0:00:02 > 0:00:03- Do you want a lift?- I'm OK. - Haven't you heard?
0:00:03 > 0:00:04There's a strangler on the prowl.
0:00:04 > 0:00:06SHE YELLS
0:00:09 > 0:00:11This could be very significant for us.
0:00:11 > 0:00:14I believe he has had faith at some point in his life.
0:00:14 > 0:00:16I'd like to make an appeal.
0:00:18 > 0:00:20Is there any way you can stay tonight?
0:00:20 > 0:00:23Baby Girl Mitchell's off the life support.
0:00:23 > 0:00:26And I want to see it through with her mother.
0:00:26 > 0:00:28I spent years interviewing the victims of rape.
0:00:28 > 0:00:32I don't think anyone ever felt worse after talking to me
0:00:32 > 0:00:33about their experiences.
0:00:33 > 0:00:36You're wanted, Ma'am. It's urgent.
0:00:44 > 0:00:46Are paramedics inside?
0:00:46 > 0:00:47Yes, Ma'am.
0:00:47 > 0:00:50We're going to need human scent dogs.
0:00:50 > 0:00:54OK, can you call control and get some human scent dogs here ASAP?
0:00:57 > 0:01:00HE PANTS
0:01:03 > 0:01:06SHOUTING
0:01:06 > 0:01:07- You should call for backup, Ma'am. - What?
0:01:07 > 0:01:10There was an arrest in this area this morning.
0:01:10 > 0:01:13This is not South Belfast. This could all kick off.
0:01:13 > 0:01:14I think you should order TSGs.
0:01:16 > 0:01:19OK. Do it.
0:01:23 > 0:01:25HELICOPTER FLIES PAST
0:01:31 > 0:01:33DOG BARKS
0:01:42 > 0:01:44What's her condition?
0:01:44 > 0:01:45Critical.
0:01:46 > 0:01:49- Where did you find her? - First bedroom to the left.
0:02:11 > 0:02:12Martin?
0:02:12 > 0:02:14- The victim's name is Anne Brawley. I want you to go with her.- Right.
0:02:14 > 0:02:17- Try to get a medical opinion of her condition.- Yes.
0:02:17 > 0:02:18But arrange for forensic seizure
0:02:18 > 0:02:21- and take any physical evidence into custody.- Uh-huh.
0:02:21 > 0:02:26- And keep your notebook to hand in case she says anything.- Yes, Ma'am.
0:02:26 > 0:02:28Clear a path for the ambulance there, please!
0:02:28 > 0:02:30GLASS SHATTERS
0:02:30 > 0:02:31SHOUTING
0:02:31 > 0:02:33Get a jeep in here! We need some cover.
0:02:33 > 0:02:35SIRENS WAILING
0:02:41 > 0:02:44- Is it the same guy, Ma'am?- Yes. But this time he's really fouled up.
0:02:44 > 0:02:47SHOUTING CONTINUES
0:03:08 > 0:03:11ENGINE FAILS TO START
0:03:11 > 0:03:13Jesus Christ, come on.
0:03:18 > 0:03:19ENGINE STARTS
0:03:19 > 0:03:20CAR RADIO TURNS ON
0:03:20 > 0:03:22Argh, fuck's sake!
0:03:36 > 0:03:37Blood's very fresh.
0:03:37 > 0:03:39And there's a lot of it.
0:03:39 > 0:03:43Seems he was lying here alive and bleeding for a while at least.
0:03:49 > 0:03:52Joseph Brawley, but a different address.
0:03:52 > 0:03:55MOBILE PHONE RINGS
0:03:55 > 0:03:56Gibson.
0:03:56 > 0:03:58'DC Martin, Ma'am. I'm at the hospital.
0:03:58 > 0:04:00'Anne Brawley remains comatose.
0:04:00 > 0:04:03'She's been admitted into intensive care.'
0:04:03 > 0:04:04She's still alive.
0:04:05 > 0:04:07I'll be there as soon as I can.
0:04:08 > 0:04:10SIREN WAILING
0:04:22 > 0:04:23Excuse me, Ma'am.
0:04:23 > 0:04:26It appears the deceased is Anne Brawley's brother.
0:04:26 > 0:04:2822 years old.
0:05:18 > 0:05:21'She suffered a cardiac arrest. There's pulmonary oedema.
0:05:21 > 0:05:22'There's pharyngeal oedema.
0:05:22 > 0:05:25'Even if she were conscious, she would not be able to talk.'
0:05:25 > 0:05:26I'm not asking for her to talk.
0:05:26 > 0:05:29What I'm asking for is permission for her to be forensically examined.
0:05:29 > 0:05:33She's already undergone a large number of medical procedures.
0:05:33 > 0:05:36I doubt that there's much of forensic value left on her person.
0:05:36 > 0:05:39With great respect, how would you know? You're not a forensic scientist.
0:05:39 > 0:05:42- Detective Superintendent... - There are indications
0:05:42 > 0:05:44that she was involved in a violent struggle with her assailant.
0:05:44 > 0:05:46We need to see and record her injuries.
0:05:46 > 0:05:49She might have his DNA beneath her fingernails.
0:05:49 > 0:05:51She might have his DNA in her vagina!
0:05:51 > 0:05:52Can I have a word, please?
0:05:55 > 0:05:59Look, this is my world. I know how a doctor's mind works.
0:05:59 > 0:06:01We need to get permission from the parents.
0:06:01 > 0:06:05It's important Dr Manson puts our request to them in the right way.
0:06:05 > 0:06:06Let me handle this.
0:06:30 > 0:06:31SHE SIGHS
0:06:31 > 0:06:35Oh, you frightened me. I wasn't expecting you back till morning.
0:06:35 > 0:06:37What are you doing here?
0:06:37 > 0:06:39Sally-Ann phoned me.
0:06:39 > 0:06:43She needed to stay at work with a mother whose baby died.
0:06:43 > 0:06:45She said you'd be at work all night.
0:06:46 > 0:06:47I don't feel well.
0:06:47 > 0:06:49You've cut your face.
0:06:53 > 0:06:54Get dressed and go home.
0:06:54 > 0:06:56Why are you angry with me?
0:06:56 > 0:06:59I'm not angry with you. I'm angry with Sally.
0:06:59 > 0:07:02Leaving the kids in the care of a child.
0:07:02 > 0:07:04I'm not a child!
0:07:06 > 0:07:07You're not even 16.
0:07:07 > 0:07:08You're a child.
0:07:15 > 0:07:18Do I look like a child to you?
0:07:34 > 0:07:35Put on some clothes...
0:07:37 > 0:07:38..and get out of here.
0:07:38 > 0:07:40SHE MOANS
0:08:55 > 0:09:01The MRI indicates that there is brain function,
0:09:01 > 0:09:07but if she does recover, there might be lifelong brain damage.
0:09:15 > 0:09:17Are you OK?
0:09:24 > 0:09:28The older I get, the more I have two selves.
0:09:28 > 0:09:31The medical self,
0:09:31 > 0:09:34that's confronted every day with the biological basis of existence -
0:09:34 > 0:09:37blood, internal organs, corpses...
0:09:40 > 0:09:45..and then, I have another self that bathes my kids,
0:09:45 > 0:09:50puts them to bed, kisses their little cuts and bruises better.
0:09:53 > 0:09:56Examining dead bodies is one thing,
0:09:56 > 0:09:58living victims is...
0:10:00 > 0:10:02..something else.
0:10:06 > 0:10:07There's a name for it.
0:10:09 > 0:10:10It's called doubling.
0:10:12 > 0:10:14I do the same.
0:10:18 > 0:10:20So does the killer.
0:11:11 > 0:11:17'Basically, I'm looking for a guy or a girl who is up for a bit of fun.
0:11:17 > 0:11:18'And I mean rough, kinky...'
0:11:18 > 0:11:20POLICE OFFICER LAUGHS
0:11:20 > 0:11:23'..no-holds-barred type fun.'
0:11:23 > 0:11:27Ma'am. Erm, you should see this.
0:11:27 > 0:11:30We've downloaded Annie's laptop.
0:11:30 > 0:11:32She's on an adult dating site.
0:11:32 > 0:11:35Now, some of the profiles are very explicit.
0:11:35 > 0:11:38Not so much Annie's. But she has posted a video clip.
0:11:42 > 0:11:45'Hey, I'm Fiona, Fi-fi,
0:11:45 > 0:11:48'I'm 26 and I'm from Belfast.'
0:11:48 > 0:11:51Her middle name is Fiona and she's 32.
0:11:51 > 0:11:55'Basically, I'm looking for a guy or a girl who is up for a bit of fun.
0:11:55 > 0:12:02'And I mean rough, kinky, no-holds-barred type fun.
0:12:02 > 0:12:04'Erm...
0:12:04 > 0:12:10'I'm looking to be dominated and I have a high pain threshold.
0:12:10 > 0:12:12'I'm not that bothered about appearance
0:12:12 > 0:12:15'so long as you're clean and you know the limits.
0:12:15 > 0:12:20'If so, send me a message and I'll get back to you.
0:12:20 > 0:12:21'Bye!'
0:12:23 > 0:12:24HE SIGHS
0:12:24 > 0:12:27Now, there's an invitation to the dance if ever I heard one.
0:12:27 > 0:12:30Check every message she ever sent and received.
0:12:30 > 0:12:34Get the details of anyone she contacted or who contacted her.
0:12:35 > 0:12:39This could be pure fantasy, webcam fun, cyber sex and nothing more.
0:12:39 > 0:12:42So prioritize any correspondence that even hints
0:12:42 > 0:12:44at a real meeting in the real world.
0:12:44 > 0:12:48And, Jerry, I'm not interested in judging!
0:12:49 > 0:12:51Just in finding the killer.
0:12:56 > 0:12:57Daddy!
0:13:04 > 0:13:06- Hey.- Hi.
0:13:09 > 0:13:12Was everything OK when you got back?
0:13:12 > 0:13:13Everything was fine.
0:13:15 > 0:13:17Did you pay her?
0:13:17 > 0:13:19Pay her? No.
0:13:22 > 0:13:24I'm sorry I had to call her.
0:13:24 > 0:13:27I couldn't get through to you and there was no-one else.
0:13:30 > 0:13:32Baby Girl Mitchell died.
0:13:32 > 0:13:33Oh.
0:13:33 > 0:13:35Oh?
0:13:35 > 0:13:39Mummy, I can't find my necklace.
0:13:39 > 0:13:43Well, it has to be somewhere. Have the kids had their breakfast?
0:13:43 > 0:13:45Not yet, no.
0:13:50 > 0:13:53- Where have you looked? - Everywhere.
0:14:01 > 0:14:04We think we've identified the individual Breedlove referred to
0:14:04 > 0:14:06on the phone to Aaron Monroe.
0:14:06 > 0:14:08He's Serbian, Mirko Tasic.
0:14:08 > 0:14:11Runs a high-class escort agency called Elite Nites.
0:14:13 > 0:14:16We're looking into the possibility that he took a contract on Olson
0:14:16 > 0:14:21as a result of an unpaid debt relating to drugs or prostitution.
0:14:21 > 0:14:27Certainly, we have payments being made into both Olson and Breedlove's bank accounts
0:14:27 > 0:14:30by Aaron Monroe's event management company.
0:14:32 > 0:14:35I have a warrant for Aaron Monroe's arrest
0:14:35 > 0:14:37and search warrants for all of his premises.
0:14:37 > 0:14:39It's Alice Monroe's funeral today.
0:14:40 > 0:14:42Are you attending, Sir?
0:14:44 > 0:14:46I am.
0:14:46 > 0:14:49And I think we should let the family deal with that -
0:14:49 > 0:14:52with the funeral, the wake.
0:14:53 > 0:14:55Bring Monroe Junior in tomorrow.
0:14:57 > 0:14:58Is that an order, Sir?
0:15:01 > 0:15:03It's something I'd strongly advise.
0:15:11 > 0:15:14- TELEVISION:- '..cannabis plants with an estimated street value of £20,000
0:15:14 > 0:15:17'were recovered in searches at two separate addresses.
0:15:19 > 0:15:23'Police have released CCTV footage of murder victim Sarah Kay.
0:15:23 > 0:15:26'Miss Kay can be seen here walking through the main gates
0:15:26 > 0:15:28'into the Botanic Gardens in Belfast
0:15:28 > 0:15:31'towards 2.30 on the Saturday afternoon.
0:15:31 > 0:15:35'Police are keen to talk to anyone who was in the vicinity of the park
0:15:35 > 0:15:37'during those hours on Saturday.
0:15:37 > 0:15:40'They have also released footage taken from the CCTV cameras...'
0:15:40 > 0:15:43Mummy, Mummy! I'm on television!
0:15:43 > 0:15:45'..in their enquiries. The incident room number...'
0:15:45 > 0:15:48Get off the phone.
0:15:48 > 0:15:50What? What are you doing?
0:15:50 > 0:15:52There's been a change of plan.
0:15:52 > 0:15:53What do you mean?
0:15:53 > 0:15:56I've just received an urgent phone call. You have to go.
0:15:56 > 0:15:59- I thought you wanted me here, pay my respects.- You have no respect!
0:15:59 > 0:16:00Least of all for your ex-wife.
0:16:00 > 0:16:02Oh, Jesus, not again.
0:16:02 > 0:16:06Listen, the only good thing you ever did in your entire life
0:16:06 > 0:16:09was marry that girl. Though, of course, you couldn't keep her.
0:16:09 > 0:16:12Dad, please, spare me the middle-aged fantasies.
0:16:12 > 0:16:13What?
0:16:13 > 0:16:16You think I didn't notice the way you used to look at Alice?
0:16:16 > 0:16:17It was so obvious...
0:16:22 > 0:16:24Now, you take your tears
0:16:24 > 0:16:26and you offer the Parkers your heartfelt condolences.
0:16:26 > 0:16:29Then, go to the east gate. There's a car waiting for you there.
0:16:29 > 0:16:31- The driver has your travel documents.- What do you mean?
0:16:31 > 0:16:33- You're going away. - Where? Where am I going?
0:16:33 > 0:16:35You'll find out.
0:16:37 > 0:16:41Assistant Chief Constable Burns is here. Get out of my sight!
0:16:50 > 0:16:53A sad day, Morgan.
0:16:53 > 0:16:54A sad day indeed, Jim.
0:17:00 > 0:17:03- TV:- 'They've also released footage taken from the CCTV...'
0:17:03 > 0:17:04- That could be anyone.- It's us!
0:17:04 > 0:17:07You need to call them.
0:17:07 > 0:17:10Why? We didn't see anything. We were at the Palm House.
0:17:10 > 0:17:12You still have to put yourself forward
0:17:12 > 0:17:14so that they can eliminate you.
0:17:15 > 0:17:17Eliminate me from what?
0:17:17 > 0:17:19Anyone might see this.
0:17:19 > 0:17:23Colleagues at work, friends, Livvy's friends, parents at school.
0:17:23 > 0:17:26If they identify you in this, the police will come calling. Would you prefer that?
0:17:26 > 0:17:29- TV:- '..Police are asking anyone recognising themselves,
0:17:29 > 0:17:31'or anyone else they know,
0:17:31 > 0:17:33'to come forward and assist the police in their enquiries.
0:17:33 > 0:17:36'The incident room number will appear on your screens...'
0:17:36 > 0:17:42If you think the killer represents evil as you suggest here...
0:17:42 > 0:17:45what do you hope to achieve by reaching out to him?
0:17:46 > 0:17:50It seems to me evil people are people of the lie.
0:17:50 > 0:17:53They lie to themselves and they lie to others.
0:17:53 > 0:17:56'If he can take even one right step in life,
0:17:56 > 0:18:00'it may be more difficult for him to choose evil over good.
0:18:12 > 0:18:15'The more we make the wrong decisions,
0:18:15 > 0:18:17'the more our hearts harden.'
0:18:17 > 0:18:20The more we make the right decisions,
0:18:20 > 0:18:24the more our heart softens, comes alive.
0:18:26 > 0:18:28DIALLING TONE
0:18:28 > 0:18:31- 'Hello.'- Sally. It's me.
0:18:33 > 0:18:36There's something I need to ask you before I go in.
0:18:36 > 0:18:39- 'What?'- Something I need you to do for me.
0:18:40 > 0:18:43You can't give out this personal information, Ian.
0:18:43 > 0:18:44He needs to be able to contact me.
0:18:44 > 0:18:47Trust me, if you give out your personal phone number,
0:18:47 > 0:18:49crazies from all over the world will call you up
0:18:49 > 0:18:52and say the most disgusting things to you about Sarah.
0:18:52 > 0:18:55I suggest using the incident room phone number.
0:18:55 > 0:19:00Anyone calling up claiming to be the killer will have to provide further proof
0:19:00 > 0:19:02and if they can do that,
0:19:02 > 0:19:04then we might think about engaging them in...
0:19:04 > 0:19:08an apparently private conversation with you.
0:19:08 > 0:19:11A conversation that we will monitor carefully.
0:19:11 > 0:19:12So, lie to him?
0:19:14 > 0:19:16That's the way it has to be.
0:19:30 > 0:19:34Why were you in the Botanic Gardens on that afternoon, Mister Spector?
0:19:34 > 0:19:36We go there quite often.
0:19:36 > 0:19:39My daughter likes the Palm House and there's a playground there.
0:19:39 > 0:19:42And that's your daughter with you in the CCTV images?
0:19:42 > 0:19:44- Yes.- What's her name?
0:19:44 > 0:19:45Olivia.
0:19:45 > 0:19:47Do you have other children?
0:19:47 > 0:19:50A son, Liam. He's five years old.
0:19:50 > 0:19:51What do you do for a living?
0:19:51 > 0:19:54I'm a bereavement counsellor.
0:19:54 > 0:19:56And where were you on that Saturday night?
0:19:58 > 0:20:00I was at home with my wife and children.
0:20:00 > 0:20:02And she'll be able to verify that?
0:20:02 > 0:20:03Yes.
0:20:04 > 0:20:09DIALLING TONE
0:20:09 > 0:20:10'Hello?'
0:20:10 > 0:20:14Is this Mrs Spector? Mrs Sally-Ann Spector?
0:20:14 > 0:20:16This is Detective Constable Martin.
0:20:31 > 0:20:33After the children were in bed, we had supper.
0:20:33 > 0:20:35What did you have to eat?
0:20:35 > 0:20:36Can you remember?
0:20:37 > 0:20:39I don't think I can.
0:20:39 > 0:20:42And what did you do then? Watch television?
0:20:42 > 0:20:45I think my wife watched some television.
0:20:45 > 0:20:46And what did you do?
0:20:47 > 0:20:49I had some work to do for the following day.
0:20:49 > 0:20:52I was in my study, probably with some music on.
0:20:52 > 0:20:53Did you use the internet?
0:20:55 > 0:20:56Not that I recall.
0:20:56 > 0:20:57KNOCKING ON DOOR
0:21:09 > 0:21:13There are no records of any antecedents for you in Belfast, Mister Spector,
0:21:13 > 0:21:15why is that?
0:21:15 > 0:21:18I spent my childhood in various care homes.
0:21:18 > 0:21:21Can you write down the names of those care homes
0:21:21 > 0:21:23and the dates that you were there, please?
0:21:39 > 0:21:41Where were you last night, Mister Spector?
0:21:43 > 0:21:45Last night? Why?
0:21:45 > 0:21:47What happened last night?
0:21:47 > 0:21:48Just answer the question.
0:21:50 > 0:21:53My wife was working at the neonatal unit.
0:21:53 > 0:21:55And you?
0:21:55 > 0:21:57I was with the children.
0:21:57 > 0:21:58All evening and all night?
0:22:00 > 0:22:04Fed them, bathed them, put them to bed.
0:22:04 > 0:22:06I had an early night myself.
0:22:18 > 0:22:21Would you be prepared to allow us to take your fingerprints...
0:22:21 > 0:22:23and a DNA sample...
0:22:23 > 0:22:25on a voluntary basis?
0:22:28 > 0:22:29Of course.
0:22:30 > 0:22:31Follow me.
0:22:58 > 0:23:02Sir, sir. This way, please.
0:23:17 > 0:23:19'On the day that Sarah died...'
0:23:19 > 0:23:24a part of me and her sister Marion died with her.
0:23:27 > 0:23:31Sarah's murder was an act of pure evil,
0:23:31 > 0:23:36a loving, talented, innocent young woman
0:23:36 > 0:23:39cruelly and unexpectedly taken away from this world.
0:23:41 > 0:23:45Losing a child in any circumstances is a heavy loss to bear.
0:23:47 > 0:23:51'Losing a child in such a barbaric act of violence
0:23:51 > 0:23:57'without any reason or explanation compounds the grief further.
0:24:01 > 0:24:07'The killer wrote to me expressing remorse'
0:24:07 > 0:24:13for the fact that my daughter was carrying her first child.
0:24:19 > 0:24:23And that's why I want to speak directly to him today
0:24:23 > 0:24:27and offer him my forgiveness if...
0:24:29 > 0:24:32..if he will stop what he is doing,
0:24:32 > 0:24:39'give himself up and show genuine remorse and repentance.'
0:24:42 > 0:24:45Sarah was a person
0:24:45 > 0:24:48who truly made this world a better place for everyone.
0:24:59 > 0:25:00It's OK, it's OK.
0:25:10 > 0:25:13I think it best if I continue on behalf of Mister Kay.
0:25:27 > 0:25:29DOOR CLOSES
0:25:32 > 0:25:34Where are the kids?
0:25:34 > 0:25:36I asked Mum to take them.
0:25:40 > 0:25:41Paul?
0:25:43 > 0:25:45Why did I need to lie to the police?
0:25:46 > 0:25:48Did you lie to the police?
0:25:48 > 0:25:49Yes.
0:25:51 > 0:25:55I knew they'd ask me where I was on the night that girl died.
0:25:56 > 0:25:57And?
0:25:58 > 0:26:01And I couldn't tell them I was at the suicide helpline.
0:26:03 > 0:26:04Because...?
0:26:06 > 0:26:08Because I wasn't...
0:26:09 > 0:26:13..because I haven't worked there for the past three months.
0:26:24 > 0:26:26So where have you been?
0:26:27 > 0:26:29When you've been out all night?
0:26:32 > 0:26:34Sally.
0:26:35 > 0:26:38I have something terrible to confess.
0:26:43 > 0:26:45I've been having an affair.
0:26:49 > 0:26:51Who?
0:26:52 > 0:26:53It's over.
0:26:53 > 0:26:54Who?
0:26:58 > 0:26:59Katie?
0:27:05 > 0:27:07I knew it. I knew it.
0:27:07 > 0:27:09- What are you doing?- I'm calling her.
0:27:09 > 0:27:13- Don't do that.- Give me the phone! Give me the fucking phone!
0:27:16 > 0:27:17- Sally...- Get your hands off me.
0:27:17 > 0:27:21- Sally.- I'm calling the police. I'm telling them where you really were.
0:27:21 > 0:27:22You can't do that.
0:27:22 > 0:27:26I lied for you! I lied to the police for you!
0:27:26 > 0:27:28Sally, she's underage.
0:27:28 > 0:27:31I know, you sick fuck.
0:27:31 > 0:27:34- I'll go to prison.- Good.
0:27:34 > 0:27:35I'll lose my job.
0:27:35 > 0:27:38Why didn't you think of that before?
0:27:38 > 0:27:40Why didn't you think of that before you fucked her?!
0:27:40 > 0:27:43Sally, they'll put me on the sex offenders' list.
0:27:43 > 0:27:45Which will probably cost you your job.
0:27:47 > 0:27:50You self-serving bastard.
0:27:59 > 0:28:00When did all this start?
0:28:02 > 0:28:04How did it start?
0:28:06 > 0:28:07Online.
0:28:08 > 0:28:12I came across some video she'd posted online.
0:28:14 > 0:28:16Videos of her singing.
0:28:18 > 0:28:20I posted some comments. We started chatting.
0:28:22 > 0:28:24Isn't that called grooming?
0:28:24 > 0:28:28I don't know, yes, probably it is.
0:28:29 > 0:28:33So that night when I said, "Paul will walk you home..."
0:28:33 > 0:28:36Jesus, how you two must have laughed about me.
0:28:39 > 0:28:41We didn't laugh about you.
0:28:43 > 0:28:46Have you ever had sex with her here? In my home?
0:28:46 > 0:28:47No.
0:28:49 > 0:28:50Liar.
0:28:50 > 0:28:52I'm not lying.
0:28:54 > 0:28:55Olivia saw you?
0:28:58 > 0:28:59What?
0:29:00 > 0:29:03When I left you here alone. She saw you.
0:29:03 > 0:29:05That's impossible.
0:29:05 > 0:29:07She's said things before.
0:29:09 > 0:29:10What things?
0:29:10 > 0:29:14About seeing a naked lady. A naked lady in the roof.
0:29:14 > 0:29:15That's just a dream.
0:29:17 > 0:29:18Poor thing.
0:29:20 > 0:29:22Poor thing having you as a father.
0:29:28 > 0:29:32If it was Katie, Olivia would have said. Said it was her.
0:29:32 > 0:29:35Were you here with her last night?
0:29:35 > 0:29:38No, no, I was out.
0:29:38 > 0:29:41I didn't get back till the early hours of the morning.
0:29:41 > 0:29:43I didn't know she was going to be here.
0:29:43 > 0:29:45When I got back I told her to go.
0:29:45 > 0:29:48Where were you? What had you been doing?
0:29:48 > 0:29:51I was dealing with a problem at work.
0:29:51 > 0:29:54A client of mine who beats his wife has taken against me
0:29:54 > 0:29:57because I've helped her get away from him and into a refuge.
0:29:57 > 0:30:00Fucked her in the process, no doubt too.
0:30:00 > 0:30:03Sally, I've never been unfaithful to you before.
0:30:03 > 0:30:05A 15-year-old?
0:30:05 > 0:30:06A child?
0:30:08 > 0:30:10What are you doing?
0:30:10 > 0:30:12What am I doing?
0:30:13 > 0:30:15I'm leaving you.
0:30:15 > 0:30:16Sally, please don't.
0:30:24 > 0:30:26DOOR SLAMS SHUT
0:30:30 > 0:30:32CAR DRIVES AWAY
0:30:51 > 0:30:54- TELEVISION:- 'Ian Kay broke down today at a press conference
0:30:54 > 0:30:56'and was unable to finish his appeal.
0:30:56 > 0:30:59'After he left the room supported by his daughter, Marion,
0:30:59 > 0:31:03'it fell to Detective Superintendent Gibson to continue the appeal.'
0:31:03 > 0:31:07'If the person responsible for the deaths of Fiona Gallagher,
0:31:07 > 0:31:13'Alice Monroe, Sarah Kay and Joseph Brawley contacts the incident room
0:31:13 > 0:31:18'and is able to prove beyond a doubt that he is who he says he is,
0:31:18 > 0:31:23'then he will be able to have a one-to-one conversation with me.'
0:32:55 > 0:32:57I wanted to say sorry for last night.
0:32:57 > 0:32:59But I had to tell you to go.
0:32:59 > 0:33:05Ever since that night in my study, I've felt very, very drawn to you.
0:33:07 > 0:33:11And seeing you like that on the stairs, I couldn't cope.
0:33:14 > 0:33:16I didn't feel safe being around you.
0:33:19 > 0:33:20What are you saying?
0:33:22 > 0:33:25I can't see you at the moment, I can't be near you.
0:33:27 > 0:33:29I don't trust myself.
0:33:49 > 0:33:51I don't trust myself now.
0:33:52 > 0:33:54Why?
0:33:57 > 0:33:58What do you want to do?
0:34:06 > 0:34:08Perhaps...
0:34:08 > 0:34:10just hold you?
0:34:28 > 0:34:30You know, if things were different,
0:34:30 > 0:34:32I can't think of anything I'd like to do more
0:34:32 > 0:34:34than make love to you right now.
0:34:37 > 0:34:39That's why we can't see each other for a while.
0:34:39 > 0:34:41That's why you must stay away.
0:34:41 > 0:34:43I don't want to.
0:34:46 > 0:34:47You must.
0:36:15 > 0:36:16Sally...
0:36:23 > 0:36:28I always used to come here, when I was little,
0:36:28 > 0:36:30when things upset me.
0:36:36 > 0:36:37It's so peaceful.
0:36:39 > 0:36:41You were lucky.
0:36:41 > 0:36:42Yes, I was.
0:36:45 > 0:36:47But if you're asking me to make allowances
0:36:47 > 0:36:50for your terrible childhood, I'm not sure I can.
0:36:50 > 0:36:52That's not what I'm asking you.
0:36:53 > 0:36:56I've come to ask you, to beg you if necessary,
0:36:56 > 0:36:58to give me another chance.
0:37:01 > 0:37:03I look at you and I don't know who you are.
0:37:06 > 0:37:08When you first meet someone,
0:37:08 > 0:37:12when you first get to know them,
0:37:12 > 0:37:16there comes a time when you get to know their friends and their family
0:37:16 > 0:37:20and you get to learn all about them through those others,
0:37:20 > 0:37:23through their closest relationships.
0:37:24 > 0:37:29Their mother, father, brothers, sisters...
0:37:32 > 0:37:34With you, there's nothing.
0:37:36 > 0:37:37I know.
0:37:37 > 0:37:39And I'm really sorry for that...
0:37:41 > 0:37:44..but it scares me too.
0:37:44 > 0:37:45Don't be scared.
0:37:48 > 0:37:51I never thought you'd hurt the children.
0:37:55 > 0:37:57I never thought you'd hurt me.
0:37:57 > 0:37:59I'm sorry.
0:38:00 > 0:38:02I've been stupid. Needy. Stupid.
0:38:07 > 0:38:11What needs in you could a 15-year-old meet that I couldn't?
0:38:13 > 0:38:14It's a cliche.
0:38:16 > 0:38:17Tell me.
0:38:19 > 0:38:23Between work and the kids, there seemed to be no time for me.
0:38:23 > 0:38:24For us.
0:38:27 > 0:38:28Do you mean in bed?
0:38:30 > 0:38:32I don't know, maybe.
0:38:38 > 0:38:40I felt the same.
0:38:41 > 0:38:42What?
0:38:44 > 0:38:46THEY PANT
0:38:59 > 0:39:02- I'm pregnant.- What?
0:39:02 > 0:39:04What did you say?
0:39:04 > 0:39:05I'm pregnant.
0:39:09 > 0:39:12It's OK. It's OK, don't stop.
0:39:12 > 0:39:17Just fuck me. Just fuck me.
0:39:24 > 0:39:27SHE PANTS
0:39:56 > 0:39:58What do we do now?
0:39:59 > 0:40:00Now we're having another baby?
0:40:03 > 0:40:04I don't know.
0:40:08 > 0:40:10You know, growing up I never thought for a single moment
0:40:10 > 0:40:13that I'd have a wife and a family of my own.
0:40:14 > 0:40:16And now, I've ruined everything.
0:40:21 > 0:40:23God, I don't want tonight to end.
0:40:26 > 0:40:28What do you mean?
0:40:30 > 0:40:32I don't want to face tomorrow.
0:40:35 > 0:40:37What if we went away tomorrow?
0:40:37 > 0:40:40Where would we go?
0:40:40 > 0:40:42That place in Scotland.
0:40:42 > 0:40:45Where we went when you were pregnant the first time.
0:40:45 > 0:40:47- When we walked on the beach... - Don't...
0:40:47 > 0:40:50..and you collected all those shells.
0:40:50 > 0:40:52Did those drawings of me.
0:40:56 > 0:40:57I can't do this right now.
0:41:00 > 0:41:02Please go.
0:41:19 > 0:41:22Mary? Can you tell me about this drawing?
0:41:27 > 0:41:29My eight-year-old.
0:41:29 > 0:41:33Apparently, it's me and my husband driving away in the car
0:41:33 > 0:41:36and leaving him and his brother behind us.
0:41:38 > 0:41:39Child of a similar age?
0:41:41 > 0:41:43I'd say so.
0:41:43 > 0:41:45But a girl.
0:41:45 > 0:41:46Yes.
0:42:17 > 0:42:19You've clamped my car illegally.
0:42:19 > 0:42:23You think having Jimmy Tyler put away solves your little problem?
0:42:23 > 0:42:27I'd like you to release it, please. Or I'll call the police.
0:42:27 > 0:42:31That's something you're keen on, isn't it? Calling the police?
0:42:31 > 0:42:33You think we won't find out where Liz is?
0:42:33 > 0:42:36I don't know what you're talking about.
0:42:36 > 0:42:39You think you can come between a man and his wife and get away with it?
0:42:48 > 0:42:51Everything Jimmy said still stands.
0:42:51 > 0:42:53You watch your back.
0:42:53 > 0:42:55Your van is blocking the street.
0:43:08 > 0:43:10VAN DRIVES AWAY
0:43:11 > 0:43:15If he has children, do you think he loves them?
0:43:15 > 0:43:17Do you think he CAN love?
0:43:17 > 0:43:22Most human emotions exist on a kind of continuum.
0:43:22 > 0:43:24People talk about lack of empathy,
0:43:24 > 0:43:26but we all have limits to our empathy.
0:43:26 > 0:43:30Some people are profoundly moved by children starving
0:43:30 > 0:43:32on the other side of the world
0:43:32 > 0:43:34and some people, it barely touches.
0:43:34 > 0:43:38For them, things need to literally be closer to home.
0:43:38 > 0:43:42I'm sure he is way out there on the sex continuum, but...
0:43:43 > 0:43:46..we all know men who have fantasised
0:43:46 > 0:43:49about having a woman completely under their control,
0:43:49 > 0:43:52or initiating a young girl into sex.
0:43:52 > 0:43:55Yes, but most don't act on those fantasies.
0:43:56 > 0:43:58But he does.
0:43:58 > 0:43:59Why?
0:43:59 > 0:44:01Well, maybe...
0:44:04 > 0:44:07..maybe it's not that he's devoid of emotion at all.
0:44:07 > 0:44:09Maybe it's the reverse.
0:44:10 > 0:44:15Isn't it emotion that the sexual sadist feeds off -
0:44:15 > 0:44:18blind panic, abject terror?
0:44:20 > 0:44:24I think he feels their pain acutely...
0:44:27 > 0:44:29..it's just that he gets pleasure from it.
0:44:35 > 0:44:38We have an E-FIT from Rose Stagg.
0:44:38 > 0:44:41- Of Peter?- Yes, Ma'am.
0:44:45 > 0:44:47Could he really look like that?
0:44:47 > 0:44:50Even a multiple murderer can have his share of good qualities.
0:44:52 > 0:44:54'Or a pretty face.'
0:46:02 > 0:46:04Why? It's so unfair.
0:46:04 > 0:46:08I've only got her and now I have to say goodbye.
0:46:08 > 0:46:09DOOR CLOSES
0:46:09 > 0:46:12Granny'll take her. She needs her jabs.
0:46:12 > 0:46:13I don't want anyone to jab her!
0:46:16 > 0:46:21Daddy! Mummy's making me leave Bell behind. It's so unfair!
0:46:22 > 0:46:23Why?
0:46:23 > 0:46:25Because we're going away.
0:46:37 > 0:46:38Thank you.
0:46:41 > 0:46:43What choice do I have?
0:46:43 > 0:46:45Take the kids away from you?
0:46:45 > 0:46:47Have a new baby on my own?
0:46:49 > 0:46:51I've seen what growing up without a father did to you.
0:46:51 > 0:46:54Am I supposed to do that to our kids?
0:46:54 > 0:46:56You won't regret it.
0:46:57 > 0:47:00I'm promising nothing, Paul. Nothing.
0:47:09 > 0:47:11I need to call some clients.
0:47:52 > 0:47:56TELEPHONE RINGS
0:47:58 > 0:48:00Operation Music Man.
0:48:00 > 0:48:03I'd like to speak to Detective Superintendent Gibson.
0:48:03 > 0:48:05She's not here. Can I take a message?
0:48:05 > 0:48:06'She said...'
0:48:06 > 0:48:08to call the incident room.
0:48:08 > 0:48:10And do you have some information you want to share?
0:48:12 > 0:48:13She said she wanted the killer
0:48:13 > 0:48:15to call the incident room.
0:48:15 > 0:48:17'So that's what I'm doing.
0:48:20 > 0:48:22'I want to speak directly with Stella.'
0:48:22 > 0:48:25I need to ask you some questions first of all.
0:48:25 > 0:48:27To see if you are who you say you are.
0:48:31 > 0:48:33What can you tell me about the crime scene at Hinton Road?
0:48:33 > 0:48:36'Annie Brawley?
0:48:36 > 0:48:38'Annie was tied up on the bed.'
0:48:38 > 0:48:40Ligatures still in place.
0:48:40 > 0:48:43The man was left face down on the hall floor.
0:48:45 > 0:48:48Did you take anything from Sarah Kay's house?
0:48:48 > 0:48:51- 'Some items of jewellery.' - Anything else?
0:48:51 > 0:48:52A lock of her hair.
0:48:54 > 0:48:56MOBILE PHONE RINGS
0:48:59 > 0:49:01- Gibson. - 'Ma'am. I think we have the killer'
0:49:01 > 0:49:04on the line to the incident room. He wants to talk to you.
0:49:04 > 0:49:06Are you tracing the call?
0:49:06 > 0:49:08He's talking on an unregistered mobile phone.
0:49:08 > 0:49:10'Cell site triangulation is underway.'
0:49:10 > 0:49:12Who's on the call?
0:49:12 > 0:49:14'DCI Brink.'
0:49:14 > 0:49:15Put him through as soon as you can.
0:49:23 > 0:49:26I tried to execute the warrants on Aaron Monroe today, Sir.
0:49:26 > 0:49:27- And?- And he's gone.
0:49:28 > 0:49:30What do you mean?
0:49:30 > 0:49:32Skipped. Left the country.
0:49:33 > 0:49:36Someone must have said something. To Morgan Monroe, to Aaron.
0:49:36 > 0:49:38Tipped him off.
0:49:38 > 0:49:40Do you have any idea who that might have been, Sir?
0:49:40 > 0:49:43No, I do not.
0:49:43 > 0:49:46And if you think that I spoke out of turn to Morgan Monroe,
0:49:46 > 0:49:48you are mistaken.
0:49:48 > 0:49:49You're a weak man, Sir.
0:49:54 > 0:49:55What did you just say?
0:49:59 > 0:50:03Concentrate on finding the individual who pulled that trigger
0:50:03 > 0:50:06and shot down one of our police officers in the street!
0:50:08 > 0:50:10Is that clear?
0:50:11 > 0:50:12Yes, Sir.
0:50:13 > 0:50:15It's clear.
0:50:31 > 0:50:32DIALLING TONE
0:50:32 > 0:50:34- 'Hello?'- 'Who's that?'
0:50:34 > 0:50:37'Detective Superintendent Gibson.
0:50:37 > 0:50:39'Stella. At long last.'
0:50:39 > 0:50:42You wanted to talk to me?
0:50:42 > 0:50:45You offered a private conversation.
0:50:45 > 0:50:47Yes, I did.
0:50:47 > 0:50:50'This isn't private.'
0:50:50 > 0:50:51'Isn't it?'
0:50:51 > 0:50:54I need another number I can call you on.
0:50:54 > 0:50:57'A private number.
0:50:57 > 0:50:58'A really private number.'
0:51:01 > 0:51:03I have something to tell you.
0:51:08 > 0:51:13'07700900131.'
0:51:13 > 0:51:14What number is that?
0:51:16 > 0:51:17Dani.
0:51:17 > 0:51:20In my briefcase. There's my phone recorder.
0:51:24 > 0:51:26Has she just given her number to a serial killer?
0:51:48 > 0:51:51MOBILE PHONE RINGS
0:51:55 > 0:51:57Hello.
0:51:58 > 0:52:00Hello again, Stella.
0:52:02 > 0:52:06Now you've got me to yourself, what do you want to say to me?
0:52:06 > 0:52:11I liked the red nail varnish. Was that for me?
0:52:11 > 0:52:13'It's a nice touch.'
0:52:14 > 0:52:16I'm glad you think so.
0:52:17 > 0:52:20'I've been watching you with interest.'
0:52:20 > 0:52:21Have you?
0:52:21 > 0:52:24We're very alike, you and me.
0:52:24 > 0:52:27'Oh, I don't think so.'
0:52:27 > 0:52:30Both driven by will to power,
0:52:30 > 0:52:34a desire to control everything and everyone.
0:52:36 > 0:52:41'Obsessive, ruthless, living and breathing moral relativism.'
0:52:43 > 0:52:44It's just you're bound
0:52:44 > 0:52:47by conventional notions of what's right and wrong
0:52:47 > 0:52:49and I'm free.
0:52:49 > 0:52:51'How are you free?'
0:52:52 > 0:52:55You're a slave to your desires.
0:52:55 > 0:52:57You have no control at all.
0:52:57 > 0:53:00You're weak. Impotent.
0:53:00 > 0:53:03'You think you're some kind of artist. But you're not.'
0:53:03 > 0:53:05Art is a lie.
0:53:06 > 0:53:08Art gives the chaos of the world an order
0:53:08 > 0:53:10'that doesn't exist.'
0:53:10 > 0:53:12Is that really why you called me?
0:53:12 > 0:53:15To expound some half-baked philosophy.
0:53:15 > 0:53:17I'm disappointed.
0:53:20 > 0:53:22I called to say goodbye.
0:53:24 > 0:53:26I called you to say it's over.
0:53:26 > 0:53:28In what sense "over"?
0:53:28 > 0:53:30I'm walking away.
0:53:30 > 0:53:32'You can't.'
0:53:34 > 0:53:36Watch me.
0:53:36 > 0:53:37I am.
0:53:37 > 0:53:39'Watch me walk away.'
0:53:40 > 0:53:42It's never over for someone like you.
0:53:43 > 0:53:46It won't be over until I stop you.
0:53:47 > 0:53:49'You had your chance.'
0:53:49 > 0:53:51Now it's too late.
0:53:51 > 0:53:53'You think I'd let you walk away?
0:53:53 > 0:53:58'You try to dignify what you do, but it's just misogyny.'
0:53:58 > 0:54:02Age-old male violence against women.
0:54:03 > 0:54:10For Fiona Gallagher, Alice Monroe, Sarah Kay, Annie Brawley,
0:54:10 > 0:54:12I won't let you.
0:54:12 > 0:54:14'You fucked up.
0:54:14 > 0:54:16'You moved against Annie too soon.
0:54:16 > 0:54:19'You didn't prepare properly, you didn't do the ground work
0:54:19 > 0:54:22'and you didn't kill her.'
0:54:22 > 0:54:24You fucked up. And we're on to you.
0:54:26 > 0:54:28'If you were on to me you would come for me.'
0:54:28 > 0:54:32You have no idea who I am and you never will.
0:54:32 > 0:54:34'I know your name is Peter.
0:54:34 > 0:54:37'Or at least you called yourself Peter at one time.
0:54:37 > 0:54:42'I know that you studied literature at Queen's or possibly Stranmillis.'
0:54:45 > 0:54:46Wrong.
0:54:46 > 0:54:48I think you have at least one child.
0:54:48 > 0:54:50A girl.
0:54:52 > 0:54:54How old would she be now,
0:54:54 > 0:54:55'seven or eight?
0:54:57 > 0:54:59'Does she love her daddy?
0:55:01 > 0:55:02'Does she look up to him?
0:55:03 > 0:55:07'Does she think he's the most important thing in her whole world?'
0:55:07 > 0:55:09Does she dream about him?
0:55:12 > 0:55:17What's going to happen when she finds out who you really are,
0:55:17 > 0:55:18'what you really do?
0:55:21 > 0:55:23'It will destroy her.'
0:55:25 > 0:55:26It will kill her.
0:55:39 > 0:55:40DEAD LINE
0:55:51 > 0:55:52I've made the calls.
0:55:59 > 0:56:01Sally...
0:56:03 > 0:56:08I know what you say is right and I don't deserve another chance.
0:56:08 > 0:56:14But I will do everything, everything I can, to make it right.
0:56:29 > 0:56:32Only you can save me from myself.
0:56:41 > 0:56:43Things are going to be so different from now on.
0:57:07 > 0:57:10CAR ENGINE STARTS
0:57:19 > 0:57:22'I called to say goodbye.
0:57:22 > 0:57:24'I called to say it's over.'
0:57:24 > 0:57:26'In what sense "over"?'
0:57:26 > 0:57:28'I'm walking away.'
0:57:28 > 0:57:30- 'You can't!'- 'Watch me!'
0:57:32 > 0:57:33'You fucked up!
0:57:33 > 0:57:37'You moved against Annie too soon, you didn't prepare properly,
0:57:37 > 0:57:41'you didn't do the ground work and you didn't kill her.'
0:57:44 > 0:57:46THEY SING: # Tell me ma when I get home
0:57:46 > 0:57:48# The boys won't leave the girls alone
0:57:48 > 0:57:50# They pulled my hair They stole my comb
0:57:50 > 0:57:54# But that's all right till I get home
0:57:54 > 0:57:57# 'She is handsome She is pretty...' #
0:57:57 > 0:57:58MUFFLED SCREAMS
0:57:58 > 0:58:01# '..She is a-courting One, two, three
0:58:01 > 0:58:05# 'Please won't you tell me Who is she?
0:58:05 > 0:58:07# 'Tell me ma when I get home'
0:58:07 > 0:58:10# The boys won't leave the girls alone
0:58:10 > 0:58:13# They pulled my hair They stole my comb
0:58:13 > 0:58:15# But that's all right Till I get home. #
0:58:15 > 0:58:17'You fucked up and we're on to you.
0:58:17 > 0:58:20'If you're on to me, you'll come for me.
0:58:20 > 0:58:22'You have no idea who I am...'
0:58:22 > 0:58:25Ma'am, Annie Brawley has regained consciousness.
0:58:54 > 0:58:58Subtitles by Red Bee Media Ltd