0:00:02 > 0:00:05This programme contains some violent scenes and strong language
0:00:05 > 0:00:06There's been another murder. I have worries it's the same guy.
0:00:06 > 0:00:09- I know where you live. - Like I've never heard that before.
0:00:13 > 0:00:16'You think her hair's been clipped? Where?'
0:00:17 > 0:00:18There.
0:00:18 > 0:00:22'She has a high level of chorionic gonadotropin in her blood.
0:00:22 > 0:00:24'I'm thinking she was pregnant.'
0:00:24 > 0:00:25Make me SIO.
0:00:25 > 0:00:29'This is the third murder in three months, Jim.'
0:00:29 > 0:00:32Is this the body of your daughter Sarah Kay?
0:00:32 > 0:00:34What are you doing?!
0:00:34 > 0:00:36'If we don't stop him he will kill again.'
0:00:36 > 0:00:39Excuse me? Is this your purse?
0:00:40 > 0:00:42Oh, erm, thank you so much.
0:00:50 > 0:00:51DOOR OPENS
0:02:19 > 0:02:22So who are you thinking of for deputy SIOs?
0:02:23 > 0:02:25I'm not exactly spoiled for choice.
0:02:31 > 0:02:32Just answer.
0:02:34 > 0:02:35Brink...
0:02:38 > 0:02:40..and McElroy.
0:02:40 > 0:02:42McElroy?
0:02:42 > 0:02:45Good. That's good.
0:02:48 > 0:02:49MOBILE PHONE RINGS
0:02:50 > 0:02:51Burns.
0:02:54 > 0:02:56We'll be right there.
0:02:58 > 0:03:01There's been a fatal shooting.
0:03:01 > 0:03:03A police officer.
0:03:03 > 0:03:05We should get you issued with a firearm.
0:03:05 > 0:03:06Book yourself in at the range.
0:03:06 > 0:03:07I don't have time.
0:03:07 > 0:03:10This is Belfast.
0:03:10 > 0:03:11Make time.
0:04:12 > 0:04:15I really don't want these pictures to end up in the press.
0:04:15 > 0:04:18'The site can memorialise the account.
0:04:18 > 0:04:20'That restricts profile access to confirmed friends and family
0:04:20 > 0:04:23'but means people can still write on Sarah's wall in remembrance.'
0:04:23 > 0:04:27I'd rather her father sent in a formal request as next of kin
0:04:27 > 0:04:29and closed it down completely.
0:04:29 > 0:04:32'Yes I understand, ma'am. I'll talk to him.'
0:04:32 > 0:04:34Right.
0:04:34 > 0:04:35Great, thank you.
0:04:40 > 0:04:43I spoke to Ian Kay about Friday night's visit.
0:04:43 > 0:04:47He understands that it was his daughter's decision not to
0:04:47 > 0:04:49take further action,
0:04:49 > 0:04:54so, if we can keep it out of the press I think you're in the clear.
0:04:57 > 0:04:58Thank you, ma'am.
0:05:02 > 0:05:05I don't know whether you know that there's been a shooting?
0:05:05 > 0:05:07A male police officer.
0:05:07 > 0:05:09I heard.
0:05:09 > 0:05:12- Do you know him? - It's James Olson, ma'am.
0:05:12 > 0:05:15The Detective we saw near the Falls Road on Sunday night.
0:05:19 > 0:05:21What happened?
0:05:21 > 0:05:24He was shot in the street outside his house.
0:05:24 > 0:05:27Apparently it looks like an assassination.
0:05:30 > 0:05:31I just wanted to say....
0:05:33 > 0:05:36..when I collected your things from your hotel room,
0:05:36 > 0:05:40there were signs that you'd had company.
0:05:40 > 0:05:42That a man had been there.
0:05:43 > 0:05:46I wanted you to know that I removed those signs.
0:05:52 > 0:05:54- Anything else?- No, ma'am.
0:05:58 > 0:05:59Thank you.
0:06:15 > 0:06:16CROWD CHATTERS
0:06:18 > 0:06:20Mister Burns.
0:06:20 > 0:06:23Can you confirm that it's a police officer that's been killed?
0:06:23 > 0:06:26Has anyone claimed responsibility for the shooting?
0:06:26 > 0:06:28Doesn't James Olson live round here?
0:06:28 > 0:06:33Move everyone back to the corner. Seal off the entire street!
0:06:50 > 0:06:52- Where's his family?- Inside.
0:07:00 > 0:07:01Close this off.
0:07:10 > 0:07:12WOMAN SOBS
0:07:19 > 0:07:20SOBBING CONTINUES
0:07:36 > 0:07:39- Can I call Mummy?- She's at work.
0:07:43 > 0:07:46Why do you want to call her?
0:07:46 > 0:07:48To say good morning.
0:07:48 > 0:07:50OK.
0:08:11 > 0:08:14'God so loved us that he gave himself up for us.
0:08:14 > 0:08:16'That is the message of the Cross.
0:08:16 > 0:08:20'The mystery of death and of glory.
0:08:20 > 0:08:22'The cross reminds us that there is no
0:08:22 > 0:08:26'true love without suffering, there is no gift of life without pain.'
0:08:29 > 0:08:31'God so loved us that he gave himself up for us.
0:08:31 > 0:08:36'That is the message of the Cross. The mystery of death and of glory.
0:08:36 > 0:08:40'The Cross reminds us that there is no true love without suffering.
0:08:40 > 0:08:44'There is no gift of life without pain.
0:08:44 > 0:08:46'God so loved us that he gave himself up for us.
0:08:46 > 0:08:49'That is the message of the Cross.'
0:08:49 > 0:08:51REPORTER ON TV: And the funeral is on Saturday.
0:08:51 > 0:08:54- MAN ON TV:- It's a small affair for immediate family and friends.
0:08:54 > 0:08:59But we are also planning a memorial service to honour Alice's memory...
0:08:59 > 0:09:01MAN MUMBLES ANGRILY
0:09:06 > 0:09:09HE SPEAKS GERMAN
0:09:09 > 0:09:12- There's been an accident. - Fucking accident.
0:09:34 > 0:09:35It was an accident?
0:09:35 > 0:09:37Go back in there, sir. Go back in inside.
0:09:37 > 0:09:41THEY SPEAK GERMAN
0:09:41 > 0:09:43Get some coffee down your friend, sir.
0:09:45 > 0:09:48You're going to be OK, you're going to be OK.
0:09:48 > 0:09:49Oh, my God!
0:09:49 > 0:09:51It's all right, she's going to be OK. Don't get hysterical.
0:09:51 > 0:09:52Here, take her.
0:10:06 > 0:10:07Where the fuck are you?
0:10:07 > 0:10:09I could do with some fucking help here.
0:10:09 > 0:10:11DCI Matthew Eastwood. Who is this, please?
0:10:20 > 0:10:24- PHONE:- 'Your call has been forwarded to the mobile voice system...'
0:10:35 > 0:10:37You should arrest him.
0:10:37 > 0:10:39She must have said something. Done something.
0:10:40 > 0:10:42She gets beaten up and it's her fault?
0:10:42 > 0:10:44Not now, OK?
0:10:44 > 0:10:45He's a sadistic German pig.
0:10:45 > 0:10:46Not now!
0:10:47 > 0:10:51SHE SPEAKS RUSSIAN
0:10:51 > 0:10:53It's Rob Breedlove.
0:10:53 > 0:10:55'Where are you? I've been trying to get hold of you.'
0:10:55 > 0:10:57I was asleep. What's wrong?
0:10:57 > 0:11:00'Then you haven't heard. It's Jimmy.'
0:11:00 > 0:11:02'Jimmy Olson.'
0:11:02 > 0:11:04KNOCK AT DOOR
0:11:04 > 0:11:06Come in.
0:11:11 > 0:11:12What the fuck's going on out there?
0:11:12 > 0:11:15Your German friend has just beaten up another girl.
0:11:15 > 0:11:17Badly?
0:11:17 > 0:11:19Split her lip. Marked her face.
0:11:19 > 0:11:20Christ.
0:11:21 > 0:11:25Jimmy Olson's been shot dead. Right outside his home.
0:11:25 > 0:11:26I just called him.
0:11:28 > 0:11:30Another police officer answered his phone.
0:11:30 > 0:11:31What phone did you use?
0:11:33 > 0:11:34I've dealt with it.
0:11:56 > 0:11:58Make sure you eat all your lunch.
0:11:58 > 0:11:59I will.
0:11:59 > 0:12:02- I put in lots of crunchy black beetles.- Yummy!
0:12:02 > 0:12:04- I love you.- Love you, daddy.
0:12:15 > 0:12:16Take her here.
0:12:16 > 0:12:17Get her patched up.
0:12:18 > 0:12:20Pick her up later on.
0:12:20 > 0:12:21This bullshit has got to stop.
0:12:21 > 0:12:23I thought that's what you were here for.
0:12:25 > 0:12:26Get this place cleaned up.
0:12:32 > 0:12:34Come on! Hurry the fuck up!
0:12:36 > 0:12:39He drills and it's in, drills and it's in. And again.
0:12:39 > 0:12:42No response. Where's the boys. Nobody to be seen.
0:12:42 > 0:12:44Just keeps on going and going. That's the way it went.
0:12:46 > 0:12:48As you may have heard, we're setting up a Task Force.
0:12:48 > 0:12:50I'm going to need a right-hand man.
0:12:50 > 0:12:52I'd like it to be you.
0:12:52 > 0:12:55It would mean to start right away. No going home, no sleep.
0:13:01 > 0:13:03OK.
0:13:03 > 0:13:05I've been told that I need to carry a firearm,
0:13:05 > 0:13:08so you'll need to book me in at the range.
0:13:08 > 0:13:09Maybe tomorrow morning.
0:13:09 > 0:13:12And I doubt I'll get back to the hotel very much.
0:13:12 > 0:13:15I'd like to find out where the nearest pool is so I can swim.
0:13:17 > 0:13:18Good.
0:13:22 > 0:13:25I've been on to HQ. We have a list of operational names.
0:13:27 > 0:13:28Eden.
0:13:28 > 0:13:30A place where the woman gets the blame.
0:13:30 > 0:13:32- Top Hat.- Too posh.
0:13:32 > 0:13:34- Alamo.- Too Texan.
0:13:34 > 0:13:35Musicman.
0:13:35 > 0:13:37Too male.
0:13:37 > 0:13:38Genesis.
0:13:38 > 0:13:41My least favourite band. Well, aside from U2.
0:13:41 > 0:13:42Hey, steady on...
0:13:42 > 0:13:43Ashdown.
0:13:43 > 0:13:44Too foresty.
0:13:44 > 0:13:45What?
0:13:45 > 0:13:47Reminds me of shallow graves.
0:13:49 > 0:13:50Seriousity, gentlemen.
0:14:09 > 0:14:11Good morning.
0:14:11 > 0:14:12ALL: Morning.
0:14:12 > 0:14:15First things first. All telephones disconnected.
0:14:15 > 0:14:19All mobile phones switched to a silent mode or switched off.
0:14:22 > 0:14:24Welcome to Operation Musicman.
0:14:24 > 0:14:27MOBILE RINGS
0:14:27 > 0:14:28Hmm?
0:14:28 > 0:14:29Where are you?
0:14:29 > 0:14:31Yeah, I'm here. I'm in the car park.
0:14:31 > 0:14:32She's started.
0:14:32 > 0:14:33All right.
0:14:33 > 0:14:37As many of you will be aware, we have come to the conclusion
0:14:37 > 0:14:41that the recent murders of Fiona Gallagher, Alice Parker Monroe
0:14:41 > 0:14:44and Sarah Kay are linked...
0:14:45 > 0:14:47..and the work of a serial offender.
0:14:47 > 0:14:51Anyone in any doubt about the gender of the person responsible?
0:14:54 > 0:14:57Then let's not waste our time looking for a woman.
0:14:57 > 0:15:01I've asked my two deputies, Garrett Brink and Jerry McElroy,
0:15:01 > 0:15:02to take responsibility for allocating
0:15:02 > 0:15:04all the key roles within the Task Force.
0:15:04 > 0:15:07They will also lead the debrief on the Sarah Kay murder.
0:15:17 > 0:15:20When you hear the pathologist's report, you will learn that
0:15:20 > 0:15:24Sarah Kay was six to seven weeks pregnant at the time of her death.
0:15:24 > 0:15:26MOBILE PLAYS: "In Da Club" by 50 Cent
0:15:26 > 0:15:27# Go, shawty
0:15:27 > 0:15:28# It's your birthday
0:15:28 > 0:15:30# We gon' party like it's your birthday
0:15:30 > 0:15:32# We gon' sip Bacardi Like it's your birthday
0:15:32 > 0:15:35# And you know we don't give a It's not your birthday!
0:15:35 > 0:15:38# You can find me in the club Bottle full of bub... #
0:15:38 > 0:15:41That fact is not to leave this room.
0:15:45 > 0:15:47Do you think she noticed I was late?
0:15:47 > 0:15:48I think you got away with it.
0:15:48 > 0:15:50Good.
0:15:50 > 0:15:53Think of it as an addiction.
0:15:53 > 0:15:56There's a law of diminishing returns.
0:15:56 > 0:15:58The serialist, like the heroin addict,
0:15:58 > 0:16:00is always seeking that elusive first high,
0:16:02 > 0:16:03and he's doomed to fail.
0:16:05 > 0:16:09That's why the cooling off periods get shorter,
0:16:09 > 0:16:12and the crimes become more elaborate.
0:16:15 > 0:16:20And he will carry on feeding that killing habit...
0:16:22 > 0:16:23..unless we stop him.
0:16:29 > 0:16:32He clearly has a victim type.
0:16:32 > 0:16:36They are not victims of chance, they are victims of choice.
0:16:36 > 0:16:39They don't know him, but he knows them.
0:16:39 > 0:16:44It's possible that he's out there stalking his next victim now.
0:16:44 > 0:16:45He may even have a waiting list.
0:16:47 > 0:16:50It seems that he breaks into their homes a day or two
0:16:50 > 0:16:52before he then returns to kill them.
0:16:54 > 0:16:56How does he find and select his victims?
0:16:58 > 0:17:00We need to be looking at correspondences.
0:17:03 > 0:17:05What links these three women?
0:17:08 > 0:17:11We will be making an announcement to the press later this afternoon.
0:17:11 > 0:17:13There's every possibility after we do that,
0:17:13 > 0:17:15that we will be flooded with calls.
0:17:16 > 0:17:21But all of those calls need to be captured, recorded and assessed.
0:17:23 > 0:17:26For there are many of us gathered here today with still more to come.
0:17:26 > 0:17:27There is only one of him.
0:17:29 > 0:17:31You'd think that gives us the advantage.
0:17:32 > 0:17:33But it doesn't.
0:17:35 > 0:17:39He moves around on his own, in darkness.
0:17:41 > 0:17:44And we operate under the glare of media lights.
0:17:46 > 0:17:48Now let's make sure that we don't let anything
0:17:48 > 0:17:50slip through the cracks.
0:17:50 > 0:17:53The Devil, quite literally, ladies and gentlemen...
0:17:55 > 0:17:56..is in the detail.
0:17:57 > 0:18:01Detail, detail and detail again.
0:18:08 > 0:18:10Can I help you?
0:18:13 > 0:18:15You!!
0:18:15 > 0:18:16Looking for someone?
0:18:20 > 0:18:22Are you talking to me?
0:18:22 > 0:18:24Yes, I'm taking to you.
0:18:25 > 0:18:27What are you doing here?
0:18:27 > 0:18:28How is that any business of yours?
0:18:28 > 0:18:30I'm making it my business.
0:18:30 > 0:18:31You're not from around here.
0:18:33 > 0:18:35- So?- So what are you doing?
0:18:35 > 0:18:37There's a name tag on the front seat.
0:18:37 > 0:18:39Hey, that stuff is private.
0:18:45 > 0:18:47I doubt James would be that thrilled to know
0:18:47 > 0:18:49you're looking at his family's case files.
0:18:49 > 0:18:50Jimmy?
0:18:50 > 0:18:52I'm a grief counsellor.
0:18:52 > 0:18:54He lost his son, Daniel.
0:18:54 > 0:18:55I know he did.
0:19:01 > 0:19:02You're on the wrong road.
0:19:03 > 0:19:06Yeah, I realise that now.
0:19:07 > 0:19:09Turn around and go back up there and take the next right.
0:19:56 > 0:19:57For fuck's sake.
0:20:39 > 0:20:40Mr Spector?
0:20:41 > 0:20:42I was in the area.
0:20:43 > 0:20:47I was worried you missed a session but, er, if this is a bad time?
0:20:47 > 0:20:49No. Come on in.
0:21:19 > 0:21:21VOICEMAIL: 'You have one new message.'
0:21:21 > 0:21:23'Morning, Mummy. It's only me.'
0:21:24 > 0:21:26'I'm about to leave for school.'
0:21:26 > 0:21:30'I hope you're OK and all the babies are OK, too. Love you. Bye!'
0:21:37 > 0:21:41When Daniel was small, I was a registered childminder.
0:21:45 > 0:21:46They all used to play out there.
0:21:48 > 0:21:49Daniel, and the kids I looked after.
0:21:56 > 0:21:59When Jim went to prison they revoked my licence.
0:22:06 > 0:22:07I've been into his room.
0:22:10 > 0:22:11Good.
0:22:12 > 0:22:14Would you like to see it?
0:22:18 > 0:22:23Stella, this is Martina Dean. Martina is our Media Liaison Officer.
0:22:23 > 0:22:25Before we start, I need a word with you in private, sir.
0:22:38 > 0:22:40It's nothing special, is it?
0:22:49 > 0:22:52I don't think I'll ever be able to accept what's happened.
0:22:56 > 0:22:57You don't have to.
0:22:58 > 0:23:00I don't subscribe to that model of grief.
0:23:02 > 0:23:06I don't see bereavement as ever being resolved or accepted.
0:23:08 > 0:23:12There is no closure, no recovery.
0:23:13 > 0:23:15But you can learn to live a life
0:23:15 > 0:23:17without the physical presence of your son.
0:23:21 > 0:23:22That's just it.
0:23:26 > 0:23:27I can't.
0:23:32 > 0:23:34He would always come to me for kisses and cuddles.
0:23:39 > 0:23:40He would always hold my hand.
0:23:45 > 0:23:47All I want is for somebody to hold me.
0:23:50 > 0:23:53Tell me I'm going to be all right. That I'm not going mad.
0:24:12 > 0:24:13Would you do that?
0:24:15 > 0:24:17What?
0:24:17 > 0:24:18Hold me?
0:24:25 > 0:24:26Yes.
0:24:58 > 0:25:00He came to my hotel room.
0:25:00 > 0:25:01When?
0:25:01 > 0:25:02Sunday night.
0:25:03 > 0:25:04Monday morning.
0:25:06 > 0:25:07Why?
0:25:17 > 0:25:18What time?
0:25:20 > 0:25:22Between 2.30 and 4.30am.
0:25:24 > 0:25:26About the same time that Sarah Kay was being murdered.
0:25:29 > 0:25:30So he's on the hotel CCTV?
0:25:31 > 0:25:33Probably.
0:25:36 > 0:25:39Did you talk about his case?
0:25:39 > 0:25:40Or your review?
0:25:42 > 0:25:43No.
0:25:48 > 0:25:50James Olson was a married man, Stella.
0:25:52 > 0:25:54Married, two kids.
0:25:55 > 0:25:56That's his business.
0:25:59 > 0:26:00He wasn't wearing a ring.
0:26:00 > 0:26:04I'm sure that'll be of some comfort to his wife when she finds out
0:26:04 > 0:26:07that her husband spent his last night on earth in your bed!
0:26:09 > 0:26:10You were a married man.
0:26:12 > 0:26:13When you spent a night in my bed.
0:26:21 > 0:26:24Am I going to regret my decision to make you head of this Task Force?
0:26:26 > 0:26:27I hope not.
0:26:28 > 0:26:31Did you deliberately withhold this information
0:26:31 > 0:26:32until after the debriefing?
0:26:32 > 0:26:35Yes. But I thought you should know before the press conference.
0:26:38 > 0:26:44An SIO should display high levels of personal integrity.
0:26:45 > 0:26:50Demonstrate professional, ethical and moral standards!
0:26:50 > 0:26:52Show some self-control!
0:26:54 > 0:26:55I wasn't SIO at the time.
0:27:03 > 0:27:05Are you in the least bit upset that Olson is dead?
0:27:08 > 0:27:09Shall we get Martina back in here?
0:27:25 > 0:27:28"I know where you live?" "I know where you live?"
0:27:28 > 0:27:29You scumbag piece of shit!
0:27:29 > 0:27:31Did something happen to your friend?
0:27:31 > 0:27:33- Oh, I am sorry to hear about that. - Get off me!
0:27:33 > 0:27:36I'm a police officer, for God's sake!
0:27:36 > 0:27:37Do wish him a speedy recovery.
0:27:40 > 0:27:42Get off me.
0:27:42 > 0:27:45If I find out you've been doing their dirty work for them...
0:27:45 > 0:27:48Will you get off me! I'm a police officer, for fuck's sake!
0:27:56 > 0:27:59We need to make it clear that Aaron Monroe is of no interest to us.
0:28:02 > 0:28:04I don't see any mention of Aaron Monroe.
0:28:04 > 0:28:05If it comes up.
0:28:07 > 0:28:09There's something not right about him.
0:28:09 > 0:28:10That's as maybe.
0:28:11 > 0:28:13I need his father off my back.
0:28:14 > 0:28:16We should announce that she was pregnant.
0:28:17 > 0:28:21It seems Sarah was on a course in London seven weeks ago.
0:28:21 > 0:28:22Hopefully the father will come forward.
0:28:24 > 0:28:25Can we not call them professional?
0:28:27 > 0:28:29What would you suggest?
0:28:29 > 0:28:32Something that's less of a value judgment?
0:28:32 > 0:28:33Highly-qualified?
0:28:36 > 0:28:40And what about the washing and the posing?
0:28:40 > 0:28:41The more detail we give out,
0:28:41 > 0:28:43the more likely there are to be copycats.
0:28:43 > 0:28:47Also, in my experience, this kind of case encourages false confessions,
0:28:47 > 0:28:49so we need to hold things back.
0:28:51 > 0:28:52The cutting of the hair?
0:28:53 > 0:28:57Yes, we should mention the hair and the jewellery,
0:28:57 > 0:28:59but not the painting of the nails.
0:29:01 > 0:29:03Let's not refer to them as innocent.
0:29:03 > 0:29:04They were innocent.
0:29:06 > 0:29:08What if he kills a prostitute next?
0:29:08 > 0:29:12Or a woman walking home drunk, late at night in a short skirt?
0:29:13 > 0:29:16Will they be in some way less innocent, therefore less deserving?
0:29:16 > 0:29:17Culpable?
0:29:19 > 0:29:24The media loves to divide women into virgins and vamps, angels or whores.
0:29:26 > 0:29:27Let's not encourage them.
0:30:04 > 0:30:06OK.
0:30:06 > 0:30:08Erm, good afternoon, ladies and gentlemen.
0:30:08 > 0:30:11I am Assistant Chief Constable Burns,
0:30:11 > 0:30:14and I would like to thank you all for coming here today.
0:30:20 > 0:30:21CAR HORN BEEPS
0:30:30 > 0:30:31Hello!
0:30:35 > 0:30:36How are you, my darling?
0:30:36 > 0:30:37Exhausted.
0:30:41 > 0:30:43- Where are the kittens?- Come on!
0:30:44 > 0:30:48It is for these reasons we have decided that the three murders
0:30:48 > 0:30:53are linked, and we are seeking one individual for these crimes.
0:30:55 > 0:30:58I met with Sarah Kay's family today and informed them
0:30:58 > 0:31:00of all the latest findings.
0:31:01 > 0:31:05I do, of course, offer them and the families of Fiona Gallagher
0:31:05 > 0:31:10and Alice Parker Monroe my heartfelt condolences.
0:31:11 > 0:31:16The members of my team are working tirelessly to provide them
0:31:16 > 0:31:18with the answers that they require.
0:31:19 > 0:31:23Why were these women killed and who is responsible?
0:31:24 > 0:31:28They're so lovely. Have they got names?
0:31:28 > 0:31:31- Not yet.- Can I pick one up? - If you're gentle.
0:31:33 > 0:31:35Hey, Daddy.
0:31:38 > 0:31:40John. Did I see a new quad bike outside?
0:31:40 > 0:31:41You did.
0:31:43 > 0:31:44Do you want to go on the quad bike? OK.
0:31:47 > 0:31:48Hey, take Olivia.
0:31:48 > 0:31:49She's playing with the kittens.
0:31:49 > 0:31:53Yeah, but she's the eldest. You've got to put her first sometimes.
0:31:59 > 0:32:02Mary Otwin, BBC News. Who discovered the body?
0:32:02 > 0:32:04Her sister, Marion.
0:32:04 > 0:32:07Were there any signs of a sexual assault?
0:32:07 > 0:32:08Er, that's not something
0:32:08 > 0:32:10I would like to disclose at this stage of the investigation.
0:32:10 > 0:32:12Alison O'Brien, TVNI.
0:32:12 > 0:32:14Were the three victims known to each other?
0:32:14 > 0:32:17That is a line of enquiry that we are actively pursuing.
0:32:17 > 0:32:20Was Sarah Kay clothed when she was found?
0:32:20 > 0:32:22No, she was unclothed.
0:32:23 > 0:32:24Ned Callan, Belfast Chronicle.
0:32:24 > 0:32:27Has the review that you were conducting into the death
0:32:27 > 0:32:28of Alice Monroe been suspended?
0:32:28 > 0:32:29Yes, it has.
0:32:29 > 0:32:32Were you the first person to link the three murders?
0:32:32 > 0:32:33I did discern a link between the murders,
0:32:33 > 0:32:38and then discussed them internally with other PSNI officers.
0:32:38 > 0:32:40Were the independent murder enquiries conducted into the deaths
0:32:40 > 0:32:43of Fiona Gallagher and Alice Monroe adequate, in your view?
0:32:44 > 0:32:48I think there is no doubt that the best way to advance the enquiries
0:32:48 > 0:32:52into these three tragic murders is to view them as related
0:32:52 > 0:32:54and to proceed accordingly.
0:32:54 > 0:32:58Can you explain why neighbours report seeing a police patrol car
0:32:58 > 0:33:00outside the most recent victim's house on the Friday evening
0:33:00 > 0:33:02before the murder took place...
0:33:02 > 0:33:04Mr Callan, we've only got a few minutes left
0:33:04 > 0:33:07and there are a lot of other hands raised, so...
0:33:08 > 0:33:10Fucking hell!
0:33:14 > 0:33:17Well done for spotting the wardrobe malfunction.
0:33:17 > 0:33:18- Cleavage?- Just chest.
0:34:13 > 0:34:15Daddy, I want to go back.
0:34:18 > 0:34:19Wait a minute.
0:34:27 > 0:34:29I don't want to go in there.
0:34:30 > 0:34:32Wait a second, OK? wait for Daddy.
0:34:48 > 0:34:50Daddy!
0:35:01 > 0:35:03Daddy! I need a wee!
0:35:15 > 0:35:17I'm going to tell Mummy!
0:35:28 > 0:35:29I'm freezing, Daddy!
0:35:35 > 0:35:37Daddy!
0:36:12 > 0:36:15Mum suggests we stay a day or two.
0:36:15 > 0:36:18I can't. I've got some work to do before tomorrow.
0:36:21 > 0:36:23We could stay, I guess.
0:36:24 > 0:36:27Dad could run the kids to school in the morning, drop me off.
0:36:34 > 0:36:37Mum's offered Olivia one of the kittens.
0:36:37 > 0:36:39What a surprise(!)
0:36:39 > 0:36:40Can she have one?
0:36:40 > 0:36:44Kittens turn into cats. Cats kill the birds.
0:36:44 > 0:36:46We could put it in a collar. With a bell.
0:38:10 > 0:38:13'..decided that the three murders are linked,
0:38:14 > 0:38:19'and we are actively seeking one individual for these crimes.'
0:38:19 > 0:38:23'That was Detective Superintendent Gibson speaking
0:38:23 > 0:38:25'at a press conference earlier today.'
0:38:25 > 0:38:28'The three murder victims, Fiona Gallagher, Alison Monroe
0:38:28 > 0:38:30'and Sarah Kay, were all professional women
0:38:30 > 0:38:34'in their early thirties, killed by strangulation in their own homes.
0:38:34 > 0:38:37'Superintendent Gibson made this appeal.'
0:38:37 > 0:38:42'I would ask that anyone out there today, who has any information
0:38:42 > 0:38:47'whatsoever, to please step forward and speak to us.
0:38:47 > 0:38:51'They can call on the Operation Musicman incident phone...'
0:39:09 > 0:39:13Aaaaah! Mummy!
0:39:26 > 0:39:28Mummy!
0:39:28 > 0:39:30You didn't tell me this was still happening.
0:40:01 > 0:40:03Sssh. It's OK.
0:40:06 > 0:40:09She shouldn't have that necklace on in bed, should she?
0:40:09 > 0:40:10Why?
0:40:10 > 0:40:11She could strangle herself.
0:40:13 > 0:40:17Here, take a wee drink, sweetheart. There you go. That's it.
0:40:17 > 0:40:18Where did she get it?
0:40:18 > 0:40:20Paul gave it to her. Why do you ask?
0:40:20 > 0:40:23Oh, just looks like an odd choice for a little girl.
0:40:23 > 0:40:25She loves it.
0:40:25 > 0:40:29There, OK, that's it.
0:40:29 > 0:40:31Sssh, good girl.
0:40:32 > 0:40:34Good girl.
0:42:05 > 0:42:06What do you think you dreamt about this time?
0:42:06 > 0:42:08It's not a dream.
0:42:08 > 0:42:11Well, what do you think you saw that upset you?
0:42:11 > 0:42:15- A lady.- What lady?
0:42:15 > 0:42:17A lady with no clothes on.
0:42:17 > 0:42:19There is no lady, darling.
0:42:21 > 0:42:22There is at home.
0:42:24 > 0:42:25What?
0:42:27 > 0:42:29I've seen a lady at home.
0:42:30 > 0:42:32Where?
0:42:32 > 0:42:33Upstairs.
0:42:34 > 0:42:35Where upstairs?
0:42:37 > 0:42:39Upstairs in the ceiling.
0:42:40 > 0:42:41What do you mean?
0:42:43 > 0:42:45Above my bedroom.
0:42:47 > 0:42:48It's OK.
0:43:10 > 0:43:13RADIO: 'Police this evening have revealed that murdered solicitor
0:43:13 > 0:43:16'Sarah Kay was pregnant at the time of her death.
0:43:16 > 0:43:18'Family members believe it is possible
0:43:18 > 0:43:21'Sarah was herself unaware of her pregnancy.
0:43:21 > 0:43:24'Police have appealed to anyone involved in an intimate relationship
0:43:24 > 0:43:27'with her in the last two months to come forward
0:43:27 > 0:43:29'to help the police with their enquiries.
0:43:29 > 0:43:31'Detective Superintendent Gibson,
0:43:31 > 0:43:34'who is leading the investigation into the murder of Sarah Kay,
0:43:34 > 0:43:37'which was today linked to two other recent murders in Belfast,
0:43:37 > 0:43:40'refused to comment on whether the killer, if caught,
0:43:40 > 0:43:43'would face charges of child destruction.'
0:45:06 > 0:45:09KNOCK AT DOOR
0:45:09 > 0:45:11I know you're in there. Open the door!
0:45:14 > 0:45:16Open the door, or I'll fucking kick it in!
0:45:19 > 0:45:20I know you're in there!
0:45:30 > 0:45:31Jimmy, what are you doing here?
0:45:32 > 0:45:34Who the hell do you think you are?
0:45:34 > 0:45:37Telling people on my street that I'm in fucking therapy?
0:45:37 > 0:45:42Calling to my house when I'm not there? Sniffing round my wife?
0:45:42 > 0:45:44I didn't say anything to anyone about therapy.
0:45:44 > 0:45:46Then how come the whole fucking world knows?
0:45:46 > 0:45:47Not from me.
0:45:47 > 0:45:49Bullshit.
0:45:49 > 0:45:51You had your Jewboy ID hanging off your fucking neck.
0:45:51 > 0:45:54Liz needs help, Jimmy, can you not see that?
0:45:54 > 0:45:55Not from you, she doesn't.
0:45:56 > 0:45:58I saw the bruises, Jimmy.
0:46:04 > 0:46:06You stay away from my wife.
0:46:09 > 0:46:11Or I'll fucking kill you.
0:46:11 > 0:46:12And your wife.
0:46:13 > 0:46:14And your kids.
0:46:42 > 0:46:43Stella?
0:46:45 > 0:46:49I wondered if you had the test screen results on Sarah Kay?
0:46:49 > 0:46:50I sent them through.
0:46:52 > 0:46:55Did you do the autopsy on James Olson?
0:46:55 > 0:46:58Yes, I did. I've just been talking to his wife.
0:46:58 > 0:47:00Actually, do you have a minute?
0:47:00 > 0:47:02There's something that might interest you.
0:47:02 > 0:47:03Yeah.
0:47:12 > 0:47:14Ever seen anything like this?
0:47:16 > 0:47:17Jesus.
0:47:17 > 0:47:20Seven spent bullets in his body, three in his head.
0:48:28 > 0:48:30How's it going, Jerry?
0:48:30 > 0:48:32We're swamped with phone calls, as you predicted.
0:48:32 > 0:48:35Women turning in their boyfriends, brothers, sons.
0:48:36 > 0:48:39It is a husband, boyfriend, brother or a son we're looking for.
0:48:39 > 0:48:40Yes, ma'am.
0:48:44 > 0:48:46The press got hold of those photographs of Sarah Kay.
0:48:50 > 0:48:52DCI Eastwood's in your office, ma'am.
0:49:02 > 0:49:05I've spoken with Assistant Chief Constable Burns.
0:49:06 > 0:49:09He tells me that Detective Sergeant Olson visited you
0:49:09 > 0:49:11in your hotel room in the early hours of Monday morning?
0:49:11 > 0:49:13That's correct.
0:49:13 > 0:49:15Can you tell me the purpose of that visit?
0:49:16 > 0:49:17Sexual intercourse.
0:49:22 > 0:49:24How long was DS Olson with you?
0:49:24 > 0:49:26Two, two and a half hours.
0:49:26 > 0:49:30Did you converse at all?
0:49:30 > 0:49:31Very little.
0:49:33 > 0:49:35What was his state of mind, would you say?
0:49:35 > 0:49:37He seemed fine.
0:49:37 > 0:49:39- Not preoccupied, worried?- No.
0:49:43 > 0:49:47We retrieved two phones from Sergeant Olson's body.
0:49:47 > 0:49:50One a contract phone, the other an unregistered pay-as-you-go.
0:49:51 > 0:49:53Does your number feature on that list?
0:49:55 > 0:49:57Yes.
0:49:57 > 0:49:58Mark the calls for me.
0:50:25 > 0:50:26Two of these are media messages.
0:50:28 > 0:50:30- Can you tell me what he sent you? - I didn't open them.
0:50:30 > 0:50:32Why?
0:50:32 > 0:50:33I didn't want to.
0:50:34 > 0:50:35Because he was a married man?
0:50:35 > 0:50:37I didn't know that at the time.
0:50:37 > 0:50:38But you didn't think to ask?
0:50:38 > 0:50:39He didn't think to tell me.
0:50:43 > 0:50:45I know nothing that will help you with your enquiry,
0:50:45 > 0:50:48and I have a lot work to do.
0:50:59 > 0:51:02When did you first meet Sergeant Olson?
0:51:03 > 0:51:05That's what really bothers you, isn't it?
0:51:06 > 0:51:08The one night stand.
0:51:09 > 0:51:11Man fucks woman.
0:51:11 > 0:51:15Subject man, verb fucks, object woman. That's OK.
0:51:17 > 0:51:18Woman fucks man.
0:51:19 > 0:51:22Woman subject, man object.
0:51:24 > 0:51:25That's not so comfortable for you, is it?
0:51:51 > 0:51:53OK, here's where I'm at with this guy.
0:51:54 > 0:51:57There's an athleticism to these crimes
0:51:57 > 0:51:59that suggests that he's a young man.
0:52:01 > 0:52:06Sarah Kay was 65 inches tall and weighed 112 pounds.
0:52:06 > 0:52:07The same as a sack of cement
0:52:07 > 0:52:10and he's picking her up and moving her around.
0:52:10 > 0:52:12With no signs on the heels of dragging.
0:52:12 > 0:52:14So he's lifting her. He's strong.
0:52:16 > 0:52:19Fiona Gallagher may have been his first kill,
0:52:19 > 0:52:21but I doubt she was his first attack.
0:52:23 > 0:52:24There's a progression.
0:52:24 > 0:52:29An increased level of criminal sophistication that suggests
0:52:29 > 0:52:34that he understands police work and he knows criminology.
0:52:36 > 0:52:40As such, I would put his age at mid-20s to mid-30s.
0:52:42 > 0:52:44And he's intelligent.
0:52:46 > 0:52:48Even highly intelligent.
0:52:48 > 0:52:49Well, that will go with the psychological
0:52:49 > 0:52:51rather than the physical torture.
0:52:52 > 0:52:55Maybe lower-paid white collar.
0:52:55 > 0:52:56Quasi-professional.
0:52:57 > 0:53:00Less qualified than these women.
0:53:00 > 0:53:05Perhaps he's an underachiever, or at least in his own eyes,
0:53:05 > 0:53:08and he selects victims that he feels inferior to
0:53:08 > 0:53:11and then dominates and humiliates them.
0:53:11 > 0:53:14So he hates women who occupy powerful positions?
0:53:14 > 0:53:15Don't we all?
0:53:24 > 0:53:26So why the washing?
0:53:26 > 0:53:28He likes a clean scene.
0:53:28 > 0:53:31Victims of strangulation mess themselves.
0:53:31 > 0:53:33But the washing is more than that, isn't it?
0:53:34 > 0:53:37It's more than cleaning up, more than destroying evidence.
0:53:47 > 0:53:49He needs them clean for the posing.
0:53:50 > 0:53:52Does he wash them in the bath?
0:53:53 > 0:53:54Does he get in with them?
0:53:56 > 0:53:57- Bathe with them?- Maybe.
0:53:58 > 0:53:59Cleans himself, too.
0:54:00 > 0:54:03Are you thinking there's a religious dimension?
0:54:03 > 0:54:06- What do you mean? - Purifying.
0:54:06 > 0:54:09Washing away their sins, his sins, I don't know.
0:54:15 > 0:54:18What kind of sexual release is he getting at the scene?
0:54:18 > 0:54:19Well, masturbate, I guess.
0:54:20 > 0:54:23There's no ejaculate at the scene.
0:54:23 > 0:54:25Into a condom?
0:54:25 > 0:54:27There's no sign of damage, anal or vaginal.
0:54:27 > 0:54:31Well, he could be having post-mortem intercourse that's not violent.
0:54:31 > 0:54:35For me, the sexual release comes afterwards.
0:54:36 > 0:54:37When he's on his own.
0:54:40 > 0:54:41It's all part of the fantasy.
0:54:41 > 0:54:44The fantasy that sustains him between killings.
0:54:54 > 0:54:55It's about power, and control.
0:54:57 > 0:54:58And the thrill.
0:55:01 > 0:55:03It thrills him to stalk these women.
0:55:07 > 0:55:11To break into their houses, to take their underwear.
0:55:27 > 0:55:28It's about intimacy.
0:55:33 > 0:55:35What could be more intimate than...
0:55:36 > 0:55:39..squeezing the life from another human being?
0:55:43 > 0:55:45Having their dead body at your disposal.
0:56:03 > 0:56:06We've all seen more degrading crime scenes.
0:56:08 > 0:56:10Bodies with objects left inside them.
0:56:13 > 0:56:15This is different.
0:56:25 > 0:56:26It's like an art form to him.
0:56:43 > 0:56:44I'm certain he takes photographs.
0:56:48 > 0:56:49After they're dead.
0:56:51 > 0:56:53They're playthings to him.
0:56:54 > 0:56:57He treats them like objects. He paints their nails.
0:57:01 > 0:57:02He uses them like dolls.
0:57:32 > 0:57:33He's creating his own pornography.
0:58:52 > 0:58:55Subtitles by Red Bee Media Ltd