0:00:02 > 0:00:08This programme contains some strong language some scenes which some viewers may find upsetting
0:00:09 > 0:00:12From the chill down your neck, to the stain in your pants,
0:00:12 > 0:00:14fear can do many things.
0:00:14 > 0:00:16It can chill...
0:00:16 > 0:00:18SHE SQUEALS ..thrill...
0:00:18 > 0:00:21- and entertain.- Oh, my God!
0:00:21 > 0:00:23Which is precisely why we're here.
0:00:23 > 0:00:27We've asked amateur filmmakers to send us their creepiest,
0:00:27 > 0:00:30goriest and freakiest short horror films
0:00:30 > 0:00:33for your viewing pleasure.
0:00:33 > 0:00:36Movies such as Saw and Evil Dead
0:00:36 > 0:00:37both started out as shorts before
0:00:37 > 0:00:40becoming multimillion dollar franchises
0:00:40 > 0:00:43So we're hoping to find next horror master,
0:00:43 > 0:00:47worthy of a bloodcurdling blockbuster.
0:00:48 > 0:00:51This is The Fear,
0:00:51 > 0:00:55where who scares, wins.
0:00:55 > 0:00:57Oh, my God!
0:01:13 > 0:01:15Welcome to the screaming room.
0:01:15 > 0:01:19As a kid, plenty of things terrified me - Aunty Moira's mystery meat pie,
0:01:19 > 0:01:21acne and sexual inadequacy.
0:01:21 > 0:01:24As an adult, it's losing my no-claims bonus,
0:01:24 > 0:01:28stool consistency and still sexual inadequacy.
0:01:28 > 0:01:31But what scares an audience of Horror fans?
0:01:31 > 0:01:34Here they'll be watching a host of terrifying short films,
0:01:34 > 0:01:38they'll vote for their scariest in this special cinema rigged with
0:01:38 > 0:01:42cameras to catch their every jump, scream and cry.
0:01:42 > 0:01:47So let's welcome back some of those tasked with rating our films.
0:01:48 > 0:01:52Included in our audience tonight are...
0:01:52 > 0:01:54Antoine, Nick and Daniel,
0:01:54 > 0:01:57who are still getting to the bottom of who is the toughest.
0:01:57 > 0:02:00- To be fair, yous two ain't built for horrors, you know.- Hey...
0:02:00 > 0:02:03You chose to come on Halloween. You ain't got the guts for this, bro.
0:02:03 > 0:02:06Sister act scaredy-cats Amelia and Grace...
0:02:06 > 0:02:07SHE SCREAMS
0:02:07 > 0:02:09Oh, my goodness! Really?!
0:02:09 > 0:02:14Also included in our audience are nurses, best friends,
0:02:14 > 0:02:18and singing sensations Aaron and Michelle.
0:02:18 > 0:02:20- # Oh na-na - What's my name?
0:02:20 > 0:02:23- # Oh na-na - What's my name? #
0:02:24 > 0:02:28Hardcore horror fans Brad and Ash, who are just so proud to be here!
0:02:28 > 0:02:32I probably won't tell my mum to watch it cos she'll be like,
0:02:32 > 0:02:35"Look what I raised - a fucking moron!"
0:02:35 > 0:02:38Me mum won't watch it because she doesn't support anything I do.
0:02:40 > 0:02:43And ridiculously good-looking and sophisticated...
0:02:43 > 0:02:44Ladies first.
0:02:44 > 0:02:46..Poppy and Joe.
0:02:46 > 0:02:48- SHE BURPS - Oh my God, I'm so sorry.
0:02:48 > 0:02:52- Oh, my...- I'm really sorry. - Oh, my God! Such a strong smell.
0:02:52 > 0:02:56Remember, this rag tag collection of fear junkies will be judging
0:02:56 > 0:02:59the movies they see on one criteria alone -
0:02:59 > 0:03:01scare factor.
0:03:01 > 0:03:03The more a movie terrifies these twerps,
0:03:03 > 0:03:06the better the chance it has of making it to the final.
0:03:06 > 0:03:10All movies will be under four minutes and made by non-professionals.
0:03:10 > 0:03:14And first off the Spool of Spooks tonight we have an offering from
0:03:14 > 0:03:1716-year-old directors Harry Courtney and Matthew Traszko.
0:03:17 > 0:03:21Personally, I think it's nice to see teenage boys finally discovering
0:03:21 > 0:03:24a new way of entertaining themselves.
0:03:24 > 0:03:25I know what I was like at that age!
0:03:25 > 0:03:27This is Paranoia.
0:03:33 > 0:03:35Oh! It's time!
0:03:35 > 0:03:38# Da da da-da. #
0:03:38 > 0:03:40- It's started, Joe. - Really, is it(?)- Yeah.
0:03:43 > 0:03:46Mm-hm, yeah.
0:03:46 > 0:03:48No, no, Mum. I'll be fine.
0:03:48 > 0:03:51It's not like I haven't done it before.
0:03:51 > 0:03:53Please, stop worrying. OK.
0:03:53 > 0:03:56Yes, it's all done. Yes, OK.
0:03:56 > 0:03:58I'm going now, bye. Love you. Bye.
0:03:58 > 0:04:00Love you. Bye, bye, bye!
0:04:03 > 0:04:05CLATTERING
0:04:11 > 0:04:13DOOR CREAKS
0:04:34 > 0:04:38DISCORDANT MUSIC ESCALATES
0:04:44 > 0:04:46MUSIC STOPS
0:04:47 > 0:04:49- Arghhhhhh! - Oh, my God!
0:04:49 > 0:04:50HE LAUGHS
0:04:50 > 0:04:53- Should've seen your face. - Hell, man. That's not cool.
0:04:53 > 0:04:56HE LAUGHS
0:04:56 > 0:04:59- Didn't tell me you had a basement. - I know it's spooooky, right?!
0:04:59 > 0:05:01Whatever.
0:05:08 > 0:05:10Was that it?
0:05:12 > 0:05:14Oh, no, all right.
0:05:14 > 0:05:16DOOR BELL RINGS
0:05:16 > 0:05:18- Was that the door bell?- I think so.
0:05:18 > 0:05:20BELL RINGS AGAIN
0:05:20 > 0:05:22- Are you expecting someone?- No.
0:05:22 > 0:05:25- You?- I don't think so. - TV PLAYS IN BACKGROUND
0:05:25 > 0:05:27- New neighbours?- Maybe.
0:05:29 > 0:05:32EERIE MUSIC PLAYS
0:05:32 > 0:05:35Matt, you left the door open! Anyone could've got in!
0:05:35 > 0:05:38What do you mean? You were the last one in.
0:05:38 > 0:05:40Whatever.
0:05:40 > 0:05:43- I didn't leave the door open.- Yeah, whatever, mate. I'm going to bed.
0:05:43 > 0:05:46- Your turn to turn the lights off! - Mate, you can't...
0:05:46 > 0:05:49Seriously! I turned them off last night.
0:05:56 > 0:05:58EERIE MUSIC PLAYS
0:05:58 > 0:06:00What the hell...?
0:06:39 > 0:06:41PHONE RINGS
0:06:43 > 0:06:46DOOR CLICKS OPEN
0:06:46 > 0:06:47Very funny, Harry.
0:06:49 > 0:06:51I can hear your phone, you idiot.
0:06:55 > 0:06:57Who are you talking to?
0:06:57 > 0:06:58- Huh?- Who are you talking to?
0:06:59 > 0:07:01SHE SCREAMS
0:07:01 > 0:07:02Fucking 'ell!
0:07:04 > 0:07:07- There was two scares in that one for you.- Yeah.
0:07:07 > 0:07:09- That's a good little tally.- Yeah.
0:07:12 > 0:07:14So, two scares for the price of one.
0:07:14 > 0:07:16Will that be enough to propel it into the final?
0:07:16 > 0:07:19Our entire audience marks each film out of ten.
0:07:19 > 0:07:22The more they were scared, the higher the score.
0:07:22 > 0:07:24At the end of the competition,
0:07:24 > 0:07:27Blair Witch Project co-director Eduardo Sanchez will view
0:07:27 > 0:07:31the three scariest films and pick the ultimate winner.
0:07:31 > 0:07:35He'll take that lucky director a step closer to Hollywood
0:07:35 > 0:07:39with £20,000 worth of support for their next fright fest.
0:07:39 > 0:07:42With that in mind, let's see what they thought of Paranoia.
0:07:42 > 0:07:46A film that managed to get London's toughest jumping out of their seats.
0:07:49 > 0:07:51I thought Paranoia was a good film.
0:07:51 > 0:07:54Actually that's the best I've seen. It gave me a fright.
0:07:54 > 0:07:56Yaaaaargh!
0:07:56 > 0:07:58Oh, my God!
0:07:58 > 0:08:02The audience around us for the first jump lost their minds.
0:08:02 > 0:08:04SCREAMING
0:08:04 > 0:08:08That first jump was really tense. Ohhhh!
0:08:08 > 0:08:10Then you see the guy in the background and I was like,
0:08:10 > 0:08:12"Ohhhh!" So, super tense.
0:08:12 > 0:08:14It got me once.
0:08:14 > 0:08:16Aw, fuck!
0:08:16 > 0:08:19Oh, shit, it got me.
0:08:19 > 0:08:22It got you lot twice. So it's still 2-2-1.
0:08:22 > 0:08:24So great tension and great scares.
0:08:24 > 0:08:28For some in the audience though the minor details were a little more important.
0:08:28 > 0:08:31He's got really white teeth, doesn't he?
0:08:31 > 0:08:32So, when I watched the film,
0:08:32 > 0:08:36I want to see what it's trying to show, what style it's in.
0:08:36 > 0:08:38Amelia is looking at teeth.
0:08:40 > 0:08:43- I want to know what toothpaste he uses.- It was very distracting.
0:08:43 > 0:08:45She ruined the tension
0:08:45 > 0:08:47by asking what kind of stuff he uses on his teeth?
0:08:47 > 0:08:49Like, I don't care, Amelia.
0:08:49 > 0:08:53Whilst for Poppy the nightmare was in the nightwear...
0:08:53 > 0:08:57Who sleeps in jeans? So he was lying in bed in his skinny jeans.
0:08:57 > 0:09:00That's a health hazard because skinny jeans are really tight
0:09:00 > 0:09:02and restricts blood flow.
0:09:02 > 0:09:04They're not even joggers, they're jeans.
0:09:04 > 0:09:07- That's really not good for you. - Thank you.
0:09:07 > 0:09:09I'd say he probably has other things to worry about.
0:09:09 > 0:09:12Like the massive red-faced demon in his cellar!
0:09:12 > 0:09:17There's no way in hell I'd be going down to any basement. I don't care.
0:09:17 > 0:09:20Whatever's in the basement can stay there!
0:09:20 > 0:09:22In that situation, I'd have run out the door.
0:09:22 > 0:09:24Aaaaargh! Fucking 'ell.
0:09:24 > 0:09:27- What would you have done? - Probably just wee'd myself.
0:09:27 > 0:09:29- Yaaaargh!- So, it seems flat share
0:09:29 > 0:09:33horror stories aren't just about who left that mess in the bathroom.
0:09:33 > 0:09:37Find out how Paranoia faired on our leader board at the end of the show.
0:09:41 > 0:09:44The next film for you to get your teeth into is a cheery little
0:09:44 > 0:09:47number made by PR copy-writer Robert Howells.
0:09:49 > 0:09:53Aside from making short horror films, Robert rollerblades, types a lot,
0:09:53 > 0:09:57and looks like this from this angle, and like this from this angle.
0:09:57 > 0:09:59Handsome.
0:09:59 > 0:10:02Prepare yourself for Bernard.
0:10:06 > 0:10:08SHE GASPS
0:10:08 > 0:10:09Jesus!
0:10:17 > 0:10:19PIANO MUSIC PLAYS
0:10:27 > 0:10:30TV CHATTER
0:10:31 > 0:10:34We have to talk about it, Barb.
0:10:34 > 0:10:37We can't just let him carry on stealing...
0:10:37 > 0:10:38You were the same at 16, Reg.
0:10:38 > 0:10:41He's only trying to help.
0:10:42 > 0:10:44Times are tough.
0:10:44 > 0:10:46I know. We're all struggling...
0:10:46 > 0:10:49But we can't let it affect his school.
0:10:49 > 0:10:50He won't change, Reg.
0:10:50 > 0:10:52We are what we are.
0:10:56 > 0:10:59Oh, fetch the sweet after, will you, love?
0:11:16 > 0:11:20R&B MUSIC PLAYS
0:11:31 > 0:11:33SHE SOBS
0:11:42 > 0:11:43SHE SCREAMS
0:11:43 > 0:11:45THEY GASP
0:11:48 > 0:11:51SHE SCREAMS
0:11:59 > 0:12:03SCREAMING CONTINUES
0:12:19 > 0:12:21- BOTH:- What?
0:12:21 > 0:12:22I don't know what to say.
0:12:22 > 0:12:23I liked that.
0:12:25 > 0:12:28Ah, there's nothing like a sweet family drama...
0:12:28 > 0:12:31and that was nothing like a sweet family drama.
0:12:31 > 0:12:32SHE SCREAMS
0:12:32 > 0:12:34This was weird.
0:12:34 > 0:12:36It was a pretty dark one.
0:12:36 > 0:12:38A blow torch was really unnecessary.
0:12:38 > 0:12:41I mean, that is just evil at its finest.
0:12:41 > 0:12:43SHE SCREAMS
0:12:43 > 0:12:44What? What is that?
0:12:44 > 0:12:46Oh, my fuck.
0:12:46 > 0:12:48Oh!
0:12:48 > 0:12:49While some hid their faces,
0:12:49 > 0:12:53horror buff Brad proved his credentials and spotted the twist
0:12:53 > 0:12:54coming a mile away.
0:12:54 > 0:12:56We are what we are.
0:12:56 > 0:12:57Cannibals.
0:12:57 > 0:13:01Incredible. Brad got that just 54 seconds into the film.
0:13:01 > 0:13:03Maybe they are cannibals.
0:13:03 > 0:13:05Antwuan, on the other hand...
0:13:05 > 0:13:07JEOPARDY THEME TUNE PLAYS
0:13:08 > 0:13:11- What? Was he eating her? - THEY LAUGH
0:13:11 > 0:13:14Good God, man. He had a plateful of fingers. Keep up.
0:13:14 > 0:13:15That boy's Jamie Oliver.
0:13:15 > 0:13:17THEY LAUGH
0:13:17 > 0:13:20With more brains than a value sausage,
0:13:20 > 0:13:23Bernard's clever twist certainly whetted our audience's appetite,
0:13:23 > 0:13:28but did the terror consume them like Bernard consumed all those people?
0:13:28 > 0:13:29Find out at the end of the show.
0:13:32 > 0:13:36Remember, only the audience's top three shorts at the end of the series
0:13:36 > 0:13:39will be shown to Blair Witch co-director Eduardo Sanchez.
0:13:39 > 0:13:44At the moment, 3am, Capture and Mr Creak are the ones to beat
0:13:44 > 0:13:47and hoping to knock any of them off of the top spot is our next film -
0:13:47 > 0:13:50a little car-based catastrophe called The Breakdown -
0:13:50 > 0:13:55made by student Mohammed Rabbani and removals man Mark Benmore.
0:13:55 > 0:14:00They look like a talented duo. Just look at those jazz hands.
0:14:00 > 0:14:04I wonder what kind of horrendousness they can craft with those.
0:14:07 > 0:14:09Oh, damn.
0:14:09 > 0:14:12THUNDER RUMBLES
0:14:15 > 0:14:17RAPID TAPPING ON WINDOW
0:14:22 > 0:14:26FOOTSTEPS
0:14:26 > 0:14:28Hello.
0:14:28 > 0:14:31Hi. My car broke down and my phone is not working.
0:14:31 > 0:14:32Can I use yours, please?
0:14:32 > 0:14:34Of course, yes. Come in.
0:14:34 > 0:14:37The landline's not working though, because of the storm,
0:14:37 > 0:14:38but go on in.
0:14:45 > 0:14:48CLOCK TICKS
0:14:52 > 0:14:54Who are you?
0:14:56 > 0:14:58How did you get in here?
0:14:58 > 0:15:00Hi, I'm Emily.
0:15:00 > 0:15:02My car broke down and the lady let me in.
0:15:04 > 0:15:05Her.
0:15:05 > 0:15:08This woman...
0:15:08 > 0:15:09was...
0:15:09 > 0:15:10my wife.
0:15:13 > 0:15:14Oh...
0:15:14 > 0:15:16She died five years ago.
0:15:18 > 0:15:19I'm...
0:15:19 > 0:15:21I'm just going to leave now.
0:15:21 > 0:15:23I'm sorry.
0:15:23 > 0:15:25No, no.
0:15:25 > 0:15:27Stay away.
0:15:27 > 0:15:28Stay away.
0:15:28 > 0:15:31It's a joke.
0:15:31 > 0:15:33It's a joke.
0:15:33 > 0:15:36We're just having some fun.
0:15:36 > 0:15:38What?!
0:15:38 > 0:15:39A joke?
0:15:39 > 0:15:41What kind of people are you?
0:15:42 > 0:15:44- You guys are sick.- Ross.
0:15:44 > 0:15:48I'm so sorry. My husband is obsessed with the dead.
0:15:48 > 0:15:50Please, come and have a seat.
0:15:50 > 0:15:53- I just need to use your phone... I...- Yes.
0:15:53 > 0:15:55It was just some fun.
0:15:58 > 0:16:01And I'm sure you'd like a warm drink.
0:16:12 > 0:16:14What's that?
0:16:14 > 0:16:15You want to play?
0:16:15 > 0:16:17Ross, enough.
0:16:23 > 0:16:25Put your finger on the planchette.
0:16:26 > 0:16:28He's been at it all night.
0:16:34 > 0:16:36I call upon the dead...
0:16:37 > 0:16:39If there any among you...
0:16:39 > 0:16:42speak to us...on this night.
0:16:42 > 0:16:44KNOCK ON DOOR
0:16:46 > 0:16:47KNOCKING CONTINUES
0:16:47 > 0:16:49I'll get it.
0:16:55 > 0:17:00CAR HORN BLARES
0:17:05 > 0:17:06Ross!
0:17:06 > 0:17:09Beth!
0:17:09 > 0:17:10Ross!
0:17:10 > 0:17:12Bethany!
0:17:13 > 0:17:15What? What?
0:17:19 > 0:17:24CAR HORN CONTINUES
0:17:26 > 0:17:28BETH GASPS
0:17:32 > 0:17:33SHE GASPS
0:17:33 > 0:17:34What?
0:17:36 > 0:17:38But what...? What...?
0:17:38 > 0:17:42If the... How could...? Oh! She was dead all along!
0:17:42 > 0:17:47But I wonder, did our audience pick up on the twist or did The Breakdown
0:17:47 > 0:17:49leave them needing some assistance?
0:17:50 > 0:17:54- The twist at the end was really good. I liked that.- Yeah.
0:17:54 > 0:17:56- CAR HORN BEEPS - What? Is that her?
0:17:56 > 0:17:57I didn't see it coming, no.
0:17:57 > 0:18:00It kind of surprised me and I really liked that.
0:18:00 > 0:18:04She's crashed and all that. The guy said he's obsessed with the dead,
0:18:04 > 0:18:06so obviously she was dead already.
0:18:06 > 0:18:08- BOTH:- Oh...!
0:18:08 > 0:18:11What did the silly cow drive into a post for?
0:18:12 > 0:18:14An intriguing question,
0:18:14 > 0:18:17but our cinemagoers found something equally as provoking.
0:18:17 > 0:18:19This woman was my wife.
0:18:19 > 0:18:23The old people cracked me up, like, "Oh, yeah, my wife's dead."
0:18:23 > 0:18:24It's a joke!
0:18:24 > 0:18:26It's a joke.
0:18:26 > 0:18:28COMEDY DRUM SOLO
0:18:28 > 0:18:30"It was a joke!"
0:18:30 > 0:18:33- Get the fuck out of here! - THEY LAUGH
0:18:33 > 0:18:37And when they were calling out to each other - "Jo!" "Bethany!"
0:18:37 > 0:18:39Bethany!
0:18:39 > 0:18:40"Bethany!"
0:18:40 > 0:18:41"Bethany!"
0:18:41 > 0:18:42"Bethany!"
0:18:42 > 0:18:43"Bethany!"
0:18:43 > 0:18:47This makes it sounds like we didn't like it, but I really did!
0:18:47 > 0:18:49Put your finger on the planchette.
0:18:49 > 0:18:52- "Put your hand on the planchette." - THEY LAUGH
0:18:52 > 0:18:55I once had a ghost put their hand on my planchette
0:18:55 > 0:18:57and I've never fully recovered,
0:18:57 > 0:18:59but will any of our audience members
0:18:59 > 0:19:02have taken up the old man up on is offer?
0:19:02 > 0:19:05No! I have never played a Ouija board and don't want to -
0:19:05 > 0:19:07they're dangerous.
0:19:07 > 0:19:10Yeah, I think I'd like to do a Ouija board. I'd be quite curious,
0:19:10 > 0:19:14but then I'd probably be so scared if I got an answer
0:19:14 > 0:19:17and I'd be like, "Oh, no, that was you. That was you."
0:19:17 > 0:19:20- And it would be me.- Yeah.
0:19:20 > 0:19:23Well, if I had a Ouija board with me right now, I'd only have
0:19:23 > 0:19:27one question to ask it - did our audience find Breakdown scary?
0:19:27 > 0:19:31It was a nice little thriller. Just gliding into it.
0:19:31 > 0:19:35What the film-maker did, which was ingenious, was they just kept
0:19:35 > 0:19:38throwing in fake twists, which made it really fun to watch.
0:19:39 > 0:19:42So it sounds like Breakdown wasn't a write-off,
0:19:42 > 0:19:44but what score was it dealt?
0:19:44 > 0:19:46Find out at the end of the show.
0:19:52 > 0:19:54Put your phone away.
0:19:54 > 0:19:55Why?
0:19:55 > 0:19:57Turn your phone off, fella.
0:19:57 > 0:19:59I don't want your missus interrupting my movie, eh?
0:19:59 > 0:20:02Why are you so fascinated by that straw?
0:20:02 > 0:20:06Because it's, like, crunching my straw, so I couldn't suck anything
0:20:06 > 0:20:09out of it. Look! What cup is aggressive enough to do that?
0:20:09 > 0:20:11It's fine now.
0:20:11 > 0:20:13You've broken it! That's why.
0:20:16 > 0:20:18Time for something very different.
0:20:18 > 0:20:22It comes from the sick mind of 23-year-old Josh Ward.
0:20:22 > 0:20:26Like all good amateur film-makers, Josh enjoys making fake blood,
0:20:26 > 0:20:29walking into gates and attacking soundmen.
0:20:30 > 0:20:32This is A Mothers Touch.
0:20:34 > 0:20:38What's next? I want the lights to go down.
0:20:38 > 0:20:39Oh, here we go!
0:20:51 > 0:20:53JINGLING
0:21:49 > 0:21:51Fucking hell!
0:22:27 > 0:22:29No!
0:22:30 > 0:22:31You go, girl.
0:23:09 > 0:23:10Daddy?
0:23:13 > 0:23:15Argh!
0:23:15 > 0:23:18SHE WHIMPERS
0:23:18 > 0:23:20SHE CHOKES
0:23:21 > 0:23:23Argh!
0:23:25 > 0:23:26Daddy's weird!
0:23:34 > 0:23:36Fucking...
0:23:36 > 0:23:37bi...
0:23:37 > 0:23:39ARGH!
0:23:43 > 0:23:45HE WHIMPERS
0:24:23 > 0:24:26What... What did we just watch?
0:24:26 > 0:24:27I don't know!
0:24:27 > 0:24:29But I think I liked it.
0:24:31 > 0:24:34A Mothers Touch was one of those films that asked more questions
0:24:34 > 0:24:37than it gave answers. But what did our audience make of it?
0:24:40 > 0:24:43The way that I interpreted A Mother's Touch was that it was
0:24:43 > 0:24:46like a parent's desperate attempts to maintain childhood innocence.
0:24:46 > 0:24:49I thought it was about someone getting their eyes gouged out,
0:24:49 > 0:24:52but then when you pointed it out, that's a very good interpretation.
0:24:52 > 0:24:55I'm going to go with that and pretend to be smart.
0:24:55 > 0:24:57I think she wants her daddy to save her,
0:24:57 > 0:25:00but I don't think the guy that appeared was her dad.
0:25:00 > 0:25:03That she poked the eyes out, weren't her dad.
0:25:03 > 0:25:07Best thing I could put together from it is that it was maybe like...
0:25:07 > 0:25:10Oh, do you know what? I just don't know.
0:25:10 > 0:25:13Thanks for nothing, you lot! Luckily for me and you at home,
0:25:13 > 0:25:16here's Amelia and Grace's Guide To A Mother's Touch.
0:25:16 > 0:25:20There's this girl in the cage, she likes a baby, she takes pills.
0:25:20 > 0:25:22It's the circle of life, but it's definitely not.
0:25:22 > 0:25:26- She's...- Neglected from her mother's touch.
0:25:26 > 0:25:28- And so...- That's why she locks her baby in the cage,
0:25:28 > 0:25:32- cos she doesn't know how to be a good mother.- Whoa.
0:25:32 > 0:25:35Yeah, I don't think we're going to get very far with this one.
0:25:35 > 0:25:39It's clear that A Mother's Touch confused some of our audience,
0:25:39 > 0:25:41but how much did it make them want their mummies?
0:25:41 > 0:25:43With the final votes now in
0:25:43 > 0:25:46it's time to take a look at all the films to see how they scored.
0:25:51 > 0:25:54In fourth place is Bernard, Robert Howell's
0:25:54 > 0:25:58tale of cannibalism-next-door, which bit off more than it could chew
0:25:58 > 0:26:00with an unappetising 3.5.
0:26:03 > 0:26:06I didn't find it scary at all. But really, really unsettling.
0:26:06 > 0:26:09In third, it's stranded ghost thriller, The Breakdown.
0:26:09 > 0:26:13A big twist finale failed to tow it from the hard shoulder,
0:26:13 > 0:26:16as it crashes in with a 5.6.
0:26:16 > 0:26:18I really enjoyed the film and I liked the idea,
0:26:18 > 0:26:20but it wasn't actually that scary for me.
0:26:20 > 0:26:21Bethany!
0:26:21 > 0:26:23Bethany!
0:26:23 > 0:26:27But only one film can take top spot on tonight's leader board.
0:26:27 > 0:26:29And just pipped to the post this week with 6.1 was
0:26:29 > 0:26:32Josh Ward's A Mother's Touch.
0:26:32 > 0:26:34It ticked a lot of boxes.
0:26:34 > 0:26:36It's unsettling, it's really well made, it's well scored.
0:26:36 > 0:26:39Which means this week's winner
0:26:39 > 0:26:42is basement-based panic provider Paranoia.
0:26:43 > 0:26:47One of the best horror films I've seen, actually.
0:26:47 > 0:26:51This film, I feel, like, gave us not one jump scare but two.
0:26:53 > 0:26:57Yes, that double jump certainly gave it the edge it needed
0:26:57 > 0:27:00to take today's top spot with a score of 6.8.
0:27:00 > 0:27:02Remember, though, only the top three
0:27:02 > 0:27:06at the end of the series will make it to the final, where Blair Witch
0:27:06 > 0:27:10co-director Eduardo Sanchez will choose our ultimate winner
0:27:10 > 0:27:14and hand over 20 grand's worth of support towards their next project.
0:27:14 > 0:27:19So, what have tonight's scores done to the overall leader board?
0:27:19 > 0:27:21Incredible!
0:27:21 > 0:27:25Paranoia bumps off Mr Creak and joins 3am and Capture in our top three.
0:27:31 > 0:27:34So congratulations to Paranoia, but with more terrifying offerings around
0:27:34 > 0:27:38the corner, will that trio still top the table?
0:27:38 > 0:27:41Or will one of next week's trouser-stainers take their place?
0:27:41 > 0:27:43Coming soon...
0:27:43 > 0:27:45That film was so scary.
0:27:46 > 0:27:49Yeah, it was really well put together.
0:27:49 > 0:27:51You little stinker!
0:27:52 > 0:27:53Agh!
0:27:53 > 0:27:56This is too much of a build-up. This is too much.
0:27:57 > 0:27:59Until then, nighty-night.