0:00:06 > 0:00:09SHE SPRAYS, WATER FLOWS
0:00:26 > 0:00:28WATER SPLASHES
0:01:40 > 0:01:43LATCH RATTLES
0:02:15 > 0:02:16DOOR CLOSES
0:02:19 > 0:02:23QUIET CREAKING
0:02:45 > 0:02:47DOOR HINGES CREAK SOFTLY
0:02:50 > 0:02:52QUIET BREATHING
0:03:19 > 0:03:20PHONE BEEPS
0:03:48 > 0:03:50'You don't need his approval,'
0:03:50 > 0:03:53- you just want it. - What's the difference?
0:03:53 > 0:03:56Well, most of what we call "needs" are desires.
0:03:56 > 0:04:01We need air to breathe, water, warmth, food to eat.
0:04:01 > 0:04:03And speaking of which...
0:04:03 > 0:04:07The rest - love, approval, recognition, praise,
0:04:07 > 0:04:09whatever - they're desires.
0:04:09 > 0:04:12So, what's sex? Is that a need or a desire?
0:04:12 > 0:04:15Hmm... Well, both if you're doing it right!
0:04:15 > 0:04:16SHE CHUCKLES
0:04:41 > 0:04:43'But don't you want children?'
0:04:43 > 0:04:45Of course I do.
0:04:45 > 0:04:47So, then you do want marriage in the end?
0:04:47 > 0:04:49I didn't know you were so conventional!
0:04:51 > 0:04:55There's a province somewhere in China where the Mosuo people live.
0:04:55 > 0:04:57The head of the family is a mother or grandmother
0:04:57 > 0:05:01and she controls the family's finances. Marriage doesn't exist.
0:05:01 > 0:05:03Instead they practise "walking marriage" -
0:05:03 > 0:05:07a woman can invite a man into her hut to spend a "sweet night",
0:05:07 > 0:05:09but he has to be gone by daybreak.
0:05:09 > 0:05:12I'm up for that.
0:05:12 > 0:05:16The Mosuo language has no words for "war", "murder" or "rape"
0:05:16 > 0:05:18and there are no jails. Think about it.
0:05:18 > 0:05:20I'd be out of a job.
0:05:20 > 0:05:21MOBILE RINGS
0:05:21 > 0:05:23Hmm, as would I.
0:05:23 > 0:05:24I have to take this.
0:05:38 > 0:05:41'We don't want this to turn into an international custody battle.'
0:05:41 > 0:05:43We have to consider the emotional wellbeing
0:05:43 > 0:05:45of your children, we can't just...
0:05:45 > 0:05:47INDISTINCT MALE VOICE ON PHONE
0:05:47 > 0:05:49- Look...- '..What the hell am I paying you for?'
0:05:49 > 0:05:51I will go into the office tomorrow.
0:05:52 > 0:05:54'We can talk it through then.
0:05:54 > 0:05:56'I will ring you first thing. CAMERA CLICKS
0:05:56 > 0:05:57'OK. Bye.'
0:06:03 > 0:06:06- I should go. - It's Friday night.
0:06:06 > 0:06:08Seems I have work to do.
0:06:26 > 0:06:29POUNDING MUSIC PLAYS
0:06:33 > 0:06:36What are you doing? I've just got you a drink.
0:06:36 > 0:06:39I've had two already, that's my limit. Three and I'm anyone's.
0:06:39 > 0:06:41- That's the plan. - SHE GIGGLES
0:06:41 > 0:06:43Oh, I know. That's why I'm going home!
0:06:46 > 0:06:48HE EATS NOISILY
0:06:54 > 0:06:56CAR APPROACHES
0:06:56 > 0:06:58BRAKES SQUEAK
0:07:01 > 0:07:03TAXI ENGINE IDLES
0:07:07 > 0:07:09KEYS JANGLE
0:07:14 > 0:07:16KEYS CLINK
0:07:27 > 0:07:29TAXI REVS
0:07:29 > 0:07:31CAT MIAOWS
0:07:46 > 0:07:48WATER SPLASHES
0:08:19 > 0:08:22I'm calling the police! If you're still here, you should go!
0:08:22 > 0:08:24KEYPAD TONES I'm calling the police!
0:08:24 > 0:08:26RINGING TONE
0:08:26 > 0:08:28DOG BARKS IN DISTANCE
0:08:30 > 0:08:33MUFFLED FOOTSTEPS, TWO-WAY RADIO BEEPS
0:08:38 > 0:08:39Police officers!
0:08:41 > 0:08:43We're entering with weapons drawn!
0:08:43 > 0:08:46If anyone is in the house, make your presence known immediately.
0:08:57 > 0:08:59Alpha-Papa-1-0 to Uniform. Checking the rear area now.
0:09:09 > 0:09:11DOOR RATTLES
0:09:36 > 0:09:38- SHE KNOCKS - Police officer.
0:09:40 > 0:09:42It's OK. There's no-one here.
0:09:42 > 0:09:44OK.
0:09:44 > 0:09:47PEOPLE TALKING, SIREN IN DISTANCE
0:09:47 > 0:09:49CANS OPENING
0:09:55 > 0:09:57GATE SQUEAKS, LATCH CLICKS
0:10:05 > 0:10:07Daddy?
0:10:07 > 0:10:09Where have you been?
0:10:15 > 0:10:17What are you doing out of bed?
0:10:17 > 0:10:20I was frightened. I woke up and you weren't here.
0:10:20 > 0:10:23I just popped out. Just to the all-night shop.
0:10:23 > 0:10:26- Why? - To get some headache pills.
0:10:26 > 0:10:30We have headache pills. Mummy keeps them up in the bathroom.
0:10:30 > 0:10:32I've just been five minutes.
0:10:32 > 0:10:35No, you haven't, you've been ages. I called your phone.
0:10:35 > 0:10:38I didn't take it with me.
0:10:38 > 0:10:39Come here.
0:10:48 > 0:10:50What's in your bag?
0:10:50 > 0:10:52Just some stuff from the shop.
0:10:52 > 0:10:56I tried to ring Mummy, but I got her number wrong.
0:10:59 > 0:11:01I'm sorry.
0:11:01 > 0:11:04I promise I won't go and leave you again, OK?
0:11:04 > 0:11:06Cross my heart and hope to die.
0:11:06 > 0:11:09Only don't tell Mummy. She'll be cross.
0:11:09 > 0:11:12- With me? - No, no, with me.
0:11:15 > 0:11:17Kiss Mac.
0:11:26 > 0:11:28Is this your underwear?
0:11:28 > 0:11:29Yes.
0:11:33 > 0:11:34Oh, my God!
0:11:35 > 0:11:37Is that yours too?
0:11:37 > 0:11:38Yes.
0:11:41 > 0:11:44And you didn't just leave these things on the bed yourself?
0:11:44 > 0:11:45No, I ...
0:11:47 > 0:11:48No.
0:11:49 > 0:11:52Where have you been this evening, Sarah?
0:11:52 > 0:11:55Out with some colleagues in the city centre.
0:11:55 > 0:11:56And what do you do for a living?
0:11:56 > 0:11:58I'm a solicitor.
0:11:58 > 0:11:59And you've been drinking?
0:11:59 > 0:12:01Just some wine.
0:12:02 > 0:12:04How much wine, Sarah?
0:12:04 > 0:12:06INDISTINCT TWO-WAY RADIO CONVERSATION
0:12:54 > 0:12:56No sign of forced entry.
0:12:57 > 0:12:59Who else has keys to the house?
0:12:59 > 0:13:01My sister, she has keys.
0:13:01 > 0:13:04And she wouldn't have done this? As a joke?
0:13:04 > 0:13:06What? No.
0:13:06 > 0:13:08No boyfriend who has keys?
0:13:08 > 0:13:09No.
0:13:09 > 0:13:12An ex? Could have kept keys?
0:13:12 > 0:13:15Um, I don't know.
0:13:15 > 0:13:17I see you have a cat?
0:13:17 > 0:13:18Yeah.
0:13:18 > 0:13:21The cat couldn't have, I don't know, been on the bed?
0:13:23 > 0:13:25Have you checked the loft? Can you check the loft?
0:13:29 > 0:13:31Is anything missing?
0:13:32 > 0:13:34Where was the underwear kept?
0:13:35 > 0:13:39Er, the underwear is here in these top two drawers.
0:13:39 > 0:13:41The other thing is in the bedside cabinet drawer.
0:13:46 > 0:13:47I think...
0:13:48 > 0:13:50Maybe some underwear's gone.
0:14:08 > 0:14:10'Loft is clear.'
0:14:10 > 0:14:12MOBILE RINGS
0:14:16 > 0:14:17It's a client.
0:14:17 > 0:14:18Isn't it rather late for that?
0:14:18 > 0:14:20Yeah, it is.
0:14:20 > 0:14:23I think maybe you should just go.
0:14:23 > 0:14:25I have to be up in the morning to deal with this.
0:14:27 > 0:14:30I really appreciate you coming, but I need to sleep.
0:14:31 > 0:14:35If you're worried you should stay with a family member, a friend.
0:14:35 > 0:14:37Yeah, yeah, I'll call my sister.
0:14:37 > 0:14:40- Just make sure you don't drive anywhere.- I won't.
0:14:40 > 0:14:43If you're not sure who might have keys, you should change the locks.
0:14:43 > 0:14:44I will. Thank you.
0:14:46 > 0:14:48Sorry. I just want to go to bed.
0:14:51 > 0:14:53We've checked the premises and surrounding area.
0:14:53 > 0:14:55No intruder located.
0:14:55 > 0:14:59We've given assurances we'll pay passing attention throughout the night.
0:14:59 > 0:15:01What?
0:15:01 > 0:15:04- Could it have been the cat? - She's drunk.
0:15:04 > 0:15:08That's her excuse, what's yours?
0:15:34 > 0:15:36You could have warmed my side for me.
0:15:38 > 0:15:40Why would I do that?
0:15:40 > 0:15:42You horrible man.
0:16:26 > 0:16:30- That be Detective Superintendent Gibson?- Yes, ma'am.
0:16:30 > 0:16:31Then that would be me.
0:16:41 > 0:16:42Stella.
0:16:44 > 0:16:45Nice to see you.
0:16:46 > 0:16:49Armoured car, Jim?
0:16:49 > 0:16:50Welcome to Belfast.
0:16:54 > 0:16:57He's a good man. Very experienced.
0:16:57 > 0:17:00First and foremost, we want to progress the investigation.
0:17:00 > 0:17:04- We don't want a trial by audit. - I've done 28-day reviews before.
0:17:04 > 0:17:07- Sir.- Not here, you haven't. Things are different here.
0:17:07 > 0:17:09What?
0:17:09 > 0:17:12All that "My Jesus is better than your Jesus" stuff?
0:17:12 > 0:17:14Policing is political here, Stella.
0:17:14 > 0:17:17And it isn't at the Met?
0:17:17 > 0:17:21The victim's ex-father-in-law is a Unionist MP.
0:17:21 > 0:17:23Morgan Monroe. Unionist MP, ex-lawyer,
0:17:23 > 0:17:26chair of the Independent Policing Executive.
0:17:26 > 0:17:30- I haven't walked in here totally unprepared.- Good.
0:17:32 > 0:17:33We have nothing, Stella.
0:17:36 > 0:17:39The killer is out there somewhere and we have nothing at all.
0:18:32 > 0:18:34DOORS GROAN AND CLANK
0:18:47 > 0:18:50This is Detective Superintendent Gibson.
0:18:50 > 0:18:54She's seen your file, so I'll let you make your own introductions.
0:18:54 > 0:18:55Garrett Brink. Pleased to meet you.
0:18:57 > 0:18:59- Is there anything you need? - Is that coffee?
0:18:59 > 0:19:03- It's actually hard to tell. - I'll risk a cup.
0:19:06 > 0:19:09- I'll have your case taken to your hotel.- Thank you, sir.
0:19:12 > 0:19:15COFFEE SPLASHES
0:19:21 > 0:19:23It's been three months.
0:19:25 > 0:19:27And I haven't even stepped into his room.
0:19:30 > 0:19:34Can of Coke he had the day before is still sitting there.
0:19:37 > 0:19:40You know at first they thought it was a virus?
0:19:40 > 0:19:42You've told him before.
0:19:43 > 0:19:45Gave him paracetamol.
0:19:48 > 0:19:50By the time they put him on antibiotics, it was too late.
0:19:50 > 0:19:52The boy told the doctors he felt better.
0:19:52 > 0:19:55He'd have said anything to be allowed to go home!
0:20:02 > 0:20:04Are you eating?
0:20:04 > 0:20:05Not really.
0:20:07 > 0:20:09How are things in the bedroom?
0:20:23 > 0:20:26Before they took him away...
0:20:26 > 0:20:28I painted his hands and his feet.
0:20:32 > 0:20:33And made prints.
0:20:39 > 0:20:42Three other people are living because of him.
0:20:44 > 0:20:48A little boy regained his sight because of our Daniel.
0:20:51 > 0:20:52That's something.
0:20:56 > 0:20:58It's almost like he's still living.
0:20:59 > 0:21:03Somewhere his heart is beating.
0:21:05 > 0:21:07'KNOCK AT DOOR'
0:21:07 > 0:21:08Come in.
0:21:10 > 0:21:13Er, Jerry McElroy. You asked to see me?
0:21:13 > 0:21:14Come in, Jerry.
0:21:16 > 0:21:19- I'm Detective Superintendent Gibson. - Ma'am.
0:21:19 > 0:21:22This is DCI Brink, who I think you know.
0:21:22 > 0:21:24Jerry and I go way back.
0:21:24 > 0:21:25Have a seat.
0:21:27 > 0:21:30I've been brought in from the Metropolitan Police to lead a review
0:21:30 > 0:21:33into the investigation of the murder of Alice Monroe.
0:21:33 > 0:21:35Yes, ma'am.
0:21:35 > 0:21:37As the Senior Investigating Officer on that case, Jerry,
0:21:37 > 0:21:40we want to work closely with you to advance
0:21:40 > 0:21:43the investigation if we can, not to find fault.
0:21:45 > 0:21:48If any problems are identified through review,
0:21:48 > 0:21:51you will be notified immediately so that remedial action
0:21:51 > 0:21:54- can be taken if possible.- I see.
0:21:54 > 0:21:57I will be looking at the investigative response,
0:21:57 > 0:22:01the initial actions at the scene, information gathering,
0:22:01 > 0:22:04witness and suspect management, together with forensic issues,
0:22:04 > 0:22:05exhibit management and submission.
0:22:05 > 0:22:07And, I'm going to be looking at record-keeping.
0:22:07 > 0:22:10document management, action administration,
0:22:10 > 0:22:11together with communications,
0:22:11 > 0:22:14internal, external and with the victim's family.
0:22:14 > 0:22:17We will, in time, read all documentation
0:22:17 > 0:22:19relating to the inquiry.
0:22:20 > 0:22:24To that end, I will need your policy book and your action book.
0:22:24 > 0:22:28Er, yeah. Have them here.
0:22:28 > 0:22:30Any questions?
0:22:33 > 0:22:34I feel so alone.
0:22:42 > 0:22:45Have you anything to say, Jimmy?
0:22:45 > 0:22:48Of course he doesn't! Sitting there.
0:22:48 > 0:22:49The hard man.
0:22:52 > 0:22:54Useless waste of space.
0:22:58 > 0:23:01Men and women express grief differently, Liz.
0:23:02 > 0:23:03Try not to make comparisons.
0:23:07 > 0:23:10How long am I going to feel like this, Paul?
0:23:27 > 0:23:31How things are in the bedroom is none of your fucking business!
0:23:31 > 0:23:33I'm sorry if you're uncomfortable with the question.
0:23:33 > 0:23:36"Uncomfortable" doesn't even begin to cover it!
0:23:36 > 0:23:38My wife says it comforts her
0:23:38 > 0:23:41to think of our dead son giving life to others?!
0:23:42 > 0:23:45- How does it make you feel? - How does it make me feel?
0:23:45 > 0:23:51His heart beating in some Taig's chest? It makes me feel sick.
0:23:51 > 0:23:54I've done things.
0:23:54 > 0:23:57Bad things. In the past.
0:23:57 > 0:23:58Really bad things.
0:23:58 > 0:24:02And my son has paid the price.
0:24:03 > 0:24:06Your son had bacterial meningitis, Jimmy.
0:24:06 > 0:24:08An illness, that's all.
0:24:14 > 0:24:17You don't believe a son has to pay for the sins of his father?
0:24:18 > 0:24:20No, I don't.
0:24:22 > 0:24:23Don't you believe in God?
0:24:24 > 0:24:26Jimmy, let me go.
0:24:26 > 0:24:27Answer me.
0:24:29 > 0:24:34Of course, I believe in God. And Jesus Christ too.
0:24:34 > 0:24:38I have seen angels ascending and descending Jacob's Ladder.
0:24:40 > 0:24:42Is that what you want to hear?
0:24:42 > 0:24:45It makes no odds what I believe, Jimmy.
0:24:45 > 0:24:47It's what you believe that matters.
0:24:48 > 0:24:50Now, let me go.
0:24:56 > 0:24:59What kind of name is Spector, anyway?
0:24:59 > 0:25:01It's Russian. Jewish.
0:25:03 > 0:25:04That explains a lot.
0:26:43 > 0:26:45Daddy, look what I found!
0:26:45 > 0:26:47Where did you get that?
0:26:47 > 0:26:50- You're not supposed to pick things. - It was on the floor.
0:26:50 > 0:26:52I'm not lying.
0:26:53 > 0:26:54Give it to me.
0:26:56 > 0:26:58Come on.
0:27:03 > 0:27:08- Hey.- Hey. You all right? - Shall we sit?
0:27:15 > 0:27:17How much do I grow every night?
0:27:17 > 0:27:20I don't know. A little bit probably.
0:27:20 > 0:27:23But, you know, you only grow if you go to sleep straightaway at bedtime
0:27:23 > 0:27:27- and you stay asleep all night long. - You should have called me.
0:27:27 > 0:27:30I didn't want to wake you. I didn't want to wake Lucy.
0:27:30 > 0:27:33I'm your sister for Christ's sake. You should have come over.
0:27:33 > 0:27:38- I was tired. I'd had a couple of glasses of wine.- Even so.
0:27:40 > 0:27:43I've been thinking, who might still have keys?
0:27:43 > 0:27:45Nobody now. I got the locks changed.
0:27:45 > 0:27:50The front anyway. The back door needs to be replaced apparently.
0:27:52 > 0:27:57I'm glad I'm eight. It's the oldest I've been in my entire life.
0:27:57 > 0:28:01Why don't you stay with us, at least until the back door's done?
0:28:01 > 0:28:03I can't. I have too much work to do.
0:28:04 > 0:28:07Shall we go? Come on.
0:28:08 > 0:28:11Oh, gosh, you're heavy!
0:28:11 > 0:28:15- Tell me about the three billy goats. - Once upon a time...
0:28:15 > 0:28:18Oh, it's the best smell in the world.
0:28:19 > 0:28:22- GIBSON:- There's no evidence of any defensive wounds.
0:28:22 > 0:28:24Maybe, she was...
0:28:26 > 0:28:29..too fearful, or thought cooperation would make things better,
0:28:29 > 0:28:32or he overpowered her so she didn't have a chance to fight back.
0:28:32 > 0:28:37But whatever, he had things entirely under his control.
0:28:39 > 0:28:42Which leads me to think that this was not his first murder.
0:28:43 > 0:28:49The pathologist reports extensive petechial haemorrhages
0:28:49 > 0:28:54that suggest that the killer tightened and loosened his grip
0:28:54 > 0:28:58around her throat over a period of 45 minutes to an hour.
0:29:02 > 0:29:04I was part of a review team. Now, this was actually
0:29:04 > 0:29:07a seven-day review, and I remember the pathologist on that case
0:29:07 > 0:29:09making the same observation.
0:29:09 > 0:29:12- When was this? - Three months ago?
0:29:12 > 0:29:15It was felt at the time, still is, as far as I know,
0:29:15 > 0:29:18that the killer was known to the victim.
0:29:18 > 0:29:20She had, at the time of her death, more than one boyfriend.
0:29:20 > 0:29:22Boyfriend One was quickly eliminated.
0:29:22 > 0:29:26Boyfriend Two left the country, fled, disappeared.
0:29:26 > 0:29:30He remains the prime suspect, I believe.
0:29:30 > 0:29:33- White professional woman? - A teacher at the university.
0:29:33 > 0:29:35In her early thirties?
0:29:40 > 0:29:44Posed after death?
0:29:44 > 0:29:48Only if you call being stuffed in the bedroom closet "posed".
0:29:56 > 0:29:59- What was her name? - Fiona Gallagher.
0:30:06 > 0:30:10The essence to a committed relationship is exclusivity.
0:30:10 > 0:30:11Physical and emotional.
0:30:11 > 0:30:15Anything that impinges on that is cheating and harmful.
0:30:15 > 0:30:18Jesus, you should have your own daytime TV show.
0:30:18 > 0:30:20I mean what is it, £20 a dance?
0:30:20 > 0:30:23That's money you could have spent on your kids, or me, even!
0:30:23 > 0:30:27Well, maybe you shouldn't go through my pockets!
0:30:27 > 0:30:30Seven years of marriage. Seven years of marriage and now this.
0:30:30 > 0:30:35- Jesus. Nothing happens in those places. It's just flirting.- Oh?
0:30:35 > 0:30:40- That's the name you give to somebody pushing their silicone tits in your face?- It is! It's flirting!
0:30:40 > 0:30:42The promise of something that will never, ever happen.
0:30:42 > 0:30:45Yeah, only because no laptop-dancer would ever have you.
0:30:45 > 0:30:47- Lap-dancer!- What?
0:30:49 > 0:30:53Not laptop. Lap-dancer. Looking isn't cheating.
0:30:53 > 0:30:54It's just fantasy.
0:30:54 > 0:30:56It's your fault for getting caught -
0:30:56 > 0:30:58- you should have destroyed the evidence.- Not helpful!
0:30:58 > 0:30:59Same again?
0:31:56 > 0:32:00Excuse me? Is this your purse?
0:32:01 > 0:32:02Yeah, it is.
0:32:02 > 0:32:04It was on the floor.
0:32:04 > 0:32:07Oh, um, thank you so much.
0:32:33 > 0:32:36Hi. How were they?
0:32:36 > 0:32:39Fine. Did you have a nice evening?
0:32:39 > 0:32:40Very nice.
0:32:42 > 0:32:44- Four hours?- Thank you.
0:32:58 > 0:32:59Paul will walk you home.
0:33:10 > 0:33:12English, I like.
0:33:13 > 0:33:15Art.
0:33:15 > 0:33:19I love Music. I'm a singer.
0:33:21 > 0:33:22What sort of singer?
0:33:23 > 0:33:26I posted a couple of clips online.
0:33:26 > 0:33:28Really?
0:33:28 > 0:33:30You should take a look.
0:33:30 > 0:33:32Maybe I will. Where can I find you?
0:33:33 > 0:33:37Oh, no, I'm not telling YOU that.
0:33:37 > 0:33:41If you want to see them, you're going to have to work at it.
0:33:41 > 0:33:45Track me down. I'm worth it!
0:33:45 > 0:33:47SHE LAUGHS
0:33:50 > 0:33:53You look different. From when you last baby-sat.
0:33:53 > 0:33:55That was months ago.
0:33:55 > 0:33:57Yes.
0:33:57 > 0:33:59I've had my braces removed.
0:34:03 > 0:34:05Thank you for walking me home.
0:34:08 > 0:34:13GATE CREAKS AND CLOSES
0:34:13 > 0:34:15KEYS JINGLE
0:35:48 > 0:35:50CAT FLAP CLATTERS
0:35:59 > 0:36:02What's the matter with you? Hmm? You been fighting?
0:36:16 > 0:36:19GIRL SCREAMS LOUDLY
0:36:19 > 0:36:21GIRL SCREAMS AGAIN
0:36:21 > 0:36:23It's OK. Olivia.
0:36:23 > 0:36:26- It's OK, darling.- Mummy!
0:36:26 > 0:36:29GIRL CONTINUES SCREAMING
0:36:38 > 0:36:44Shhh, it's OK. It's all right. Just another bad dream. It's OK.
0:36:45 > 0:36:48It's OK. Shhh.
0:36:48 > 0:36:50GIRL SOBS
0:36:50 > 0:36:53Shhh.
0:36:53 > 0:36:55Mummy?
0:36:55 > 0:36:58It's OK, Mummy's here. It's all right, come here.
0:36:58 > 0:37:02It's all right. It's just a bad dream, it's OK, shhhhh...
0:37:02 > 0:37:07It's OK. Shh. It's all right, Mummy's here.
0:37:07 > 0:37:09Shhh.
0:37:09 > 0:37:13It's OK. Shhh.
0:37:13 > 0:37:16Shhh.
0:38:06 > 0:38:08How is she?
0:39:10 > 0:39:11SHE SIGHS
0:40:00 > 0:40:01DOOR HINGES CREAK
0:40:06 > 0:40:09Hey, are you asleep?
0:40:09 > 0:40:10No.
0:40:11 > 0:40:12How is she?
0:40:14 > 0:40:16Did you tell her that she wouldn't grow
0:40:16 > 0:40:19if she didn't sleep all night through?
0:40:19 > 0:40:21You need to be careful what you say to her.
0:40:23 > 0:40:25She's been having night terrors for months.
0:40:25 > 0:40:27What I said has nothing to do with it.
0:40:29 > 0:40:32She doesn't like being teased. Especially not by her daddy.
0:40:44 > 0:40:48I just wish I knew what was going on in her mind when she's like that.
0:40:51 > 0:40:54No-one knows what's going on in someone else's mind.
0:40:55 > 0:40:57And life would be intolerable if we did.
0:41:47 > 0:41:50CHURCH BELL RINGS IN DISTANCE
0:41:53 > 0:41:55I hope I'm not keeping you from church.
0:41:55 > 0:41:56Already been.
0:42:14 > 0:42:17'I brought you in to progress the Monroe investigation.'
0:42:17 > 0:42:21You need a new and substantial line of inquiry
0:42:21 > 0:42:24and linking these two murders would give you one.
0:42:24 > 0:42:29We already have a prime suspect in the Gallagher case. Patrick Warwick.
0:42:29 > 0:42:33His brother provided DNA which is a familial match to the DNA
0:42:33 > 0:42:37- gathered at the crime scene. - That doesn't mean it was the killer's DNA.
0:42:37 > 0:42:38She was in a relationship with Warwick.
0:42:38 > 0:42:41So, there's no real surprise his sperm was found in her oesophagus.
0:42:41 > 0:42:44If he didn't kill her then why has he fled?
0:42:44 > 0:42:46I don't know. There was no sign of forced entry,
0:42:46 > 0:42:48so it was assumed that she knew the killer and let him in.
0:42:48 > 0:42:51But I think that assumption is false.
0:42:51 > 0:42:54It was treated as a self-solver from the off and I think that's wrong.
0:42:54 > 0:42:57Alice Monroe was found posed in her bed,
0:42:57 > 0:43:00Gallagher stuffed into a cupboard.
0:43:00 > 0:43:03The postmortem interval puts the time of death at an hour
0:43:03 > 0:43:04before she was discovered.
0:43:04 > 0:43:07She called her boyfriend and told him she was going out with friends.
0:43:07 > 0:43:11He came home after work at 1.30 in the morning,
0:43:11 > 0:43:13assumed that she was still out and called her.
0:43:13 > 0:43:15Her phone rang in the closet.
0:43:15 > 0:43:19He went to look and found her stuffed inside, dead.
0:43:19 > 0:43:21Now one possibility is that the killer was still with her
0:43:21 > 0:43:24when the boyfriend came home and disturbed him.
0:43:24 > 0:43:26So he shoved her in the cupboard and fled.
0:43:27 > 0:43:29I just don't buy it.
0:43:29 > 0:43:32This would account for the three months between this murder
0:43:32 > 0:43:34and the killing of Alice Monroe.
0:43:35 > 0:43:39It didn't go as planned with...with Gallagher and it spooked him.
0:43:39 > 0:43:42And so when he struck again he made sure that he did it right.
0:43:47 > 0:43:50Two professional women in their early 30s,
0:43:50 > 0:43:54killed in their own homes by strangulation.
0:43:54 > 0:43:56I mean, look, they could be sisters.
0:44:00 > 0:44:02The strangulation marks are different.
0:44:02 > 0:44:04Yes, the marks might be different but both of them
0:44:04 > 0:44:07have extensive petechial haemorrhages which indicates that
0:44:07 > 0:44:11he strangled them, released and then strangled again, over and over.
0:44:11 > 0:44:13So now you're adding torture into the mix?
0:44:13 > 0:44:15Well, it might be sadism or it might just be
0:44:15 > 0:44:17that his hand lacks strength.
0:44:17 > 0:44:18I mean, you try it.
0:44:18 > 0:44:21Go on, grab my wrist. See how long you can grip it.
0:44:25 > 0:44:27No, thank you.
0:44:29 > 0:44:32It's amazing how quickly your hand tires.
0:44:45 > 0:44:47Stop for God's sake.
0:44:52 > 0:44:54I mean, how long was that? 30 seconds?
0:44:57 > 0:44:59Go back to your review, Stella.
0:45:01 > 0:45:03I don't want the two murders linked.
0:45:08 > 0:45:11HE PANTS
0:45:30 > 0:45:34# Rainclouds are moving across an empty sky
0:45:35 > 0:45:40# Leaving their shadow on the sleepless eye
0:45:41 > 0:45:47# Dying and hoping that soon will be our day... #
0:45:47 > 0:45:49Paul? >
0:45:51 > 0:45:52Yes?
0:45:52 > 0:45:54We need you down here. >
0:45:54 > 0:45:57# Now that I love you
0:45:58 > 0:46:03# Do you think that it will end?
0:46:06 > 0:46:09# I was above you
0:46:11 > 0:46:14# We were just friends
0:46:17 > 0:46:20# Now that I've found you, darling... #
0:46:20 > 0:46:21Daddy! >
0:46:23 > 0:46:26# It won't take long. #
0:46:26 > 0:46:28MUFFLED DANCE MUSIC
0:46:29 > 0:46:32MUSIC: "We Found Love" by Rihanna
0:46:32 > 0:46:34What's up?
0:46:34 > 0:46:36Ready when you are.
0:46:58 > 0:47:03# Shine a light through an open door
0:47:03 > 0:47:06# Love a life I will divide
0:47:06 > 0:47:09# Turn away cos I need you more
0:47:09 > 0:47:13# Feel the heartbeat in my mind... #
0:47:13 > 0:47:14Daddy, look.
0:47:18 > 0:47:20Look, Daddy, look!
0:47:20 > 0:47:23# I just can't deny
0:47:23 > 0:47:26# But I've gotta let it go
0:47:29 > 0:47:32# We found love in a hopeless place. #
0:47:37 > 0:47:40FOOTSTEPS APPROACH
0:47:45 > 0:47:46How did it go with Burns?
0:47:47 > 0:47:48He didn't buy it.
0:47:50 > 0:47:52Maybe just as well.
0:47:52 > 0:47:53There's no way this team could cope
0:47:53 > 0:47:56with the increased workload of linked inquiries.
0:47:56 > 0:47:59There are probably 200 statements, documents, officers' reports
0:47:59 > 0:48:01waiting to be read and actioned.
0:48:02 > 0:48:05Recommend increasing technical support staff.
0:48:09 > 0:48:12Failure to see that crimes are linked - linkage blindness,
0:48:12 > 0:48:16it's the thing that will allow the killer to strike again.
0:48:16 > 0:48:20We refuse to recognise the series and he carries on regardless.
0:48:24 > 0:48:26I didn't sell it hard enough, Garrett.
0:48:28 > 0:48:30'I'm off.'
0:48:30 > 0:48:32- Hey! - SPLASHING IN BATHROOM >
0:48:32 > 0:48:36How you manage to listen to people whining all week in your day job
0:48:36 > 0:48:38and then volunteer to listen to them
0:48:38 > 0:48:41whining all night on the phone, I'll never know.
0:48:41 > 0:48:44This from a neonatal nurse? All those crying babies.
0:48:44 > 0:48:47The babies I look after are too small to cry.
0:48:47 > 0:48:51Crying would be great, crying means they're getting better.
0:48:52 > 0:48:55Maybe you should visit me at work sometime.
0:48:55 > 0:48:57Maybe I should.
0:48:57 > 0:48:59Say goodnight to the kids.
0:48:59 > 0:49:00Good night, you two.
0:49:00 > 0:49:04- Night, Daddy!- > I'll see you in the morning.
0:49:21 > 0:49:23- <- Mummy, I need you!
0:49:59 > 0:50:02- Yes. See? Told you. Finally. - Mary.
0:50:04 > 0:50:06I wonder if I can book you
0:50:06 > 0:50:10- to look at the exhibits store tomorrow morning.- Yes, ma'am.
0:50:10 > 0:50:13And I'm going to need a lift back to the hotel.
0:50:13 > 0:50:15- We're free, ma'am.- Good.
0:50:15 > 0:50:18Finish your food. I'll wait in reception.
0:50:21 > 0:50:24Is it Glen?
0:50:24 > 0:50:25Yes, ma'am.
0:50:25 > 0:50:27Um, DCI McElroy is doing
0:50:27 > 0:50:30a violent crime analysis of the last five years.
0:50:30 > 0:50:33Could you ask him to also include break-ins
0:50:33 > 0:50:34where valuables were ignored
0:50:34 > 0:50:39but items of clothing, underwear, clean or soiled, were taken?
0:50:39 > 0:50:40Underwear. Yes, ma'am.
0:51:53 > 0:51:55MUFFLED POLICE RADIO
0:52:09 > 0:52:10Who's that?
0:52:10 > 0:52:13James Olson. Detective Sergeant.
0:52:16 > 0:52:18Introduce us.
0:52:32 > 0:52:34What's going on, Sergeant?
0:52:34 > 0:52:37There's been a shooting in a house about a mile away.
0:52:37 > 0:52:39A car was stopped just up along there.
0:52:39 > 0:52:41We found guns and arrested three men.
0:52:41 > 0:52:42Just waiting on the dogs.
0:52:42 > 0:52:43Explosives?
0:52:43 > 0:52:46This is Detective Superintendent Gibson.
0:52:46 > 0:52:48She's here to review the Monroe investigation.
0:52:48 > 0:52:50Oh, right. DS Olson. Nice to meet you.
0:52:50 > 0:52:53It's drugs. The deceased was well-known to us.
0:52:55 > 0:52:56Will the review take long?
0:52:56 > 0:52:59A week, maybe more.
0:52:59 > 0:53:00I'm staying at the Hilton.
0:53:00 > 0:53:02Very nice.
0:53:02 > 0:53:03Room 203.
0:53:05 > 0:53:07James! Oi!
0:53:09 > 0:53:12Good luck with your arrests.
0:53:12 > 0:53:16SIRENS APPROACH
0:53:29 > 0:53:31I think we might have fucked up.
0:53:32 > 0:53:34What? How?
0:53:34 > 0:53:36Did you not hear her?
0:53:36 > 0:53:37What?
0:53:37 > 0:53:40Robberies where items of underwear were taken?
0:53:41 > 0:53:43Sarah Kay.
0:53:43 > 0:53:45We should have moved her out of there,
0:53:45 > 0:53:47put her in a hotel, called in CSIs.
0:53:47 > 0:53:49Jesus, the woman more or less told us to go.
0:53:49 > 0:53:51I think we should take a look.
0:53:55 > 0:53:58ENGINE STARTS AND REVS
0:54:12 > 0:54:14Detective Superintendent Stella Gibson?
0:54:14 > 0:54:18Ned Callan, Belfast Chronicle. Can I have a word?
0:54:18 > 0:54:19Not at the moment, no.
0:54:20 > 0:54:24- Not even off the record?- There's no such thing, as you well know.
0:54:29 > 0:54:31Did I invite you to sit down?
0:54:31 > 0:54:35- I don't think so. - So, call the police.
0:54:35 > 0:54:38- How did you find me here? - It's a small city, Stella.
0:54:38 > 0:54:41It's not easy to hide. Unless, of course,
0:54:41 > 0:54:42you're the murderer of Alice Monroe.
0:54:42 > 0:54:46Oh, gosh, you really are a journalist, aren't you?
0:54:49 > 0:54:52So, why bring someone in from the outside?
0:54:52 > 0:54:55That looks remarkably like a vote of no confidence in the PSNI
0:54:55 > 0:54:58and its ability to run an internal murder investigation review,
0:54:58 > 0:54:59don't you think?
0:54:59 > 0:55:03What have you found so far? Staggering levels of incompetence?
0:55:03 > 0:55:06Mr Callan, no-one knows better than me
0:55:06 > 0:55:10how important the media is as an investigative resource.
0:55:10 > 0:55:14But really and truly, you should fuck off. Now.
0:55:17 > 0:55:18You have my card.
0:55:22 > 0:55:25- Thank you.- Enjoy.
0:56:05 > 0:56:07SHE KNOCKS
0:56:16 > 0:56:17DOORBELL RINGS
0:56:24 > 0:56:27DOORBELL RINGS
0:56:43 > 0:56:44Nothing.
0:56:52 > 0:56:54RINGING TONE
0:56:55 > 0:56:58ANSWERPHONE BEEPS
0:56:58 > 0:57:01This is a message for Sarah Kay. Sarah, this is PC Dani Ferrington.
0:57:01 > 0:57:04MUFFLED SCREAMS 'I'm calling from outside your house.
0:57:04 > 0:57:06'If you're there, it is the police at the door.
0:57:06 > 0:57:08'I was hoping to speak with you to follow up on the incident
0:57:08 > 0:57:10'that occurred on Friday.
0:57:10 > 0:57:12'Please, ring the number I gave you when you get this message.'
0:57:12 > 0:57:14ANSWERPHONE BEEPS, SHE MOANS
0:57:22 > 0:57:25TWO-WAY RADIO CHATTER
0:57:28 > 0:57:30Perhaps she did go stay with her sister.
0:57:36 > 0:57:39ENGINE STARTS AND REVS
0:57:43 > 0:57:46MUFFLED SCREAMS
0:57:54 > 0:57:57MUFFLED WHIMPERS
0:58:35 > 0:58:38Subtitles by Red Bee Media Ltd