0:00:02 > 0:00:04OK. So, this is what you missed.
0:00:04 > 0:00:07The dead are walking the Earth and they're trapped here.
0:00:07 > 0:00:09And some of them are pissed and trying to fight back.
0:00:09 > 0:00:14Yeah, I know, and then there's this tribe, gang, posse of people called the Angelics,
0:00:14 > 0:00:15who have special powers, yeah,
0:00:15 > 0:00:18and they're thinking they need to stop these dead people,
0:00:18 > 0:00:19and they're being killed off by the dead guy,
0:00:19 > 0:00:23first this Sarah woman and then this Helen woman, and that's scary.
0:00:23 > 0:00:24Oh, and there's Paul, who's my best friend,
0:00:24 > 0:00:26and who can see dead people.
0:00:26 > 0:00:30We used to think he was mad, but now we think he's...you know,
0:00:30 > 0:00:32special. And then there's some stuff about Mark,
0:00:32 > 0:00:36my history teacher, whose wife is one of the murdered ones.
0:00:36 > 0:00:39Yeah, there's even more.
0:00:40 > 0:00:42Yeah.
0:00:44 > 0:00:45GROANING
0:00:47 > 0:00:49Now, where's my Star Wars box set?
0:00:49 > 0:00:52Na-Nu Na-Nu!
0:01:33 > 0:01:35Oh, shit.
0:01:37 > 0:01:41So, that's it, then? He killed me and now Helen?
0:01:41 > 0:01:44Yeah.
0:01:44 > 0:01:46That's us gone, then?
0:01:46 > 0:01:47Yeah.
0:01:55 > 0:01:57HE GRUNTS
0:02:03 > 0:02:06Mum? Mum!
0:02:06 > 0:02:08I'm done in here!
0:02:16 > 0:02:17J-Jay?
0:02:23 > 0:02:25I need you to talk to Mark.
0:02:25 > 0:02:28And I need you to help me make sense of what's going on.
0:02:28 > 0:02:33It's inevitable. You know that, Neil. The world's coming to an end.
0:02:33 > 0:02:35There's nothing you can do.
0:02:41 > 0:02:44There's always something we can do.
0:03:05 > 0:03:07I always loved this place.
0:03:33 > 0:03:34Anna?
0:03:40 > 0:03:41THROATY GURGLING
0:03:42 > 0:03:45THROATY GURGLING
0:03:49 > 0:03:51Mum.
0:03:55 > 0:03:57MUM!
0:03:59 > 0:04:01CLOCK TICKS
0:04:03 > 0:04:05CHATTER
0:04:06 > 0:04:08Your sister was naked?
0:04:08 > 0:04:11Yeah, well, the important thing was that she was dead.
0:04:11 > 0:04:14Dead, naked and in your bed.
0:04:14 > 0:04:18She was... It was only partial nudity.
0:04:18 > 0:04:20Maybe you're not special. Maybe you're just sick.
0:04:23 > 0:04:24Hear me out.
0:04:24 > 0:04:27Dreams represent subconscious urges,
0:04:27 > 0:04:30which means part of you wants to see your sister dead,
0:04:30 > 0:04:32naked and in your bed.
0:04:32 > 0:04:33BIKE BELL RINGS
0:04:33 > 0:04:36Hi, yes. We need volunteers to sign up
0:04:36 > 0:04:38for the school ball committee cos we don't have enough people.
0:04:38 > 0:04:41- It wasn't a dream, it was a vision. - "It wasn't a dream, it was a vision."
0:04:41 > 0:04:43Sick. You're sick.
0:04:47 > 0:04:49So, who wants a sign-up sheet?
0:04:49 > 0:04:51Thank you.
0:04:51 > 0:04:54- No.- The average man spends two weeks of his life kissing.
0:04:54 > 0:04:57- No.- There are between six and nine billion condoms produced a year.
0:04:57 > 0:05:00It's my sister's ball committee. No way.
0:05:00 > 0:05:04Men with more active sex lives are more likely to live past 80 years.
0:05:04 > 0:05:06We wouldn't live past 18. She would kill us.
0:05:06 > 0:05:10And knowing she was naked in your dream wouldn't push her to homicide?
0:05:10 > 0:05:11Ha(!)
0:05:11 > 0:05:13Two weeks? I haven't even got past five seconds.
0:05:13 > 0:05:16Nine billion. Well, if you discount the one I wore on my head for that bet...
0:05:16 > 0:05:18And 80 years.
0:05:18 > 0:05:20This ball committee is the golden ticket to sex.
0:05:20 > 0:05:25And as Willy Wonka told us all, sex is life.
0:05:25 > 0:05:29Mate, please. For our health, if nothing else, we need to get it on with someone.
0:05:29 > 0:05:32Sometime. Somewhere.
0:05:34 > 0:05:38- This is important to me. - Everything's important to you.
0:05:38 > 0:05:40- It should be important to you too. - Why?
0:05:40 > 0:05:43Cos ever since you started seeing things, you...
0:05:43 > 0:05:45- Seeing things?! - Thanks, Mac(!)
0:05:45 > 0:05:47- Sure. - Am I a rabbit? Am I rabbit?
0:05:47 > 0:05:49Am I, though? Am I, though?
0:05:49 > 0:05:51Don't worry about them. They're 12.
0:05:51 > 0:05:54Yeah, and we'll get older, but you'll still be freaks.
0:05:54 > 0:05:57Sam Griegson and Greg Taylor, come back here!
0:05:57 > 0:05:59I know you did that to Mr Newman's car.
0:05:59 > 0:06:01Just a scratch!
0:06:01 > 0:06:03It was a very offensive sentence! Wait!
0:06:04 > 0:06:06Oi! Wait. You two!
0:06:08 > 0:06:10It's a new low.
0:06:10 > 0:06:13Being bullied by prepubescents. A new low.
0:06:13 > 0:06:16Or high, depending on how you look at the world.
0:06:16 > 0:06:20We're the lowest of the low. No-one is as despised as us.
0:06:22 > 0:06:24That's quite an achievement.
0:06:24 > 0:06:27And you really think joining Anna's committee's going to make any of that better?
0:06:27 > 0:06:30You saw your sister dead, naked and in your bed.
0:06:30 > 0:06:33A little normality, a little normality,
0:06:33 > 0:06:36and maybe a bit of golden-ticket sex with someone other than your sister
0:06:36 > 0:06:38would be good for...
0:06:39 > 0:06:41- Hi.- Hi.
0:06:41 > 0:06:46I was...wondering when I'd see you again.
0:06:46 > 0:06:47We need a minute.
0:06:47 > 0:06:50- Do you now?- Mac.
0:06:50 > 0:06:55- Did you listen to anything I said? - I do. I... I need to talk to him.
0:06:56 > 0:06:58Your friend is quite the mercenary.
0:06:58 > 0:07:02I wonder if he really cares about anything...or anybody.
0:07:02 > 0:07:03What?
0:07:03 > 0:07:05He's quoting Star Wars. Ignore him.
0:07:05 > 0:07:07I'm not quoting Star Wars! I'm quoting Leia!
0:07:07 > 0:07:09- Come on. Let's get out of here. - You can't quote a film!
0:07:09 > 0:07:12You can only quote a character in a film!
0:07:14 > 0:07:16KNOCK AT DOOR
0:07:16 > 0:07:19Mark. Great. Come in.
0:07:20 > 0:07:23So, how's it, er...
0:07:23 > 0:07:25going?
0:07:25 > 0:07:27I'm fine.
0:07:28 > 0:07:30Sit down for a minute, would you?
0:07:39 > 0:07:40When Kathy left me...
0:07:40 > 0:07:43Sarah and I separated months ago.
0:07:43 > 0:07:46Now she's missing. It's a different thing, Dave.
0:07:46 > 0:07:48And time off wouldn't allow you to be more help to the police?
0:07:48 > 0:07:51Help with what? They're barely talking to me. I mean,
0:07:51 > 0:07:55what do you want me to do? Walk down the road shouting her name?
0:07:55 > 0:07:58Dave, I need to keep busy.
0:07:58 > 0:08:00Mark, I've just had Sam Griegson's mum on the phone
0:08:00 > 0:08:02making some pretty serious threats.
0:08:02 > 0:08:06The kid is a little shit. He scratched "Newman's a cocksucker" on Vince's car.
0:08:06 > 0:08:09But that's no excuse to drag him halfway round the school.
0:08:09 > 0:08:11The boy's got bruises on his arm!
0:08:13 > 0:08:19Now, I have responsibilities to the school governors, legal...
0:08:19 > 0:08:23It won't happen again, OK? You have my word.
0:08:23 > 0:08:25Hmm.
0:08:27 > 0:08:30Consider this an official warning.
0:08:33 > 0:08:38And then... And then Jay is lying dead on the staircase.
0:08:38 > 0:08:41And then Anna's lying dead on my bed,
0:08:41 > 0:08:44which Mac thinks is...weird cos she's semi-naked.
0:08:44 > 0:08:45Whoa, whoa. Who's Mac?
0:08:45 > 0:08:48Well, the guy you just met.
0:08:48 > 0:08:49What, the mouthy one?
0:08:51 > 0:08:53So, what, you're telling your visions to him?
0:08:56 > 0:08:57I wouldn't call him mouthy.
0:08:59 > 0:09:03Anyway, no, and then... then my mum...my mum is...
0:09:03 > 0:09:06My point is, what does it mean?
0:09:06 > 0:09:09What does it all mean? What am I?
0:09:09 > 0:09:11Well, I'm not the person to ask.
0:09:11 > 0:09:14Well, then, who is? And...where are we?
0:09:14 > 0:09:18The Monica Bryant County Care Home,
0:09:18 > 0:09:21or what used to be the Monica Bryant County Care Home.
0:09:21 > 0:09:23Come on.
0:09:27 > 0:09:29DRIPPING WATER
0:09:38 > 0:09:41You go left, I'll go right.
0:09:43 > 0:09:47- You want us to split up? - It's the quickest way to find him.
0:09:47 > 0:09:50- Find who?- You'll see.
0:09:53 > 0:09:55I'll see...what?
0:09:55 > 0:10:00Er...yeah. Has anyone ever told you you talk like Gollum sometimes?
0:10:15 > 0:10:17DOOR CREAKS
0:10:28 > 0:10:29DOOR SLAMS SHUT
0:10:34 > 0:10:36Hello?
0:10:39 > 0:10:41Hello?
0:10:49 > 0:10:51I know you.
0:10:58 > 0:11:00I'm looking for...
0:11:00 > 0:11:03for someone.
0:11:05 > 0:11:07Are you the person I'm looking for?
0:11:12 > 0:11:13Wait.
0:11:44 > 0:11:46HE SNEEZES SHE MAKES NO SOUND
0:11:51 > 0:11:52I think I need to speak to you.
0:12:07 > 0:12:09Neil.
0:12:14 > 0:12:17Then... No, don't. Why do you keep running?
0:12:34 > 0:12:35Who are you?
0:12:40 > 0:12:42What? What?
0:12:44 > 0:12:46Oh!
0:12:54 > 0:12:56Natalie? Natalie!
0:12:57 > 0:12:59- You know her? - What are you doing?
0:12:59 > 0:13:03- Are you trying to get yourself killed?- She turned on that fuse.
0:13:04 > 0:13:05No, she didn't.
0:13:08 > 0:13:10Was she the person you were looking for?
0:13:10 > 0:13:14Natalie? No. I want you to meet Eric. I found him.
0:13:14 > 0:13:16This was your school?
0:13:16 > 0:13:19There's no precise date on when it started.
0:13:19 > 0:13:22Some of the dead just stopped ascending. They became trapped here.
0:13:22 > 0:13:24Eric's one of the earliest I've ever met.
0:13:24 > 0:13:29May even have been one of the first. Died in 1946.
0:13:29 > 0:13:32- This was your school? - 1946.
0:13:32 > 0:13:34He was 70 when he died.
0:13:34 > 0:13:38The body's kept aging ever since, so he's pretty old.
0:13:38 > 0:13:40He also used to be one of us.
0:13:41 > 0:13:42Eric was an Angelic?
0:13:47 > 0:13:51- Did she really turn that fuse on? - Yeah.
0:13:51 > 0:13:53So she can touch, yeah?
0:13:53 > 0:13:54That's not good.
0:13:56 > 0:13:58This wasn't my school. It was my home.
0:14:05 > 0:14:07DOOR CREAKS
0:14:21 > 0:14:24No sudden movements.
0:14:24 > 0:14:25Don't scare him.
0:14:25 > 0:14:28Partially blind, mostly deaf.
0:14:30 > 0:14:33And he jumps easily.
0:14:35 > 0:14:37CREAKING
0:15:07 > 0:15:09He wants to meet you.
0:15:09 > 0:15:11Come and sit where I am.
0:15:20 > 0:15:24- How... How do I...? - Ssh!
0:15:32 > 0:15:34PAUL GASPS
0:15:54 > 0:15:56HE PANTS
0:16:06 > 0:16:08What?
0:16:14 > 0:16:17- Really - what? - He thinks you're important.
0:16:17 > 0:16:21- I-Important? - Helen was right.
0:16:21 > 0:16:24It's all linked. You,
0:16:24 > 0:16:27the Fades, the murders, them touching.
0:16:29 > 0:16:31The shit has hit the fan
0:16:31 > 0:16:34and you're standing right in front of it.
0:16:34 > 0:16:37I don't... I don't understand.
0:16:37 > 0:16:38I didn't...
0:16:40 > 0:16:44..ask f-for any of...this.
0:16:44 > 0:16:46I... I don't... I can't... Paul.
0:16:46 > 0:16:47Paul! Wait!
0:16:52 > 0:16:55LOW CHATTER
0:16:55 > 0:16:57HE PANTS
0:16:57 > 0:16:59CHATTER CONTINUES
0:17:26 > 0:17:28BIRD TWEETS
0:17:30 > 0:17:33BIRDSONG
0:17:38 > 0:17:42- Paul. You been ditching?- No.
0:17:42 > 0:17:45- Yeah, probably.- Me too.
0:17:45 > 0:17:47Good. Snap. Jinx.
0:17:48 > 0:17:52- Are you going to the ball? - Probably. Definitely.
0:17:52 > 0:17:54Probably definitely?
0:17:54 > 0:17:58Technically, that is the way I feel about it, yeah.
0:17:59 > 0:18:01Everyone else is going.
0:18:01 > 0:18:02Yeah.
0:18:03 > 0:18:05That's sort of the problem.
0:18:06 > 0:18:09- I'm going.- Yeah.
0:18:09 > 0:18:13Yeah. No, that does make it...better.
0:18:14 > 0:18:17I should be getting to class.
0:18:19 > 0:18:21Are you OK, Paul?
0:18:23 > 0:18:25Yeah. I'm OK.
0:18:27 > 0:18:31OK. And if you were a pacifist, what would you argue?
0:18:31 > 0:18:32I'm not a pacifist.
0:18:32 > 0:18:36Yeah, but if you were a pacifist...
0:18:36 > 0:18:37what would you argue?
0:18:39 > 0:18:41I'm not a pacifist. I'd kill them all.
0:18:41 > 0:18:42MARK SIGHS
0:18:42 > 0:18:46If you were a pacifist, you'd argue that the Nazi Party was born out of violence.
0:18:48 > 0:18:50Now, get rid of that initial violence - World War One -
0:18:50 > 0:18:54- there'd be no need for the Nazis. - But I'm not a pacifist.
0:18:54 > 0:18:55I'd kill them all. I'd kill the Nazis.
0:18:55 > 0:18:58- Fuck them up! - Thank you, Steve. Good. Great.
0:18:58 > 0:19:00Thank you. Really good contribution.
0:19:00 > 0:19:01I'm going to sign up for the committee.
0:19:01 > 0:19:05- Really?- Yeah.
0:19:05 > 0:19:08The Nazi Party was born out of violence,
0:19:08 > 0:19:11so in a situation of true pacifism, they never would have existed.
0:19:11 > 0:19:14That's the sort of reasoning that goes down well with the examiners.
0:19:14 > 0:19:16(WHISPERS) What changed your mind?
0:19:18 > 0:19:21Oh, you know, stuff.
0:19:21 > 0:19:23- What does that mean? - It means I've got my reasons.
0:19:23 > 0:19:26- BANG - Fuck's sake!- Paul!
0:19:26 > 0:19:29You come in late, then you chat. Is that appropriate?
0:19:29 > 0:19:31Go on, sir, hit him.
0:19:31 > 0:19:34LAUGHTER
0:19:34 > 0:19:37So, theme. I was thinking Prohibition America.
0:19:37 > 0:19:39Seconded.
0:19:39 > 0:19:44Yeah, there's arse-licking and then there's arse-licking, Trace.
0:19:44 > 0:19:47Hi. Can we just sit anywhere? We'll just sit anywhere.
0:19:47 > 0:19:51Not on any of you, clearly. On a...free seat.
0:19:51 > 0:19:55Though if any of you were offering, it has been claimed my bum is nimble.
0:19:55 > 0:19:56- What are you doing here? - You needed volunteers.
0:19:56 > 0:19:58- I didn't mean you. - Good to know.
0:19:58 > 0:20:02Anna? Maybe...
0:20:02 > 0:20:04they can do the...shit jobs.
0:20:04 > 0:20:05What?
0:20:05 > 0:20:07Happily! We're a dab hand with shit.
0:20:07 > 0:20:09In fact, ironically, I was born in a toilet,
0:20:09 > 0:20:13so there was a period of time when my middle name was going to be...Shit.
0:20:13 > 0:20:17- Paul, please fuck off. - This is important.
0:20:17 > 0:20:18Really?
0:20:18 > 0:20:20Yeah.
0:20:21 > 0:20:25Fine. Sit down.
0:20:26 > 0:20:30OK, so, theme. Where were we?
0:20:30 > 0:20:33- Oh, fuck it. Costumes are faggy. - Costumes are not faggy!
0:20:33 > 0:20:37If we're brainstorming, have you considered a Star Wars theme?
0:20:39 > 0:20:42Good point. Well made. I know my place.
0:20:42 > 0:20:44I am the shit.
0:20:49 > 0:20:51You look like a wet flannel.
0:20:53 > 0:20:57Good, that's the look I was going for.
0:20:57 > 0:20:59Come on, hombre, spill all.
0:20:59 > 0:21:01- There's this girl.- Fit?
0:21:01 > 0:21:02- Dead.- Dead fit?
0:21:02 > 0:21:06- You getting into necrophilia now? - I've been considering it for a while.
0:21:06 > 0:21:08I've always thought I appealed to the dead.
0:21:08 > 0:21:09Good teeth, you see?
0:21:13 > 0:21:16- Dead people like teeth? - Dead people love good teeth.
0:21:16 > 0:21:19- That's why I floss daily. - You're a bad person.
0:21:19 > 0:21:23No, you're badder. So, this dead girl, what was she wearing?
0:21:23 > 0:21:26- I think she tried to kill me. - Details.
0:21:26 > 0:21:28- By the way, just so you know... - What was she wearing?
0:21:28 > 0:21:30- ..Natalie... - Natalie.
0:21:30 > 0:21:33- ..wears... - Natalie. Well, hello, Natalie.
0:21:33 > 0:21:35"Oh, hello, Matthew. You look so strong."
0:21:35 > 0:21:37Oh, it's going to be amazing.
0:21:37 > 0:21:40And if she died in the 80s, she'll get all my movie references.
0:21:40 > 0:21:43- Thing is, though, Mac...- Yeah?
0:21:44 > 0:21:45(...she's here,)
0:21:45 > 0:21:48(she's sitting right behind you.)
0:21:48 > 0:21:50(No, no, no, no, no, no, no, no. Don't look!)
0:21:53 > 0:21:56Oh, she can't take her eyes off you. I... Bye, Mac.
0:21:56 > 0:21:58Natalie.
0:21:59 > 0:22:02Paul. Are... Are you joking?
0:22:02 > 0:22:04You're joking, aren't you?
0:22:04 > 0:22:05Are you joking?
0:22:06 > 0:22:08Yeah.
0:22:15 > 0:22:17Pure ivory, baby.
0:22:32 > 0:22:33Hi.
0:22:37 > 0:22:39- I read about your wife. - Yeah.
0:22:39 > 0:22:44- I felt sorry for you.- Yeah?
0:22:44 > 0:22:46So...
0:22:47 > 0:22:51- Can I come in?- Yeah.
0:22:54 > 0:22:56SHE CLEARS HER THROAT
0:23:14 > 0:23:16Why are we in her room again?
0:23:16 > 0:23:19I don't know. I just... I feel safe in here now.
0:23:30 > 0:23:32GASPING AND MOANING
0:23:43 > 0:23:46# Run, rabbit, run, rabbit Run, run, run! #
0:23:46 > 0:23:50- Am I running? - Am I a rabbit?
0:23:58 > 0:24:01ANIMAL HOWLS IN DISTANCE
0:24:06 > 0:24:10SNARLING
0:24:12 > 0:24:15HE GASPS AND SHIVERS
0:24:15 > 0:24:17CRUNCH
0:24:17 > 0:24:18ELECTRICAL CRACKLING
0:24:21 > 0:24:23HE HOWLS
0:24:23 > 0:24:24TYRES SCREECH
0:24:24 > 0:24:25GUNSHOTS
0:24:28 > 0:24:30On! Now!
0:24:58 > 0:25:01HE RETCHES
0:25:01 > 0:25:03HE GASPS
0:25:03 > 0:25:05Are you OK?
0:25:05 > 0:25:06All right, kid, deep breaths.
0:25:08 > 0:25:11- I can't do this. - Hey, bollocks. Come here.
0:25:11 > 0:25:13Hey, of course you can. Hey.
0:25:13 > 0:25:17Now, you ask yourself this, all right? Do you remember the first time you saw me?
0:25:17 > 0:25:20Eh? Do you remember the first time I told you to run?
0:25:20 > 0:25:23Mm? Well, you could have run two ways, kid - away from me or towards me.
0:25:23 > 0:25:27All right? I had a dying girl in my arms and I had a gun on me. But you...
0:25:27 > 0:25:30You, you followed me. Why?
0:25:30 > 0:25:34Eh, Paul? Do you remember the first time we met?
0:25:36 > 0:25:38Yeah, you shot at me.
0:25:42 > 0:25:46OK, so...so maybe you remember it slightly less fondly than I do, eh?
0:25:48 > 0:25:51- Have I got vomit around my mouth? - Look, don't worry.
0:25:51 > 0:25:54When you first saw Sarah at the ascension point, you followed her.
0:25:54 > 0:25:57Then, when you saw Natalie at the orphanage, what did you do?
0:25:57 > 0:25:59Followed her.
0:25:59 > 0:26:00- Why?- I don't know!
0:26:00 > 0:26:02Because you wanted to know. Because you wanted to see.
0:26:02 > 0:26:04You wanted to know what I was,
0:26:04 > 0:26:07what Sarah is, what Natalie is, because you feel it.
0:26:07 > 0:26:10There's a connection between all of us because you know who you are.
0:26:12 > 0:26:17Eric, he thinks you're more special than any of us, that you've got a destiny.
0:26:17 > 0:26:19I'm sorry, kid, but that matters.
0:26:24 > 0:26:26Look, if it makes it any easier,
0:26:26 > 0:26:28I don't know why destiny's chosen a 15-year-old boy either.
0:26:28 > 0:26:31- 17. I'm 17. - OK, you're still young...
0:26:31 > 0:26:33for what's coming.
0:26:33 > 0:26:35It's still far, far too young.
0:26:36 > 0:26:38What's coming?
0:26:46 > 0:26:48Man.
0:26:48 > 0:26:50Ha-ha-ha! Sucker!
0:26:53 > 0:26:54HE SNIFFS
0:26:54 > 0:26:56ELECTRICAL BUZZING
0:26:56 > 0:26:58HE EXHALES
0:26:58 > 0:27:00ELECTRICAL CRACKLING
0:27:02 > 0:27:04Fred?
0:27:11 > 0:27:12Fred?
0:27:27 > 0:27:29What?
0:27:29 > 0:27:31BIRDSONG
0:27:38 > 0:27:39CRACK
0:27:39 > 0:27:42- CROWS CAWING - Mum, I'm fine. I stayed at Mac's.
0:27:42 > 0:27:45- Yeah. - INDISTINCT SPEECH ON PHONE
0:27:45 > 0:27:47OK.
0:27:52 > 0:27:56Yeah, look, I'd better go cos Mac's dad's making us breakfast.
0:27:56 > 0:27:59All right.
0:27:59 > 0:28:01'Well, I...I love you.'
0:28:01 > 0:28:05- I love you too, Mum. Bye. - 'Bye.'
0:28:06 > 0:28:08CROWS CAWING
0:28:15 > 0:28:21You know, you reach an age when sleeping in a car is not an easy thing.
0:28:21 > 0:28:22Yeah, I can imagine.
0:28:25 > 0:28:27Do you know any yoga, kid?
0:28:28 > 0:28:30Huh. No.
0:28:30 > 0:28:32Learn yoga.
0:28:35 > 0:28:37So...
0:28:37 > 0:28:41- Yeah? - ..What's the plans for the day?
0:28:41 > 0:28:43We get active. Come on.
0:29:11 > 0:29:13HE SHIVERS
0:29:17 > 0:29:19Do we...know what we're looking for?
0:29:21 > 0:29:23We're heading for the ascension point.
0:29:23 > 0:29:25I always look for them up there.
0:29:25 > 0:29:27- Don't they leave tracks or...?- No.
0:29:27 > 0:29:31Look, they're weightless. Ascension, that's the place to go to.
0:29:31 > 0:29:34I don't really know what it means, being one of you.
0:29:34 > 0:29:37Well, it depends on the person.
0:29:37 > 0:29:40Well, you. What did it mean to you?
0:29:42 > 0:29:46It was hard at first... but I got used to it pretty quickly.
0:29:48 > 0:29:51But, of course, I had no-one to say goodbye to.
0:29:53 > 0:29:55What? Hang on.
0:29:55 > 0:29:58Well, who do I have to say goodbye to?
0:29:59 > 0:30:01WOMAN: You don't understand. My son is missing.
0:30:01 > 0:30:04- OK, come and sit down with me. - My son is missing!
0:30:04 > 0:30:06I need to speak with Detective Chief Inspector Armstrong.
0:30:06 > 0:30:08Two missing boys. Two.
0:30:08 > 0:30:09We're going to organise teams. It suggests...
0:30:09 > 0:30:11Well, keep me in the loop.
0:30:11 > 0:30:14Sir, just with the gun and the blood and the bodies mounting up,
0:30:14 > 0:30:17I think I'm going to need more resources.
0:30:17 > 0:30:22You mean, you're fucking it up and you need a larger team to blame!
0:30:22 > 0:30:25No. That isn't what I mean at all.
0:30:31 > 0:30:35Plenty have tried to keep on with their lives - Sarah for one.
0:30:35 > 0:30:37It doesn't work, never.
0:30:37 > 0:30:39It doesn't work?
0:30:39 > 0:30:42You can't be one thing and another. You can't be pulled two ways.
0:30:42 > 0:30:43Just trust me on that.
0:30:43 > 0:30:46So, I say goodbye to...?
0:30:49 > 0:30:50Everyone.
0:30:50 > 0:30:53Write 'em a note, make a phone call,
0:30:53 > 0:30:55tell 'em face to face, but say goodbye.
0:30:55 > 0:30:58And then you come underground with me.
0:30:58 > 0:31:01- Even my mum? - I'm not saying it will be easy.
0:31:04 > 0:31:07We're getting closer.
0:31:12 > 0:31:14OK, Mrs Griegson, we just need to take some details.
0:31:14 > 0:31:19- Detective Chief Inspector... - Mark? The DCI's busy. Can I help?
0:31:19 > 0:31:22That was just him... with Maggie Griegson.
0:31:22 > 0:31:25- You know her?- Yeah, I teach her son.
0:31:25 > 0:31:27Or try to. What's going on?
0:31:28 > 0:31:29How can I help?
0:31:31 > 0:31:35- Great. What's this?- Look!
0:31:36 > 0:31:38Come and sit down.
0:31:38 > 0:31:41These... These photographs,
0:31:41 > 0:31:44they show my wife...my wife in some kind of mental institute.
0:31:44 > 0:31:45- This is something... - So, you teach Sam Griegson?
0:31:47 > 0:31:49- What about Fred Taylor? - I teach both of them.
0:31:49 > 0:31:51Look... Look at the bandages on her wrist.
0:31:51 > 0:31:54She clearly attempted suicide.
0:31:54 > 0:31:55I should have known about that.
0:31:55 > 0:31:58She's got a past that I didn't know about.
0:31:58 > 0:31:59Look, no offence,
0:31:59 > 0:32:01but I need to speak to the officer in charge of the case.
0:32:01 > 0:32:03I'll... I'll pass it up.
0:32:03 > 0:32:05Mark, these aren't evidence.
0:32:05 > 0:32:07They're interesting, but they're not evidence.
0:32:07 > 0:32:09The chances are these aren't even connected
0:32:09 > 0:32:10with what happened to Sarah.
0:32:10 > 0:32:13- This is important!- No-one's doubting your importance, Mark.
0:32:15 > 0:32:17That is exactly what you're doing.
0:32:19 > 0:32:21Now, he's got my number.
0:32:26 > 0:32:28Now it's dark, things might get easier.
0:32:29 > 0:32:32Brilliant, yeah, cos we can see in the dark(!)
0:32:39 > 0:32:41CHEWING
0:32:41 > 0:32:43- QUIETLY:- Get down. Get down!
0:32:54 > 0:32:58- NEIL:- That's what they're doing. - PAUL:- They're killing.
0:32:58 > 0:33:01That's what's allowing them to touch.
0:33:02 > 0:33:03They're eating flesh.
0:33:05 > 0:33:07HE SNARLS
0:33:07 > 0:33:09- HE BREATHES DEEPLY - What?
0:33:09 > 0:33:11And Natalie's one of them.
0:33:14 > 0:33:19- I don't... I don't understand. - Look! You see?
0:33:19 > 0:33:22All you need to know is there is a war coming here.
0:33:22 > 0:33:25And it's coming fast. That's why you need to be ready.
0:33:26 > 0:33:28Look.
0:33:28 > 0:33:30And that...
0:33:32 > 0:33:34..that means saying goodbye to my old life.
0:33:36 > 0:33:38Yeah. Yes, it does.
0:33:42 > 0:33:44DISTANT BARKING
0:33:48 > 0:33:50LOW CHATTER AND LAUGHTER
0:33:54 > 0:33:56LOW CHATTER
0:33:57 > 0:34:00LAUGHTER AND CHATTER
0:34:06 > 0:34:09RINGING
0:34:09 > 0:34:11- MAC: 'Boomtown!'- It's me.
0:34:11 > 0:34:15- 'Hello...dick.'- Er...
0:34:17 > 0:34:19I can't go home tonight.
0:34:19 > 0:34:21'Check my diary...' HE SNORTS
0:34:21 > 0:34:26- 'I think there's a window for you.' - I was hoping you'd say that.
0:34:26 > 0:34:29# It's going to get, it's going to get, it's going to get louder
0:34:29 > 0:34:31# We're going to get, we're going to get... #
0:34:31 > 0:34:32SHOUTS OVER MUSIC: It's all in the hips.
0:34:34 > 0:34:36No, it's not all in the hips.
0:34:36 > 0:34:40One. Two. One, two, three.
0:34:40 > 0:34:42# ...We got to reach, we got to reach We got to reach higher
0:34:42 > 0:34:46# I want to burn, I want to burn I want to get higher
0:34:46 > 0:34:49# We've got to move, we've got to move... #
0:34:49 > 0:34:51I'm trying to train you here. It's a big night tomorrow night.
0:34:51 > 0:34:55Well, I need your help like a leper needs anti-aging cream!
0:34:55 > 0:34:57May I remind you, best Michael Jackson impersonation,
0:34:57 > 0:34:59Heatherwoods Primary, 2002?
0:34:59 > 0:35:00May I remind you, you were nine?
0:35:02 > 0:35:04Yeah, and people still found you funny then.
0:35:04 > 0:35:06OK. After me. One, two! One, two, three.
0:35:06 > 0:35:09BANG, MUSIC STOPS
0:35:09 > 0:35:13It's 2am! You know that, Michael? It's 2am!
0:35:13 > 0:35:15Sorry, we were...
0:35:15 > 0:35:17- We were trying to be quiet. - Look, some of us have work,
0:35:17 > 0:35:19important work, in the morning! We don't need kids keeping us awake!
0:35:19 > 0:35:22Dad. Don't get... You've been drinking.
0:35:22 > 0:35:24Don't you accuse me of...
0:35:27 > 0:35:31Look, grow up, the pair of you! You're too old for sleepovers.
0:35:36 > 0:35:40- DOOR SLAMS PAUL:- He's under a lot of stress.
0:35:40 > 0:35:42I mean, it...it must be hard for...
0:35:47 > 0:35:49I think Mum's left him.
0:35:52 > 0:35:53Us.
0:35:55 > 0:35:57Him.
0:35:59 > 0:36:01- Yeah?- Yeah, they're probably
0:36:01 > 0:36:03fighting right now over who doesn't get custody.
0:36:06 > 0:36:07No, they're not.
0:36:07 > 0:36:10Did you know, in Inuit culture, if you don't like your parent,
0:36:10 > 0:36:12you just crawl into another igloo and find a new family?
0:36:19 > 0:36:20You're cut.
0:36:22 > 0:36:25Oh, fuck.
0:36:25 > 0:36:26Fuck.
0:36:26 > 0:36:30- It's OK, Mac. Come on.- No, no, no. Don't... Don't look at me.
0:36:35 > 0:36:36You see?
0:36:38 > 0:36:40WHOOSHING
0:36:40 > 0:36:41- PAUL:- It's all...
0:36:43 > 0:36:45It's all gone.
0:36:49 > 0:36:50Paul. Look at your hand.
0:37:06 > 0:37:08HE RETCHES
0:37:12 > 0:37:13HE RETCHES
0:37:31 > 0:37:32What are you?
0:37:35 > 0:37:37Your best friend.
0:37:39 > 0:37:43I mean, you... you thought it was good, I was...
0:37:44 > 0:37:46..special.
0:37:49 > 0:37:50Yeah. It's great.
0:37:53 > 0:37:55Just don't leave me behind, OK?
0:38:01 > 0:38:05Your car. We need your car. We've found the kids.
0:38:14 > 0:38:15Thank you.
0:38:15 > 0:38:18OK, we'll need to arrange a press conference.
0:38:18 > 0:38:19Yeah.
0:38:19 > 0:38:21I'll need to cordon off the surrounding areas,
0:38:21 > 0:38:23and a budget done of how much to clear.
0:38:24 > 0:38:26INSECTS BUZZING
0:38:51 > 0:38:52He's 12 years old.
0:39:00 > 0:39:01PHONE KEYPAD BEEPS
0:39:02 > 0:39:05RINGING
0:39:05 > 0:39:07I can't mess this up.
0:39:07 > 0:39:09- This is totally unfair!- Anna...
0:39:09 > 0:39:12But this is exactly the time when we should be having a party,
0:39:12 > 0:39:13to make us feel all better.
0:39:13 > 0:39:15- Anna...- OK, look, compromise.
0:39:15 > 0:39:19We'll do a minute's silence remembrance. It'll be moving.
0:39:19 > 0:39:21Anna, two boys have died!
0:39:22 > 0:39:24The dance is cancelled.
0:39:27 > 0:39:30- What a total wanker! - He's cancelled it, then?
0:39:30 > 0:39:32- Totally. A total wanker!- Yeah.
0:39:32 > 0:39:34He's probably in there now, door locked, thrumming away,
0:39:34 > 0:39:36thinking about the two of you in just your knickers.
0:39:36 > 0:39:38- Why are you here?- Moral support.
0:39:38 > 0:39:42Moral support listens at the door, does it? Stalker.
0:39:42 > 0:39:44Stalker? I'm vice president of Ball Club.
0:39:44 > 0:39:46Ball Club? Jesus!
0:39:46 > 0:39:48So that's it? You're just going to give up?
0:39:48 > 0:39:52No, I'm going to find a room, lock it,
0:39:52 > 0:39:55and thrum myself off thinking about just you and my brother
0:39:55 > 0:39:56in your Y-fronts.
0:39:56 > 0:39:59At the end of A New Hope, they attack the Death Star. The Death Star.
0:39:59 > 0:40:01I mean they were in flimsy crafts, X-wings.
0:40:01 > 0:40:02X-wings fighting the Death Star.
0:40:02 > 0:40:04I mean, the name itself implies that you shouldn't attack.
0:40:04 > 0:40:06It's called the Death Star.
0:40:06 > 0:40:07Really, please, stop talking.
0:40:07 > 0:40:09You're actually making me want to kill myself.
0:40:09 > 0:40:11They were losing the battle badly
0:40:11 > 0:40:13and then Luke Skywalker found the exhaust port,
0:40:13 > 0:40:15an exhaust port which shouldn't have existed
0:40:15 > 0:40:17because the Empire shouldn't have made such a mistake, but it did.
0:40:17 > 0:40:19- It did exist. Think about it. - Think about it?
0:40:19 > 0:40:24All I'm thinking is, "Paracetamol, slit my wrists or hanging?"
0:40:24 > 0:40:26No, the moral is... the moral of my anecdote is,
0:40:26 > 0:40:30you should always keep fighting in case you find an exhaust port.
0:40:31 > 0:40:34- An exhaust port? - And there always is.
0:40:34 > 0:40:36There's always an exhaust port.
0:40:38 > 0:40:40Well, generally.
0:40:40 > 0:40:43Probably. Sometimes. I just... Yeah.
0:40:43 > 0:40:44We're not cancelling.
0:40:44 > 0:40:46No?
0:40:46 > 0:40:48Your dad's converting that old church, right?
0:40:48 > 0:40:52- Er...I'm not sure that... - You can sort it, right?
0:40:52 > 0:40:55- Well, not at this... - Great. Exhaust port sorted.
0:40:56 > 0:40:59Anna. Anna!
0:41:00 > 0:41:01Exhaust port sorted.
0:41:02 > 0:41:05He shoots. He scores. And the crowd roar.
0:41:05 > 0:41:06HE ROARS QUIETLY
0:41:06 > 0:41:08CLOCK TICKS
0:41:10 > 0:41:13TICKING
0:41:14 > 0:41:16If you had to walk away from everything...
0:41:16 > 0:41:19That's a good question.
0:41:19 > 0:41:21- What would you take with you?- No.
0:41:21 > 0:41:24If you couldn't take anything...
0:41:24 > 0:41:26What, nothing at all?
0:41:26 > 0:41:29Er...a time of war, is it?
0:41:29 > 0:41:33Yeah. Yeah, time of war. I mean, could you walk away?
0:41:33 > 0:41:36- Hypothetically? - Hypothetically, time of war.
0:41:36 > 0:41:38Could you walk away from everything?
0:41:38 > 0:41:41Er...I think I would do my duty
0:41:41 > 0:41:44and I would leave behind that which I had to and then I would try...
0:41:44 > 0:41:46No, you're not listening to my question!
0:41:46 > 0:41:49Am I not?
0:41:49 > 0:41:51Maybe, Paul, I think that's because
0:41:51 > 0:41:53I'm supposed to be asking you the questions.
0:41:53 > 0:41:55No.
0:41:55 > 0:41:58No, I need...
0:41:58 > 0:42:00I need you to answer this.
0:42:00 > 0:42:03OK. OK.
0:42:03 > 0:42:08Well, try framing it, your... your question, in a different way.
0:42:09 > 0:42:11Well...
0:42:11 > 0:42:14the war, it would last for ever.
0:42:14 > 0:42:16The people that you leave behind...
0:42:19 > 0:42:21..you wouldn't be able to get back to them.
0:42:26 > 0:42:27I guess...
0:42:31 > 0:42:33I suppose the question I'm asking is...
0:42:35 > 0:42:38..how do you say goodbye?
0:42:51 > 0:42:52Neil.
0:42:57 > 0:42:59Ow.
0:43:01 > 0:43:03Aah.
0:43:04 > 0:43:05- WHISPERS:- Come on.
0:43:08 > 0:43:11Oh, work! Come on.
0:43:13 > 0:43:14KNOCK AT DOOR
0:43:14 > 0:43:16SHE GASPS
0:43:18 > 0:43:23- This...is so not what it looks like.- OK.
0:43:23 > 0:43:25This was an experiment.
0:43:27 > 0:43:28Well, into what?
0:43:29 > 0:43:34- Self-harm? - Into...something I can't explain.
0:43:34 > 0:43:38- Paul, if you're...- Mum, it's nothing, I promise. I'm fine.
0:43:41 > 0:43:43Promise?
0:43:46 > 0:43:47Promise.
0:43:52 > 0:43:54Mum?
0:43:54 > 0:43:56If I had to go away for a bit...
0:43:56 > 0:43:59- Where?- I don't know. Somewhere.
0:43:59 > 0:44:01You'd be OK, wouldn't you?
0:44:01 > 0:44:05Well, you're not going anywhere until you've finished your A levels,
0:44:05 > 0:44:08and then we've got to work out which university is best for you,
0:44:08 > 0:44:09and then you can do what you like.
0:44:11 > 0:44:13Yeah, putting all that aside...
0:44:16 > 0:44:17..you'd be OK, right?
0:44:17 > 0:44:20You do know...
0:44:22 > 0:44:26..if anything happened to you, it would destroy me.
0:44:26 > 0:44:28Mum.
0:44:28 > 0:44:30It wouldn't be OK.
0:44:30 > 0:44:33Not by any degree.
0:44:33 > 0:44:35You're my son.
0:44:42 > 0:44:44BOTTLES CLINK
0:44:46 > 0:44:48This is such a bad idea.
0:44:48 > 0:44:51I'm dressed all wrong. My hair looks like my mum cut it.
0:44:51 > 0:44:54And I definitely smell of something and it isn't Lynx.
0:44:54 > 0:44:59I smell of candle wax. How can I smell of candle wax?
0:44:59 > 0:45:00What kind of freak smells of candle wax?
0:45:00 > 0:45:02I've never smelt like candle wax before.
0:45:02 > 0:45:04It'll be fine, Mac, honestly.
0:45:04 > 0:45:06You're totally going to rock this.
0:45:06 > 0:45:07I'm going to be your wingman tonight.
0:45:07 > 0:45:09- You're going tobe my wingman?- Mm-hm.
0:45:09 > 0:45:11The best wingman ever.
0:45:11 > 0:45:13You don't even know what that word means.
0:45:17 > 0:45:19Is there any point trying to stop you?
0:45:20 > 0:45:22I'm busy.
0:45:22 > 0:45:24So you're going to a party in the middle of nowhere?
0:45:24 > 0:45:27- How do you...? - It's hardly safety-conscious.
0:45:30 > 0:45:32Don't worry. I've got a first-aid kit.
0:45:33 > 0:45:35Paul.
0:45:38 > 0:45:40I know what you want.
0:45:40 > 0:45:42I just...
0:45:43 > 0:45:45I need time to do it.
0:45:48 > 0:45:50OK.
0:45:56 > 0:45:58This night is going to be the best night.
0:46:00 > 0:46:03I want us to treat it like it's our last.
0:46:04 > 0:46:06Then we definitely need to have sex.
0:46:06 > 0:46:08With girls.
0:46:08 > 0:46:10THEY SLURP
0:46:12 > 0:46:14MUSIC PLAYING
0:46:20 > 0:46:23LOUD CHATTER
0:46:30 > 0:46:32Hello, Jay.
0:46:35 > 0:46:36Bye, Jay.
0:46:43 > 0:46:45Hello, Mac.
0:46:47 > 0:46:50Goodbye, Mac.
0:46:50 > 0:46:52Hello, retard.
0:46:52 > 0:46:54Goodbye, retard.
0:46:54 > 0:46:57There's vomit that needs clearing up.
0:47:07 > 0:47:09Did you know that bats have sex whilst flying?
0:47:09 > 0:47:11What?
0:47:12 > 0:47:15Or that pigs have corkscrew-shaped penises?
0:47:15 > 0:47:17Did you know someone spat on your back?
0:47:19 > 0:47:20I did not.
0:47:30 > 0:47:32MUSIC PLAYING
0:47:32 > 0:47:33CHATTER
0:47:33 > 0:47:34GIRL WHOOPS
0:47:36 > 0:47:39- Hi.- Hi.
0:47:39 > 0:47:41Isn't your dad going to be mad about all this?
0:47:41 > 0:47:43Oh, I'll tell him it was for a school project.
0:47:43 > 0:47:48Oh, yeah. Me and Mac discussed who our ideal girl was the other day.
0:47:48 > 0:47:49We decided Queen Amidala,
0:47:49 > 0:47:52crossed with Marion Ravenwood, Princess Arwen,
0:47:52 > 0:47:56Ororo Munroe - or Storm as she's commonly known - and George Lucas.
0:47:56 > 0:47:57George Lucas?
0:47:57 > 0:47:59Yeah, well, the sex wouldn't be up to much,
0:47:59 > 0:48:01but the pillow talk would be amazing.
0:48:01 > 0:48:03- SHE LAUGHS - We also had
0:48:03 > 0:48:06Alan Moore on the list but we decided his beard was too big.
0:48:06 > 0:48:10Anyway, my point is...was...is...
0:48:10 > 0:48:12when we were discussing our female mash-up...
0:48:14 > 0:48:16..there was only one girl on...
0:48:16 > 0:48:18on my mind.
0:48:19 > 0:48:20You.
0:48:23 > 0:48:25I'm quite drunk.
0:48:26 > 0:48:31And I...I say this because... should I ever disappear...
0:48:33 > 0:48:34..I'd want you to know.
0:48:37 > 0:48:38I'd want you to know, and now you do.
0:48:38 > 0:48:42Come on. Let's go find somewhere private.
0:48:44 > 0:48:47Private... Why?
0:48:47 > 0:48:50"Private" is a euphemism. I'm making a euphemism.
0:48:50 > 0:48:53I don't know who Alan Moore is.
0:48:53 > 0:48:55You don't know what going somewhere private means.
0:48:55 > 0:48:58I guess that makes us evens.
0:48:58 > 0:49:01You don't know who Alan Moore is?
0:49:01 > 0:49:03MUSIC PLAYING
0:49:03 > 0:49:04Are you the designated adult?
0:49:07 > 0:49:08No.
0:49:08 > 0:49:11- You work for Jay's dad?- No.
0:49:13 > 0:49:15- Someone's vomited.- I don't care.
0:49:17 > 0:49:18Why are you here?
0:49:19 > 0:49:21I'm trying to keep a boy I care about safe
0:49:21 > 0:49:23from the forces of darkness.
0:49:23 > 0:49:25Is that what they call Anna now?
0:49:25 > 0:49:28Couldn't crash us a fag, could you?
0:49:30 > 0:49:32I've got to go.
0:49:38 > 0:49:41You'd better not be a paedophile!
0:49:41 > 0:49:43MUSIC PLAYING INSIDE
0:49:50 > 0:49:51Natalie.
0:49:55 > 0:49:57DISTANT PARTY MUSIC
0:49:58 > 0:50:00Natalie! Stop!
0:50:04 > 0:50:05What are you doing here?
0:50:07 > 0:50:09I saw you eating, Natalie.
0:50:11 > 0:50:13I need to know what you're up to.
0:50:29 > 0:50:30Natalie.
0:50:34 > 0:50:36HE PANTS
0:50:39 > 0:50:40SNARLING
0:50:44 > 0:50:46GUNSHOT FIRES
0:50:52 > 0:50:55Aah! Aah!
0:50:55 > 0:50:56NEIL SCREAMS
0:50:56 > 0:50:58MUSIC PLAYS
0:51:02 > 0:51:04Have you seen my brother?
0:51:04 > 0:51:08Average height, funny face, strange eyebrows. No, haven't seen the guy.
0:51:08 > 0:51:11Well, he's meant to be cleaning and he's gone AWOL.
0:51:11 > 0:51:14Well, he's not on a beeper and he doesn't run when I whistle,
0:51:14 > 0:51:18so sometimes I don't know where he is for a full 30 minutes.
0:51:18 > 0:51:21Almost like he's getting a life, isn't it?
0:51:22 > 0:51:23Yeah.
0:51:25 > 0:51:29You don't just like Paul, love Paul, depend on Paul.
0:51:29 > 0:51:32You need him, don't you?
0:51:33 > 0:51:37There is nothing more pathetic than needing someone.
0:51:37 > 0:51:39You really are a pathetic freak,
0:51:39 > 0:51:41you know that?
0:51:45 > 0:51:46Yeah, I know that.
0:51:52 > 0:51:54Aah! Yaah!
0:51:54 > 0:51:56Aah!
0:52:00 > 0:52:02- Aah! - SNARLING
0:52:02 > 0:52:04Aah! Oh! Aah!
0:52:05 > 0:52:08Aah! Aah!
0:52:08 > 0:52:10SNARLING
0:52:10 > 0:52:12HE SCREAMS
0:52:12 > 0:52:14MUSIC PLAYS
0:52:24 > 0:52:25Wigwam, wingman.
0:52:27 > 0:52:29Knew you'd be shit.
0:52:33 > 0:52:35Um...
0:52:35 > 0:52:38Um?
0:52:38 > 0:52:42That's what you're going with for your post-kiss conversation opener.
0:52:42 > 0:52:44Um?
0:52:44 > 0:52:49Well, yeah, only cos I'm guessing "thank you" is inappropriate.
0:52:54 > 0:52:56I can't say goodbye to this, can I?
0:52:58 > 0:53:00Say goodbye to what?
0:53:03 > 0:53:06I... I came here tonight to...
0:53:08 > 0:53:10I... I think... What... What are you doing?!
0:53:10 > 0:53:13Hey. You OK?
0:53:13 > 0:53:17Yeah, great. Steve asked me if I'd be interested in a threesome.
0:53:17 > 0:53:19But, otherwise, quids in.
0:53:20 > 0:53:23He doesn't even know what to do with one vagina.
0:53:23 > 0:53:24Two, and he'd be totally lost.
0:53:24 > 0:53:27What are you doing here anyway?
0:53:27 > 0:53:32Er...just needed a bit of space. Feeling a bit rank.
0:53:32 > 0:53:35Bad pill? Lightweight.
0:53:37 > 0:53:38Hey, Anna! Anna!
0:53:38 > 0:53:41Alicia's locked herself in the toilets again
0:53:41 > 0:53:43and she's crying like a bitch.
0:53:43 > 0:53:45- JAY:- Sorry.
0:53:46 > 0:53:48Don't worry. I get it.
0:53:50 > 0:53:53You're afraid of my sister. A lot of people are.
0:53:54 > 0:53:57Apparently, my first response when I came out of the womb was to cower.
0:53:57 > 0:53:59It's just...
0:54:01 > 0:54:06..there are two versions of me, you know?
0:54:07 > 0:54:10One that hangs out with Anna and enjoys being popular
0:54:10 > 0:54:13and one that...
0:54:14 > 0:54:17..I don't know, likes you.
0:54:20 > 0:54:21You're brilliant.
0:54:22 > 0:54:24What?
0:54:24 > 0:54:27Of course - Clark Kent, Peter Parker.
0:54:27 > 0:54:30That... That was...
0:54:30 > 0:54:32That was just what I needed to hear.
0:54:33 > 0:54:36Two versions of you. You're brilliant.
0:54:38 > 0:54:41And you're fucking weird.
0:54:43 > 0:54:45DOG BARKS
0:54:46 > 0:54:50'Neil's phone. Leave me a message. I'll call you back.'
0:54:50 > 0:54:53Neil, it's Paul.
0:54:55 > 0:54:58I just wanted to say...
0:55:00 > 0:55:02..that I think it's possible.
0:55:02 > 0:55:05It has to be possible for me to have two lives
0:55:05 > 0:55:06by being two different people,
0:55:06 > 0:55:09because...
0:55:09 > 0:55:11I can't say goodbye to what I have.
0:55:11 > 0:55:16And because if I do, then I don't really know what we're fighting for.
0:55:19 > 0:55:21Yeah, from now on...
0:55:22 > 0:55:23..there are two of me.
0:55:25 > 0:55:27DOG BARKS
0:55:35 > 0:55:38HEAVY BREATHING
0:55:44 > 0:55:46HE GASPS
0:55:50 > 0:55:54- You took your time.- Yeah.
0:55:54 > 0:55:56How fucked up am I?
0:55:56 > 0:55:58Quite.
0:55:58 > 0:56:00Now tell me all you can about this boy.
0:56:26 > 0:56:28OK, then.
0:56:28 > 0:56:32MUSIC: "I Know What I Am" by Band Of Skulls
0:56:33 > 0:56:35# Hi ho, triple salchow
0:56:35 > 0:56:37# I've got a feeling like I'm tired of the flow
0:56:37 > 0:56:41# But I know what I am They know what they are, so let me be
0:56:41 > 0:56:44# Gasoline, saccharine
0:56:44 > 0:56:46# I've got no reason for the state I'm in
0:56:46 > 0:56:50# But I know what I am They know what they are, so let me be
0:56:52 > 0:56:53# Hotel, Taco Bell... #
0:56:53 > 0:56:55Subtitles by Red Bee Media Ltd
0:56:55 > 0:56:57E-mail subtitling@bbc.co.uk