0:00:03 > 0:00:11This programme contains some strong language and some scenes which some viewers may find upsetting
0:00:13 > 0:00:17MATTHEW GIFFEN: From the chill down your neck, to the stain in your pants, fear can do many things.
0:00:17 > 0:00:19It can chill, thrill and entertain...
0:00:19 > 0:00:21Oh, my God!
0:00:21 > 0:00:23..which is precisely why we're here.
0:00:23 > 0:00:27We've asked amateur film-makers to send us their creepiest,
0:00:27 > 0:00:32goriest and freakiest short horror films for your viewing pleasure.
0:00:33 > 0:00:36Movies such as Saw and Evil Dead
0:00:36 > 0:00:37both started out as shorts
0:00:37 > 0:00:40before becoming multimillion-dollar franchises,
0:00:40 > 0:00:43so we're hoping to find the next horror master,
0:00:43 > 0:00:47worthy of a bloodcurdling blockbuster.
0:00:47 > 0:00:48Aggh!
0:00:48 > 0:00:54This is The Fear, where who scares wins.
0:00:54 > 0:00:56Oh, my God.
0:01:13 > 0:01:15Welcome to the screaming room.
0:01:15 > 0:01:19You know, as a kid lots of things scared you - dark corridors,
0:01:19 > 0:01:21the dentist, clowns.
0:01:21 > 0:01:25As an adult, it's parental disappointment, loans and clowns.
0:01:25 > 0:01:26It's still clowns.
0:01:26 > 0:01:29But what scares an audience of horror fans?
0:01:29 > 0:01:33Here, they'll be watching a host of terrifying short films.
0:01:33 > 0:01:37They'll vote for their scariest in this special cinema,
0:01:37 > 0:01:42rigged with cameras to catch their every jump, scream and cry.
0:01:42 > 0:01:45But who are these unwitting individuals?
0:01:47 > 0:01:52Among the audience, we have Essex nurses and BFFs Aaron and Michelle.
0:01:52 > 0:01:55- I don't like zombie films, though. - No, no, no. I like demons.
0:01:55 > 0:01:58- AS A DEMON:- Yeah, I like demons.
0:01:58 > 0:01:59- AS A DEMON:- I like demons.
0:01:59 > 0:02:03Joining them, veteran film geeks Ashley and Brad...
0:02:03 > 0:02:07I'm ready for some bloody zombies.
0:02:07 > 0:02:09..first-time daters Poppy and Joe...
0:02:09 > 0:02:14- Oh, I'm so excited.- Do you reckon any of the films are going to get you, though?- Yeah.- 100%.
0:02:16 > 0:02:19..and not afraid of anything are the lads from Hackney,
0:02:19 > 0:02:21Antoine, Nick and Daniel.
0:02:25 > 0:02:27- Aggh!- Oh, fucking hell, man!
0:02:27 > 0:02:30Like a complete and utter scaredy-cat.
0:02:30 > 0:02:33Also in the audience, the twins from The Shining...
0:02:33 > 0:02:35You just keep telling yourself that.
0:02:35 > 0:02:36..well, nearly.
0:02:36 > 0:02:39It's 18- and 20-year-old sisters Amelia and Grace.
0:02:39 > 0:02:41I really like Disney. I love Frozen.
0:02:41 > 0:02:44Oh, you're in for a treat(!)
0:02:44 > 0:02:45Cheers.
0:02:47 > 0:02:49So all this courageous crew have to do is score the films
0:02:49 > 0:02:52and on scariness alone.
0:02:52 > 0:02:54All the shorts are four minutes or less,
0:02:54 > 0:02:58made by amateur film-makers, so, without further ado,
0:02:58 > 0:02:59it's time for our first offering,
0:02:59 > 0:03:03which comes from 22-year-old call centre worker Liam Banks.
0:03:04 > 0:03:07When he's not dialling up total strangers
0:03:07 > 0:03:09right in the middle of their dinners,
0:03:09 > 0:03:13he's persuading them to buy into creep fests like this one -
0:03:13 > 0:03:14it's Mr Creak.
0:03:21 > 0:03:26- Shock me, shock me, shock me. - You need an exorcism.- I do.
0:03:31 > 0:03:32CREAKING
0:04:08 > 0:04:10METALLIC CLANG
0:04:54 > 0:04:56"Don't move a muscle
0:04:56 > 0:04:57"Don't even speak
0:04:57 > 0:04:59"He watches closely
0:05:01 > 0:05:02"He's Mr Creak."
0:05:02 > 0:05:04CREAKING
0:05:14 > 0:05:17"A crash, a jump
0:05:19 > 0:05:20"A house that scares
0:05:21 > 0:05:24"He's coming closer
0:05:24 > 0:05:26"He's on the stairs."
0:05:27 > 0:05:28CREAKING
0:05:35 > 0:05:36"He's watching now
0:05:37 > 0:05:39"He's in the room
0:05:44 > 0:05:45"If you dare to look
0:05:48 > 0:05:50"You'll see him soon."
0:05:53 > 0:05:54CREAKING
0:06:17 > 0:06:18SHE SCREAMS
0:06:19 > 0:06:21My God!
0:06:21 > 0:06:24That was the biggest scream I've ever heard in my life.
0:06:24 > 0:06:25That wasn't me. That wasn't me.
0:06:25 > 0:06:27Well, that was truly horrifying.
0:06:27 > 0:06:32Has she not heard of WD-40? You need to get those doors looked at, love.
0:06:32 > 0:06:34But, I wonder, how did our audience deal with it?
0:06:35 > 0:06:39Each submission must be marked on a scale of one to ten -
0:06:39 > 0:06:41the more they were scared, the higher the score.
0:06:41 > 0:06:45At the end of the competition, the three scariest films will be viewed
0:06:45 > 0:06:48by Blair Witch co-director Eduardo Sanchez.
0:06:48 > 0:06:51He'll pick the ultimate winner
0:06:51 > 0:06:54and take that lucky director a step closer to Hollywood
0:06:54 > 0:06:58with £20,000 worth of support for their next fright fest.
0:06:58 > 0:07:02So, with that in mind, what did our audience think of Mr Creak?
0:07:06 > 0:07:08You screamed quite majorly.
0:07:08 > 0:07:10Aggh!
0:07:10 > 0:07:12Oh, my goodness.
0:07:14 > 0:07:17- Aggh! Good job. It had you scared.- Good job.
0:07:17 > 0:07:23Mr Creak, really, there was a lot of echoes of The Babadook,
0:07:23 > 0:07:27not necessarily replication, but it felt like a decent homage to it.
0:07:27 > 0:07:29Why are there always dollies in these horror films?
0:07:29 > 0:07:32I'm thinking, "Are dollies really that scary now?"
0:07:32 > 0:07:33I would never get my kid a dolly, never.
0:07:35 > 0:07:37No-one in a horror film ever does what they're supposed to do,
0:07:37 > 0:07:39so everyone deserves to die.
0:07:40 > 0:07:43Oh, no, don't, don't, don't.
0:07:43 > 0:07:44Don't do it.
0:07:45 > 0:07:47You know what I'm going to do? Oh!
0:07:47 > 0:07:49Aggh!
0:07:49 > 0:07:53One big jump, but were our audience petrified pushovers or are things
0:07:53 > 0:07:56looking up for Mr Creak? All will be revealed at the end of the show.
0:07:58 > 0:08:03I thought you said the best person to get horny by is Bob Monkhouse.
0:08:03 > 0:08:05- No.- Why are we talking about that? - Haunted.
0:08:05 > 0:08:10- We are quite clearly watching horror films.- I just didn't hear all of it.
0:08:10 > 0:08:12Your mind is obviously elsewhere right now.
0:08:12 > 0:08:14I just didn't hear "haunted".
0:08:14 > 0:08:18Did she say Bob Monkhouse? That is a scary thought. Ugh!
0:08:18 > 0:08:23And hoping to go one scarier is film number two,
0:08:23 > 0:08:27which comes from 27-year-old German bartender Frederik Wolf.
0:08:27 > 0:08:30When he's not rustling up rancid cocktails,
0:08:30 > 0:08:33he's enjoying getting drunk on his own mix of fear
0:08:33 > 0:08:39and despair as he plays the starring role in this nightmare, 3am.
0:08:40 > 0:08:43Oh. # Da-da-da-da! Da-da-da-da! #
0:08:43 > 0:08:44Oh, my God. Calm down.
0:08:57 > 0:08:59BELL RINGS
0:09:09 > 0:09:10SCRAPING
0:09:25 > 0:09:27CREAKING
0:09:35 > 0:09:37TAPPING
0:09:45 > 0:09:46TAPPING
0:09:49 > 0:09:51HE GASPS
0:09:51 > 0:09:52Oh, my God!
0:10:10 > 0:10:11HE BREATHES HEAVILY
0:10:13 > 0:10:15CLATTERING
0:10:17 > 0:10:18CREAKING
0:10:30 > 0:10:31HE GASPS
0:11:00 > 0:11:01HE SIGHS WITH RELIEF
0:11:04 > 0:11:05HE EXHALES SHARPLY
0:11:43 > 0:11:44Aggh!
0:11:46 > 0:11:49Oh-oh! Oh!
0:11:49 > 0:11:52- Oh, my God! - That was wicked. That was good.
0:11:53 > 0:11:56- I felt like my heart just jumped out of me.- That was incredible.
0:11:56 > 0:11:58I liked that a lot.
0:11:58 > 0:12:02The old jump-scare technique at its finest there.
0:12:02 > 0:12:05That will give the cinema cleaning department something to look forward to.
0:12:06 > 0:12:08It was so unexpected.
0:12:09 > 0:12:11Aggh! That is good!
0:12:11 > 0:12:13It was the jump - to the point that I didn't even scream
0:12:13 > 0:12:15cos I was so scared. It was just a gasp.
0:12:15 > 0:12:17Oh-oh!
0:12:17 > 0:12:21It hit every beat that it wanted to hit and I don't think there was any flat...
0:12:21 > 0:12:25In fact, it crescendoed into what was an effective jump-scare.
0:12:26 > 0:12:31Like, my foot come up, my whole leg, my popcorn went all over me.
0:12:31 > 0:12:34When you jumped, you kind of styled it out.
0:12:34 > 0:12:36You did this little worm, like a little wave, innit?
0:12:36 > 0:12:39I had one song on my mind, I was thinking of a dance
0:12:39 > 0:12:40that I could do to it.
0:12:42 > 0:12:46Nice try, Antoine. You were doing the same dance as everyone else.
0:12:46 > 0:12:47It's called the jump.
0:12:47 > 0:12:50Oh-h!
0:12:50 > 0:12:55- # Jump!- Jump!- Might as well jump! #
0:12:55 > 0:12:57Oh-oh!
0:12:57 > 0:13:00- The creature made you jump. - No, it didn't.
0:13:00 > 0:13:02# Jump! #
0:13:02 > 0:13:03Fuck right off!
0:13:03 > 0:13:06God, you tart, you had to make it worse.
0:13:06 > 0:13:10Even our discerning horror buff Ash got a fright out of that one.
0:13:10 > 0:13:13And is Joe starting to drop his guard with his date Poppy?
0:13:13 > 0:13:17This film scared me. It was... Yeah, I really enjoyed being scared.
0:13:17 > 0:13:20- Ugly women terrify me and she was like...- No.
0:13:20 > 0:13:23- ..like a corpse of a female. - That was...- Sick!
0:13:23 > 0:13:24Why is it always women?
0:13:24 > 0:13:27- It's always women, innit? - Yeah, it is.- Why is it not a man?
0:13:27 > 0:13:31Well, hell hath no fury like a woman scorned.
0:13:31 > 0:13:32Still, when you wake up clammy
0:13:32 > 0:13:34and stiff in the middle of the night,
0:13:34 > 0:13:37there are better ways of dealing with it, but will our audience
0:13:37 > 0:13:41have found it scarier than Mr Creak? Find out at the end of the show.
0:13:47 > 0:13:52And so to 25-year-old animation student Robert Poller from York.
0:13:52 > 0:13:55Rob works part-time in a burger joint
0:13:55 > 0:13:57which I hope for the sake of the good people of York
0:13:57 > 0:14:01is not what inspired him to come up with his next offering.
0:14:01 > 0:14:03It's The Butcher Man.
0:14:06 > 0:14:08- Oh, here we go.- Here we go.
0:14:13 > 0:14:15SHE SHUDDERS
0:14:18 > 0:14:20Is it animated?
0:14:20 > 0:14:23'You haven't heard of The Butcher Man, have you?
0:14:25 > 0:14:26'Nobody has.
0:14:27 > 0:14:29'If you have heard of him,
0:14:29 > 0:14:32'then the chances are, he has already slaughtered you.
0:14:32 > 0:14:35'How do I know this? Because he was the one that killed me.'
0:14:35 > 0:14:37I don't like that voice.
0:14:37 > 0:14:39- Oh, wow.- It is animated.
0:14:39 > 0:14:44'I woke up in a strange room where I've never been before.
0:14:44 > 0:14:47'My vision was blurry and I couldn't see straight.
0:14:48 > 0:14:51'I was convinced that this was a dream.
0:14:51 > 0:14:53'There was a large man. WET SLICING
0:14:53 > 0:14:56'I couldn't make out what he was doing or who he was.
0:15:01 > 0:15:03'Then, I realised...
0:15:04 > 0:15:05'..this was not a dream.'
0:15:07 > 0:15:10Where am I? What's going on?
0:15:11 > 0:15:13Hey! Hey, you!
0:15:13 > 0:15:15Get me out of here!
0:15:17 > 0:15:19What the hell is going on here?
0:15:26 > 0:15:29'The machine above me was activated.'
0:15:29 > 0:15:30Shit!
0:15:30 > 0:15:32'I began to sweat.
0:15:33 > 0:15:36'Naively, I'd attempt to break free.
0:15:37 > 0:15:38'It was no use.
0:15:38 > 0:15:40'I looked around.
0:15:40 > 0:15:43'There was jars that had human eyes and human hands.
0:15:43 > 0:15:45FLIES BUZZ
0:15:45 > 0:15:48'Also, buckets of blood that attracted insects.
0:15:49 > 0:15:51'The blade came down.
0:15:52 > 0:15:55'I am literally inches away from death.
0:15:57 > 0:16:00'I'd shrink my stomach and hold my breath.'
0:16:05 > 0:16:07- AUDIENCE:- Ooh!
0:16:07 > 0:16:11'The sudden shock and pain jolted into my brain.
0:16:11 > 0:16:13'There was a deep cut,
0:16:13 > 0:16:17'but nothing could have prepared me for what was coming next.'
0:16:20 > 0:16:24HE SCREAMS
0:16:25 > 0:16:28- Ugh! Ahh! - BOYFRIEND LAUGHS
0:16:31 > 0:16:34HE SCREAMS
0:16:40 > 0:16:41Oh, Joe...
0:16:41 > 0:16:43- It's animated! - HE LAUGHS
0:17:19 > 0:17:21Is that the end?
0:17:21 > 0:17:22That's a thing, isn't it?
0:17:22 > 0:17:24'Fear.' ELECTRONIC CACKLE
0:17:24 > 0:17:26A choice cut from The Butcher Man.
0:17:26 > 0:17:30But what did our audience make of this gutsy effort?
0:17:30 > 0:17:31I kind of enjoyed that film.
0:17:31 > 0:17:34That's the first animated horror that I've seen.
0:17:34 > 0:17:35HE SCREAMS
0:17:35 > 0:17:37- AUDIENCE:- Ooh!
0:17:37 > 0:17:39I didn't know what the guy had done, whether he deserved it or not.
0:17:39 > 0:17:42Automatically, we just think it's to do with a girl.
0:17:42 > 0:17:45So, he's already sawed up the girl and he's got caught,
0:17:45 > 0:17:48and Bob's your uncle, mate. You're finished!
0:17:48 > 0:17:50I enjoyed it.
0:17:50 > 0:17:53'Even though it is a cartoon, it just kind of creeped me out...'
0:17:53 > 0:17:55Grossed you out, I think.
0:17:55 > 0:17:58It grossed me out, the thought of a knife cutting into my tummy.
0:18:00 > 0:18:02When it kept swinging through...
0:18:02 > 0:18:04'Ugh!' Just like these pink, bubbly things...
0:18:04 > 0:18:06'Oh, come on!' It was making me feel really weird.
0:18:09 > 0:18:12I thought that torture carried on a bit too long.
0:18:12 > 0:18:14Just let it go, cut him up.
0:18:14 > 0:18:16That's the whole point of a torturer, isn't it?
0:18:16 > 0:18:21When you're a torturer, you take your time. Torture them.
0:18:21 > 0:18:22Something I found curious -
0:18:22 > 0:18:24The Butcher Man, he was actually kind of nice,
0:18:24 > 0:18:26cos he kept the guy's dignity.
0:18:26 > 0:18:29- Yeah.- He took his top off, but left his trousers on.
0:18:30 > 0:18:32That was pretty OK of The Butcher Man.
0:18:32 > 0:18:33Yeah, he's not a monster.
0:18:33 > 0:18:37Trousers on, intestines out, nice cup of tea and a flapjack!
0:18:37 > 0:18:39SCREAMS
0:18:40 > 0:18:42Agh!
0:18:42 > 0:18:45I think your reaction was better than the cartoon itself.
0:18:45 > 0:18:48'So, Aaron's not a fan - and like several of our audience,
0:18:48 > 0:18:52'he had a beef with one of The Butcher Man's key ingredients.'
0:18:52 > 0:18:55The narrator's voice was very boring.
0:18:55 > 0:18:58Hey, you! Get me out of here!
0:18:58 > 0:19:00"Hey, you! Let me out of here!"
0:19:00 > 0:19:02It was, like, so chill!
0:19:02 > 0:19:05He sounded really unfazed by the whole situation.
0:19:05 > 0:19:09- "There was jars of pickled eyeballs..."- Yeah. - LAUGHTER
0:19:09 > 0:19:11'Well, not everyone can master
0:19:11 > 0:19:15'the smooth-as-silk voice-over voice of a seasoned professional.
0:19:15 > 0:19:17'Next time, call my agent.'
0:19:17 > 0:19:20But can The Butcher Man cut it at the top of the leaderboard,
0:19:20 > 0:19:24or will it go belly up with our audience?
0:19:24 > 0:19:26I'm not expecting the goriness, and to see how it comes out.
0:19:26 > 0:19:29I'd never seen it before, so when he done the first bit, it was a bit OK.
0:19:29 > 0:19:31What the hell has gone on here?
0:19:31 > 0:19:33- It was really creative and it was a good idea.- Yeah.
0:19:33 > 0:19:34It just wasn't scary.
0:19:34 > 0:19:36- Shit!- The animation was great.
0:19:36 > 0:19:39I thought it was... It had that South Park touch to it,
0:19:39 > 0:19:42where there's an element of kitsch to it.
0:19:42 > 0:19:45It is quite good, and it makes it different, it makes it stand out.
0:19:45 > 0:19:47It's something that I will remember.
0:19:52 > 0:19:54I do love a horror.
0:19:54 > 0:19:56I'm absolutely not too cool to be scared.
0:19:56 > 0:19:58No, I am not too cool to be scared.
0:19:58 > 0:20:00No, I'm absolutely not cool, even remotely.
0:20:00 > 0:20:03That was me, smoothly trying to make you jump.
0:20:03 > 0:20:05Er, get your hand off me.
0:20:05 > 0:20:08- Get your hand off!- What hand?
0:20:08 > 0:20:09LAUGHTER
0:20:15 > 0:20:17They look far too relaxed down there.
0:20:17 > 0:20:20Time to hit them with our final flick, which comes from
0:20:20 > 0:20:2427-year-old Glaswegian wedding photographer Aaron Bird.
0:20:24 > 0:20:26When he's not subjecting people
0:20:26 > 0:20:29to the hell of having to smile in an ill-fitting suit,
0:20:29 > 0:20:32he's terrifying them with sickening creations,
0:20:32 > 0:20:36like the Shelack demon who possesses her victims in their sleep.
0:20:36 > 0:20:38This is What It Wants.
0:20:43 > 0:20:44CREEPY VIOLIN SCORE
0:20:44 > 0:20:46I'm already scared!
0:21:04 > 0:21:07- WHISPERED:- Follow me...
0:21:44 > 0:21:48What I want... Get me what I want!
0:21:48 > 0:21:50SINISTER TOLLING
0:22:14 > 0:22:15SHE SCREAMS, THUD
0:22:20 > 0:22:23VELCRO-LIKE RIPPING
0:22:25 > 0:22:27Eurgh!
0:22:27 > 0:22:29- No, no! No.- That is grim.
0:22:29 > 0:22:30No!
0:22:41 > 0:22:43SHE GASPS Oh, no - don't!
0:22:43 > 0:22:46Eurgh!
0:22:53 > 0:22:58ERRATIC GASPING
0:23:10 > 0:23:12SINISTER CHORD
0:23:40 > 0:23:41SHRIEK
0:23:41 > 0:23:43Oh, my God!
0:23:43 > 0:23:46THEY LAUGH
0:23:46 > 0:23:49That was so good! I really enjoyed it!
0:23:49 > 0:23:51Man up!
0:23:53 > 0:23:56Shelack's appearance is really kind of creepy,
0:23:56 > 0:23:58it's got a definite Grudge vibe to it.
0:23:58 > 0:24:00Yes, Shelack needed a whole new makeover.
0:24:00 > 0:24:02What's this bit on the side?
0:24:02 > 0:24:05If he fell for that over what he had in bed, I feel for the guy.
0:24:05 > 0:24:08He's going through things, man.
0:24:08 > 0:24:12- And then he made the guy's eyes go funny, he went...- Yeah!
0:24:12 > 0:24:14I didn't know what was coming
0:24:14 > 0:24:17because I've not encountered this kind of demon before on film.
0:24:17 > 0:24:19You sound like an exorcist!
0:24:19 > 0:24:21"I haven't encountered this demon before"!
0:24:23 > 0:24:24He's stolen her hair.
0:24:24 > 0:24:26It's a hair demon.
0:24:27 > 0:24:30- She's called Shelack because she lacks stuff.- Everything,
0:24:30 > 0:24:33- she lacks eyes and lips.- Yeah!
0:24:33 > 0:24:34Get me what I want!
0:24:35 > 0:24:38I thought it was really rude that the demon didn't say thank you,
0:24:38 > 0:24:41- just slammed the door in the poor sod's face.- Well, I don't think
0:24:41 > 0:24:43you'd expect a thank-you from a demon.
0:24:43 > 0:24:48- Eurgh!- We're girls, we don't need to think about our scalp being cut off!
0:24:50 > 0:24:53That was gross and it was really slowly done. Eurgh!
0:24:55 > 0:24:59See, when I think about it, it makes me do this sort of thing.
0:24:59 > 0:25:02When the couple's in bed, I thought it was about to get saucy,
0:25:02 > 0:25:04but...what a letdown!
0:25:04 > 0:25:07Mate, there was no sauce in that at all, mate!
0:25:07 > 0:25:08SCREAM, THUD
0:25:09 > 0:25:12- The poor girlfriend.- I think one of the most terrifying things
0:25:12 > 0:25:15- would be hurting someone you care about without realising you're hurting them.- Yeah.
0:25:15 > 0:25:18Really, Joe? Or have we just caught you partaking in
0:25:18 > 0:25:20some classic first-date bullshit?
0:25:22 > 0:25:24It gave me a scream.
0:25:24 > 0:25:25I found it very gruesome.
0:25:25 > 0:25:27I couldn't watch it, I couldn't watch it.
0:25:27 > 0:25:31I take great pleasure in the fact that you...got scared.
0:25:33 > 0:25:35- Thank you(!)- You're welcome!
0:25:35 > 0:25:38Needy housemates, eh? Just take, take, take.
0:25:38 > 0:25:41Your favourite shirt, your leftover pizza, your girlfriend's scalp!
0:25:41 > 0:25:44But how hair-raising did our audience find it?
0:25:44 > 0:25:45With the final votes in,
0:25:45 > 0:25:49it's time to take a look back at all our movies to see how they scored.
0:25:55 > 0:25:56At number four, Robert Poller's
0:25:56 > 0:25:58animated effort, The Butcher Man.
0:25:58 > 0:26:00This sketchy short notched up
0:26:00 > 0:26:02an average of 3.6/10
0:26:02 > 0:26:03for scariness.
0:26:03 > 0:26:06It did gross me out and obviously scare me a little bit,
0:26:06 > 0:26:09- but it wasn't jumpy and wasn't terrifying.- Shit!
0:26:09 > 0:26:10In third place,
0:26:10 > 0:26:12Aaron Bird's What It Wants.
0:26:12 > 0:26:15If you ask me, it wants an 18 certificate with a warning not
0:26:15 > 0:26:16to take your missus.
0:26:16 > 0:26:19What It Wants got a jump out of me.
0:26:19 > 0:26:23It's something I'd definitely like to see explored in a feature film.
0:26:23 > 0:26:24I'd pay to see that.
0:26:24 > 0:26:26But only one film can take top spot
0:26:26 > 0:26:27on the leaderboard
0:26:27 > 0:26:29and missing out this week was
0:26:29 > 0:26:31Liam Banks' hideous jumper, Mr Creak.
0:26:32 > 0:26:36It did shock me, even though it said, "Don't look up," and she looked up
0:26:36 > 0:26:40and I was like, "Here it goes..." and I was like, "Oh, my God!"
0:26:40 > 0:26:43I don't know how it got me so scared, it was heart hammering.
0:26:43 > 0:26:46- Heart hammering?- Heart hammering. - It was heart hammering!
0:26:46 > 0:26:47And smashing the final nail in on
0:26:47 > 0:26:49this week's competition was
0:26:49 > 0:26:51Frederik Wolf's 3am.
0:26:51 > 0:26:533am was the scariest film by far.
0:26:53 > 0:26:56It did make me go a bit...inside.
0:26:56 > 0:26:59I sort of clenched all my muscles up and I was like...uh!
0:26:59 > 0:27:03You knew it was coming, but the best thing about it, you didn't know WHEN it was coming.
0:27:03 > 0:27:04Hands up, it got me.
0:27:04 > 0:27:06You weren't the only one.
0:27:06 > 0:27:09A haggard old lady jumping at you from the ceiling is
0:27:09 > 0:27:13a shit-the-bed moment worthy of a hell-raising 8.8.
0:27:14 > 0:27:16Only the top three shorts at the end
0:27:16 > 0:27:18of the series will be shown to
0:27:18 > 0:27:19Blair Witch co-director
0:27:19 > 0:27:21Eduardo Sanchez and from them,
0:27:21 > 0:27:23he will pick the film that wins
0:27:23 > 0:27:25£20,000 of funding and support.
0:27:25 > 0:27:26So for now,
0:27:26 > 0:27:28The Butcher Man gets the chop.
0:27:30 > 0:27:333am takes a deserved top spot,
0:27:33 > 0:27:37but will it still be there after next week's bloody offerings?
0:27:37 > 0:27:39Coming soon...
0:27:39 > 0:27:41I can't stop thinking about this film.
0:27:41 > 0:27:44Uh! I don't think I've ever been affected like that, ever.
0:27:44 > 0:27:46Oh, my God!
0:27:46 > 0:27:48That is everything I love, it's superb.
0:27:48 > 0:27:50Whoa.
0:27:50 > 0:27:52I will never un-see...
0:27:53 > 0:27:56..what I witnessed on that screen!
0:27:56 > 0:27:57Until then...
0:27:57 > 0:27:59sleep tight!
0:28:00 > 0:28:05MUSIC: What A Wonderful World by Louis Armstrong
0:28:06 > 0:28:09# I see trees of green
0:28:11 > 0:28:13# Red roses, too
0:28:14 > 0:28:16# I see them bloom
0:28:18 > 0:28:20# Just for me and you
0:28:20 > 0:28:22# And I think to myself
0:28:25 > 0:28:26# What a wonderf... #
0:28:26 > 0:28:28VIOLIN SHRIEKS AND ECHOES