Episode 4

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0:00:02 > 0:00:07THIS PROGRAMME CONTAINS STRONG LANGUAGE AND SCENES WHICH SOME VIEWERS MAY FIND DISTURBING

0:00:07 > 0:00:10The dead are walking the Earth. They're angry.

0:00:10 > 0:00:15They're doing a pretty good job of fighting back, mainly by eating human flesh, which allows them to touch.

0:00:15 > 0:00:18But on the other side of the net, there's these...these guys called the Angelics

0:00:18 > 0:00:22who are trying to stop these growing-powerful, eating-flesh dead people.

0:00:22 > 0:00:23But they keep getting killed off

0:00:23 > 0:00:28by this Angelic-killing Fade guy. He's bad, and not in a good way.

0:00:28 > 0:00:31And something very strange may have just happened to him,

0:00:31 > 0:00:33but I'm not sure of the details.

0:00:33 > 0:00:34As the bodies pile up and people disappear,

0:00:34 > 0:00:37in the ordinary world they're beginning to ask questions.

0:00:37 > 0:00:40People like my dad, a police officer.

0:00:40 > 0:00:43Sadly, they're asking the wrong questions, which is why my history teacher is under arrest

0:00:43 > 0:00:46for...dead people's crimes.

0:00:46 > 0:00:47Finally, there's my...friend Paul,

0:00:47 > 0:00:49an Angelic,

0:00:49 > 0:00:52he's a pretty...special Angelic.

0:00:52 > 0:00:55In fact, he may be the best Angelic,

0:00:55 > 0:00:57not that that matters any more

0:00:57 > 0:00:59because, um, he got knocked over by a truck.

0:00:59 > 0:01:01- Paul! - (TYRES SCREECH)

0:01:03 > 0:01:04A truck.

0:01:04 > 0:01:07Oh, um...

0:01:07 > 0:01:11who's seen my copy of, um, Wizard Of Oz? Hmm?

0:01:12 > 0:01:13Nanoo-nanoo.

0:01:53 > 0:01:55Hello?

0:02:01 > 0:02:02Excuse me.

0:02:07 > 0:02:08Excuse...

0:02:09 > 0:02:10Jay?

0:02:10 > 0:02:12Jay!

0:02:16 > 0:02:18(WEEPS) He's going to be OK, isn't he?

0:02:34 > 0:02:37(BEEPING ECHOES)

0:02:40 > 0:02:43(HER BREATH QUIVERS)

0:03:12 > 0:03:14(GRUNTS)

0:03:20 > 0:03:22Unh! (GASPS)

0:03:43 > 0:03:44(MUFFLED) Hello?

0:03:45 > 0:03:47Hello?

0:03:49 > 0:03:51Hello?

0:03:52 > 0:03:54Son, hello.

0:03:54 > 0:03:55Are you OK?

0:03:58 > 0:03:59(GRUNTS)

0:03:59 > 0:04:00Where's your clothes, son?

0:04:02 > 0:04:03(HE GRUNTS)

0:04:08 > 0:04:09Drugs, is it?

0:04:09 > 0:04:11(GRUNTS)

0:04:14 > 0:04:15We can get you some help.

0:04:18 > 0:04:20- Ynh! - Jesus Christ!

0:04:20 > 0:04:21(THUMP)

0:04:52 > 0:04:5421-down, eight letters.

0:04:54 > 0:04:57"Blank Bound: The Incredible Journey."

0:04:58 > 0:04:59Anyone?

0:05:01 > 0:05:02PAUL: Homeward...

0:05:02 > 0:05:04MAC: I'll give you a clue, it involves animals.

0:05:04 > 0:05:09And it's not Ace Ventura, Dr Dolittle, Lassie or The Jungle Book.

0:05:11 > 0:05:14Homeward Bound: The Incredible Journey.

0:05:16 > 0:05:20Three-down, four letters. 1986 movie starring Grace Jones.

0:05:20 > 0:05:21Vamp.

0:05:21 > 0:05:24Slightly tricky. Supernatural. Slightly culty.

0:05:25 > 0:05:28I'm going to have to help you out on this one.

0:05:29 > 0:05:30Yeah.

0:05:32 > 0:05:34You guessed it, it's, um...

0:05:34 > 0:05:35PAUL: Mum...

0:05:35 > 0:05:37MAC: Vamp.

0:05:37 > 0:05:38- Mum... - We have a winner,

0:05:38 > 0:05:40and the winner is me.

0:05:40 > 0:05:42What a lovely audience you are,

0:05:42 > 0:05:43- what a lovely audience - Mum!

0:05:43 > 0:05:45Ah!

0:05:48 > 0:05:49Gah!

0:05:59 > 0:06:03Meg, can...we have a private word?

0:06:05 > 0:06:09Anything you want to say to me, you can say to them.

0:06:10 > 0:06:11OK.

0:06:14 > 0:06:17Paul is braindead.

0:06:19 > 0:06:20We did everything we could.

0:06:22 > 0:06:23I'm so sorry.

0:06:24 > 0:06:28But I'm afraid we're going to have to discuss taking him off life support.

0:06:54 > 0:06:57- (SCREAMING) - Quick. OK. Got her?

0:06:57 > 0:06:59Got her?

0:06:59 > 0:07:02Try and keep her under control!

0:07:04 > 0:07:06- (MOBILE RINGS) - Keep it quiet, please.

0:07:06 > 0:07:07Phil, get that.

0:07:08 > 0:07:09Yeah?

0:07:11 > 0:07:13Neil! Neil!

0:07:13 > 0:07:15It's some kid called Mac.

0:07:17 > 0:07:18(SCREAMING CONTINUES)

0:07:18 > 0:07:20What do you want?

0:07:20 > 0:07:21Paul's been hurt.

0:07:23 > 0:07:25There's been an accident.

0:07:31 > 0:07:36You're honestly sitting there and saying...that I killed my wife?

0:07:36 > 0:07:38That's the second time you've done that...

0:07:39 > 0:07:42...talked about her in the past tense.

0:07:42 > 0:07:43Will you stop?!

0:07:43 > 0:07:44What changed your mind, Mark?

0:07:50 > 0:07:53My wife's divorcing me at the moment, so I know how hard that is.

0:07:53 > 0:07:59That feeling of everything you've done together...being spoiled.

0:07:59 > 0:08:03That feeling of everything she's told you about yourself...

0:08:03 > 0:08:05being lies.

0:08:05 > 0:08:06No, she loved me.

0:08:06 > 0:08:07I love you.

0:08:07 > 0:08:09And I...

0:08:09 > 0:08:11And you loved her back, of course you did.

0:08:11 > 0:08:13But you couldn't live together.

0:08:13 > 0:08:15Yes, it was difficult...

0:08:15 > 0:08:17- So you killed her. - Will you stop?

0:08:17 > 0:08:22I don't know what you've been doing here, Mark...but you scare me.

0:08:23 > 0:08:24How do you work?

0:08:25 > 0:08:26How have you done this?

0:08:30 > 0:08:31Are you here?

0:08:34 > 0:08:35Sarah?

0:08:36 > 0:08:38- You're here. - (WHISPERS) Mark.

0:08:46 > 0:08:48Ah!

0:08:54 > 0:08:56You not going in?

0:08:59 > 0:09:01They say his chances of survival are a million to one.

0:09:03 > 0:09:04That's not very good odds, then, is it?

0:09:06 > 0:09:07No.

0:09:08 > 0:09:11Until you consider there's 62 million people in this country.

0:09:12 > 0:09:15That means if every single person in the UK was in the same coma,

0:09:15 > 0:09:1862 of them would survive. And I bet... Paul, with your help,

0:09:18 > 0:09:19I bet on Paul definitely being one of them.

0:09:19 > 0:09:21No. No, he's dead.

0:09:21 > 0:09:23Worldwide, the population's 6.91 billion

0:09:23 > 0:09:25and we're all citizens of the world so...

0:09:28 > 0:09:29He's dead.

0:09:33 > 0:09:36But they haven't turned the machines off yet, he still could come back to us.

0:09:37 > 0:09:39I thought you were going to help him.

0:09:42 > 0:09:44He's dead?

0:09:45 > 0:09:46How do you know?

0:09:47 > 0:09:48Because his Fade is standing right next to you.

0:09:54 > 0:09:55Am I dead?

0:09:55 > 0:09:58Yeah. I'm sorry...

0:09:58 > 0:10:01Mac, but now that I've found him, we've got to go.

0:10:01 > 0:10:03He's here? Can I say something?

0:10:03 > 0:10:04Yeah, let him. Le...let him.

0:10:06 > 0:10:08I need him to know how sorry I am.

0:10:10 > 0:10:12- It was my fault. - No.

0:10:12 > 0:10:13He was looking at me when a truck hit him.

0:10:13 > 0:10:15Neil...please...

0:10:17 > 0:10:19Just...say something.

0:10:20 > 0:10:21He's not to blame.

0:10:21 > 0:10:23Sounds like it was his fault to me.

0:10:25 > 0:10:27Responsibility.

0:10:27 > 0:10:28Blame.

0:10:28 > 0:10:30Guilt.

0:10:30 > 0:10:31They're not always bad things.

0:10:35 > 0:10:36Paul?

0:10:37 > 0:10:40Paul... Paul...

0:10:41 > 0:10:43(AMPLIFIED SIZZLING)

0:10:48 > 0:10:50(AMPLIFIED CLOTH FLAPPING)

0:11:13 > 0:11:14Come on, darling.

0:11:28 > 0:11:30Oi! Put it back!

0:11:32 > 0:11:34Creepy fucker.

0:11:39 > 0:11:41I told you this place would be a fucking goldmine.

0:11:47 > 0:11:49Hey, li...listen, we don't do refunds.

0:11:51 > 0:11:52(GRUNTS) Who?

0:11:54 > 0:11:55(GRUNTS) Who?

0:11:55 > 0:11:56Paul.

0:11:56 > 0:11:58Paul Roberts,

0:11:58 > 0:12:00AKA sports personality of the year.

0:12:01 > 0:12:03He's in a coma. Some loss!

0:12:05 > 0:12:06- (VOMITS) - Fucking freaks.

0:12:17 > 0:12:19"This is Steve here. I'm not here right now. Leave us a message."

0:12:19 > 0:12:21Hi, Steven.

0:12:24 > 0:12:26Remember that time you blew a raspberry on my twat

0:12:26 > 0:12:28and thought it was funny and I didn't speak to you for a week?

0:12:30 > 0:12:31This is worse.

0:12:31 > 0:12:32Call me back.

0:12:38 > 0:12:40We've been using this place for 20 years.

0:12:42 > 0:12:44It was built as a bunker during World War II.

0:12:44 > 0:12:45Left to rot, now...

0:12:45 > 0:12:47it's ours.

0:12:48 > 0:12:50While there's an Angelic killer on the loose,

0:12:50 > 0:12:51it's the safest place for us.

0:12:52 > 0:12:54You know, you're not speaking too much

0:12:54 > 0:12:57and I'm not great at mind reading. What, you sulking?

0:12:59 > 0:13:01Why did you bring me here?

0:13:02 > 0:13:05You said I'm no use to you now. So why am I here?

0:13:07 > 0:13:08To prove a point.

0:13:14 > 0:13:15Nothing.

0:13:15 > 0:13:16The camera's not picking her up.

0:13:18 > 0:13:20She seems to be changing.

0:13:20 > 0:13:21This is organic matter.

0:13:28 > 0:13:30Paul?

0:13:32 > 0:13:35(GROANS)

0:13:35 > 0:13:37- So he's really dead, then? - Yup.

0:13:37 > 0:13:38He's really dead.

0:13:38 > 0:13:39Shit.

0:13:39 > 0:13:42- You know what? It's a good thing. - A good thing?!

0:13:42 > 0:13:44Because there's no relying on some sort of rescue package now.

0:13:44 > 0:13:47OK? Superman is dead.

0:13:47 > 0:13:49God is dead.

0:13:49 > 0:13:50The Easter Bunny is dead.

0:13:50 > 0:13:52That's what I prove?

0:13:52 > 0:13:54Yes, that's what you prove.

0:13:54 > 0:13:56All right? This is now a war.

0:13:56 > 0:13:58She's going to tell us how to win it.

0:13:58 > 0:13:59Higgy, Maddy...

0:13:59 > 0:14:01Where is he, Natalie? Where is he?

0:14:01 > 0:14:04- Stop! Stop, Neil! - Where's the Angelic killer?!

0:14:04 > 0:14:05Do it, go on.

0:14:05 > 0:14:06Where is he?

0:14:06 > 0:14:08- (SCREAMS) - Where's the killer?

0:14:08 > 0:14:11Neil! Neil!

0:14:11 > 0:14:13Neil, Neil, Neil, Neil, Neil, Neil, what you doing with that knife?

0:14:13 > 0:14:16Shut up. You had an opportunity, you, and you blew it.

0:14:16 > 0:14:18OK, kid?

0:14:18 > 0:14:19We have a code, Neil!

0:14:19 > 0:14:21Fuck the code.

0:14:21 > 0:14:24Do you understand how much shit we're in?

0:14:24 > 0:14:27Do you understand that there's going to come a tipping point soon,

0:14:27 > 0:14:29beyond which we won't be able to beat them.

0:14:29 > 0:14:30Now, you can fight me if you want,

0:14:30 > 0:14:34but you're not going to convince me that this is not the right thing to do.

0:14:34 > 0:14:36Do you want to fight me?

0:14:36 > 0:14:39- No. - Right. Then let go of my fucking hand.

0:14:40 > 0:14:44This is wrong. This...is wrong.

0:14:44 > 0:14:45Where do you think you're going?

0:14:45 > 0:14:48You're a Fade. You can't open doors.

0:14:48 > 0:14:51Yeah, well, he's not going alone, is he, Neil, eh?

0:14:53 > 0:14:57Phil... Phil! Shit!

0:14:57 > 0:14:58Well, that sorted out the wheat from the chaff.

0:15:00 > 0:15:02I'm going to ask you one more time before I use this.

0:15:02 > 0:15:04Where is he, Natalie?

0:15:04 > 0:15:05Where's the Angelic killer?

0:15:05 > 0:15:07No?

0:15:07 > 0:15:09(NATALIE SCREAMS)

0:15:10 > 0:15:12- Paul! - Paul!

0:15:14 > 0:15:16- Let me out. - No, just wait a minute.

0:15:16 > 0:15:18Let me out! I don't want to be here!

0:15:18 > 0:15:19(SCREAMING)

0:15:21 > 0:15:22What's he even doing?!

0:15:22 > 0:15:26I don't know. Whatever he feels is right.

0:15:26 > 0:15:27- We can't stop him? - Yeah, well,

0:15:27 > 0:15:29maybe we can with your help.

0:15:29 > 0:15:31You could be important.

0:15:32 > 0:15:34I'm not important.

0:15:35 > 0:15:36I'm dead.

0:15:38 > 0:15:40- Leave me alone. - Paul!

0:15:48 > 0:15:49Hello.

0:15:52 > 0:15:53Hello.

0:15:57 > 0:15:59I thought you probably needed something to eat, so, um...

0:15:59 > 0:16:01I brought you a sandwich.

0:16:02 > 0:16:04Well, I brought you several because...

0:16:04 > 0:16:07despite spending the last 17 years of my life in your house,

0:16:07 > 0:16:09I'm not sure of your filling preference.

0:16:09 > 0:16:14I got a cheese ploughman's, which, um...

0:16:14 > 0:16:17advertises that it has no mayonnaise like it's a good thing,

0:16:17 > 0:16:19spicy chicken...

0:16:19 > 0:16:21and ham and pickle.

0:16:21 > 0:16:24- I'm not hungry. - Which is a response I anticipated.

0:16:25 > 0:16:27I'd like to counter that with the notion that...

0:16:27 > 0:16:30Paul wouldn't want you to make yourself ill.

0:16:32 > 0:16:33You know?

0:16:33 > 0:16:35You should eat because he'd like you to.

0:16:37 > 0:16:38Which one do you want?

0:16:38 > 0:16:40I'm truly indifferent.

0:16:40 > 0:16:43My taste buds aren't up to much. My mum smoked through pregnancy.

0:16:43 > 0:16:46I always just mainly taste the bread.

0:16:46 > 0:16:47I'll have the ham.

0:16:47 > 0:16:48Good choice.

0:17:09 > 0:17:11Please don't turn off the machines.

0:17:13 > 0:17:16I'm here to beg you to not turn off the machines.

0:17:16 > 0:17:18You're here to do what?

0:17:18 > 0:17:20I love him more than any other person in this world,

0:17:20 > 0:17:22which I know is not as much as you, but I do.

0:17:22 > 0:17:24And I think it makes me the only person that can understand

0:17:24 > 0:17:27even a tenth of what you're going through.

0:17:27 > 0:17:30We're not having a competition to see who loves Paul best.

0:17:33 > 0:17:34This boy...

0:17:35 > 0:17:37This boy is part of me.

0:17:37 > 0:17:39- No, I know. - And the doctor says

0:17:39 > 0:17:41turning off the machines will make things better for him.

0:17:41 > 0:17:42Doctors can be wrong.

0:17:42 > 0:17:44After what you've done,

0:17:44 > 0:17:46- you dare to come in here and... - He was...

0:17:47 > 0:17:49I was...

0:17:51 > 0:17:52I'm sorry.

0:17:52 > 0:17:55He ran into a road with his ears shut.

0:17:55 > 0:17:56I know.

0:17:56 > 0:17:59- I saw and... - You were careless with him, Mac.

0:18:01 > 0:18:03And that means it's my decision,

0:18:03 > 0:18:05not yours.

0:18:35 > 0:18:37Steve?

0:18:37 > 0:18:39Oh, sorry.

0:19:04 > 0:19:10I...am...John.

0:19:14 > 0:19:17I...am...

0:19:20 > 0:19:21...John.

0:19:49 > 0:19:50What?

0:20:31 > 0:20:32You can see me.

0:20:35 > 0:20:37I can.

0:20:40 > 0:20:42You're in my dreams.

0:20:43 > 0:20:45Who are you?

0:20:50 > 0:20:51Wait!

0:20:51 > 0:20:53Agh! Agh!

0:20:53 > 0:20:54Unh!

0:22:02 > 0:22:07When I was a boy there were these sweets called...Pontefract cakes.

0:22:07 > 0:22:08What were you doing in my dream?

0:22:08 > 0:22:11- They were nice on their own, but... - How can you see me?

0:22:11 > 0:22:12...you put them on your mouth with a Mackintosh rosemary chocolate,

0:22:12 > 0:22:14which actually were my mother's favourite...

0:22:14 > 0:22:16heaven,

0:22:16 > 0:22:17a heavenly mixture.

0:22:20 > 0:22:21But...

0:22:22 > 0:22:25...that was 1932 and this is now.

0:22:25 > 0:22:27And this chocolate is not bad.

0:22:27 > 0:22:2919...32?

0:22:29 > 0:22:31Sorry. Where are my manners? Are you... Are you hungry?

0:22:32 > 0:22:35I'm starving.

0:22:35 > 0:22:37I'm hungrier than starving.

0:22:37 > 0:22:39I'm...I'm famished.

0:22:39 > 0:22:41I'm ravenous.

0:22:41 > 0:22:43I'm food impoverished.

0:22:44 > 0:22:46You were a boy in 1932?

0:22:46 > 0:22:48You're not much older than me!

0:22:48 > 0:22:49(SIZZLE)

0:22:49 > 0:22:50Huh!

0:22:50 > 0:22:52Shocking, isn't it?

0:22:52 > 0:22:57There was, of course, a...a dead bit in between.

0:22:57 > 0:22:58I died for a bit.

0:22:59 > 0:23:00And now I live.

0:23:04 > 0:23:06Let's walk.

0:23:39 > 0:23:42I still don't get what you were doing in my dream.

0:23:42 > 0:23:45Haven't you worked it out yet?

0:23:46 > 0:23:47Who I am?

0:23:50 > 0:23:51Fuck off.

0:23:51 > 0:23:54It's you...you tried to kill me.

0:23:58 > 0:24:00Now here's the fun part - I can't kill you!

0:24:00 > 0:24:03You're a Fade now. You can't touch,

0:24:03 > 0:24:05you can't feel, but you can be trapped.

0:24:05 > 0:24:10Those doors are shut. How are you going to open them, Paul?

0:24:10 > 0:24:13You could be stuck up here for a very long, lonely time.

0:24:31 > 0:24:32Unless...

0:24:35 > 0:24:37...you can tell me what I need to know.

0:24:39 > 0:24:41What do you need to know?

0:24:42 > 0:24:45I sent a young girl to follow you. Her name's...

0:24:45 > 0:24:47Natalie.

0:24:49 > 0:24:50And I like her.

0:24:51 > 0:24:54And I think damage is being done to her by your people.

0:24:56 > 0:24:58(CHOKES)

0:25:00 > 0:25:01And I want her back.

0:25:01 > 0:25:03She tried to kill me.

0:25:05 > 0:25:06So did I.

0:25:06 > 0:25:10So you want me to help a murderer find a murderer? F...fuck you!

0:25:10 > 0:25:12You're one of those honourable types. How modern!

0:25:13 > 0:25:16I'd rather spend forever up here than...

0:25:17 > 0:25:19I wouldn't help you even if it cost me everything!

0:25:19 > 0:25:20Cost you everything?

0:25:21 > 0:25:24You don't know what everything means.

0:25:24 > 0:25:26For nearly 70 years I watched my wife suffer

0:25:26 > 0:25:28while my Fade body rotted away from me.

0:25:29 > 0:25:32You're a fucking child.

0:25:32 > 0:25:35And I will not be lectured by you!

0:25:37 > 0:25:39I was one of the first.

0:25:39 > 0:25:42Sicily, 1943. Killed by a mortar.

0:25:44 > 0:25:45One of many that year.

0:25:47 > 0:25:49There was so much death, it's no wonder the ladder got broken.

0:25:50 > 0:25:51And when it did, I,

0:25:51 > 0:25:53along with thousands, and possibly millions of others,

0:25:53 > 0:25:56became trapped in a world in which I couldn't touch.

0:25:57 > 0:26:00I could only watch as my loved ones carry on without me.

0:26:02 > 0:26:07And, while I watched, my body continued to age, and rot.

0:26:10 > 0:26:11Not a nice situation.

0:26:13 > 0:26:15I didn't deserve it. None of us did.

0:26:17 > 0:26:19(VOMITS)

0:26:28 > 0:26:29(GRUNTS)

0:26:42 > 0:26:43So you killed people...

0:26:45 > 0:26:46...to make it better?

0:26:48 > 0:26:49No, I didn't kill.

0:26:50 > 0:26:52That's not how it started.

0:26:54 > 0:26:55I was saved.

0:26:57 > 0:26:59By my wife, as it happens.

0:27:00 > 0:27:01(SPLUTTERS)

0:27:03 > 0:27:04We were married at 18.

0:27:06 > 0:27:09At 20, I was sent to war and at 22, I didn't return.

0:27:10 > 0:27:13I watched her marry again to a man that beat her.

0:27:17 > 0:27:19I saw her give birth to children that didn't think that much of her.

0:27:23 > 0:27:24And then...

0:27:26 > 0:27:27...when the cancer came...

0:27:30 > 0:27:32...I watched her choose dignity.

0:27:35 > 0:27:37All I could do was watch.

0:27:38 > 0:27:39I couldn't touch. I couldn't cry out.

0:27:45 > 0:27:49The pain of that first drop of blood on my face was excruciating.

0:27:49 > 0:27:52But the thought of leaving her was even more excruciating,

0:27:52 > 0:27:56so I lay there...took the pain.

0:27:58 > 0:28:00Three days of her blood dripping on me.

0:28:00 > 0:28:03Drying on me, enveloping me.

0:28:05 > 0:28:09And it was that blood... that saved me.

0:28:11 > 0:28:14It burnt me. And where it burnt me, I grew new skin.

0:28:15 > 0:28:18Skin that I could feel with.

0:28:18 > 0:28:21I found a way...to be free.

0:28:23 > 0:28:25But to be free...

0:28:27 > 0:28:28...you became a killer.

0:28:28 > 0:28:30Don't even think what I did even starts to compare

0:28:30 > 0:28:31with what the Angelics did.

0:28:31 > 0:28:33What did the Angelics do that was so bad?

0:28:33 > 0:28:35From the start, we begged them for help.

0:28:37 > 0:28:40We said that there must be a way for them to reopen ascension.

0:28:40 > 0:28:42That they had to reopen ascension.

0:28:44 > 0:28:45So they met,

0:28:45 > 0:28:47they talked...

0:28:48 > 0:28:50...and they decided that interfering with ascension

0:28:50 > 0:28:52was beyond the Angelic remit.

0:28:52 > 0:28:55We'd just have to learn to accept our pain.

0:28:56 > 0:28:58They ref...refused to help?

0:28:59 > 0:29:00We couldn't touch the living,

0:29:00 > 0:29:02but they became afraid of what we might do.

0:29:02 > 0:29:05So they made guns tipped with organic matter to hurt us.

0:29:07 > 0:29:09They herded us like cattle.

0:29:09 > 0:29:12They became our prison guards.

0:29:14 > 0:29:18This is my truth, Paul, and it is the truth, and I think you know it.

0:29:18 > 0:29:21And I think what they're doing to Natalie right now proves it.

0:29:21 > 0:29:24I tried to get them to let her go.

0:29:28 > 0:29:30I can't help you.

0:29:30 > 0:29:32They won't listen to me.

0:29:34 > 0:29:36All I need you to do is take me there.

0:29:38 > 0:29:41I won't hurt them, I won't kill them, I give you my word.

0:29:42 > 0:29:44I'll just go in and get her out.

0:30:10 > 0:30:12(WOMAN GROANS IN PAIN)

0:30:21 > 0:30:23The camera's picking her up.

0:30:27 > 0:30:28So they can be seen.

0:30:31 > 0:30:32She's becoming flesh.

0:30:34 > 0:30:36(GROANS IN AGONY)

0:30:42 > 0:30:46Pre-ascension jitters? Forget about it.

0:30:46 > 0:30:48You'll definitely ascend.

0:30:51 > 0:30:53You come to see us?

0:30:53 > 0:30:55Argh. Fuck!

0:31:04 > 0:31:05He'll be OK, right?

0:31:05 > 0:31:08He'll be fine. Come on.

0:31:23 > 0:31:25Whoa. That's...

0:31:25 > 0:31:26(GROANING)

0:31:26 > 0:31:28What have you been doing to her, Neil?

0:31:29 > 0:31:31Who are you here with?

0:31:31 > 0:31:34Phil and Alice come back, have they? Come crawling back?

0:31:36 > 0:31:37Higgy let me in.

0:31:40 > 0:31:41(GASPS) Neil?

0:31:42 > 0:31:44What's going on?

0:31:48 > 0:31:49Paul, where's Higgy?

0:31:52 > 0:31:53Higgy!

0:31:55 > 0:31:56You stay and watch Natalie.

0:31:58 > 0:32:00Paul, you come with me.

0:32:01 > 0:32:04Neil, why don't you just let her go?

0:32:09 > 0:32:11(WHISPERS) Seriously, Neil, just let her go.

0:32:15 > 0:32:16(GRUNTS AND RATTLES CHAINS)

0:32:17 > 0:32:19(GROANS WILDLY)

0:32:30 > 0:32:31(WHISPERS) Neil?

0:32:43 > 0:32:45What the...

0:32:49 > 0:32:51MADDY: Neil?

0:32:52 > 0:32:54(DEEP RASP) Neil!

0:32:55 > 0:32:57Neil...

0:32:57 > 0:33:00Someone's in, someone's in!

0:33:00 > 0:33:01Maddy!

0:33:04 > 0:33:06(SCREECHES)

0:33:06 > 0:33:08(MADDY SCREAMS)

0:33:08 > 0:33:10Maddy!

0:33:10 > 0:33:11(RAPID GUNFIRE)

0:33:11 > 0:33:13No!

0:33:15 > 0:33:18Fuck off!

0:33:18 > 0:33:20(NATALIE WAILS)

0:33:21 > 0:33:22Move over.

0:33:22 > 0:33:24- It's OK, Maddy. - Maddy?

0:33:24 > 0:33:25- Oh... - (GROANING)

0:33:29 > 0:33:30No!

0:33:30 > 0:33:31Maddy!

0:33:37 > 0:33:39No. She's dying. She's going.

0:33:41 > 0:33:42Come on, Maddy.

0:33:44 > 0:33:45Maddy.

0:33:54 > 0:33:55How did he get in?

0:33:55 > 0:33:57I'll give you three guesses.

0:33:59 > 0:34:01You'll only need one.

0:34:18 > 0:34:19(SOFTLY) Neil...

0:34:21 > 0:34:22(WHISPERS) Neil...

0:34:22 > 0:34:24Neil. Neil, Neil!

0:34:25 > 0:34:27Oh, my... No, no!

0:34:30 > 0:34:31- No! - (GUNSHOT)

0:34:31 > 0:34:34(SHOUTING DROWNED OUT BY SHOTS)

0:34:41 > 0:34:42Neil! No! Neil!

0:34:42 > 0:34:45- Arrrgh! - Higgy!

0:34:47 > 0:34:48Higgy! No!

0:34:48 > 0:34:52Get inside! In there! Go!

0:34:58 > 0:35:00Aaarrrrgh!

0:35:29 > 0:35:30You killed them.

0:35:37 > 0:35:39(GIGGLES)

0:35:40 > 0:35:41You killed them.

0:35:43 > 0:35:45Do you understand what I've just learned?

0:35:47 > 0:35:48I'm immortal.

0:35:52 > 0:35:53This is better than I thought.

0:35:53 > 0:35:55You killed them.

0:35:56 > 0:35:58You...you promised!

0:35:58 > 0:36:01I really hope you don't ascend.

0:36:01 > 0:36:04You'll be a very useful member of my team.

0:36:19 > 0:36:21(DOOR BANGS SHUT)

0:36:23 > 0:36:24Who is he?

0:36:25 > 0:36:26Who is he?

0:36:33 > 0:36:34That's your Angelic killer.

0:36:38 > 0:36:39He promised he wouldn't hurt anyone.

0:36:39 > 0:36:41He what?

0:36:41 > 0:36:43He pro...he promised you?!

0:36:46 > 0:36:48Why?

0:36:49 > 0:36:51Why did you do this to us?

0:36:53 > 0:36:54Walk away from me, Paul, now.

0:36:55 > 0:36:57Walk away from me!

0:37:15 > 0:37:17(MACHINE BEEPS)

0:37:17 > 0:37:19ANNA: I'm glad you fucked him.

0:37:19 > 0:37:21In case you were worried.

0:37:23 > 0:37:26Nice that he had a chance to...

0:37:26 > 0:37:28you know, with a real girl.

0:37:30 > 0:37:32Thanks.

0:37:34 > 0:37:38And frankly, you're pretty good looking and you've got a great arse,

0:37:38 > 0:37:40so he probably did better than he should have done.

0:37:43 > 0:37:45Which is good, cos...

0:37:47 > 0:37:48...now he's dead.

0:37:55 > 0:37:56Are you OK, Anna?

0:38:03 > 0:38:06Sorry. Stupid question.

0:38:12 > 0:38:14I can't get this thought out of my head...

0:38:16 > 0:38:17...if Mum had the choice...

0:38:19 > 0:38:22...I'd be on that bed, not him.

0:38:24 > 0:38:25That's not true.

0:38:29 > 0:38:31Selfish bitch, aren't I?

0:38:38 > 0:38:39We got forensics back.

0:38:39 > 0:38:40And?

0:38:40 > 0:38:41The teeth don't match.

0:38:42 > 0:38:45Sorry, Sir. It's not our man.

0:39:02 > 0:39:04(DOOR OPENS)

0:39:08 > 0:39:10We're letting you go.

0:39:18 > 0:39:20But I will be watching you.

0:40:04 > 0:40:05Paul?

0:40:06 > 0:40:08Are you here?

0:40:12 > 0:40:13Paul?

0:40:14 > 0:40:17Are you...here?

0:40:23 > 0:40:25If your ghost is here just give me a signal.

0:40:27 > 0:40:29Shut the fuck up! What?

0:40:29 > 0:40:31Really? Oh, this is really OK.

0:40:31 > 0:40:34OK. Shit.

0:40:36 > 0:40:37I've got so many questions to ask you...

0:40:38 > 0:40:41Well, let's start with who you are and what you're doing in this room.

0:40:41 > 0:40:44I'm Mac, I'm Mac! I was looking for Paul's ghost and...

0:40:44 > 0:40:45I have nowhere else to go.

0:40:46 > 0:40:49Shit. It's the kid from the phone.

0:40:50 > 0:40:52Sorry, we just didn't know who you were.

0:40:52 > 0:40:54I know who you are. You're wizards, right?

0:40:54 > 0:40:57You answered Neil's phone so that probably makes you wizards.

0:40:57 > 0:41:01You're here to bring him back to life. I knew it! I knew it!

0:41:01 > 0:41:03- Bollocks. - When I cut myself he made it better.

0:41:03 > 0:41:06He just did. You did the same thing, but on a bigger scale.

0:41:06 > 0:41:09He's back. He's alive!

0:41:09 > 0:41:11We're here looking for Paul's Fade before he goes into ascension.

0:41:11 > 0:41:13And we can't bring him back to life, all right?

0:41:13 > 0:41:14I mean, this life-and-death thing,

0:41:14 > 0:41:16it's a bit more complicated than a busted arm.

0:41:16 > 0:41:18- I'm sorry. - OK,

0:41:18 > 0:41:20so they're complicated, that means we can't even try?

0:41:21 > 0:41:22Because I'm heartbroken.

0:41:24 > 0:41:27His girlfriend's heartbroken, his twin sister's heartbroken. His mum...

0:41:29 > 0:41:30It just doesn't seem fair.

0:41:30 > 0:41:33Wait a minute...did you say twin?

0:41:33 > 0:41:35What? What?

0:41:56 > 0:41:57(SHE PRESSES BUTTON ON MACHINE)

0:42:03 > 0:42:05(THUMP)

0:42:05 > 0:42:07And Paul says he's the one with magic powers.

0:42:07 > 0:42:08Where have you been?

0:42:08 > 0:42:10Here...

0:42:10 > 0:42:12there...

0:42:12 > 0:42:13everywhere.

0:42:18 > 0:42:20Well, it's good that you're back

0:42:20 > 0:42:22cos we've got an hour...

0:42:22 > 0:42:24until they turn the machines off.

0:42:24 > 0:42:26They're turning the machines off at 8 o'clock?

0:42:26 > 0:42:27Yes, weirdo.

0:42:30 > 0:42:32They've been taking it in turns to say goodbye.

0:42:32 > 0:42:34No, we're not.

0:42:34 > 0:42:35What?

0:42:35 > 0:42:38Fuck goodbyes, I hate them. I much prefer the French way -

0:42:38 > 0:42:41au revoir - come back soon.

0:42:41 > 0:42:43That's not what au revoir means.

0:42:44 > 0:42:46I've met some really clever wizards.

0:42:46 > 0:42:47What?

0:42:48 > 0:42:50I found an exhaust port.

0:42:51 > 0:42:55We're going to save your brother's life. Please.

0:42:58 > 0:43:00What the fuck are you talking about?

0:43:02 > 0:43:06You know my favourite time?

0:43:06 > 0:43:08First thing in the morning.

0:43:11 > 0:43:14I used to leave you in bed while I... had a shower,

0:43:14 > 0:43:17and then when I came back into the bedroom, you'd always...

0:43:17 > 0:43:18have fallen asleep again.

0:43:18 > 0:43:20You'd wake me up by putting your cold, wet hand on my back.

0:43:20 > 0:43:22I'd just watch you.

0:43:24 > 0:43:26Just watch you sleep.

0:43:29 > 0:43:30And you looked...

0:43:33 > 0:43:35...perfect, you just looked perfect.

0:43:39 > 0:43:42Once again, I'm not sure if I'm talking to myself or...

0:43:45 > 0:43:48(SIGHS) Actually...

0:43:48 > 0:43:50the truth is...

0:43:50 > 0:43:52if you are there...

0:43:55 > 0:43:56...I wish you weren't.

0:43:59 > 0:44:01Cos I can't cope with knowing that you're there.

0:44:03 > 0:44:06I can't cope with the idea that you're watching me

0:44:06 > 0:44:07and I can't see you.

0:44:07 > 0:44:09Can't feel you.

0:44:09 > 0:44:11I wanna touch you too.

0:44:13 > 0:44:16It's like, knowing that you're there, it should fill me with joy,

0:44:16 > 0:44:20but it doesn't. In fact, it's beginning to make me hate you.

0:44:20 > 0:44:23So...just...fuck off.

0:44:25 > 0:44:26Please.

0:44:27 > 0:44:30Out of my life, please.

0:44:34 > 0:44:36OK.

0:44:39 > 0:44:40OK, baby.

0:44:43 > 0:44:44(BEEPING)

0:44:46 > 0:44:48(BEEPING)

0:45:43 > 0:45:44Door was open.

0:45:46 > 0:45:47You look like shit.

0:45:51 > 0:45:52What...happened here?

0:45:54 > 0:45:56Do you remember Natalie?

0:45:58 > 0:46:01Unlike you, I never remembered their names...

0:46:01 > 0:46:04We had Natalie, and now she's gone.

0:46:10 > 0:46:11It gets worse...

0:46:13 > 0:46:15The Fade who killed you...

0:46:15 > 0:46:18he's eaten flesh and taken human form.

0:46:18 > 0:46:20They all can, Sarah.

0:46:22 > 0:46:23It was him who did this.

0:46:26 > 0:46:27You've got to get this cleared up.

0:46:27 > 0:46:28I know.

0:46:30 > 0:46:33Sarah, am I, um...

0:46:37 > 0:46:39Am I a good man?

0:46:39 > 0:46:42You're a principled wanker who gets confused sometimes.

0:46:52 > 0:46:55You're also one of the best men I know.

0:46:55 > 0:46:57You were right, you know.

0:46:58 > 0:47:00It's inevitable, this whole thing,

0:47:00 > 0:47:02there's nothing any of us can do.

0:47:03 > 0:47:06Tonight I shot a man, and he came back to life...

0:47:09 > 0:47:10How can we fight immortals?

0:47:10 > 0:47:12How can I help people?

0:47:12 > 0:47:14How can I be good?

0:47:14 > 0:47:16Well, if I was right...

0:47:17 > 0:47:18...you were right too -

0:47:18 > 0:47:22even if the world is ending, even if they are inevitable...

0:47:24 > 0:47:28...we can't give up. We've got to fight.

0:47:30 > 0:47:32How? How can we fight them?

0:47:36 > 0:47:39By having one of our team on theirs.

0:47:43 > 0:47:45It's time for me to...

0:47:47 > 0:47:49It's time for me to eat, Neil.

0:47:56 > 0:47:57Don't tell me you haven't considered it.

0:48:00 > 0:48:02I never considered you'd want to do it. - I don't.

0:48:04 > 0:48:05But I will...

0:48:07 > 0:48:09It's not going to be pleasant.

0:48:13 > 0:48:15But it's the only way.

0:48:26 > 0:48:28Thank you.

0:48:54 > 0:48:56- Paul? - Paul?

0:49:00 > 0:49:02What are you doing here?

0:49:03 > 0:49:04Mac?

0:49:07 > 0:49:09Why have you got my sister?

0:49:09 > 0:49:11We're here to do a...a sort of a...

0:49:13 > 0:49:15...a soul transplant - we're going to bring you back to life.

0:49:16 > 0:49:18It's like a...it's like a liver transplant.

0:49:18 > 0:49:21We just take a piece and then just watch it grow.

0:49:21 > 0:49:23- This is fucking stupid... - No, no, no, no!

0:49:23 > 0:49:24We haven't got a lot of time, guys, please.

0:49:24 > 0:49:25Please, please.

0:49:25 > 0:49:27No, won't work.

0:49:27 > 0:49:29I'm dead. I'm done.

0:49:32 > 0:49:34Cursed. Yeah? Well, we disagree,

0:49:34 > 0:49:37so get over here and do as you're told, all right?

0:49:37 > 0:49:39I shouldn't even be here.

0:49:39 > 0:49:41PAUL: You're not listening to me.

0:49:44 > 0:49:46I got Maddy and Higgy killed...

0:49:50 > 0:49:53PHIL: You know what, Paul? You're right.

0:49:53 > 0:49:55- I'm not listening to you. - MAC: Is he having doubts?

0:49:55 > 0:49:56Tell him there's no time for doubts.

0:49:56 > 0:49:58I don't need to tell him anything - he can hear you.

0:49:58 > 0:49:59He can hear us?

0:49:59 > 0:50:01MAC: Paul, this will work. Listen - remember that time

0:50:01 > 0:50:03when we was 11 in sex ed class...

0:50:03 > 0:50:05No time for fond memories, all right?

0:50:05 > 0:50:08Now, we need to do this and we need to do it now,

0:50:08 > 0:50:09so you get over here.

0:50:39 > 0:50:43I just don't want to wait a moment more for Anna.

0:50:50 > 0:50:52Never was there when I needed her.

0:50:59 > 0:51:00What are you waiting for?

0:51:01 > 0:51:04PHIL: Reflection.

0:51:13 > 0:51:15(BEEPING)

0:51:17 > 0:51:19Go ahead.

0:52:49 > 0:52:51(HIGH-PITCHED BEEP)

0:52:54 > 0:52:56Oh!

0:52:56 > 0:52:58Oh!

0:52:58 > 0:53:00(SCREAMS)

0:53:05 > 0:53:06(SCREAMS)

0:53:26 > 0:53:29(LONG BEEP)

0:53:49 > 0:53:51You did everything you could.

0:53:51 > 0:53:53Yeah.

0:53:53 > 0:53:54And I failed.

0:53:54 > 0:53:56We failed?

0:54:06 > 0:54:08Told you I'm cursed.

0:54:11 > 0:54:13I'm sorry.

0:54:13 > 0:54:14MAC: What do you mean "sorry"?

0:54:15 > 0:54:18- Paul? - just tell Mac...

0:54:18 > 0:54:21MAC: Do something, Paul - I need you!

0:54:21 > 0:54:23Tell him to try something else!

0:54:26 > 0:54:28I need him.

0:54:30 > 0:54:32Paul?

0:54:36 > 0:54:37Paul?

0:54:38 > 0:54:40Paul!

0:54:43 > 0:54:45(LONG BEEP)

0:54:46 > 0:54:50(BEEPING)

0:54:50 > 0:54:52(IRREGULAR BEEPING)

0:54:53 > 0:54:56- MEG: What's wrong with him? - JAY: Doctor, what's happening?

0:54:58 > 0:54:59Whoa, whoa, whoa, whoa!

0:54:59 > 0:55:02(FAST BEEPING)

0:55:02 > 0:55:03(IRREGULAR BEEPING)

0:55:03 > 0:55:07He moved. He just moved.

0:55:07 > 0:55:08- What? - What?

0:55:13 > 0:55:14Paul?

0:55:14 > 0:55:17- Where's he gone? - Paul!

0:55:17 > 0:55:19He's ascended?

0:55:19 > 0:55:21Well, whatever happened, it wasn't us.

0:55:28 > 0:55:30What is this?!

0:55:33 > 0:55:35Someone make it stop.

0:55:43 > 0:55:45My son.

0:55:47 > 0:55:49My son's back.

0:55:49 > 0:55:50My son is back.

0:55:50 > 0:55:52My son is back.

0:55:52 > 0:55:55My son is back.

0:56:15 > 0:56:17Fuck.

0:56:24 > 0:56:26Ah!

0:56:27 > 0:56:30# I never knew you

0:56:30 > 0:56:34# But now I'm haunted by your past

0:56:34 > 0:56:36# How long will this last?

0:56:39 > 0:56:41# I thought you loved me

0:56:41 > 0:56:44# You say you love me

0:56:44 > 0:56:48# Life's just a shadow that you cast. #

0:56:52 > 0:56:55Subtitles by Red Bee Media