > 0:00:17Hinkley Way Shopping Centre, meet me there.
0:00:17 > 0:00:18GLASS TINKLES
0:00:20 > 0:00:21Hello?
0:00:21 > 0:00:24Sarah? Sarah?!
0:00:25 > 0:00:27- Sarah, what's happening? - Neil, hang on.
0:00:27 > 0:00:30GROANING
0:00:31 > 0:00:32You OK?
0:00:35 > 0:00:38GROANING
0:00:41 > 0:00:42Are you hurt?
0:00:51 > 0:00:52Can you...
0:01:28 > 0:01:29Come on!
0:01:31 > 0:01:33DISTANT SHOUTING
0:02:02 > 0:02:04This is a bad idea.
0:02:04 > 0:02:07Correction, this is a good idea with bad possibilities.
0:02:07 > 0:02:08What does that even...?
0:02:08 > 0:02:11Neo, sooner or later you'll realise
0:02:11 > 0:02:15that there's a difference between knowing the path and walking the path.
0:02:23 > 0:02:25We're in. SIRENS WAIL IN DISTANCE
0:02:35 > 0:02:38You see? What's not to like?
0:02:39 > 0:02:41Remind me what we're looking for again.
0:02:41 > 0:02:44Used junkie needles, I want to suck the dirty heroin out.
0:02:44 > 0:02:49We're looking for film props, OK? For my horror - shapes, strange things,
0:02:49 > 0:02:54cybernetic organisms, titanium rechargers, ectoplasmic residue,
0:02:54 > 0:02:56anything that can be...
0:02:57 > 0:02:58You found a dead thing!
0:02:58 > 0:02:59Well done!
0:03:01 > 0:03:03It must have got trapped in here.
0:03:05 > 0:03:06If I cook it, will you eat it?
0:03:07 > 0:03:10Don't poke it too hard! It could still be alive!
0:03:10 > 0:03:12If you pick it up, I'll let you throw it at me.
0:03:12 > 0:03:16No dibs, nothing, total freebie, but you've got to pick it up.
0:03:16 > 0:03:17Definitely too old for that.
0:03:17 > 0:03:19OK, if I pick it up, can I throw it at you?
0:03:19 > 0:03:20Fuck off.
0:03:20 > 0:03:22HE IMITATES CHICKEN
0:03:22 > 0:03:23Fuck off!
0:03:23 > 0:03:24HE SNIGGERS
0:03:24 > 0:03:26Seriously, fuck off!
0:03:26 > 0:03:27Oh, shit!
0:03:27 > 0:03:29I'm going to wipe this all over your hair, you know that?
0:03:29 > 0:03:31You're in trouble now, boy!
0:03:35 > 0:03:37No, no, no, no, no, shit!
0:03:49 > 0:03:51TYRES SCREECH Oh, f...
0:03:51 > 0:03:53HE SCREAMS
0:03:59 > 0:04:03FAINT MOANING AND PANTING
0:04:16 > 0:04:18- MAN:- Friend? Are you a friend?
0:04:18 > 0:04:19What?
0:04:19 > 0:04:22Where's Sarah? I'm looking for Sarah.
0:04:22 > 0:04:23Who?
0:04:23 > 0:04:25- I will shoot! - Why?
0:04:27 > 0:04:30Jesus! Um...I'm not...I'm not even supposed to be here!
0:04:30 > 0:04:32It was my friend's idea of a fun night out!
0:04:34 > 0:04:37- Who are you? - LOUD CLATTER
0:04:42 > 0:04:44Oh...shit.
0:04:44 > 0:04:46- Run.- What?
0:04:46 > 0:04:48- HE SHOUTS - Run!
0:05:12 > 0:05:14- SHE GROANS - Sarah.
0:05:30 > 0:05:31HE GASPS Ah.
0:06:41 > 0:06:42MUFFLED ROAR
0:06:42 > 0:06:44SNARLING
0:06:58 > 0:07:00HE GRUNTS
0:07:03 > 0:07:04Argh!
0:07:12 > 0:07:14HE SCREAMS
0:07:14 > 0:07:16SCREECHING
0:07:22 > 0:07:24Paul?
0:07:25 > 0:07:26Paul!
0:07:28 > 0:07:30Paul?!
0:07:30 > 0:07:32Paul, where you been?
0:07:32 > 0:07:35I called and I called and I heard gunshots, so I called a little quieter,
0:07:35 > 0:07:38then I realised I heard gunshots so I called a little louder again.
0:07:41 > 0:07:42(Has someone been executed?)
0:07:44 > 0:07:46Triads, right? No.
0:07:46 > 0:07:48Yakuza? No.
0:07:48 > 0:07:49The League of Shadows? No.
0:07:51 > 0:07:53The Watchmen?
0:07:55 > 0:07:56Are they still here?
0:07:57 > 0:08:00Are we about to get assassinated? Because I'm not ready to die.
0:08:00 > 0:08:03I haven't decided what my last words will be yet.
0:08:07 > 0:08:10Wasn't really gunshots, was it?
0:08:11 > 0:08:14It was a...tyre blow-out or a...
0:08:14 > 0:08:15I dunno.
0:08:17 > 0:08:19It wasn't really gunshots.
0:08:22 > 0:08:24We're in England.
0:08:24 > 0:08:25Do you want to go home now?
0:08:25 > 0:08:28Those were actual gunshots?
0:08:29 > 0:08:31Actual actual gunshots?
0:08:31 > 0:08:33Where's your bike?
0:08:33 > 0:08:34Paul!
0:08:43 > 0:08:45Oh, be careful!
0:08:45 > 0:08:47This is new.
0:08:52 > 0:08:54- What's your name again?- Mark.
0:08:54 > 0:08:55And do you do this a lot, Mark?
0:08:55 > 0:08:57What?
0:08:57 > 0:08:59Pick up random strangers and take them home with you?
0:08:59 > 0:09:02Um...yeah, quite a lot.
0:09:08 > 0:09:10- Where's the bedroom?! - Just up on the left.
0:09:12 > 0:09:13Oh, fuck it.
0:09:13 > 0:09:16No, no, no, no! Not that one!
0:09:16 > 0:09:17Matadors, ready?
0:09:17 > 0:09:20- I told you, not this one. - Jesus! Easy, tiger!
0:09:20 > 0:09:23- Fuckin' hell.- What's the matter? - It's just...- What?
0:09:23 > 0:09:25This is my...wife's room.
0:09:26 > 0:09:28- Right. - I say wife,
0:09:28 > 0:09:33I mean only in the most technical sense, we're separated.
0:09:33 > 0:09:35But you live together.
0:09:35 > 0:09:37- HE SIGHS - Again, only technically.
0:09:37 > 0:09:39The mortgage repayments are too much
0:09:39 > 0:09:41for only one of us to handle alone.
0:09:41 > 0:09:43It's just it can get...tricky.
0:09:43 > 0:09:46I mean, I knew she'd be out
0:09:46 > 0:09:49and Sarah's... She's fine with me having sex.
0:09:51 > 0:09:54We're only technically...
0:09:54 > 0:09:55Technically...
0:09:55 > 0:09:57I just didn't want you in here.
0:09:57 > 0:09:59This her?
0:10:00 > 0:10:01Yeah.
0:10:02 > 0:10:04She's pretty.
0:10:04 > 0:10:06Yeah.
0:10:06 > 0:10:09And...I'm going to go now.
0:10:09 > 0:10:11- HE LAUGHS - Yeah.
0:10:14 > 0:10:19Just...a few too many technicalities for a...quick shag on a night out, you know?
0:10:20 > 0:10:22Yeah.
0:10:23 > 0:10:25I know.
0:10:47 > 0:10:49We're here.
0:10:49 > 0:10:51Careful.
0:10:52 > 0:10:54SHE GASPS
0:11:02 > 0:11:03There's ash...
0:11:04 > 0:11:07There's ash everywhere.
0:11:08 > 0:11:10- Hello, it's Helen... - And bodies all around.
0:11:10 > 0:11:14Helen, why aren't you answering? Answer the phone!
0:11:14 > 0:11:17Sarah's hurt. They've hurt her, Helen.
0:11:18 > 0:11:20And I'm alone.
0:11:41 > 0:11:44I feel... I feel...
0:11:45 > 0:11:49- Shh. - Don't you see? This proves it.
0:11:49 > 0:11:52My visions, they were right.
0:11:52 > 0:11:54- Neil...- Yeah?
0:11:54 > 0:11:56Neil, do you hear me? The future...
0:11:56 > 0:11:58it's ash.
0:11:58 > 0:12:00Everybody dies, everybody's dead.
0:12:01 > 0:12:03You're in so much danger.
0:12:03 > 0:12:06I can't find a vein. I can't find a vein.
0:12:06 > 0:12:08What did he do to you?
0:12:08 > 0:12:10We all are.
0:12:20 > 0:12:22SHE COUGHS
0:12:23 > 0:12:27- Oh... All right. - He's changing, Neil.
0:12:28 > 0:12:30He's evolving, he's getting stronger.
0:12:31 > 0:12:33He'll lead others through.
0:12:35 > 0:12:37The Fades are coming.
0:12:39 > 0:12:43The Fades are coming, it's inevitable, I see it now, I see it.
0:12:43 > 0:12:45Our world is dying.
0:12:50 > 0:12:52All that mattered was Mark,
0:12:52 > 0:12:54and I wish I'd known that before.
0:12:54 > 0:12:56I don't want to...
0:12:59 > 0:13:00Sarah...
0:13:03 > 0:13:04Sarah?
0:13:41 > 0:13:43ROARING
0:13:43 > 0:13:45HE GASPS
0:14:15 > 0:14:17Morning, love!
0:14:19 > 0:14:20Oh.
0:14:20 > 0:14:22- I've got it, Mum, OK? - No, you don't.
0:14:22 > 0:14:23Mum...
0:14:26 > 0:14:28It's nothing to be ashamed of.
0:14:28 > 0:14:29Yeah, it is.
0:14:29 > 0:14:30No, it isn't.
0:14:32 > 0:14:34Well, do you remember what the dream was about?
0:14:34 > 0:14:37- Who said it was a dream? - Well, Dr Tremlett.
0:14:37 > 0:14:38Mum!
0:14:38 > 0:14:40I'm not your little kid any more, OK?
0:14:40 > 0:14:44I'm not your boy. I'm trying to be a man.
0:14:44 > 0:14:45SHE GIGGLES
0:14:45 > 0:14:47- Thanks, Mum. - No.
0:14:47 > 0:14:49No, it was the way you said it, it was funny.
0:14:49 > 0:14:52- Course you're a man. - Yeah. Fine. Sure.
0:14:52 > 0:14:54Paul...
0:14:54 > 0:14:55Paul!
0:14:59 > 0:15:02I just did these, shithead!
0:15:02 > 0:15:03Paul!
0:15:03 > 0:15:06- Just leave him be. - Well, he just smudged my nails.
0:15:06 > 0:15:09Just... I don't know what's going on with him.
0:15:09 > 0:15:11It's called being a teenage boy.
0:15:11 > 0:15:13He should be wanking, not pissing.
0:15:14 > 0:15:17You're going to have to write me a note.
0:15:18 > 0:15:20Well, I'm not going to make my first class now, am I?!
0:15:20 > 0:15:23I need to do these again!
0:15:34 > 0:15:35MARK: Sarah...
0:15:35 > 0:15:37- WOMAN:- Jesus.
0:15:37 > 0:15:39You surprised me.
0:15:39 > 0:15:40Helen.
0:15:40 > 0:15:41Hi, Mark.
0:15:41 > 0:15:42Hi.
0:15:42 > 0:15:45What... What are you doing here?
0:15:45 > 0:15:49I'm...stealing things. What are you doing here?
0:15:49 > 0:15:51Um...it's my house?
0:15:51 > 0:15:52Half of it.
0:15:52 > 0:15:55Sarah gave me her key yesterday, asked me to pick something up.
0:15:55 > 0:15:58And before you ask, no, I don't know where she is.
0:15:58 > 0:16:00But I'm pretty sure she wouldn't like you in her room.
0:16:01 > 0:16:03Last night was a bit, um...
0:16:03 > 0:16:07- I got a bit... - That would explain...those.
0:16:09 > 0:16:13- It was less fun than you think. - I'm not taking sides, Mark.
0:16:13 > 0:16:15I think it's a sorry mess, but I'm...
0:16:15 > 0:16:17- not taking sides. - No, I know.
0:16:20 > 0:16:23Do you, um...fancy a bit of breakfast?
0:16:23 > 0:16:26I thought you'd never ask.
0:16:38 > 0:16:39This is a bullet.
0:16:39 > 0:16:42No. Mac, will you put it away?
0:16:42 > 0:16:44Murder! Murder! I've just been shot!
0:16:46 > 0:16:50Like anyone pays the slightest attention to what we do(!) We're the unwashed,
0:16:50 > 0:16:52we're the unwanted, we're the invisible in this school.
0:16:52 > 0:16:55And this is a bullet.
0:16:55 > 0:16:57A slightly odd one, I think, which makes it even more exciting.
0:16:57 > 0:16:59It's not exciting!
0:17:00 > 0:17:02Hi, Jay.
0:17:03 > 0:17:05- What? - Fuck off, Paul.
0:17:05 > 0:17:07How we came out the same egg is a mystery to me.
0:17:07 > 0:17:08Womb.
0:17:08 > 0:17:11We came out the same womb.
0:17:11 > 0:17:13Egg and we'd be identical twins.
0:17:13 > 0:17:15And there are certain differences between us
0:17:15 > 0:17:18- if you hadn't noticed. - Uh, yeah. You're retarded.
0:17:19 > 0:17:21- Such a wanker. - A bullet.
0:17:21 > 0:17:24A strange bullet casing which my best friend claims was fired at him,
0:17:24 > 0:17:26which makes my best friend Indiana Jones, which is good
0:17:26 > 0:17:29because I've always wanted to be Short Round from Temple Of Doom.
0:17:29 > 0:17:33Or Marion Ravenwood from Raiders when feeling particularly confused.
0:17:33 > 0:17:34That was smooth, by the way.
0:17:34 > 0:17:35Ooh!
0:17:35 > 0:17:37What did you do that for?
0:17:37 > 0:17:39Was it the Marion Ravenwood quip?
0:17:39 > 0:17:41I'm not coming out to you, I'm probably the most heterosexual person you know.
0:17:41 > 0:17:43Mac, I'm scared.
0:17:43 > 0:17:47Minus the sex, of course. I'm a hetero-ual.
0:17:47 > 0:17:49You do know this is the girls' toilets, right?
0:17:49 > 0:17:50You're not taking this very seriously.
0:17:50 > 0:17:53DOOR CREAKS
0:18:03 > 0:18:05TRICKLING
0:18:05 > 0:18:06Shh.
0:18:06 > 0:18:08FARTING
0:18:13 > 0:18:17Oh! I ain't got any toilet paper, have you got some?
0:18:30 > 0:18:32FLUSHING
0:18:37 > 0:18:38DOOR CLOSES
0:18:38 > 0:18:41Well, there's the female mystique fucked, then.
0:18:42 > 0:18:45Sadly, that genuinely may have been the most sexual experience
0:18:45 > 0:18:48of my entire life. HE SNORTS
0:18:52 > 0:18:54I'm taking this very seriously.
0:18:55 > 0:19:00You got shot at. It's just... I talk when I'm nervous.
0:19:00 > 0:19:02I once told my mum the entire plot of the Bible,
0:19:02 > 0:19:05Old and New Testament, when we was watching Jaws.
0:19:05 > 0:19:08She was enthralled...actually.
0:19:08 > 0:19:09These dreams...
0:19:11 > 0:19:13..I've been having.
0:19:13 > 0:19:16Mate, those are natural things.
0:19:16 > 0:19:18Beautiful things.
0:19:18 > 0:19:20Shut up.
0:19:21 > 0:19:24Yeah. You need to clean yourself up in the morning.
0:19:24 > 0:19:27Like that gunk you got on your hand.
0:19:27 > 0:19:31Your junk. That's the miracle of life right there, baby, right there.
0:19:31 > 0:19:33Mac... don't you understand?
0:19:34 > 0:19:36They're dreams.
0:19:37 > 0:19:39My dreams are coming true.
0:19:39 > 0:19:41Your dreams are coming...true?
0:19:43 > 0:19:45When that guy shot at me, I followed him.
0:19:48 > 0:19:49He fought...
0:19:50 > 0:19:52He fought with this...
0:19:53 > 0:19:57...creature. I can't describe him. He wasn't human.
0:19:58 > 0:20:00The gun...
0:20:01 > 0:20:03...and the bullet, they...
0:20:03 > 0:20:04prove it, don't they?
0:20:05 > 0:20:07That the dreams are sort of...
0:20:09 > 0:20:11...real, which means I'm...
0:20:12 > 0:20:14Which means I'm what?
0:20:19 > 0:20:22Heather Langenkamp from Nightmare On Elm Street.
0:20:22 > 0:20:25That is such a compliment, Heather Langenkamp's an utter legend!
0:20:25 > 0:20:27OK, I will be Heather.
0:20:27 > 0:20:29You be Kim Myers from Nightmare On Elm Street 2.
0:20:29 > 0:20:31But honestly, mate, the film's not as good.
0:20:31 > 0:20:34- I just wanted someone who believed me.- Course I believe you.
0:20:34 > 0:20:37- Do you think I'm mad?- If you're mad, we'll find a way to cope with it,
0:20:37 > 0:20:39but it's equally possible that what you're seeing
0:20:39 > 0:20:42is what other people can't. That you're, you know... special.
0:20:44 > 0:20:45Special?
0:20:45 > 0:20:47Special.
0:20:48 > 0:20:50I'm scared, Mac.
0:20:50 > 0:20:51You're scared?
0:20:51 > 0:20:54My only friend is either a lunatic or Heather Langenkamp.
0:20:54 > 0:20:56I'm petrified.
0:20:57 > 0:20:59OK, you crazy kids,
0:20:59 > 0:21:02get ready, cos it is time for...
0:21:02 > 0:21:03his story.
0:21:05 > 0:21:06His story? History!
0:21:06 > 0:21:08That's the one.
0:21:08 > 0:21:10- GROANING - Wow, tough crowd.
0:21:10 > 0:21:13OK, Steve, if you wouldn't mind? Thank you.
0:21:13 > 0:21:15Right, who is ready for the Holocaust?
0:22:16 > 0:22:18I was hoping it was you.
0:22:22 > 0:22:23I love the way you feel free
0:22:23 > 0:22:26to just let yourself into people's places whenever you feel like it.
0:22:26 > 0:22:28This isn't a place.
0:22:29 > 0:22:30It's a hole.
0:22:32 > 0:22:34Where were you last night?
0:22:34 > 0:22:35What happened to your eye?
0:22:35 > 0:22:37I kept ringing you.
0:22:38 > 0:22:40- Where were you? - I had things to clean up.
0:22:43 > 0:22:45We need to bury her immediately.
0:22:46 > 0:22:49- Neil, we're still a team. - No, we're your team.
0:22:49 > 0:22:53Oh, that's the thing, is it? You want a go at playing the man?
0:23:02 > 0:23:05I got her gun.
0:23:05 > 0:23:07I collected it, this morning, from her place.
0:23:09 > 0:23:10Good.
0:23:13 > 0:23:15I lost mine, my gun.
0:23:17 > 0:23:20I shot it and then he attacked me and I lost it.
0:23:22 > 0:23:23I got...
0:23:23 > 0:23:25I was...scared.
0:23:28 > 0:23:30OK? I was scared, this is Sarah.
0:23:36 > 0:23:38Your eye looks painful, Neil.
0:23:39 > 0:23:42Her body can keep.
0:23:42 > 0:23:44Let me look at you first.
0:23:44 > 0:23:46I'm thinking Pratchett.
0:23:47 > 0:23:50If I could get anyone to write my life story,
0:23:50 > 0:23:52- Pratchett. - Hey, you're walking very quickly.
0:23:52 > 0:23:54No, OK.
0:23:54 > 0:23:55Um, a mix.
0:23:56 > 0:23:58Pratchett's wit, definitely...
0:23:58 > 0:24:01Alan Moore's soul,
0:24:01 > 0:24:02and, um...
0:24:02 > 0:24:04Susan Cooper's plotting.
0:24:04 > 0:24:06Yeah. Clive Lewis's heroism,
0:24:06 > 0:24:09and Tolkien's slightly twisted sexuality.
0:24:09 > 0:24:11Tolkien had a twisted sexuality?
0:24:11 > 0:24:14The eye of Mordor - the man was clearly petrified of vaginas.
0:24:18 > 0:24:20What?
0:24:22 > 0:24:23What?
0:24:25 > 0:24:26Can you...?
0:24:26 > 0:24:29Seriously, is this another of your jokes?
0:24:29 > 0:24:32Because you're not good at jokes, and I've explained before,
0:24:32 > 0:24:35when you tell a joke, you've got to wink.
0:24:35 > 0:24:37That way I'll laugh, and we'll both feel better.
0:24:38 > 0:24:40You can't see her?
0:24:43 > 0:24:45You're not joking.
0:24:50 > 0:24:52Yeah, I'm joking.
0:24:53 > 0:24:56- Winked. (Joking.) - That's not a wink.
0:25:14 > 0:25:17She said that the attack proved her vision right.
0:25:17 > 0:25:18The future was ash.
0:25:20 > 0:25:21It was death.
0:25:24 > 0:25:25Didn't sound great.
0:25:25 > 0:25:27I don't understand why the attack proves that...
0:25:27 > 0:25:30It proves it because it's never happened before!
0:25:30 > 0:25:32The Fades are not supposed to be able to touch us.
0:25:32 > 0:25:34I only just managed to fight him off
0:25:34 > 0:25:36because he's weak, but he'll get stronger.
0:25:36 > 0:25:39He's breaking through, Helen, he's becoming flesh.
0:25:39 > 0:25:43- It's a big assumption.- If he becomes flesh, others'll follow.
0:25:43 > 0:25:46So, as death becomes life, so life becomes death,
0:25:46 > 0:25:49and so everything ends. That's what the vision meant.
0:25:49 > 0:25:53Let's not get too dramatic, shall we?
0:25:58 > 0:26:00I'm not sure if this is a cheese-and-onion
0:26:00 > 0:26:04Wednesday sort of day or a salt-and-vinegar Friday.
0:26:05 > 0:26:06It is actually Friday.
0:26:06 > 0:26:09Sometimes you're disappointingly literal.
0:26:09 > 0:26:12Oh, my God! I didn't even consider smoky-bacon Monday! DOOR OPENS
0:26:13 > 0:26:16- Get down!- What?
0:26:16 > 0:26:17Ohh...
0:26:18 > 0:26:20- And ten Marlboro Lights. - OK, love.
0:26:26 > 0:26:27- Thanks. - COINS CLINK
0:26:29 > 0:26:30Hi, Paul.
0:26:30 > 0:26:32- Yeah.- Found it.
0:26:33 > 0:26:35- See you, Paul. - Yeah.
0:26:35 > 0:26:38- Hi. I mean, yeah.- I mean...
0:26:38 > 0:26:40- DOOR CLOSES - Bye.
0:26:40 > 0:26:42Yeah, good, good. Good, that went well.
0:26:42 > 0:26:45Not an entirely romantic instrument, but...
0:26:47 > 0:26:49Welcome to the world of beefy Tuesdays.
0:26:49 > 0:26:51Tuesday! Of course!
0:26:52 > 0:26:54And ten Marlboro Lights.
0:26:54 > 0:26:56You got any ID, kid?
0:26:57 > 0:26:59I'm 18! I've just got a young face.
0:26:59 > 0:27:01You could touch his stubble, if you want.
0:27:11 > 0:27:13If you're working for the thought police,
0:27:13 > 0:27:15I'll have your bollocks! All right, son?
0:27:15 > 0:27:16Thanks.
0:27:16 > 0:27:17I mean, I'm not. I mean, I'm grateful.
0:27:17 > 0:27:19£4.10.
0:27:23 > 0:27:26Um, have you got any cash?
0:27:26 > 0:27:28(Does the Pope shit in woods?)
0:27:28 > 0:27:30Can I owe you £2?
0:27:34 > 0:27:37- NEIL:- I can move in here, for a start.- HELEN: I'll do as I do.
0:27:38 > 0:27:40We can be safe here.
0:27:40 > 0:27:42It's non-negotiable.
0:27:42 > 0:27:44We are not here to predict the future, Neil.
0:27:44 > 0:27:47Sarah was a seer.
0:27:47 > 0:27:50Her inevitability isn't ours.
0:27:50 > 0:27:53- We take every challenge... - As it comes, I know that.
0:27:54 > 0:27:57What if the challenge is too great?
0:27:57 > 0:28:00- What if the Fades do break through?- Then you're right,
0:28:00 > 0:28:01we'll be fucked.
0:28:01 > 0:28:04Does that make you feel better?
0:28:06 > 0:28:07I don't like it when you swear.
0:28:07 > 0:28:09SHE SIGHS
0:28:12 > 0:28:14She loves you.
0:28:14 > 0:28:15Mac.
0:28:15 > 0:28:17- She loves you not. - Mac! Really?!
0:28:17 > 0:28:21- She loves you. - Mac, you need to stop!
0:28:21 > 0:28:22She loves you not.
0:28:22 > 0:28:25I will use physical violence on you!
0:28:25 > 0:28:27This is science.
0:28:27 > 0:28:28You need science.
0:28:28 > 0:28:30And you need love, Moby Dick.
0:28:30 > 0:28:31She loves you.
0:28:34 > 0:28:36That's just childish.
0:28:48 > 0:28:49This is going to hurt.
0:28:50 > 0:28:53I need to scrape out the poison.
0:28:56 > 0:28:58HE GRUNTS
0:28:58 > 0:29:00MUFFLED SCREAM
0:29:02 > 0:29:04HE GRUNTS
0:29:06 > 0:29:09HE SQUEAKS AND GROANS
0:29:09 > 0:29:11HE GROANS
0:29:11 > 0:29:15MUFFLED MOANING
0:29:15 > 0:29:17GROANS AND PANTS
0:29:17 > 0:29:21HE GROANS
0:29:38 > 0:29:40HE GRUNTS
0:29:47 > 0:29:51GROANING
0:29:53 > 0:29:56HE GRUNTS
0:30:24 > 0:30:26I couldn't save it.
0:30:29 > 0:30:31The eye's dead.
0:30:33 > 0:30:35He infected the cornea.
0:30:38 > 0:30:40You won't see out of that again.
0:30:44 > 0:30:46I couldn't have saved her, you know.
0:30:48 > 0:30:49Sarah.
0:30:51 > 0:30:52Any more than you could.
0:30:59 > 0:31:01Her injuries were too severe.
0:31:03 > 0:31:04I know.
0:31:06 > 0:31:10I'll move in here, just until we understand what's happening.
0:31:10 > 0:31:11Good.
0:31:15 > 0:31:17The truth is, it's simple.
0:31:18 > 0:31:21Either the world ends or we stop him or...
0:31:23 > 0:31:26...or something stronger comes along that can.
0:31:26 > 0:31:29You're back on this...creature who's going to save us all.
0:31:30 > 0:31:32Why not?
0:31:32 > 0:31:35He's out there, Neil. I know it.
0:31:39 > 0:31:40He could be a woman.
0:31:42 > 0:31:44I hear some of them do OK.
0:31:45 > 0:31:48Careful, or I'll have the other eye.
0:31:52 > 0:31:54What is your problem?
0:31:54 > 0:31:56Because I've asked you repeatedly to do it!
0:31:56 > 0:32:01- And I've told you repeatedly, I won't!- You look cheap, Anna!
0:32:01 > 0:32:05So I should take style advice from you, should I? I may look cheap,
0:32:05 > 0:32:10- but you look dead.- If you dress like a slut, people will treat you like a slut.
0:32:10 > 0:32:12My mum actually thinks I dress like a prostitute!
0:32:12 > 0:32:14There's an ambition achieved(!)
0:32:14 > 0:32:17ARGUMENT CONTINUES
0:32:31 > 0:32:33Shh.
0:32:36 > 0:32:40I used to hide mine in a sock at the back of my drawer.
0:32:42 > 0:32:43You?
0:32:44 > 0:32:45Yep, it's me.
0:32:47 > 0:32:48What are you...
0:32:49 > 0:32:50...doing here?
0:32:52 > 0:32:54I'm looking for you.
0:32:56 > 0:32:59The boy who saw things he shouldn't be able to.
0:32:59 > 0:33:01FOOTSTEPS ON STAIRS
0:33:01 > 0:33:04Well, maybe if you had dressed like a slut, he wouldn't have left!
0:33:04 > 0:33:07- Ever considered that?! - DOOR SLAMS
0:33:08 > 0:33:10You've got two choices.
0:33:10 > 0:33:12You can scream and you'll get the whole house in here...
0:33:14 > 0:33:18...or you can realise I've probably got some information you need to hear.
0:33:24 > 0:33:25OK, close your eyes.
0:33:29 > 0:33:30You just concentrate on my voice.
0:33:32 > 0:33:34Empty your head of everything other than my voice.
0:33:37 > 0:33:38And now open your eyes.
0:33:40 > 0:33:43RUMBLING
0:33:53 > 0:33:54They like height.
0:33:55 > 0:33:59When organic matter passes through them, they burn, so...
0:34:00 > 0:34:03...we see them on rooftops
0:34:03 > 0:34:07and bus shelters, walking down the middle of the road.
0:34:07 > 0:34:10Cars are fine. They get winged by a car, that doesn't hurt, so...
0:34:10 > 0:34:12What are they?
0:34:12 > 0:34:14They're the dead.
0:34:14 > 0:34:16The dead?
0:34:16 > 0:34:17And they're trapped here.
0:34:17 > 0:34:19They're dead?!
0:34:19 > 0:34:22Look, when people die, they go up or they stay here.
0:34:22 > 0:34:24Some go up, some stay here.
0:34:24 > 0:34:26These are those that stay here.
0:34:27 > 0:34:29We call them the Fades.
0:34:32 > 0:34:35They're just...trapped here?
0:34:35 > 0:34:37If they don't ascend, yeah.
0:34:37 > 0:34:41- So these are bad people? - Good, bad.
0:34:41 > 0:34:43Why people believe death is somehow fair...
0:34:43 > 0:34:45Death is random, same as life is.
0:34:45 > 0:34:48Life has famine,
0:34:48 > 0:34:49illness,
0:34:49 > 0:34:52shittiness. Death is similarly crap.
0:34:53 > 0:34:55That's why the problem exists.
0:34:55 > 0:34:56The problem?
0:34:58 > 0:35:01You imagine being trapped in a world that you can't touch,
0:35:01 > 0:35:03you can't taste.
0:35:03 > 0:35:05Hate grows.
0:35:05 > 0:35:08Those that get left behind, they get shitty.
0:35:08 > 0:35:11It's... That... That thing that I saw attacking you,
0:35:11 > 0:35:12that was a shitty ghost!
0:35:14 > 0:35:16Well, he was something new.
0:35:17 > 0:35:18And you...?
0:35:20 > 0:35:21What are you?
0:35:23 > 0:35:24Are you...
0:35:24 > 0:35:28some sort of...ghostbuster?
0:35:31 > 0:35:33Yeah, that's right, kid, I'm a ghostbuster(!)
0:35:33 > 0:35:35And none of this...
0:35:37 > 0:35:40- HE EXHALES SHAKILY - None of this stuff's in my head?
0:35:40 > 0:35:42Ghostbuster's honour.
0:36:24 > 0:36:27CLOCK TICKS
0:36:35 > 0:36:36You seem different today.
0:36:36 > 0:36:38Different how?
0:36:39 > 0:36:42Has something happened since our last session?
0:36:44 > 0:36:45I donated blood.
0:36:46 > 0:36:47Right.
0:36:49 > 0:36:51Maybe that's it.
0:36:51 > 0:36:53No.
0:36:53 > 0:36:55I didn't donate blood, that was a joke.
0:36:57 > 0:36:58You didn't laugh.
0:36:58 > 0:37:00I want to talk about your dad again.
0:37:00 > 0:37:02- HE SIGHS - OK.
0:37:02 > 0:37:04It's probably a bit pointless. What do you want to say?
0:37:04 > 0:37:10Now, you see, I think it's important that...the dreams, the bed-wetting
0:37:10 > 0:37:12didn't start until after the divorce.
0:37:12 > 0:37:16So he's the reason I'm mad, it's my dad's fault.
0:37:16 > 0:37:21- I wish you'd stop using that word! - I see...things, I...
0:37:21 > 0:37:24I look out the window and I see things
0:37:24 > 0:37:26and I hate it and I want it to stop.
0:37:28 > 0:37:30I just...want it to stop.
0:37:30 > 0:37:31What do you see?
0:37:34 > 0:37:36Just give me pills.
0:37:36 > 0:37:40Give me a...lobotomy, just...
0:37:40 > 0:37:42make it stop, because I hate this!
0:37:45 > 0:37:48I'm not going to prescribe you anything, Paul.
0:37:48 > 0:37:49Then why am I here?
0:37:51 > 0:37:55You know, you remind me a lot of me when I was your age.
0:37:55 > 0:37:56HE SCOFFS
0:37:56 > 0:37:59Is that supposed to be a compliment?
0:37:59 > 0:38:01There's a couple of things you should know, Paul.
0:38:01 > 0:38:06One - you're never as odd as you think you are.
0:38:07 > 0:38:10And two - the things that scare us
0:38:10 > 0:38:12are the things that keep us human.
0:38:12 > 0:38:14Never be afraid of being scared.
0:38:15 > 0:38:21Just don't allow being scared to dictate the choices you make.
0:39:17 > 0:39:18HE COUGHS
0:39:34 > 0:39:36HE COUGHS I didn't know you smoked.
0:39:36 > 0:39:38- Yeah?- Yeah.
0:39:38 > 0:39:39I'm just learning.
0:39:39 > 0:39:43I tried writing "L" on the cigarette in my sister's lipstick, but...
0:39:43 > 0:39:46Well, you're bum-sucking the shit out of that! The filter must be soaking!
0:39:51 > 0:39:52See?
0:39:54 > 0:39:57Have you heard about the thing at the old shopping centre?
0:39:59 > 0:40:02- No. - Police all around it.
0:40:02 > 0:40:03Everyone's talking about it in school.
0:40:03 > 0:40:06Current theory is someone got raped.
0:40:08 > 0:40:11- Yeah? - Yeah, and Alicia's been off school.
0:40:12 > 0:40:15Yeah? Alicia?
0:40:15 > 0:40:17SHE LAUGHS Are you OK?
0:40:17 > 0:40:19You seem weirder than ever.
0:40:19 > 0:40:21Yeah. Yeah, yeah. No, I'm just...
0:40:23 > 0:40:25...trying to decide if I'm mental, or not.
0:40:25 > 0:40:27SHE LAUGHS What are your odds?
0:40:29 > 0:40:32My sister would kill you if she even sees you talking to me.
0:40:32 > 0:40:35She'd probably kill you, too.
0:40:35 > 0:40:39She doesn't believe in the intermingling of the species,
0:40:39 > 0:40:41even if it is just talking.
0:40:42 > 0:40:44Guess you're all off out tonight?
0:40:44 > 0:40:48We're all off out every night, up the woods.
0:40:48 > 0:40:52Just be careful of the, you know, rapist.
0:40:53 > 0:40:55HE MOUTHS
0:40:55 > 0:40:57You're not mental, you're just...
0:40:59 > 0:41:00...different.
0:41:00 > 0:41:02That's what my mum used to say.
0:41:02 > 0:41:03Your mum's wicked.
0:41:03 > 0:41:05She cleaned me up from whoever bullied me.
0:41:05 > 0:41:09"Oh, Paul, someone's squirted tomato ketchup all over you.
0:41:09 > 0:41:11"They're just scared of difference.
0:41:11 > 0:41:13"Oh, Paul, someone's emptied a bin on your head.
0:41:13 > 0:41:15- "They're just scared..." - I always wanted to be different.
0:41:16 > 0:41:20I was a bit of a...hairbrush princess, you know?
0:41:20 > 0:41:23Think I'm a pop star.
0:41:23 > 0:41:27- I don't know.- My dad thinks I'm better than everyone, so...
0:41:29 > 0:41:31Well, I never wanted to be different.
0:41:33 > 0:41:36Maybe I don't mean you're different,
0:41:36 > 0:41:37maybe I mean...special.
0:41:42 > 0:41:45You're the second one who's said something like that.
0:41:49 > 0:41:52I've got the taste of your spit in my mouth now.
0:41:54 > 0:41:55Yeah?
0:42:01 > 0:42:03You've got nice eyes...
0:42:04 > 0:42:05...in this light.
0:42:09 > 0:42:10Yeah?
0:42:15 > 0:42:16I'd better go.
0:42:18 > 0:42:19All right.
0:42:25 > 0:42:26See ya!
0:42:28 > 0:42:31- You've got nice eyes too! - I know.
0:42:40 > 0:42:42Mr Etches, isn't it?
0:42:42 > 0:42:46You, er, taught me GCSE history, Mr Etches.
0:42:46 > 0:42:49Oh, right, yes. Er, do you know what this is about?
0:42:49 > 0:42:51- Only, I just... - The DCI will tell you.
0:42:51 > 0:42:53Phillip Firth.
0:42:53 > 0:42:55I am. DC Firth.
0:42:56 > 0:42:58Right, yes, er, I remember now, Phillip.
0:42:58 > 0:43:02- Yeah, how did you do in the end in your exams?- I got a D.
0:43:02 > 0:43:05Never was much shake at schoolwork. I...
0:43:05 > 0:43:07That's great.
0:43:10 > 0:43:12The DCI is, er, just through here.
0:43:17 > 0:43:18DOOR OPENS
0:43:18 > 0:43:20DCI Armstrong entering the room.
0:43:20 > 0:43:24Er, the time is 5.27...pm.
0:43:31 > 0:43:33So...what's this about?
0:43:35 > 0:43:37When was the last time you saw your wife?
0:43:37 > 0:43:38Sarah?
0:43:38 > 0:43:41Er, she's not my wife.
0:43:41 > 0:43:43Well, barely.
0:43:43 > 0:43:46OK, when was the last time you saw Sarah?
0:43:46 > 0:43:48Pff, um...the day before yesterday?
0:43:48 > 0:43:50Some...time.
0:43:50 > 0:43:52What's this about?
0:43:52 > 0:43:54We had Sarah's DNA in our file.
0:43:54 > 0:43:56Why?
0:43:56 > 0:44:01I can't, for operational reasons, divulge that at this point.
0:44:01 > 0:44:05Well, is she OK? You're beginning to scare me now.
0:44:08 > 0:44:11This morning...a weapon was found.
0:44:11 > 0:44:13An adapted gun...
0:44:13 > 0:44:15in the Hinkley Way Shopping Centre.
0:44:15 > 0:44:17The derelict place?
0:44:17 > 0:44:19Patrol dogs found it.
0:44:19 > 0:44:22Nearby, we found some clothing with...
0:44:22 > 0:44:24Sarah's blood on it.
0:44:26 > 0:44:28Her blood?
0:44:28 > 0:44:31This doesn't mean... It shouldn't mean that...
0:44:31 > 0:44:33- When do we start looking for her? - We're sending out a search team.
0:44:33 > 0:44:35What we need from you
0:44:35 > 0:44:37are a list of all her friends...
0:44:38 > 0:44:41Mark? Mark!
0:44:42 > 0:44:45You're gonna be vital to this investigation.
0:44:49 > 0:44:51You can trust him, Mr Etches.
0:44:51 > 0:44:54He's a good guy.
0:45:00 > 0:45:02- How was the session? - Fine.
0:45:02 > 0:45:06- You're gonna talk to me properly. - Er...Mac's waiting, Mum.
0:45:06 > 0:45:07Let him.
0:45:10 > 0:45:15He...said that Dad was the reason I was screwed up, basically.
0:45:15 > 0:45:18Then he said I reminded him of him, and that was sort of
0:45:18 > 0:45:21- the end of the session. - He said your dad was the reason?
0:45:21 > 0:45:23Dad or the divorce, I dunno. I didn't...
0:45:23 > 0:45:25Can we talk about it another time?
0:45:25 > 0:45:28We're always talking about it another time, you and me, aren't we?
0:45:28 > 0:45:30Yeah, well, that's because another time always is the best time.
0:45:30 > 0:45:33I am allowed to be worried about you.
0:45:35 > 0:45:37I know you are, Mum.
0:45:37 > 0:45:40Paul, you haven't even eaten.
0:45:40 > 0:45:42Good for me, bad for me. Bye!
0:45:51 > 0:45:53RINGTONE
0:45:59 > 0:46:01Hi, Mum.
0:46:01 > 0:46:03Meg. Sorry.
0:46:05 > 0:46:07I know.
0:46:07 > 0:46:09I'll make sure he gets his protein!
0:46:10 > 0:46:12I'm a big fan of protein.
0:46:12 > 0:46:13Yeah, you too.
0:46:13 > 0:46:14Bye.
0:46:16 > 0:46:18- Parental quicksand? - Something like that.
0:46:18 > 0:46:21You know, the easiest way to escape quicksand is by raising your legs slowly
0:46:21 > 0:46:24so you lie on your back - your actual back - then you just float.
0:46:24 > 0:46:25Takes balls, but it's possible.
0:46:27 > 0:46:28You OK?
0:46:30 > 0:46:31Yeah.
0:46:31 > 0:46:34I mean, er, Heather Langenkamp stuff...
0:46:35 > 0:46:36- I knew what you meant. - Cos I've had a thought.
0:46:37 > 0:46:39What thought?
0:46:39 > 0:46:41Sixth Sense.
0:46:43 > 0:46:46Would you say everything you've ever learnt about was from films, Mac?
0:46:46 > 0:46:47No.
0:46:47 > 0:46:50Television's been doing some important work for me recently.
0:46:50 > 0:46:53Then there's the complicated...nay, thorny issue of internet pornography.
0:46:54 > 0:46:56Yeah.
0:47:35 > 0:47:37INDISTINCT VOICES
0:47:40 > 0:47:43Admittedly, the isolated incidents they show in the film,
0:47:43 > 0:47:45maybe Bruce Willis could have been a ghost for those.
0:47:48 > 0:47:50That bit with his wife and the wedding ring.
0:47:51 > 0:47:52I like that bit.
0:47:56 > 0:48:00What about the rest of his life? The bits the film doesn't show.
0:48:00 > 0:48:02I mean, what if he feels like a coffee?
0:48:03 > 0:48:06He walks into his standard American brand coffee place and goes...
0:48:06 > 0:48:08(AMERICAN ACCENT) ...Hi.
0:48:08 > 0:48:09I'd like a coffee, please.
0:48:09 > 0:48:11No answer.
0:48:11 > 0:48:13(AMERICAN ACCENT) Excuse me, but, er, I'd like a cup of coffee.
0:48:13 > 0:48:14No answer.
0:48:14 > 0:48:17They can't see him - he's a ghost.
0:48:17 > 0:48:20I mean, eventually he's gonna get pretty, you know, annoyed.
0:48:23 > 0:48:26- Yeah, OK. - It's a fatal flaw.
0:48:26 > 0:48:28(AMERICAN ACCENT) Hello? Hello, wh...where's my coffee?
0:48:28 > 0:48:31Mate, like, he hasn't guessed he's a ghost.
0:48:31 > 0:48:33Bruce Willis looks like a man who likes a coffee.
0:48:39 > 0:48:41You OK, Paul?
0:48:42 > 0:48:44Who's here?
0:48:48 > 0:48:50What is it? Where is it?
0:48:53 > 0:48:57Paul? Wait up, I haven't finished my theory!
0:48:57 > 0:48:59Paul! Paul!
0:49:00 > 0:49:01Ahh!
0:49:02 > 0:49:04And who the fuck are you?!
0:49:08 > 0:49:10It's gonna happen a lot, isn't it?
0:49:15 > 0:49:17Good point, well made.
0:49:25 > 0:49:27DOOR OPENS
0:49:45 > 0:49:47SOFT THUMP
0:49:54 > 0:49:55ROARING
0:50:13 > 0:50:14So, you made your decision, then?
0:50:14 > 0:50:16Oh, f...
0:50:16 > 0:50:18HE SIGHS
0:50:18 > 0:50:20You again.
0:50:20 > 0:50:21Yep, me again.
0:50:23 > 0:50:24Who is she?
0:50:29 > 0:50:30Sarah.
0:50:30 > 0:50:32Her name's Sarah.
0:50:35 > 0:50:37She's a friend?
0:50:38 > 0:50:39Yep.
0:50:43 > 0:50:45They can talk?
0:50:45 > 0:50:47She can right now.
0:50:47 > 0:50:50She's looking for a place to pass.
0:50:51 > 0:50:54This wood's one of the few places in the country not fucked with enough
0:50:54 > 0:50:56to still have passing places.
0:50:56 > 0:50:58What?
0:50:58 > 0:51:01There are holes in the world.
0:51:01 > 0:51:03Ascension points.
0:51:03 > 0:51:06Used to be loads of them. Then man invented concrete.
0:51:06 > 0:51:08Look.
0:51:08 > 0:51:13- There's another. - What are those, the...
0:51:13 > 0:51:16the lights in their...in their chest?
0:51:16 > 0:51:18They're beacons.
0:51:18 > 0:51:20When the dead near ascension, their souls shine.
0:51:23 > 0:51:24Those that pass, that light...
0:51:24 > 0:51:26that'll take over their whole body with a bang.
0:51:28 > 0:51:30Those that don't,
0:51:30 > 0:51:31that light turns off.
0:51:31 > 0:51:34That's when they know they're trapped here for ever.
0:51:36 > 0:51:39So, this is...this is ascension?
0:51:39 > 0:51:44- This is...this is about heaven? - Heaven is a big word.
0:51:45 > 0:51:47This is about death, kid.
0:51:48 > 0:51:50Only death.
0:51:50 > 0:51:51Come on.
0:52:21 > 0:52:23Fucking birds!
0:52:23 > 0:52:25Collateral damage.
0:52:26 > 0:52:28Will any of this ever make sense?
0:52:28 > 0:52:29Probably not.
0:52:31 > 0:52:34Do you know how much danger you're... we're in?
0:52:34 > 0:52:36Probably a lot.
0:52:47 > 0:52:49WIND WHISTLES SOFTLY
0:53:11 > 0:53:12RATTLING
0:53:30 > 0:53:31WHOOSHING
0:53:39 > 0:53:40GUN COCKS
0:53:41 > 0:53:43GUN CLICKS
0:53:58 > 0:54:01PANTS SOFTLY
0:54:06 > 0:54:08Oh, shit.
0:54:08 > 0:54:10SARAH: Neil?
0:54:12 > 0:54:14- Neil? - She's not going.
0:54:16 > 0:54:17She's not passing.
0:54:18 > 0:54:20What?
0:54:20 > 0:54:22I'm sorry, Sarah.
0:54:25 > 0:54:26I'm so sorry.
0:54:28 > 0:54:29Oh, I feel...
0:54:31 > 0:54:33It's...
0:54:33 > 0:54:34Paul?
0:54:35 > 0:54:38Paul! Paul?
0:54:42 > 0:54:43EERIE HOWLING
0:54:55 > 0:54:57NEIL GROANS
0:55:18 > 0:55:19HE GROANS
0:55:29 > 0:55:31HE PANTS
0:55:34 > 0:55:35What did you see?
0:55:35 > 0:55:37Look at me, Paul.
0:55:37 > 0:55:39Look at me, Paul! What did you see?
0:55:39 > 0:55:41HE PANTS
0:56:04 > 0:56:05What are you?
0:56:05 > 0:56:09- Your best friend. - EERIE HOWLING
0:56:11 > 0:56:16# Young Paul decides upon the future
0:56:20 > 0:56:26# And he asks from her a favour
0:56:29 > 0:56:34# He wants to know if she will tell him... #