0:00:02 > 0:00:07This programme contains some violent scenes from the start,
0:00:07 > 0:00:13some strong language and scenes which some viewers may find disturbing
0:00:13 > 0:00:16I'd like you to meet the girls of Monroe Air.
0:00:18 > 0:00:20It was an accident.
0:00:20 > 0:00:23All I want is for somebody to hold me.
0:00:23 > 0:00:25Tell me I'm going to be all right.
0:00:25 > 0:00:26Liz needs help, Jimmy.
0:00:26 > 0:00:29You stay away from my wife. Or I'll kill you.
0:00:29 > 0:00:30And your wife. And your kids.
0:00:32 > 0:00:34He clearly has a victim type.
0:00:34 > 0:00:37They are not victims of chance, they are victims of choice.
0:00:37 > 0:00:40It's possible that he's out there stalking his next victim now.
0:00:50 > 0:00:53'It is with great sorrow and regret that I can confirm the identity
0:00:53 > 0:00:56'of the officer killed in the line of duty
0:00:56 > 0:00:59'on Monday in North Belfast.'
0:00:59 > 0:01:01'Detective Sergeant James Olson
0:01:01 > 0:01:04'was a dedicated and hard-working policeman,
0:01:04 > 0:01:07'liked and respected by his colleagues.'
0:01:07 > 0:01:09'Just 31 years old,
0:01:09 > 0:01:13'he leaves behind a wife and two small children.'
0:01:13 > 0:01:16'On behalf of all the law-abiding citizens of Northern Ireland,
0:01:16 > 0:01:18'I wish to offer my deep condolences
0:01:18 > 0:01:22'to his family, his friends and his colleagues.'
0:02:02 > 0:02:03Dani?
0:02:03 > 0:02:04'Yes, ma'am?'
0:02:04 > 0:02:07I've got the lab report back on the varnish that was used
0:02:07 > 0:02:09on Sarah Kay's finger and toenails.
0:02:09 > 0:02:11It's called Jezebel Red. It's by Connell.
0:02:11 > 0:02:13Part of their Painted Lady range.
0:02:13 > 0:02:14Sold everywhere, unfortunately.
0:02:16 > 0:02:17'Right.'
0:02:17 > 0:02:18Can you get me some?
0:02:20 > 0:02:22The shops aren't open yet.
0:02:22 > 0:02:24You'll think of something.
0:02:37 > 0:02:38Daddy!
0:02:38 > 0:02:39Hey.
0:02:42 > 0:02:44Yeugh, you're sweaty!
0:02:44 > 0:02:46I thought you were at work.
0:02:46 > 0:02:48I got back early, went for a run.
0:02:48 > 0:02:50Instead of being here to help me with the kids.
0:02:51 > 0:02:54Must be nice to have all that energy to burn.
0:02:56 > 0:02:57Get your things. It's time to go.
0:02:59 > 0:03:00Liam.
0:03:00 > 0:03:01Here.
0:03:08 > 0:03:09Right, I'm leaving now. >
0:03:09 > 0:03:11If anyone's coming with me, they'd better hurry up. >
0:03:11 > 0:03:13SHE MOUTHS
0:03:16 > 0:03:18- Bye, Pops.- Bye.
0:04:28 > 0:04:31I took a call on Olson's phone the morning after the shooting
0:04:31 > 0:04:32from an unregistered mobile number.
0:04:32 > 0:04:35The number subsequently went dead.
0:04:35 > 0:04:39The call came from somewhere inside this hotel. We checked the register.
0:04:39 > 0:04:42A suite was booked in the name of Belfast Events Limited.
0:04:42 > 0:04:45Company director, Aaron Monroe.
0:04:48 > 0:04:50This is the next morning.
0:04:51 > 0:04:54Breedlove with one of the girls.
0:04:54 > 0:04:56The suite has been cleaned at least twice since then.
0:04:56 > 0:05:00But we still found traces of Class A drugs and blood.
0:05:00 > 0:05:05These two were picked up an hour or so later by Morgan Monroe's driver.
0:05:06 > 0:05:09Both Rossmeisl and Lang
0:05:09 > 0:05:12have made substantial contributions to the Alice Monroe Fund.
0:05:21 > 0:05:25How do Breedlove and Olson fit into this?
0:05:25 > 0:05:26Back in the day,
0:05:26 > 0:05:29Breedlove was Morgan Monroe's close protection officer.
0:05:29 > 0:05:31He might have been there moonlighting, providing security.
0:05:34 > 0:05:36He might have been there to supply them with the drugs,
0:05:36 > 0:05:37and/or the girls.
0:05:39 > 0:05:40Olson, I'm not sure.
0:05:42 > 0:05:45It's starting to look like my praise for a dear departed colleague
0:05:45 > 0:05:47was fabulously premature.
0:05:48 > 0:05:51We have a facility on Breedlove's phone.
0:05:51 > 0:05:53He put in a call to Aaron Monroe this morning.
0:05:54 > 0:05:55He seems to have some concerns
0:05:55 > 0:05:57that he might meet the same fate as Olson.
0:06:00 > 0:06:02Looking at this girl's face,
0:06:02 > 0:06:05if she's badly injured, that's a loss of earnings right there.
0:06:05 > 0:06:08These girls make ten grand a week easily.
0:06:08 > 0:06:12Breedlove seemed to be suggesting that this has happened before.
0:06:12 > 0:06:15Talked about making a payment of 30 grand to someone called "Mirko".
0:06:17 > 0:06:20The girls flew into Dublin from Heathrow. Then came north by road.
0:06:20 > 0:06:22I'm making inquiries with the Met.
0:06:27 > 0:06:29- Bring him in.- Breedlove?
0:06:29 > 0:06:30Bring him in.
0:06:39 > 0:06:41Paul.
0:06:41 > 0:06:42Paul?
0:06:44 > 0:06:45Paul!
0:06:52 > 0:06:53Did you not hear me calling you?
0:06:53 > 0:06:55When, Charles?
0:06:55 > 0:06:57You just passed me in the corridor.
0:06:57 > 0:06:58Did I? I didn't see you.
0:07:05 > 0:07:06I have an appointment.
0:07:06 > 0:07:09And I've just had James Tyler in here this morning.
0:07:10 > 0:07:12To say he was angry would be a considerable understatement.
0:07:14 > 0:07:17He says you made an unscheduled house call on his wife.
0:07:17 > 0:07:18When she was home alone.
0:07:20 > 0:07:22It wasn't unscheduled. She called.
0:07:22 > 0:07:23Very upset.
0:07:23 > 0:07:25Why didn't you have an appointment here?
0:07:25 > 0:07:28You know he beats her? She was black and blue.
0:07:28 > 0:07:32Then you report it to the police. There are protocols,
0:07:32 > 0:07:34that you seem to think you can ignore with impunity.
0:07:34 > 0:07:37Anyway, she has an appointment. She's coming in today.
0:07:38 > 0:07:40It's not in the diary.
0:07:40 > 0:07:42I need to make a phone call to confirm.
0:07:44 > 0:07:47Did you talk to any of the local residents when you were there?
0:07:47 > 0:07:49Discuss Mr Tyler's personal business with them?
0:07:51 > 0:07:52Does that seem likely?
0:07:52 > 0:07:54I don't know.
0:07:54 > 0:07:55You tell me.
0:07:56 > 0:07:58I asked for some directions.
0:07:58 > 0:08:00Maybe they saw my name tag.
0:08:00 > 0:08:02You can bet your life they did. This is Shankill, Paul.
0:08:02 > 0:08:05Not some place you can come and go willy-nilly without being noticed.
0:08:06 > 0:08:08- "Willy-nilly"?- You know what I mean.
0:08:16 > 0:08:18I'd like to talk to Mrs Tyler when she comes in.
0:08:24 > 0:08:25PHONE RINGS
0:08:34 > 0:08:36'Detective Inspector Breedlove?'
0:08:36 > 0:08:37Speaking.
0:08:37 > 0:08:38'It's DCI Eastwood.'
0:08:38 > 0:08:40'I'd like to have a talk with you, Rob.'
0:08:41 > 0:08:42When?
0:08:42 > 0:08:44'Right away, if possible.'
0:08:47 > 0:08:48What about?
0:08:48 > 0:08:51'I think you might be able to help me clarify some issues
0:08:51 > 0:08:53'surrounding the murder of James Olson.'
0:08:53 > 0:08:55'I'd appreciate your help.'
0:08:59 > 0:09:01I'll come in.
0:09:12 > 0:09:13I have to go.
0:09:17 > 0:09:18Don't be long.
0:10:16 > 0:10:17They're Mosuo women.
0:10:18 > 0:10:22They're a small ethnic group living in China on the border with Tibet.
0:10:22 > 0:10:27They're a matriarchal society. Well, matrilineal.
0:10:27 > 0:10:30They don't practise traditional marriage, no husbands and wives.
0:10:31 > 0:10:34They practise what's called walking marriage.
0:10:35 > 0:10:37The partners live in different households.
0:10:39 > 0:10:40I'm simplifying.
0:10:42 > 0:10:45One of Sarah Kay's work colleagues said she talked about them
0:10:45 > 0:10:48at the bar on the night that she called you to the house.
0:10:49 > 0:10:51Drinking wine with her friends suggests to me
0:10:51 > 0:10:53that she didn't know that she was pregnant.
0:10:54 > 0:10:56And she didn't tell any of her family
0:10:56 > 0:11:00and no-one's come forward to say that they're the father.
0:11:00 > 0:11:02So I thought maybe it was just a sweet night.
0:11:04 > 0:11:05What's that?
0:11:06 > 0:11:09It's what the Mosuo women call secret visits
0:11:09 > 0:11:12when a woman asks a man to spend the night and then leave in the morning.
0:11:14 > 0:11:17How do you know so much about it?
0:11:17 > 0:11:18It's not a secret.
0:11:22 > 0:11:24My first degree was in Anthropology.
0:11:24 > 0:11:26You're FIRST degree?
0:11:26 > 0:11:27Umm. I have hundreds.
0:11:30 > 0:11:32I need you to come in.
0:11:32 > 0:11:33'I can't.'
0:11:34 > 0:11:37Liz, I shouldn't have called on you at home like that.
0:11:38 > 0:11:39It's against the rules.
0:11:41 > 0:11:42My job is on the line.
0:11:44 > 0:11:45Jimmy needn't know.
0:11:47 > 0:11:49I just want you to come in. This afternoon.
0:11:51 > 0:11:52'I can't.'
0:11:53 > 0:11:54Why?
0:11:56 > 0:11:58'I don't want to see anyone at the moment.'
0:12:01 > 0:12:05Put on a headscarf and some dark glasses.
0:12:05 > 0:12:07You'll look like Sophia Loren.
0:12:07 > 0:12:08'Who's she?'
0:12:12 > 0:12:13You asked me to hold you, Liz.
0:12:15 > 0:12:16And I held you.
0:12:18 > 0:12:20Now I'm asking you to do this for me.
0:13:05 > 0:13:06DOOR BUZZES
0:13:12 > 0:13:14Rob.
0:13:14 > 0:13:15Come on through.
0:13:22 > 0:13:23Do you want kids?
0:13:25 > 0:13:27Maybe, one day.
0:13:29 > 0:13:30Do you have a man?
0:13:30 > 0:13:32A man?
0:13:33 > 0:13:34No.
0:13:41 > 0:13:42I'm gay.
0:13:46 > 0:13:48The neighbours report hearing a hairdryer
0:13:48 > 0:13:50in the early hours of the morning.
0:13:51 > 0:13:53Perhaps he was drying her body?
0:13:57 > 0:13:59Perhaps he was drying the nails.
0:14:14 > 0:14:16Where were you when I called you?
0:14:16 > 0:14:17At the Olsons'.
0:14:17 > 0:14:20How are they? Are they bearing up?
0:14:20 > 0:14:22I don't think it's really sunk in yet.
0:14:22 > 0:14:26Your phone records show a lot of calls to the Olson home number.
0:14:29 > 0:14:31You've pulled my phone records?
0:14:31 > 0:14:32Why so many calls?
0:14:34 > 0:14:36He was my partner. My friend.
0:14:39 > 0:14:42A high proportion of those calls were at times Olson was at work.
0:14:44 > 0:14:45Often at work with you.
0:14:48 > 0:14:49Were those calls made to Vicky?
0:14:54 > 0:14:56- Do you know why he joined the police force?- I don't.
0:14:58 > 0:15:01That bomb in '87. He lost his father.
0:15:02 > 0:15:05Would have been six at the time, same age.
0:15:05 > 0:15:06I don't remember the name Olson.
0:15:06 > 0:15:08His mother remarried.
0:15:13 > 0:15:16It was me called his phone that morning, when you answered.
0:15:16 > 0:15:19OK, Robbie. Be careful what you say now.
0:15:19 > 0:15:22I had no idea he was already dead. You have to believe me.
0:15:22 > 0:15:25You should take legal advice before you say anything more.
0:15:25 > 0:15:29Gunned down in the street in front of his son. Fucking shitbags.
0:15:30 > 0:15:32Who?
0:15:32 > 0:15:33Who's a shitbag? McInturff?
0:15:33 > 0:15:35Yes, McInturff!
0:15:37 > 0:15:39Do you really believe that?
0:15:39 > 0:15:41Or was your outburst at the station all for show?
0:15:45 > 0:15:47- Have you had someone following me? - No.
0:15:47 > 0:15:49Cos there was a car on my tail coming here just now.
0:15:49 > 0:15:52- Nothing to do with me. - You swear?
0:15:52 > 0:15:53I swear.
0:15:59 > 0:16:01I'm going to have to caution you, Rob.
0:16:01 > 0:16:02What are you doing, arresting me?
0:16:02 > 0:16:03We want to get this sorted.
0:16:05 > 0:16:07Are you carrying a firearm?
0:16:07 > 0:16:09- No.- Where is it?
0:16:09 > 0:16:12- Er, it's in my desk drawer.- I had someone check your desk drawer.
0:16:17 > 0:16:22If I'd just lost a partner, and I feared I might be next,
0:16:22 > 0:16:24I'd be carrying.
0:16:27 > 0:16:29I need to take the weapon from you, Rob. I'm sorry.
0:16:37 > 0:16:38That's all right.
0:16:40 > 0:16:42I understand.
0:16:42 > 0:16:44You're just doing what you have to do.
0:16:50 > 0:16:54All this can be sorted out really easily. Really, really easily.
0:16:58 > 0:16:59GUNSHOT
0:16:59 > 0:17:01WOMAN SCREAMS
0:17:07 > 0:17:09Somebody call an ambulance!
0:17:12 > 0:17:14Get this woman out.
0:17:23 > 0:17:25Matthew, Matthew.
0:17:26 > 0:17:28Come with me.
0:17:31 > 0:17:33Get everybody out.
0:17:33 > 0:17:34Jerry.
0:17:38 > 0:17:39Seal these rooms off.
0:17:43 > 0:17:45Call forensics.
0:17:45 > 0:17:47Matthew, can you hear me?
0:17:48 > 0:17:50Look at me.
0:17:50 > 0:17:52Matthew, what happened in there?
0:17:53 > 0:17:54What happened?
0:17:54 > 0:17:56He was handing me his gun.
0:17:58 > 0:18:00Then he put it to his face and fired.
0:18:00 > 0:18:01- Deliberately?- Yes.
0:18:01 > 0:18:03- Wasn't just a threat and the gun went off?- No.
0:18:04 > 0:18:06No, he meant to do it.
0:18:07 > 0:18:08- Do you have your gun on you?- No.
0:18:15 > 0:18:18Right, I'm going to get a CSI here to take your clothes, all right?
0:18:18 > 0:18:19- Yes.- Right.
0:18:21 > 0:18:24We're going to do this right, we're going to sort this out.
0:18:34 > 0:18:35Do you feel afraid at home?
0:18:42 > 0:18:43It's unacceptable, Liz.
0:18:45 > 0:18:47You have the right to feel safe in your own home.
0:18:49 > 0:18:50I start it.
0:18:51 > 0:18:53I throw things at him.
0:18:53 > 0:18:54I provoke him.
0:18:58 > 0:19:02Even if that's true, the responsibility for domestic violence
0:19:02 > 0:19:05always lies with the abuser, Liz.
0:19:05 > 0:19:07Never with the abused.
0:19:09 > 0:19:11He wasn't always like this.
0:19:13 > 0:19:15It's been since Danny died.
0:19:24 > 0:19:27You're wearing a long sleeved top.
0:19:27 > 0:19:28That's unusual for you.
0:19:31 > 0:19:33Are you self-harming?
0:19:33 > 0:19:34No.
0:19:36 > 0:19:38Does he force you sexually?
0:19:54 > 0:19:57As your counsellor, Liz, I'm not supposed to give advice.
0:19:57 > 0:19:58But these people can.
0:20:06 > 0:20:08He's out of prison on licence.
0:20:12 > 0:20:14If I call the police, he'll go straight back to jail.
0:20:17 > 0:20:18I can't do that to him.
0:20:21 > 0:20:27Liz, under the Domestic Violence, Crime And Victims Act,
0:20:27 > 0:20:31charges can be brought against your husband without your permission.
0:20:31 > 0:20:32I can make the call.
0:20:35 > 0:20:37But it's important for you that you do it yourself.
0:20:40 > 0:20:43They can arrange a shelter until he's arrested.
0:20:47 > 0:20:48I'm offering you a lifeline.
0:20:51 > 0:20:52Take it.
0:21:20 > 0:21:21Can we talk?
0:21:21 > 0:21:23I have to wash.
0:21:23 > 0:21:25I'll come with you.
0:21:34 > 0:21:38It seems Breedlove was having an affair with James Olson's wife.
0:21:41 > 0:21:42Why are you telling me?
0:21:44 > 0:21:46I thought it might help.
0:21:47 > 0:21:48If you were feeling at all guilty.
0:21:48 > 0:21:50I'm not.
0:21:52 > 0:21:55It's unclear whether Olson knew or not,
0:21:55 > 0:21:57whether he suspected anything.
0:22:01 > 0:22:03How was he when he was with you?
0:22:04 > 0:22:07Fine. We've been over this.
0:22:07 > 0:22:10But the text messages, the picture images,
0:22:10 > 0:22:11breaching the cordon at a crime scene?
0:22:11 > 0:22:12They all surprised me.
0:22:14 > 0:22:15I read him wrong.
0:22:15 > 0:22:17In what way?
0:22:17 > 0:22:20I thought he was the type to accept it for what it was and move on.
0:22:22 > 0:22:23A sweet night.
0:22:25 > 0:22:26What?
0:22:27 > 0:22:29Nothing.
0:22:32 > 0:22:34Do you have any idea of the effect you have on men?
0:22:38 > 0:22:39I'd have left my wife...
0:22:41 > 0:22:42..my kids...
0:22:44 > 0:22:46..everything for you.
0:22:48 > 0:22:50That would have been a mistake.
0:22:58 > 0:22:59I'm sorry.
0:23:01 > 0:23:03I shouldn't have said that.
0:23:05 > 0:23:07I'm sorry.
0:23:11 > 0:23:12Thank you.
0:23:13 > 0:23:15For handling things so calmly.
0:23:17 > 0:23:18And so efficiently.
0:23:32 > 0:23:34You've done the right thing calling us.
0:23:37 > 0:23:39Making that call is the hardest part.
0:23:41 > 0:23:43From now on you'll have our support.
0:23:58 > 0:23:59Boss.
0:24:01 > 0:24:04All three victims are on professional websites.
0:24:04 > 0:24:05All have a detailed profile.
0:24:05 > 0:24:08All with a professional portrait photograph.
0:24:09 > 0:24:12Maybe this is how he finds them?
0:24:12 > 0:24:14I mean, if the killer's trawling professional websites
0:24:14 > 0:24:15looking for victims,
0:24:15 > 0:24:18should we do the same to identify potential targets?
0:24:19 > 0:24:21I'm not sure we can.
0:24:21 > 0:24:24If we do identify women who we think conform to the killer's type,
0:24:24 > 0:24:26what are we going to do?
0:24:26 > 0:24:27Warn them?
0:24:27 > 0:24:28PHONE RINGS
0:24:28 > 0:24:30If we warn them we have to protect them
0:24:30 > 0:24:32and we don't have the resources.
0:24:33 > 0:24:35Hello?
0:24:35 > 0:24:36'Hi, it's me.'
0:24:36 > 0:24:38'The crime scene is being released back to the family
0:24:38 > 0:24:40'and I'd like to take another look.'
0:24:40 > 0:24:41When?
0:24:41 > 0:24:43'Now.'
0:24:43 > 0:24:44All right, I'll meet you there.
0:25:05 > 0:25:07Mrs Shergold and I would like a word.
0:25:08 > 0:25:09When?
0:25:09 > 0:25:11Now.
0:25:21 > 0:25:24Home-visiting can be very useful from a diagnostic point of view.
0:25:24 > 0:25:26But it's in breach of department guidelines.
0:25:26 > 0:25:29Seeing someone in their home environment can provide
0:25:29 > 0:25:32unexpected information about their psyche...
0:25:32 > 0:25:33Paul, please.
0:25:35 > 0:25:36"Paul, please"?
0:25:36 > 0:25:39Mrs Shergold is in complete agreement with me over this matter.
0:25:39 > 0:25:43The protocols are in place to protect you as well as the clients.
0:25:43 > 0:25:46We simply cannot tolerate any further indiscipline.
0:25:46 > 0:25:47You can consider this an official warning.
0:25:47 > 0:25:49You'll be receiving a letter.
0:25:49 > 0:25:50You'll be receiving a letter.
0:25:51 > 0:25:52What?
0:25:52 > 0:25:53What?
0:25:55 > 0:25:57I'm sorry, I'm not following.
0:25:57 > 0:25:58I'm sorry, I'm not following.
0:26:00 > 0:26:02Are you taking this seriously?
0:26:02 > 0:26:03Are you taking this seriously?
0:26:04 > 0:26:06I don't understand.
0:26:06 > 0:26:07Then let me explain.
0:26:09 > 0:26:11I've just done a good thing.
0:26:11 > 0:26:13A very good thing.
0:26:13 > 0:26:17And thanks to me, Liz Tyler can sleep safe tonight.
0:26:17 > 0:26:19You people should be congratulating me,
0:26:19 > 0:26:22not bleating on about petty rules and regulations.
0:26:30 > 0:26:31Where was he hiding?
0:26:31 > 0:26:32Do you think?
0:26:34 > 0:26:35When he first attacked her?
0:26:37 > 0:26:38In here?
0:26:53 > 0:26:54Or from here?
0:26:55 > 0:26:57'She's at the top of the stairs.'
0:26:57 > 0:27:01'He comes out fast, overpowers her.'
0:27:01 > 0:27:03GIRL SCREAMS
0:27:03 > 0:27:04'So he lifts her...'
0:27:06 > 0:27:08..carries her, struggling, into the bedroom.
0:27:10 > 0:27:13He gets her on to the bed, pins her down,
0:27:13 > 0:27:16then he ties her to the bed frame.
0:27:16 > 0:27:18The ligature marks suggest maybe here and there.
0:27:23 > 0:27:25You know, it's possible he was in here with her
0:27:25 > 0:27:31and had her tied up, when there were patrol cops at the front door.
0:27:31 > 0:27:32I didn't know that.
0:27:32 > 0:27:34Yeah, the answer machine was over there.
0:27:38 > 0:27:40It was set to play messages as they came in.
0:27:42 > 0:27:46She might even have heard the call.
0:27:46 > 0:27:47'This is PC Dani Ferrington.'
0:27:47 > 0:27:50'I'm calling from outside your house.'
0:27:50 > 0:27:52'If you are there, it is the police at the door.'
0:27:52 > 0:27:54'I was hoping to speak with you
0:27:54 > 0:27:56'to follow up on the incident that occurred on Friday.'
0:27:56 > 0:27:58- 'Please ring when you get this message.'- Why these women?
0:27:58 > 0:28:01Why professional women? What's he punishing them for?
0:28:11 > 0:28:15What will you tell your daughters in the future?
0:28:16 > 0:28:17About how to stay safe?
0:28:19 > 0:28:21Pretty much what I tell them now.
0:28:21 > 0:28:22Don't talk to strange men.
0:28:25 > 0:28:26Strange men?
0:28:28 > 0:28:29Any man.
0:28:48 > 0:28:50Hey.
0:28:50 > 0:28:51Hey.
0:28:55 > 0:28:57- You going home?- Yes.
0:28:57 > 0:28:58Do you want a lift?
0:28:59 > 0:29:01I'm OK walking.
0:29:03 > 0:29:05Haven't you heard? There's a strangler on the prowl.
0:29:08 > 0:29:09Are you going to protect me?
0:29:34 > 0:29:35What's it like?
0:29:36 > 0:29:41You know, being face to face with someone who's killed over and over?
0:29:41 > 0:29:42You're thinking of Moon?
0:29:42 > 0:29:44Hmm.
0:29:44 > 0:29:46I directed the interviews. I didn't speak to him personally.
0:29:46 > 0:29:49How do you interview someone like that?
0:29:50 > 0:29:53Well, with Moon it was easy. He wanted to talk.
0:29:53 > 0:29:55Most of the time he seemed deranged.
0:29:56 > 0:30:00During his trial, he had to be removed from the court for singing.
0:30:01 > 0:30:03He was an idiot.
0:30:03 > 0:30:08We had CCTV footage of him arriving at his block of flats
0:30:08 > 0:30:11with a nice new suitcase, clearly empty,
0:30:11 > 0:30:15and then leaving an hour later dragging it along the ground.
0:30:15 > 0:30:16Moving a body?
0:30:16 > 0:30:18What was left of it.
0:30:18 > 0:30:20The prime cuts were in the freezer.
0:30:24 > 0:30:30When I was a DC, I spent years as a lead interviewer and a sweeper.
0:30:31 > 0:30:34And the techniques are pretty standard.
0:30:35 > 0:30:37You try and establish a rapport.
0:30:37 > 0:30:38With a cannibal?
0:30:38 > 0:30:41Well, with anybody. You start with what you know,
0:30:41 > 0:30:44present the facts that you have at your disposal...
0:30:46 > 0:30:48..and then you take it from there.
0:30:53 > 0:30:56I've been thinking a lot lately about a friend of mine.
0:30:58 > 0:30:59Really? Why?
0:30:59 > 0:31:03When she was a student she was briefly with a guy who...
0:31:06 > 0:31:10..almost strangled her to death one night, in bed.
0:31:12 > 0:31:13Where was this?
0:31:14 > 0:31:16In Belfast.
0:31:16 > 0:31:18When?
0:31:18 > 0:31:19About eight or nine years ago.
0:31:22 > 0:31:23Did she report it to the police?
0:31:23 > 0:31:25No, she didn't.
0:31:25 > 0:31:27She's married now and has children.
0:31:28 > 0:31:30I know she's never told her husband.
0:31:31 > 0:31:33What's her name?
0:31:35 > 0:31:39# You walked me home in the dark
0:31:39 > 0:31:42# Streets wet from rain near the park
0:31:43 > 0:31:47# We said goodbye at my door
0:31:47 > 0:31:51# And I knew then that life Could be so much more
0:31:54 > 0:31:58# Rain brought me back to your door
0:31:59 > 0:32:02# You held me down on the floor
0:32:03 > 0:32:07# I saw the pain in your eyes
0:32:07 > 0:32:12# And I knew then that love Would be my demise
0:32:12 > 0:32:15# And I know, yes, I know... #
0:32:15 > 0:32:16It's just right.
0:32:16 > 0:32:20# From the tips of my fingers To the ring on my toe
0:32:20 > 0:32:22# I know
0:32:22 > 0:32:24# Yes I know... #
0:33:25 > 0:33:27I meant to show you.
0:33:31 > 0:33:32Another of Livvy's drawings.
0:33:44 > 0:33:47Where did she get this paper?
0:33:47 > 0:33:48What?
0:33:49 > 0:33:51I'm just wondering where she got the paper.
0:33:52 > 0:33:55There's a baby at work, she's really poorly.
0:33:55 > 0:33:59Her mother, she's only 18 herself.
0:34:01 > 0:34:05But she's really devoted, a really good mother.
0:34:08 > 0:34:09It's really got to me.
0:34:13 > 0:34:14I can tell.
0:34:22 > 0:34:23Come back to bed.
0:34:26 > 0:34:29I guess she hears me talking about babies and mothers.
0:34:29 > 0:34:31I get upset and then I get short with them.
0:34:31 > 0:34:34And then there's all the stuff in the papers at the moment.
0:34:35 > 0:34:37She doesn't read the papers.
0:34:37 > 0:34:39It's on the telly, on the radio.
0:34:49 > 0:34:51Her teacher says it's just a stage.
0:34:53 > 0:34:56She doesn't just draw what she sees, she draws what she knows.
0:34:58 > 0:35:02She knows a pregnant lady has a baby in her tummy, that's all.
0:35:27 > 0:35:28BANGING ON DOOR
0:35:28 > 0:35:30Armed police! Open up.
0:35:35 > 0:35:36Police!
0:35:43 > 0:35:46Oi! Oi! What the fuck is going...
0:35:50 > 0:35:53James Tyler, I'm arresting you for assault and causing
0:35:53 > 0:35:56actual bodily harm on your wife Liz Tyler.
0:35:56 > 0:35:58You do not have to say anything but it may harm your defence
0:35:58 > 0:36:03if you do not mention something which you may later rely on.
0:36:03 > 0:36:06Anything you do say may be given in evidence.
0:36:06 > 0:36:07Do you understand?
0:36:07 > 0:36:08Get fucking off me.
0:36:08 > 0:36:10Get in there!
0:36:10 > 0:36:11That's it lads, well done.
0:36:18 > 0:36:20- It could be a lot worse.- How?
0:36:21 > 0:36:24He hasn't got hold of the fact that they went back on Sunday night.
0:36:38 > 0:36:41Ferrington has effectively been taken off uniformed duties.
0:36:43 > 0:36:45Stone has been assigned to another team.
0:36:46 > 0:36:49It's good it's out there at last. Now they can move on.
0:36:49 > 0:36:51Maybe you'd like to explain that to the Policing Executive.
0:36:51 > 0:36:53Why is that your responsibility?
0:36:53 > 0:36:55Leave that to the Uniform to deal with.
0:36:55 > 0:36:56PHONE RINGS
0:36:56 > 0:36:58I need to take this.
0:37:00 > 0:37:01Gibson.
0:37:01 > 0:37:03'It's McCurdy, ma'am.'
0:37:03 > 0:37:05'It seems the killer of Sarah Kay...'
0:37:06 > 0:37:09Morgan, I'd hoped I'd run into you.
0:37:11 > 0:37:14Sorry, sir. I have to go. There's been a development.
0:37:15 > 0:37:17Take my car. Keep me up to speed.
0:37:22 > 0:37:24I don't have long, I'm afraid, Jim.
0:37:24 > 0:37:28This won't take long. Morgan. I'm banking on your support today.
0:37:30 > 0:37:33The investigation into the murder of those three young women,
0:37:33 > 0:37:36Alice included, the murder of Michael Lockwood, James Olson,
0:37:36 > 0:37:38the apparent suicide of Rob Breedlove,
0:37:38 > 0:37:41has stretched us very thin. To breaking point, in fact.
0:37:43 > 0:37:45I'm not sure I can give you that support, Jim.
0:37:46 > 0:37:49I was speaking to the Chief Constable today...
0:37:49 > 0:37:52The investigation into the murder of James Olson has thrown up
0:37:52 > 0:37:53some very uncomfortable details.
0:37:53 > 0:37:56Uncomfortable, I think, for both of us.
0:38:01 > 0:38:02Like?
0:38:02 > 0:38:04Like one of my officers being present in a hotel suite
0:38:04 > 0:38:07with your son and two of your German business colleagues
0:38:07 > 0:38:09on the night that Olson was killed.
0:38:09 > 0:38:15A hotel suite where prostitutes were present, where serious Class A drugs
0:38:15 > 0:38:18were being consumed and where a serious assault took place.
0:38:22 > 0:38:25We'll continue to ventilate her and provide pain relief.
0:38:26 > 0:38:29But I think the time has come to let nature take its course.
0:38:31 > 0:38:34We will withdraw intensive care this morning.
0:38:38 > 0:38:40How long will it take?
0:38:40 > 0:38:41A matter of hours.
0:38:47 > 0:38:49Will you stay with me?
0:38:49 > 0:38:51Yes.
0:38:51 > 0:38:52Of course.
0:38:55 > 0:38:58It came with this morning's post. Addressed to me.
0:38:58 > 0:39:03I opened it and Marion has touched it, too. That's it.
0:39:11 > 0:39:14Mary, would you read that out loud for me?
0:39:14 > 0:39:16Would that be all right?
0:39:16 > 0:39:17Of course.
0:39:22 > 0:39:24"Dear Mr Kay."
0:39:24 > 0:39:28"I saw your other daughter Marion named in the newspaper
0:39:28 > 0:39:32"and was able to obtain her address without too much difficulty."
0:39:32 > 0:39:36"I also saw that you had to identify your daughter's body
0:39:36 > 0:39:38"and I am sorry you had to do that."
0:39:38 > 0:39:41"Please understand. I would never have killed her
0:39:41 > 0:39:43"if I had known she was pregnant..."
0:39:43 > 0:39:44'..babies are innocent,
0:39:44 > 0:39:48'and I have always felt very protective of children.'
0:39:48 > 0:39:51'Part of me says, "What's one less person on this earth?"
0:39:52 > 0:39:55'Part of me hopes I do not have to meet you face-to-face
0:39:55 > 0:39:58'in this world or the next to explain.'
0:39:59 > 0:40:02'I took her driver's licence from her blue wallet -
0:40:02 > 0:40:04'now I'm giving it back.'
0:40:04 > 0:40:08'You won't see the cat again - cats are evil creatures.'
0:40:10 > 0:40:14'One must have chaos in oneself to give birth to a dancing star.'
0:41:01 > 0:41:02Hello, you.
0:41:04 > 0:41:08It's from Thus Spake Zara...
0:41:08 > 0:41:12Zarathustra. Yes, Nietzsche. Have you got the context?
0:41:14 > 0:41:17"I say unto you: one must still have chaos in oneself
0:41:17 > 0:41:20"to be able to give birth to a dancing star."
0:41:20 > 0:41:24"Alas, the time of the most despicable man is coming."
0:41:24 > 0:41:28"He that is no longer able to despise himself."
0:41:29 > 0:41:32"Behold, I show you the last man. What is love?"
0:41:33 > 0:41:37"What is creation? What is longing? What is a star?"
0:41:39 > 0:41:41"Thus asks the last man and blinks."
0:41:51 > 0:41:54We have your fingerprints on record, Marion.
0:41:54 > 0:41:56We're going to need yours, too, sir.
0:41:57 > 0:41:59Of course.
0:41:59 > 0:42:01We'll take a look at these.
0:42:01 > 0:42:03Fingerprints, paper analysis, ink analysis.
0:42:03 > 0:42:05We'll check for indentations.
0:42:07 > 0:42:08This could be very significant for us.
0:42:18 > 0:42:21He talks about meeting me in this world or the next.
0:42:21 > 0:42:22Yes.
0:42:22 > 0:42:25I believe he has had faith at some point in his life.
0:42:28 > 0:42:32I'd like to make an appeal. A public appeal.
0:42:36 > 0:42:38I'd like to ask him to stop what he's doing.
0:42:38 > 0:42:40Stop these terrible crimes.
0:42:40 > 0:42:42Give himself up.
0:42:42 > 0:42:45Repent and ask for God's forgiveness.
0:42:56 > 0:42:58Hey, Joan, it's me. How are the kids?
0:42:58 > 0:42:59'Ah, they're grand.'
0:42:59 > 0:43:01Has Paul left for work yet?
0:43:01 > 0:43:04'Ten, 15 minutes ago.'
0:43:04 > 0:43:07Is there any way you can stay tonight?
0:43:07 > 0:43:08'All night?'
0:43:09 > 0:43:11Baby girl Mitchell's off the life support.
0:43:11 > 0:43:14And I want to see it through with her mother.
0:43:14 > 0:43:16'Oh, God. I really can't, Sally.'
0:43:17 > 0:43:19It's OK.
0:43:19 > 0:43:21'I'm sorry, I have to leave by nine at the latest.'
0:43:23 > 0:43:24OK.
0:43:36 > 0:43:38Are you sure it's him? Not a hoax?
0:43:38 > 0:43:39I think it's him.
0:43:39 > 0:43:41Expressing remorse?
0:43:41 > 0:43:43Yes, remorse.
0:43:43 > 0:43:46Just not about the murder itself as Ian Kay would like to think.
0:43:46 > 0:43:47Then what?
0:43:48 > 0:43:51Well, he spent the most time with Sarah Kay.
0:43:51 > 0:43:54He posed her carefully. Painted her nails, did her hair.
0:43:54 > 0:43:56Everything perfect.
0:43:56 > 0:43:59Probably took photographs, beautiful photographs.
0:44:00 > 0:44:03And then he heard the news that she was pregnant.
0:44:03 > 0:44:06I believe it when he says he wouldn't have killed a pregnant woman.
0:44:08 > 0:44:09That has a ring of truth.
0:44:11 > 0:44:15So remorse, that his perfect kill had been tainted, spoiled?
0:44:15 > 0:44:17Hmm.
0:44:17 > 0:44:19What about this Ian Kay appeal?
0:44:22 > 0:44:24I think it would give the killer pleasure...
0:44:25 > 0:44:26..an opportunity to gloat.
0:44:28 > 0:44:30But it could be invaluable to us.
0:44:31 > 0:44:33It could open up a line of communication between us.
0:45:16 > 0:45:18I've never gone up here.
0:45:19 > 0:45:23I twisted Ferrington's arm. She told me where you were.
0:45:24 > 0:45:26It's a good place to clear the head.
0:45:29 > 0:45:30I just wanted to say thank you.
0:45:32 > 0:45:33For your help.
0:45:33 > 0:45:34I didn't do anything.
0:45:34 > 0:45:35Yes.
0:45:37 > 0:45:38You did.
0:45:40 > 0:45:41I froze.
0:45:45 > 0:45:47I've never done that before.
0:45:52 > 0:45:53I should have seen it coming.
0:45:56 > 0:45:59A man eaten up with guilt...
0:46:00 > 0:46:02..in fear for his life.
0:46:04 > 0:46:10About to lose his job, his reputation, his freedom.
0:46:10 > 0:46:13I should have had someone else in the room with me.
0:46:13 > 0:46:14We all make mistakes.
0:46:24 > 0:46:26I don't want to stop holding her.
0:46:28 > 0:46:29You don't have to.
0:46:33 > 0:46:36When you're ready we can wash and dress her.
0:46:37 > 0:46:39Take some photos if you like?
0:46:42 > 0:46:43Yes.
0:47:00 > 0:47:02There's someone to see you, ma'am.
0:47:02 > 0:47:03Who?
0:47:03 > 0:47:06Rose Stagg? A friend of Professor Reed Smith?
0:47:34 > 0:47:37I spent years interviewing the victims of rape.
0:47:39 > 0:47:41I don't think anyone ever felt worse
0:47:41 > 0:47:43after talking to me about their experiences.
0:47:53 > 0:47:56I was in my last year of medical studies at the university.
0:47:58 > 0:48:00I already had a boyfriend
0:48:00 > 0:48:02when I met a guy in one of the Student Union bars.
0:48:04 > 0:48:06And he was a student too?
0:48:07 > 0:48:08I think so.
0:48:10 > 0:48:13Literature? Maybe Queen's or Stranmillis.
0:48:15 > 0:48:17And how old was he, would you say?
0:48:19 > 0:48:2122, 23.
0:48:23 > 0:48:25We'd spent a couple of nights together.
0:48:27 > 0:48:28What sort of sex did you have?
0:48:31 > 0:48:32The sort that went on all night.
0:48:34 > 0:48:36Rough?
0:48:36 > 0:48:39Yes, but tender, too.
0:48:42 > 0:48:44But then a strange thing happened.
0:48:45 > 0:48:47We'd both been drinking.
0:48:48 > 0:48:49Maybe too much.
0:48:51 > 0:48:53We were in bed together.
0:48:56 > 0:48:58I woke to find his hands around my throat.
0:49:00 > 0:49:03- Was he raping you?- No.
0:49:04 > 0:49:07At first I couldn't work out what was happening.
0:49:08 > 0:49:10The look in his eyes was really cold.
0:49:11 > 0:49:13I started fighting him,
0:49:13 > 0:49:16but I couldn't get his hands away from my throat.
0:49:20 > 0:49:21Take your time.
0:49:28 > 0:49:31CAR APPROACHES
0:49:34 > 0:49:36CAR DOOR OPENS
0:49:39 > 0:49:41CAR DOOR OPENS
0:49:50 > 0:49:52FRONT DOOR OPENS
0:49:57 > 0:49:59'Right, stick the kettle on. I'm bursting.'
0:49:59 > 0:50:00- 'Do you want some music on?'- 'Aye.'
0:50:06 > 0:50:11DANCE MUSIC PLAYS
0:50:36 > 0:50:39SHE SCREAMS
0:50:47 > 0:50:48'The pain was acute.'
0:50:49 > 0:50:53'I felt as though my lungs would burst, my head.'
0:50:55 > 0:50:57'I was in total panic.'
0:50:59 > 0:51:02'I've never felt such strength in someone before or since.'
0:51:03 > 0:51:06How did you get away from him?
0:51:06 > 0:51:08I didn't.
0:51:08 > 0:51:11Suddenly I could breathe again.
0:51:11 > 0:51:13I was gasping for breath
0:51:13 > 0:51:16and his hands weren't around my neck any more.
0:51:17 > 0:51:20I felt like I'd returned from the dead.
0:51:22 > 0:51:26'He sort of sat up and came to.'
0:51:27 > 0:51:30Was he aroused? Did he have an erection?
0:51:30 > 0:51:31Oh, yes.
0:51:35 > 0:51:39He, erm, got up from the bed and stumbled away.
0:51:42 > 0:51:43- What happened then? - I felt sick.
0:51:45 > 0:51:46I was sick.
0:51:48 > 0:51:49I lay down on the bed.
0:51:50 > 0:51:52I just laid there.
0:51:54 > 0:51:56I think I went to sleep.
0:52:00 > 0:52:03DANCE MUSIC CONTINUES
0:52:06 > 0:52:07What the...?
0:52:20 > 0:52:23MUSIC STOPS
0:52:28 > 0:52:32GIRL CRIES
0:53:39 > 0:53:44I had bruises all over my neck and marks from my fingernails
0:53:44 > 0:53:46where I'd tried to get his hands away from my throat.
0:53:48 > 0:53:50I was hoarse for days.
0:53:51 > 0:53:52I couldn't swallow.
0:53:53 > 0:53:55Did you meet with him again?
0:53:56 > 0:53:57Just once.
0:53:59 > 0:54:00Did he apologise?
0:54:02 > 0:54:03Yes, he did.
0:54:06 > 0:54:09Did he offer any kind of explanation for his behaviour?
0:54:12 > 0:54:15He said he wanted to know what it was like...
0:54:16 > 0:54:18..to make love to someone who was unconscious.
0:54:20 > 0:54:21Make love?
0:54:22 > 0:54:23Fuck.
0:54:23 > 0:54:27GIRL STRUGGLES TO BREATHE
0:56:27 > 0:56:28Hello?
0:56:29 > 0:56:30The door's open.
0:56:30 > 0:56:32- Hello?- Be careful.
0:56:33 > 0:56:34And you haven't seen him since?
0:56:34 > 0:56:36No.
0:56:36 > 0:56:38- Even glimpsed him, about town?- No.
0:56:39 > 0:56:43And you know of him as Peter? Anything else?
0:56:43 > 0:56:44I know it seems crazy...
0:56:46 > 0:56:49..being in bed with a guy when you don't know anything about him.
0:56:49 > 0:56:50Just his first name.
0:56:52 > 0:56:53I learnt my lesson.
0:56:54 > 0:56:56KNOCK AT DOOR
0:56:56 > 0:56:57You're wanted, ma'am.
0:57:00 > 0:57:01It's urgent.
0:57:27 > 0:57:30Subtitles by Red Bee Media