Episode 5

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0:00:02 > 0:00:08Last week, my best friend came back to life. The day before, he died.

0:00:08 > 0:00:11A few days before that, he emerges as the most powerful member

0:00:11 > 0:00:13of this tribe called the Angelics.

0:00:13 > 0:00:16He acquires magical powers they didn't even think was possible.

0:00:18 > 0:00:22People used to think he was mad. They were wrong. He's special.

0:00:22 > 0:00:24But him being special's been a tumultuous time.

0:00:24 > 0:00:27And that's not even half of it! There's these dead people -

0:00:27 > 0:00:30the Fades - and they're trying to come back to life,

0:00:30 > 0:00:32led by this dude called John,

0:00:32 > 0:00:35who died in 1943 and has come back to life by eating human flesh.

0:00:35 > 0:00:39And now he's got a taste for it, he just can't stop. Yeah, I know.

0:00:39 > 0:00:43He tricked Paul into helping him rescue this girl, Natalie, from the Angelics.

0:00:43 > 0:00:48And with her help, he's bringing a whole army of dead people back into our town.

0:00:48 > 0:00:52- We've got to fight.- Meanwhile, the Angelics have their own plan.

0:00:52 > 0:00:55- How? - By having one of our team on theirs.

0:00:55 > 0:00:58Those of us in the middle of it - me, my history teacher,

0:00:58 > 0:01:01Paul's mum, Paul's sister, Paul's girlfriend - just stick out our chin,

0:01:01 > 0:01:05grin and try and pretend we understand what's going on. Scary.

0:01:05 > 0:01:08Now, who's seen my Matrix box set?

0:01:08 > 0:01:13I'm pretty sure I've worked out who the Architect is a metaphor for.

0:01:13 > 0:01:14Na-Nu, Na-Nu.

0:01:14 > 0:01:20This programme contains some violent scenes.

0:01:20 > 0:01:27This programme contains strong language.

0:01:27 > 0:01:35This programme contains scenes which some viewers may find disturbing.

0:02:11 > 0:02:14HE BREATHES LUSTFULLY

0:02:48 > 0:02:51I've been waiting for over an hour!

0:02:51 > 0:02:54'For those with missing persons enquiries,

0:02:54 > 0:02:58'a crisis centre has been set up at St Barnabus School.

0:02:58 > 0:03:04'I repeat, a missing persons crisis centre has been set up at the school.'

0:03:12 > 0:03:15THEY LAUGH

0:03:20 > 0:03:23I don't even know if he's all right or if he should be here!

0:03:23 > 0:03:25The doctor didn't even want to discharge you.

0:03:25 > 0:03:28- I am allowed to be worried. - He's fine. Watch this.

0:03:28 > 0:03:29Lord Of The Rings.

0:03:29 > 0:03:33Why don't they just fly in and out of Mordor on the back of a giant eagle?

0:03:33 > 0:03:36- Boom!- They didn't want to discharge him because he's too well.

0:03:36 > 0:03:38- That's ridiculous. - Mission Impossible 2.

0:03:38 > 0:03:42Cruise finds a face mask of the bodyguard without having seen or met him?

0:03:42 > 0:03:43- Likely(!)- Kaboosh.

0:03:43 > 0:03:47Very few people actually come out of a coma healthier. It's...odd.

0:03:47 > 0:03:51My name is Dr Mac the Movie Doctor and I pronounce a clear bill of health.

0:03:51 > 0:03:54- He's got a good recall of basic facts.- "Basic facts"?

0:03:54 > 0:03:56The Matrix.

0:03:56 > 0:03:58'This is Steve...'

0:03:58 > 0:04:00- Where do I start?- Direct hit.

0:04:00 > 0:04:03- Steve! Call me back! - Boom! Ssh! Boom!

0:04:03 > 0:04:04Home run.

0:04:07 > 0:04:08"Got well soon."

0:04:09 > 0:04:11See what you've done there.

0:04:14 > 0:04:16- I'm OK, Mum.- Good to have you home.

0:04:20 > 0:04:22Steve's still not answering my calls.

0:04:27 > 0:04:30Yeah, the school's going to be a secondary location,

0:04:30 > 0:04:32we're completely swamped on missing persons.

0:04:32 > 0:04:35Armstrong wouldn't know a suspect if one bit him on the arse.

0:04:35 > 0:04:38Look, Carol, I need to go, right?

0:04:43 > 0:04:45Hello.

0:04:45 > 0:04:46Hello.

0:04:59 > 0:05:01KNOCK ON DOOR

0:05:19 > 0:05:21We come in peace.

0:05:21 > 0:05:23Oh, do you now?

0:05:24 > 0:05:26That must be nice.

0:05:37 > 0:05:38Sarah?!

0:05:40 > 0:05:42- So why are you here?- Paul's back.

0:05:42 > 0:05:43What?

0:05:45 > 0:05:47- Back from the dead?- Sarah?

0:05:47 > 0:05:50- Are you OK?- So has he eaten, then?

0:05:50 > 0:05:52No, He hasn't eaten. He just...came back.

0:05:52 > 0:05:55- He closed an ascension point but.. - The point's closed?

0:05:55 > 0:05:58That's what happened, isn't it, eh? Sarah...

0:06:00 > 0:06:02Sarah's eaten, hasn't she?

0:06:02 > 0:06:05- Hasn't she?- It was my idea.

0:06:05 > 0:06:08At least we're trying for a solution to this mess.

0:06:08 > 0:06:11Sarah eats, she'll be reborn.

0:06:11 > 0:06:16- Immortal, just like him.- The boy, he came back. The boy's the answer!

0:06:16 > 0:06:17The answer to what?

0:06:17 > 0:06:18People have died.

0:06:19 > 0:06:21The boy's a joke.

0:06:22 > 0:06:25We can beat them, we need to try.

0:06:25 > 0:06:27With Sarah's help we can start to fight back.

0:06:27 > 0:06:31You're going to destroy her, Neil. I'm not staying to watch.

0:06:31 > 0:06:34RUMBLING AND RATTLING

0:06:34 > 0:06:35What's happening?

0:06:36 > 0:06:38I don't know.

0:06:44 > 0:06:46Must be him.

0:06:46 > 0:06:49We've got to get everyone out of here.

0:07:05 > 0:07:06We've got two more.

0:07:06 > 0:07:08Good.

0:07:08 > 0:07:09I love this.

0:07:11 > 0:07:12I love you.

0:07:14 > 0:07:17I've never been happier than I am right now.

0:07:29 > 0:07:30Thank you...

0:07:31 > 0:07:33..for what you did.

0:07:33 > 0:07:36Tried and failed to save you?

0:07:36 > 0:07:38Tried and failed to save me.

0:07:38 > 0:07:40- Pleasure.- I came back from the dead.

0:07:41 > 0:07:46What I am, who I am has got to mean something.

0:07:46 > 0:07:47It probably does.

0:07:51 > 0:07:54MAC SPITS AND GARGLES

0:07:54 > 0:07:56I was ready to ascend.

0:07:59 > 0:08:02I'd let everyone down,

0:08:02 > 0:08:04and I was ready to leave this...

0:08:06 > 0:08:08..rock for ever.

0:08:08 > 0:08:11Yeah, yeah, yeah, so you came back to life.

0:08:11 > 0:08:12But can you do this?

0:08:14 > 0:08:17- Can you though?- No.- Can you?

0:08:17 > 0:08:19Well, then you're nothing to me.

0:08:19 > 0:08:22THEY LAUGH

0:08:22 > 0:08:23Shut up!

0:08:25 > 0:08:26Paul.

0:08:26 > 0:08:29Don't tell anyone but there's a real live girl in your room.

0:08:29 > 0:08:31Are you wearing identical pyjamas?

0:08:31 > 0:08:34Yeah, they were...they were the only two I had clean.

0:08:36 > 0:08:37Likely story.

0:08:38 > 0:08:43So your mum was pretty clear I should sleep in Anna's room.

0:08:44 > 0:08:45Yeah.

0:08:45 > 0:08:47But I don't want to.

0:08:47 > 0:08:49No?

0:08:52 > 0:08:53Oh. I get it.

0:08:54 > 0:08:57Oh, don't mind me. I'll just be quiet in the corner.

0:08:57 > 0:09:01You do anything you want to. I won't listen or watch.

0:09:03 > 0:09:05- Sofa downstairs it is.- Yeah.

0:09:07 > 0:09:09Night.

0:09:09 > 0:09:10Night.

0:09:17 > 0:09:20You're not even scarred.

0:09:20 > 0:09:22The doctor thinks me a medical miracle.

0:09:22 > 0:09:24The doctor thinks you're a freak.

0:09:26 > 0:09:29You're my freak, though.

0:09:30 > 0:09:31Yeah.

0:09:40 > 0:09:43- You... Are you the man in charge? - How did you get in here?

0:09:43 > 0:09:46You need to get everyone out of town. It's not safe.

0:09:46 > 0:09:49Full scale evacuation? Great! You're just what I need(!)

0:09:49 > 0:09:52- You need to leave. Now.- You're going to die here. All of you!

0:09:52 > 0:09:55If you don't get out, you'll be arrested, understand?

0:09:55 > 0:09:59Men with power. You think you can scare me, you little, little man?

0:09:59 > 0:10:01I'm actually average height.

0:10:01 > 0:10:04Any news on Clement?

0:10:04 > 0:10:05Nothing.

0:10:08 > 0:10:10When do we add him to that?

0:10:11 > 0:10:13What now?

0:10:13 > 0:10:17There's only one thing to do, we've got to try and find Paul, eh?

0:10:19 > 0:10:21Alice?

0:10:27 > 0:10:28Rargh!

0:10:50 > 0:10:51What's she?

0:10:52 > 0:10:55The girlfriend?

0:10:56 > 0:10:57Yeah.

0:10:57 > 0:10:58Pretty.

0:11:02 > 0:11:03Neil, what are you doing here?

0:11:03 > 0:11:07BREATHES HEAVILY

0:11:11 > 0:11:12'You were dead.'

0:11:12 > 0:11:15- I know.- And now you're back.

0:11:15 > 0:11:18Alice thinks that makes you important.

0:11:20 > 0:11:22What do you think?

0:11:22 > 0:11:26Oh, I think I should have a knife at your throat right now.

0:11:26 > 0:11:28SHE SHIVERS

0:11:43 > 0:11:45Why did you do it?

0:11:45 > 0:11:48- Why did you help him? - He promised he wouldn't hurt you.

0:11:48 > 0:11:50And you believed him?

0:11:51 > 0:11:54- A murderer? - You were cutting Natalie up.

0:11:55 > 0:11:57You were torturing her.

0:11:59 > 0:12:02He told me that's what the Angelics had always done.

0:12:02 > 0:12:05Suppressed, policed.

0:12:05 > 0:12:08- That's what I believed. - What we did, we did for the good of everyone.

0:12:09 > 0:12:13We thought they could be dangerous. It turns out, we were right.

0:12:13 > 0:12:15GROWLING

0:12:16 > 0:12:19SHE PANTS

0:12:34 > 0:12:38The past is a hole and it's full of what-ifs.

0:12:39 > 0:12:41And I live in the present.

0:12:41 > 0:12:45You? Don't know where you live.

0:12:45 > 0:12:46You confuse me.

0:12:46 > 0:12:50GROWLING

0:12:51 > 0:12:53HER NECK CRUNCHES

0:12:57 > 0:12:58'One thing I do know...'

0:12:58 > 0:13:01is that you are going to matter.

0:13:06 > 0:13:08And when we find out why that is...

0:13:09 > 0:13:11..you'll have to pick a side.

0:13:17 > 0:13:20Just make sure you pick the right side, kid.

0:13:43 > 0:13:47SHE BREATHES HUNGRILY

0:13:50 > 0:13:54BLOOD DRIPS

0:14:05 > 0:14:06Hello, Sarah.

0:14:09 > 0:14:10Welcome.

0:14:38 > 0:14:39I can't...

0:14:39 > 0:14:40You want to.

0:14:43 > 0:14:46One time, during the war...

0:14:46 > 0:14:51I was fighting alongside this NCO called Richard...something.

0:14:51 > 0:14:54They brought a man with his guts ripped out

0:14:54 > 0:14:56into the hole that we were in.

0:14:58 > 0:15:01Then someone shouted for medical support...

0:15:01 > 0:15:04and Richard raised his hand in the air

0:15:04 > 0:15:05"I'm a medic."

0:15:08 > 0:15:10And then I watched him...

0:15:10 > 0:15:14as he went and held this man's guts together

0:15:14 > 0:15:16and then watched him till he died.

0:15:18 > 0:15:20And afterwards I said to him,

0:15:20 > 0:15:24"Richard, I didn't know that you were a medic."

0:15:26 > 0:15:28And he turned to me and he said...

0:15:31 > 0:15:32"I'm not.

0:15:36 > 0:15:40"I just wanted to know what the insides of a man felt like."

0:15:40 > 0:15:43SHE PANTS

0:15:47 > 0:15:49Urges are OK.

0:15:53 > 0:15:54They're human.

0:15:58 > 0:15:59Just eat.

0:15:59 > 0:16:01And you'll be reborn.

0:16:03 > 0:16:06Don't fight it, Sarah. We win.

0:16:14 > 0:16:17SHE FEEDS NOISILY

0:16:17 > 0:16:18Sarah?

0:16:21 > 0:16:24Sarah! Oh...

0:16:28 > 0:16:32WIND HOWLS

0:16:50 > 0:16:52GLASS SHATTERS

0:16:52 > 0:16:54Oh, shit. Mum?

0:17:04 > 0:17:07MUM!

0:17:07 > 0:17:09HE SNARLS

0:17:10 > 0:17:13HE PANTS

0:17:20 > 0:17:21Bad dream?

0:17:24 > 0:17:25Yeah.

0:17:27 > 0:17:30I didn't wet the bed, though, so that's a bonus.

0:17:37 > 0:17:40- We're going to school.- Are we? - They've set up a crisis centre.

0:17:40 > 0:17:41Steve's not answering my calls.

0:17:41 > 0:17:45I think he's missing and Mum says she'll drive me but only if you come.

0:17:45 > 0:17:48Paul, I'm not asking. I'm telling!

0:18:07 > 0:18:10I don't know whether there's enough people...

0:18:11 > 0:18:14Hi. Excuse me? My name's Mark Etches.

0:18:14 > 0:18:16I was told to report to you.

0:18:16 > 0:18:19Not unless you're in need of help and guidance you weren't.

0:18:19 > 0:18:23Peter. Peter Tremlett. Doctor.

0:18:23 > 0:18:25I'll be running a counselling service.

0:18:25 > 0:18:30- Right.- Well, thanks for coming in, Mark. We're going to need everyone we can get.

0:18:30 > 0:18:33Now, let's see if we can find someone to show Mark around, all right?

0:18:33 > 0:18:35OK.

0:18:38 > 0:18:41- You really don't have to show me everywhere, you know.- I want to.

0:18:41 > 0:18:46And just round here, we're starting up an online database of missing persons.

0:18:46 > 0:18:49Steve? What you doing here?

0:18:49 > 0:18:51Didn't you know?

0:18:51 > 0:18:54I'm dead civic-minded, sir. I work with the elderly, too.

0:18:54 > 0:18:55Wiping their arses and everything.

0:18:55 > 0:19:00We've actually had a remarkably good response to our request for volunteers.

0:19:00 > 0:19:02I've got a clipboard and all.

0:19:13 > 0:19:17Hi, hello. We're looking for missing persons.

0:19:17 > 0:19:20- Who are you missing? - Steve. Steve McEwan.- Steve?

0:19:20 > 0:19:23He's not missing. He's a volunteer.

0:19:23 > 0:19:28- Steve's a volunteer?- He's helping with the online databasing.

0:19:29 > 0:19:31Anna, wait. Anna!

0:19:32 > 0:19:34I think I could be of more use here.

0:19:36 > 0:19:37Yes, join me.

0:19:43 > 0:19:45Hello, stranger.

0:19:45 > 0:19:49Oh... Hello, stranger still.

0:19:51 > 0:19:53Surprised to see you here.

0:19:54 > 0:19:56My housemate's mum has gone missing.

0:19:57 > 0:19:59I'm...moral support.

0:20:00 > 0:20:02Is your wife still missing?

0:20:02 > 0:20:04Um...

0:20:05 > 0:20:07Pretty much officially dead.

0:20:09 > 0:20:11Pink suits you.

0:20:11 > 0:20:12SHE LAUGHS

0:20:12 > 0:20:14What's so funny?

0:20:14 > 0:20:17- What?- What's so funny?

0:20:17 > 0:20:21- Sorry, who are you?- Oh, Vicky, this is...Dr Tremlett, right?

0:20:21 > 0:20:26No, no, no, sorry. I'm just kind of interested...

0:20:26 > 0:20:30in what's so funny right now, yeah?

0:20:30 > 0:20:33It was just a private joke.

0:20:33 > 0:20:37Yeah, and we're actually quite busy, so unless you want something?

0:20:37 > 0:20:39Yeah.

0:20:39 > 0:20:41Yeah, I want something.

0:20:41 > 0:20:43Oh!

0:20:43 > 0:20:44Oof.

0:20:44 > 0:20:45Argh!

0:21:00 > 0:21:01"Volunteering"?

0:21:01 > 0:21:04He's seen some opportunity to seek out some new pussy, more like.

0:21:04 > 0:21:06If I had you, I'd never let you go.

0:21:06 > 0:21:11In order for you to have me, I'd have to be gagged, blindfolded and locked in a chest.

0:21:11 > 0:21:12That could be arranged.

0:21:12 > 0:21:14Why's this door locked?

0:21:18 > 0:21:22Oh, speak of the fucking devil. Where have you been?

0:21:22 > 0:21:24- Being a devil, I guess. - Are you dribbling?!

0:21:24 > 0:21:27Course I am. I've missed you, sweetness.

0:21:27 > 0:21:30Tch! Does that work? Does that work in your head?

0:21:30 > 0:21:34"Haven't seen my girlfriend in days, I'll flob on myself and she'll forgive me."

0:21:34 > 0:21:37- Anna. Stop. That's not normal dribble. He's one of them. - One of what?

0:21:37 > 0:21:40- Yeah, one of what? - Don't come any closer.- Or what?

0:21:40 > 0:21:43- He's my boyfriend. - Yeah, and now he's dead.

0:21:43 > 0:21:46- He used to be dead, now he's come back to life!- What?! - Babe, that's not true.

0:21:46 > 0:21:49Anna, trust me. He wants to kill you.

0:21:54 > 0:21:55Go.

0:21:57 > 0:22:00Steve, what the fuck are you doing?

0:22:00 > 0:22:02Steve?

0:22:04 > 0:22:07HE CHUCKLES

0:22:17 > 0:22:19THUD AND SCREAM

0:22:27 > 0:22:29Have to keep feeding...

0:22:29 > 0:22:32- Sarah. Sarah! - They're coming for them so quickly.

0:22:32 > 0:22:35Sarah. It's me. Sarah, Where were you?

0:22:35 > 0:22:38We need to keep killing.

0:22:38 > 0:22:39They can only eat flesh.

0:22:41 > 0:22:45What did you see? Did you find him?

0:22:45 > 0:22:47- I've done...- It's OK, you'll be fine.

0:22:47 > 0:22:49- ..some things. - Tell me where you've been.

0:22:49 > 0:22:53- Sarah, you're going to be fine. Listen to me.- It hurt. So bad...

0:22:53 > 0:22:55- Too badly.- I know it did.

0:22:55 > 0:22:58There were bodies. So much blood.

0:23:01 > 0:23:04Why is every door...locked?!

0:23:05 > 0:23:08Steve's dead? My boyfriend's dead?!

0:23:08 > 0:23:10Surely more important is the fact that he's a zombie?

0:23:10 > 0:23:14- He was dead. Now he's not. That makes him a zombie. - It's more complicated than that.

0:23:14 > 0:23:18In fact, you were dead and now you're not. Makes you a sort of zombie.

0:23:18 > 0:23:20Mac, this is real. This is dangerous. This...

0:23:28 > 0:23:29There you go.

0:23:31 > 0:23:33So, er... so your children are at this school?

0:23:33 > 0:23:35Yeah, Paul and Anna Roberts.

0:23:35 > 0:23:37Anna, well, you've met her.

0:23:37 > 0:23:40She's loud. Paul...

0:23:40 > 0:23:42Well...

0:23:42 > 0:23:44Well, he's...

0:23:44 > 0:23:45Paul's quieter.

0:23:47 > 0:23:49More contemplative.

0:23:52 > 0:23:58If you ever want to talk to anyone, Dr Tremlett runs a counselling service in the gym.

0:23:58 > 0:23:59OK, thank you.

0:24:18 > 0:24:22- What are you doing with us? - We...are...

0:24:23 > 0:24:24..keeping you.

0:24:26 > 0:24:27Keeping us for what?

0:24:29 > 0:24:31Keeping us for what?!

0:24:38 > 0:24:42A WOMAN SCREAMS

0:24:50 > 0:24:52THE SCREAMING CONTINUES

0:25:03 > 0:25:04Come on!

0:25:12 > 0:25:13THEY GASP

0:25:16 > 0:25:18How'd you know where the key was?

0:25:18 > 0:25:21I volunteer here sometimes.

0:25:21 > 0:25:23You're a library monitor?

0:25:23 > 0:25:26My boyfriend's dead, and you're a library monitor?

0:25:36 > 0:25:39Paul, what the fuck has happened to Steve?

0:25:39 > 0:25:42What is he?

0:25:42 > 0:25:44If I make an educated guess,

0:25:44 > 0:25:45he died, OK?

0:25:45 > 0:25:48He became a ghost.

0:25:48 > 0:25:55A Fade. Then this guy called John, he's from the 1940s, he used to be a Fade ghost,

0:25:55 > 0:25:59he's probably taught him how to eat flesh and grow a new body.

0:25:59 > 0:26:01- This is serious, Paul. - I am being serious.

0:26:01 > 0:26:05- We are in so much danger. - Trap him or something. You ain't afraid of no ghost.

0:26:05 > 0:26:07No, no, you're mental. You're both mental.

0:26:07 > 0:26:09Steve's mental, you're mental...

0:26:09 > 0:26:13and Jay's a fucking library monitor!

0:26:13 > 0:26:18- I'm sorry, Anna.- My brother?

0:26:18 > 0:26:20My stupid pissing brother?

0:26:20 > 0:26:24Little pig, little pig, let me in!

0:26:24 > 0:26:28Anna, let me in! Let me in right now.

0:26:28 > 0:26:32BANGING That's it. That's it.

0:26:32 > 0:26:35Dad, Dad? Aw, it's gone to answerphone.

0:26:35 > 0:26:39The one time having a dad who's a policeman might be useful. School. Now!

0:26:39 > 0:26:40There's....

0:26:43 > 0:26:45Fuck.

0:26:45 > 0:26:49I'm going to rip your fucking head off and spit down your neck.

0:26:49 > 0:26:51I'm not afraid of you, Steve.

0:26:51 > 0:26:54- No-one could be that scary with a dick your size! - We're going to die here.

0:26:54 > 0:26:59I knew this would happen. Death before life.

0:26:59 > 0:27:02I'm going to die and I haven't even felt a breast in my hand.

0:27:02 > 0:27:03Haven't even seen a breast.

0:27:03 > 0:27:05That's your excuse to flash me, by the way.

0:27:05 > 0:27:07- Flash this!- Hmm.

0:27:07 > 0:27:10We need weapons.

0:27:10 > 0:27:12Weapons are no use.

0:27:14 > 0:27:16Can't kill them. They're immortal.

0:27:16 > 0:27:19I don't even know how many there are.

0:27:19 > 0:27:23- What about Mum? She's still in the hall.- We need to get out of here, get back to her.

0:27:23 > 0:27:27Shit, fuck, shit. Paul, what are we going to do?

0:27:30 > 0:27:33Right. Who's first?

0:27:34 > 0:27:36Me!

0:27:39 > 0:27:42- That's for scaring my...- Argh!

0:27:45 > 0:27:49See? Now he's de...

0:27:49 > 0:27:52This is your mess. I shouldn't be cleaning up your mess!

0:27:52 > 0:27:55He'll be back. Let's go.

0:27:55 > 0:27:57Where's Jay?

0:27:57 > 0:27:59- Jay.- Jay?

0:28:00 > 0:28:02- Jay?- Jay?

0:28:02 > 0:28:05- Jay?- Jay?

0:28:05 > 0:28:06Jay!

0:28:06 > 0:28:08SHE GROANS

0:28:14 > 0:28:16Ah!

0:28:18 > 0:28:23You have 30 seconds to tell me everything I need to know about Paul.

0:28:23 > 0:28:27- Start with what he can do. - He came back for a reason.

0:28:27 > 0:28:29- To stop you.- Wrong answer.

0:28:33 > 0:28:36Me?

0:28:36 > 0:28:38No, take one of the others. I can be useful.

0:28:38 > 0:28:41I can be useful, I can show you where things are.

0:28:41 > 0:28:43I don't want to die yet!

0:28:43 > 0:28:45- THWACK! - Fuck!

0:28:47 > 0:28:50OK. I'll try again.

0:28:50 > 0:28:52Paul.

0:28:52 > 0:28:54The boy that was, that now is.

0:28:57 > 0:28:59How has he dragged himself back to life? Did he eat?

0:28:59 > 0:29:01No.

0:29:02 > 0:29:04He's important.

0:29:14 > 0:29:16Eeny.

0:29:16 > 0:29:17Meeny.

0:29:17 > 0:29:20Miny.

0:29:20 > 0:29:21Mo.

0:29:21 > 0:29:23You.

0:29:23 > 0:29:26Are.

0:29:26 > 0:29:27It.

0:29:30 > 0:29:34- No, no, no...- It's OK, it's OK.

0:29:38 > 0:29:40Phil! PHIL!

0:29:40 > 0:29:43PHIL!

0:29:48 > 0:29:52MUMBLED SINGING

0:29:58 > 0:30:01SINGS QUIETLY

0:30:05 > 0:30:07HALTED BREATHING

0:30:09 > 0:30:12- I went to them.- Yeah?

0:30:12 > 0:30:17I didn't mean to, but I went to them.

0:30:17 > 0:30:19I was drawn there.

0:30:20 > 0:30:23Where? Where, Sarah?

0:30:23 > 0:30:27I fucked up, Neil. I fucked up.

0:30:28 > 0:30:30Jay...

0:31:02 > 0:31:06JAY WHIMPERS

0:31:23 > 0:31:29You're pretty. You've got hair like a boy, but you're pretty.

0:31:31 > 0:31:34Do you think I'm pretty?

0:31:37 > 0:31:38SIGHS

0:31:39 > 0:31:41Don't cry.

0:31:42 > 0:31:45This life is going to be better for all of us.

0:31:46 > 0:31:50I was never happy as a human.

0:31:50 > 0:31:53But when the change happens to you, and it will...

0:31:55 > 0:31:57..the world just...opens up.

0:32:00 > 0:32:02Natalie.

0:32:17 > 0:32:19Don't worry, he'll come for you.

0:32:55 > 0:32:59Jay. Have, er... Have you seen Jay?

0:32:59 > 0:33:02Jay? I'm sorry. She was the last one they took.

0:33:02 > 0:33:03They took Phil.

0:33:05 > 0:33:08Where? Where did they take her?

0:33:12 > 0:33:14Paul!

0:33:19 > 0:33:21Hello, Paul.

0:33:21 > 0:33:24Dr Tremlett.

0:33:24 > 0:33:26How's the nightmares?

0:33:26 > 0:33:29- Still wetting the bed? - He's one of them.

0:33:31 > 0:33:34Dr Tremlett.

0:33:34 > 0:33:36I need to leave.

0:33:39 > 0:33:42- Are you going to get out my way? - Paul...

0:33:42 > 0:33:47- Don't pick a fight with it.- You should listen to your friend, Paul.

0:33:47 > 0:33:51He's afraid. I'm surprised you're not.

0:33:53 > 0:33:56You used to always be afraid of everything.

0:33:56 > 0:33:59I'm still afraid.

0:34:01 > 0:34:03I'm afraid of letting my friends down,

0:34:03 > 0:34:05I'm afraid of not being good enough,

0:34:05 > 0:34:08I'm afraid of not doing the right thing.

0:34:10 > 0:34:12But you?

0:34:13 > 0:34:16I'm bored of being afraid of things like you.

0:34:16 > 0:34:21Do you remember I told you once that you reminded me of me?

0:34:21 > 0:34:24You remember I told you once to get out of my way?

0:34:27 > 0:34:31They've got my girlfriend. I need to get back to her.

0:34:32 > 0:34:35You always were...

0:34:35 > 0:34:39such a whinging little shit.

0:34:41 > 0:34:44And all that talking, whining...

0:34:44 > 0:34:47"I can't control my bladder."

0:34:47 > 0:34:48Well, fuck you and fu...

0:34:48 > 0:34:51HE SPLUTTERS AND GROANS

0:34:53 > 0:34:57We may not be able to kill you but we can keep you from doing damage.

0:35:12 > 0:35:15This was a mistake! I'm losing me.

0:35:15 > 0:35:19- I've got this hunger. This hunger. - No. You're strong.

0:35:19 > 0:35:22You're strong. You're stronger than you know.

0:35:22 > 0:35:23Listen to me.

0:35:23 > 0:35:26You need to go to the school.

0:35:26 > 0:35:29I'm not leaving you. No way am I leaving you.

0:35:29 > 0:35:30You did this for us.

0:35:30 > 0:35:33For me.

0:35:33 > 0:35:34Neil, that's not true.

0:35:36 > 0:35:40I did it partly for you,

0:35:40 > 0:35:43and partly because...

0:35:43 > 0:35:48I was frightened of what was going to happen to me, but mostly...

0:35:50 > 0:35:52..mostly...

0:35:53 > 0:35:57..I did it because Mark didn't want me around any more and I couldn't...

0:36:01 > 0:36:03You always did see the best in me.

0:36:05 > 0:36:07Mark.

0:36:10 > 0:36:12Please, please leave me.

0:36:12 > 0:36:14Leave me.

0:36:14 > 0:36:16You need to go to the school.

0:36:16 > 0:36:18You need to stop him.

0:36:18 > 0:36:20For me.

0:36:20 > 0:36:22For everyone.

0:36:23 > 0:36:25The boiler room.

0:36:27 > 0:36:29The boiler room.

0:36:32 > 0:36:33OK.

0:36:41 > 0:36:45I'll always see the best in you.

0:36:55 > 0:36:59DISTANT WHIMPERING

0:37:05 > 0:37:07DOOR SLAMS

0:37:51 > 0:37:53WHIMPERING GROWS LOUDER

0:37:53 > 0:37:56JAY SOBS LOUDLY

0:38:01 > 0:38:02You're all right.

0:38:08 > 0:38:09It's all right.

0:38:09 > 0:38:12SHE CRIES

0:38:15 > 0:38:19Paul! Paul!

0:38:26 > 0:38:31This is a school. Not a fucking...fridge.

0:38:31 > 0:38:37It is...what it needs to be.

0:38:41 > 0:38:43SHE WHIMPERS

0:38:54 > 0:38:55MACHINE GUN FIRE

0:38:55 > 0:38:59- PAUL!- Neil, NEIL!- Paul, go!

0:39:00 > 0:39:02SHE SCREAMS

0:39:33 > 0:39:35HE SCREAMS

0:39:41 > 0:39:44What did I do?! What did I do to him, Neil?!

0:39:44 > 0:39:46You killed him, Paul! You can kill them.

0:39:46 > 0:39:48Where is he? Where's the killer?

0:39:50 > 0:39:54- He's getting away! - MACHINE GUN FIRE

0:39:54 > 0:39:57I need you, Paul! I can only slow them down.

0:40:08 > 0:40:10Paul!

0:40:10 > 0:40:12PAUL!

0:40:12 > 0:40:14SCREAMING

0:40:15 > 0:40:20I'm a freak. But I'm your freak, remember?

0:40:20 > 0:40:22Paul! Come on!

0:40:26 > 0:40:28Oh, shit.

0:40:29 > 0:40:31Paul?

0:40:31 > 0:40:33No, no, no. Stay back. Stay back!

0:40:33 > 0:40:34Paul, you need to kill him.

0:40:34 > 0:40:36I can't see him. I can't see him!

0:40:36 > 0:40:39- It could be any of them. Kill them all!- My mum's in this room!

0:40:39 > 0:40:42- He's there.- Do it! Do it, Paul!

0:40:53 > 0:40:55SHE YELLS IN PAIN

0:41:43 > 0:41:45SLITHERING

0:42:18 > 0:42:20COUGHS AND SPLUTTERS

0:42:34 > 0:42:36SHE YELLS

0:42:39 > 0:42:43SHE WAILS

0:44:07 > 0:44:10My name is Detective Chief Inspector Armstrong.

0:44:10 > 0:44:13But I'm not here as a policeman.

0:44:14 > 0:44:18I'm here as a citizen,

0:44:18 > 0:44:19as a man,

0:44:19 > 0:44:21as a father...

0:44:23 > 0:44:26..to tell you I think you should leave town.

0:44:26 > 0:44:30We don't know what's happening, we don't know how it's happening,

0:44:30 > 0:44:35and we have no idea how to stop it. Not the murders,

0:44:35 > 0:44:38the attacks, or the tremors.

0:44:41 > 0:44:44We need to evacuate now.

0:44:47 > 0:44:48Now!

0:44:54 > 0:44:57SIRENS WAIL

0:45:06 > 0:45:08This can't be why I came back.

0:45:10 > 0:45:12No.

0:45:12 > 0:45:15I killed Steve.

0:45:15 > 0:45:17And that...girl.

0:45:19 > 0:45:20Natalie.

0:45:23 > 0:45:25They burnt up.

0:45:25 > 0:45:29- But they were dead already, right? - I don't want to be a killer.

0:45:29 > 0:45:32You don't have to be one.

0:45:32 > 0:45:38Superman could crush Lois Lane after an argument about the washing-up.

0:45:38 > 0:45:42He could melt the Daily Planet after a bad day at the office.

0:45:43 > 0:45:45He doesn't.

0:45:46 > 0:45:48He uses his powers for good.

0:45:50 > 0:45:52That's all you need to do.

0:45:59 > 0:46:01Got to go.

0:46:05 > 0:46:09SIRENS WAIL

0:46:15 > 0:46:17It's you and me, then.

0:46:17 > 0:46:22- We start a clean up, Paul, now. - And identify them? How?

0:46:22 > 0:46:26I can't tell them apart from ordinary people, can you?

0:46:26 > 0:46:31- We don't even know how many of them there are.- Well, we'll find a way.

0:46:31 > 0:46:33A way that doesn't involve me killing everyone?

0:46:36 > 0:46:38Look after him, won't you?

0:46:38 > 0:46:39Paul?

0:46:39 > 0:46:42I think he can look after himself.

0:46:45 > 0:46:47Look after your mum.

0:46:47 > 0:46:49That I will try to do.

0:46:52 > 0:46:54Look after yourself.

0:46:54 > 0:46:56You want me to look after me?

0:46:56 > 0:46:58Yeah.

0:47:02 > 0:47:04Give me your hands.

0:47:09 > 0:47:11- You've got three seconds.- OK.

0:47:11 > 0:47:13Three.

0:47:13 > 0:47:16Two. One.

0:47:16 > 0:47:17- OK?- OK.

0:47:23 > 0:47:25Look after yourself, too.

0:47:27 > 0:47:28Yeah.

0:47:30 > 0:47:31You ready?

0:47:32 > 0:47:34Probably not.

0:47:35 > 0:47:36Come on.

0:47:45 > 0:47:47A 17-year-old boy, Neil.

0:47:49 > 0:47:52And if these powers have been given to me for a reason, then...

0:47:53 > 0:47:56..maybe it's not to kill everyone.

0:47:56 > 0:48:00Maybe it's because I can see past your shit and his shit.

0:48:00 > 0:48:02Is that the shit that just saved your life?

0:48:02 > 0:48:05If all the world needed was more death...

0:48:05 > 0:48:09- then you'd have been given these powers.- If I had one-tenth of your powers,

0:48:09 > 0:48:12I'd be giving you such a fucking kicking.

0:48:12 > 0:48:15I'm going to find a better plan.

0:48:15 > 0:48:17Another way.

0:48:17 > 0:48:19Ascension is broken, I'm going to put it right.

0:48:19 > 0:48:21Better? You think you can do better?

0:48:21 > 0:48:26You're signing a death warrant for everyone here. There's going to be reborns everywhere.

0:48:26 > 0:48:27DON'T WALK AWAY FROM ME!

0:48:45 > 0:48:47DOORBELL RINGS

0:49:14 > 0:49:15Hello.

0:49:20 > 0:49:21Hi.

0:49:21 > 0:49:23Can I come in?

0:49:47 > 0:49:49You've got no time. No time.

0:49:49 > 0:49:52Dad, I have things here worth thousands of pounds on eBay.

0:49:52 > 0:49:54I refuse to rush.

0:50:07 > 0:50:09Yeah. Why rush?

0:50:10 > 0:50:13Tortoise always wins.

0:50:18 > 0:50:20I'm here to take you with me, Mac.

0:50:20 > 0:50:22Where?

0:50:22 > 0:50:25Somewhere I can persuade Paul to follow.

0:50:25 > 0:50:28You're taking me hostage?

0:50:28 > 0:50:29Yeah.

0:50:29 > 0:50:32That's about the most efficient way of putting it.

0:50:32 > 0:50:34Why?

0:50:34 > 0:50:39Because he's stronger than me in every way...

0:50:39 > 0:50:41except one.

0:50:41 > 0:50:43He has people he cares about.

0:50:43 > 0:50:46I'm his weakness?

0:50:46 > 0:50:48Yep.

0:50:48 > 0:50:52And I intend to take full advantage of that fact.

0:50:52 > 0:50:54- MAC'S DAD:- Come on, Mac. Hurry up.

0:50:54 > 0:50:59Don't make me hurt your dad, Mac, because I am this close.

0:51:18 > 0:51:20Get a move on.

0:51:22 > 0:51:24Mac!

0:51:29 > 0:51:31Mac!

0:51:33 > 0:51:34Mac!

0:51:34 > 0:51:37Paul, kitchen. Anna, get some clothes.

0:51:37 > 0:51:39Jay, call your mum.

0:51:39 > 0:51:41You've got five minutes.

0:51:42 > 0:51:44Paul.

0:51:44 > 0:51:46What I saw you do...

0:51:46 > 0:51:47Best to forget about that, Mum.

0:51:49 > 0:51:53Sometimes, I'd sit outside your room listening to you have nightmares.

0:51:55 > 0:51:57I'm scared.

0:51:59 > 0:52:01That's understandable.

0:52:01 > 0:52:06I don't know whether to be scared for you or scared of you.

0:52:07 > 0:52:10I'm going to make you proud of me, Mum.

0:52:12 > 0:52:14I hope so.

0:52:22 > 0:52:23I'm a teeny tiny bit claustrophobic,

0:52:23 > 0:52:26- so if you could leave the light on... - Shut up.

0:53:09 > 0:53:11Can you knock?!

0:53:11 > 0:53:14Erm, where's that stripy hoodie of yours?

0:53:14 > 0:53:19Have you packed all the food? We need to move quickly.

0:53:28 > 0:53:30DOG BARKS

0:53:51 > 0:53:53I'll kill you.

0:53:54 > 0:53:55Now!

0:53:57 > 0:53:59You make one move towards my family.

0:54:02 > 0:54:04Jesus. That almost sounded grown-up, then.

0:54:04 > 0:54:07That was very manly, very good.

0:54:07 > 0:54:09I meant...

0:54:09 > 0:54:13- I mean it.- You know, it's interesting, isn't it?

0:54:13 > 0:54:15When I kill,

0:54:15 > 0:54:18people can come back.

0:54:18 > 0:54:21But then when you kill, people are wiped from existence.

0:54:21 > 0:54:24Yeah? Why's that interesting?

0:54:24 > 0:54:27Because I'm the one people think is the monster.

0:54:29 > 0:54:33And today, you killed the one person I had left that I loved.

0:54:33 > 0:54:36And I wanted you to feel similar pain.

0:54:36 > 0:54:39Me and you, we're the same.

0:54:41 > 0:54:43I'm the chosen one of my people.

0:54:43 > 0:54:48- You're the chosen one of yours. - Nah, we're not alike.

0:54:52 > 0:54:56I will find a way...

0:54:56 > 0:54:58to hurt you.

0:54:58 > 0:55:00To kill you.

0:55:02 > 0:55:06I didn't come back to be a monster.

0:55:06 > 0:55:07D'you hear me?

0:55:08 > 0:55:11I'll find a way to help you.

0:55:12 > 0:55:15- Free you.- No, good luck with that.

0:55:15 > 0:55:17You have been NOTHING but helpful so far.

0:55:54 > 0:55:57Subtitles by Red Bee Media Ltd

0:55:57 > 0:56:00E-mail subtitling@bbc.co.uk